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#rating explanations;
dailydegurechaff · 1 year
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Today's Daily Degurechaff is… little guy rating
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pansy-picnics · 7 months
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I GOT THIS DIALOGUE LAST NIGHT AND IM STILL LOSING MY MIND OVER IT?
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sevenines · 6 days
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i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.
two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!
#i don’t know if pay rates differ per networks#but a.ivi and s.urrashu have said that they needed to work outside of su in order to make sufficient funds#it only makes me wonder what other ways su suffered from a lower budget#that we as the audience never got to see#in the vein of the too-little characters complaint#another part of that is that low-stakes episodes should’ve been abt the main cast instead of the townies#like last one out of beach city and too short to ride vs restaurant wars and kiki’s pizza delivery service#i definitely see that especially since that isn’t budget related#nor would it seem to be network related (even if cn had an ‘episodic episodes’ quota it could still be abt the gems#(another side note: /would/ cn even have a requirement that the show make episodes that can be watched standalone?#this is a question for the people who were around when su was airing#what episodes often got rerun?#was it the townie eps or the lore eps?#for example i heard that su once did a ‘peridot event’ where they just reran peridot episodes#which had eps that skip around in the show#did they even care about airing the story so that it made sense anyways?#id get it if the low stakes townie episodes were the ones getting rerun))#but i have such a boring view on that which is i think it’s simply because the creators like townie eps#like in interviews r.ebecca s.ugar has said she’s the type to be really invested in background characters#answers in interviews have been crafted in ways to hide what’s really going on though tbf#prime example of this is rebecca and ian saying the wedding being interrupted was meant to follow the common trope#when later in the art book they said that it was bc cn rejected the ep bc it ‘wasn’t interesting enough’#both could simultaneously be true! it’s a psychology thing though where people make up nice-sounding explanations behind what they create#in retrospect because they want it to be thought out in such a nice way they believe in it#the bigger problem is that not matter how many episodes there are of them#it can be hard for ppl to be invested in the townies the same way they are invested in the main cast#i’m sure that a million writers have made surefire advice on how to get an audience to care about characters#but off the top of my head i think it’s because 1. most don’t have strong motivations to get truly invested in#(exception is ronaldo but people find him too annoying to care about him)#okay i had more points and explanations but i hit the tag limit and idk if anyone is actually reading this so bye
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waywardsunlight · 7 months
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I think Luz's trauma due to being an abuse victim gets ignored a lot in favor of other characters. Luz has an odd role in the fandom as this character who other characters rely on, or who isn't an abuse victim but is supportive of her friends who are, and I think that ends up missing a huge part of her story.
Belos compliments her a lot, which is partially because he wants to reach out to her and mostly because he thinks he can manipulate her. He does some backhanded compliments, telling her she's improved but she still has work to do to catch up to him. He also thanks her quite a few times. The way he thanks her intentionally triggers her guilt, especially when he thanks her for helping him with Hunter. He also compliments her to put other people down, like when he tells her she's "better than this" (implying their race makes them morally superior).
He also uses the same manipulation tactic on Luz that he does on Hunter, although it doesn't work as well on her. He tries to remove his own agency for his physical violence by blaming the Curse. The biggest example is in King's Tide, when he pretends he can't hear her as he's racing after her to try and kill her. He ends up cutting her face while pretending to be out of control and then in the same sequence has full control and clarity to talk to Hunter and the Collector. He gaslights Luz by trying to make it seem like it was The Curse causing him to act in the way he did.
He refers to Luz as "crazy" to invalidate her emotions and harming Hunter in front of her also is a form of abuse. He's obviously aware that hurting Hunter traumatizes Luz (and everyone else) but as his focus transfers from Hunter to Luz in Hollow Mind, he starts targeting her specifically by harming Hunter to hurt her (especially in TTT). Belos shifts the blame for events from himself to Luz and also attempts to make her feel guilty. Hunter seems to understand that Luz is also being abused and tries to reassure her that Belos is an abuser and she shouldn't take what he says at face value. Luz ends up taking that advice to heart after she's able to forgive herself and face Belos. She doesn't speak to him but is able to hear his manipulation tactics and just. stare at him bc he's full of bullshit.
Just because he 'only' hits her a few times and isn't her guardian doesn't mean he can't abuse her or that he didn't. It's not really a protagonist-antagonist relationship as much as it is "adult man nuking 14 year old repeatedly until she becomes god and kills him". The idea that child abuse can only come from parents and not role models or other adults in your life is odd, because he distinctly holds a position of power over her (literally an Emperor and an adult who intentionally isolates her and the other kids alone to abuse them) and uses it to emotionally and physically harm her.
Papa Titan has to reassure her that she's okay to kill Belos because he's literally a serial killer who's lying about his intentions. Luz still slightly falls for Belos's sympathetic line until that moment because he very intentionally tried to get her to feel bad for him and also feel guilt about herself.
