When you get this you have to put 5 songs you actually listen to, and publish. Then, send this ask/tag 10 of your followers.
I was tagged by @cantseemtohide and someone else I swear but I cantseemtofind them in my notifications. Ha. January had me in the mood for more pop than usual <3
Dance Apocalyptic - Janelle Monáe
Save Your Tears - The Weeknd & Ariana Grande
Perfect Places - Lorde
On My Way - Epik High feat. Jackson Wang
$20 - boygenius
Tagging with no obligation! @saartje77 @gerbits @whyeverr @ladybugsimblr @adoringsentiment @eulaliasims @loveryss @aliennooboo @socialtownie @pixelshary
From dark alt-R&B jams to sleek summer hits to synth-pop revelations, and beyond
BY
TOMÁS MIER, WAISS ARAMESH, JULYSSA LOPEZ, CHARLES AARON, ANGIE MARTOCCIO, ELIAS LEIGHT, JON FREEMAN, MOSI REEVES, JON BLISTEIN, SARAH GRANT, JOE GROSS, SIMON VOZICK-LEVINSON, JON DOLAN, KORY GROW
FEBRUARY 14, 2022
IF YOU HAD “Siouxsie and the Banshees fan from Canada remakes R&B in his own image” on your Pop Music in the 2010s bingo card, congratulations! Abel Tesfaye came out of Toronto in 2011 with a stunning series of spacey, sepulchral EPs that proved the start of a landmark run. Pretty soon he was lacing summer hits, sharing tracks with Ariana and Lana, creating epic albums like After Hoursand this year’s excellent Dawn FM, and even playing the Super Bowl. To coincide with the release of his new Amazon special, The Weeknd x The Dawn FM Experience (available this Saturday), we’ve decided to honor the Weeknd’s decade of moody pop dominance, with our list of his 50 greatest songs. You’ve earned it!
50
‘Less Than Zero’ (2022)
KEVIN C. COX/GETTY IMAGES
‘Can we meet in the middle,” the Weeknd offers over the elegant romanticism of “Less Than Zero.” His despair has rarely sounded so vulnerable, and his need to connect has rarely seemed so genuine, as he reaches out further and further with each new ascending keyboard bloop. The result might be his greatest slow-dance entreaty. —J.D.
49
‘The Party & the After Party’ (2011)
FRAZER HARRISON/GETTY IMAGES
“The Party and the After Party” not only has a chipmunk sample of dream-pop duo Beach House’s “Master of None” at its center, but also a waltz-like rhythm reminiscent of the Velvet Underground’s “All Tomorrow’s Parties.” The Weeknd’s lyrics betray an impressive attention to detail. “Louis V bag, tats on your arms, high heel shoes make you six feet tall,” he croons. “But I’ve got what you need.” Midway through, the track switches to a highly sexual volley of vocal thrusts and flickering guitar, as he tries to illustrate “the feeling that I’ll give to you.” —M.R.
48
‘Save Your Tears,’ feat. Ariana Grande (2021)
YOUTUBE
Just when you think the Weeknd has finally released a vacuous little earworm of a pop song, he twists the knife. “I saw you dancing in a crowded room/You look so happy when I’m not with you,” he sings. It would be like if you took “Nothing’s Gonna Stop Us Now” and replaced Mickey Thomas with Sade. This love-forsaken-at-the-club song wouldn’t be anything without Grande. Together, their voices are indestructible, which makes this particular song all the more harrowing. —S.G.
47
‘Life of the Party’ (2011)
GUS STEWART/REDFERNS/GETTY IMAGES
Coming on like Smokey Robinson at a black mass, Tesfaye crooks a finger, howls into the death-rock void, and cues the riding-crop percussion. Is this just another dubiously consensual orgy between a rich, coked-out female fan and some fame-adjacent, coked-out music bros? Or does the woman actually represent Tesfaye’s conflicted feelings about his own career choices? Regardless, be careful out there, kids. —C.A.
46
‘Tears in the Rain’ (2013)
JEFF LOMBARDO/GETTY IMAGES
The Weeknd’s R&B plot twist is that his falsetto croon, cunning production, and vulnerable charisma offer a tender caress until you find out that love is really a serial killer hiding in the closet. Inspired by the replicant Roy Batta’s dying monologue in Blade Runner, this gorgeous ballad is a spectacular bell tower of distorted guitar and rippling synths that gives you goose bumps. Too bad you’re lying next to the toilet. —C.A.
45
‘The Fall’ (2011)
VINCE TALOTTA/TORONTO STAR/GETTY IMAGES
The foggy darkness of “The Fall” is a vintage remnant of the Weeknd’s bleakest, most sedated soundscapes. A chugging beat and ominous, choir-like vocals nearly drown him out, but his slightly moribund voice continues with the steely resolve of someone who intimately knows rock bottom. And though the production comes from his early-aughts mixtape era, it’s also ahead of its time, feeling like something that could easily soundtrack a depressing episode of Euphoria. —J.L.
44
‘Privilege’ (2018)
IRVIN OLIVARES/RCC/AGENCIA EL UNIVERSAL/GDA/AP
On this theatrical text to an ex, the Weeknd tries acceptance! Co-producer Frank Dukes suspends the mournful inamorato amid a swell of supportively filtered keys, and Tesfaye counsels himself to move on. But a fingersnap beat enters and he instinctively reaches for his old woes. Synths encase everything, his multitracked wail fades to vocoded static, and it’s clear: litigating sin is his one forever love. —C.A.
