#poor me: man what the fuck man

[whereisthedamndaddymanual]

What did I learn in University?

Nothing, but I taught a few girls the art.

[saragrosie]

As promised, incredibly stupid s4-5 drawings

[cinnamon-girl133]

lying awake thinking about how insanely sad the bourne identity is

[mercutiotakethewheel]

ok so realistically i know theres important character reasons Kendra (and Seth and Warren by extension) never suspect Gavarog. It’s the old society trick to set up threats as team bonding exercises, etc, etc. plus this is a new and unfamiliar world thats rapidly overtaking her real world and replacing all her existing relationships, and right now Gavarog’s like the only member of her magical-worl peer group, so she doesnt want him to be a traitor, just like she didnt want Vanessa, her only female mentor to be a traitor, etc , etc.

but also i wholeheartedly 100% believe that every time Gavin did some truly bizarre, weird ass shit Kendra was just like. damnnnn…. average home school kid behavior.

[seven-stars-in-his-palm]

the thing i love about bill cipher is that even after i've learned all of this stuff about him, seen him at the most vulnerable he'll ever get, seen him at his most innocent, i still can't give a flying fuck about trying to justify his actions. yes he's traumatized, yes he was twisted into what we know today, and while it gives a semblance of context to why he did what he did, it doesn't matter. he still ruined ford's life. he still drove and baited multiple humans to suicide. he still tormented every human he saw as his ticket out of the consequences of his own actions. he still took delight in his actions. he was willing to commit genocide for fuck's sake!!! (freezing all of the humans into statues). trying to explain away what he did does not get rid of what he did, but it certainly puts it in perspective. you won't be catching me being a bill apologist any time soon <3

[givemewallywestorgivemedeath]

Ares? Hephaestus? God of War? God of Machines? Please. Put some respect on their names. That's Mr. Frank's Dad and Mr. Charles and Leo's Dad to you, thank you very much.

[lewishamiltonstuff]

You know what's fucked up about this entire Horner situation?

They were never gonna let him go. They did the investigation just to fulfill a formality. They even set the grounds for today's announcement by already posting yesterday:

"Any statement from Red Bull GmbH is expected to reflect a thorough and fair investigation, but matters of confidentiality are likely to limit the amount of information shared publicly."

By this, they just meant that whatever bullshit we post tomorrow (translation: we're not kicking him out) it'll be fair and impartial. And if someone asks us any questions (translation: we know we'll get the backlash) we can't say anything because it's a matter of confidentiality and we can't share private information (translation: you can fuck off, we don't have anything to prove him innocent, so we'll use the confidentiality clause).

And that is exactly what they did! They posted that their investigation was "impartial" and "fair" and it contains "private information".

They had been setting the stage for this all along!! Who are they trying to fool though?

I hope she takes him to court and drags him in the mud.

[byfulcrums]

Something I love about ATLA is that it doesn't force the "forgive the villain" on all the characters. It's been left clear that Ozai is a bad person, and there's no chance of redemption; the only reason he's not dead yet is because Aang is a pacifist

The one episode where a character is supposed to forgive someone who has hurt them in the past is the one where Katara is off to kill a man (which, fair) and Zuko helps. In that episode, even if Aang is telling her to let go, she doesn't forgive him. She never will. But she spares him. Not because she thinks he doesn't deserve death (he does), but because she's not willing to continue the cycle of violence

Killing someone can have a very important impact in your entire being, mostly depending on who you are as a person. Aang would've never recovered from killing Ozai. Katara wouldn't be who she is now, had she taken her revenge on the man that killed her mother

And the best part of it is that Ozai doesn't deserve to die. Not in a "I'm defending him" way (ew), but in a "he deserves worse that than" way

Taking away his bending was the perfect punishment for him. He believed bending made you superior and he never cared enough to train something besides his bending. What a loser. Zuko and Azula wouldn't be restrained by something like that

He's alive. Nobody has forgiven him. Nobody ever will

[holocene-sims]

next // previous

may 10, 2013 6:00 p.m. the entrance to hell

is binn béal ina thost

sweet is the silent mouth

[public-use-trans-it]

Listen. I know we like to clown on those vanilla ass mother fuckers with a blog header saying some shit like "Welcome to my twisted fantasy..." and then it's nothing but the most fucking boring ass gifs of a straight couple having sex in the missionary position, with a black and white filter over it. And like, yeah. I get it. To us, these are some boring ass motherfuckers. But to me they inhabit a very important place in what is more or less the 'taboo pipeline'.

