#sawada hiroki

[shepherd-bones]

Sanctuary (2023)

Sanctuary is a Netflix show about a troubled young man who finds himself in the intense world of sumo wrestling, trying to navigate the traditional sport while keeping his untraditional mindset.

There's romance, blackmail, murder, old grudges and promises that keep you on the edge of your seat!

It's a good mix of tradition vs modernization, rich vs poor, and storytelling that demonstrates not all is always as it seems.

(and it's also nice, they hired retired sumo wrestlers for the supporting rolls!)

I highly recommend it!

[oshi-nakadapiroki]

▶ Archive: Nakada Hiroki Birthday Event 2023 in Tokyo, 2023.10.21.

[sawadahiroki0]

澤田弘樹|金利見通しと経済トレンドの深い洞察

FRBは今年利上げ停止を検討する可能性があり、今後の金融政策には3つの決定要因があります。1.実際のインフレ状況、FRBは必ずしもむやみに2%のインフレ目標を堅持するとは限らず、インフレが2%に急速に戻ることを過度に強硬に要求すれば、必ずしも最適ではないことをよく理解しているが、依然としてインフレの動向を見て、トレンドがまだ上向きであれば間違いなく適切ではなく、この時点で利上げを継続することになります

二は雇用で、これは実体経済の状況を反映しており、アメリカは必ず自身の雇用と経済成長の状況を測ってして金融政策を策定します。しかし、多くの人が非農業雇用データに注目しており、実際にはそのボラティリティは大きく、予測データをはるかに上回ったり、はるかに下回ったりとしても特に何かを意味する事はなく、このデータ自体は予測が難しいためです。

三は為替レート問題で、為替レートは利上げまたは利上げ停止の信号とみることができます。年初にドル指数が急速に下落したことは、アメリカ政府が望まないことであったため、FRBは再びタカ派の論調を解き放ちました。

実際上、様々なデータを複数の次元から理解することができ、利上げの根拠となるデータがあり、利上げ停止の根拠となるデータもあるが、FRBは選択的に利上げを継続しているのは、為替レートが考慮されていることを示しています。このため、為替レートの動向が今後の利上げの態勢を決めることになります

FRBがタカ派に傾いた論調を解き放つことができたのは、雇用統計が予想を上回り、自身がソフトランディングする確率が高まり、そのためドル指数の安定など他の目標を金融政策でよりうまく達成できるようになったからです。経済データが良く、インフレの反落がそんなに速くなく、ドル指数がまた一定の下落をすれば、利上げの余地があることは間違いありません。

[sawada-hiroki]

澤田 弘樹分析 - 雇用市場の変動がFRBの政策決定に及ぼす影響

澤田 弘樹分析 - 雇用市場の変動がFRBの政策決定に及ぼす影響

FRBは今年利上げ停止を検討する可能性があり、今後の金融政策には3つの決定要因があります。1.実際のインフレ状況、FRBは必ずしもむやみに2%のインフレ目標を堅持するとは限らず、インフレが2%に急速に戻ることを過度に強硬に要求すれば、必ずしも最適ではないことをよく理解しているが、依然としてインフレの動向を見て、トレンドがまだ上向きであれば間違いなく適切ではなく、この時点で利上げを継続することになります

二は雇用で、これは実体経済の状況を反映しており、アメリカは必ず自身の雇用と経済成長の状況を測ってして金融政策を策定します。しかし、多くの人が非農業雇用データに注目しており、実際にはそのボラティリティは大きく、予測データをはるかに上回ったり、はるかに下回ったりとしても特に何かを意味する事はなく、このデータ自体は予測が難しいためです。

三は為替レート問題で、為替レートは利上げまたは利上げ停止の信号とみることができます。年初にドル指数が急速に下落したことは、アメリカ政府が望まないことであったため、FRBは再びタカ派の論調を解き放ちました。

実際上、様々なデータを複数の次元から理解することができ、利上げの根拠となるデータがあり、利上げ停止の根拠となるデータもあるが、FRBは選択的に利上げを継続しているのは、為替レートが考慮されていることを示しています。このため、為替レートの動向が今後の利上げの態勢を決めることになります