43
‘I Was Never There,’ feat. Gesaffelstein (2018)
KEVIN WINTER/GETTY IMAGES
It’s appropriate that the Weeknd at his most publicly distraught — after breakups with tabloid damsels Selena Gomez and Bella Hadid — would be soundtracked by elegant techno brutalist Mike “Gesaffelstein” Lévy. Hello, stylish dystopia. A piercing synth siren swoons and keens above clacking desolation; when the beat later brightens to a warped gurgle, Tesfaye turns spiteful, suicidal. Call it his safe space. —C.A.
42
‘La Fama,’ Rosalía feat. the Weeknd (2022)
YOUTUBE
Call him “El Fin de Semana.” The singer takes a complete turn from his typical R&B style as he joins Rosalía on the electro-bachata track about the downsides of fame. The Weeknd sings in perfect Spanish as his vocals channel the likes of bachata legend Romeo Santos. —T.M.
41
‘Heartless’ (2020)
YOUTUBE
This first single from the 2020 album After Hours finds our hero self-consciously returning to his baller ways, grabbing some of his pals (co-writers Metro Boomin, Illangelo, and Dre Moon), loading up on subdermal bass and trappin’ hi-hats and heading out for a night of licking toads, getting ladies high, and spilling whiskey on himself. Once again, he’s in full players-playing mode and he doesn’t make it sound very fun at all. —J.G.
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40
‘In Your Eyes’ (2020)
KEVIN MAZUR/MTV VMAS 2020/GETTY IMAGES
“I know it hurts to smile, but you try to,” Tesfaye croons to his dirty Diana through the smoky air. Can’t you feel the weight of his stare? “In Your Eyes” has such a suave Eighties groove, it takes real concentration to appreciate its manifold layers. Tesfaye mined late New Wave bands like Roxy Music, A-Ha, and Cocteau Twins for the song’s backbone, let Max Martin do his pop wizardry, and let the sax rip. —S.G.
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39
‘Adaptation’ (2013)
JOHNNY NUNEZ/WIREIMAGE
“Adaptation” is Kiss Land‘s most direct tour-life lament, essentially Massive Attack featuring the Weeknd, slightly pitch-shifted. Over a breakbeat loop, an eerie echo chamber, and a gnarled, ghostly sample of the Police’s “Bring on the Night,” Tesfaye explores his vocal range and imagines tipsy young models as vessels of pure, uncut love. It all sounds exquisite, but his regret is a false confession. —C.A.
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38
‘The Birds Pt. 2’ (2011)
GUS STEWART/REDFERNS/GETTY IMAGES
On the Weeknd’s most intense recorded reckoning, our unreliable narrator delivers a harrowing moral: Don’t fall for self-obsessed, predatory fiends (like me) or somebody will suffer. Forever. Producers Illangelo and Doc McKinney underscore the point — sobs and a gunshot bleed into reverbed whirlpools of decaying surf guitar, an unforgiving snare thud, and Marina Topley-Bird croaking “sandpaper kisses, paper-cut bliss” like Madame Lamort. Then the crows caw a bitter adieu. —C.A.
37
‘Pretty’ (2013)
YOUTUBE
One of the Weeknd’s cooler, earlier tricks is the goth level of melodrama with which he infused his work. “Pretty,” from his debut full-length, Kiss Land, takes an industrial level of synth dread and drum clatter and sets it to the time-honored tale of the road dog coming home to his partner, who may or may not have cheated. Conclusion: He’ll make you feel beautiful if only because it helps him keep the demons at bay. —J.G.
36
‘In the Night’ (2015)
THOMAS CONCORDIA/FILMMAGIC
The first song co-written with pop magus Max Martin, “In the Night” conjures an Eighties neon raincloud with a whoosh of drum pads, pulsing synths, clattering effects, and Visionquest pathos. Principally, it coaxes Tesfaye’s most openhearted vocal to date. His taut yet fluid phrasing (a nod to Thriller-era Michael Jackson) delivers the story of an abused sex worker with an unusually sincere ache. —C.A.
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35
‘Prisoner,’ feat. Lana Del Rey (2015)
CHELSEA LAUREN/WIREIMAGE
This criminally underrated duet is a true relic of the fleeting 50 Shades of Grey-era of 2010s gloom pop, sung and co-written by the genre’s foremost falsettos: the Weeknd and Lana Del Rey. “I’ve inspired her, she’s inspired me,” Tesfaye said at the time. “I feel like we’ve always been talking to each other through our music.” Together for the first time, they sing “I’m addicted to a life that’s empty and cold,” like two dark souls twisting in the wind. —S.G.
34
‘Crew Love,’ Drake feat. the Weeknd (2012)
IAN WEST/PA WIRE/AP
The remarkable opening of “Crew Love” is a true test for the Weeknd, pitting the singer’s siren call against a callous, punishing opponent — a mash of crashing cymbals that seems intent on crushing the life out of anything in its path. But the Weeknd’s sweet croon partially camouflages his own militance. His opening line is every bit as cruel and cutting as those cymbals: “Take your nose off my keyboard/What you bothering me for?” And once the Weeknd puts his enemies on their heels, he presses his attack. “This ain’t no fuckin’ singalong,” he snarls prettily. “So, girl, what you singing for?” —E.L.
