#sarah g.

[jucyfruit]

INTERVIEW: Sarah Goldstone On Touring With Boygenius, Books, and Boston Octobers

by Maya Santow

[…] Since her graduation from Boston University in 2009, Goldstone really has gone everywhere. Her talents on the keyboard, violin, and vocals have taken her across the globe in the past two years, touring internationally with indie artist Lucy Dacus, and now Boygenius—the indie rock supergroup composed of Dacus, Julien Baker, and Phoebe Bridgers.

Sitting in an East Boston café on June 18, just hours before performing with Boygenius at the Stage at Suffolk Downs, Goldstone describes how it felt finding out that she would be joining Boygenius on their tour while she was in Dacus’ band.

“Oh, I was really pumped,” she says. “Lucy had said that she wanted to have me there. Her manager called me and we chatted about it. It was exciting. I just love them as a group and separately.

“Boygenius: The Tour” began its United States run in early June and will be extending overseas to Europe in mid-August. Several of the tour dates, including the Boston show, are a part of the Re:SET Concert Series, featuring supporting acts like Bartees Strange, Dijon, and Clairo, with Boygenius as a headliner.

Although the tour didn’t begin until the summer of 2023, Boygenius’ first full-length studio album, titled “The Record,” was in the works much earlier. Goldstone recalls being told about the album at least a year before its March 2023 release—a powerful secret to have been keeping, given the album’s critical acclaim. “There was definitely a, you know, ‘Don’t put this on the internet’ kind of thing,” she says.

Goldstone’s first time hearing “The Record” took place at a listening party with Dacus’ touring crew in a Northern California AirBnB. With the knowledge that she would be touring with Boygenius, Goldstone approached her first listen to “The Record” from a largely practical angle.

“When you take a record that was recorded with all these different instruments, and you’re trying to squash it down to, ‘Okay, what’s a setup where I can do all of that?,’ there’s a lot of different ways you can do it,” she says. “So when I was listening through, that’s where my brain was going.”

Goldstone’s primary focus while listening was the keyboard. There is more to the instrument than meets the typical listener’s ear, she explains. “I feel like a lot of times people don’t know what keyboard’s role does because people know what piano sounds like, but maybe not the other stuff,” she says. “But there’s a lot of synth parts, there’s organ, there’s something called a Mellotron…all those weird sounds where people that come to hear it are like, ‘I don’t know what that is.’”

“My first reaction was really technical, but then I started listening for real and, you know, some of the songs make me cry as soon as I hear them,” says Goldstone of the 12 tracks that make up “The Record.” “Some of them are so funny, and, like, mean, and you know, that’s fun, too. But it took a minute for me to experience it that way,” she says.

As Goldstone began touring with Boygenius, a few tracks emerged as her favorites to perform live. “I love ‘Not Strong Enough.’ I mean, that’s like, ‘the one,’ right?” she says. “I love ‘Letter To An Old Poet’— not just because it’s the piano song! Actually, ‘Cool About It’ is one of my favorite songs, too. Plus the rockers, like ‘Satanist,’ and stuff like that, it’s just, like, so fun. But every song is good, yeah—no duds,” she laughs.

Goldstone also cites a fan project for Boygenius’ “True Blue”—a track heavily influenced by Dacus’ solo music style—as a favorite memory from the tour so far. “I think they all put blue post-it notes over their phone lights…as soon as they started playing it, blue lights came up,” she says. As it turned out, a similar fan project took place at the Boston show later that night: during the chorus of ‘True Blue,’ the audience raised heart-shaped cutouts of blue paper over their phone flashlights to create a sea of blue for the band to see. “It sounds funny to say, but it made all of us kind of emotional, actually,” she says of the earlier project.

Goldstone notes the synergetic power of Boygenius fans—the fan bases of the three indie rock forces coming together creates something greater than the sum of their parts, she says.

“People are there for the unit,” says Goldstone. “Probably everybody has one of them that they gravitate toward more just in their own personal listening, or someone’s music they’re familiar with more than the others, but you can’t tell that from the show, which I think is really cool. It doesn’t feel like you’re seeing individual fans of the three of them.”

Goldstone cites Boygenius’ closeness to one another as a major draw for their fans, aside from their music. “I feel like people are fans of their friendship,” she says. “Like, we all want that. We all want best friends that we like to make art with.”

Having been on tour together for a few weeks, says Goldstone, the band’s dynamic has begun to shine through even more onstage. “Now that everyone’s comfortable, they’re starting to horse around a little bit, and they’re jumping around,” she says of Dacus, Baker, and Bridgers. “You know, it’s just three friends that love each other so much, and they’re all very funny people. So it’s fun when they’re in the mood to do, like, comedy time during shows, you know?”

Closeness as a band—“tour camaraderie”—is a familiar feeling to Goldstone, who says that Dacus’ band grew very close during their 251 days of touring in 2021 and 2022. “Everyone’s on one bus, and everyone hangs out together on off days, and it does feel like a family road trip sometimes,” she says.

The Boygenius tour took a bit longer to achieve the same effect, says Goldstone. “It is a much bigger group. And everyone just works so hard, so there’s a little bit more distance with just getting to know everybody. I feel like now, a couple of weeks in, I’m starting to be friends with people on our own crew that maybe I didn’t get to hang with before, and that’s great,” she says.

One way in which the group has grown closer, says Goldstone, is through books. Perhaps unsurprisingly, given her philosophy major during her BU days, Goldstone says she always finds time to read while on tour, and exchanges titles with the other band members as well. “We’re all trading books,” says Goldstone.

