#quetzalli's thoughts

[amerricanartwork]

Quetzalli on Trafficlights and Birds

Well @toxictoxicities, it has been done! You gave me the chance for me to give my own interpretation on this matter, and I can’t resist chances to add some narrative significance! I decided to make a separate post on it because what I came up with ended up being long (as always with me), and in case anyone else would enjoy these thoughts.

However before I go in with this essay I've put together I have to give a very important note: These thoughts are gonna be primarily based around my personal interpretations and headcanons for Seven Red Suns and No Significant Harassment. I’m generally a person who needs to know exactly what I’m working with to do something well, and as such my ideas about metaphors, symbolism, and greater narrative significance typically depend a lot on me understanding the characters and ship not just in their general dynamic, but various other deeper elements — what their core desires/fears are, what their backstories/histories are, each of their main character traits and why they are that way, then from there what they see in each other and why their relationship benefits each other in-universe, and what other effect(s) the relationship has or could have on the characters in-universe as well as the greater narrative out-of-universe, with the additional optional knowledge of what the main plot of the story they come from is to possibly tie in important moments. Seeing as you probably aren’t going to explain your Trafficlights interpretation completely to this intense of a degree anytime soon (though I’d absolutely enjoy hearing it whenever it comes!), if I’m going to make some metaphors I think the best option is to just use my current character interpretations so I have this background familiarity, especially since I’ve actually been developing these things a whole lot for my own iterator off-the-string happy ending AU!

Also, I want to say to that if some of these idea sound familiar, it’s because I realized I can actually project some of my previous Lilypad ideas onto this Trafficlights portrayal as well. I feel my Suns and Moon are similar enough in their personality traits that many of the same dynamics and significance could reasonably apply. In fact Tox, I’m gonna admit I actually did take some inspiration for my Lilypad portrayal from seeing your particular Trafficlights and drawing my own conclusions about how that dynamic worked, and overall my depiction of Seven Red Suns is largely inspired by your own take on that character, which I found quite unique compared to the rest of the fandom for being the first one I saw to show Suns as being far less imposing and confident internally than they seem in public. So I guess I am once again coming full circle now!

I think this is already more than enough words, but I just felt the need to give those prefaces as context for all of these ideas. With that being said, I hope you like at least some of these!

-.-.-.-.-.-.-.-.-

Option 1: Birds as Freedom

From what I’ve read, a common symbolism for birds is freedom, which to me is easy to see because of their signature flight ability. Flight can be considered the mode of travel with the greatest freedom because it’s not restricted by landmasses (or even planets, if you include space travel), and because flying is literally defying, or “freeing oneself” from gravity, one can easily associate it with weightlessness and thus being carefree and without worries or negativity.

With any off-the-string iterator story, it’s easy to give going off-the-string a positive significance because it’s literally the puppet “freeing itself” from the limited confines of their chamber, and by extent the limits imposed upon them by the Ancients. This is further supported by how some iterators in canon do appear to perceive their cans as a limitation or cage, as evidenced by the broadcast dialogue. In fact, I've heard No Significant Harassment is one of these very iterators, so I imagine he’d absolutely want to go off-the-string so long as he has a good incentive to. 

To relate this back to birds, you could very much use a caged songbird as a metaphor for the iterators; beautiful, brightly-colored creatures “raised” in captivity and trapped in boxes to serve other people, once “singing” out their ideas from within to those people, but now just giving those “songs” to each other. Thus, going off-the-string (perhaps to the Emergence facility in your AU) could be seen as these “birds” finally flying free to be with one another “in the wild”, finally able to fly and live their lives more fully as they were denied for so long. So regardless of any other symbolism, Trafficlights — and any other off-the-string iterator ship by extent — leaving their cans could be seen as them “flying free” together from the restraints forced upon them.

However, I’ve also recently realized another freedom symbolism besides freedom from the Ancients’ restrictions, and that’s freedom from their own. This is something more impactful to my Seven Red Suns, who like Moon, is also someone who hides a lot of his true personality for a more polite, proper, and dignified public persona, shoulders a lot of weight he isn’t always able to handle alone, and puts lots of limits on himself and what he’s “allowed” or “supposed” to do, albeit for entirely different reasons. Now contrast that with Sig, who although he also hides a lot of his true feelings and knows when to dial it down, is someone who is a master at breaking rules and going against convention. In fact, I like to imagine it’s literally in his nature (er, programming) to think outside the box, generating all sorts of different ideas to solve problems that don’t always totally follow outside rules or what’s “typical” for using a certain item. 

When you bring these two together, I imagine Sig could absolutely be the one to encourage Suns to let loose more, letting down his proper and and uptight persona to show more of his emotional side and explore things he didn’t allow himself to before (like I said, this is one of the ideas that works with Trafficlights as well as Lilypad)! It’s as if Suns is a bird too used to living in the cage and afraid to truly fly again, and Sig has to coax him out into embracing that freedom. You could even take this with the idea of iterators not being used to romance, a restriction Suns absolutely puts on himself and even others because he believes a “proper” iterator isn’t supposed to have such deep attachments, of which romantic love could be considered the worst because it’s both breaking Karma 3 of Companionship and can directly lead to Karma 2 of Sexual Intercourse, so it’s essentially a double-risk. But again, Sig is willing to explore these new feelings, and now that they’re off the string and can love each other more physically and directly than ever, what better time could there be for Suns to “spread his wings” and fly alongside him?