33
‘Coming Down’ (2011)
TIMOTHY HIATT/WIREIMAGE
Emerging from the dusted carnage of “The Party & the Afterparty,” this might be Tesfaye’s most emotionally resonant performance. A cold wind blows past a twinkly, taunting mini-motif as various intoxicating agents exit his system. Racked with regret, he convincingly plays the fallen prince; his ah-ahs, la-la-las, and refrain of “I always want you when I’m coming down” are acutely relatable. —C.A.
32
‘Often’ (2015)
YOUTUBE
Over a tear-jerking sample of “Ben Sana Vurgunum,” by Turkish singer Nükhet Duru, the Weeknd boasts about the sexual freedom he gets by being a “young god” in his hometown of Toronto. “She asked me if I do this every day, I said often,” he sings on the chorus. The alt-R&B song gave fans their first taste of the leap forward he was making with Beauty Behind the Madness. —T.M.
31
‘Acquainted’ (2015)
PETER DEJONG/AP
Oh, the humanity? ? On this neoclassic Weeknd tale of compulsive wanderlust, boosted by Illangelo’s crisply cavernous, dubstep-tinged production, Tesfaye coos (and even cries out) with new vulnerability about whether a commitment to “real” love/life might be a risk worth taking. Answer: No, “but, girl, I’m so glad we’re acquainted.” —C.A.
30
‘Wanderlust’ (2013)
OWEN SWEENEY/INVISION/AP
“Wanderlust” hinted at the brightly uptempo, Eighties-inspired pop that eventually launched the Weeknd to superstardom. Produced with help from DannyBoyStyles and DaHeala, it makes fanciful use of Dutch group Fox the Fox’s 1984 synth-pop hit “Precious Little Diamond,” as the Weeknd depicts a La Dolce Vita life that’s full of thrills and short on love and commitment. It’s a metaphor for the first rush of success, and a predictor of bigger fame to come. —M.R.
29
‘Love Me Harder,’ Ariana Grande feat. the Weeknd (2014)
When Republic Records introduced its hot new R&B act to the world, it used an old-fashioned tactic (Trojan Horse) the new-fashioned way: an Ariana Grande song. Produced by Max Martin, “Love Me Harder” is a coy, synth-driven jam about the joys of rough sex. What takes it to that next level is the indelible way Grande’s sumptuous vocals ricochet off of the Weeknd’s icy falsetto. Two great artists in their own right. But like Pat and Neil, these two just belong together. —S.G.
28
‘Loft Music’ (2011)
CHRISTIE GOODWIN/REDFERNS/GETTY IMAGES
“Loft Music” is one of Abel Tesfaye’s quintessential baby-making moments and a standout from his debut mixtape, House of Balloons. During the chorusless first half of the track, the Weeknd convinces a woman that “baby, it’s OK” for them to hook up, while the second half features a haunting, three-minute outro. —T.M.
27
‘Kiss Land’ (2013)
ARTHUR MOLA/INVISION/AP
Perhaps the Weeknd was worried his major-label debut wouldn’t be perceived as authentically malevolent. The title track settles that — a disorienting din of post-industrial drone and moan, plus oral-sex quips and a witchy brew of booze, blow, and pills. Cloudrap producer Silky Johnson sustains a K-hole of suspense so when Tesfaye cries, “Goddamn, I’m high,” it’s actually startling. —C.A.
26
‘King of the Fall’ (2014)
YOUTUBE
Released as a Soundcloud track and a YouTube video in commemoration of his 2014 “King of the Fall” Tour, this is a fan favorite that didn’t get added to streaming services until nearly six years later. It finds the Weeknd at his most insouciantly boastful: “’Bout to leave the crib with a couple of my pirates/Driving by the streets we used to walk through like a triumph,” he sings. Produced with help from Jason “DaHeala” Quenneville, “King of the Fall” has a thrilling, uncompromising edge. When he says, “If you ain’t with me, motherfucker, you against me,” you can feel the tension in his words. “Ain’t nobody can stop me.” —M.R.
25
‘What You Need’ (2011)
JOHNNY LOUIS/GETTY IMAGES
The Weeknd has said that “What You Need” is nothing more than a “sexy R&B song,” but that explanation underplays the kind of emotional power he conjures here. It opens with a loop from Aaliyah’s “Rock the Boat,” and centers on a raw and direct entreaty shorn of contemporary R&B gloss. When critics and fans refer to the Weeknd as a generational artist, particularly in his early years, it’s due to seductive performances like this. —M.R.
24
‘Try Me’ (2018)
MAHMOUD KHALED/AP
The Weeknd sounds alluring on “Try Me,” a highlight from 2018’s My Dear Melancholy. The EP swirls with romantic anguish and the singer’s high-profile breakups; “Try Me,” where he pleads for an ex-girlfriend to come back to him in haunting, gauzy tones, is no different. Some listeners speculated that this was his attempt to recapture his House of Balloons-era bona fides after the world conquering Starboy. But when he sings lyrics like “Once you put your pride aside, you know where to find me,” he sounds sincere. —M.R.
