#quotes about humans

[alexandramalbb]

"She loved to feel the cold wind, how it touched her skin. She loved to see nature unfolding around her.

She adored the storms, especially the summer ones, she wished she could be like them, free , wild, and able to destroy everything in her way."

[wehavewords]

“To create is divine, to reproduce is human.”

Man Ray

[markscherz]

‘But I am very poorly today & very stupid & hate everyone & everything’

- Charles Darwin. Letter to Charles Lyell, 1 October 1861

[aceof-stars]

I'm so tired of hearing that Phoenix saved Miles without hearing about any of its implications.

Because Phoenix's savior complex is a major problem not a solution. Because Wrightworth is not about Phoenix saving Miles, it's about them saving each other. Because in Farewell My Turnabout, Miles Edgeworth said "We aren't some sort of heroes. We're only human." and he was right.

[lotus-pear]

whatever happens, please don’t break

[lucabyte]

Comfortable in New Skin

[seagreenstardust]

“When toxic behavior is portrayed as romantic, it’s problematic. When problematic behavior is portrayed as a character flaw for a character to work through, it’s good storytelling.”

Katsuki Bakugou, my friends.

His behavior was problematic but never once portrayed as romantic at the same time. Katsuki said and did awful abusive things, and he also chose to be better when he was given the chance. If you’re still hung up on chapter 1 Katsuki now then I don’t think you’ve been reading the same story I have.

I can’t speak for everyone, but I’m not shipping Izuku with an irredeemable abuser. I’m shipping him with his most important person. His narrative foil. His childhood friend who made awful mistakes and then made it right when he saw he was wrong. The person Izuku looks up to and strives to emulate, despite their past struggles.

Bakudeku is so good because of how flawed these boys are, and how hard they’ve worked to get over it, and how much they matter to each other after it all

[hylialeia]

everyone who doesn't include the full quote when mocking GRRM's "what was Aragorn's tax policy" rhetorical question owes me $200

[noknowshame]

always a fun time when real life people are doomed by their own narratives. like guys you know it doesn’t have to be like this right? this isn’t a stageplay the foreshadowing isn’t real until you make it real

[onaperduamedee]

For my part I have sought liberty more than power, and power only because it can lead to freedom. What interested me was not a philosophy of the free man (all who try that have proved tiresome), but a technique: I hoped to discover the hinge where our will meets and moves with destiny, and where discipline strengthens, instead of restraining, our nature.

— Memoirs of Hadrian by Marguerite Yourcenar, translated from the French by Grace Frick

[hedgehog-moss]

Inspired by your last ask! What are the best French books you’ve read that have no English translation yet? I read Play Boy and Qui a tué mon père (really loved the latter) last year and it feels so fun to read something that other Americans can’t access yet

I'm too nervous to make any list of the Best XYZ Books because I don't want to raise your expectations too high! But okay, here's my No English Translation-themed list of books I've enjoyed in recent years. I tried to make it eclectic in terms of genre as I don't know what you prefer :)

Biographies

• Le dernier inventeur, Héloïse Guay de Bellissen: I just love prehistory and unusual narrators so I enjoyed this one; it's about the kids who discovered the cave of Lascaux, and some of the narration is written from the perspective of the cave <3 I posted a little excerpt here (in English).

• Ces femmes du Grand Siècle, Juliette Benzoni: Just a fun collection of portraits of notable noblewomen during the reign of Louis XIV, I really liked it. For people who like the 17th century. I think it was Emil Cioran who said his favourite historical periods were the Stone Age and the 17th century but tragically the age of salons led to the Reign of Terror and Prehistory led to History.

• La Comtesse Greffulhe, Laure Hillerin: I've mentioned this one before, it's about the fascinating Belle Époque French socialite who was (among other things) the inspiration for Proust's Duchess of Guermantes. I initially picked it up because I will read anything that's even vaguely about Proust but it was also a nice aperçu of the Belle Époque which I didn't know much about.

• Nous les filles, Marie Rouanet: I've also recommended this one before but it's such a sweet little viennoiserie of a book. The author talks about her 1950s childhood in a town in the South of France in the most detailed, colourful, earnest way—she mentions everything, describes all the daft little games children invent like she wants ageless aliens to grasp the concept of human childhood, it's great.

I'll add Trésors d'enfance by Christian SIgnol and La Maison by Madeleine Chapsal which are slightly less great but also sweet short nostalgic books about childhood that I enjoyed.

Fantasy

• Mers mortes, Aurélie Wellenstein: I read this one last year and I found the characters a bit underwhelming / underexplored but I always enjoy SFF books that do interesting things with oceans (like Solaris with its sentient ocean-planet), so I liked the atmosphere here, with the characters trying to navigate a ghost ship in ghost seas...

• Janua Vera, Jean-Philippe Jaworski: Not much to say about it other than they're short stories set in a mediaeval fantasy world and no part of this description is usually my cup of tea, but I really enjoyed this read!

