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#same fucking logic
8pxl · 7 months
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since AI has gotten prolific posting art on social media has been so fun 🤪
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arrowheadedbitch · 1 month
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OMG I JUST REALISED PROPHECIES ARE SO POETIC AND ROUNDABOUT AND CONFUSING BECAUSE APOLLO MAKES THEM
THE GOD OF POETRY IS IN CHARGE OF PROPHECIES, OF COURSE THEY ARENT STRAIGHT TO THE POINT AHXHHSHWHD
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chipper-smol · 3 months
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So...... Loop and Odile huh?
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v THE OTHER RESPONSE I DOODLED v
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yeagh
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It’s so sad to me that a huge part of the Star Wars fandom still talks about how the Jedi lost their way and one of the main reasons is that the fought in the clone wars.
Because this is a children’s show. For children. And in the Jedi crash episode they literally bring up this argument.
“It takes two to fight”
And:
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This old man goes off on them. He chooses peace. But what does his peace look like?
The separatists come in and are like “our planet now” and he’s like “ok fine”
And then they use the planet to test out a HUGE weapon that would killed MILLIONS of innocent people and clones. So already his “peace” is just breeding more violence.
But then they decide to use his people as test subjects.
What he was doing wasn’t “peace” it was compliance. He was aiding colonizers and invaders and then they were going to kill him and his entire community because of it.
The separatists were literally conquering planets and killing and enslaving the inhabitants. You wanted the Jedi to sit back and go “sorry man. We like peace. Can’t get involved.”
I just… how can so many people in this fandom misinterpret something that was shoved down their throats??
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pcktknife · 2 months
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wait bitch do sanjis eyebrows go the same way
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b-rainlet · 2 years
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The Green family dynamics are so interesting because like, Viserys is the father but due to his decay he seems more like the grandfather, whereas Otto is the Grandsire but seems to fill out the role of a father more, not only to his daughter but also her children, so he and his daughter are a mother/father unit but in some situations Alicent is treated like a sibling to her children (by Otto) and then you have the obvious Helaena/Aegon happening (siblings who are also husband/wife and mother/father to their children), but at the same time it seems like Aemond is the one trying to be the family's protector and attempting to step up as patriarch, with some of the scenes between him and Alicent giving off the vibes of equals rather than Mother and Son (like when they discuss Aemond finding Aegon) and his relationship with Aegon seeming like he's the big brother and not the other way around, in this essay I will-
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puppyeared · 2 months
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learning abt friendship decay and "not reaching out to your friends for months at a time unprompted is not neurotypical behaviour" has me feeling a certain way
#experiencing some BIG FEELINGS OVER THIS REVELATION#listen i have never ever been bothered abt not seeing someone in a while or making time to talk to them bc in my mind its like not thst muc#time has passed. i mean it with every fibre of my being that when im like 'oh its ok even though we havent talked in a while and have our#own things going on it doesnt mean we're not friends anymore since we left things on a good note 8 months ago' i sincerely believe that#and for the longest time i just thought everybody makes peace with it at some point and not automatically assuming the other person doesnt#wanna talk to me anymore or smth. my longest lasting friendships are with ppl who work the same way i just thouhght that was normal#whatever organ everybody has that makes them reach out to their friends and plan hang outs i probably dont have it#i was already hesitant to ask out Alex bc i spend almost every waking hour doing smth that isnt talking to ppl unless they happen to be in#the vicinity. and at first it was bc i planned on making sure i had everything set up so i dont get stressed out and do it one at a time#but then i find out theres a friendship decay mechanic? and after dating and marrying someone you lose -10 friendship points for every#day u dont talk to them?? actually ive probably been losing friendship points this whole time without knowing bc of this?????