I like to think that Leo one day decides to really play around with his portaling and teleportation abilities and see the full extent of them.
Like - continuously throwing one sword and teleporting to it while throwing the next one immediately and repeating this as long as he can to see how far he can keep it up without stopping.
Making little portals in the air that lead right up against the ground so he could potentially just stand on the portal in the middle of the sky.
Ultimate storage system - anything anywhere at any time is available if he knows where to get it (personally my headcanon for why he goes from two satchels to one in the movie.)
Phasing to avoid attacks - like, he could lightly toss a sword a single centimeter and teleport to it, and in that short amount of time he can completely avoid hits.
If they ever do go to space and end up on different planets, with enough training he can just…go there, whenever. Not only would this be great for being well traveled and having more places to go in general, but this also opens up more room for connections and allies that could assist them the next time they need help against a grand foe.
Leo can easily remove injured team members from a fight and get them help without having to account for transportation times.
On that note - Leo’s teleportation in particular acts on a particle level. It’s quite literally breaking him down into particles and remaking him every time he uses it. Both for him and for anyone he uses it on. Who’s to say it can’t be used for healing? At least for basic wounds.
None of this even touches upon the offensive potential of both portals and teleportation. Leo’s abilities flourish more as a support main, but that doesn’t mean those abilities can’t easily be used as weapons - and I don’t think I need to get into how exactly they can be. Portal chopping alone can take on a very different meaning…
Furthermore, I gotta wonder if he’ll always need the swords for this, or if he could one day be able to achieve the same results without them.
My point being - teleportation and portals are super OP. Even with the abilities Leo has in present they are so unbelievably adaptable and so fun to think about in terms of basic mechanics.
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cw: Bakugou dies but comes back to life, “comes back wrong” trope, implied fighting, angst
When Bakugou died, you’re not sure how you went on living. Grief had taken over your life, sat you in the passenger side while it cruised off the highway into icy waters. And even then, you couldn’t find the energy to drown.
It’s why there’s a sudden uptick of energy when you’re promised to have him back. Some top scientists contact you months after his death, tell you to hurry down to the headquarters labs, come and rejoice for what you’re about to witness. And you’re horrified, to say the least.
“This isn’t my husband.” Are your first words when you walk in, watch the figure on the other side of the glass examine its own hands. It looks like your husband but—but his hair isn’t the right shade of blond all over. His nose bridge had a slight bump after a scuffle with a villain. He had a scar on his hand but—but it never looked like it was to sew a pinky beside the other fingers.
“Is that really my husband?” You ask next in disbelief, slowly entering the room. Bakugou’s head snaps up, his eyes a little brighter than you remember but—they hold so much emotion. So much memory, so much panic, so much guilt.
“I left you.” He mutters, his voice raspy and ragged, and you wonder if it’ll always be like this now. It makes you cry a little harder than it should, but you only embrace each other. He’s cold and his shoulders don’t hold the same mass and his back doesn’t carry the same scars. There’s one, jagged and rough, running down his back, and you think, you think that’s where they slipped a new spine in.
“Welcome back home.” You tell him, weeks after meeting him again, new and not totally—Katsuki. He’s stiff and he doesn’t immediately take off his boots when he enters, and it worries you. Makes you think if you’ve just let a stranger into your home, one that has stolen your dead husbands face. Makes you wonder if he’ll be as loving as Katsuki once was, or if he’ll become your monster looming over you with the guilt of not being able to rest anymore.
“I’ve missed you so much.” You whisper against his mouth one night, a little while after he’s moved back. You don’t know why you lay under him, why you let him nestle himself inside of you, why you let him hold you against his chest. Katsuki always ran his hands over your cheeks and neck whenever he held you like this, but this…man, only holds himself up with his hands resting beside your head. It’s alien, how he looks at you, how his hips are methodically measured with every thrust, how he kisses you every 8 seconds. You wonder if he’s more robot than Frankenstein monster.
