#pr-t

[vampireopossum]

they’re literally made for each other . .. transmasc x transfem dream couple

[flyingturtlepei]

PR-T from the movie WALL-E is adorable 

[starry-bi-sky]

miscellaneous danyal al ghul things

specifically about the danyal al ghul from my post/prompt here and i wanna get my misc. headcanons/thoughts on him (especially in his early stay with the fentons) out here before i make any other danyal al ghul aus

list under the cut because whoops this got longer than i expected. which really i should have expected

the Fentons are unaffiliated with the League, which was perfect for Danny faking his death.

he struggles with empathy. Empathy was not taught nor encouraged while he was with the League, so it's a skill that's been pretty stunted. At 15 he's better at empathizing with people, but he still struggles with it. He's pretty bad at reassuring/comforting people and usually acts as an emotional rubber duck for Sam and Tucker to vent to if need be. He sometimes offers blunt and sometimes mean opinions, especially if its about another person.

Sam and Tucker do not know he's an ex-assassin, they are however, pretty positive that he used to be part of an eco-fascist cult with a focus on martial arts?? They've been helping him tone down some of his more,,, extreme views on humanity ever since they caught wind of his more extreme ideologies.

He and Sam are still avid environmentalists and feed into each other quite a bit. They spend plenty of time at protests and pestering the school into more eco-friendly options.

Dash is not dead on the sole fact that Danny knew he had to lay low in Amity Park and killing someone was not, in fact, 'laying low'.

he did, however, traumatize him when Dash first tried to bully him. Safe to say, Danny is not bullied at school and neither are Sam and Tucker.

Danny didn't make any friends in his first year at Amity Park. He was surly, grumpy, standoffish, more stubborn than Sam, and pretty self-important about himself. Jazz was trying to teach him against these things, but she is a 12 year old unaffiliated with the League. Danny did not respect her nor listen to a word she said. It wasn't until like, year two that he finally started paying to mind what she was saying and slowly started to improve on himself

Sam approached him first, he rebuffed her quite harshly, and then Danny approached her sometime afterward when he overheard her talking about environmental rights. Sam completely ignored him though when he agreed with her, and Danny had to later learn that he needed to apologize for being rude to her when they first met. He did so eventually, and they started to talk more with Tucker and Sam.

Danny's a bit more reserved than he is in canon, although he steadily learns how to act as a regular teenager when he's out in public. He's a bit more friendlier at least, although when he's around Sam and Tucker he drops the act. He still has a somewhat formal way of talking, it's just become more casual after a lot of ribbing from Sam and Tucker. When he's angry or annoyed he starts talking poshly though.

His humor is relatively the same as in canon, if somehow dryer and more insulting at some points

Those rare moments where he gets really pissed usually ends up with him insulting someone in arabic or any of the other languages he picked up from the league. He is the go-to for Tucker's Spanish homework. (Tucker makes that mistake and learns that Danny is a very strict teacher)

while Danny doesn't view the Fentons as his parents, even five years after living with them, he does respect them to some amount. He respects them enough at least that when Vlad Masters comes sniffing around, he is suitably offended on both Maddie and Jack's behalf. And when he finds out Vlad was the one who tried to kill Jack and tried to tell him to renounce him as his father/parental guardian, danny threw a suitably sharp object at him and insulted him quite horrendously

Vlad still wants him as his kid. In fact perhaps even moreso after this.

Danny trains with Maddie to keep up with his training. It's not quite the same but it prevents him from getting completely rusty

Sam and Tucker know that Danny has a little brother, but nothing else beyond that other than Danny cares about him quite a lot and that he got his facial scar from keeping him safe.

Danny cares about Sam, Tucker, and Jazz quite a bit, but he struggles to convey it. Especially early on when he realized he cared about them and like instinct started being harsher to them and more critical of their actions. This resulted in quite a few arguments with Sam and Tucker and Jazz until he got sat down and told outright that the way he was treating them wasn't okay. It's a process he's still trying to unlearn even at 15. He has become kinder towards them as a result, and has begun looking for what they did right rather than what they did wrong.