23
‘Moth to a Flame,’ Swedish House Mafia and the Weeknd (2022)
YOUTUBE
“Moth to a Flame” is a petty anthem, masking the bitterness with synth, and marks the Weeknd’s first (of hopefully many) collaboration with Swedish House Mafia. Abel’s vocals shine through a biting chorus that effectively ruins the current relationship of his ex. It should come as no surprise that a list of the Weeknd’s best songs doubles as a masterclass in toxicity. —W.A.
22
‘Snowchild’ (2020)
YOUTUBE
On a trap-chic stroll through the Weeknd’s hipster rags-to-branded-riches story (Morayama, Coachella, and Mercedes are name-checked), Starboy relies on the lovely lilt of his voice to redeem pop-rap groaners like “futuristic sex, give her Philip K. Dick.” And it does, buoyed by a suave whoosh here and chilly wobble there. —C.A.
21
‘The Morning’ (2011)
ROBB D. COHEN/INVISION/AP
Though the first drowsy lines of “The Morning” masquerade as expected Weeknd club sleaze, the song is a surprisingly radiant hustler’s anthem, catching him at an upbeat moment before the blowback from his late-night debauchery sets in. The electric squeals of a guitar follow him as he builds toward a bursting chorus — and once the peak hits, he sings with the carefree indulgence of someone throwing confetti made of dollar bills into the air. —J.L.
20
‘Shameless’ (2015)
JOHN SALANGSANG/INVISION/AP
Compared to the slick dance pop found elsewhere on Beauty Behind the Madness,“Shameless” is an outlier. A stripped-down acoustic ballad that has shades of peak-period Seal, “Shameless” is a triumph of cringe for the Weeknd. “I’ll always be there for you girl, I have no shame,” he swears to a sometime lover who doesn’t want anything from him except the oblivion of a good lay. It’s icky, and the slippery, pornographic guitar solo at the end only adds to the feeling of self-loathing sleaze. —J.F.
19
‘After Hours’ (2020)
YOUTUBE
If there’s a song that captures the Weeknd’s determined progression from brooding club lurker to incandescent pop king, it’s “After Hours,” which starts with echoey synth acrobatics from his early releases. A dance beat trickles in slowly — just hints of it at first — and eventually takes over, thrusting the Weeknd closer to the melodic maximalism that swept him up and blasted him to superstardom. —J.L.
18
‘How Do I Make You Love Me?’ (2022)
RICH FURY/GETTY IMAGES
It takes a lot of skill to make desperation sound catchy, but the Weeknd barely bats an eye as he combines iridescent synth-pop with his urgent, pleading falsetto on “How Do I Make You Love Me.” Just when it seems like he’s reached a breaking point, the song becomes a freeform experiment in electro blips and bleeps that seamlessly transitions into “Take My Breath,” highlighting the tightknit sonic universe of Dawn FM. —J.L.
17
‘Hardest to Love’ (2020)
CHRIS O'MEARA/AP
There’s something singular about “Hardest to Love,” its drum and bass break beat setting it apart from nearly everything else in the Weeknd’s catalog, to say nothing of the North American pop charts (it would obviously feel less out of place in the U.K.). Yet the song doesn’t feel like some tossed off genre experiment or blatant play for a new audience. It remains a quintessential Weeknd tune, that distinct drum and bass groove paired perfectly with woozy, weeping-willow synths and Tesfaye’s heart-melting, self-flagellating vocals. —J.B.
…
16
‘Reminder’ (2016)
YOUTUBE
A response to those criticizing his pivot to a mainstream sound after Beauty Behind the Madness, The Weeknd returns to his vibey, R&B origins, promising he’ll reinvent himself as many times as he wants to. And boy, has he succeeded at it. T.M.
15
‘Call Out My Name’ (2018)
YOUTUBE
After “Earned It” became a massive commercial success, it’s no surprise that the Weeknd returned to the same well a few years later — “Call Out My Name” is another slow-drip ballad set in 6/8 time. But where “Earned It” had those peppy strings and uplifting message (“Girl you’re perfect, you’re always worth it”), “Call Out My Name” is desolate and hollowed out, a parched tale of dependency and despair shot through with the Weeknd’s piercing, anguished wails. “I said I didn’t feel nothing baby,” he sings. “But I lied.” —E.L.
14
‘Sidewalks,’ feat. Kendrick Lamar (2016)
YOUTUBE
“Sidewalks” finds the Weeknd wryly recounting his ascent from growing up without a father and experiencing homelessness to the pop mainstream. “My flow too sick, Kevin Costner couldn’t touch me,” he trills in an Auto-Tuned voice over a guitar-inflected Doc McKinney beat. Meanwhile, Kendrick Lamar responds with a bouncy verse that flips Starboy’s theme about prodigious appetites. “It wasn’t just a random Kendrick Lamar verse,” the Weeknd told Beats 1’s Zane Lowe in 2016. “It was something special.” —M.R.
13
‘Tell Your Friends’ (2015)
YOUTUBE
This track was originally co-produced by Mike Dean and intended for Kanye West, who co-produces and raps on the bridge here. Framed by a coolly twilit soul sample, Tesfaye croons a list of basic starboy gripes. but quickly the lyrics grow belligerent, as stabbing piano chords propel an antihero eruption. “Don’t believe the rumors, bitch, I’m still a user,” he smirks, as if he’s pimp-strutting on the ledge. —C.A.