Option 2: Birds as Passion/Romance

To me, the second biggest symbolism that birds can have is that of passion and general romantic ideas. Technically all birds could have this association because feathers and wings in general are pretty showy, so spreading one’s wings could just as easily be a gesture of great emotion and expression as it could be preparing to be free. In addition though, whereas the previous point was more related to songbirds, this seems to correlate more with birds of paradise especially, who have the most colorful and varied plumage of the bird kingdom, thus making it easy to say they’re “showing their true colors” without fear. Some birds of paradise, particularly parrots/parakeets/macaws/etc. are very social creatures by nature, so it’s even easier to draw the connection between their vibrant plumage and social behavior with being expressive and outgoing.

As for the romance element, to me it seems birds are commonly used as such symbols already; there’s doves and swans being symbols of love often included in some way at weddings, words like “lovebirds” referring to lovers as well as one of my favorite words, “twitterpated”, which means to be very smitten and infatuated and also has a clear bird-based association and maybe even origin. But then there’s the idea of songbirds singing to each other, which I think is a particularly romantic idea which plays into one of my favorite shipping tropes I call, “answering the call”. So far, I like to describe it as when someone is looking for companionship and romance for a while, either openly or as a subconscious desire, but is eventually found and “answered” by someone willing to love with them. It’s such a romantic idea to me because it often includes so much loneliness and sometimes even tragedy before, making that moment where they finally find someone all the more sweet!

Okay, now to bring this back to Trafficlights. Starting with the first idea, I think it’s easy to associate Sig with these kinds of birds, especially macaws and such, seeing as I imagine he can be just as “colorful” both literally and personality-wise, and cares deeply about his relationships in a similar manner. But even then, like I mentioned before Sig can sometimes feel like he needs to hide those feelings because others don’t fully understand him and he doesn’t want to risk creating tension (although hiding his feelings like that kinda does anyway). 

To resolve this, I’ve decided to use what I imagine Sig would appreciate and value in Suns that would evolve the relationship past friendship to romance, that being that Suns was one of the first people besides Moon who believed that Sig’s ideas and his dedication to his friends could be something more, something better and used for good. My Suns is defined largely by his perfectionism and endless drive to make things the “best” versions of themselves. In my timeline of events he already helped Sig in that way during a pretty important moment, not to mention it’s just really inspiring how much Suns cares about trying to bring about the “best” for everyone. On Sig’s end, this is how they at least developed a friendship, and in this alternative what would cause that appreciation to evolve to romance eventually. In fact, in my headcanon it was the combined efforts of Moon first understanding Sig’s feelings and Suns helping to perfect his role in his group, with both of them working really hard to help him find new belonging with the Local Group, that was what got Sig out of his “rough patch”. Thus, in a way, Suns directly helped Sig make new connections, “spread his wings”, and “find a new flock”, which can easily be the main reason why Sig would fall for Suns.

Now, what about Suns? Relating him to birds and passion also hinges largely on another pretty crucial headcanon about my Seven Red Suns, which is that he is secretly a huge romantic with a passion for the fine arts. In addition to striving for an “ideal” world at all times, he appreciates art and the deeper symbolism within. However, because of what I said earlier about Suns placing a lot of high standards on himself, he doesn’t actually make art of his own, believing it’s “not an iterator’s place” to do such a thing themselves because it’s not in their purpose. But even then, he can’t help himself from seeing things artistically and drawing his own conclusions about things.

That being said, I imagine Suns could have a strong appreciation for birds in particular; their beauty, combined with their flight, makes them seem as though they’ve already “ascended” on some level above other animals. On top of that, I think Suns would come to see Sig as sort of a bird himself! Maybe a big green macaw with the most beautiful plumes who’s also far more intelligent than others think. But even more so, when it comes to what Suns appreciates in Sig that causes him to fall in love, I imagine it’s how Sig is the only person who sees through his facade for who he really is. Everyone else around him seems to either put him on a pedestal, with their own high expectations to follow, or is intimidated by his grandeur into avoiding much direct contact. Again, however, Sig naturally thinks outside the box and challenging people’s ideas, so it’d be pretty easy for him to break down some of Suns’s diplomacy to show that more emotional side (another idea that I use in Lilypad as well). No Significant Harassment is the one person Suns feels like he can be himself around, helping him realize that even those parts of him he hides make him “perfect” by virtue of being his real and unique self. It’s like Suns is a great eagle, looked up to and feared by other birds as a large bird of prey and thus lonely and pressured to soar above all else, and only the surprisingly smart macaw is able to lower his guard, helping him see he’s just as beautiful and inspiring on the ground as he is soaring high in the clouds. 

And then there’s the idea of “answering the call”. I’ve already seen your Trafficlights will probably play out as a slow burn, with Sig and Suns harboring growing feelings for each other for a while but only really acting on it once Emergence kicks in. In this case the dynamic would be mutual, with both of them longing for a deeper connection, but perhaps not realizing it until this timeline. I imagine Sig would be the one more conscious of this desire though, seeing as he openly seeks connection with others, so it’d be as if he’s a lonely songbird wanting to sing out but never getting an answer. And then of course, when Suns finally does respond it’s that much more poetic!

