#regarding some other performance...

[blonde-and-cat-suc]

Lately I’ve been thinking about how in the past I would explain my dislike for C//A and some aspects of certain media with the rhetoric that there was something morally wrong with it—the possibility of this still very much a possibility, BUT—I have decided that I don’t need to keep having this run around with my own mind trying to discover a “reason” (and better than that, a *correct* reason) to dislike something. If I don’t like it, I don’t like it. I don’t have to have a reason.

[dxxtruction]

///

[mistfallengw2]

I won't lie, all of this OC talk is making me quite glad of that decision to make OCs for myself only, going as far as making it a rule not to share them or my writings with anyone for years. It was a blessing in disguise, because I went from finding OCs a stressful performance that had to be perfect and not cringe, to them becoming my little happy island where I could creatively thrive and have my own fun on my own time. Self-doubt never stood a chance to ruin it for me because I was the only one around to enjoy them and it was all tailored to just my own tastes with no outside influence but what I liked *dabs* Even now that I am starting to share them, it's not as scary as before, because it just means my tastes are different than other people's, and that's okay. If anything, me being so unapologetically okay with it makes it even better when others actually appreciate my stuff, because that means they like what I made while being 100% myself!

That said, I'm very aware that it still had its own downsides (wasn't easy at first, I had no one to go feral about them with, all was very lonely indeed) and we human beings instinctually crave validation from others, but I strongly encourage y'all to channel a bit of that energy into your own OCs. The moment you realize you can do truly whatever you like with your brainchildren is the moment you'll taste true freedom and reach a new level of enjoyment for them.

Seriously, who cares if it's a little boring guy that's cringe? It's your guy, you made him yourself for yourself! That is nice and amazing by itself! Actually, go ahead, make the most boring and cringe average OC ever that gives you the good vibes, then go eat the most embarrassing/boring comfort food you like as a reward! I guarantee that if I read about that guy, I'll probably wish I had made that boring cringe guy and I'll want to know more!

And what if someone doesn't like them like you do? Well…

[kendallroygf]

Your Kendall post speaks volumes. I never knew how to articulate it properly but I always think (idk if it’s canon or not) His ex wife is Jewish, his best friend Iranian and his daughter, South Asian. But he’s aligning himself with parties like ATN etc. I don’t know, it’s a funny thing to me because wether or not the writers did this on purpose or not but the people he’s closest to (aside from his sibs) are as you said, from marginalised communities. Does he think the amount of wealth a person earns suddenly makes them immune to a system that wasn’t originally built for anyone aside for people like him. I wonder what his stance would’ve been on Mckenen if he were in the room when they were all deciding who should be president. It’s more personal for him, his daughter is quite literally apart of the community that Mckenen demonises. Not even just for Kendall but for Stewy & Marcia too. Like they can’t be seen opposing people like him because where does that put them? Just being poc in a cooperate world is threatening enough. This is me putting too much thought into it while also knowing the writers maybe didn’t when it comes to the Sophie/Marcia/Stewy and the role they have to put on.

hmm i don’t know how qualified i am to speak on this but in terms of ‘aligning himself with atn’ i truly think it’s never been an conscious choice for kendall to do that. like it came with the job. logan groomed kendall to one day be in charge of waystar and subsequently atn for however many years and i think a consequence of that is that kendall doesn’t really have any concrete ideologies/beliefs, much like roman. but similar to shiv (although her politics are way more clear) he has this abstract idea of ‘doing good things’ with waystar and wanting to be a ‘good person’ but this in itself kind of centres around logan . like his desire to ‘be good’ is just a desire to be good in comparison to his father (i’m a good person i’m better than you etc) but ultimately kendall (in s1 mostly) wanted to be the Good Guy but without much foresight on what that actually looks like and i think that’s where his relationships with stewy, rava and sophie come in i suppose. but i don’t think kendall intentionally created a relationship with stewy and rava or adopted sophie out of tokenism or anything. i simply think he connected to stewy and rava in some way mostly because they oppose logan and what he Represents very outwardly and consciously or unconsciously that’s what kendall was looking for. it stems from that patricidal drive + resentment kendall’s always had for logan but ultimately i think kendall is too self absorbed to think more deeply about what stewy or his daughter might face esp in terms of the toxicity of atn or what part kendall himself plays in it all. but i think i agree with you in the sense it seems kendall does think material wealth kind of shields you from having to deal with institutionalised racism + i played back that scene and kendall says wrt to atn and waystar he’s ‘trying to keep the world safe’ for his kids so i do think that he thinks that sophie was ultimately safe from all that and he probably assumes people like stewy and marcia are too. so with that in mind i don’t think he really counts his daughter as part of the many marginalised groups that mencken demonises even though sophie as we see isn’t exempt from facing racism. like at all. as for what kendall’s stance would be on mencken if he was in that room in ‘what it takes’ i could not say for sure but i think that itself goes back to kendall not having any concrete ideology or politics except on an entirely abstract level. like mencken’s a ‘nazi’ but ‘on a business level, they need to have a relationship’ so i think honestly his stance would be completely determined by his state of mind wrt to himself and his father. but no yeah i agree it’s probably extremely difficult for stewy, marcia and stewy who have all at one point been othered or treated as nrpi by the roys while still being closely connected to it all.

[cryscendo]

kurt hummel in every performance

2x03 - Grilled Cheesus

I Look to You - Mercedes Jones + Quinn Fabray and Tina Cohen-Chang

“God's kind of a jerk, isn't he? I mean, he makes me gay, and then has his followers going around telling me it's something that I chose as if someone would choose to be mocked every single day of their life. And right now I don't want a heavenly father. I want my real one back.”

[supercantaloupe]

anyway i'm totally vindicated in my opinion that verdi with a smaller orchestra works better because this pit is like half the size of the original called for instrumentation and it works great

[definitelyjunehomestuck]

once again minecraft fans be mad for all the wrong reasons

[faithinlouisfuture]

.

[vadlings]

Represention of Autistic Frustration in Laios Dungeon Meshi

Like many other autistic people, I related strongly to Laios Touden while reading Dungeon Meshi. This post isn't going to spend time disputing whether he displays autistic traits or not—while I could do that, I want to focus on why specifically his portrayal struck a chord with me in a way the writing of most other autistic-coded characters has not.

Disclaimer: as the above suggests, this post is strongly informed by my own experiences as an autistic person, as well as the experiences of my neurodivergent friends with whom I have spoken about this subject. I want to clarify that in no way am I asserting my personal experience to be some Universal Autistic Experience. This post is about why Laios' character feels distinct and significant to me in regard to autistic representation, and while I'm at it, I do feel that I have interesting things to say about autistic representation in media generally. This also got a bit long, so I'm sticking it under a read more. Spoilers for up to the end of chapter 88 below.

