#proto new wave

[spilladabalia]

Peter Ivers - I'm Sorry Alice

[cloama]

Big Boi presented Kate Bush’s Rock and Roll Hall of Fame induction and it reminds me of how music didn’t integrate until MTV’s music video revolution. Black gen x still wasn’t going up for white American pop but they liked the English new wave a lil bit. Kate Bush, Tears for Fears, and Depeche Mode etc.

[marian-1122]

Joe Strummer of English pub rock group The 101ers with his guitar in the doorway of The Colonnades , 34 , Porchester Square , London , Uk , 1976.

©️ Julian Yewdall/Getty Images

[savage-kult-of-gorthaur]

THE POST-GLAM ERA WAS IN -- PUNK ROCK WAS SHORTLY INCOMING.

PIC(S) INFO: Spotlight on live and behind-the-scenes shots of the first line-up of New York City punk rock band, THE HEARTBREAKERS, NYC, USA, c. 1975. TV & the dolls were out, heartbreak was in, kids. 📸: @barning.

Source: www.picuki.com/media/3439880136696327794.

[jadwiga-abremovic]

Devo dedicating multiple songs to assassinating a sitting US president is more hardcore punk than anything done by 97% of hardcore punk bands.

[omercifulheaves]

Alphaville (1965)

[kidraee]

Newest episode from my punk history podcast. Btw.

[dankalbumart]

Scary Monsters (and Super Creeps) by David Bowie RCA 1980 Art Rock / Post-Punk / Pop-Rock / New Wave / Dance-Rock / Experimental Rock / Alternative Rock / Proto-Punk / Art Pop

[spilladabalia]

Peter Ivers - Terminal Love

[uneasylisteningradio]

Birthday Show! April 26, 2025

This is a photo of the University of Washington Young Socialist Alliance's birthday party for Trotsky in 1968 I futzed around for a bit thinking I might somehow fix the recording on this - it started recording late so it cut off some of my first mic break. I put the first 2 songs back in but the mic break just kinda starts in the middle with me talking about my weird eye thing (LISTEN TO FIND OUT MORE ABOUT MINE EYEN). i did not fix that and everyone will have to DEAL! also this is a 3-hour show of just a bunch of my favorite songs for my birthday. listen to the show

Laurie Anderson - Born, Never Asked Pere Ubu - Non-Alignment Pact

DJ speaks over Ramsey Lewis - Hang on Sloopy

Belle and Sebastian - Legal Man Benzin - Zeichen der Zeit Fastbacks - Trouble Sleeping

Neutrals - Gary Borthwick Says Heavenly - She and Me Irma Thomas - It's Raining Eraser - Talk To Me Le Coeur des Garçons - Dance On Uncurbed - Anarchy and Peace (Brothers and Sisters) Essential Logic - Aerosol Burns Bruce Haack - Saint Basil

Collate - Who Cares About Tradition? Naked Raygun - Roller Queen The Clean - Tally Ho Kneecap - Sick In The Head (Jonah Swilley Remix)

Au Pairs - It's Obvious Modernettes - Barbra Mutating Meltdown - Raised by a Pack of T.V. Sets Immune System - Ambivalence & Spark Plugs Rudimentary Peni - Blind Dogs Black Heat - No Time to Burn Rotary Club - Pop-Corn

The Reds - Self Reduction Gil Scott-Heron - Me and the Devil The Monkees - Writing Wrongs Television Personalities - Parties in Chelsea

Derya Yıldırım & Grup Şimşek - Direne Direne Flower Travellin' Band - Hiroshima Marlowe - Past Life

The Coup - The Guillotine The Fall - What You Need The Kinks - Waterloo Sunset Kleenex Beri-Beri Puñal - Amor Dion - The Majestic The Undertones - You've Got My Number (Why Don't You Use It!) The Zombies - Leave Me Be

The Real Kids - All Kindsa Girls Nusantara Beat - Sifat Manusia Al Green - I'm a Ram Norma Tanega - I'm the Sky

The Nips - Gabrielle The Monks - Shut Up

Chumbawamba - That's How Grateful We Are Chumbawamba - The Day the Nazi Died

[fard-rock-blog]

LF | La bambina e i mostri 

Etichetta: Seahorse RecordingsTracce: 7 – Durata: 21:08Genere: Elettronica, New WaveSito: Bandcamp, Facebook Voto: 7/10 Progetto curioso quello che il batterista de la Misère de la Philosophie, Giacomo Biancalana, ha realizzato col titolo La bambina e i mostri, sotto le spoglie di LF (acronimo che sta per Ladle Furnace ossia la Siviera per la fusione dell’acciaio). In buona sostanza, ha messo in…

[savage-kult-of-gorthaur]

"THIS WAS VENOM'S FIRST TIME PLAYING IN THE UNITED STATES AND WHAT A LEGENDARY SHOW..."