Trafficlights as Rio (spoilers, by the way)

OKAY HEAR ME OUT, I just have to include some words on this because this movie, this freaking movie is not only one of the two that kickstarted my love of birds but is what started this whole Trafficlights-as-birds-symbolism thing for me.

To give some context, if you don’t already know I am someone who not only loves making metaphors and symbolism with my ships, but loves finding associations between them and outside music or stories. I often look for connections to the old Disney animated fairytales, but I really end up doing it to all sorts of animated stories that I believe have pretty universal themes.

That being said, if there’s any association I’d make for Trafficlights as I currently see them, it’s to Blue Sky’s Rio and some of the scenes from that story. Firstly, Blu as a character already somewhat parallels my Suns in that he’s awkward and not the best at interacting with others. Not to mention his inability to fly, which came from him never getting a chance to embrace his emotions before being captured and taken from his home, could be paralleled to Suns’s bottling up his emotions, especially since flight in that film is directly related to feelings of happiness, love, and freedom, so Suns in a way is also “stunted” in his emotions. Meanwhile Sig on the other hand is more like Jewel, someone who at least understands his emotions a lot better and thus “knows how to fly”, and who resists others’ attempts to cage him and tries to get his partner to do the same. Like Blu Suns refuses at first, his logic and desire for a dignified self image getting the best of him being able to let loose in any environment where he isn’t surrounded by close friends. 

Then there’s the freaking “Hot Wings” scene, which takes the most responsibility for this association of mine. Largely because the two side-characters, Nico and Pedro, also seem to carry a dynamic with their lyrics that just reminds me of Suns and Sig, respectively, a lot (honestly I just thought about it on a whim one day and I can’t unsee it now…). Not to mention the entire scene is about pretty birds dancing, which given you’ve also made a decent number of drawings of Trafficlights dancing together, I think is just super fitting. And then Jewel’s singing once again brings back this idea of freedom and showing one’s emotions and love, with the remaining question being whether or not Blu can eventually unlock this feeling inside him despite his fears and fly up with her. This is something I think could work with Trafficlights, at least how I see them, for even if Suns can be more emotional around Sig and maybe his friends, he still has trouble doing so in public, not always liking the pressure of being “perfect” but not wanting to risk looking like a fool around everyone who looks up to him.

It works even better with one of the later scenes in the film when Blu and Jewel finally manage to cut the chain keeping them together, which causes Jewel to immediately lift into the sky with the pure joy and euphoria of once again being free to fly as she pleases. However, Blu is left looking up at her as she flies with their friends, and you can tell he’s both realizing again just how beautiful she is and longing so much to join her in the sky, yet still unable to fly. Once again I can’t help seeing Suns in Blu’s place, looking at Sig having fun and being so carefree, loving the feeling of being off-the-string, and him thinking Sig so beautiful and wanting to join him too. And eventually, just like Blu does in a true “answering the call fashion”, he is able to “spread his wings” and they finally can fly away together!

-.-.-.-.-.-.-.-.-

Okay, I think that’s all I have to say for now on this topic. This essay, excluding the preface at the beginning, is 2498 words! I think that might be a little bit more than my Lilypad essay! I really hope it delivered!

But even then, this was so fun to do! Even though Trafficlights isn’t my main ship and isn’t going to happen in my own AU, I’ve recently been looking to better figure out Sig and Suns’s relationship anyway to understand why they’re at least friends with each other. Of course there are some other factors in their relationship, some of which I’ve edited out for the sake of these ideas because it throws a bit of tension in the dynamic that could compromise its ability to work as a ship, but this was still an important aspect and I’m glad to have gotten a chance to develop it! And then of course, a reason to think about ships as well as shamelessly plug one of my favorite movies ever is also very nice!

This may all sound super silly and maybe none of it works with your Emergence Trafficlights, but regardless this was seriously such a fun opportunity, and I’m glad you gave me a reason to do this! I would love to hear your thoughts on or additions to all this, if you can!

[asktheisle]

((continued from here))

[The human pauses as if gathering their thoughts. She keeps her voice leveled enough, but a trained ear could pick out the slightest bit of negativity... could it be annoyance? Anger? Disappointment? It was hard to say.]

I had lent out my research to others in different regions, for the sake of collaboration and having more hands reaching towards the same goal. There was an incident a few years ago, a very violent altercation occurred where a portion of it was lost. If it didn't go up in flames, it was stolen...

Everything can be rebuilt however, and the project has recovered. But now I guard it very closely.

[Alruba's attention turns to the tapestry, a thin smile as a hand reaches out to the old and faded chart with fondness.]

I was born and raised in Meteor Falls, and so much of this knowledge came to me in the forms of bedtime stories. Tales of magnificent beasts that resided in the heavens, gracing this world with their presence and holding influence to this very day.

These stars have been catalogued for generations, at first orally before eventually being written down. After the first Draco Meteor, brilliant fireballs rained down at different points-thunderous roars catapulting from the sky into the planet.

Their locations were scattered, but their impacts were nothing short of spectacular. The dragons were nowhere to be found around their impacts, so it was only to be assumed that they began to explore the world.