The thing that stands out most to me in regard to Laios' characterisation is the open anger he displays when someone points out his inability to read other people. This comes up prominently in his interactions with "Shuro" (Toshiro Nakamoto):

The frustration pictured above (Laios continuing to physically tussle with Toshiro, using crude language toward him) becomes even more notable when you remember that this is Laios, who, outside of these interactions, is not easily fazed and often exists as a lighthearted contrast to the rest of the cast. Then we get to Laios' nightmare.

In Falin's words: "Nightmares love emotional wounds. Wounds you hold in your heart. Things that give you stress, or things that were traumatic for you. They aggravate memories like that and cause the dreamer to have terrible dreams." (chapter 42, page 10.) (damn. i'm properly citing for this post and everything.)

Thus, Laios' nightmare establishes an important fact: even if he is unable to recognise social blunders while he's making them, he's at least subconsciously aware that other people operate on a different wavelength to him, and that he's an outsider in many of his social circles (both past and present). His dream-father's disparaging words stress the impact this has had upon his ability to live up to the expectations set out for him, and we also get a panel of kids who smirk at him (presumably former bullies to some degree). Toshiro's appearance only hammers home how much Laios is still both humiliated and angered by his misunderstanding of their relationship.

I've thought a lot about anger as concomitant to the autistic experience. When autistic representation portrays ostracization, it's generally from an angle of the autistic character being upset at how conforming to neurotypical norms doesn't come easily to them; as a result, they express a desire to 'get better' at meeting neurotypical standards, a desire to become more 'normal' (whether the writing implies this is a good thing or not). In contrast, not once does Laios go, "I need to perform better in my social interactions, and try to care less about monsters, because that's what other people find weird." His frustration is directed outward rather than inward, and as a result, it's the people around him who are framed as nonsensical.

The Winged Lion starts delineating Laios' anger, and Laios' reaction is to think to himself, "It can sense all my thoughts, huh?" (chapter 88, page 16.) This is the scene that really resonated with me. I'm not saying I have never felt the desire to conform to neurotypical norms that is borne from insecurity, but primarily, I know that I don't want to work toward becoming 'normal'—I don't want to change myself for people who follow rules I find nonsensical. It's the difference between, "Oh god, why can't I get it," and, "WHY CAN'T YOU GET IT?" (phrasing here courtesy of my friend Miles @dogwoodbite). And for me personally, Dungeon Meshi is the first time I've seen this frustration and the resultant voluntary isolation from other people portrayed in media so candidly. Laios' anger is not downplayed or written to be easily palatable, either.

The culmination of Laios' frustrations in this scene wherein we learn that Laios has fantasised about "a pack of monsters attacking a village" drives home just how alienated he really feels. I need not go into his wish to become a monster himself, redolent of how many autistic people identify/have identified with non-humans to some degree as a result of a percieved disconnect from society (when I was younger, I wanted to be a robot. I still kind of do.)

Obviously, wishing death upon other people is a weighty thing, but the unfiltered nature of this page is what deeply resonated with me. The Winged Lion is laying Laios' deepest and most transgressive desires bare, and they are desires that are a product of lifelong ostracization by others (whether intentional or unintentional). This is the brand of anger I'm familiar with, and that my neurodivergent friends express being familiar with, but that I haven't seen portrayed in writing so explicitly before—in fact, it surprised me because most well-meaning autistic representation I've experienced veers toward infantilisation in trying make the autistic character's struggles easy for neurotypicals to sympathise with.

Let's also not neglect the symbolism inherent to Laios' daydream. "A pack of monsters attacking a village". Functionally, monsters are Laios' special interest—he percieves everything first and foremost through his passion for monsters. His daydream of monsters attacking—killing—humans, is fundamentally a daydream of the world he understands (monsters) overthrowing the world that is so illogical to him, that has repeatedly shunned him (other people). I joked to my friends that it's an autistic power fantasy, and it actually sort of is. And in it, his identity is aligned with that of the monsters, while his anger manifests in a palpable dissociation from the rest of humanity. This is one manga page. It's brief. It's also very, very raw to me. I think about it often.

To conclude, I love Laios Dungeon Meshi. This portrayal of open frustration in an autistic character meant a lot to me, and I hope I've sufficiently outlined why. Also, feel free to recommend media with autistic representation in the notes if you've read this far—I would really like to see if there is more of this nature. Thank you for reading. I'm very tired and should probably sleep now.

[lockea]

I've been seeing a lot of Discourse around outdoor cats that talks past one of the biggest problems addressing community cats/outdoor working cats so I thought I'd chime in with my two cents.

Many arguments I see just... don't think about the cats at all? Or don't consider the logistics of actually addressing the feral cat problem in a humane way. It's always about how outdoor cats shouldn't be outdoors, which is neither realistic nor helpful.

I used to volunteer at an municipal animal shelter in the USA that had a TNR program (Trap, Neuter, Return) and also adopted out community cats to local farms and businesses. Here's my side of the story.

"Your cat doesn't need to be outside" -- Yes, correct. Your domesticated (non-feral) house cat does not need to go outside at all. They can have a fully actualized life safely indoors. When I see this argument, proponents of indoor only cats are correct in most or all their arguments regarding this.

"Outdoor cats are the largest invasive species in the world, and decimate bird populations." -- This is also correct, and part of the reason why you can help by bringing your house cat indoors. Cats are the largest invasive species. Spay and Neuter your cats, bring them inside, and socialize them so they don't become feral.

"TNR doesn't work." -- False. Whether we like it or not, feral cats exist. We have two methods by which we can address the feral cat population -- decimating them (humanely euthanizing the whole colony) or TNR. For a long time, euthanasia was the preferred way to address the feral cat problem. Afterall, if the cats aren't there, doesn't that save the local wildlife population?

Except that we found, studying these colonies, that when a colony is wiped out, the cats of another colony will spread into their territory and continue to have kittens and the population of feral cats is neither controlled nor diminished.

Hence, TNR. What we found performing TNR on cat colonies was that this controlled the population of the colonies, allowing them to stay in their territory, which kept other colonies from spreading (especially colonies we hadn't performed TNR on yet). We at the shelter felt this was the most humane way to control the feral cat population and safely deflate their existence without dealing with the population blooms that euthanasia caused.

"What about kittens?" -- Kittens from these colonies were brought into the shelter, socialized, and fostered out until they could be adopted. Some of these semi-feral kittens needed special homes to be adopted into, but this was the best quality of life for these cats.

"What about cats that get missed during TNR?" -- We would return to the colony several times over a period of several years to perform TNR on the same colony. We mark cats that have been neutered by clipping their ear (this is done humanely, but is the most reliable way to tell if a cat has been neutered so the poor thing doesn't have to have surgery 3-4 times in their life). Also, during the TNR process the cats would be vaccinated to ensure disease did not spread from the colony (i.e. rabies). Still, even getting 60% of the colony TNR'd would dramatically reduce the number of kittens being added to the colony each year. This controlled the population by allowing the territory to naturally deflate in size over time, buying us time to address the larger feral cat problem.