Taboo is like... this pit in your stomach. A feeling of disgust. You have seen something repulsive and vile and it has made you want to get away from it. And that makes it very easy for you to get swept up in hatred for the thing that invoked those emotions. That's why it's important to push those feelings aside so you can't be manipulated through them. And for that, desensitization is a FANTASTIC tool to use to change yourself. Not everyone who goes through it follows the exact same progression, but it is still interesting to see how people's relationship to kink and taboo changes overtime.

For many people it starts with stuff that, to basically everyone online, is considered unbelievably vanilla, but to these people it does give that feeling. That pit in their stomach. That feeling of disgust. But they still TRY it and that's to be admired. Stuff like having a praise kink. Dirty talk. If you are feeling REALLY risqué then MAYBE even a spanking or two! And let's not forget, the dirtiest most fucked up kink of all: BREEDING. God, can you imagine? Having sex with the intention of having a child? Gross.

And as these people participate in this stuff that pit in their stomachs starts to go away. They grow more comfortable in that space. This does not, by any means, mean that they are now people capable of being normal about other people's kinks. Quite the opposite. They see other people being into feet or armpits or stinky girls or piss, and they react with disgust as that pit in their stomach comes back. They have forgotten what that feeling of first getting into something was like.

Some of them, though, will manage to push through that. They will go "I mean, that's just... normal stuff about a person's body... it's not THAT weird?" This is usually made easier if they know people with those kinks. Slowly realizing that "Oh. These are just people with their own interests, like I have my own" a few of them might even try it out. See what the big deal is. They still get that pit in their stomach, that feeling of disgust, but that isn't enough to deter them. They might even find in the end they actually like some of those things!

Then they see other kinks. Rapeplay, somno, hypno. Things pushing the boundaries of consent. Of what your own desires mean and what it means to put those on others. Again, the pit in their stomach comes back. They feel that disgust. Consent is a REAL issue! It has REAL impacts in the world! ACTUAL people outside of kink spaces are having their lives ruined over this stuff! At this point that pit in their stomach drives them in one of two directions.

They could become the kind of person who writes callout posts about the gross perverts online who don't take these very real and dire issues seriously enough! These kinda people suck and are miserable to be around. Cut them out of your life quickly. A feeling which is certainly mutual.

The rest will typically be around this point where recognize that pit in their stomach and that disgust, for what it is. It's something that should be chased, something that shows you new and wonderful things you would have never considered before. And chasing that feeling is starting to be it's own kink. Corruption. Feeling yourself getting "worse". You know people are going to shun you as you do, but who CARES what they think? You know the people into this stuff aren't actually dangerous. They are just people. Whatever. Give it a try.

Bloodletting, torture, branding, even snuff. It's disgusting. That pit in your stomach is eating you alive now. You love it. It's an awful feeling and you want more of it. It's starting to seep into your real life in ways you never imagined. You get sick, and don't even feel as miserable as you usually do because you just smile about how easily someone could take advantage of you in this state. You cut yourself while cooking, something that would normally ruin your whole night before, and your first thought is "I should take a picture. I know some people who would be excited to see that." Your snuff kink normalizes the thought of death. It's no longer a desperate way out of this life you consider every night. It's something wonderful that you can only engage in once, and you want to save that experience for someone very special to you, and you need to live to do that. The 'worse' you get, the easier it is to find happiness in things that used to make you miserable.

By this point, you don't even bother trying to look at pictures or videos of real people. If something can be done safely enough in the real world to post online, it's not going to do much for you. People mention 'The Big Three' in discourse, and you have become so desensitized that you struggle to remember which ones those were. That stuff is all too tame. It becomes harder and harder to be disgusted by anything. To chase that pit in your stomach. You have exhausted everything that used to be a limit.