This is also why I really detest any fandom takes where Belos canonically is supposed to care about her, or Luz owes him anything. Manipulation is not sympathetic. Belos committed premeditated murder and then used the remains of his murder victim to try to make a "Better Version" of his murder victim which was actually just a way to punish him repeatedly and keep taking out revenge on kids who had nothing to do with the original conflict. Belos is Luz's abuser also, and Luz doesn't owe him any sort of kindness or consideration and her anger is valid.
Luz is an abuse victim of Belos's in addition to Hunter and the Collector (and Vee/Lilith by extension), and she should be considered as such rather than her trauma being invalidated in favor of other characters.
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shineyfish · 10 months
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Oh you so desperately want to be a rabid animal. You put on a violent act, snarl and bite anyone that comes into contact with you, pushing away everyone you can, putting on an act that the people want to see, playing into their expectations of what disease truly is.
You so deeply wish there was some simple explanation for it. Some easy-to-define reasoning as to why you act the way you do. Why you can't stand the way their hands reach out to you in kindness. Why it makes you feel sick. You so desperately want to call it a disease, a malady, a virus, when you're just scared. You've been scared all your life. You've been gnashing your teeth before they can bite you first for as long as you can remember.
But I know what a rabid animal looks like and it is not you. You are not fatal. You are not doomed. You're acting because it's all you know how to do anymore, and I can see right through it.
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lulu2992 · 1 month
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So I watched the Director’s Cut versions of Rebel Moon Part One & Two, respectively renamed Chalice of Blood and Curse of Forgiveness, exactly one week ago, the day they were released.
As a person who generally doesn’t enjoy the idea of watching films that are over 2.5 hours, really isn’t a fan of gore, and thinks sex scenes are uncomfortable and unnecessary 95% of the time, I was rather apprehensive, to say the least, since those three things are precisely what the two movies promised. Still, I managed to watch them on the same day even though the fact it was hot outside and consequently almost 30°C in my room probably didn’t help me not to feel unwell for a good portion of my viewing experience :’)
However, there’s a fourth thing the new version of the films promised, and this, on the contrary, is exactly what I love and probably what kept me going: more lore. I won’t go into too much detail so as not to spoil major plot points here, but I think Chalice of Blood and Curse of Forgiveness kept all their promises.
Some characters get a proper introduction (notably Aris and Nemesis), or more screen time so we understand them and what they do (mostly the Priests, Hawkshaws, and Jimmy), or a better, more satisfying, sometimes more emotional ending. We also get completely new scenes and characters, and that too greatly helps the narrative, whether it’s by adding more backstory, taking the time to explain someone’s motivations more clearly, revealing how some people reacted to certain events, or detailing how something works.
Also, some of the “mistakes” viewers complained about, for example the spaceship being powered with coal or somebody not missing any teeth after we clearly see them get knocked out, are fixed in the Director’s Cut. It turns out those things were not illogical, they were just censored for the PG-13 version…
As for the sex scenes, while they weren’t indispensable, I have to admit they do serve a purpose. The two “main” ones have a character in common, so we can see how different that person feels and acts with each of their two partners. The scenes need to exist together because they’re only really interesting when you compare them, but that’s how they tell a story. Never in my life had I been so happy to see someone successfully remove a bra, haha! There’s also, of course, the one that involves tentacles, which was–thankfully–milder than I thought it would be, and another unexpected one that happens off-screen but was a rather nice and cute surprise, in my opinion.
And, yes, aside from giving us more blood and more sex, we also get… more wheat! I really don’t mind, though. In fact, this is probably an unpopular opinion, but I’d watch one hour of the cast (actually) harvesting crops in slow motion over just one minute of heads exploding any day :’)
While they’re still not perfect, I think Chalice of Blood and Curse of Forgiveness are improved versions of A Child of Fire and The Scargiver. I still like Part Two better than Part One, but overall, as promised, we get more information about the world, the characters, and their stories in the Director’s Cut. Sometimes, it’s just a new line of dialog or a short interaction that’s added here and there, but it really does a service to the films and makes them, although they’re much longer (especially the first one), feel more coherent, more compelling, and less rushed.
At the end of the day, I think what I most appreciate about Rebel Moon is still that it was brought to life with a lot of care and passion. The two art books, Wolf: Ex Nihilo: Cosmology & Technology and Wurm: Ex Materia: Heroes & Monsters, confirm how painstakingly made and well-thought-out everything was, and I will always love and respect this about this project.
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indestinatus · 11 days
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amigos this paris fic is fucking with my mind
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moonmeg · 7 months
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Last week right?
My friend shared with another friend and me that she likes being picked up so we decided to test if we can pick her up for shits and giggles.
So it's my turn to catch/pick her up.
She lightly jumps at me, I catch her and hold her by the thighs (cuz... where else) and after a few laughs and multiple "I got you" from me she starts going "this is nice" and leaning closer towards me, resting her head on my shoulder and crossing her arms behind my neck.
Look, I'm pretty dang straight - bicurious at best - (and in that friend constellation I am the only one who is) but when she did that I was like HOO BOY OKAY
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daturas-are-pretty · 11 months
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Petition for Mori to quit Mafia-ing and drag the entire organization into the culinary industry.