"What if the colony was in an unsafe location?" -- There were two ways we addressed unsafe colony locations -- remember, we know that when the colony is removed, a new colony will move into its place, so we tried not to move the colony unless we really felt the cats or the public was unsafe -- one was to move the whole colony to a new location. Preferably someplace like a warehouse where we have an agreement with the owners of the warehouse. Some of the cats were even relocated to shelter grounds as our community cats. If the colony was small enough we would bring them into our Feral Cats room and adopt them out as community cats.

"What is a community cat?" -- The way the program worked, was that anyone who needed a working cat could apply to the program. These were often rural farmers or businesses with warehouses that needed rodent protection. We trained the farmers and businesses on how to acclimatize the cats to their new home, and as part of the agreement, they had to care for the cats (veterinary care, vaccinations, food and water). This gave businesses and farms an alternative to expensive and environmentally unfriendly rodent control, and also gave these feral cats good places to live out their natural lives.

"Can't you just adopt out feral cats?" -- No. Cats that have not been socialized around humans as kittens, or who have several generations of feral cat in them could not interact with humans in a way that did not cause them undue stress. This was not a humane way to handle feral cats. However, when a cat was brought into the feral cat room, they would be monitored for up to a week. If the cat displayed signs of being semi-social or fully social (hanging out outside of their den, allowing staff to pet them, showing interest in staff in the room), then we would either move the cat into the adoption room or place them in foster to be socialized before adoption. Feral cats who displayed signs of being able to live full and healthy lives with human companions were NOT adopted out as community cats. We also observed this behavior during TNRs and would do the same for those cats too.

"But aren't cats bad hunters?" -- Compared to other species, cats are not the most effective form of rodent control. This is true. However, you have to understand that feral cats exist. There is no "undo" button we can push to stop them from existing. We have to deal with the problem we have right now, which is to safely and humanely decrease the number of feral cats in our communities. And yes, we do that by using cats as rodent control in the community.

"What can I do?" -- Stop saying community cats shouldn't exist. That's not helpful and doesn't solve the problem we have. Bring your cat indoors. Spay and neuter your cats. Adopt from shelters. Volunteer with a TNR team. Support TNR efforts in your community. Recognize that those of us actively dealing with the community/feral problem are trying to do what is in the best interest of our communities and the animals we love. We aren't sitting over here saying these cats should exist -- a feral cat will not have the same quality of life as one that is indoors with a family -- but we have to address the problem in practical terms. We don't have the moral high ground to just do nothing while pontificating solutions that have no basis in actuality.

And yes, it's okay to celebrate community cats. If your local farm has a couple of working cats, that means that farm is helping participate in the safe deflation of the feral cat population. Don't shame a farm or business for using community cats. We're all doing the best we can to solve the problem that we have.

[starpros-sunshine]

!!! btw i've been watching conan lately, it's really fun! im on episode 30 or so but i'm really enjoying it so far <3

i have to say though i had No clue the plot was that conan's actually 17 i did not see that coming

!!!!!!!!!!! omg! I will have to tell you though the first episodes are the best ones I think at least there's just something about them that's right. Also the episodes with Kid are the best ones in my opinion they are sooooo fun!!! Kaito and Shinichi have such a fun dynamic it's everything to me. And yeah he's 17!! Shinichi is jusst some very smart 17 year old I want to see him more as a 17 year old those episodes where he gets to be Shinichi for a bit instead of just conan are also so so fun and Oh please tell me what you think about the other Gosho boys I think Heiji already got introduced by ep30? I like Heiji he's a neat guy and Hakuba hasn't been presented yet and I don't really think he has a solid standing in detcon because he's briefly there in like one kaito episode he's more of a Kaito Kid character than a detective conan one. And Ran! I like Ran she doesn't deserve the stuff she has to put up with she doesn't get payd enough for taking care of her father and a random kid that just appeared one day and school and her childhood best friend that suspiciously disappeared the same day the strange kid that knows too many things for a seven year old grade schooler came into their lives and with him appeared a sudden wave of success for her father paired with a strange form of narcolepsy. She deserves a raise.

[say-al0e]

Electric Touch

Rating: M | This is smut! No one under 18, Minors DNI!

Summary: Following your marriage to Prince Aemond, you did not imagine there would be a bedding ceremony. Nor did you imagine yourself falling so quickly for the one-eyed prince. But you quickly learned he was more than met the eye. | Ft. Anon request for "“What part of I want you and only you do you not understand?” + “Love makes you weak but, god, I’d rather be weak with you by my side than face a life without you.” Warnings: Bedding ceremony, PinV, guarded Aemond, Aegon is an asshole (briefly, then he's gone), one mention of death in childbirth (not graphic, very brief), allusion to Aemond's brothel trip. Anything I missed, let me know and I'll tag it. Pairing: Aemond Targaryen x fem!Reader (wife!Reader) Word Count: 5.1k Requests are Open | HotD Taglist

The fire blazing in Aemond’s eye was not what you expected. It was not fueled by desire, a lust for his new bride or the exciting conquest of claiming your maidenhead as you’d long been warned. It was not bright or joyous, a fire befitting the occasion of your wedding night. Instead, it was dark - angry, a wild blaze threatening to torch everything in its path with little regard for the consequences.

Though your new husband had been nothing but kind to you, polite and even occasionally charming, for the first time since stepping foot into King’s Landing, you finally understood why so many tended to avert their gaze lest they face Aemond’s ire. 

Before you stood Aemond One-Eye, a fierce dragon rider whose presence commanded attention, and you struggled to keep from withering beneath his gaze as you held his dark look with an even one of your own.

Around you, his apartments teemed with life. Drunken revelers laughed as they surged into the room and circled the pair of you, some of them shouting tawdry jokes while others lamented the loss of the right to the first night. Regardless of their mood, it seemed as if every man in the realm fought to be at your side in a room that once felt so spacious but now left you struggling to catch your breath as they began tugging at pieces of your clothing.

As many hands clumsily tugged at well-tied laces and the heavy fabric of your gown, a few highborn ladies - friends you’d made in the short time you’d been at Court - dutifully removed Aemond’s clothes with much less vigor than their husbands or brothers or cousins.

Aegon led the charge, grin on his lips and breath reeking of wine as he leaned in close. Aemond’s gaze faltered for only a moment, turning to his brother and flashing a warning even the drunkest of men could read very clearly, before it returned to you as Aegon pointedly ignored him. Your drunken good-brother chose, instead, to tip your chin with fingers sticky with wine and draw your gaze away from your husband.