12
‘House of Balloons / Glass Table Girls’ (2011)
FILMMAGIC
The second half of this track is one of the most viscerally affecting entries in the Weeknd’s whole catalog, as icy and thunderous as an avalanche. He throws himself into the world beyond blotto: Faces are blurring, the drunks are getting mean, and the threat of violence fills the air. The Weeknd’s voice has always drawn comparisons to Michael Jackson’s, but “Glass Table Girls” draws its lineage back to Prince at his most paranoidly perfect. —E.L.
11
‘I Feel It Coming,’ feat. Daft Punk (2016)
YOUTUBE
The stunning closer from Starboy, the Weeknd’s Michael Jacksonesque voice flows freely over Daft Punk’s retro-futuristic, Eighties-inspired disco-pop production. Lyrically, the Weeknd sheds his lustful approach to sex as he assures the object of his desire that she shouldn’t be so afraid of falling in love. —T.M.
10
‘Starboy,’ feat. Daft Punk (2016)
YOUTUBE
After the world-conquering success of Beauty Behind the Madness, the Weeknd could have worked with anyone. He chose Daft Punk’s Thomas Bangalter and Guy-Manuel de Homem-Christo, who lent an attractive electro gloss to his next chart-topping smash, French-filtering his vocals on the hook as he literally laughed his way to the bank. With its winking lyrics about old Star Trek movies and ivory lines on ebony tables, “Starboy” was also the Weeknd’s chance to show that pop stardom hadn’t changed him — it just made him even cockier. —S.V.L.
9
‘Take My Breath’ (2022)
YOUTUBE
It figures that one of the Weeknd’s most straightforwardly danceable songs would be about a kink so intense that it can literally cause death. Propelled by the titanic melody of Max Martin and collaborators Belly, Andrea Di Ceglie, Luigi Tutolo, and Oscar Holter, “Take My Breath” throbs with the insistent kick drum, funky guitar, and arpeggiated synths of classic Giorgio Moroder. Tesfaye coos soulfully, deploying his upper register while describing a woman who asks to indulge a fantasy that sounds a lot like erotic asphyxiation. “Bring me close to heaven, babe,” she tells him. The extended version on Dawn FM features an instrumental breakdown that shreds Tesfaye’s voice into a guttural wail, further blurring the line between ecstasy and horror. —J.F.
8
‘Earned It (Fifty Shades of Grey)’ (2015)
YOUTUBE
Wherein the most sexually explicit songwriter of the PornHub era makes the lead single for the Fifty Shades of Grey soundtrack. “Earned It” (and a very-NSFW video) introduced perfectly Tesfaye’s silk-sheets vibe to mainstream ears. Written in D-minor, which, as Spinal Tap taught us, is the “saddest key,” “Earned It” is a Grammy-winning chart-topper full of strings severe and seductive, that falsetto and, of course, a love too weird to last. —J.G.
7
‘High for This’ (2011)
JOHN SALANGSANG/INVISION/AP
“You want to be high for this,” trills the Weeknd on the opening track of his first, career-launching House of Balloons mixtape. It’s a perfect introduction to the Weeknd’s groundbreaking aesthetic: an opiate atmosphere, a sound that hovers between darkwave and bedroom R&B, and endless sensorial delights. Cirkut’s beat is a synthesized whirl of throbbing, stop-start percussion and eerie, organ-like keys, all fodder for the Weeknd to red-pill his listeners: “Open your hand/Take a glass/Don’t be scared/I’m right here.” —M.R.
6
‘Can’t Feel My Face’ (2015)
YOUTUBE
One of the Weeknd’s biggest hits was a dashed-off afterthought. Tesfaye was hanging out with some of his songwriting collaborators, listening to “some modern, disco-y influenced tracks,” as he once said, when they all felt the urge the jam. The whole song — three and a half minutes of R&B-inflected pop with a bouncy, beautifully numbing chorus that may or may not be about cocaine — came together in 40 minutes at the end of Tesfaye’s Beauty Behind the Madness sessions and almost didn’t make the cut. But Tesfaye believed in the song, which became a Number One hit and has since been certified eight-times platinum. —K.G.
5
‘Blinding Lights’ (2019)
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No pop sound is too dated for the Weeknd to have some fun with: As long as it’s got a little sparkle, he’ll find a way to use it. “Blinding Lights” broke chart records by leaning all the way into a synth-pop jingle that sounds like a Eurovision contender or a mid-2000s ringtone, singing the hell out of each hook in a vaguely Goth accent and daring you to call him cheugy. It’s so spectacularly catchy, you’ll never get the chance. —S.V.L.
4
‘Wicked Games’ (2011)
YOUTUBE
The Weeknd’s first single is a sensual, slow-grooving meditation on coming of age — feeling comfortable in your own skin and grappling with differences between love and lust, but “only for tonight.” In the space of five and a half minutes, Tesfaye tells a movie-length story: He’s just broken up with his girl, he took out all his cash and spent it on coke and his date, and he just wants to feel like a human being. “Bring your love, baby, I could bring my shame,” he sings. “Bring the drugs, baby, I could bring my pain, I got my heart right here.” It’s heavy stuff for a pop song, and it established him as an artist who could tackle Big Problems in a way that makes you want to sing along with him. —K.G.