Their fall gave rise to the dragons we know today.

[quetzalpapalotl]

If you would be interested in talking about it I would love to know- how do you think IDW1 OP feels about the way Shockwave surgically altered him to carry the Matrix? It's such a wild note to me (both in what it implies about the Matrix and the whole idea of the "chosen leader" being something everyone in power understands you have to artificially construct, and in the sense of how OP understands his duty as a Prime because of it).

I'm always interested in talking about this disaster of a man, thank you.

This ended very long, I went on many tangents and for that I'm sorry, but I hope it does answer your question. Since this is about how I read OP I focused more on his character in the comics as a whole rather than what the authors were thinking.

First, I personally don't think that being altered to have a Matrix compartment really makes any difference on whether one can actually carry the Matrix. It makes it easier, but the Matrix still has a morality lock that a frame modification is not gonna pass. But then again, the morality lock doesn't end up mattering and it doesn't make the Primacy any less of a construct, but we'll get back to that.

Now, we can guess that despite having multiple Prime candidates, Orion was Shockwave's favorite. Shockwave calls him his brightest hope and entrusts him to Zeta in case anything happens to Shockwave. Yet there's a lot Shockwave didn't tell Orion, he didn't tell him about Zeta, he didn't tell him about the other candidates. He did the noncon body modification and is overall an extremely shady dude. But Orion has no distrust of him. Shockwave sort of acts like he expects Orion to rise up to do what Shockwave needs when he asks for it and Orion is perfectly willing to do it (as Roller calls out).

This makes sense, OP is a character who very badly wants to believe in Goodness, Hope, Sugar and Spice and Everything Nice, more than he actually believes in it. In a way, he's playing fake it till you make it with reality and he reacts very intensely whenever the world disappoints him. This leads to him being either very trustful or very cynical depending on the person and situation.

Orion was a very privileged kind of naive. He thought the world was fundamentally good, that all you have to do to stop bad things is to stop the wrongdoers and that everything can be solved through the right channels. His encounter with Megatron shatters this image and makes him realize that he actually doesn't know how the world works.

To this Shockwave presents himself, he genuinely wants to help Cybertron, he understands that which Orion doesn't (Orion directly compares him to Megatron on this) and Shockwave has the idea that to fix the planet they just have to put the right person in power, Shockwave is still working with the system. The last point means that change can come peacefully, which is perfect as Orion wants to avoid a violent revolution (he has ideas on who's allowed to use violence). Shockwave presents himself as the solution to Orion's firts major moral crisis, so it's really no wonder that Orion clings to him so badly.

(Side note, but Shockwave seems to be winging his whole plan. It's unclear if he found out Nominus' Matrix was a fake before Sentiel and Proteus, but he didn't bring that up in CT. So if he ever thought it was real, was his plan to kill Nominus and shove the Matrix in OP's chest hoping it would take? Was that why he had multiple candidates? After he found out he was fake, was he planning on finding the real Matrix or also use a fake? Probably whichever was more viable)

Orion himself never shows any interest in becoming Prime, never even talks about the possibility. He seems just willing to go along with it because he's willing to go along with whatever Shockwave says. He insists to Roller that he's not with Shockwave because he singled him out (tho, I think he certainly likes Shockwave's attention). And after Shockwave dies in spirit, and someone else he trusted shows up to take the Primacy, Orion is happy to go along and serve under him.

(There is a version of events where OP ends up being Shockwave's puppet Prime which makes me insane to think about)

That's right! It's time to talk about IDW1's most important character!! This was a trap!!

Zeta fills in the gap Shockwave left in Orion's life, and he even actually ends functionism!!! (officially that is), so he seems like the right person to put all his hopes in. Despite this, he isn't Shockwave, Orion is not as taken by him and does bring up the fact that this Matrix and Primacy thing is made up to him.

What I want to highlight here is that Zeta not only admits to Orion that the matrix and the primacy are symbols to be used for control, but he also calls Orion himself a symbol, even before he becomes Optimus (but in a way, progressing the path Shockwave put him in by trying to make him a Prime). Zeta jumpstarts OP's mythification by using his image for propaganda.

Orion at first doesn't think that this is very cash money, but on top of being desperate to believe in someone, this questioning happens at the same time that he loses his faith in the Decepticon due to the other stuff happening. So out of good options (at least form his POV), he decided that hey, maybe Zeta has a point. Maybe we can use the symbols for good, since things are such chaos otherwise. And even tho he would later disown Zeta, I think he still learned to wrong lesson from him.

So, Zeta turns out to suck massively, he aids in killing him, Megatron shoots him in the back and he finds the real Matrix. After things didn't work out with the 3 dudes Orion had put his hopes in, it seems that now Optimus has to embody his own values himself. But out of those 3 Shockwave didn't let him down willingly, I think Optimus still wants to pay respect to his memory and their dream. And besides, because OP is prone to question all his life choices and will spent the rest of his life struggling to give up control, I think he does wonder that maybe things wouldn't have gone so far if, instead of blindly trusting Zeta, he had become Prime from the beginning as Shockwave wanted.