“Do not worry, good-sister,” he began, voice loud, despite his performative attempt at a whisper. He spared Aemond a look, eyes glinting with a mirth that bordered on malice - before he returned his gaze to you. “I made sure my brother was well-educated in the art of pleasure but should you find yourself wanting, you need only say the word.”

By design, you were not given the chance to respond. The last of your garments was removed from your body and Aegon released his grip on your chin to grab your waist. 

The sea of revelers parted. Amidst a cacophony of cheers and jeers, a few murmurs as to how it was a shame your father had agreed to wed you to a man they saw as less than whole, Aegon and one of his friends carried you through the crowd and deposited you into Aemond’s bed.

It was only when you were settled amongst the furs and linens that they were all finally ushered out of the room.

If you were honest, it surprised you that Aemond allowed the bedding ceremony in the first place. The idea was put forth by his brother, a suggestion he’d barely blinked an eye at, but it was plain to see just how adversely the entire spectacle affected him as he approached the bed.

Aemond Targaryen, the very image of his house’s beauty and fire, stood before you with his face a mask of composure you had yet to see fully slip. There were cracks, glimpses into the churning abyss that lingered just beneath the calm surface, and you could see them beginning to spread as a jeer from the crowd echoed just beyond the steel and wood of the door.

There was a flash of hurt, a glimpse so brief you felt certain you’d imagined it, before he swallowed and his jaw tensed. He steeled himself, his resolve, and you could see the mask slip back into place.

“My prince,” you began, voice far quieter than you intended as you sat upright to meet his gaze. “I do not-“

A hum escaped your new husband as he stepped closer, pressing a knee into the soft surface beneath you and shaking his head slightly. “We will speak when there is no crowd standing guard just outside, waiting for evidence our marriage has been consummated. For now, we must fulfill our duty as husband and wife.”

There was an edge of finality in his tone, no room left for argument as he reached for you. Though his touch was not harsh, not as insistent or eager as the men who’d taken great joy in stripping you bare, it was firmer than you’d expected. In the weeks of your courtship, he’d lended an arm as you descended the steps in the garden or offered a hand as you climbed them - each touch soft, almost tentative, and as brief as could be considered proper. 

It was wistful, possibly even naive, to believe the softness of his touch was affection or that it would continue as he pressed you back into the pillows. Aemond was not an outwardly affectionate man, that much you knew to be true, nor was he used to being treated so tenderly. His life had been one lived in a gilded cage, acquiescing to everything expected of him with little argument and even less connection. Love would not come easy to him, nor would affection.

Only time would bring him comfort, trust in you and the ability to be vulnerable, so you made no argument as he settled himself over you. 

The dim candlelight made it difficult to see much - and you wondered how Aemond might react if you allowed yourself to savor the sight of him - but you took the brief chance you were offered to study him. Tall, lithe, muscular; he looked every bit the fearsome dragon rider and well-trained swordsman. Pale hair cascaded over his shoulders, a curtain that cast shadows over the sharp features of his face, but you could clearly see the intrigue in his eye as you lifted your hand to gently cradle his jaw.

Had you not been studying him so closely, so desperate to see some glimpse of warmth beneath the cool surface of your new husband, you might’ve missed his sharp inhale or the way his eye narrowed. Had you not been so enthralled by his appearance, you might’ve missed the way he swallowed or the split second he allowed himself to lean into your careful touch before the impassive mask returned.

Friends, some long married with babes while others had just wed, whispered and giggled when they shared what you could expect. Most of your friends lamented the act itself, thankful only that it often seemed to be over quickly,  as many of their husbands were older lords in need of young wives to produce heirs. It seemed that few cared much at all about their wives’ pleasure and you’d wondered throughout your courtship if Aemond - though young, a man of your own age - might prove similar.

Now that the time had come to find out, you still felt wholly uncertain.

For a long moment, Aemond simply studied you. The deep lilac of his eye traced your face, shadowed by his hair and framed by your own locks - now free from the style your handmaids worked so hard to perfect - and his lips parted. He seemed poised to speak, though before he could, the sound of fists pounding the wood of the door broke whatever spell existed in the solace of the room.

Loud jeers from a drunken crowd reminded you both of your purpose, the reason you had been stripped bare for half the kingdom to see, and Aemond was the first to act.

Though you hoped for little and expected even less, Aemond wanted nothing more than to prove everyone wrong. He wanted to prove that he could be a husband, an adequate lover, a man who had everything and more. You had no way of knowing his motivation, not then, but you could see the flame in his eye as his hand fell to your hip.

With the hand still cradling his jaw, you managed to hold him in place as you leaned up and pressed your mouth to his. Since speaking your vows earlier in the night, you’d managed to steal two chaste kisses from your new husband - one just after the ceremony, in the few seconds you had alone before the feast began; the other, tucked in a corner before you were whisked away for the bedding. He responded well to both, stepping just an inch closer and allowing his lips to linger for a long moment, and you were pleased to find that he responded just as well to this kiss.

The ladies at court often lamented their husbands’ lack of skill or desire to share a kiss. They all sighed and confessed that the men found no use for it, no fun in it. It made you wonder if Aemond was humoring you, allowing you the kiss that seemed almost tender in nature, in return for your maidenhead - for your hand, your house’s newly pledged loyalty - but you knew well enough that your new husband was not one to indulge in anything he did not want to.

Hope bloomed, then, just beneath your ribcage that he might, someday, even grow to enjoy it as much as you suddenly found that you did.

Calloused hands began to explore your skin, touch light for a fleeting moment - almost reverent, almost tentative - before it grew steadier, more certain. The tips of his fingers left a path of fire in their wake, his skin always running hotter than anyone you’d ever met, and you nearly expected to find a visible path seared over the expanse of your torso as his hands dipped to your thighs.

As of yet there had been little outward sign of affection from your husband - everything felt like a courtesy, the actions of a well-educated prince, chivalrous out of duty only - and you knew that it might be wishful thinking to believe the slow drag of your husband’s hand up your inner thigh was anything more than slight trepidation. But you swore you could see the anger that burned so bright only moments ago morph into something closer to lust, desire, need.

Aemond’s fingers pressed firm into the plush of your thighs as he parted them and you bit the inside of your cheek to smother your gasp as his sharp gaze finally raked over your bare skin.

For all the wandering eyes, the lustful gazes that burned into your skin as so many lords of the realm crowded into the small room, it struck you in that moment that Aemond waited until you were alone to truly look. He waited until you were pliant beneath him, until you’d sated your own curiosity about him, to allow himself a glance at anything other than your face.

And despite the insistent jeers of the crowd beyond the door, he seemed determined to take you as he wished.

“They are expecting to hear us,” he reminded you as his fingers drew closer to your center. “Do not deprive us all of your charming voice.”

A handful of compliments had been levied at you from your new husband - more in regard to your intelligence than your most beautiful gowns, though one had ended with him calling you beautiful - but you still felt your cheeks heat as his fingers grazed your slit.