3
‘Escape From LA’ (2020)
KEVIN MAZUR/MTV VMAS 2020/GETTY IMAGES
Nine years after the Weeknd declared “Cali is the mission” on “The Morning,” he backtracks on this cautionary tale, revisiting a theme that’s prevalent throughout his discography: an obsession over the Hollywood lifestyle that’s just as strong as his contempt for it. Four minutes in, the vibe switches (getting somehow darker) and the Weeknd tells the tale of a Chrome Hearts-clad woman who waits for him to cut his verse before moving on to … other activities. Considering how good this song turned out, we appreciate her patience. —W.A.
2
‘Gasoline’ (2022)
YOUTUBE
Tesfaye has always been great at packaging pop thrills in deep despair (and vice versa). The nihilistic despair of this Dawn FM gem is neatly tucked away in the song’s gasoline-soaked sheen. Even its darkest lines — from “I know you won’t let me OD” to “In this game called life/We are not free” — are barely detectable in the midst of all that New Wave euphoria, like the Weeknd had too much fun getting high to the Cars. Please cover “Drive” next. —A.M.
1
‘The Hills’ (2015)
YOUTUBE
A sound-design masterpiece and the quintessential Weeknd hit, with all the pop instincts of his crossover blockbuster era and all the sleaze and self-loathing of his avant-R&B early years. “The Hills” mesmerizes and rebukes like a MIDI-enabled version of Francisco Goya’s Saturn Devouring His Son.Tesfaye limps through fame’s panopticon before launching into a falsetto war of the spirit (“When I’m fucked up, that’s the real me,” he wails). Somehow, this meticulous smear of muted screams, tolling bells, growly sub-bass, and filtered-to-hell synths reached No. 1 and was eventually certified diamond (10 million copies sold). —C.A.
First of all, I want to thank all of you so much for the follows, likes, comments, reblogs and support in general! I can't believe I hit 50 followers so soon! I know it’s not much, but I actually didn’t expect any at all so I’m so happy!! Thank you ❤️
Now, this is how the celebration is going to work: first you chose a song and a character. Then send it to my requests with your pronoun of choice, along with any other specifications and I'll write you a fic based on the song! You can either send the song or specific quotes as prompts
To find the fics I will write, use the #Anastasia's 50 followers celebration
This event starts today (May 20th) and ends June 10th
Support Me on Ko-Fi - if you’re feeling generous 💕
Songs:
Fluff (Romantic)
Paper Rings - Taylor Swift
London Boy - Taylor Swift
Love Story - Taylor Swift
Lover - Taylor Swift
King of My Heart - Taylor Swift
Willow - Taylor Swift
Crazier - Taylor Swift
New Year’s Day - Taylor Swift
Daylight - Taylor Swift
Jump Then Fall - Taylor Swift
How You Get The Girl - Taylor Swift
You Are In Love - Taylor Swift
It’s Nice To Have A Friend - Taylor Swift
Today Was A Fairytale - Taylor Swift
State Of Grace - Taylor Swift
Mine - Taylor Swift
Delicate - Taylor Swift
Say You Won't Let Go - James Arthur
Naked - James Arthur
Rewrite The Stars - James Arthur + Anne-Marie
I Won't Give Up - Jason Mraz
I'm Yours - Jason Mraz
Thinking Out Loud - Ed Sheeran
Tenerife Sea - Ed Sheeran
How Would You Feel (Paean) - Ed Sheeran
Kiss Me - Ed Sheeran
Afterglow - Ed Sheeran
Lego House - Ed Sheeran
Dive - Ed Sheeran
Galway Girl - Ed Sheeran
Everything Has Changed - Ed Sheeran + Taylor Swift
I Was Made For Loving You - Tori Kelly + Ed Sheeran
Make You Feel My Love -Adele
One Call Away - Charlie Puth
Chasing Cars - Snow Patrol
Just The Way You Are - Bruno Mars
Count On Me - Bruno Mars
Little Things - One Direction
Night Changes - One Direction
Can't Help Falling In Love - Elvis Presley
Andante, Andante - ABBA
Waterloo - ABBA
All Of Me - John Legend
Ocean Eyes - Billie Eilish
Snowman - Sia
A Thousand Years - Christina Perri
Arms - Christina Perri
Teenage Dream - Katy Perry
Halo - Beyoncé
The Only Exception - Paramore
Dandelions - Ruth B
Someone To You - BANNERS
Would You Be So Kind - Dodie
Someone You Like - The Girl and The Dreamcatcher
If I Could Tell Her - Ben Platt
Absolutely Smitten - Dodie
How Long Will I Love - Ellie Goulding
Angst (Romantic)