#and i notice a lot of my own habits are also reflected in how i play bc ive been avoiding getting close to pierre and marnie since its more#of a professional relationship. like i know theyre npcs but im approaching it the way i would in real life its fucking nuts#i think its a little relieving im playing /as/ a character than myself bc as im playing im just making up little interactions in my head#than approaching things the way i would myself so it takes a bit of the stress off trying to put myself in there as a spectator. but well#being in a relationship demands a certain amount of energy even more so when theyre things that already take up energy on its own#like making time to talk to your partner and make sure they know theyre loved. i dont always have energy to put all my mental focus into it#and this is true for real life so im not really bothered by not dating anyone. but when its a game and i want my character to be with someo#and i know its fully optional and i know i could just apply the same logic to this i dont /want/ to. sometimes i want to experience#the same things other people do at least to a certain degree without the same emotional andmental stakes#no offense krobus#yapping#stardew#stardew valley#puppy plays sdv#sdv#this game has me by the ankles man
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skitskatdacat63 · 11 months
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2023 Brazilian Grand Prix - Fernando Alonso & Oscar Piastri exchanging helmets
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inluvwcaitvi · 2 months
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the way some ppl get annoyed abt the fact that caitlyn was rightfully angry and ready to threaten jinx w a deadly weapon at the tea party bc she was was LITERALLY kidnapped (out of her fucking SHOWER) and trying to defend both herself and vi says a lot abt their emotional maturity, media literacy, and overall common sense tbh
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blueskittlesart · 1 year
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nintendo hire me i have tons of marketable skills like uhh *checks notes* drawing your characters wrong
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I was talking to a client today about "how to identify masking" as part of the process of learning how to shift masking from a reflexive coping strategy to a voluntary and conscious one and I feel like it led to a really important shift in framework FOR ME about masking and social distress.
Paraphrasing, the ideas we came to are as follows:
One of the reasons masking can be so difficult to recognize is because, essentially, masking is the act of performing "yourself" as a mirror for the other person you are interacting with. It's this idea of "I will micro-manage my own mood, affect, behavior, mannerisms, and environment in order to reflect back to you whatever version of "self" you need from me because if I don't there will be consequences". So because masking is essentially performing "mirroring" as selfhood by amplifying or minimizing aspects of yourself based on what you think the other person wants to see in you, it varies significantly from one context to another. The major commonality is that it takes up an INCREDIBLE amount of energy, mental and emotional resources, cognitive processing power, etc. So you don't identify masking by specific behaviors so much as by the feeling of "having a significant amount of your mental/emotional resources be occupied by the act of social interaction" to the point that it doesn't leave enough left-over for other cognitive tasks, or leaves you feeling exhausted and worn out, or basically by the impact that masking has on you during and after.
In this framework, part of why we get so anxious about new or unfamiliar people or situations is because we don't know how to mask in that context yet, and so until we get there and figure it out, we're basically just terrified of what could go wrong since we don't know what we're walking into.*
*This is the underlying framework of anticipatory and obsessive anxiety as well. Anticipatory and obsessive anxiety functions as the mechanism by which we conduct both predictive reasoning-basd advance planning and review/self-correctionof our mental predictive model.
Autistic aversion to uncertainty has a lot to do with our need to be able to use predictive reasoning-based advance planning to cope with "social deficits" aka how much harder it is for us to interpret subtextual/nonverbal cues, learn/meet social expectations, and work through/around disordered sensory processing. That predictive reasoning requires us to be familiar, in advance, with the stable constant factors that influence decision making in social contexts. If we aren't familiar with the constant variables than we can't plan, if we can't plan than we are more likely to make noticeable social mis-steps, and if we take notable social mis-steps there are consequences. It becomes necessary for us to be hypervigilent to observable patterns in other people's behavior in order to try to reverse engineer the social interaction playbook on the fly. That ends up making us more likely to assume personal responsibility for predicting and managing the emotional regulatory needs of people around us at all costs, replicating the behavioral/cognitive impacts of chronic traumatic stress due to the activation of our sympathetic nervous system from chronic hypervigilence.