“Why did you come back to me like this?” You ask him one night, barricaded in the bathroom away from him. You can hear his sobs on the other side, his pleading to be let in. He tells you he never wanted to come back if he had to be like this, that he’s sorry, please let him in, he misses the warmth of your skin, he’s never been so cold before, he’s never liked the cold.
“Is this considered cheating?” You ask yourself aloud one night, when Bakugou is forced back to the lab when he becomes too…un-Bakugou. To sleep with a man that is your husband in every way but? Your husband has been dead for a year now, and yet you stroke the chin of the man that tries so hard to be him everyday, but fails so miserably at it every time.
“I’ll come back to you right this time.” Bakugou promises to you when he’s strapped down to leave for the lab and before he’s sedated. But you don’t believe him—you never did. Your husband is dead, and this animated corpse has been nothing but a cheap mockery of everything you’ve lost and something you will never truly get back.
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Okay but a thought of mine given new rise by the animated intro after having it niggle at the back of my mind for months now are Ludinus and Otohan as villains and who’s going to be standing as the final big bad at the end of the campaign, the way Vecna and Lucien did for c1 and c2.
Because the obvious answer is Ludinus. He’s the instigator, the leader of the cult, a villain in the making for 2 whole campaigns and over a thousand years (not to mention the one who's actually interacted with the party outside of fights). But Otohan is the one standing center stage of the villain line-up in the opening. She’s the one shown actively fighting the party. And, more importantly (as narrative matters more than barely glimpsed easter eggs), she's the one tied to the history and setting of Marquet, who has actual stakes in the people there and has fought for (and against) them before in the Apex War (while the place Ludinus called home was torn down centuries ago, leaving him caring for seemingly nothing but his ultimate goal since). She’s the one who’s actually Ruidusborn, and she’s tied to the Luxon as well with her strange magic. And despite all this, she’s mostly passed under the radar so far, given very little developments or motives or history or even personality. She’s little more than a cool aesthetic and a handful of threats.
And here’s my thought: maybe that’s on purpose. Ludinus, in his great arrogance, has placed himself as the greatest threat, and he’s being treated as such by the Hells. But is he? He steals immortality, appropriates the very concept of being Ruidusborn while holding a secret resentment for lacking the very powers it grants. He barely knows what he’s doing, and certainly not what he's about to unleash. And is there anything more satisfying than seeing a deeply arrogant and hubristic villain taken down by his own folly in underestimating those around him? So what if, as the final fight edges closer, the person actually holding the powers Ludinus pretends to steps up out of the shadows she placed herself in, keeping her motives to herself, barely remarked upon by Ludinus or the Hells or the audience, and personally cuts him down and takes her place as THE exalted Ruidusborn?
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No more attractive, young, bright-eyed Odysseus. He's aged by two decades. He's got scars. He's been starved through most of his journey, and no amount of food and rest on Calypso's isle undoes that physical trauma. He's haggard and fully transformed by the end of Wisdom - physically and spirtually no longer the man he was 20 years ago.
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Childe would unironically make a really good Warrior of Light
Like, okay, not only does he get to fight a bunch of ever increasingly powerful enemies (such as several angry deities, an extra powerful combo machine of said deities, dragons almost as old as the star itself, SEVERAL ACTUAL GODS and then some!) but he also gets to team up with a group of (mainly) strong warriors that you KNOW he'd be just dying to spar with (also you can't tell me he wouldn't take one look at the twins and go 'my siblings now').
He's also very loyal, so once he's in with the Scions he is IN ya know? Like he would kill and die for them no questions asked. They're also not really bound by law so he can do whatever he wants and what is the law gonna do? Arrest him? THE Warrior of Light? Don't think so.
(Also if he ever met Zenos all hell would break loose. The entire region is decimated and it's a miracle there even is a region left to begin with. They'd be the best worst rivals in existance and it would be everyones problem)
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