FRBがタカ派に傾いた論調を解き放つことができたのは、雇用統計が予想を上回り、自身がソフトランディングする確率が高まり、そのためドル指数の安定など他の目標を金融政策でよりうまく達成できるようになったからです。経済データが良く、インフレの反落がそんなに速くなく、ドル指数がまた一定の下落をすれば、利上げの余地があることは間違いありません。

[saanaitoo]

Day 6: Movie

Hiroki Sawada from The Phantom of Baker Street

[the-monkey-ruler]

Saiyūki (2006) 西游记

Director: Kamasaku Sawada / Gake Narita / Hiroshima Kato Screenwriter: Yuji Sakamoto Starring: Shingo Katori / Teruyoshi Uchimura / Hiroki Narimiya / Yumiko Ai / Atsushi Ito / Eri Fukatsu / Asami Mizukawa / Koji Okura / Takuya Kimura / Mitsuhiro Oikawa / Wakana Sakai Genre: Drama Country/Region of Production: Japan Language: Japanese Date: 2006-01-09 (Japan) Number of episodes: 11 Also known as: Journey to the West / 西遊記 IMDb: tt0805320 Type: Retelling

Summary:

SMAP's Katori Shingo will star in Fuji's signature TV series "Journey to the West" on September 9 (Monday at 9 p.m.), playing the well-known character Sun Wukong. This will be Katori Shingo's first break since "Super Dad" in 2002. Starring again in the 9th drama in 4 years. "Journey to the West" is a Chinese classic and is also very popular in Japan. It has been remade into Japanese dramas many times, with Masahiro Motoki, Touaki Karasawa and others playing the role of Sun Wukong. This new Journey to the West is the first Japanese TV series of Journey to the West since the 21st century. It is scheduled to be broadcast from January next year. The other main characters have not yet been determined. Among them, the role of Tang Sanzang is highly regarded. Pay attention, because actresses have been invited to star many times before, such as Rie Miyazawa, Riho Makise and others.

Source: https://en.wikipedia.org/wiki/Saiy%C5%ABki_(TV_series)

Link: https://www.youtube.com/watch?v=vf1J5oQI8mI

[mashleverse]

Mashle: Magic and Muscles Stage Play Unveiled New Key Visual and Additional Cast

ADDITIONAL CAST

Sasamori Hiroki as Abel Walker

Kyoten Waku as Abyss Razor

Nakahara Hiroki as Wirth Mádl

Hanana Mio as Love Cute

Uchikuri Uchikura as Regro Burnedead

Sawada Takurou as Brad Coleman

Sasaki Yoshihide as Rayne Ames

Oka Koujirou as Wahlberg Baigan

[movienized-com]

Sanctuary

Sanctuary (Serie 2023) #WataruIchinose #ShotaSometani #ShioliKutsuna #TomorowoTaguchi #Kitarou #KatsuyaMaiguma Mehr auf:

Serie / 相撲聖域 / Sankuchuari -seiiki- Jahr: 2023- (Mai) Genre: Drama / Sport Hauptrollen: Wataru Ichinose, Shota Sometani, Shioli Kutsuna, Tomorowo Taguchi, Kitarou, Katsuya Maiguma, Hiroki Sumi, So Kaku, Akito Inui, Omusubi, Rio Teramoto, Sei Ando, Daichi Kaneko, Nobuko Sendo, Kensho Sawada, Shuhei Ishikawa, Kazuya Yoshie, Kei Kobayashi, Meccha, Takaaki Kikuchi, Kimiko Yo, Goro Kishitani, Akira…

[ova-kakyoin]

GOD the end of The Phantom of Baker Street.........Noah's Ark begging Conan to not give up because it WANTS to have faith in humanity and if everything ends in death Hiroki died for nothing and Noah's Ark will die without knowing whether anything was worth it.......