Essentially, masking is a cognitive defense mechanism to severe and/or persistant traumatic interpersonal stressors. As the neurological impacts of chronic traumatic stress heal, we mask less frequently. But in order to heal from chronic traumatic stress, the human brain requires a safe environment that does not trigger a retraumatization episode or replicate feelings of helplessness/fear for safety. In other words, reducing/terminating masking safely requires us as autistic people to have consistent access to social environments in which we are able to utilize autistic interpersonal boundaries without fear of consequence or chonically unmet need. This requires the people around us to be able to respect not only autistic interpersonal boundaries, but also autistic self-expression/advocacy modalities and mediums.
I feel like a lot of the pieces of this framework have been rattling around in my head for a while but the flavor of words hit just right today and all the connections snapped into place.
Anyway, I'm still sort of sorting through the clinical implications of this framework but I think it's a direction I want to keep exploring for sure.
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dirty-droid · 4 months
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So I played through some more dbh last night and woke up thinking, God, there is a good reason Markus and Kara, and their respective companions never got as popular as Connor and Hank. Literally The Bridge is surrounded by the most *do everything for absolutely no reason* chapters, and there's no comparison.
First the Kara chapter wastes your time, she barely gets any small talk in with Luther, then the car breaks down, then you're just doing tiny tasks, doing a shitty sum up of her story so far when Alice asks you to make one up- they could have done something interesting with that story but they chose not to, literally anything specific anything that would function as a parallel to their journey would have actually had some value. Then you barely start a conversation with Luther, where are you maybe get a hint of his personality before we're back to just talking about the plot and Alice, but then it's over again and you meet the Jerries and you learn almost nothing about them.
It is a chapter where you do nothing interesting, and you learn almost nothing about the main characters, for a downtime chapter, I expect character development and get barely a sneeze of it. There is so much room and so much time for you to really push and question your main characters but it just doesn't get used.
Honestly I think the protagonists all could have probably really benefited from the audience getting to hear their internal monologues if they weren't actually going to talk to their companion characters, but even that would just be a substitute for decent writing.
Either way, after that, we come back to Connor and Hank, who do almost no tasks in this chapter, *but spend the entire time TALKING.* They talk to each other in a constant volley back and forth for the entire length of the chapter and it's probably one of the best chapters in the game, it's certainly one of the most important in their story. You spend the entire bridge scene learning more about Hank and Connor's inner worlds, and how they think, and how they feel, you spend the whole chapter learning so much about their perspectives, this chapter is all about asking the hard questions about both of their individual characters, and the tension is high, it's a straightforward chapter to play, and it really fucking feels like your choices matter here, there will be immediate consequences, not just walking through your environment trying to find the right answer, or being dragged through an interaction. It's just plain good.
And then Markus infiltrates the Stratford Tower, and you get the most boring and useless and frustrating chapter in the game that doesn't seem to serve any purpose beyond looking cool. If Kara's last chapter was only to gain sympathy and create some soft and fuzzy feelings, this chapter is only about looking cinematic. This is probably my least favorite chapter in the game, honestly I've just gotten lost on that yellow ass office floor building too many times, even though I'm very familiar with the game now I still managed to get lost again last night.
I will admit that eventually it does become an opportunity to decide between pacifism and violence but that seems to be the only real development for Markus, and it wouldn't have been hard to make that kind of opportunity in another setting. Because we get next to nothing watching him get past the front desk, or from walking around that floor, just some outfit changes and pretending to be a machine and a little more Android hate in the background, Markus is almost completely silent yet again, there is almost no talking with North once she appears. We actually get more about North's personality here than Markus', she just feels like she has more lines somehow, because sometimes she just talks without it being connected to the plot and Markus never does.
