#pudding problems

[clairethecutepup]

Cowboy Bebop: "Pudding Problems"

What happens, when Faye Valentine takes the following note from Angelica Pickles' book: breaking a man through the creation of pudding?

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So much for: "In space, no one can hear you scream (or howl)"... Then again, a femme fatale, like Faye, would know how to break a man to the point of defying basic science. No, I don't know what all she did to Spike, up till this point, either... I just know it had to have more than pudding involved, if you're gonna break a calm and collected guy, like Spike. You also know he's feeling pain in his very soul, when Ein has to howl in more empathetic pain. As for Ed... It's Ed: someone on the the quirkier side of things, at times.

No, you're still not getting an answer to Spike's sudden servitude, headcannon your own answer. I, personally, would imagine Faye's gambling habits paying off, with him being the indebted one.

I also need to find an easier way to indicate off-screen speakers, as the mini-heads proved a bit annoying to properly and decently make. Speaking of dialogue and speech/thought bubbles, it seems I really am back to the text tool than handwriting. I just hope Clip Studio Paint updates "MV Boli" to not have its periods floating in midair, thus forcing me to "lasso" them and lower 'em. It doesn't do that with commas nor other punctuation, so I don't understand why...

Boy, here I thought I finally figured out how to do comics, from the practice work with Puppy Eyes and Doll Eyes. It's an Ed Edd n' Eddy one, based on the "Assassin AU" by C2ndy2C1d. It's not as comedic as this one, but it may prove some enjoyment to you: [link].

Here are the links for the individual pages, before the fourth/final one, in case you want to read the commentary for those ones.

[1][2][3]

[i-bring-crack]

Dungeon meshi genderbend idea where Falin disappears in a dungeon after doing some research (or gets eaten by the dragon during their research) around the same time that Laios was visiting him. And upon hearing what has happened, she wastes no time getting some armor and going inside the dungeon to save her little brother. Her husband didn't want her to go, so without much hesitation really, she divorced him and took the baby on the ride. 

(This is just going to be headcanons that might be ooc so take it with a grain of salt since Ive yet to read the manga.)

Either Kabru, who was absolutely dumbstruck and curious as to why a mother would bring her baby to a dungeon, joined her and Marcille in hopes that nothing bad happened to them (mostly the baby, mostly the baby). 

Or Chilchuck had a bad relationship with her husband (like in canon), and after all her 3 sons became independent, they divorced which led to Chilchuck finding Laios and Da baby and being just as worried as 90% of the cast.

Senshi often disappears and appears around the dungeon as she already has a full time job in her Mom’s Dungeon Dinner on the upper floors. As time goes on she stays with them longer and longer. Laios loves her food and tries to learn as much as possible from her. 

Namari and Shuro (Toshiro) were once in Falin and Marcille’s group, and though Toshiro was very reclusive, she made a lot of work into building up the courage to ask Falin out. (Got told to wait either way). (I don't have much to say about Namari genderbend, maybe as I finish the manga I might make some changes).

Izutsumi is Izutsumi 

[annahi-red]

Every time I remember this scene, I suffer and think. Reiju doesn't react, doesn't laugh at Pudding's mockery, so I say, what if they were Sanji's brothers instead?

I have several options.

The first, only Niji and Yonji laugh. Especially Niji.Second, only Niji laughs.Third, no one laughs.

I personally think that 24ji is the type of person who picks on Sanji and makes fun of him, but if someone else does it, it bothers them. Something like "don't call my idiot an idiot."

Ichiji is too deadpan and I don't remember him ever laughing in WCI. Of all the brothers, Ichiji is the one who shows the most concern for Sanji in his own way, so no, he wouldn't make fun of Sanji with Pudding, he is serious all the time.

Niji, on his side, would fight with Pudding, tell her that only he can call Sanji out for the failure that he is. You know, jealous and tsundere attitude.