It's a lot of introspection. Looking inwards like that is... difficult. It's hard to take a look at the kind of person you really are deep down. It's disgusting. Leaves you with a pit in your stomach. ... Yeah. You can work with that. Your only options now are more abstract. Philosophical. Ideological. The idea of betraying not a partner, but yourself. Compromising your own values just for a moment of pleasure. Sacrificing your identity just for a new experience.

You start looking back on how you got here. Who you used to be. That person who used to still be able to get worse. The torture and snuff just feels like a forgone conclusion at this point. Like, can you even get off if it's not ruining someone's life? Yours or your partners. Doesn't really matter which. Sex is a process someone should survive only barely, if at all. And it should absolutely scar you permenantly so you never forget about that encounter, to make it TRULY special.

You look back at those noncon kinks, and again, that's just so basic. Sex should have a purpose, changing and altering someone on a fundamental level. It doesn't matter if they want it. It doesn't even matter if they like it. It's not even to get off, it's basically just a public service at this point. Something bigger then yourself. Stuff that would ruin the lives of everyone you know. Things that would drag the entire world down kicking and screaming into scenarios most would describe as pure horror. As something disgusting. You need to teach them how lucky they are to still feel that. To still get that wonderful pit in their stomach.

You look back further than that. God. You didn't appreciate this stuff RIGHT back then. It was just something to get off with. You didn't properly admire the body and every beautiful inch of it. All its beautiful systems and interconnected parts. How much redundancy it has. You can get rid of oh so much of it, and it will find a way to keep working. It really is a work of art. And yet, at the same time, it's oh so very fragile. A tiny mistep could destroy it forever in ways that can never be fixed. Such a frail and easily lost thing...

...

Uh. Yeah, sorry, this post got away from me a bit. Sorry. What were we talking about? Right. Those losers with the extremely vanilla blogs who think they are the pinnacle of kink. Can you imagine actually SLEEPING with one of those dudes? Like... god. You can do so much better. You would have to have no standards to sleep with them. They don't care about their partners' pleasure. They don't know how fragile our bodies are. They don't even understand Risk Aware Consensual Kink. This dude is going to try to choke you, squeeze wrong, and cut off your circulation for just a bit too long, and freak out when you pass out and never wake back up. You are going to inflict lifelong trauma on this dude that he will never recover from. Personally? Whenever I think about actually having sex with one of these dudes and what a mistake it would be, I find the idea disgusting. It leaves a pit in my stomach.

[lilmissnatcat24]

the gang collectively despises rear admiral mikhailovich

“Citadel Security By Laws, Clause F, Section 4,” Garrus recited. “All military-grade vessels under Citadel control may be turned over for investigation, disassembly, and forfeiture under the suspicion of sedition, treason, kidnapping, murder, terror, or other Class A crimes, the governing body’s ownership of said ship becoming null and void for a span of up to sixty days.” Garrus didn’t even know if that clause existed, he just pulled it out of his ass, sure it was attached to some ancient tome of a C-Sec law he read when he first joined the force. He did his best to sound monotonous, as if it had been drilled in him as muscle memory. 

With each word, the veins in Mikhailovich’s forehead became more and more pronounced. He stormed up to Garrus, stabbing his carapace with his boney finger. “Where the fuck do you get off, boy?” he spat in his face. 

“Once a day, in the evenings, preferably in the shower,” Garrus responded, deadpanned. He ignored the smirk coming from Kaidan in Mikhailovich’s blind spot. 

“Now, are you going to be a problem, Admiral, or will you leave the docks peacefully, without incident?” Wrex asked. It took Garrus aback. He wasn’t suspecting that Wrex would ever join in this charade. Maybe he was a better actor than he let on. That, or he wasn’t acting, and the snarl escaping from his nostrils was telling that he was actually about two seconds from hurling Mikhailovich over his shoulder to plummet down the dock. 

Mikhailovich looked Wrex up and down, the malice leaching from his face. “I didn’t know C-Sec hired krogan,” he sneered. 

“Had to have been sometime before you were even a twinkle in your daddy’s ballsack,” Wrex said, not bothering to mask the fury in his voice.