He harbors a lot of guilt over how he treated Damian in the League, and its a pretty big conflict he has with himself since he's torn between telling himself it was for the best to make sure Damian survived the League, and feeling like crap over how harsh/critical of Damian he was and realizing that he probably could have come up with a better way of training him despite being a child himself at the time. Danny comes to the realization that more than anything, that he just wants to apologize.

His ghost form, specifically is outfit, is a combination of his hazmat suit and his uniform from the league, and he carries a sword with him. He also doesn't know how to react to Dani, honestly. Although it is fair to say that he figures out she's a clone instantly because of her whole 'I'm your third cousin once removed' thing and he freaks out. She spills the beans pretty quickly after that. And Danny is pretty skittish around her - or the equivalent of skittish. Her being younger than him kinda reminds him of Damian, so he's uncomfortable by her presence but learns to warm up to her.

[mediasaurs]

T. rex Madness winner: Sue (FMNH PR 2081)!!!

Congratulations to tumblr's favorite T. rex, the legend of Chicago, the nonbinary icon, the star of the Field Museum!!

[zuzu-draws]

Heian Era! Sukuna, back when he was a human Curse-Sorcerer ; If Gege won't give him to us, I will =_=

[swanno-arts]

Doodled a buncha funny robots

Still figuring out other designs but have these lot for now <3

[shitswiftiessay]

this is fucking disgusting.

[sp0o0kylights]

obsessed with your latest steddie au! steve’s relationship with his parents is so emotionally abusive and manipulative and my heart is breaking that nobody seems to recognise that

Thank you!!

I really wanted to focus on how Steve's parents are abusive in a way that is a lot harder to clock.

They're not out there screaming and kicking him out of the house. These people want you to like them, and they lie like they breath.

These are the adults who downplay serious issues, who make you doubt yourself, who smooth things over or even apologize on your behalf as a way to control and isolate you.

If everyone thinks you're terrible, and your amazing, doting, angelic parents are once again swooping in to save you, then your escape routes close up rapidly--which is of course, the whole point. They want their victims to rely on them and them alone.

For a lot of the Party, that's just not an evil they've encountered yet.

Throw in the fact that Steve does in fact, have a head injury, and things get muddy FAST.

It makes for delicious, angst-ridden scenarios and I am delighted everyone's happy to come along for the ride.

[after-nine-at-the-oasis]

I'm sorry W H A T

[hypnothesis-au]

TARTAR, WASA. HAVE EITHER OF YOU EVER BURNED DOWN A CANDLE SHOP. IF SO WHAT DID IT SMELL LIKE.

"It would smell like the most ever, I would imagine." - O

"Arson is generally frowned upon in most social circles. It's also illegal. We've done no such thing (that you can prove, anyways.)" - T

[pr-fae]

POV: Your name is Mel and you just fucked up your 8 year streak of never being seen by a human

[flyingturtlepei]

Minor movie characters that I like and/or find interesting 

[daisiesonafield-blog]

Louis Tomlinson is sequestered in the executive boardroom of a swanky hotel in suburban London, and is treating it the way a pupil might a classroom when the teacher’s popped out. He’s leaning back on his chair, feet up on a radiator, hands clasped behind his head and a cigarette on the go. “All right?” he says, grinning impishly.

Despite huge global success with One Direction (70 million albums sold), which prompted a fanaticism that made Beatlemania look tame, he seems remarkably unaffected and far more normal than one might expect from someone with 35.8 million Twitter followers. He’s a 31-year-old so unassumingly bloke-next-door that the bloke next door wouldn’t look twice.

“I’ve always had a problem with ‘ego’,” he says, “and I’ve always been worried about being one of those people in the public eye who just loses all sense of reality, and becomes an arsehole.” As if by way of explanation, he adds: “I’m from Doncaster.”

