#sentence I think about all the time

[paladinbaby]

🌾 A fic you really want to write but you haven’t (yet)?

okay so there is a song called i’m trying (not friends) by maisie peters that has been my go to aelwyn song in my head for like six months. and when i told hollis this i also told him some of my Fabian aelwyn break up thoughts and we spiralled about it for an evening. but the gist of it is fabian and aelwyn become bitchy besties who make out sometimes post sophomore year and it matters more to them than both of them think and instead of talking about it he comes back from leviathan one day with a real partner and so it focuses on them navigating both their feelings about each other but also kind of their relationship as a lightning rod for processing everything else. i will write this bc it’s been in my head for so long but i don’t have the entryway into it yet

some notes straight from the doc:

he comes back and introduces them, brings them straight back to mordred and sees aelwyns face fall just a little and just for a second

H: like he cheats on her but also. we’re they ever really dating?

and they both have to very suddenly reckon w the idea that it mattered to both if them more than they said

like it both is and is not a betrayal bc they've spent all this time establishing this is casual this is fine we are both just traumatized from the absolute buckwild two years we have had

H: YEA and it’s like in order to admit it hurts you have to admit you cared

in this au I think think the partner he meets on leviathan should be a cool masc nonbinary person bc I love making fabian reckon w being queer

before he comes back he goes on a double date with fig & ayda and ayda says oh I didn't know you and aelwyn broke up and he goes all spluttery for a second bc it both is and isn't like that

consider he does try the it's not cheating if its gay logic while trying to rationalise it and riz smacks him

[poorly-drawn-mdzs]

Don't Wormy About Me.

[First] Prev <–-> Next

[applestruda]

"They never left the desert"

[wyrmswears]

the fact that a year has passed in the time between s1 beginning and s2 beginning means that at some point, while the majority of the ninja were reunited at the monastery, it was the missing teammate's birthdays

how much do you think that hurt? an entire day that should be spent celebrating someone who isnt there

[courfeyrec]

i keep coming back to 'i was a functioning alcoholic til nobody noticed my new aesthetic' because i do distinctly remember conversations about how taylor seemed to be drinking a lot more and getting drunk at like every awards show she went to. and those conversations were coming from a place of concern and of hoping that she was alright and that this wasn't a problem.

so to then say 'ugh i can't believe no one noticed this problem i had' when i know that people definitely did, and on the same album say that fans who are genuinely concerned about a new relationship that you are in are just 'bitching and moaning'? what do you want from them? you're talking about so many people who do at least believe that they are coming from a place of care and concern, and you are totally dismissing them on both ends of a scale!

not to mention that her implying that since nobody (???) was noticing her ~aesthetic~ drinking problem she just stopped having it is a bit of a kick in the teeth to people who do have drinking problems and can't just stop having them, since that's not how it fucking works.

[aardvaark]

im so glad that we never get a clear picture of sophie’s background in leverage & i hope we never do. however i also really like making up various, often conflicting backstories for her in my head. perhaps they’re all backstories for an alias of hers, ones she laid to rest back in season two.

[boos-gh0st]

Guys I’m an aroace (mostly) romance repulsed person and I still banged my desk in “GOD DAMN IT WHY COULDNT IT BE THIS TIME” whenever Isabeau got interrupted during his confession

And yes I cheered and cried when they finally got things out in the open

The entire game I was obsessed with them

I am still obsessed with them

Everything in me hopes they have their happily ever after

I may dislike romance but the gays have ever so slightly won me over

[mishy-mashy]

Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)

[triglycercule]

sleep deprived dust can't recognize what's dream and what's real when he goes in and out of consciousness so i think dust is allowed to be incredibly reckless when he's awake but thinks he's in a dream. he will kill whoever passes by him (or attempt to. for him it's an instict to shoot bones anyways.) he will drink 4 bottles of alcohol just because he thinks its just a lucid dream. have incredibly loud conversations with phantom paps because he's asleep so nobody will hear him talk. or just have loud ass breakdowns because again he thinks he's asleep!!! nobody's gonna know what he gets up to in his dreams. and until someone (probably phantom paps) tells him that he's not asleep and this is reality he won't realize until he's done something really reckless

horror is seconds away from exploding dust's skull open with his magic while dust is trying to strangle him and FINALLY phantom paps tells him he's awake and dust snaps out of it. killer is walking around the house with bones sticking out of him like pins on a sewing pattern (casually too. another day in the life for him) and he just asks dust what that was about. dust just gets off of horror and shrugs his shoulders with an idk. and then walks away. this is the 6th time its happened this month