Now we know from the end of Mtmte that the Matrix' morality lock reacts to your own feeling. Someone like Rodimus who wanted to prove himself felt good bonding with the Matrix because that's what he expected. Optimus feels pain, he feels the fear of war in all Cybertronians, he calls him a warning about responsibility. This all reflects what Optimus himself thinks of responsibility: that is a burden.

When OP finds the Matrix he was feeling guilty over having followed Zeta, over having let things get this bad. But OP's idea of making amends is to take on more responsibility. Every time he tries to step down he ends up coming back because he feels that's what he has to do. So it's really not so much that because the Matrix choose him that he has to become Prime, but rather that because he can use this power he has to. He morally obliged to do so because what's happening is his fault. Besides, he was already the leader of the Autobot forces going into battle against Megatron (even tho in Autocracy he also acts like a regular cop, this is a mess, but let's roll with it) so this is still his duty. And what's he gonna do? Not try to stop Megatron? (Optimus is someone cannot stay still, but his repertoire of solutions is lacking). He not only chooses to use the literal and symbolic power of the Matrix, but he also chooses to become a symbol himself, one that's supposed to embody all the good in the world. (And this is also part of why he always comes back, he made himself too big on an idea to be able to just fade)

But it is a choice, even if Optimus doesn't think he has a right to refuse. OP always frames everything he does as a choice (at least in retrospective, he can go "you leave me no choice" in the moment). So if it's something that Shockwave wanted him to do, he still did it willingly. This sense of hyperresponsability also has OP never consider himself a victim, he doesn't tend to emphasize the ways in which he has been hurt, he never ever talks about how Zeta used him and lied to him (he has no right, he hurted people). So this aspect of him is why I think he doesn't acknowledge Shockwave violated his bodily autonomy. Shockwave saved him from the Senate, repaired him and made the modifications for the greater good. So really, OP was harmed and is fine.

Anyway, even tho, OP was indeed technically "chosen" by the Matrix, he still sees the whole thing as much of a construct as Zeta's Primacy. He has respect for the Matrix, he knows it can create life, it saved him from death, it gave him a vision and there's all the powers he would use later. Still, he doesn't think it's actually divine or that bonding with it makes him that special. During the course of the war he has made far more use of the Matrix' symbolic power than of its practical uses. (Including saying that the Matrix is giving him a vision to get out of situations dhasgdkjashdas I love that)

(And he's not wrong about the Matrix not making you special. Mtmte shows us that anyone can open it under the right mindset. And even if Zeta, Sentinel and Nominus never carried the real thing, Nova did, so I wouldn't argue it is a good judge of character)

Optimus doesn't feel super comfortable using the idea of the Matrix this way, but this is far from the only and/or worse morally dubious strategy he pulls out for the greater good. He kinda goes back and forth between paying lip serive to the idea that he's Just A Dude, and using the Matrix as an ID card. Until we get to Combiner Wars and onwards where OP is fully, shamelessly cashing on the religious clout of being Prime. But he also seems so struggle managing this internally in that he tries to not buy his own hype but it does get to his head sometimes.

Also, there's something funny going on in that Optimus' Autobots don't seem to have any formally institutionalized religion. I mean, Optimus had authority before the Matrix and I don't recall any official statemen in the Autobot code or anything that the Matrix means one is Primus' chosen and that's who the leader is (Bee could be voted into position, and Optimus stll considered Bee the leader when he got it the matrix back even if he did undermine him). Now the idea certainly exists and I don't doubt it what used for propaganda, but Autobots seem to be left to their own devices in matters of faith and everyone has their own beliefs.

But even if not everyone thinks that Optimus' is Primus' chosen exactly, the idea that the Matrix is... something and that it choosing Optimus means he is special is certainly the prevalent notion. In this sense, the Matrix becomes part of Optimus' mythos rather than the other way around. Optimus idealization is so real it causes people to develop delusions. And Optimus himself doesn't do much to avoid this. Sure, this kind of thing is often beyond one's hands, especially when you're one of the few people who can go toe-to-toe with Megatron (who also mythicized himself), but even if he denies being special when asked directly (which is usually to his closer friends who already idealize him less than the average bot), I doubt he has ever gone on official record like "My fellow Autobots, the Matrix doesn't mean shit". On the most charitable of takes, this kind of thing serves for morale, which would be needed when battling a figure like Megatron.

So Optimus is always under the shadow of himself. An idea he created from the dregs of a rotten legacy that he has to live up to because it's his duty to do so, because he can't not do anything and this is what he knows what do to. And this all ties back to Barber's broader themes of symbols, stories and Optimus as an idea as well as a person. And as we know, the ultimate conclusion Optimus reaches is that yeah, no, the Primacy cannot be salvaged, no one should have that much power regarldess of intentions, it needs to die so Cybertronians can move on, so he takes it to the grave with him.

[marcomontalvox]

Les dejo un atardecer que se vio en mi ciudad después de una lluvia. The heaven is closer

[baileyboo2016]

have u ever heard of cricket-chip cookies??

also hi it's your bird parent

good morning!! how ru?

cricket-chip what now?? 😭

also i’m doing alright, thank you!! hanging in there :)

-from your bird child

[the-eldritch-it-gay]

I realized the other day I don't think I've properly shared my Sanrymic lineup/reference. So! Here they are!