[dangans-ur-ronpas]

Chapter 23

ohhh baby we back in it now

SEE HERE FOR GENERAL WARNINGS AND FIC SUMMARY

Some pre-chapter notes:

byakuya pov finally

bonus headcanon coming into play here: byakuya being Wasian

shoutout @digitaldollsworld for helping me conceptualize byakuya's mom! both of us are Sick about her

Content warning tags: wall-punching, grieving/mourning, unreality (dreaming)

< previous - from start - next >

There’s a woman standing in his office.

Byakuya stands behind the cracked-open doorway, peeking through - though, part of him does rile up with the indignity of having to spy into his own office - at the intruder, standing in front of his desk, back facing the door.

He can’t see her face. But he can see her flax-yellow hair, tied back with a wrinkled, silken scarf that’s probably the most expensive thing she’s wearing. Her cotton jumpsuit is so stained and faded that hardly any of the original blue is still there. Her canvas shoes are discolored with mud.

She would look more out of place, if the shabbiness of her hadn’t seeped into her surroundings. The carpet is splattered with crusted clay, and shards of stone stick out of the plush threads like thorns. The mahogany surface of his desk is creaking and bent under the weight of a large cube of fleshy, white marble, splintering under the lacquer.

As he watches, she lifts her bare hands - ugly, roughened, thickly muscled fingers, nails cracked and filthy - like a conductor before an orchestra. She pauses, head tilted like a bird, thinking, and Byakuya inexplicably finds himself holding his breath; and then, she places her palms against the stone.

The surface of it warps and distends beneath her touch, first like a swollen balloon, and then like clay, twisting and following her hands like a swimming fish. And he watches, fascinated despite himself, as she bends and shapes it, twisting pieces off, smoothing edges down. She pinches out a piece in the middle for a nose, smoothes down a sharp edge for a sloping curve of a cheek, flicks her nail sharply beneath the brow to pull out a crease for an eyelid.

It’s magic. In seemingly no time at all, there on his desk is a bust; the head of a man brought to life, caught in a soft, gentle expression. The sculptor pauses, and steps backwards to take in her work.

There’s something reverent about it, and Byakuya suddenly has the feeling that he’s witnessing something not meant for him to see.

But he creaks the door open slightly more to get a better look, finding it strange how he was more curious than angry, even despite the intrusion. As he approaches, the bust’s eyes suddenly flick towards him, and immediately the serenity is replaced by a solemn, pinched brow, the smile replaced by a severe slash of a frown. And Byaukuya realizes he recognizes this face.

The marble-wrought head of Kijo Togami is sitting on his desk, scowling at him.

“Byakuya?”

He turns to the woman. She’s facing him now, though she has no face to speak of - it is blurred and unfocused, like a distant background character of an impressionist oil painting, the features mere shifting smears against a flat plane - but he knows her. He knows her.

“Byakuya,” She repeats, the syllables awkward on her tongue. She’s speaking French, and she sounds distant. Muted, underwater. But her voice still has the same, oddly musical quality to it that he remembers, making everything she said sound like a lullaby. “Bijou. Did I not tell you to stay out of my studio?”

Her studio?

“This is my office.” He protests back. He can’t tell if he’s speaking Japanese or not; every word feels clumsy and foreign, like he’s just learned how to talk. “What are you doing here, Mother?”

She just sighs. Shakes her head, her featureless face. There’s no anger in it, no loving exasperation either; just a neutral disapproval of his presence. His unwanted existence in her space. “Bijou,” She says again, and the nickname irritates him. A sweet-sounding endearment that was ultimately empty, a placeholder for her to refer to him by, because his own name was too clumsy to speak with her accent. “When did you become so grown? When will you stop being so cold?”

The stone Kijo Togami is still frowning at him. In this instant, both the man he calls ‘Father’ and the woman who had birthed him - one painfully-detailed stone, the other indistinct flesh - stand before him. One silent and forever displeased, the other sweet but hollow-sounding and entirely uncaring that they shared any blood at all.