PIC(S) INFO: Mega spotlight on live shots, plus a concert poster design, of English first wave black metal/speed/thrash metal band, VENOM, performing live at The Paramount Theater in Staten Island, New York, USA, on April 22 & 24, 1983. 📸: Unknown/ undisclosed.

OVERVIEW: "This was VENOM's first time playing in the United States and what a legendary VENOM show this is. Venom played two nights at the Paramount Theater in Staten Island with METALLICA (whom nobody knew who they were at the time) opening both shows. The first show on the 22nd was plagued with power problems. The show gets off to a bad start with Cronos's microphone getting caught in the stage curtain and lifted up with the curtain. To say that VENOM used pyrotechnics would be an understatement.... it was more like dynamite!! The sound of the explosion during the start of "Witching Hour," it sounds like a bomb going off. It is during this show that VENOM blew a four foot hole in the stage with the pyro and the fire marshall cut the show after their regular set eliminating the encores."

-- HEAVY METAL RARITIES (blogspot)

Sources: https://oldbridgemilitia.org/gallery.html, https://heavymetalrarities.com/forum/viewtopic.php?f=145&t=60156&sid=75beef7f3aca5e7e0d0d2b486893b381, Facebook, various, etc...

[savage-kult-of-gorthaur]

""FILTH HOUNDS OF HADES" EXPLODED FROM BRITISH HELL WITH ALL THE FANGS AND FURY..."

PIC INFO: Spotlight on a T-shirt design for "Filth Hounds of Hades," the 1982 debut album by British heavy metal/proto-thrash power trio, TANK. Kamaflage Records.

BAND/ALBUM OVERVIEW: "March 1982. Maggie Thatcher lords over a dangerously unemployed U.K. with a hatchet face, a controversial economic policy and “a voice like a cat sliding down a blackboard.” The Falklands War debacle is just weeks away. Meanwhile, the New Wave of British Heavy Metal is about to hit its commercial peak with IRON MAIDEN’s "The Number of the Beast." MOTÖRHEAD’s "Iron Fist" is cocked, locked and ready to drop the proverbial hammer on Blighty’s dole-diving speed freaks, spot-faced rivet heads and leather-loving piss punks. Just over the horizon, VENOM’s game-changing "Black Metal" and JUDAS PRIEST’s mega-selling "Screaming for Vengeance" are poised to strike pain and pleasure into the hearts of the denim-clad faithful.

A few months prior, three lager-swilling London lads calling themselves TANK were holed up in the Who’s Ramport Studios recording their full-length debut with vast quantities of booze and speed and no less than MOTÖRHEAD’s “Fast” Eddie Clarke in the producer’s seat. The band was the three-headed fantasy headache of bassist/vocalist Alasdair “Algy” Ward, who had previously lent his unique talents to punk legends THE SAINTS and THE DAMNED, resulting in arguably the best albums from both bands (1978’s "Eternally Yours" and 1979’s "Machine Gun Etiquette," respectively).

After getting the sack from the Damned, Ward recorded a handful of demos before recruiting brothers Peter (guitar) and Mark Brabbs (drums) to form a power trio in the loud, louche and inebriated style of their future benefactors MOTÖRHEAD — a comparison they could never quite shake. Released in March of ’82, "Filth Hounds of Hades" exploded from British hell with all the fangs and fury of the three-headed Cerberus on the album’s iconic sleeve. Featuring unstoppable beer bangers like “Turn Your Head Around,” “Shellshock” (later covered by German thrash maniacs Sodom) and “(He Fell in Love With a) Stormtrooper,” the record would go on to influence METALLICA and carve TANK’s legend into the annals of heavy metal history."

�� "DECIBEL" MAGAZINE, by J. Bennett, published July 6, 2017

Source: www.decibelmagazine.com/2017/07/06/tank-filth-hounds-of-hades.

[kidraee]

Everybody check out my podcast on the history of punk rock ok thanks love u!

[gothmusiclatinamerica]

Today’s video discusses the self-titled 1983 demo by Venezuelan all-woman post-punk and new wave act Psh-Psh. This album was re-released for free by Caracas, Venezuela-based label Humano Derecho Records in 2019.

[thevellaunderground]

“Marquee Moon”: A Harmonious Journey

1. Introduction Television, a trailblazing rock band hailing from New York City, emerged during the vibrant 1970s music scene. Their unique blend of art punk, new wave, and proto-punk left an indelible mark on the world of music. But how does this electric guitar-driven group connect to the serene notion of peace? Let’s delve into the unexpected parallels. 2. The Sonic Landscape Television’s…