[leenaevilin]

[Announcement]『笑ゥせぇるすまん』THE STAGE (warau salesman the stage)

now available @ dmm archive (~ December 31st, 2022)

price: ￥998

—————————————————————————

you will be able to watch it @ 衛星劇場 on May 15th, 2022 (16:30)

[ao3screenshotss]

[rz-jocelyn]

[NEWS UPDATE] Warau Salesman: '"Warau Salesman" THE STAGE' will be Available to Watch on Archive

To watch a preview of the stage play (with English captions), please refer to this link: HERE

CAST

Sato Ryuji as Moguro Fukuzou

Matsuda Shota

Ishibashi Hiroki / Tomioka Koichiro

Sawada Ikuko

Yoshihiro Minami

Ikemura Masatoshi / Fujimura Satoshi

Kakegawa Ryota

Ito Sayaka

Tsuyuzume Mayu

DESCRIPTION

'"Warau Salesman" THE STAGE' is an omnibus of stories adapted from "Warau Salesman" by Fujiko A. Fujio.

The main character is Moguro Fukuzou (Sato Ryuji), a salesman who promises to "fill the hole in the heart" of people who struggle through life and never achieve their goals. His clients will live a better life if they follow his conditions.

But, if they breach those conditions, Moguro will be there to ensure that they face the consequences.

For the stage play, the stories that have been adapted from the original series are:

Easy Driver

The Man who Transformed

The Man that is Chased by His Dream

Kindergarten President

Night Train

ARCHIVE INFORMATION

Start Date for Archive: July 24, 2021

Start Time for Archive: 0.00 (Japan time)

To watch the archive, please refer to this link: HERE

NOTE: VPN is required to watch the stage play.

Source: ( x )

[sawadahiroki0]

升息幅の緩和-澤田弘樹とのバランス

その後のアメリカのインフレ動向はFRBの金融政策次第です。ここで重要な考えがあり、即ちFRBは過去に2%をインフレ目標としていたが、この目標は今日でも依然として適切ですか。 深層的なグローバル産業チェーンの再構築に伴う生産コストの上昇などの構造的要因により、インフレはもはや貨幣現象だけではなくなっているため、ある意味で2%のインフレ目標は少なくとも中短期的にはもう適切ではなくなり、アメリカもインフレ率2%の時代に戻ることは難しいです。

アメリカが過去3、40年にわたって1~2%のインフレ率を維持してきたのは、中国を含む発展途上国がアメリカに大量の安価な製品を送ったことに依存し、現在のアメリカはこれを変えながら低インフレを維持しようとするなら、必然的に過度の金融引き締め政策を通じてのみ実現することができます。 そして、先ほども述べたように、こうした過度な金融引き締め政策は、アメリカ経済だけでなく、世界経済にも悪影響を及ぼすことは間違いありません。だからアメリカは利上げ幅を適度に減速させ、2%の目標をこれ以上維持しない方が世界経済にとってより好ましいやり方です

[sawada-hiroki]

アメリカ経済とグローバル経済|澤田 弘樹の洞察

アメリカ経済とグローバル経済|澤田 弘樹の洞察

その後のアメリカのインフレ動向はFRBの金融政策次第です。ここで重要な考えがあり、即ちFRBは過去に2%をインフレ目標としていたが、この目標は今日でも依然として適切ですか。

深層的なグローバル産業チェーンの再構築に伴う生産コストの上昇などの構造的要因により、インフレはもはや貨幣現象だけではなくなっているため、ある意味で2%のインフレ目標は少なくとも中短期的にはもう適切ではなくなり、アメリカもインフレ率2%の時代に戻ることは難しいです。

アメリカが過去3、40年にわたって1~2%のインフレ率を維持してきたのは、中国を含む発展途上国がアメリカに大量の安価な製品を送ったことに依存し、現在のアメリカはこれを変えながら低インフレを維持しようとするなら、必然的に過度の金融引き締め政策を通じてのみ実現することができます。

そして、先ほども述べたように、こうした過度な金融引き締め政策は、アメリカ経済だけでなく、世界経済にも悪影響を及ぼすことは間違いありません。だからアメリカは利上げ幅を適度に減速させ、2%の目標をこれ以上維持しない方が世界経済にとってより好ましいやり方です

