yknow im gonna be honest right here and admit that jason todd being poor is something i hold very personal to me because i am and being able to connect with this little fictional character and recognize myself is something very dear to my autistic heart and how i analyze his character. so please excuse how messy this is as i try to spontaneously place my thoughts in something legible
[ID: a closeup of Jason Todd as Robin. He's asking Batman, "What's that world ever do for me?" END ID]
But this whole flashback in particular still makes me so frustrated. When you're poor, you establish and build communities. You have to or you die. You rely on people's kindness and love - even if you're a stranger. It's how you survive. I had old friends ask me if im embarrassed or say they'd be too ashamed to take that help or do what I had to do to scrape by.
But so many don't understand that pride is a luxury many can't afford. I'm not ashamed. I'm angry you'd rather have me dead than confront the classism you benefit from and are comfortable upholding.
Poor people are the first to tell you that the world and society aren't going to save you and that you're abandoned by it - that they'll leave you to die and not care until it breaks their bubble of privilege and exploitation. (Homelessness, landlords, shoplifting food. Being visibly poor or effecting THEIR lives - it's never about yours). But the people in it, the 'little people', are the reason you ever survive. You're at the rawest point of humanity and while yes, you experience and deal with the cruelty and dirtiest parts of it - you see and experience the genuine kindness from everyday people. People that are equally struggling are more likely to help you than people that can comfortably do so without the fear of going without.
[ID: Batman and Robin sitting together on a ledge. Batman is telling Robin, "You need to love it...Or what's the point?" END ID]
Now take this kid. He gone without. He doesn't get to have a billionaire privilege of that filtered view. He knows people aren't good vs evil, that they're not black or white. Good people do shitty things to survive. Evil people walk free. He's familiar and knows struggles and reality - he knows drug addiction and overdose and murder and suicides and malnourishment. He knows police brutality and the system is designed against people like him up until just recently - where he suddenly meets the criteria to be protected instead of targeted. He doesn't look over the streets, waiting to swoop in. He's lived in them. He knows them.
For me and my experience as a disabled, poor, autistic with hyper empathy? All you want to do is help others. You don't have a life unless you're being productive. You want to give back the kindness you were gifted with, you know that struggle and pain and don't want anyone to go through it. You know no one is looking out for you other than your community. The world can be so fucking cruel so that's why I can't be - I have to be the good I want to see in it.
Then take this kid that has the opportunity to do more than what he ever dreamed of? He can finally live instead of just survive. He can be the hero to the people that usually don't get that luxury of care. He can protect his community and build bigger ones. He can help people. As @autisticredhood said so brilliantly in this post: "he doesn’t care what the world will do for him he cares about what HE will do for the world"
Stripping that away from him changes everything Jason is. As a child and him being unfairly written off as the angsty Robin but aldo as an adult since it's such a key element to what his moral code is and how he operates as a hero. Jason Todd will always care. He loves so much and it's constantly dismissed and I hate it.
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what's your process for coloring like? the look of that elendira is so textured and interesting, i can't figure out how you do it
AA THANK YOUU ^__^ !! textures & brushwork are my favorite things abt my art, so im happy you find it interesting hehe . its SOO cool to look at & so much fun to draw imo
i prefer to color by building in layers , if that makes sense 🤔!! hundreds of them !! such that i'm always drawing on Top of previous layers, working from big & messy blocks of color to, eventually, small and refined blocks of color until it feels processed enough. as a result, i rarely ever erase (!!) and i rarely ever draw lineart aside from the initial sketch
a rough, patchy textured brush is key here, as it'll give you dimension and variability w/ your colors. i recommend "Brush and various sets of fountain pen style (万年筆風ブラシと色々セット)" on Clip Studio (ID: 1679706) !! :3
im terrible with explanations though, so i'm going to show a step by step of that elendira drawing if you dont mind :3
sketch layer !! because i mostly render through color alone, i try to make this as close to the finished thing as possible . ^__^ i hateee drawing the same thing over and over and like the expressivity and movement of my sketches anyways , so the more i can preserve at this step, the better. if u were to look at a side by side of my sketches and finished pieces, youd notice a lot of those og lines are present in the final drawing :3
2. flats !! pretty self explanatory, but the solid background gives me an idea of where the figure begins & ends while the colors themselves help distinguish whats what . i stick to ambient lighting @ this point because im usually not sure what i want to do with the overall palette or lighting yet . having two tones (ex, dark and light in her hair or dark and light on her skin) can also help in identifying key features early on that u wanna preserve. as you build layer by layer, sometimes these areas will remain untouched and i think it makes for a rly lovely feel at the end
3. start blocking !!! to be totally honest with you, i dont really know what i do here HAHAHA. like i just scribble the shit out of it, usually focusing on what i might want to do with lighting (ex: grey areas to accentuate folds in her costume). i think i like to start "erasing" the sketch where possible by coloring on top of it .. like if you look at her hat or her arm , you can tell i'm starting to get a sense of the shapes i like vs the ones i dont. it's at this point that the final image starts to emerge in my mind , like im gradually pulling her from a tarpit of scribbles until shes recognizable lol. chipping away at the marble until i can free her. tbh.