Good 4 u - Olivia Rodrigo
Drivers License - Olivia Rodrigo
Deja Vu - Olivia Rodrigo
Brutal - Olivia Rodrigo
Traitor - Olivia Rodrigo
Enough For You - Olivia Rodrigo
1 step forward, 3 steps back - Olivia Rodrigo
Happier - Olivia Rodrigo
Jealousy, Jealousy- Olivia Rodrigo
Favourite Crime - Olivia Rodrigo
Hope Ur Ok - Olivia Rodrigo
Betty - Taylor Swift
Exile - Taylor Swift
Teardrops On My Guitar - Taylor Swift
Wildest Dreams - Taylor Swift
Tolerate It - Taylor Swift
You’re Not Sorry - Taylor Swift
Should’ve Said No - Taylor Swift
White Horse - Taylor Swift
You Belong With Me - Taylor Swift
My Tears Ricochet - Taylor Swift
Back to December - Taylor Swift
Breathe - Taylor Swift
The 1 - Taylor Swift
All Too Well - Taylor Swift
Invisible String - Taylor Swift
Evermore - Taylor Swift
Lose You To Love Me - Selena Gomez
The Heart Wants What It Wants - Selena Gomez
When I Was Your Man -Bruno Mars
Someone Like You - Adele
Hello - Adele
All I Ask - Adele
Let Her Go - Passenger
Say Something - A Great Big World
Stay With Me - Sam Smith
California King Bed - Rihanna
Take a Bow - Rihanna
Broken Hearted Girl - Beyoncé
Tonight I Wanna Cry - Keith Urban
The Winner Takes It All - ABBA
SOS - ABBA
One Of Us - ABBA
Half a Heart - One Direction
Yesterday - The Beatles
If The World Was Ending - Julia Michaels
Colors - Halsey
Happier - Ed Sheeran
One Last Time - Ariana Grande
Why’d You Only Call Me When You High - Artic Monkeys
Play Date - Melanie Martinez
Just a Friend to You - Meghan Trainor
All I Want - Kodaline
Love You From A Distance - Ashley Kutcher
Potential Breakup Song - Aly & AJ
I Don’t Wanna See You With Her - Maria Mena
Let Her Go - Passenger
All My Tears - Ane Brun
Always On My Mind - Elvis Presley
Someone to you - Lewis Capaldi
Before You Go - Lewis Capaldi
Others
Sit Still, Look Pretty - Daya
How To Be A Heartbreaker - MARINA
No Body, No Crime - Taylor Swift
Look What You Made Me Do - Taylor Swift
Blank Space - Taylor Swift
You Need To Calm Down - Taylor Swift
Getaway Car -Taylor Swift
Gorgeous - Taylor Swift
Bad Blood - Taylor Swift
The Man - Taylor Swift
22 - Taylor Swift
Dorothea - Taylor Swift
Marjorie - Taylor Swift
The Best Day - Taylor Swift
Mirrorball - Taylor Swift
I Forgot That You Existed - Taylor Swift
This Is Why We Can't Have Nice Things - Taylor Swift
The Lakes - Taylor Swift
The Last Great American Dynasty - Taylor Swift
Since U Been Gone - Kelly Clarkson
When I Kissed The Teacher - ABBA
I Have A Dream - ABBA
I've Been Waiting For You - ABBA
You'll Be In My Heart - Phil Collins
Titanium - David Guetta (feat. Sia)
F**ckin' Perfect - P!nk
New Rules - Dua Lipa
IDGAF - Dua Lipa
Bad Guy - Billie Eilish
You Should See Me in A Crown - Billie Eilish
COPYCAT - Billie Eilish
Count On Me - Bruno Mars
Stand By You - Rachel Platten
Firework - Katy Perry
Because You Loved Me - Céline Dion
See You Again - Wiz Khalifa + Charlie Puth
NO - Meghan Trainor
Skyfall - Adele
Gasoline - Halsey
Castle On The Hill - Ed Sheeran
Save Myself - Ed Sheeran
Supermarket Flowers - Ed Sheeran
Small Bump - Ed Sheeran
Growing Up - Macklemore, Ryan Lewis, Ed Sheeran
7 Rings - Ariana Grande
Bad Liar - Selena Gomez
Rare - Selena Gomez
Who Says - Selena Gomez
I Turn To You - Christina Aguilera
Till There Was You - The Beatles
Sweetest Devotion - Adele
ps: sorry, I'm a Swiftie and a Sheerio <3
Characters
Character x fem! or GN! reader (ROMANTIC)
ACOTAR: Rhysand, Cassian, Azriel, Lucien, Helion, Tarquin, kallias and Tamlin.
BRIDGERTON: Anthony Bridgerton, Benedict Bridgerton, Colin Bridgerton and Simon Basset.
GRISHAVERSE: Nikolai, Mal, The Darkling, Kaz, Matthias, Jesper, Wylan and David.
THRONE OF GLASS: Dorian Havilliard and Chaol Westfall.
HARRY POTTER: Harry, Ron, Neville, Draco, George, Fred, Oliver, Cedric, Young Sirius, Young James and Young Remus.
PRIDE AND PREJUDICE: Mr Darcy and Mr Bingley.
MARVEL: Steve, Bucky, Sam, Pietro, Loki, Thor, Peter Parker, Ned, Tony, Bruce, Vision, Clint, T'Challa, Scott Lang, James Rhodes, Peter Quill and Stephen Strange.
THE HUNGER GAMES: Peeta, Gale and Finnick.
GREY'S ANATOMY: Derek Shepherd, Andrew DeLuca, Alex Karev, Jackson Avery, Mark Sloan, George O'Malley, Link, Koracick and Ben Warren.