[vtsvro]

#detectiveconanweek2018 › Silver Blaze Day 5 – Favorite movie: 名探偵コナン ベイカー街の亡霊 The Phantom of Baker Street (6)

[sambart93]

2018.10.26 and 29 Teito Tantei Kitan Zigomar [Review]

Official Website here Official Twitter here Press Coverage 1, 2, 3, 4

CAST and CHARACTERS

Hiroya as Z (Zigomar / Jigoma) Hattori Takeo as Mikasa Yumenosuke (Private Detective) Ebihara Yuka as Mutou Yuuko (Kidnapped by Zigoma) Hanaoka Meika as Hanasaki Mayuko (Mikasa's Assistant) Kadono Sho as Kitamiko Saburo (Chief Policeman) Tanaka Hiroki as Sumi Arata (Newbie Policeman) Oda Toshiki as Hira Tarou (Journalist)

Adachi Yuna as Tokage (meaning 'lizard' - Phantom Theif) Sawada Maria as Ando Ayako (Opera Singer)

Umehara Saeri as Aikawa Tamako (Tetsujiro's Girlfriend/Wife) Kuroki Kiko as Doi Shiori (Adopted Sister?) Tatsuya Yuu as Kobayashi Tetsujiro (Saved by Mikasa. Admires Mikasa.)

Working For Zigomar:

Hinagata Ui as Tsukishiro Tei Ogura Eriko as Sunaga Tokiko

Working for Fukiya:

Maruyama Raiden* as Gondawara Kouzou Odagiri Masayo as Harukara Meiko Souji Masato as Hitomi Hirosuke Kamidochi Kanki as Naoki Osamu

Terumi as Fukiya Kiyoshi 

W Cast:

Kai Chiaru / Oota Saki as Saito Kanoko (Yuuko's Maid) Ashikaga Itaru / Oda Shunpei as Mifune Saburo (Powerful Politician, Yuuko's Husband) Ihara Yu / Umeda Shohei as Tsujioka Fumisuke (Works for Zigomar)

*DAMN that's a REALLY good name!

*

NON-SPOILER REVIEW Overall: My expectations for ASSH are always high and they ALWAYS met! They always make such amazing stages that are pleasing in so many ways! This stage was just as high quality as their previous ones; great in-depth amazing story with characters that you just want to know personally and in-depth - seriously, every single one of them I got very attached and/or interested in ! -, the darkness and the themes of the story was great, they always have a message that leaves you thinking, the costumes were well made and the theme was super interesting; and as per usual I was left wanting more, wanting another installment! I loved the messaged for this play which was very much 'how do we decide whether a character is good or bad?' because every character in this stage is flawed, every character in this has their reasons as to why their actions are justified, each character has a charming point that makes you believe their motives are the right ones. I just love that ASSH always poses such questions in their stages and has these types of characters. In true ASSH style, it is not a happy ending. They keep it partially raw and real and dark! The characters that stood out to me the most were obviously Zigomar and Mikasa, but I also got super invested in Hanasaki, Hirosuke, Naoki, Gonda and Kitamiko! I wanted to know so much more about them and their character scenes and arcs are great. Espeically for Gonda and Hirosuke; their arcs were GOLD. I was so invested and so affected by their storylines. I really hope we get a next installment, especially with the random mind-blowing reveal we get at the end of the play, and I am sure they'll find a way to kind of 'undo' what happens at the end so they can make a second stage out of this. It seriously deserves one and I seriously want one! Thank you ASSH for consistently producing and giving me great, solid stages! Rating: 9/10

*

SPOILER REVIEW

I have no idea where to start with this, as per bloody usual, but I shall try!

Aesthetics 

First I loved the visuals of this stage; I love how the stage looked, I loved the costumes (and how all of them except Zigoma had words on parts of their costumes which were lines from the script); I loved the ending where letters dropped from the ceiling and onto the floor; it was very visually appealing. Although ONE actress did have boots on and at the beginning they were not equal length and OCD me found it very annoying xD but she soon fixed them by the next time she came back on stage.