This bit is more speculative, but my fiance and I were going off last night about whyyyy did they have to break into the tower? We're never given any reason for what the steps are and why they are important, just usually pretty important in these mission impossible type scenes, they're usually explaining in a voice-over why they are taking the steps that they are taking. But we get no explanation for why he needs to go to the 47th floor or whatever, No explanation for why he needs to change into a maintenance Android uniform, why North was in the stairwell, how Josh and Simon got in, it's all just handwaved, and whyyyyyy they couldn't have just?? Made a recording and then hacked the station's broadcast remotely and basically just posted the speech? I don't know, it's just a particularly frustrating chapter to play, personally, but it isn't strong.
Either way, you've got two chapters with next to no character development, that just have a lot of empty space and time where the characters could have been talking or could have been doing something else, but didn't because the vibes were more important, sandwiching a simple scene with ten pounds of character development and it just feels weird. And once I noticed it, it just made the Kara and Markus chapters look incredibly weak and poorly written... And conversely, make the Connor and Hank chapter look much, much stronger in comparison.
It's like Detroit become human almost needs it's own type of Bechdel Test, just to show how much they fail Markus and Kara. "Do they talk about something that isn't the plot?"
"Do Kara and Luther talk about something that isn't Alice or getting to Canada?" "Does Markus talk about anything besides his speech for this chapter?" "Does Alice talk at all beyond basic communication with Kara?" "Does Markus or his buddies talk about anything that's not the revolution or just Markus himself?"
... They don't pass a lot.
It's just hard to take these characters above simply *likeable* when they just, don't, ever, talk. There's little to no development for Markus or Kara, and because they've just become deviants, there's hardly any character establishment in the first place, they barely even get the chance to just be flat, because if they don't really know who they are, we don't really know who they are.
Connor and Hank's friendship is more functionally the main plot, more so than the deviant investigation, and for Markus and the team, and Kara with Alice, that's simply just not the case, there is hardly any relationship, they're just in the same boat. This is why Connor got astronomically more popular, and why he and Hank have the staying power that they do.
Markus and Kara just don't ever talk, and Connor does. And I'm fucking mad about it. The amount of time that was just wasted in their stories, I could probably take a damn stopwatch to all the moments where there could have been a little something-something, and nothing was put there. It's not to say Connor doesn't get some quiet moments too but he always gets the chance to make up for it.
Even at the beginning of the Stratford Tower chapter, I noticed that they could have had Simon and North talking about something maybe unrelated when Markus walks up, but there's nothing, only silence until Markus comes in with a plan. And of course we know about every time Luther tries to bring up the fact that Alice is an android, only to be shut down and walked away from. It fucking kills me how much time Mark is has the focus of the camera but it's only so he could look cool for a minute, and share no thoughts of his own, none of his new feelings, everything is only implied and then followed by the action where he is only allowed to be the leader of the revolution and never just Markus. There's a tragedy in that, but they could have driven it home harder by *pointing that out.*
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afsosville · 2 days
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Ever After High, but make it a PIDW AU.
Imagine how fucked up it would be if Shen Jiu is up there doing the book signing ceremony that seals his destiny of becoming the next 'Shen Qingqiu', and the mirrors display him getting thrown away by his martial siblings at the trial, and his limbs being torn off and other despicable tortures, and being brought down so low that your humanity is stripped away from you, all for an audience to see. And they cheer. The crowd is ecstatic, perhaps even more so than when his father, Shen Qingqiu, was put on trial.
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feelo-fick · 2 months
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a thoght i had before i go to bed
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breadandblankets · 11 months
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batfam prank wars are pretty infamous but there are generally guide rules to be followed like don't trigger someone's ptsd etc etc
however, one of the rules added when Duke started staying at the manor was Do Not Startle Him
the first time Damian jumped out of the shadows at him Duke startled so bad he became a one man solar flare and half the kids had to be benched until the spots faded
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mintharasthrone · 6 months
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more “gay” pages posting complete homophobic garbage claiming bisexual women are lesbians
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