On Dacus’ tour last year, says Goldstone, the band passed around Joan Didion’s “Play It as It Lays.” In a similar way to which fans of Boygenius bond over the often melancholy tones of their music, the band bonded over the “real bummer of a book,” says Goldstone. “We passed it around, and everyone was like, ‘Ugh, your turn.’ Like, this is brutal,” she laughs.

“So, yeah, there’s some exchange,” says Goldstone. “Lucy and I will exchange books a lot. Like, I’m really into a writer named Shirley Jackson, and Lucy read some last year.” Goldstone’s most recent tour read, Min Jin Lee’s “Pachinko,” she describes as an “instant classic,” and she plans to lend it to Julien Baker to read next.

(x)

[harasharaved]

The fact that Judaism is trending because of both the wave of bomb threats on synagogues and Bradley Cooper's Antisemitism Adventure (his huge fake prosthetic nose, and him basically stealing the story from a Jewish man) is so infuriating and so exhaustingly typical.

The fact that I see Judaism trending on Tumblr and immediately think "oh no. Something Bad is happening to us." We're never trending cause it's fucking good. I never get to be excited, it's just cold dread.

The fact that Antisemitism is getting worse everyday and the only ones who ever talk about it are other Jews. The fact that no one else fucking cares. The only ones who support us are other Jews. Even when gentiles talk about Nazis or white supremacists they don't want to help us. We're just their prop, the canary in the coal mine and the perfect victim.

The fact that everyone's uncomfortable with Jews still being here. Reminding them of things they'd rather forget.

The fact that it'd be easier for them if we were all dead. Then they could tell stories about our people, dressed in offensive caricatures, without us making a fuss.

[asoftepiloguemylove]

on longing for love

Celeste Ng Little Fires Everywhere / Zeppelinmoon Waiting / Marina Tsvetaeva On Love / Alex G Sarah / pinterest / Christa Wolf (tr. Jan van Heurck) Cassandra: A Novel and Four Essays

[entomolog-t]

WHERE THE FUCK ARE THE OREOS???

[bringcal]

found this video i made god knows when titled " dave strider dies "

[madisonhunts]

SARAH MICHELLE GELLAR as BUFFY ANNE SUMMERS ↳ BUFFY THE VAMPIRE SLAYER (1997–2003) 4.01 | The Freshman

[dirchristophernolan]

Mahmoud Darwish, from “The Butterfly’s Burden; ‘We Were Missing A Present’”

[arrietty-rune]

silly void kids

Check my art here !! I draw a lot of Gumball stuff :D

[acotar-taylorsversion]

In My Opinion

If Elain chooses Lucien, then it will not be for herself and nothing will ever convince me otherwise.

Elain choosing Lucien would ruin absolutely everything about her character arc. Elucien would ruin whatever is left of the acotar series. Because why make Elain's big thing all about choices if she chooses the one that is easiest?

Why talk about wanting to write about rejecting a mate and exploring the consequences if it's not about Elain and Lucien? Why write Elain and Lucien the way they are and how uncomfortable they are around each other when they would end up with each other anyways? Why write about the growing friendship and attraction between Elain and Az if it leads to nowhere?

I will never understand how people can read about how much Elain avoids Lucien, shrinks into herself, and becomes quiet and reserved around him and still think that she would ever be happy with him. It's not just the mating bond, it's him, too. He is a constant reminder of her trauma and what she has lost.

At least with Az, she was finding herself and becoming comfortable with her new life. She became comfortable enough to try and begin something with him. That bonus chapter confirmed that they both have mutual attraction towards each other and it had taken months to get them to that point. It wasn't just some random thing that happened.

Yeah, we don't know what Elain is thinking or what her thoughts are about what all has happened. But I go off by her actions, and they scream that she wants nothing to do with Lucien.

I'm gonna have to reread HOFAS again and try to better understand what was all said about the cauldron and Truth Teller. Because I bet that Elain and Lucien got one of those mating bonds that is solely based on having powerful children and not true love. And I bet the connection that Elain has with Truth Teller will mean something, too. And I've heard that Truth Teller can break bonds? Is that the connection? Will Elain be able to break her own bond and nullify it so it doesn't affect her and Lucien anymore? If they both reject it, does it nullify the bond? Like there are so many things about mating bonds that I think would be great to explore other than another couple accepting it. Talk about boring, repetitive, and predictable.

And don't give me that "Sarah is a fated mates author and that means Elucien is endgame" or "that bonus chapter ended with Gwyn so that means the series is all about her and Az" bullshit. That is complete bullshit.

[glittergroovy]

[tigralisa]

[justwhumpythings]

Listen I know 'ghhhs' is not a verb and I will describe how my whumpee here is screaming properly when I get to that paragraph but sometimes 'ghhh' really is just the only way to describe the animalistic, uninhibited way a noise that comes so deeply from pain and the throat sounds, y'know?

[seranavolkihars]

infiltration?

SLOPPY STYLE

[moliathh]

[alutegra/alucard x integra, hellsing]

He loves me like a dog

[chokopoppo]

look at this image i made for myself. every time i go to the gym and hit a wall where i think "surely i don't have another set in me" i pull this out and look at it. i do two more sets. thank you sarah connor for your feral swag and your chin ups

[gekooi]

"I JUZT FOUND THIZ TINY GUY ZITTING ON ONE OF THE LOGZ GAAAHH !!! HE'Z ZO TINY"