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dadaspillowprncss · 1 month
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I’m sorry for for not really answering my pm's🥺.
Been havin major internet and electric problems lately it’s an old house and we’re struggling a bit.😭😖
It still could take days or weeks for me to answer bc tumblr isn’t always showing massages directly so if I don’t see the message in that shorter time window I hve while being on this app I just don’t see it. 😞
But I know I got a few special pictures in my pm's and thank you guys for that I feel honoured that you let me see such Tasty views.😏🤤🤭
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yugiohcardsdaily · 2 months
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.... Her brother won't like that.
Felgrand Dragon
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8/10
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afniel · 7 months
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Oh, okay. I've slept 2½ hours and woke up with my jaw clenched so hard it hurts all the way into my neck and I can't get comfortable again because I'm too hot and my heart rate is way up.
Is this what I get for dreaming that I was abusing item placement to make a launcher to go out of bounds from my own dream? Also why did my dream have a framerate, and why were boundary collision detection checks explicitly tied to said framerate? Come on, me, even asleep you should know that's a shoddy way to do it and just results in exactly what you were trying to do.
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I know Charles got a 10 in the Aramco rankings, but they have been so off the mark for years that it dilutes everything when they rate a driver well. I don't post Aramco rankings, because they really don't inform anything useful in my opinion. They are never clear about how they arrive at these rankings, so like slapping a number on a performance really is just not helpful? Like the 10s they have given in recent years have been wildly different. What gets a 10? We still don't know. So what does a 10 mean? Not much.
I don't know, I know some people like ranking things, but when the number is just made up with like no real units for the scale it just doesn't make sense to me, especially when the numbers don't align with previously similar drives from other drivers.
I am convinced they get the numbers from divining the tyre tracks in the pitlane after the race.
I am happy that they are recognizing Charles' performance, but coming from these people who have been really off in previous ratings what does it really mean?
To be clear Charles always 16/10 in my garage.
And that is all I have to say about Aramco rankings.
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petrichormore · 1 year
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*commercial announcer voice* From the island that brought you Foolish x Cucurucho now get ready for… BadBoyHalo x The Code!!!! it’s the new big thing that’s sweeping the nation get it while it’s hot!!
(standard shipping rates do apply)
(please contact your doctor if you start to develop any of the following symptoms: stomach pain, death, muffins, the ability to see ghosts, the ability to read binary, death again)
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izzyizumi · 10 months
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{Taichi Yagami} was someone who treated others {including at the school} without discrimination {unjust hatred or prejudice based on social status and class}. That {outlook} of Taichi's never changed {in that time}, even towards {Koushiro Izumi}.
-Digimon Adventure Novel (Summarized)/(Amended)
If it hadn't been for {Taichi continuing to treat Koushiro that way}, Koushiro {believed} Koushiro {might} have (read as: would not have) ever gone to the summer camp.
{The summer camp where the Chosen Children originally were dragged in to the Digital World, and met their partners.}
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#taishiro#taishirou#taichi yagami#yagami taichi#koushiro izumi#izumi koushirou#izumi family#adopted koushiro#koushiro and adoptees discrimination#koushiros class as adoptee#izzyizumi summarizes#(Posting This To Make Points Maybe)#(But also because)#(at this rate I'll probably just have to resummarize the entire novel for people)#(which I'm honestly willing to try and do when I actually have more time {Likely more like next year})#(I was even thinking of recording my own version where I amend the dialogue to include light explanations like this)#(because some of the original quotes are rather vague sounding in English)#(and while yes in JPN there is a certain level of vagueness)#(I've noticed I've had to explain and reexplain these sections to people Ive met and chatted with about the novel over time)#(even just about a character like Taichis canonically described qualities)#(Taichi is CANON DESCRIBED as treating people WITHOUT {Unjust hatred or prejudice} aka discrimination AGAINST OTHER PEOPLE)#({THAT *INCLUDED* KOUSHIRO} KOUSHIRO WHO IS LEGALLY AN ADOPTEE)#(KOUSHIRO WHO IS OF A LOWER SOCIAL CLASS THAN TAICHI and while Taichi may at that canon point have had NO IDEA PERSONALLY)#(The reason Koushiro was drawn to attending the camp was BECAUSE TAICHI TREATED EVEN SOMEONE LIKE KOUSHIRO AS AN EQUAL)#(Even when Koushiro intentionally held back from speaking with most other kids and they likely picked up on that about Koushiro over time)#(IF TAICHI DID pick up on it Taichi may not have known WHY Koushiro was holding back from engaging with classmates)#(INCLUDING TAICHIS OWN SELF but Taichi must have eventually noticed SOMETHING about Koushiros self that got Taichi to invite Koushiro)#(because Taichi was willing to INCLUDE KOUSHIRO and HAD NO REASON TO ACTUALLY INVITE KOUSHIRO but DID)#(AND KOUSHIRO CANONICALLY ACKNOWLEDGES THIS)#(Koushiro RECOGNIZES that Taichi is treating Koushiro equally WITH KOUSHIRO KNOWING KOUSHIRO IS OF A LOWER LEGAL CLASS)
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