4. keep blockingg...when u think u are done , block some more . as you can probably see, the brushwork becomes more intentional as i add more shape, with specific focus on line weight. this is also where the patchiness of that textured brush comes in - notice how none of the colors seem totally uniform (ex: the red cross or the original sketchlines for her waist). you can see bits and pieces of the layers underneath pushing through and i really like that !! ^__^ its very fun and sketchy to me, so i try to keep them around. those areas are also great to colorpick from, because it'll give you "new" colors to work w/ that are already part of your palette.
5. GRADIENTS & GRADIENT MAPS !! TONE CURVE !! COLOR PICKER !! this is the best stage tbh. flatten your image so its all on one layer and just go crazy with all the color settings in ur program. add gradient layers and set them to darken, or overlay, or subtract, orrr. lighten or dodge glow or divide or soft/hard light.! OR!! edit the hue, saturation, luminosity and contrast.and then color pick from these edits, block even more on top of ur image, flatten, color edit again, etc. etc. until u feel satisfied.
ANYWAYSS . i hope that makes sense @__@ sry i wrote this out and deleted it like 23 times trying to make it make More sense but thats what ive got HAHA i hope its useful though :3 !
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Thinking thoughts ab this messed up family again and thinking again about Garp wanting for Ace and Luffy to become strong - strongest - marines as form of protection because to him that's their best shot at staying alive.
While Dragon on the other hand was significantly different, I do think he was unexpected, because frankly Garp was and is not fit to be a parent ( having had no parental figure growing up ) nor do I think he would've really wanted a child. But he still loved his son and tried his best with what support he had from his peers and friends. He still wanted Dragon to be a marine, of course, but without the same kind of pressuring need as there'd been with Ace or Luffy, he'd be far more inclined towards letting things progress at a more natural pace.
He was still strict, more knowledged on being a soldier than father, but more lienient and more present in Dragon's early life. Present enough to complain and rant about restrictions and his anger towards the government and celestial dragons to or where his son could hear.
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i saw a post a while ago about how it's Okay to Ignore Palestine Posts because of mental health and how internet is escapism and blah blah blah. and it's like, okay. sure. mental health is important, but somehow i feel this is actually willful ignorance wrapped up in pretty language to feel more comfortable and justified in staying comfortable.
gonna copypaste some notes i took a while ago, bc it resonated w me and i feel is relevant to this kind of behavior, so i hope it resonates with u as well:
"The experience of being abandoned by humanity and then not being heard occurs when stories of resilience takes precedence over tales of inhumanity."
"Our responsibility is to change our narrative or 'internal working model'; to recognize vulnerability and revision a way to sensitize ourselves to hardship that our own coping and privileged experience allow us to avoid."
"And basically what that means is when we think about the stories of others, when we hear things that we don't necessarily like to hear, we have a choice. We go with it, we move forward in it, and we continue to in some ways enter the people's lives with whom we work, or we retreat. We go back to our privilege, and we think about their stories as something that we're not able to relate to or connect with."
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