#scaffolding course

[marveltraininguk]

CISRS Scaffolding Labourer Card

CISRS Scaffolding Labourer Card: Complete Our COTS Course in just one day and pass CITB Health & Safety Test. with these steps you will be well on your way to earning your CISRS Scaffolding Labourer Card

[stakscaffoldseo]

Scaffolding training and qualification involves training about the safe usage of scaffolds and ladders to avoid falls and prevent other types of accidents. This training includes a comprehensive overview of the methods, safety guidelines and regulations required for installing a scaffold at the construction site. Here, you will learn about the importance of proper training for scaffolders in Sussex.

[rearranging-deck-chairs]

the thing im enjoying most about learning a new language is learning new cultural context. i never noticed learning this with english probably bc youre already one foot in american pov before you even speak the language what with all the popular media coming from there, but with french i have to dig this knowledge out with my bare hands and it's really fun

like, when i read in a book that the english people at the english train station our english protagonist who just came home after 15 years exile in france is arriving at "were going about their business with their english sense of timing and rhythm", what am i supposed to understand by that? is that like a swiss clock sort of thing (another cultural reference you now realise you have learnt to understand the right way at some point even without knowing anything necessarily about swiss clocks) or more of a doctor who kind of sense of timing? what is the french cultural idea of the british and their sense of punctuality? i dont know yet! i feel like a child!

[readingloveswounds]

this has been a frustrating chapter to write but i am biting the concept of 'witness to the martyr' (aka witness to the witness) SO HARD. i love it. you as a martyr are called to bear witness your faith/god's truth BUT doing so requires a crowd to witness you. i want to eat this concept.

and then when martyrdom is denied (1550s protestant martyrological criteria are very strict) but the crowd is still called to witness the dead as if the martyr was still there....hrgh. instead of them leaving their body and suffering behind, all we are shown is suffering. to which we must give the SAME kind of intellectual effort and SAME close attention. we now bear witness not to an act of witnessing but to bleak violence. melpomène really is playing herself on the scaffold-stage

[intertexts]

can't believe third semester takes place in late winter too. incredible. literally made to make my brain go whirring around until it explodes.

[manasseh]

i am a genius

[figureitoutinthemorning]

I need to be out the door by seven a.m. tomorrow and I won’t be home until after seven p.m. lmao someone please end my suffering

[quantummindclassicalheart]

[id: a Tweet from @/CRCliff. "My professor hot take is that trusting students makes life so much better than assuming they're all lying or trying cheat [sic] on everything.]

[propaganda101]

i need to stream tomorrow i have Ideas i need to bounce off someone.

[nnctales]

Construction Safety Training Courses: Safer Work Environment

Introduction Construction sites are inherently hazardous environments where workers face numerous risks daily. To mitigate these dangers and promote a culture of safety, construction safety training courses are essential. These courses equip workers with the knowledge and skills necessary to identify hazards, implement safety protocols, and respond effectively in emergencies. This article…

[marveltraininguk]

[simianinternational]

Check out our upcoming CISRS Overseas #scaffolding #training schedule!

Secure your spot today! 📞 Call: +971 54 581 3513 📧 Email: sales@simianinternational.com 🌐 Website: www.simianinternational.com

[safetycourses2022]

[mrs-gauche]

To add a small thing, there was also this part in the blog post from DA Day 2023, in which they were already hinting at something in that regard! 😁

"Know this, though: The Dread Wolf has not been idle these past years. His reach is far, and soon his plans will come to fruition—a cataclysmic rejoining of magic and realms hundreds of years in the making."

There was a post a little while ago where someone mentioned that Solas had been bringing back the magic for longer than we think but I can’t find it anywhere and I was wondering if maybe you might know what I’m talking about (I think it was epler)

Mostly I want to know if I imagined this, and if it does exist or not 😭

hello! ◕‿◕ could this be the passage you're thinking of?

"Epler, who writes Bellara, tells me about her place in Thedas as an elf and the connection elves have to the magic of the world. He says if you’ve paid attention to the franchise, you likely already know that elves are historically an oppressed people in the games. Now, with two of their gods on the loose in Veilguard, magic has poured back into the world in a big way. [...] A Quick Detour: Magic During my discussion, Epler spoke about magic’s place in the world and how it differs in Veilguard from previous Dragon Age games. Here’s what he said: "Historically, as you’ve mentioned, we’ve been in the south of Thedas and south Thedas is Ferelden, Orlais. Both are fairly still oppressed, they still have circles. Mages are viewed with suspicion, but Tevinter has always been this land where mages rule, mages are in charge, mages make the rules, mages run the show. So what does that look like? And as we’ve gone through [Dragon Age: Origins, Dragon Age II, Dragon Age: Inquisition], magic has become more and more present. And part of that is because Solas has been slowly preparing this ritual for longer than anyone in the Dragon Age universe is really aware of, but also, just going into the spaces where magic is, by definition and by the lore, much, much more present. And it’s been fun because, again, we do have rules; we want to make sure we’re not violating the lore or violating things we’ve said before. But it’s also, again, that permissiveness of, ‘Okay, what is the most interesting way to do this? What’s the most interesting way to tell the story? [In] Origins, II, on the Eclipse engine, we could talk about this fantastical magic, but the engine didn’t really allow us to show it. For the first time, we’re really able to let the visuals speak for themselves and not have to tell the player, 'Trust us, it’s spectacular; this magic is really cool.’ We can actually show you and let you drink it in." [post this is from, archive post of the original article as that went down when GI did]