And Yonji, according to the interactions he had with Sanji or in general when his family doesn't see him, acts differently with his older brother. When he showed him the clones he probably just wanted a family activity between brothers (it went wrong). I dare say that Yonji somehow misses Sanji, so Yonji would make a big fuss telling Pudding: "It doesn't matter if you're pretty, don't call my brother that way."

[sydneyscarm]

sorry if u think sydney and carmen are platonic but they need to fuck nasty and that’s just the truth

[mochiiniko]

Could you draw Newton….

silly lightbulb man

+ bonus doodles i made for practice :>

[aaslwooo]

Favorite outfit

Favorite hairstyle

Favorite weapon

[scuddle-bubble101]

Poor Infa, rough day at work?

"Oh- Yes... But- Its not that bad dear... Don't worry too much on it ok?~"

[puddingapologist]

one of these days I'll make some actual proper fan art, but I found these pictures of my drawer-crinkled post-wci I MUST DRAW THEM!!! sketch efforts lmao. apologies for the low rez but I don't have the original anymore rip

[clairethecutepup]

Cowboy Bebop: "Pudding Problems" (Pg. 3)

What happens, when Faye Valentine takes the following note from Angelica Pickles' book: breaking a man through the creation of pudding?

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Spike: "--And that's how I went from being a guy who collects bounties, to a guy with a bounty."

Okay, not really, but that face does radiate a prime example of, "This B*TCH..." energy, if I've seen it.

Welp, looks like I've gone back to using the text tool to write dialogue in comics: specifically, "MV Boli," despite having to manually move the periods down myself. For some reason, that manner of text has them floating in midair...? I'm still drawing the balloons, though, than using the automatic tool for that, as well. I do enjoy using the "tail" feature, though.

I also fought a bit with the movement lines for Faye's hand, in the fourth panel, but eventually figured it out in the end. The key here is to NEVER cover the body part or whatever you're moving with the lines, as it looks too busy and obstructing. Always go for the side placement.

I have to admit: this looks like my most professional comic page done, thus far. Perhaps, I should stick to the text tool after all.

I must wonder, at this point: is Faye actually hungry or is she just messing around with her new servant? No, I still won't provide you with the canonical answer for all this, it's still funnier if you use your imagination to answer why Spike's in such a position.

[kemetic-dreams]

In 1830 a newspaper in North Carolina, the Newbern Sentinel, ran an article about an unpublished dictionary, titled The Cracker Dictionary. The work appears to have remained unpublished (perhaps the title had something to do with this), but in reporting on the words contained in the book’s nascent form the article provides early written evidence of a number of 19th century Americanisms. Among these is absquatulate, which is spelled with an initial O, rather than A, and defined as “to mosey, or to abscond.”

In addition to absquatulate, the reader is informed of the meaning of a number of other similar terms, many of which have retained some degree of currency in our language; flustrated (“frustrated and prostrated, greatly agitated”), rip-roarious, (“ripping and tearing”), and fitified (“subject to fits”) have seen enough continued use that we define them in our Unabridged Dictionary. Other words contained in this never-realized dictionary, such as ramsquaddled (“rowed up salt river”) and spontinaceously (“of one’s own accord”) appear to have been lost with the passage of time.

Two of the loafers, we understand, were yesterday taken and committed to prison; the other has absquatulated. — The Times-Picayune (New Orleans, Louisiana), 13 June 1837

Cracker, sometimes cracka or white cracker, is a racial epithet directed towards white people, used especially with regard to poor rural whites in the Southern United States. Although commonly a pejorative, it is also used in a neutral context, particularly in reference to a native of Florida or Georgia (see Florida cracker and Georgia cracker)

The exact history and etymology of the word is debated.

The term is "probably an agent noun  from the word crack. The word crack was later adopted into Gaelic as the word craic meaning a "loud conversation, bragging talk" where this interpretation of the word is still in use in Ireland, Scotland, and Northern England today.

The historical derivative of the word craic and its meaning can be seen as far back as the Elizabethan era (1558–1603) where the term crack could be used to refer to "entertaining conversation" (one may be said to "crack" a joke or to be "cracking wise") The word cracker could be used to describe loud braggarts; An example of this can be seen in William Shakespeare's King John (c. 1595) "What cracker is this same that deafs our ears with this abundance of superfluous breath?"