The swipe of his fingers was almost clumsy, less self-assured than he always seemed to be, but the thought gave you some comfort. Neither of you could disappoint the other if you were on somewhat equal footing.

Aemond’s touch grew more insistent, more assured, from the moment his fingers grazed the small bundle of nerves that wrenched a gasp from your throat and had your nails pressing into the muscle of his shoulders. He focused there, thumb circling the now aching pearl, as his fingers gathered the increasing slick. The deep lilac of his eye had almost vanished, replaced nearly entirely by lust-blown black, but it remained on your face - watching intently with every noise that spilled from your lips.

As desperately as you wanted to close your eyes, to hide from the intensity in his gaze, you found yourself unable to look away from his face. The sharp line of his jaw, the curve of his lips, the barely there flush that set high upon his cheeks; he was beautiful, regal, and you couldn’t help yourself.

“Gevi,” you breathed, hoping the word sounded as effortless falling from your own lips as it did from his. Your thumb brushed his cheek, just beneath his scar, and you could see the flash of an emotion you could not recognize in his eye.

For a moment, he remained silent, fingers slowing to a barely there press, before he tipped his head. Your hand slipped, fell to his jaw, and you realized it was calculated - purposeful - even as his gaze softened. “My clever wife,” he hummed, matter-of-factly, as the corner of his mouth lifted in something akin to a smile. “Full of surprises.”

A response formed on the tip of your tongue, nowhere near as witty as you hoped for, but the press of Aemond’s fingers into your core stole your breath and all coherent thought. The sensation was odd, unlike any you’d ever experienced, and you could feel your brows furrow as your body attempted to make sense of what was happening. It was not as unpleasant as you expected, nor as pleasurable as you hoped for, but you imagined that both would come in time.

Despite his appearance, his brusque manner, Aemond was not harsh. His touch was no longer soft, no longer tentative, and you could still feel the weight of his hands on your thighs despite his touch having moved, but he seemed to take note of the way you winced when his fingers began to press a little too quickly - a little too hard - and adjusted accordingly.

Soon enough, you found a delicate rhythm - an insistent press of his fingers, an exploration unlike any you’d ever felt, as you used the grip on his jaw to pull him into another kiss.

This kiss was different, heavier. It was hungry, a clash of teeth and tongue and noses that made the backs of your eyes sting. His teeth nipped at your bottom lip, a bite harsh enough to draw blood, and you inhaled sharply as he lapped at the copper staining your lips. 

The copper tang seemed to spur Aemond on, remind him of his duty and the audience waiting for it to be done. He moved with a renewed vigor, with a confidence you’d quickly come to associate with him. His fingers pressed deeper, searching, and he only seemed content when you broke the kiss to fill the room with a breathless moan of his name. 

Warmth spread over your skin, a combination of his body heat surrounding you and your own pleasure coursing through your veins. Every swipe of his fingers, every circle of his thumb over the aching bundle of nerves, made the edges of your vision white and the air harder to obtain.

It was then, as your stomach tied itself into knots and your nails sank into the toned skin of his back - his shoulders, his chest, his arms; wherever you could reach, desperate for some tether to reality - that he replaced his fingers with the filling warmth of his cock.

With every noise that fell from your lips, the noise outside the door grew louder. It felt as if the whole of the realm waited just beyond the wood, ears pressed to the door, and Aemond seemed acutely aware of your audience. Gone were the tentative touches, the firm but still careful brushes of his hands. After a few careful initial presses of his hips to yours, he began to sink into you in earnest.

A cry of his name rang through the room, fanning the flames of the fire outside, and your body seemed trapped in the path of the blaze.

Every word of gossip you’d heard from friends seemed true, impossibly, all at once. There was an ache between your thighs, a stinging pain that replaced the pleasant ache of desire, and a dull pinch at your hip as Aemond’s fingers pressed into your skin. The entire room was too hot, almost stifling, and the noise rang in your ears. The tawdry jokes and laughter in the hall, the rustle of linen, the lewd sound of Aemond’s cock pressing into your center, the keening of your moans, the huff of his breath; it was almost too much.

Each sensation that washed over you was distinct but beginning to muddle together.

Despite yourself, your best efforts to take the affection given to you by your husband and appreciate them, you found yourself hoping for something softer, something easier, something better. 

Aemond was lost in that moment, stuck somewhere in the back of his own mind, and you could only whisper his name in hopes that he might allow you a moment to catch your breath.

“Aemond, I - please.” The whispered plea, gasped into the night air and barely audible over the cheers still echoing in the hall, seemed to break his reverie. It returned him to the moment at hand - the pinch of your brows as the ache between your thighs plagued you, the curve of your mouth as you fought to keep your composure, the sting of your nails biting into his shoulder - and gave him pause. 

The snap of his hips faltered, slowed from the near manic thrusts to something more even, and you eased the grip on his shoulder as you inhaled eagerly.

That deep purple gaze swept across your face, searching for something you could not readily provide, before he squeezed your hip in what you chose to interpret as an apology. You accepted it, easily, and offered him a tentative smile as he continued pressing forward - still firm, still deep, only slower now.

Giggles from the past, old whispers that there was real pleasure to be found in bed, began to return to the forefront of your mind as Aemond’s new pace began to replace the pinch and ache between your thighs with that devastating warmth you’d only just experienced. Everything felt too hot, too bright, too much, and the thought must have been clearly written across your face as Aemond hummed.

“Take your pleasure,” he encouraged, voice low in your ear as he leaned in close. “Then, I shall have mine.”

Warmth continued to flood your veins. Fire lapped at your skin, consuming you entirely, and you took no notice of the noise that escaped your parted lips as you allowed Aemond to continue pushing you closer and closer to the edge.

The end was as beautiful as you’d heard, as blissful, and you could feel yourself melting into the plush of the bed as goosebumps erupted across your skin and your heart thundered in your chest. All that mattered in that moment was Aemond; the weight of him atop you, the warmth of his skin as he pressed himself impossibly closer, the low rasp of his voice as he all but whispered expletives. 

That pleasure was only heightened by the warmth that flooded you as Aemond stilled atop you, a curse on his lips and head thrown back.

It was a beautiful sight - something worthy of committing to memory, something so beautiful you only hoped to see it again and again. And you only hoped your new husband felt the same as he tipped his head to study you once more.

Aemond lingered only for a moment, his gaze softer than you’d seen directed at you, before he pulled away. Another squeeze to your waist was the only affection he spared before he stood and pulled the white line from his bed. He shifted you carefully - almost tenderly - to remove the fabric then strode across the expanse of the room to the door.

Without ceremony, he wrenched it open and tossed the stained fabric into the crowd.

A loud cheer echoed through the halls, drunken revelers delighting in the evidence of your consummation, but was quickly cut off with the slam of the heavy door.