Sanrymic Tēhal (aka Flint) is a Scourge Aasimar Monk (Way of Mercy). Lots of thought went into their design, and the motifs of life, death, and rebirth. They're indigiqueer and use they/them pronouns.

The original concept with their name and design was partially inspired specifically by Mictēcacihuātl (death symbolism). Since they're an aasimar, I gave them feathers, but specifically Quetzal feathers which are associated Quetzalcoatl (life symbolism). I also decided against a halo because it seemed a tad christian lmao.

[soracities]

M, I need to tell you about something I read and thought you'd love. This person's picture of the Northern lights was featured in a compilation on the Guardian and he said that the colours of the aurora, including a rare red streak, were reminiscent of the quetzal which is the national bird of the country he's from (most likely Guatemala). And I looked up the quetzal and it's plumage looked just like the Northern lights.

oh, anon, i'm.....

this is above & beyond anything...........

[slymewitch]

THE FINAL VERSION OF MY BLOB MUTUALS IS COMPLETE!

I added 12 new frens (had to squeeze Pan’s character in because I thought someone I asked wouldn’t respond and they did sorry Pan! Also Blank0s because I can’t believe I forgot Blank0s I am so sorry) as well as editing pretty much all the old drawings.

Try to find all the changes!

@f4y3w00d5 @the-gnomish-bastard @aileaxthevoidien @combustion-wizard @evil-wild-lesbian-wizard @monsterfucker-research-wizard @ashen-the-tiefling @nebulaaaaaa @drew-bard-for-hire @witch-of-areorria @lixorloveslicorice @thatgayforkcrow @terrencetheshark14 @villainessbian @transbian-arsonist @vsgroundnet @gobodegoblin @the-moth-wizard-of-mayhem @good-wizard @pansexualcake9 @a-mushroom-wizard @justsomespiders @mersinia @draco-the-chaos-quetzal @mephist0pheles @blank0s

[celestiall0tus]

Ask for Kwami fusions: How about Taking Chloé's rooster design and mixing it with a peacock, because showboating+showboating=Chlocore

You got me. I got a little something something

The Resplendent Queen!

So, I'll get a little more info regarding the rules I'm gonna go with in terms of the unifications. But, here we go:

Resplendent Queen is the combination of pretension and emotion. A pair of birds, so I stuck with a bird. I went with another fancy feathered bird and went with the resplendent quetzal (also where she gets her name). The concept nobility comes more from pretension (entitlement) than it does emotions, until we get to the powers (which I'm still a little on the fence for).

Now, the tool and powers. The fan and pen combined into a calligraphy brush (thought it was cute). Her power was a little tricky since the rooster can give any power while the peacock is manifesting emotions into monsters (which does fall under the category of empathetic constructs), so there's a lot of leeway and opportunity. So, there's a pair of powers I'm considering for the concept of nobility:

Empathetic Influence - This allows Resplendent Queen to influence and override emotions of her target. Say a target is happy and she influences them to feel something like fear, tying more into the tyrant side of nobility/royality.

Empathy - This kinda inspired by the song The Cost of the Crown by Margie Butler. That a queen cannot think only of herself, but also of the subjects that she is responsible for. Hence, her gaining the power of Empathy, allowing her to feel what others are truly feeling around her.

I like Empathy a little more, but I dunnno. But, there you go, Chloe's unification with the peacock.

[todaysbird]

Saw the weirdest pigeon I've ever seen yesterday -the proportions were just WACK- and thought you might enjoy (ft Scrappy, last year's magpie baby (his parents are Peanut and Pingu and his younger brother Quetzal is this year's hatchling) also sorry for the window grub)

TODAYSBIRD EDIT: I’m trying to figure out what they are, they certainly are weird…I think they’re not Rock Doves (common feral pigeon) but a similar species like a White Winged Dove, I think they’re also juveniles which is why they look so scrunky!

[nineevees]

general thoughts on the wk “our blue and green world” special (for funsies)

they had me in the beginning, by the end they completely lost me tho lolol

!! SPOILER WARNING FOR THOSE WHO HAVEN’T SEEN THE EPISODE YET !!

things i liked:

the intro was!! very good!! loved how they started in space and then gradually zoomed into earth, that was really fun :D

always excited to see how the background of the final shot changes in these specials !!

right away i am so glad they finally color corrected everything i couldn’t stand how bright everything was in season 6 T_T

chris being able to just effortlessly fold his t-shirts into a stack made me laugh lol

i don’t care if anyone says the song sounded flat as hell. the disbelief i had when it first came on. “what is this music what is goin- IS THIS A SONG??” the pure, unadulterated joy i experienced from it. it may be cringe but it has set me free.

idk. i’m just glad to see all these characters back after the hiatus :D

the resplendent quetzal is!! so cool!! so pretty!! i’d love an episode just dedicated to it

saw someone say this already but common aviva W for inventing two creature power discs at once !! it’s her world we are simply all living in it