Story

The Main Plot is: A guy who calls himself Zigoma is running around killing politicians and the police force want to know why and want to stop him before he kills anymore. Also during his first political kill, the kidnaps the wife of the politician and a private detective has been hired to find and save this now-widow. But what is unveiled is so much more...

This show actually had two versions; the Detectives Side and the Bad Guys Side which means there should be a scene change or two between the two shows.

*

I really enjoyed the story; I loved the discussion and themes of ‘who is right?’ and ‘Is everyone’s individual motive justifiable?’. And we had the mystery of ‘who is Zigoma?’ and ‘why is he doing it?’ and ‘why does he do it?’ which gave some really great punches and revelations. Also the plot twists and the shocker ending were just perfect! I did not see some of them coming and that ending really was a great cherry on the top of the cake! But I won’t spoil it too much right now.

One question/theme that runs throughout the play is whether Zigoma’s motives are justifiable or not. And we get to one part of the play where Mikasa comments ‘I think he’s just doing it for fun. Just because he can.’ but later one Zigoma expresses his desire to change the political climate, to change those in power, almost like a Guy Fawkes (info here) type of character. But then right at the end, when all hope for Zigoma escaping is gone, he cracks. He starts to laugh insanely and then yells at Mikasa ‘you were right! You saw right through me! All along I was doing it just because it’s fun!’. This somewhat internally breaks Mikasa because he didn’t want to be right; he wanted a more logical reason as to why Zigoma did what he did. It’s such a good moment and it really makes the audience think: was Zigoma lying in this moment of insanity? Was he killing off politicians because they were simply shitty, corrupt politicians? Or was he really just doing it because he could? Also, it makes you think, if he was doing it because those in power were corrupt, doesn’t that then make him a hero and not a villain? This theme really messed with my brain and really made me think and I LOVED IT!

There is another scene in the play, that also makes you question Zigoma’s motives. Right at the beginning there is the very first murder of a politician (Mifune Saburo) which everyone thinks Zigoma did because the body discovered was covered in a towel that had the mark ‘Z’ on it. But then at about the mid-point of the story, we learn that in fact the maid of the house had killed the politician because he was not only abusing his wife but was also raping the maid, and she has finally had enough and killed him. However, that night Zigoma had actually come with the intention of killing him anyway so he tells the maid to tell everyone ‘this was my kill!’ and so left the flag on the body. We also find out later that the reason why Zigoma kidnapped Mifune’s wife (Mutou Yuuko) after the murder, is because they actually were original betrothed to each other before she got forced into her marriage with Mifune, which is just like ‘he saved her?! he protected her?! He still loves her?!’ so again, it creates all these questions and such in your brain that you just have to think through and make a decision on. Also once Yuuko realises who Zigoma is, she takes his side completely and helps him out, so she too still has feelings for him! Just waaaahhh?! But then in another twist of fate, right at the end he kills her anyway!! To which I was like ‘waaaahhh?!’ even more!

I adore the ending so much; not the fact that everyone dies at the end, but how it’s visually shown. They die due to a bomb going off, destroying the building they’re in (again, very Guy Fawkes like!), and just as they all drop dead, letters from the ceiling fall down onto their bodies, and the flags at the back of the stage drop down too. I absolutely loved this visual touch! It was amazing and beautiful.

Another plot twist that had me like ‘HOLY HELL! WHAT?!’ was at the very last scene. But first, some back story: the very first scene of the stage is the actor for Hira Tarou, explaining the backstory and setting of the story. Then IN the story, we meet Tarou who is a very good journalist who just happens to know that Mikasa and co. are trying to stop Zigoma. Because Tarou has some inside sources, they let him join their adventure and story. So we don’t really suspect him for the most part, but we do have one moment in the play where Mikasa asks ‘how do you know all this (secret) stuff?’ and Tarou simply replies ‘well I have informants in the police’ and they just brush it off. But right at the very end, when everyone else is dead, on the floor, on the stage, Tarou comes to the center to finish the narration of the story; he reveals (right at the end!!) that he is in fact Edogawa Ranpo, shuts the book in his hand, black out, stage finishes. I was like ‘wait... he’s.... EDOGAWA RANPO!?!?’ again, MIND BLOWN! I did not see that coming at all! And it was such a good, juicy and powerful reveal! It was so good!