The word was later documented describing a group of "Celtic immigrants, Scotch-Irish people who came to America running from political circumstances in the old world". This usage is illustrated in a 1766 letter to the Earl of Dartmouth which reads:

I should explain to your Lordship what is meant by Crackers; a name they have got from being great boasters; they are a lawless set of rascalls on the frontiers of Virginia, Maryland, the Carolinas, and Georgia, who often change their places of abode.

The label followed the Scotch-Irish American immigrants, who were often seen by officials as "unruly and ill-mannered" The use of the word is further demonstrated in official documents, where the Governor of Florida said,

'We don't know what to do with these crackers—we tell them to settle this area and they don't; we tell them not to settle this area and they do'

By the early 1800s, those immigrants "started to refer to themselves that way as a badge of honor" as is the case with other events of linguistical reappropriation.

The compound corn-cracker was used of poor white farmers (by 1808), especially from Georgia, but also extended to residents of northern Florida, from the cracked kernels of corn which formed a staple food of this class of people. This possibility is given in the 1911 edition of Encyclopædia Britannica, but the Oxford English Dictionary says a derivation of the 18th-century simplex cracker from the 19th-century compound corn-cracker is doubtful. A "cracker cowboy" with his Florida Cracker Horse and dog by Frederic Remington, 1895

It has been suggested that white slave foremen in the antebellum South were called "crackers" owing to their practice of "cracking the whip" to drive and punish slaves. Whips were also cracked over pack animals, so "cracker" may have referred to whip-cracking more generally. According to An American Glossary (1912):

The whips used by some of these people are called 'crackers', from their having a piece of buckskin at the end. Hence the people who cracked the whips came to be thus named.

Another possibility, which may be a modern folk etymology, supposes that the term derives from "soda cracker", a type of light wheat biscuit which dates in the Southern US to at least the Civil War. The idea has possibly been influenced by "whitebread", a similar term for white people. "Soda cracker" and even "white soda cracker" have become extended versions of "cracker" as an epithet

A 1783 pejorative use of crackers specified men who "descended from convicts that were transported from Great Britain to Virginia at different times, and inherit so much profligacy from their ancestors, that they are the most abandoned set of men on earth".

Benjamin Franklin, in his memoirs (1790), referred to "a race of runnagates and crackers, equally wild and savage as the Indians" who inhabit the "desert[ed] woods and mountains".

In his 1964 speech "The Ballot or the Bullet", Malcolm X used the term "cracker" in reference to white people in a pejorative context. In one passage, he remarked, "It's time for you and me to stop sitting in this country, letting some cracker senators, Northern crackers and Southern crackers, sit there in Washington, D.C., and come to a conclusion in their mind that you and I are supposed to have civil rights. There's no white man going to tell me anything about my rights."

[killuaisaprincess]

KI DESERVES CAT JELLY

[emile-hides]

Here’s probably the final update to The Shrine

[aldercaps]

I was wondering why my mental health felt like it was hinging entirely on how the milk pudding I was making turned out, before realizing the lack of morning routine this week (bc I'm on holiday) has meant I have been fucking forgetting. To take my meds every morning. God

Sometimes I'm forcibly reminded I Do, In Fact, Have Memory Problems

[dirt-str1der]

I dont care about majima x sagawa btw but i care a lot about their relationship regardless because i want them to have the most toxic dealings and skewed power dynamics with each other as possible and i them both to have increasingly warped perceptions of each other (worlds most incorrect uncle-nephew relationship)

[blueseaprincessa]

I think the most comfort ships for Vivi would be with: Nami / Sanji / Ace.

And for Pudding: I love Sanji x Pudding one. But I need to using her more to talk about her.

But I'm open to anything else, I like to experiment, especially if there gonna be more chemistry with our muses <33

[fixomnia-scribble]

I feel like this explains so much.