And so while his former 1D bandmate Harry Styles, a superstar, floats through life like the fashion world’s favourite clothes horse, Tomlinson kits himself out in JD Sports: Kappa T-shirt, black sweatpants, Adidas socks, scuffed trainers. When he tells you he often frequents his local pub unmolested, you believe him.

“If someone does come up after an hour to ask for a selfie, I won’t say no and I won’t run away,” he says, “’specially if I’m three pints deep!”

Of the five members of 1D, Tomlinson has had the slowest start to a solo career. There are compelling reasons for this — family tragedy for one — but he’s also had to figure out who he is without the band around him. “With this job,” he says, “there’s so much room for overthinking, you know? Someone from the record label will tell you they like your stuff, but you find yourself thinking: yeah, but do they? It’s the fans that help you really believe in yourself.”

In the band, Zayn Malik had the best voice and Styles had the best everything else. While the other three — Tomlinson, Liam Payne and Niall Horan — were hardly driftwood, each has nevertheless had to dig deep to carve out a solo persona that would compel beyond the bubble.

“I do miss the boys,” he says, “and I do definitely miss being one of the five, but I like doing my own thing too. It was time.”

It’s a bright winter’s day, and the man in sports casual is enjoying special dispensation here in the hotel: permission to light up. Had this been denied, there might well have been a problem, for Tomlinson chain-smokes with the wild abandon of Mad Men’s Don Draper.

After the release of his second solo album, Faith in the Future, in November, he adds another necessary notch in the belt of any self-respecting pop star next month: the documentary. All of Those Voices is a routine behind-the-scenes look at 21st-century celebrity but stands out for the multiple crises of confidence Tomlinson feels any time he’s not on stage.

“This is a confidence game for anyone,” he says earnestly, “and there’s been plenty of moments of vulnerability throughout the entire process.” An overriding concern of the documentary is not just whether people would be interested in him, but whether they’d take him, someone discovered on a TV talent show, seriously.

When Styles won his Grammy awards this month — he collected two and won four Brits — he used his acceptance speech to say that “this doesn’t happen to people like me very often”. This was swiftly ridiculed across social media because of course white men tend to win quite a lot. But what he likely meant was that it doesn’t happen to the product of manufactured boy bands, many of whom have the use-by date of a pint of milk.

“Only Harry knows what he means there, it’s hard to speculate,” Tomlinson says, “but we all came from relatively humble beginnings, and now we are where we are.”

But while Styles is a once-in-a-generation talent and knows it, his erstwhile bandmates — and this one in particular — need convincing.

Louis Tomlinson comes from a big family — his mother, Johannah Deakin, married twice and had seven children — and was a hopeful child actor before in 2010 auditioning for The X Factor. This is where 1D were created, “masterminded” by Louis Walsh. Deakin, who had Tomlinson when she was 19, was his biggest fan and they’d always been close. When, for example, Tomlinson lost his virginity, it was she he told first, not his friends.

In 2016, a year after One Direction split, she died from leukaemia, aged 42. Two years later, his 18-year-old sister, Félicité, who’d been struggling to get over her mother’s death, accidentally overdosed on cocaine, painkillers and an anxiety drug. The combined loss hit him hard. Aside from the single he wrote about his mother’s passing, 2020’s Two of Us, his mourning has been largely private.

He squints through a veil of cigarette smoke. “Some of the things that have happened recently have been quite drastic, yeah, but then so much in my life seems to have been pretty extreme, one way or the other.” In 2016, at the age of 25, a brief relationship with a Californian stylist, Briana Jungwirth, resulted in a son. “There’ve been challenging times, definitely. It’s funny, but I couldn’t even tell you how many years ago my mum passed, I just blank it out. But for the first 18 months, I’d take any form of bad luck personally. I’d feel every tiny thing. But now I genuinely feel I’ve come out the other side. I feel more empathy for everything and everyone these days.”