Characters

I really liked how everyone got involved in the main story, and I loved all the different ‘factions’ within the story too! We had about six different groups within the story. We had the Detective and his sidekick alongside the police; Zigoma and his posse of followers; bystanders who get super nosey in the Detective’s business; A trio friendship between Meiko, Hirosuke and Naoki; An ambitious opera singer and a Phantom Thief who somehow get caught up in it all without meaning to; Kiyoshi and his clan of servants. I think those are the six main groups. So you can see the big dynamic difference between some and the similarities between others.

The richness and depth of these characters you get from them even though we barely spend two hours with them on stage is just amazing. I fell for some characters so quickly and so hard! I was completely invested in every single one of them! I seriously don’t understand how ASSH consistently makes big casts, but still manages to make every character so rich and different! I don’t understand how we haven’t had a mass crossover of character traits yet in any of their stages! It is just amazing! Characters that I automatically loved just because I love the actors were: Zigoma and Arata. Characters who completely won my heart over throughout the play were: Tokage, Hirosuke, Mikasa, Kitamiko and Hanasaki! I loved all the characters to be honest but the MVP, the one who I ended up completely loving and rooting for and took a lot of my attention was Hirosuke! I don’t know why; maybe because he was visually pleasing, but also his character development was so great! I also loved his relationship with some of the characters! Just... I need to go into spoilers to flail about this boy! So are you ready?

So the main story with Hirosuke is that he and his two close/best friends (Meiko and Naoki) decided to work for Fukiya so that they could have a better and less poor life. But it turns out Fukiya is the worst, and Fukiya orders Meiko and Hirosuke to murder Naoki because he discovers that Naoki is trying to trick and betray him. So while Meiko begs him not to kill Naoki, Hirosuke does it anyway. This obviously breaks his heart and tears him apart. Later on we see Meiko asking Hirosuke to stop following Fukiya, to leave with her and it get away from all this but Hirosuke follows orders, ‘this is for the better’ and shoots her dead. This obviously destroys him too and after killing her. I loved seeing the internal struggle that he had within himself; does he follow his boss? does he follow his heart? does he follow his friends? does he put power over friendship first. I love how we see it eat him from the inside! And that is why he is my favourite! I also love the little scene he has with Tokage at the beginning; she’s the phantom thief who’s being stealing things for Fukiya, but she has never shown her face - she always has him at gun point or knife point, forcing him to look the other way and never see her face. And the beginning of this play, he says ‘just once, could I see your face?’, but it’s not until right at the very end when all the characters have gathered together, that he finally gets to see her, and you can see how happy he is! I love the friendship/slight-romance we have between these two.

Relating to those three, there is a butler, Gondawara, who works alongside Hirosuke and Meiko, and also tries to protect them (and others) many times. I absolutely adored him. He had such a short role but I love how he protected Saito Kanoko and then persuades her to eventually tell the truth about Mifune’s death. He was also the one who stood in the way of Hirosuke and Tei, trying to get Hirosuke to come to his senses and giving him a chance to run away but this ultimately leads to Gonda’s death. He was such a sweet character and I’m so sad he died, and so quickly too!

Gonda’s death is thanks to Tei who has a short but very interesting story line! The girl is addicted to Opium. And once on the opium, she becomes absolutely obsessed with killing. So much so that she attacked and killed Gonda. The cops also try to stop her by shooting her in the leg but because of the drugs, she doesn’t feel it and instead just starts dragging herself across the floor. She finally drags herself back to Zigoma and her crew, but Zigoma deems her insane and that she has lost the real reason why they are killing people, so Zigoma kills her.