“How strange it is, that you look so much like me,” She sighs, raising a hand to his face. He flinches away from it, the sandpaper sharpness of her palms, the filth that stains the creases of her skin, the heat that comes off of it like a kiln. “And yet, you are so much like him.”

—

He wakes up with a gasp, eyes snapping open.

He’s greeted with the pitch darkness of his ceiling, cut through with a thin slash of white from his bathroom light, streaming through the cracked-open door. A reminder he had taken to preparing for himself before he went to bed, that his eyes were still there, and he sighs and presses a palm to his chest as he stares up at it. Feeling his heart pounding beneath his fingertips, then slowing, in time with his breaths.

A dream. He can’t remember the last time he dreamed so vividly, but he had been subjected to some unpleasantly…shocking events the last few days (he won’t call them traumatic, he’s witnessed far worse in his life). The details of the dream are already slipping away as he tries to recall it, like sand between his fingers. It’s hardly important.

He lies in bed a moment longer, trying to see if sleep will come, but even with the adrenaline fading he’s wide-awake. Annoying, but not surprising, considering how he had spent much of the day before napping in short, fitful bursts. He pushes himself upright, reaching under his pillow for his handbook; may as well make use of the time.

The clock on his handbook reads: three AM. His neglected stomach gurgles as he squints at the dim glow of the screen, and he sighs. He hasn’t eaten since Celeste’s little tea party the day before, and he might as well go to the kitchen now. There likely wouldn’t be anyone wandering around to disturb him. And with Ishimaru gone, there was no one left to seriously uphold the nightly curfew; he drags himself out of bed with a grunt, grabbing his bathrobe off the end of his bedpost as he goes.

He’s not expecting the trap that he finds when he opens the door, however. The first step he takes past the threshold is accompanied by a loud, startling crunch, and he jumps backwards, just barely stifling a shriek. He throws his hand against the light switch, digging it into his palm as he flicks in on, and at once the yellow glow streaming from his room illuminates the something round, brown, and somewhat deflated sitting in the hallway.

For a moment, he thinks it's some kind of rodent, dead and trodden under his foot. But closer inspection reveals it to be packaged bread, only slightly crushed in its plastic wrapper. There’s no note, but he can guess who the offering is from.

He sighs, picks it up by the corner, and tosses it behind him towards his trash can as he leaves.

The hallways are dim, and almost silent if not for the dull hum of the school’s inner machinery. The whoosh of air conditioning, the muffled clang of pipes. None of the construction that Hagakure had reported days ago, not even when he strains his ears.

But he does catch the quiet murmur of conversation as he passes the bathhouse, and he pauses, staring at the light that streams from behind the curtain, the quick-flicker of shadows moving from inside.

“It wasn’t your fault!”

He freezes, standing just outside. That was Chihiro’s - no, Alter Ego’s - voice. 

“I know Master wouldn’t resent you.” It continues, earnest and bright. “And based on my data…I don’t think Kiyotaka would blame you either!”

“But it was my fault,” Mondo’s voice is strained and hollow, grieving still. “If I hadn’t left them alone - if I’d tried to just talk to him -”

Byakuya shifts slightly. He doesn’t want to be here, to have to witness Mondo’s continued breakdown. He still hasn’t forgiven the other boy, but having to see him stuck in the depths of misery was…unpleasant. And he’s not so petty to want retribution while the target of his ire was in such a state.

He tiptoes past, giving the bathhouse entrance a wide berth. From inside, he hears more indistinct voices, one low and gravelly from crying, the other electronic and gentle. And then-

“Brother, what are you looking so down for?” This one was new, but chillingly familiar. Loud and overeager and belonging to someone who was supposed to be dead. “You-”

Crash.

The sound of crunching metal. In the quiet of the hallway, it’s as loud as an explosion, and it makes Byakuya jump. Before he can reconsider, he’s sprinting into the bathhouse, throwing aside the curtain.

It takes him a moment to process what he’s seeing. Owada is standing, partly-hunched, one hand punching against the wall of lockers hard enough to warp the thin metal door. Someone is standing beneath him hands raised in self-defense - it takes Byakuya a moment to recognize that it’s Makoto, dressed in the white and dark blue of his pajamas, lacking the signature green of his jacket - and from somewhere behind Makoto, there’s a dim, neon-green glow, and a confused, worried voice.