After his 2020 debut album, Walls, failed to set the world alight, Tomlinson called time on his relationship with Simon Cowell. “It was mostly amicable,” he says, nodding. “Simon always had my best interests at heart, and I liked him. He had his faults of course, like all of us, but it was always inevitable I’d have to go off and do my own thing.”

His new record, then, was a leap into the unknown and he elected to write not with professional songwriters but rather fellow creative artists: Theo Hutchcraft from the band Hurts, Joe Cross from the Courteeners and the singer-songwriter James Vincent McMorrow. “And that was a big difference, huge. These are people who live and breathe music. It’s the first time I felt really comfortable doing my own stuff, you know?”

Previously he’d been encouraged to sing like a nice young pop star should, without regional inflection. “When I was in the band,” he says, “working with professional songwriters whose entire aim was to write the hit single, they’d tell me that singing in my natural accent wasn’t commercial. Sorry, but what a shit idea! Who wants to sound like everybody else? I dumbed down a little bit in the band, because you do, but I’ve learnt who I am now.”

The album, which has its inspiration firmly in early Noughties indie, sounds more Kaiser Chiefs than One Direction. A risk, then. But when it came out, it debuted at No 1. While this did wonders for his confidence, it’s clear from the documentary that he still needs people — a support group — around him. He actively courts the friendship of his touring band, not necessarily a given among solo pop stars, and he seems almost always sociable. It’s when he’s not up for group activity that people worry. There’s a revealing moment in the documentary of him having just appeared on James Corden’s US talk show. Backstage Corden, an old friend, pleads with him not to go quiet on him afterwards. “You vanish, you change your number, no one knows [where you are],” he says.

Until recently Tomlinson lived in London with his long-term girlfriend, the model Eleanor Calder, but recent reports suggest they’ve split up and he’s dating another model, Sofie Nyvang. Life, clearly, is complicated. Perhaps that’s why he smokes so much. He says, though, that he feels finally relieved of the myriad pressures that once clung to being a pop star whose fanbase was predominantly teenage. Such as?

“Well, being a role model for one. I never wanted that. I always had to worry whether it was OK if, say, I was seen here or if I could get away with smoking a joint there, before concluding: hmm, probably not. But I never wanted to be the perfect pop star, especially in the climate of Instagram. I don’t want to put an artificial world out there. I think it’s important that people see your scars, your flaws.”

It’s never easy growing up in public and Tomlinson had no choice. “When One Direction split up,” he says, “I was mortified, I was absolutely gutted. I was a bit bitter, I suppose because it just felt like another loss to me. But I’ve a better understanding of things now, and there’s not as much anger. It is what it is.

“Getting back together at some point is hard to imagine right now,” he continues, “but I’d be surprised if we lived out our lives and didn’t have a moment where we had a reunion, or whatever you want to call it. I’d be up for that.”

When I ask what it’s like watching Styles’s ascendance into the biggest star of his generation — something that might delay such a reunion — he blows out a long plume of smoke.

“Well, it’s not a surprise is it? We were always aware that Harry fit that mould, and it’s been an amazing thing to watch. Envy? At the start maybe, when I was trying to find my feet, but it’s never healthy to cross-reference your own success with others is it? These days I’m learning to elevate myself in those moments when I have to. I didn’t know how to do that before, but now? Now I know I f***ing can.” All of Those Voices is in cinemas from March 22,  allofthosevoices.com

-Full article. Feb 23 2023. Link here. Free link here.

[witchern]

i guess they realized that the messaging of “we want the writers to start losing their homes” was a bit, uh, antagonistic.

[mickyschumacher]

nyck de vries searching up how basically use a gun in the car for red bull’s annual charity shoot while being late for said shoot is class.

[astronomicaltaxon]

say goodbye horseman😔