Of course, I can’t talk about the characters without talking about our young, new detective Arata, who also goes by the nickname of ‘Suspender-kun’ because he always wears suspenders! He was adorable! He was a fresh, raring to go new detective and I absolutely loved his relationship with his boss, Saburo! They were such a hilarious comedy duo! And Hiroki/Arata on his own did a damn good job being funny and hilarious too! Also Saburo himself was hilarious as a solo artist!

Let me tell you about their ridiculousness: In the very first scene where they introduce themselves, Saburo is completely over the top and takes off his jacket and just drops it on the floor, then later on Arata throws it back to him but he lets it drop. The timing was absolutely perfect and was absolutely hilarious! Another scene is when Arata decides he’s going to seriously help and Saburo finally calls him ‘Arata’ instead of ‘suspender-kun’, so he gets really happy and really dramatic and holds himself against a wall, and Saburo comes over and comments ‘you idiot’ before slapping him on the butt xD

Another character I enjoyed was the Tantei’s assistant: Hanasaki Mayuko. She  was an adorable dork!! I absolutely adored her! And she really shone during her adlibbed comedy scenes! Not only did she get the crowd laughing, but even Mikasa’s actor Hattori was having a hard time keeping a straight face at times xD She was so cute and funny and sweet and adorable! I really liked her! One scene that stood out to me for her: Hanasaki and the Youkan (a thick, jellied Japanese dessert made of red bean paste, agar, and sugar)! Kanoko brings Youkan to the detective as a thanks for saving her and for all their hard work on trying to find Yuuko. But turns out Hanasaki LOVES youkan so she tries to eat all of it through various ways, either offering to Mikasa (who she knows will say no), and quickly trying to eat another piece straight after. But because of this, natural comedy came out where she was trying to say her lines while her mouth was full of food xD also trying to be like ‘oh Mikasa doesn’t like youkan. DO YOU? No you don’t! Didn’t think so! More for me!!’ which was so cute.

Speaking of Mikasa, about part-way through the play, there’s a flashback-slash-fever dream where Mikasa is talking to Zigoma, and Zigoma is like ‘what’s the real reason you became a private detective instead of a policemen? You know deep down the real reason why!’ so that makes me think maybe his father had died on the job and that’s why he became a mysterious private detective instead? Or was his father corrupt as well as the police force at the time? So many questions!

One plot twist that I really enjoyed was the reveal that Tokage and Ando Ayako were actually sisters!! When Ayako starts yelling ‘Onee-san // Big Sister’ at one point, I was like “OMG THEY ARE SISTERS?!?!?!’. I totally didn’t see it coming! Especially because, for most of the play Ayako is horrible towards Tokage and is very cold, almost as if they had never met and just got off on the wrong foot straight away! But later on we learn that they do care for each other and they had to pretend not to know each other, in case Tokage ever got caught because she didn’t want to endanger her little sister. I was MIND BLOWN.

There is another twist where Aikawa actually betrays everyone and was working for Zigoma the whole time. Unfortunately I had already cottoned on a few scenes before hand that she was secretly in on it. I don’t know how I knew but I just felt like ‘there must be some other reason why this family of three are in the story’ and there are scenes where she’s left to protect Shioro at time, and Shiori is DUMB AS FUCK, so I wouldn’t put it past Shiori to not notice what Aikawa was up to and too dumb to realise when Aikawa had gone off to plot or make something. So I naturally figured either Shiori was pretending to be this dumb, stupid sister, or Aikawa was a secret mastermind or Tesujiro was pretending to admire Mikasa so he could set him up. I knew something was going on with those three.

Other Notable Moments/Scenes

In true ASSH style we had the whole cast dancing during the opening song. Luckily, Hiroki on the far left when the dance opening song starts.

There is a slow motion fighting scene which I thought was so cool!!! I really enjoyed the slow-mo moment. Also we got live singing! Ando Ayako’s actress Sawada Maria actually sang the opera songs live to us and she also sings the ending song live which is amazing! Her voice is very, very good!!