Essays / literary criticism / philosophy

• Eloge du temps perdu, Frank Lanot: I thought this was going to be about idleness, as the title suggests, and I love books about idleness. But it's actually a collection of short essays about (French) literature and some of them made me appreciate new things about authors and books I thought I knew by heart, so I enjoyed it

• Le Pont flottant des rêves, Corinne Atlan: Poetic musings about translation <3 that's all

• Sisyphe est une femme, Geneviève Brisac: Reflections about the works of female writers (Natalia Ginzburg, Virginia Woolf, Sylvia Townsend Warner, etc) that systematically made me want to go read the author in question, even when I'd already read & disliked said author. That's how you know it's good literary criticism

Let's add L'Esprit de solitude by Jacqueline Kelen which as the title suggests, ponders the notion of solitude, and Le Roman du monde by Henri Peña-Ruiz which was so lovely to read in terms of literary style I don't even care what it was about (it's philosophy of foundational myths & stories) (probably difficult to read if you're not fully fluent in French though)

Did not fit in the above categories:

• Entre deux mondes by Olivier Norek—it's been translated in half a dozen languages, I was surprised to find no English translation! It's a crime novel and a pretty bleak read on account of the setting (the Calais migrant camp) but I'd recommend it

• Saga, Tonino Benacquista: Also seems to have been translated in a whole bunch of languages but not English? :( I read it ages ago but I remember it as a really fun read. It's a group of loser screenwriters who get hired to write a TV series, their budget is 15 francs and a stale croissant and it's going to air at 4am so they can do whatever they want seeing as no one will watch it. So they start writing this intentionally ridiculous unhinged show, and of course it acquires Devoted Fans

Books that I didn't think existed in English translation but they do! but you can still read them in French if you want

• Scrabble: A Chadian Childhood, Michaël Ferrier: What it says on the tin! It's a short and well-written account of the author's childhood in Chad just before the civil war. I read it a few days ago and it was a good read, but then again I just love bittersweet stories of childhood

• On the Line, Joseph Ponthus: A short diary-like account of the author's assembly line work in a fish factory. I liked the contrast between the robotic aspect of the job and the poetic nature of the text; how the author used free verse / repetition / scansion to give a very immediate sense of the monotony and rhythm of his work (I don't know if it's good in English)

• The End of Eddy, Edouard Louis: The memoir of a gay man growing up in a poor industrial town in Northern France—pretty brutal but really good

• And There Was Light, Jacques Lusseyran: Yet another memoir sorry, I love people's lives! Jacques Lusseyran lost his sight as a child, and was in the Resistance during WWII despite being blind. It's a great story, both for the historical aspects and for the descriptions of how the author experiences his blindness

• The Adversary: A True Story of Monstrous Deception, Emmanuel Carrère: an account of the Jean-Claude Romand case—a French man who murdered his whole family to avoid being discovered as a fraud, after spending his entire adult life pretending to be a doctor working at the WHO and fooling everyone he knew. Just morbidly fascinating, if you like true crime stuff

[psychidelias]

There's something so beautiful about Red Dwarf just as a concept and as a series.

Comedy aside, it has one of the most meaningful messages I think I've ever seen. The whole idea of being hopelessly lost and alone in the infinity of space but still having hope and love is just unbelievable. Dave Lister is just the ultimate guy ever.

He's a loser, a nobody, a complete write-off in terms of his career, a depressed, lonely man who is the last of his species, the only one left, three million years away from home.

Yet he still has hope. He still appreciates beauty in the rockiest places. He still believes in justice and life above all else, so much so that his worst fear is losing his morality. He still goes on.

He's so far away from home that there's no realistic hope of getting back, but he doesn't care. He makes a home out of everything and everyone around him, eternally living in the only way -the best way- he can.

He's created his own Promised Land.

[silvantransthranduiltrash]

I’m sorry, but can you just imagine:

Elves in Valinor: i wonder how the elves that choose to remain in ME are doing? Are they suffering? Are they thriving? Have they faded yet?

Meanwhile, Thranduil: *sipping a pina colada out of a coconut, hanging out in a hammock, on a beach, with some reggae and a nice book* i don’t care that staying in ME means that i will face hardships and horrors that are beyond valinor’s wildest dreams, because i’m sure i’m also relaxing and living the good life beyond valinor’s wildest dreams.

[paint-it-dead]

-"Start Here" by Caitlyn Siehl

[logarithmicpanda]

"Without feelings insignificant decisions become excruciating attempts to compare endless arrays of inconsequential things. It's just easier to handle those with emotions."

(Ancillary Justice, Ann Leckie)

I really like this take, it's so refreshing compared to people pretending logic is absolute and ideal

[kurozu501]

there were so many good lines in the movie but i keep specifically thinking of the one where evelyn says (paraphrasing)  “even in a world without hands we’d learn to play music with our feet” 

i cant get over how they used the most ridiculous way possible to arrive at such a profound moment? that line should be completely hilarious given what they built it on but in context its somehow a genuinely powerful, moving moment. this movie really was everything, everywhere.