“I’m sorry, I didn’t mean-!” 

“Don’t do that,” Owada snarls, drowning out Alter Ego’s stuttered apology. The locker door rattles where his fist is pressed into it. “Don’t just- wear his face, don’t you dare-”

“M-Mondo, it didn’t mean to! It was just trying-” Makoto breaks off, apparently noticing Byakuya. “B-Byakuya-?!”

Byakuya was immediately beginning to regret his decision to involve himself in the first place. “What is going on here?” He demands, crossing his arms and glaring imperiously.

Instead of replying, Owada pulls away, withdrawing his hand and retreating to slump over on the bench, despondent and unresponsive once more. Makoto twitches, turning between Owada, then Alter Ego, and back to Byakuya. “Um…”

“It’s not their fault!” Alter Ego pipes up hurriedly, its voice echoing tinnily from inside its locker, and Byakuya could feel a corresponding vibration from the handbook tucked in his shirt pocket. “It seems Mondo wanted to ask me a question, and Makoto was just helping to convey that-”

“I don’t care.” He snaps, and Alter Ego falls silent. “Neither of them are supposed to be here in the first place, and especially not after hours. Are the two of you trying to draw Monokuma’s suspicion? Endanger Alter Ego?” Makoto flinches a bit at that. Owada doesn’t even move. “Don’t you care about getting out of here at all?”

He’s not really expecting a reply, so he’s surprised when Owada speaks up. “ ‘Course not.” He rasps, so low and hollow that it was like he was speaking from the depths of a pit. Or maybe he was the pit, swelling with black-matter misery. “I…don’t care about anything anymore.”

Well. That’s to be expected. But even despite that, he finds himself a bit rattled. He’s been at the receiving end of anger, venom, screaming anguish and even vehement hate at this point. But this emptiness Owada is exhibiting was new; It seems like this school is insistent on teaching me new things, he thinks, and feels his lip curling up with the bitter irony.

“So you’re content to waste away? Throw away that anger that you were so proud of?” He raises a scathing eyebrow. “Go ahead and do that, then. I won’t stop you. But at the very least, spare the rest of us the dramatics of your little episode.”

“Byakuya!”

He twitches a bit, irritated. Makoto’s voice is shrill despite being hushed, and laced with anger; he’s standing stiffly next to Alter Ego’s open locker, hands trembling at his sides.

“What, Makoto.” He snaps, and only belatedly realizes that this was the first time he’s actually spoken to the other boy since the trial; in his irritation, he went and broke his own self-imposed vow of silence against him.

He doesn’t respond immediately, but doesn’t immediately shrink away either at the acidity of Byakuya’s tone. If anything he stands up a little straighter. “It’s only been a day since…you know.” He says, and his words are slow and careful, meticulously chosen. Like he’s in a trial again, trying to soothe skittish tempers - though Byakuya feels the exact opposite of ‘soothed’ by it - “Mondo asked to talk to Alter Ego. I went with him. It got a little heated-”

“A little? Is that what you call this?” He points at the locker next to his head; the one that Mondo had punched, the dent a clear, dark blotch of shadow in the middle of the flat green surface.

“That -” Makoto winces slightly. “We weren’t really expecting-”

“No, clearly not. And not thinking either, I imagine.”

“I-”

“I suppose safety and logic took second priority over trying to be helpful, hm? Since that’s all that’s important to you?” He’s not sure where these words are coming from, filled with acid. But it feels good to talk, to spit out every miserable thing that he’s feeling, that he’s felt because of Makoto. “You were so very kind to help me during that trial, after all.”

“Okay, that’s not-”

“That must be why you’re here now, I imagine. Sneaking out at this late hour past Kyoko, just so you could babysit this useless mess.” He sneers. “Did you decide to make Mondo your next pet project, trying to be his little assistant like you were mine?”

“Oh, for-” Makoto takes a deep breath, presses his hands to his eyes. “Can you shut the fuck up?! For one second?”

Whatever else Byakuya was about to say, dissipates like smoke out of his slack-jawed mouth. Even Owada seems to twitch up at this, the only sign of surprise he could give, compared to Byakuya’s shock.

Makoto is quiet for a few seconds, and the only sound is the quiet hum of pipes, and the sound of his breathing, shaky but slow. He pulls his hands away from his face after one more shuddering breath. “Okay. I’m okay now.” He says this part quietly, as if it were more for himself than anyone else. Then:

“It’s not fair,” He addresses Byakuya, and his voice is almost steady. “I’m trying my best, I’m trying to keep us all alive.”

“Yes, and you’re doing-”

“No! Shut up! Just listen!” He snaps, and Byakuya’s teeth click as he shuts his mouth, effectively cutting off the rest of his sarcastic remark. “Right now, the best thing we can do is to survive together. We’re just going to play into the mastermind’s hands if we can’t trust each other. Why doesn’t anyone get that?!”

His voice actually cracks on the last syllable, and he sounds close to hysterics. Byakuya simply stares, dumbfounded for a moment, before:

“...You’re going to say that? After what just happened?” It’s so ridiculous he could almost laugh. Trust? In this school, in this game? After everything that’s happened? “We all trusted Ishimaru. Where did that get us? Where did that get Chihiro?”

No sooner has that name left his mouth, does he try to bite it back. Feeling all at once mortified that he would stoop so low, that he would let himself be pushed to such a level. But it’s too late to take it back - at the sound of those names, Owada jerks again, and Makoto actually takes a step backwards, as if struck - so Byakuya keeps going. “This isn’t some-some fairy tale where everyone can learn to get along by talking about our feelings. None of us have any unity left - if even Ishimaru can snap, then there’s no telling who might strike next.”

“Stop,” Makoto grits out. “Taka - it was an accident. Just a stupid accident.” And that was the worst part, wasn’t it? That none of this was supposed to happen at all; if the coincidences hadn’t lined up terribly, horribly perfectly. “He didn’t mean for Chihiro to die!”

And Chihiro didn’t mean to get killed either. But he manages to swallow that thought, bitter and heavy in his throat. “His intentions didn’t change the outcome.” He says instead, cold and flat and utterly, completely empty.

Silence falls on the room. The lights buzz, the pipes hiss; the old, outdated screen of Alter Ego’s computer hums softly, contemplatively. There’s the muted, metallic thump of the water heater, somewhere inside the wall.

And then Owada speaks up.

“What should I do?” He asks hollowly. He’s looking up now, directly at him. His hair is limp, pompadour undone and falling over his face, obscuring it in streaks of dirty yellow. “I…they’re dead. I couldn’t-” He takes a slow, shuddering breath. “It was my fault. But I don’t know what to do.”

His words are pleading and genuine, as if Byakuya could give a proper answer; he hesitates, still uncertain of what to do with this…empty shell of a punk.

He glances towards Makoto, and then the dim green glow still emanating from the open locker. “Do you care what you do with your life at this point?”

“Byakuya…” Makoto starts warningly, but Owada interrupts him.

“No.”

“Then use it to protect Alter Ego.” If Owada has any sort of misgivings or protest about this, Byakuya ignores them. “That’s Chihiro’s last work, after all. It’s the least you can do to guard it.”

“Is…” Owada’s head turns towards the locker, then back. “Is that…okay?”

His hesitation is understandable. Even if Alter Ego was nothing more than a clever program, it did still wear the face of the boy who Owada’s friend inadvertently killed, and whose corpse Owada had tried to conceal. And that wasn’t even considering if Alter Ego would be cooperative in being protected by him, though there wasn’t much it could do about it.

But Alter Ego is the one who speaks up. “I hope we get along well, Mondo!” It chirps, a smile clear on its voice. And Mondo simply stares for a moment, before burying his face in his palms, and begins to cry.

__

“Are you going back to your room?”

He stops, and turns. They’ve left the bathhouse, Mondo departing first after sobbing his eyes out, and Makoto insisting he go rest in his room - though he probably would’ve ended up staying in the bathhouse all night if he could’ve gotten away with it - and Byakuya, having ended up spending an hour more than he wanted to dealing with it all, is tired once more..