The crowd grew quieter, noise drifting back in the direction of the hall still filled with older revelers - opting to spend their time discussing matters best saved for an in-person meeting - and you took the brief moment to catch your breath as Aemond did the same.

For just a moment, he lingered near the small table that held a pitcher and glasses, before filling them with wine and bringing them to bed. He handed you one, nodded his acknowledgement to your thanks, and settled back onto the plush fabric at your side.

Silence fell over the room then, a welcome but almost overwhelming lack of sound after hours surrounded by a cacophony of noise. For the first time since you woke that morning, you found that you could hear yourself think.

Every thought centered upon your new husband.

Aemond Targaryen was a mystery. Rumors about him swirled through the realm and whispers abounded at court. None seemed to be in agreement, however.

Some thought him to be fierce, a fearsome warrior who would make a fine knight should he find himself so inclined. Others insisted that Vhagar was his only asset and that he was nothing more than a loyal hound devoted to his family. Others still insisted that the only person Aemond could ever be loyal to was himself and his own interests.

There were whispers that he was cold, unfeeling. There were rumors that he had no interest in anything other than books, that living people meant little to him. But you were beginning to see the truth.

Try as he might to hide it, the nature of his soul that he buried so deeply, you were beginning to see him for who he truly was.

Aemond wanted the things he’d never been given. He sought reassurance, comfort, love. He wanted to be wanted - truly wanted, desired; not needed because he possessed the largest, oldest dragon. And though your match began as a political alliance, you hoped to prove that he was worthy of his desires as you shifted closer and reached for his hand.

“Aemond,” you began, voice quiet as you hoped desperately he would not push you away, even as he tensed. To your relief - and surprise - he did not. Instead, he simply glanced at your linked hands before turning his full attention to your face. “Believe what you wish, but I am glad that it is you I married. I do not want Aegon or any of the other lords lingering about the castle. I did not accept this betrothal without thought and I hope that you will believe me when I say there is no other I could want.”

Though it was slight, you could see the raise of his eyebrow. So, with a sigh, you placed your cup onto the table and grasped his hand with both of your own.

“When my father made it known that he intended to offer you my hand, I was given more attention at court than I ever wanted. I never cared much for it all, but suddenly, it seemed as if everyone wanted me to join them.” With a weary sigh, you began to trace nonsensical patterns over the back of his hand. “Everyone had a tale of Prince Aemond they wished to share. Some heard word from a brother or cousin, others whispered tales from their own trips to the Red Keep. I heard so many whispers about you that I began to lose track of who whispered what. I have always held whispers in little regard but it grew so frequent that I nearly worried I might meet a monster.”

The moment you paused, Aemond hummed thoughtfully. “Targaryen’s are said to be closer to gods than men. Perhaps monsters are included.”

“Perhaps,” you agreed, pausing your tracing to glance up at him from beneath your lashes. The deep lilac of his eye met yours and you felt your cheeks heat. “But you are no monster. You are just a man. I was given the chance to reject our union. One word, and I would’ve been spirited away to some lesser lord. But I chose to stay.”

“Why?”

It was a genuine question, accompanied by a look you recognized as being tinged with skepticism. In response, you smiled at him.

“Despite your flaws, real or imagined or embellished, I find myself drawn to you. You have the beauty and fire of your house. You are proud, but not a braggart, quiet but not without charm. You are a noted swordsman and a dragon rider, yet you take no pleasure in tourneys. You are young and capable, intelligent and thoughtful. Of all the qualities one could want in a husband, you possess most."

This earnest admission was met with yet another hum of acknowledgement from your husband, a thoughtful rumination as he allowed the compliment to linger for a moment. Only then, after seeming to savor your words, did he ask, “Which qualities do I lack, wife?”

Had you not grown so accustomed to studying every twitch of his brows, every curve of his mouth, you might’ve missed the hint of a smile he wore. It was a question asked in jest, teasing, and you allowed yourself a laugh.

“Time shall tell,” you assured him, returning his barely-there smile with a soft one of your own. “Though, I would never dare call you perfect, lest your head swell to the size of Vhagar’s.” Aemond allowed you a glimpse of a true smile then, fleeting, but you savored the sight just the same. It brought a strange warmth to your chest, wound the hope that bloomed beneath your ribcage into a tendril that squeezed your heart, and you offered his hand a gentle squeeze. “I understand why we were wed. But I have hope that even if we do not find love in one another, we shall find friendship at the least.”

“You would not ask for more?”

“Men’s battles are fought in fields, at sea, on dragon back,” you answered, carefully turning his hand in yours to trace his palm. “A woman’s battle is fought abed. If I were to die there, my only hope is that it would be for someone I cared for, someone who cared for me.”

That lilac eye studied your face once more, more intently, and you could see the weight of your words settling on his shoulders as he realized that he was no longer alone, nor did you have any misunderstandings as to what this life meant for you both. Though he was the spare, pushed down in the line of succession by his brother’s children, he was expected to have a family and in return for giving him heirs, all you asked of him was companionship.

“I believe you shall be a fierce warrior,” he declared, gaze dipping to your fingers gently sweeping across his heated skin.

“And I believe you are all I could have hoped for in a husband,” you confessed, hoping he might agree - that he might declare you to be all he could’ve hoped for in a wife.

And though he seemed unopposed to you, he instead asked, “Do you believe that truly?”

“I do,” you confirmed, pausing your tracing to meet his eye. “I’ve long been afraid of marriage, of becoming trapped with someone who cared little for me, but I am more afraid that growing to love you will be easier than I ever imagined.”

“Love makes you weak,” he all but whispered, though the words held little conviction and even less weight. They were the words of someone afraid, someone unused to love and affection, and you met them with a gentle smile.

“Perhaps it is a good thing we are married, then. I believe love makes you stronger. My father loved my mother and he fought like hell to return to her each and every battle he waged. Love provides motivation,” you offered, only to be met with another thoughtful hum. Rather than pressing, you shifted the conversation after a moment of silence. “Why did you allow the bedding ceremony?”

Aemond paused for a moment and seemed to consider his answer. “I had every intention of forgoing it,” he confessed, free hand tracing the lip of his glass. “Then, we met and it was selfish, I suppose. I have something most men in King’s Landing will covet - a comely wife from a noble house who has made me the sole object of her affection. Allowing the ceremony provided an opportunity to boast, to show that while they may look, you are mine. No other will know the pleasure of your company.”

The reasoning behind his allowance was understandable, even more so when you considered that he was the second son of a man who scarcely remembered his sons in the first place. It was not often he was given something others desired, not often he could be envied, and you could not begrudge him the opportunity he’d taken.

“I am yours,” you agreed, lifting his hand to place it over your heart. “While I believe love will make us stronger, I would not mind being seen as weak, just so long as you are by my side. Others may whisper or believe what they wish but know, lord husband, that I want you and you alone. I look forward to the future and hope the gods bless us with a long and happy marriage.”