There is also this:

Lore/art direction: “Magic has started seeping into the world through Solas’ ritual”, “and so you’re seeing the effects of that on the space, and on the visuals as well” [post this is from, original source. original source is a John Epler interview video]

[thewriteadviceforwriters]

🧩 How to Outline Without Feeling Like You’re Dying

(a non-suffering writer’s guide to structure, sanity, and staying mildly hydrated)

Hey besties. Let’s talk outlines. Specifically: how to do them without crawling into the floorboards and screaming like a Victorian ghost.

If just hearing the word “outline” sends your brain into chaos-mode, welcome. You’re not broken, you’re just a writer whose process has been hijacked by Very Serious Advice™ that doesn’t fit you. You don’t need to build a military-grade beat sheet. You don’t need a sixteen-tab spreadsheet. You don’t need to suffer to be legitimate. You just need a structure that feels like it’s helping you, not haunting you.

So. Here’s how to outline your book without losing your soul (or all your serotonin).

—

🍓 1. Stop thinking of it as “outlining.” That word is cursed. Try “story sketch.” “Narrative roadmap.” “Planning soup.” Whatever gets your brain to chill out. The goal here is to understand your story, not architect it to death.

Outlining isn’t predicting everything. It’s just building a scaffold so your plot doesn't fall over mid-draft.

—

🧠 2. Find your plot skeleton. There are lots of plot structures floating around: 3-Act. Save the Cat. Hero’s Journey. Take what helps, ignore the rest.

If all else fails, try this dirt-simple one I use when my brain is mush:

Act I: What’s the problem?

Act II: Why can’t we fix it?

Act III: What finally makes us change?

Ending: What does that change cost?

You don’t need to fill in every detail. You just need to know what’s driving your character, what’s blocking them, and what choices will change them.

—

🛒 3. Make a “scene bucket list.” Before you start plotting in order, write down a list of scenes you know you want: key vibes, emotional beats, dramatic reveals, whatever.

These are your anchors. Even if you don’t know where they go yet, they’re proof your story already exists, it just needs connecting tissue.

Bonus: when you inevitably get stuck later, one of these might be the scene that pulls you back in.

—

🧩 4. Start with 5 key scenes. That’s it. Here’s a minimalist approach that won’t kill your momentum:

Opening (what sucks about their world?)

Catalyst (what throws them off course?)

Midpoint (what makes them confront themselves?)

Climax (what breaks or remakes them?)

Ending (what’s changed?)

Plot the spaces between those after you’ve nailed these. Think of it like nailing down corners of a poster before smoothing the rest.

You’re not “doing it wrong” if you start messy. A messy start is a start.

—

🔧 5. Use the outline to ask questions, not just answer them. Every section of your outline should provoke a question that the scene must answer.

Instead of: — “Chapter 5: Sarah finds a journal.”

Try: — “Chapter 5: What truth does Sarah find that complicates her next move?”

This makes your story active, not just a list of stuff that happens. Outlines aren’t just there to record, they’re tools for curiosity.

—

🪤 6. Beware of the Perfectionist Trap™. You will not get the entire plot perfect before you write. Don’t stall your momentum waiting for a divine lightning bolt of Clarity. You get clarity by writing.

Think of your outline as a map drawn in pencil, not ink. It’s allowed to evolve. It should evolve.

You’re not building a museum exhibit. You’re making a prototype.

—

🧼 7. Clean up after you start drafting. Here’s the secret: the first draft will teach you what the story’s actually about. You can go back and revise the outline to fit that. It’s not wasted work, it’s evolving scaffolding.

You don’t have to build the house before you live in it. You can live in the mess while you figure out where the kitchen goes.

—

🛟 8. If you’re a discovery writer, hybrid it. A lot of “pantsers” aren’t anti-outline, they’re just anti-stiff-outline. That’s fair.

Try using “signposts,” not full scenes:

Here’s a secret someone’s hiding.

Here’s the emotional breakdown scene.

Here’s a betrayal. Maybe not sure by who yet.

Let the plot breathe. Let the characters argue with your outline. That tension is where the fun happens.

—

🪴 TL;DR but emotionally: You don’t need a flawless outline to write a good book. You just need a loose net of ideas, a couple of emotional anchors, and the willingness to pivot when your story teaches you something new.

Outlines should support you, not suffocate you.

Let yourself try. Let it be imperfect. That’s where the good stuff lives.

Go forth and outline like a gently chaotic legend 🧃

— written with snacks in hand by Rin T. @ thewriteadviceforwriters 🍓🧠✍️

Sometimes the problem isn’t your plot. It’s your first 5 pages. Fix it here → 🖤 Free eBook: 5 Opening Pages Mistakes to Stop Making: