#screenplayers

[basicallyanotherwitchesthing]

Jean Cocteau - Two Screenplays - Pelican - 1969 (cover design by George Klauber)

[okawarihappylife]

i think the worst part abt the new banner is whenever i open my blog it lures me into looking at it for a good minute

[cusepin]

Je vais donc devenir scénariste ? . . . . . . . . . . . . . . #fibd2023 #scenariste #screenplayer #guionista #goscinny #bd #comics #comic #tirascomicas #festivaldangouleme #festivaldelabandedessinéedangouleme #asterix #obelix #travelgram #books #livres #libros (at Angoulême, France) https://www.instagram.com/p/Cn754nWMMhp/?igshid=NGJjMDIxMWI=

[tiredfox64]

Well of course my oc has more than one outfit

Default: self explanatory, it’s her default outfit. It’s the outfit she was wearing when Johnny introduced her to everyone and when she attacked Bi-Han.

Kalamity Kandi- if you payed attention to the first time I introduced her I said she owned a rave club cause she could. Of course she has a Kandi necklace with the MK logo on it.

Temporary Guidance: Liu Kang suggested that the Shirai Ryu help her deal with her emotions to help her communicate with more spirits.

Side note: Spirits could be linked to her emotions. Meaning when she gets frustrated, the spirits get aggressive.

Screenplayer: She is a screenwriter. What more could I say.

Fun fact: I actually do that with my hair when I am writing fanfic. Same Hello Kitty clip. No ponytail tho since my hair isn’t long enough.

Prison Sleepover: Okay so this one was based on a side story where Rain and Reiko are captured in Earthrealm. The reason they were even there was because Reiko was sent to kill Rain but Rain broke free. It began a chase that made them go through the portal to Earthrealm only to be captured by the monks at the Wu Shi Academy. It was then Kris and Johnny’s job to be prison guards resulting in the most infuriating moments for the two Outworlders.

Fun Fact: based some elements of the outfit off of Snooki. Love that mess of a woman.

Smoke’s Bride: I mean…what can I say? You get the idea.

Now all I gotta do is make her possessed form…

[thomasthoughts]

Who am I?

Hello everyone,

I'm kinda new here, and I finally found some time to introduce myself. About time, I'd say.

I am Thomas, a 34yo (born September 1989) French guy living in northern Italy, and I work as a screenplayer, script writer, and writer for tabletop RPGs. So, will this blog be about movies and games?

Oh, no. Fuck, no.

This is the means of release of my kink and intrusive thoughts. Which usually revolve around the following things

Bellies

Bellyaches

Feeding

Overeating

Hunger

Burps

Emeto

... and pretty much so on.

What will I do on this Tumblr?

Honestly, I don't know. I may take some time and try to write some sickfics. Or maybe just making irregular posts with random thoughts and kinks. Or just reblogging someone else's posts.

It depends on how much time I have, and how am I dealing with my bipolar disorder!

I just hope to find my tiny place in this awesome community, and... that's all. Thank you very much for reading me.

See you later!

[wwemcumuscleslover]

My opinion on why the Fantastic Beasts Franchise didn't make!!!

1st... J.K.Rolling, is an amazing book writter, but as a screenplayer writter, no, should have written first as a Book, than a experience screen writter took from there.

2nd... lack on focus of protagonist, is this newt story or Dumbledore vs Grindelwald story, what is the point.

3rd... I truly believe that Mads Mikkelsen should be Grindelwald from the Beginning, Deep Protray is out of tune in relation to the others, Mikkelsen and Law found the right chemistry for those roles

That's my opinion

[sunrayse]

Can one seriously be a true Tolkien fan AND a lover of the Halbrand/Galadriel dynamics in TROP?

I have been a hardcore fan of Tolkien's work for 20 years and especially enjoyed the feast of mythology that is the Silmarillion. So I'm fully aware that TROP took (too) many liberties from the lore and disregarded its time/space framework, almost as if it were a different story than that Tolkien wrote. And I don't want to delve into the polemics of what could have been done differently with the Appendixes material they owned the rights to.

What really interests me here is that much of the dynamics between Galadriel and Halbrand/Sauron, though not being in the canon/lore, stems from issues that were present there, except they lacked any romantic undertones. Galadriel has actually been fighting Sauron in her mind for centuries, and this must have started somewhere.

TROP gave its own interpretation of one of these possible starts, and as far as these two characters are concerned, it doesn't bother me. One can love the lore and at the same time enjoy an interesting, new take to two powerful characters, that creates something new with them. Is it a fanfic-like move? Yes. Is it disrespectful towards Tolkien? Arguable.

The question would then be, to what extent is fan-fiction disrespectful? Are some works to be shielded by it, up in their ivory tower to prevent "tainting"? I mean, has anyone ever created a fanfiction on the Divine Comedy? (I t'd be soooo fun if they had!). Where are we to draw the line between literature and creativity?