“I shall leave faith to you,” he declared, though the words were softer than you believed he intended. “But I have little doubt that you will be left wanting.” Aemond turned, then, and removed the eyepatch covering his eye. The sapphire glimmered in the dim candlelight and you squeezed his hand to keep yourself from reaching out for him.

“Gevi,” you repeated, smiling upon the full face of your new husband.

Aemond’s mouth curved once more, a touch more noticeable, before he sighed and shifted to lie amongst the pillows. “Sleep, dear wife,” he encouraged, pulling you into the pillows at his side.

With the morning sun, your new life would begin. As tentative as you’d once been, you no longer felt any fear. There was far to travel, much to be gained in the way of your new husband’s trust, but you imagined he was right; neither of you would be left wanting, so long as you had the other.

_________________________________________________

Author's Note: It's my first time writing for Aemond (or anything GoT/HotD related) so I hope it's alright. I didn't want to go too soft but I also didn't want to go too mean/cold? I dunno. Let me know what you think! :)

[misstycloud]

[Yandere.Rich man x ballerina reader]

(I don’t actually know much about ballet so forgive me if things are incorrect!)

—————

Rich. Yandere who was pestered by his friend and his wife to join them at the opera house and enjoy a performance. The couple had asked him numerous times before but he’d always declined. He was a workaholic and didn’t have any other commitments, so there was no need to break his routine. Although he would never admit it to anyone- he barely does to himself- he often find himself imagining a different life; one where he had a wife to welcome him home every evening. Perhaps a few children too. There was no sound besides himself and the staff in his home, it would be so very nice to hear the noise of running feet and happy chatter echo through the empty halls.

Rich. Yandere who is lonely above all else. His family is dead and he has next to no friends- the only one he has is married and devote all his time to keep him company. He knows that he doesn’t have the best track-record of being the kindest person in the world, and he might not be the friendliest or the most out-going, still, doesn’t he deserve some love too?

Rich. Yandere who eventually give into his friends demand and goes with them to the opera. As they took their seats- the expensive and best ones, of course- his friends wife babble on about her favourite dancer. They were regulars there and had seen many performances. He simply sighed and leaned back into his seat, waiting for the show to begin. He could only hope that it’ll be somewhat enjoyable since he doesn’t like wasting his time.

Rich. Yandere who was prepared for it to be a dreadful 3 hours, rubbing his eyes and suffering from lack of blood-flow in his legs. Oh how wrong he was. Instantly his gaze zoomed into you as soon as you stepped forward from behind the curtain. You were so beautiful and you moved your body gracefully to the music. It was magical. While he knew close to nothing about ballet, he knew that the point of it were for the women to look like they’re floating, and it’s exactly what you were doing.

Rich. Yandere who is instantly enamoured with you. As someone who’s never felt love this was all a brand new experience for him. He asked his friend and his wife if they knew who you were, since they frequent the opera so much. And turns out the wife did know who you were; you were her favourite after all. Rich. Yandere was never close with her or particularly liked her even, but he had to give it to her: she has excellent taste in performers.

Rich. Yandere who starts looking up information regarding you. It’s be your name, age, background, family, where you went to school and where you live. Everything. He also begins donating a lot of money to the opera house. In a short amount of time he’s become their nr.1 funder. The managers and owners are ecstatic at the news! They ask why he’s so generous and he simply answers that he loves culture and thinks it’s important it doesn’t disappear. Then, they wonder if there is anything they can do for him return, to which he smiles in response.

“Well, I do suppose there is one dancer I would be delighted to meet in person.”

Rich. Yandere who you feel uncomfortable around. He is so strange. You were just a normal ballerina, a dancer, no better or worse than anyone before your time. That’s why you can’t fathom the interest this wealthy man has taken in you. You two came form completely different worlds! But what can you do when your bosses not-so-gently urge you to see this man alone? You dont have any other skills and can’t apply to another job if you get fired.

Rich. Yandere who is determined to make you fall for him the way he has fallen for you. He’ll take care of you, love you and protect you. You don’t have to worry about a thing. He will do anything for his love.

“Don’t be scared, just keep on dancing, my little dancer.”

[granolabird]

Hi friends, I am learning this morning that Joost Klein and the Netherlands as a whole may be disqualified from Eurovision. Why is that, you ask? Well, our lovely Dutch gabber chose to do a little heckling during the press conference, shouting"Why not?" After the Israeli press rep told Eden Golan that she didn't have to answer a question regarding why she felt comfortable performing the show when it put others in danger. He also would actively cover his head with a flag during her speaking portions. As well, he explicitly asked for the Isreali team to not record him during some of their video filming. They did anyway. That takes us to today, where, from down the grapevine I hear that comments were made by the Israeli team regarding Joost's deceased father of whom his song is dedicated to, and he retaliated full force. Not sure what this means, or what will happen to him, but I support him in standing up to Isreal on what is at present one of the largest Israeli stages.

[astroismypassion]

Astrology observations 🖼 🖼 🖼

Credit my Tumblr blog @astroismypassion

🖼 Pisces Sun and Sun in the 12th people often have a partner that works behind the scenes in some manner. For example: a musician who doesn’t perform, but is a song writer, a person who works in the theatre, but doesn’t perform on stage.

🖼 Often times when there is 8th house Synastry, there is a higher chance of same sign Ascendant and Sun. One is Leo Sun, the other Leo Rising. The second one is same degree or house Sun sign. For example: one is Capricorn Sun and the other is Sun in the 10th house. Or both have Sun at a Virgo degree. Usually there is a similarity in personality, that’s why there can be an ego clash or both acting in similar manner. For example: both extremely sensitive, both stubborn, both moody, both leaders. The third one I found was having opposite Moon signs, one Leo Moon, the other Aquarius Moon. Or Sun opposition Moon, such as one is Taurus Sun and the other person is Scorpio Moon.

🖼 On a side note, I found the day/number you’re born on, helps with who you find the most attractive in life or who you navigate towards. Like people born on the 3th looove Gemini Sun people I noticed. A person born on the 2nd likes Taurus Suns.

🖼 This is more an astrology note, but I was not aware all these years that Rihanna and Chris Brown too had 8th house Synastry? He was Pisces over the 8th house and she’s a Pisces Sun. No wonder, she went back to him after assault, only 8th house connection has you doing that. So far I noticed Brad Pitt and Angelina Jolie, Quavo and Saweetie, Justin Bieber and Selena Gomez, Liam Hemsworth and Miley Cyrus, Gisele Bündchen and Tom Brady, Emma Stone and Andrew Garfield had 8th house Synastry.