“Where else would I be going?” He scoffs. Makoto is standing just in front of the bahthouse curtains, his face entirely concealed by shadow.

“I…” He takes a deep breath, as if steeling himself. “I noticed you didn’t really…eat a proper meal yesterday. I could go make you something?”

It’s tempting, for a moment. Byakuya clenches a hand in his robe, pressed against his stomach to stifle any unwarranted growls. “No.” He says firmly. “I’m going to sleep.”

“Oh…are you sure? Because-”

“Makoto.” He falls silent. “I told you that there’s no need for us to uphold the deal we made. Your assistance is no longer needed.”

“...But, this isn’t because of the deal, I just-”

“I’m not so low that I’d need charity from you.”

He goes quiet again. Quiet and still, and there’s something off-putting about how he looks. Outlined by the yellow lights of the bathhouse but otherwise completely in darkness, his silhouette sharpened without his jacket. “...Is it really that hard, trusting someone?”

For as angry as he’d been in the bathhouse, now he’s more like his usual self. Quieter, and unsure. The one person out of place in this school, designated unremarkable and then made remarkable because of that.

An unremarkable life. No wonder he couldn’t understand.

“You’ve never had to worry about it before,” He says. “I imagine your life is like a sheep’s. Completely oblivious to the danger around you, as long as you stay inside the fence.

“But the world isn’t as kind as you think it is. And people can always be swayed, no matter how much you trust them, or how much you think they trust you.” He’s seen it happen. He’s exploited it himself, even. “At this point, it would be safest to stop associating with anyone. If you had any brains at all, you would do the same.”

Makoto lets out a sigh that’s almost a laugh, though it’s bitter and mirthless. “Kyoko said the same thing,” He mutters, half to himself. “So you won’t feel safe unless you’re alone? Even though there’s only ten of us left?” He shakes his head, and the motion is a little dizzying, the messy shape of his hair blurring into a dark mass. “How many more people need to die for you to feel safe?”

He sounds angry again, but it’s a colder kind of anger. Resentful and resigned. When did you become so cold?

“...I won’t be safe until I’m out of here.” Byakuya replies steadily, though the hand clenched in his robe tightens slightly. “Even if I could keep everyone in my sight, it’s not like it’d be easy to tell if they were holding a weapon.”

Silently, he adds: And thanks to you, they know that as well.

Makoto doesn’t say anything in reply, so Byakuya leaves. Quickly, in case his stomach threatens to grumble again; his hand doesn’t leave his robe until he’s safely inside his room, door locked behind him.

He almost treads on the bread again, stepping on a corner of the packaging and jumping at the sharp, crinkling sound. It takes a little bit of fumbling in the dark until he finds it, squeezing it through the plastic.

He’s tempted, for a moment, his fingers already searching for the serrated edge to tear it open. But the image of Makoto standing at the bathhouse entrance jumps to his mind; still and shrouded in darkness. A strange, statuesque parody of his usual self.

He throws the bread across the room and climbs back into bed.

< previous - from start - next >

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[wittyno]

Alec Hardy: has a traumatic experience in a body of water

Also Alec Hardy: rents a house literally on the water.

[brionnnne]

note that i will only ever call mithrun "stupid" jokingly. by "stupid", i only mean "frustrating behavior that i am immensely familar with". seeing him do something that makes me groan aloud, closing my eyes, sighing "stupid (affectionate, mournful)". like when he fucking... his dumbass "i don't want to [use the bathroom] right now, so it's fine." oughh. i know you! i know you! that's not how that works!!! and he's smart!!! he's so smart... but god, god... he's kind of an absent professor. he's kind of a cloudcuckoolander. i love him dearly. he gets called a dummy, a little idiot, and i flick his forehead, a little bonk of hard-heads, like "try again, idiot. that's not how bodies work." and "ooh, 'that's not going to work'. yes it is. shut up, stoopid. stubborn little man, my god." rolling my eyes forever.

[moonchild-in-blue]

And I know the angels tonight are as lost for words

As I am to merely behold you as we lie down together

Drag me under again

Deep in to your love