TEEN WOLF: Scott, Stiles, Derek, Isaac, Liam and Jackson.
THE VAMPIRE DIARIES: Damon, Stefan, Matt, Klaus, Elijah and Kai.
NARNIA: Peter, Edmund and Caspian.
STAR WARS: Anakin, Obi Wan, Kylo, Han, Luke, Poe, Finn and Din Djarin.
Character x platonic!/sis!/bro!/enemy!/daughter!/son!/mentor!/or anything else platonic Reader
ACOTAR: Rhysand, Cassian, Azriel, Feure, Nesta, Elain, Mor, Amren, Nyx, Lucien, Tarquin, Helion, Kallias, Tamlin, Ianthe, Suriel and Bone Carver.
BRIDGERTON: Anthony, Benedict, Colin; Daphne, Eloise, Francesca, Gregory, Hyacinth, Lady Violet, Simon, Lady Danbury, Penelope, Lady Portia Featherington, Marina, Sienna, Genevieve, Cressida and Queen Charlotte.
HARRY POTTER: Harry, Ron, Hermione, Neville, Ginny, Luna, Draco, George, Fred, Oliver, Cedric, Cho, Seamus, Fleur, Pansy, Myrtle, Sirius (old or young), James (old or young), Remus (old or young), Lily (old or young), Molly, Arthur, Bill, Percy, Charlie, Xenophilus Lovegood, Snape, Dumbledore, McGonagall, Hagrid, Moody, Flitwick, Umbridge, Bellatrix, Voldemort, Lucius, Narcissa, Peter Pettigrew, Helga Hufflepuff, Salazar Slytherin, Godric Gryffindor, Rowena Ravenclaw, Dobby and Nearly Headless Nick.
PRIDE AND PREJUDICE: Mr Darcy, Georgiana Darcy, Mr Bingley, Caroline Bingley, Elizabeth Bennet, Jane Bennet, Mary Bennet, Lydia Bennet, Catherine Bennet, Charlotte Lucas, Wickam, Mr Collins, Mr Bennet, Mrs Bennet.
MARVEL: Steve, Peggy, Sharon, Natasha, Bucky, Sam, Carol, Monica Rambeau, Pietro, Wanda, Agatha Harkness, Loki, Frigga, Odin, Hela, Thor, Heimdall, Jane Foster, Darcy Lewis, Valkyrie, Peter Parker, Ned, MJ, Tony, Pepper, Morgan, Happy, Howard, Bruce, Vision, Clint, T'Challa, Shuri, Scott, Hope, Hank, Cassie, James Rhodes, Peter Quill, Gamora, Mantis, Nebula, Groot, Rocket, Drax, Stephen Strange, Wong, Nick Fury, Phil Coulson, Maria Hill, Thanos, Ancient One, Red Skull, Ultron, John Walker and Zemo.
THE HUNGER GAMES: Katniss, Peeta, Gale, Finnick, Haymitch, Rue, President Snow, Primrose, Effie, Cinna and Johanna.
GREY'S ANATOMY: Meredith, Derek, Andrew, Alex, Jackson, Mark, Lexie, Cristina, April, Izzie, George, Callie, Owen, Addison, Arizona, Miranda, Amelia, Link, Burke, Teddy, Maggie, Richard, Carina, Ben Warren, Megan Hunt, Ellis Grey, Catherine Avery and Tom Koracick.
TEEN WOLF: Scott, Stiles, Malia, Lydia, Allison, Derek, Isaac, Liam, Jackson, Peter Hale, Chris Argent, Sheriff Stilinski, Kira, Melissa McCall and Noshiko Yukimura.
THE VAMPIRE DIARIES: Damon, Elena, Katherine, Stefan, Caroline, Bonnie, Jenna, Klaus, Elijah, Rebeka, Sheriff Forbes, Kai and Lexi.
NARNIA: Peter, Susan, Edmund, Lucy, Caspian and Aslan.
STAR WARS: Anakin, Padme, Yoda, Jarjar, Obi Wan, Kylo, Rey, Han, Leia, Luke, Poe, Finn and Din Djarin and Grogu.
No pressure tags: @venuswritesfanfic @for-bebbanburg @maggiescarborough @multifandomfix @sweetnspicysimp @lazypeachsoul @magravenwrites
late night feelings - mark ronson; blinding lights - the weeknd; save a kiss - jessie ware; blow - beyonce; say so - doja cat; gimme! gimme! gimme! (a man after midnight) - abba; easy (with kacey musgraves feat. mark ronson) - troye sivan; hung up - madonna; i feel love - donna summer; real groove (studio 2054 remix) - kylie minogue; more than a woman - bee gees; september - earth, wind & fire; lay all your love on me - abba; hallucinate - dua lipa; prettygirlz - willow; night fever - bee gees; call me - blondie; be mine! - robyn; what's your pleasure - jessie ware; little of your love - haim; don't start now - dua lipa; save your tears (with ariana grande) - the weeknd; lucid - rina sawayama; can't get you out of my head - kylie minogue; malibu - kim petras; leave the door open - silk sonic; love again - dua lipa; euphoria - loreen; groovejet (if this ain't love) - sophie ellis-bextor; voulez-vous - abba; mirrorball - taylor swift