🖼 There is often a backlash or criticism about Libra Chiron native on who they are hanging with or in a partnership with. These people often are either single for a very long time due to being picky and having high standards for themselves or they “date below them”. These natives really struggle to date an equal. Often people around Libra Chiron don’t like the person Libra Chiron is dating.

🖼 On the topic of one’s Sun conjunction the other’s Moon being often highly regarded in marriage or partnership, I honestly found you either end up having a family or a child with your Moon sign person or it’s a person you dated when younger, somewhere in the period between teenage years and below your 30s. Literally I see no inbetween in real life. Or you were roommates/lived together at some point with them. I’m talking about if you are Aries Moon, then this could apply for a partnership with Aries Sun person.

🖼 I know 3rd house, 6th house is praised for wellness, but often I noticed Gemini/Virgo Suns, Mercury in the 5th house and Sun in the 3rd/6th house procrastinate on working out or not taking it seriously.

🖼 It’s funny how each person you end up dating has the signs of your Venus sign, house, aspects and degree, because it literally indicates the person you attract in your life. For example: you have Taurus Sun in the 6th house at 22 (Capricorn) degrees, your person could have Sun in the 10th house, Sun conjunction Venus, Sun at a Virgo degree in their chart. And usually it’s different partners you end up dating, but all have similar placement. So it’s like you end up dating different versions of the same person.

🖼 One sign that is even more prone to bloating than an average person (even when eating very little or just drinking water) is Virgo Lilith. These poor natives often struggle with bloating and issues relating to it.

🖼 I noticed Taurus Venus and Libra Venus often have more than enough food for themselves and others. And people just randomly give them food or share it with them often. Like even when this people might not have the money they want, they are overabundant in food. 😄

🖼 If you have Pisces over the 9th house or Neptune in the 9th house you should definitely vacation on an island or travel where there is a forest, a resort, a pool or a sauna.

🖼 One good tip for Virgo Moon or Virgo Venus/Venus in the 6th house when it comes to managing sweet tooth is if you don’t feel on the inside at ease eating it, it’s probably not that great for your overall wellbeing. Because you guys get irritated when you don’t nourish yourselves properly. I noticed this people genuinely glow when they put healthier, more organic versions of snacks in their body. It doesn’t have to being anything extra healthy, just not completely artificial.

🖼 If you have Composite Scorpio Ascendant, you two probably met on a cloudy/cold/rainy/foggy day.

🖼 Pisces IC/Pisces over the 4th house/Neptune in the 4th house people often get blamed for whatever wrong is going on in the family. So they are compensating with their escapist tendencies to not feel guilt or shame about it.

🖼 It’s underrated how Sun square Saturn or any square Saturn transit is challenging and tough. You literally get so challenged on how you live, your beliefs, outlook on life and it’s truly a reality check.

🖼 Solar Return chart is great to look into your life a year ahead. But Lunar Return chart is excellent to see it for roughly a month.

🖼 I would keep a high-quality connection with my sibling, if I were to have Scorpio Mercury. Usually these people enter adulthood, enter post-marriage life and start hating on their sibling, even if close in younger years. What happens to you is often in their hands and they can last minute “save” you. It’s best not to say something too quickly and too brash to your sibling, because they will remember those words. You are likely to have arguments over parent’s inheritance too.

🖼 It might go against the grain, but I noticed people choose their profession mostly based on their Moon sign. That’s why you also see Scorpio Moons often struggling to settle on a career, being pulled in so many directions.

🖼 Mars sign often shows people you lust over. But I noticed it works more if it’s not in a cerebral sign. Like if you have Sagittarius Mars or Mars in the 9th house, you might not necessarily find Sagittarius Sun people that physically attractive.

🖼 Saturn in the 3rd house people usually find a job in a different city than home town.

🖼 When it comes to celebrities, you may relate to people who share the same signs over houses that you have in your own Natal chart.

🖼 Pisces Moon can be too arrogant to learn from their past mistakes.

🖼 Venus square Neptune people often desire to return to a past lover (even if many times) in order to try to get better results or wanting to “make it right at least once”. So they can end up being in a cycle or repeating pattern trying to prove that there was love there after all.

🖼 With Composite Sun in the 10th house or Sun at a Capricorn degree (10, 22) it’s close to impossible to hiding anything in this duo from the public eye, parents.

🖼 Whenever someone’s Sun conjuncts the other’s Vertex the connection doesn’t go how you want it to go. Sun person can also “reject” Vertex person in some way, resulting in a fated event.

Credit my Tumblr blog @astroismypassion

[beansoup3000]

You know what's so devastating to me about "God that I were a man"? It's the way that in this situation, Beatrice is not exceptional. In the first acts, she appears to be exempt from the gender roles that everyone around her complies with: she has avoided marriage so far, and she has license to playfully criticize and reject being "over-master'd with a piece of valiant dust" (2.2.55-56). She even suggests to Hero that she claim some agency over her engagement: "it is my cousin's duty to make curtsy, and say, 'father, as it please you.' But yet for all that, cousin, let him be a handsome fellow, or else make another curtsy and say, 'father, as it please me'" (2.1.48-51). Beatrice has carved out an existence for herself that everyone else tolerates; her wit allows her to live outside of people's expectations of womanhood.

But Beatrice is not exempt from being a woman. When it actually matters, when Hero is disgraced by powerful men with no regard for her wellbeing or humanity, Beatrice can't do anything about it. And "God that I were a man" is so painful because it reminds us--and Benedick--that no matter how transcendent Beatrice appears to be, she is still constrained by her role in Messina's society. Back in act one and act two, the reason that she was allowed to poke fun at men wasn't that she couldn't be stopped; it was that it didn't matter. She has no actual power to change the order of things, and so her verbal sparring is not a threat.

(An aside: I think that Benedick is taken aback by "God that I were a man" because this has never really occurred to him. He sees Beatrice as his intellectual equal, and he has watched her carve out space for herself effectively (they know each other of old). In the 2011 production with David Tennant, the costuming and acting choices show how Benedick starts actively performing masculinity only when he accepts Beatrice's request to kill Claudio--when he has to "be a man for [Beatrice's] sake" (4.1.314). In the first acts, he wears tight clothes, a crop top, and a miniskirt. From the wedding on, he wears his military uniform and then a suit. His body language also changes; he abandons physical comedy, stands tall, and emotes less when he speaks to Claudio and Don Pedro. He wields his masculinity as a weapon because he now realizes it's a weapon that Beatrice cannot wield herself.)

The crashing realization of Beatrice's limits is so devastating to me because it's so familiar. I can only speak from experiences I've had, but as a queer woman I know that tolerance is different than empowerment. That having grown up evading dating and romance with made-up excuses to hide my queerness, having realized the extent of the misogyny in an organization I cared about and having grappled with how that misogyny prevented me from effecting change, being allowed to exist is not the same as being able to participate, to make things different. God, that I were a man. I would eat his heart in the marketplace.