I really loved how Saburo and Mikasa decide to team up at the end even though they had some differences throughout the play, but for the greater good (!) they team up in the finale!

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Some things that specifically happened during my First Show (Detective Version):

I was first row and on the very last seat to the left. The gap between my feet and the stage was practically 0.1cm! So I was super duper close to all the actors! Which was for the most part absolutely terrifying (especially during the fight scenes). However, it did have it’s good moment which I will list right here: towards the end of the show, Hiroki gets into a fight which causes him to get thrown and pinned against a wall. That wall was RIGHT in front of me and my head was at the perfect level for Hiroki’s waist, which means that his butt was right in front of me!!!! Also he smelt really nice xD another moment was the final showdown between Tantei Mikasa and Zigoma, they were fighting and again, they slammed against the wall right next to me!! I was parts freaking out and parts overwhelmed and overjoyed xD

We had a double curtain call, and the ending aisatsu was by Hanasaki who was totally cute and she got very shy and couldn’t remember what she wanted to say. But everyone was giggling at her adorableness xD She was stood next to Hiroki and they were both so cute alongside each other!

Of course it was filming day!! When do I never go on filming day?! xD I am ALWAYS at filming day!!! xD

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Second Show (Bad Guy Version):

I went to the senshuuraku (the finale) of this show! They really went all out on the comedy in this final show! Hiroki got hit so hard by Saburo that he started laughing to the side of the stage. Then later Saburo went to pull and release his suspenders and pretended to it the first time, but on the second time he actually let go and it was really hard. Hiroki was rubbing his chest in pain.

Maybe I just didn’t notice in the first show but I feel like in this show, the three people working for Zigoma got their moment of explaining what they wanted and why they joined Zigoma. Maybe this was the scene especially created for this version of the show, or maybe I just missed it the first time round. But I loved getting to know where they came from, their backgrounds and why they joined him.

Another Higawari (daily change) was Gonda saying an Acrostic Poem for Ji-Go-Ma. In the second show, he got a huge round of applause after his Ji-Go-Ma poem because it was just too funny and very good. Unfortunately, I do no remember it *cries*

I also noticed in this second show that there is a moment where Arata and Hanasaki fall in love for a moment after she accidentally touches his arm and that motivates him to help Mikasa on his case some more xD

While in the first show we had Saburo just complete miss catching his jacket through his own lack of calculations, this time it was through Hiroki’s fault; Saburo couldn’t reach far enough to grab his jacket from Hiroki’s throw, it was hilarious.

Another higawari is when Saburo is trying to talk to Arata but Arata get’s super angry straight away: Saburo: Let’s go brat. Arata: *super angry* What did you say?!?! Saburo: Let’s go you brat! Arata: *calms down* Ohh I didn’t hear you! Saburo: *shock* IS THAT WHY YOU GOT MAD?! The scene ends with Hiroki asking Saburo to slap his arm, and they did this wave with their arms before walking off stage xD

In both shows, when Zigoma first appears in front of Yuuko in her house before kidnapping her, he walks in with brandy in a brandy glass and drinks it. In every other show the glass has been half full so it was easy for him to drink. BUT, in this final show Zigoma walked on stage with a GLASS FULL of brandy, and it took him a while to finish it. It was obvious who’d seen the show before because we were the ones cracking up as soon as he walked on stage! So as you can tell, they really went all out on the comedy in this final show! It wasn’t being filmed, they might as well do ridiculous shit and have fun xD

Just before the youkan scene, Hanasaki is in the kitchen making a mess, but then walks on stage and she uses a crashing noise to her advantage. She kept replaying the crash music as Mikasa tried to talk. She tried so hard to get Mikasa’s actor to burst out in laughter but didn’t work; we (the audience) were all dying though.

It was a triple curtain call where we got an announcement for the next stage (the next installment of KimiSaga - review here)!! In March!!! I was (and am!) so excited!!

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GOODS

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And that’s everything! Sorry it took so damn long to get these reviews out (and I’m still a shit ton behind!) but bare with me xD