In the end, a work of art such as LOTR will not be tainted by any faulty rendition. If one truly loves it for what it is, and especially strip it of any religious/ideologocal layer that was quite far from Tolkien's intentions, a series such as TROP changes nothing. One will always have to go back to the book, and the book alone (possibly in the indescribably beautiful English of the original), to find the real LOTR, as all adaptations (and even translations) involve some degree of distancing from the source material.

Back to the two of them, then.

I personally think the screenplayers knew very well what they were doing in colouring the interactions between Halbrand and Galadriel with not-so-subtle romantic shades. The fact that the actors label it as an interpretation from the audience, I can understand, but if so many people caught these undertones, it's no longer an interpretation, it's simply the audience's ability to catch on the non-verbal cues, one that we almost all possess. The light, the music, the proximal distance, the cut of scenes, and, even the way the actors delivered some lines at the physical level are all cues. They cannot possibly have been ALL dropped there by chance.

So, the romantic possibility of the connection is there to be, if not seen, at least perceived in a tangible way, although never confirmed. This was, cynically speaking, a bold but intelligent move. Proof is the 130 and counting fanfics that sprouted in less than two weeks from the last episode's airing (some of them remarkably well-written).

The heroine/villain and (unacknowledged)lovers-to-enemies tropes are too powerful not to be used by a show which hundreds of millions of dollars have been poured in. In doing so, they opened up new and interesting territories to explore, that make it more entertaining for a consistent faction of fandom.

I, for one, thoroughly enjoyed the opening of a space in which two such characters might be bound to experience something akin to love that has no time enough to bloom, but that will potentially loom in the back of their minds for millennia, charging their conflict with a rich array of complex emotions, a connection beyond time and space.

Even knowing full well how doomed such a romance is, its ability to inspire amazing levels of creativity is undeniable, and as such, it can be welcomed without subtracting anything to a more traditional enjoyment of the Tolkienian lore in all its fantastic richness.

The LOTR's author loved stories, after all.

[erosioni]

Director Nanni Loy, screenplayer Elvio Porta and Nino Manfredi on the set of Café Express, 1980. 

[nmotypdfsfg]

sometimes I feel like there is one script template and screenplayers just copy whole paragraphs from it and paste it into the next scripts

[riverswater]

I can't take it anymore with books about writers and films about directors and screenplayers I know that we can only write about ourselves but can we at least try to distance ourselves from our characters. This is so fucking boring to me.

[anastasioraf]

@marateale Un festival pazzesco ricco di eventi arte e tanto tanto cinema Grazie @nicolatimpone #movie #awards #festival #cinema #maratea #me #blogger #screenplayer #dreamer #dontforgettosmile #nevergiveup #thesunssmile #beautiful #photocall #redpassion https://www.instagram.com/p/CSARQt_K4K8/?utm_medium=tumblr

[cosedautore]

#estateintellettuale #arte #inspiration #cats #catsandlove #theyellowroom #colours #shirt #oldstyle #vintage #jeansdemerda #camiciasicilia #sicilia #training #singertraining #songwriter and.... #writer #screenplayer #playwriter #actor #breakperiod #finestresulmondo #mindwindow #poparthouse #bellaa (presso Rome, Italy)

[vavuska]

Analizing the post of hate directed to Ms. Marvel:

RACISM, RELIGION AND BIGOTRY

- people who are mad about a show that has a pakistani muslim girl as protagonist

- very religious people who think that Kamala should be like Nakia and wear an hijab all the time

- people who hate Nakia because Yasmeen Fletcher is not a fully turkish muslim, but an half-white christian

GOOD CRITICS (no spoilers):

- people who think the show should be more close the the comic

- people who criticize the fact this show is a teen drama

- Najma is a bit over-reacting all the time

- the fact screenplayers fucked up at some point, despite having a good material for adaptation and a great casting, screenplayers weren't able to develop a good plot over six episodes

- screenplayers took one of the most successful characters Marvel unveiled in the past decade, with a large audience reach, changed a lot of important details, and ruined it, failing to explain why all those badly mash-up of events were happening

- even if their rapresentation of Pakistani-American community is really good and the historical events of Partition have been praised by fans as well-depicted, this show doesn't have a plot strong enaugh to collect togheter all the six episodes in a well-made story

[i-alwayslikedstrangecharacters]

While Jack’s dilemma gives The Nightmare Before Christmas its plot, Sally’s gives it its heart. Sally also gives everyone the best advice.

Caroline Thompson (The Nightmare Before Christmas, film’s screenplay writer)

[erosioni]

Night clubs owner Seigi Sessler, actress Irene Papas and screenplayer Carl Foreman at the premiere party for The Guns of Navarone, 1961. 

[ryu0okami]

#gentleorc #kartenspiel #german #werbung #würfelkiste #cardgame #beleidigung #trinkspiel #gentleman #game #spiel #screenplayer #ryu0okami #commercial #productplacement #karten #ersteauflage #familienspiel #spaß (hier: Die Würfelkiste) https://www.instagram.com/p/B2oYEaSI_B5/?igshid=168st320xl6ls