BLUE WHALES ARE AS BIG AS TWO BRONTOSAURUSES?? waow

i think ever since i’ve gotten past the age of. elementary school. martin’s nicknames for animals have been kind of hit-or-miss for me? (though it might just depend on who’s writing the script i dunno) but i liked kablooey!! (kabluey?) it’s a very cute name :D

zach remembered that he has hacker bots he can use (which are. arguably his best invention?? i’m pretty sure?? i get why they don’t use them every single time zach shows up bc that would get old quickly but it establishes that despite being a whiny man-child who couldn’t tell a walrus from a wombat or a wallaby, he can still be a threat to the wk team)

indri lemur my beloved 🫶🫶

and everyone’s been talking about that so um. let me throw my hat into the ring then.

i can see the intention behind trying to redeem paisley, but it just. doesn’t really match with what’s been established by her character?

the entire special hit me with subsequent punches of “wow this is a kid’s show and i am NOT the target demographic” when they were talking about the water cycle and explaining global warming. so it makes sense, in a sort of wish-fulfillment kind of way that they’d try and redeem the villain whose goal is arguably the most realistic out of the main four.

zach’s main gimmick is using wild animals for his own technology. donita uses wild animals for fashion. gourmand cooks and eats wild animals. yes, the latter two can and do happen in real life (not… really sure about zach’s but that’s not the point). but paisley’s gimmick was never about harming animals, but destroying the environment they live in, in order to build things for humans instead. she’s the kind of person who you’d most likely encounter in real life. redeeming paisley has nothing to do with her character (a businesswoman who finds nature “yucky” as seen in the spirit bear and Asian elephant episodes), instead her general gimmick. wouldn’t it be nice if we could get the people destroying animals’ homes to truly see how beautiful nature can be? so much so that they stop trying to destroy it and instead attempt to help preserve it?

(this is just a personal nitpick but paisley’s new design absolutely is NOT working for me srry)

after i watched the special i had some ideas abt how it potentially could have gone instead?:

don’t redeem paisley at all: again, i get the general idea of why they did this but also. it doesn’t?? line up with her character at all?? the way she was acting in the beginning was fine and perfectly in character for her. she just wants nature out of the way in order to complete her plans, and she has no time for zach being overly concerned with the wild kratts. you could argue that her knowing that dolphins and whales weren’t fish but mammals was foreshadowing to her redemption, but like… paisley’s not dumb?? donita has also corrected zach on not knowing his animals in the past so unless you’re also going to argue for a possible donita redemption in the future then. yeah. i dunno. the other villains didn’t need a redemption to make the special they were in interesting, i don’t see how this one should be any different.

another redemption fake-out, but do it much earlier in the story: i have. my own gripes about how the plot of this special went but we’ll save that for later. have paisley initially be dismissive of the wild kratts’s presence, but once she learns that the kratt brothers are arguing and that aviva, koki, and jimmy are spending all of their time trying to get them to make up, pounce on that opportunity. have her go all over-the-top (like she did in her canon redemption) and trick the wild kratts into thinking she’s turned good, only for her to turn on them in the second half. this might be too similar to “a creature christmas” though. this one would take up more of the plot if that’s any consolation?

give a hint to a paisley redemption arc, but don’t make her do a complete 180 right away: if they’re adamant on redeeming paisley (again, i see the general idea behind this gimmick-wise), then they could still do it and make it fit with her character. remember that paisley’s intentions are not to harm animals, but their environment (which is not any better, making that clear). she can still have her awed-by-coral moment, but maybe. tone it down?? she can have second thoughts about going with the plan, but have zach or rex* encourage her to continue. she steels her resolve, but remembers the coral, and hesitates. and the kratt brothers use that last-minute hesitation to defeat zach’s zachbots and paisley’s pavers. have paisley question why she couldn’t go through with it as she and zach leave madagascar. you could have aviva or one of the other wild kratts theorize that paisley has started to have a change of heart after seeing what nature is capable of, if left to thrive. but again: don’t redeem her right away. hint at it, and then explore it whenever she appears as the main antagonist in an episode of season 7.

*i’m admittedly not caught up on all of wk, but like. did paisley fire rex or something. WHERE WAS HE THIS ENTIRE SPECIAL??

as for the plot point of the kratt brothers fighting… yeah that definitely could have gone better.

(again, minor nitpick but jimmy saying that this was the first time he’s seen the brothers fight,, then implied that it happened every single laundry day,, but also he’s definitely seen them fight before? or had disagreements at least?? isn’t that the premise of at least two different episodes not counting this special. this script is also Not My Favorite. not sure how to explain it but some of the dialogue seems a little awkward?)

ik that the brothers get into danger 24/7 but i feel like. martin should be a little bit concerned that chris was getting squeezed to death by a green anaconda?? like you don’t have to make him overtly worried to the point of apologizing, but you could at least. make him look at chris with concern? i get that the point is that “oh no the brothers are fighting so they won’t help each other when one’s in danger” but. martin your brother is dying STOP SMILING NONCHALANTLY.

the resolution between the brothers was. kind of rushed? all it took was chris complimenting martin (“nice one, bro!”) and then activating some creature powers and then everything was fine. is. is that all it took?

if you liked it then that’s 100% fine !! i’m glad you enjoyed it :D it just wasn’t for me

just my personal preference but i think i would have preferred it if we spent more time with the brothers solo (martin at sea and chris in the rainforest) and have them come to their realizations that the planet needs both blues and greens to thrive separately. like martin sees the planktonic soup and acknowledges that the creatures who live in the ocean need a little green to survive. or chris sees how important rivers are in the amazon and remembers how the rivers will eventually flow into the ocean. and both of the brothers remember their adventures with each other (or aviva, koki, and jimmy remind them). they can still be stubborn and not forgive each other, but i’d like them to at least like. acknowledge each other’s pov and respect it.