[kittykatninja321]

toxic boy mom Alfred Pennyworth. Is this anything. I’m just spitting out words here

[teapetal44]

All For One should have stayed on the sidelines as a character after Kamino. His evolvement in everything after that significantly weakens the story. Building up Tomura as his protégé, framing him as the next symbol of evil, and then pulling the rug under everyone’s feet, is the worst writing decision Hori has ever made. In concept, All For One failing at passing the torch to Tomura is good, because it directly  parallels All Might and his mentorship to Izuku. Unlike All For One, Toshinori was aware the younger generation needed to take up the mantle. All For One is a selfish and controlling person, it makes perfect sense for him to be unable to give up his power to someone else. But in execution it falls apart the moment All For One continues to force himself upon the narrative, continues to serve as the big bad. All For One’s inability to pass the torch and Tomura as a main antagonist can co-exist without weakening the themes of the story.  

Like, imagine how cool it would have been if All for One was destroyed by Tomura after he tried taking control over his body and mind. Tomura realizes his master is holding him back from achieving his full potential and his goal, the thing he literally lives and fights for. Triumph over his master would be Tomura’s final step to becoming the new symbol of evil and his self-liberation. Then, he would truly be free of everything holding him back. AFO, the puppeteer, the man always one step ahead of everyone else, would be conquered by the very same person he molded – he planted the seed, but at last, what grows is out of his control. In a sense, he would be punished by the story for failing at passing the torch and Tomura would be cemented as the final antagonist, and his journey would feel satisfying.

All though, I see why Horikoshi didn’t write it like that – cause that would require giving Tomura actual autonomy as a character. Something he actively avoids doing every chance he gets. It’s easier to have a character who is crafted to be evil by one powerful bad man before he was even born, than to portray an abused child failed by a fundamentally corrupt society that values consumerism over actually helping those in need, who ended up in the hands of the powerful bad man because the child slipped through the cracks of said society. MHA conveys to the viewer that there are no bad systems, only bad people within the established systems.

Tomura couldn’t own his conception, nor his heroic goals, not even his abuse. Nothing ever happened to him because of society as a whole or because life is cruel and merciless. It happened because Anime-Satan said so.

[ryllen]

" ... as soft as talking to a new born, the voice you dream your children would hear during their bed time stories ... "

[alpacacare-archive]

its DESTINY

[caluupin]

Finished TGAAC around 2 1/2 weeks ago but only finished the doodles today. but still, here ya go!

[knockknockitsnickels]

Thinking about how the Tower & the Adversary routes are connected through the Fury, and how you kind of get there by turning one into the other, and how horrified they are by what they become. Tower is about subjugation - she outright says she does not believe the two of you are on equal footing. You get the Fury from her when you assert your independence and fight back, forcing her to take you seriously as a threat and defend herself. Adversary is all about an equal fight - she prides herself on her strength, but also admires yours. You access the Fury through her by refusing to fight, watching her beat you to a pulp and become disgusted by what she does to you. IDK it is interesting how the Tower & Adversary parallel one another, and how you end up with the Fury in each route by doing what their sister route would have wanted you to do.

[branwinged]

not to gotpost but my god they hated catelyn. like it was quite obvious they were not comfortable adapting a mother character who was emotionally abusive to one of the children in the household, and they either didn't have the time or didn't care enough to talk about the systemic prejudice bastards suffer in westeros and how that intersects with the disenfranchised status of noblewomen and the fundamental inequality of marriage, which obviously doesn't excuse catelyn's behaviour towards jon but gives you context to understand why she is like that. instead they framed it as an exclusively interpersonal conflict wherein catelyn was sort of made to look like the only one in the blasted continent who took issue with bastards and then this was turned into half of her personality which is how we got that incredible monologue about everything bad that has ever happened to the starks is because she 'couldn't love a motherless child'. now the really insidious thing about this is i'm certain the writers thought they were doing her character a favour, making her more likeable by having her expound on her flaws, because to them nothing was more discomfiting than a woman who would go to her grave completely unrepentant about being an inadequate mother, and i think this is also why they made her out to be so passive, constantly wanting to leave robb so she can return home to her youngest, because isn't that what a good, devoted mother would do? having littlefinger trick her into releasing jaime instead of it being a conscious and risky gamble because god forbid she exhibited any agency, even the agency to make mistakes in a tragedy. they turned her into a poor helpless woman who exists largely in the background for some audience sympathy, which is arguably the genre expectation her character is intentionally set up to fly in the face of in the books. because the northern war effort in books 1-3 was never robb's story, it was catelyn's. and they didn't get it. they didn't get it.