or: do something with aviva trying to program two creature power suits at once (the brothers are both in madagascar at this point). like, what if there was a creature power suit malfunction where martin is a blue whale at first, but then turns into an indri. and chris starts our as an indri but then his suit malfunctions and he becomes a blue whale. the bros swap places, with martin going on land and chris going to sea, and then they realize that the other had a point - the land is home to so many wonderful creatures and so are the oceans. and how both are connected and make the earth their home. boom, reconciliation.

also another personal preference thing, i really wish they spent more time with kablooey/kabluey and mambiky (?). i’m here for cool creatures and i wanna see more of the cool creatures !! is that so much to ask for !!

also also. i think the indri-conda was born bc someone saw the pun potential and to that i say. no comment.

i still have. a lot of thoughts but i think i’ll just leave it there for now. ik i criticized it a lot but i did genuinely enjoy the special :D i’m happy to have the brothers back from hiatus and can’t wait to watch the other episodes !!

[amerricanartwork]

Is the Lilypad essay really what y'all want?

I know I may have seemed inactive recently, but hear me out, it's because I've been working on a relatively big Lilypad post and I think it's about time I at least give some kind of update on that.

For context, ever since my last post proclaiming myself an official Lilypad shipper, I now have a total of seven people who have directly encouraged me to share my thoughts on why I now ship it. And, of course, there may be more out there who'd appreciate such a thing. However, I must give a warning, I've already been trying to format it for around a week now, and I still wanna make some drawings to accompany it (though I'm trying to get it posted before Christmas Eve at least). The script I have so far is already 1190 words, and I haven't even gotten to the main reason why I ship it, for which my rambles on that alone may very well double the word count. After all, I've said before that I tend to be rather verbose when I talk about things I love...

Basically, what I'm asking is: do you guys really want this? I'm testing the waters to see whether or not I should finish this script and do the drawings. Because trust me, if there's a demand for a 2000+ word essay on Lilypad supremacy, I will ultimately deliver as best as I can, because I love the ship and I love explaining things I love! And MAN, does this particular ship have a lot of romantic potential that I'm eager to share, and hopefully even expand on!

So, needless to say, if you guys really want it, I've got it!

[fridaydev-draws]

🚨🚨🚨🚨NEW GENSHIN OC ALERT 🚨🚨🚨🚨

His name is Xihuitl and he is a pyro catalyst, Ball player from Natlan :3

(More info under the cut)

OK SO. I’m really really really pleased with the result of this new character. I myself am Mexican, so when it was confirmed Natlan has soooome influence from Mexico, I decided to make him.

Xihuitl is a “Ball player”. The sport I am referring to is a traditional game/ritual performed in some regions of Mesoamerica, what today is mostly Mexico (Guatemala and Honduras too, but I’m not sure in the specifics). It goes by multiple names: tlachtli u ollamalistli in Nahuatl, pitz in classic Mayan.

His name means comet in Nahuatl. I chose this name bcs I imagine his attacks as him blasting enemies away with fire balls, but as if he was playing his sport.

His design has influences from both Mexica (his clothing), Mayan (body paint) and modern Mexican culture. The feathers he wears are Quetzal, a bird typical from the geographical zone these cultures are from.

As for his personality and back story? Well, I haven’t thought much about it. I just know he is a himbo, leaning more towards jock. Also he would be best friends with Itto and be super enthusiastic about his beetle fights.

That’s all for now!

[quetzalpapalotl]

In the Japanese print of Chaos Theory, Megatron's line about there being only two constants (hate and Optimus) in the past 4 million years is translated as having been only two 思い (thoughts/feelings) in his 心 (mind/heart).

Therefore we can say that Optimus is Megatron's 思い人 (person in thoughts, an old fashioned way to say beloved/sweetheart)

[marcomontalvox]

Quiero ser bueno pero tengo pensamientos malos.

[barbucomedie]

Quetzal Feathered Headdress from Mexico dated around 1515 on display in the Weltmuseum in Vienna, Austria

The first known reference to this feathered headdress in Europe occurs in 1596, as the "Moorish Hat" in the inventory of the collection of Archduke Ferdinand II of Tyrol at Schloss Ambras. Ferdinand collected objects of cultural signigficance for his castle to make a museum that was part of his efforts to promote the Renaissance in the Empire.

Before this it was thought to have been the headdress of Emperor Moctezuma Xocoyotzin II of the Aztec Empire however the provenance of this is uncertain. This is due to it not matching any other illustrations of such headdresses.

The headdress arrived in Vienna in the early 19th century. During a restoration in 1878, feathers and metal elements were supplemented. Since at that time it was assumed that the object was originally a type of standard rather than a three-dimensional piece of headgear, it was flattened to fit that image. Due to it's fragility there can be no further interventions and this is the reason given by the museum as to why it cannot be repatrioted back to Mexico. Activist, lecturer, writer and dancer Xokonoschtletl Gómora has campaigned for it's return to Mexico.

Photographs taken by myself 2022