i think the reason white women/white feminists glorify the 'strong independent black woman' trope is because they mistakenly think it's some GNC, anti-patriarchy thing that black women came up with to stick it to the man... we didn't. idk what the men told you. but make no mistake it's not about us being respected leaders but moreso packhorses.
the strong black women trope is very much gender-conforming and hyperfeminine. it may not be pink and ribbons and cute but it is indeed Feminine (Pertaining to Female Stereotypes). the strong black woman is the ultimate 'mother' figure (see the Mammie stereotype). she gives and gives and GIVES, having no feelings of her own. she can be abused and raped and tortured without showing any trauma or shedding a tear. she is whipped to the point of death while in labor. her children are stolen from her at birth. she breastfeeds her mistress's children the milk meant for hers without a complaint.
she is self-sacrificing having no self-love or indeed self-identity. every Black woman tries her best to escape this stereotype in order to maintain her self-identity. this is the stereotype which causes us to die at crazy high rates in childbirth... still think it's empowering? Black women cling to the feminine aesthetic because we hope it will humanize us, earn us a scrap of empathy. we hope people will look at us and see just a woman instead of a black woman. you can laugh all you like at the bright-under-eye dark-lip-liner long-nails IG girls but you don't understand how they got there. 'princess' may be a cage but it's a nicer and better cage than 'mammie.'
women of all races have to escape the programming but it's different for all of us.
why do you think hollywood loves portraying the strong black woman struggle love stereotype so much? do you think holly-WEIRD is down with the cause?
being 'soft' and expecting to be waited on and prioritizing our feelings is GNC for Black women. that's how men behave, after all.
*waves hand* make me a plate.
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“My bar has always been an inclusive bar,” she said. “Trans people should be respected and have rights, and lesbian women who are born female should also have a space for themselves.” “If the young woman said: I prefer women, then the trans woman was offended and cried transphobia. But this young woman is not transphobic, it’s just a matter of consent, she doesn’t like penises, since she’s a lesbian!”
A lesbian bar that has operated in Rennes, France for nearly a decade has been forced to close its doors following a disturbing swell of vandalism and death threats by trans activists. Orane Guéneau, the owner and manager of lesbian bar La Part des Anges, was publicly denounced as “transphobic” and accused of “misgendering” by critics.
Speaking with Ouest France, Guéneau said she made the decision to shut down the venue to protect her employees in response to increased aggression, both online and at her storefront. On April 14, four unnamed trans activists spray painted the menacing message “Fuck TERFs,” accompanied by a trans symbol, on the front door of the venue during activities that were aimed at opposing national pension reform.
“I have to close after the attack that we experienced,” Guéneau told Ouest France. “The window was tagged and a pane was broken, it was hyperviolent for employees and customers, and the bar was full.”
A few days before the acts of vandalism were committed, Guéneau made a book critical of trans activism available to her patrons.
Titled When Girls Become Boys and written by Marie-Jo Bonnet, her detractors considered the act to be representative of her “coming out” as transphobic, and condemned her on social media.
But the backlash was not limited to vandalism and social media condemnation, Guéneau also started to receive threatening messages scrawled on paper slipped under her door last month, some of which read: “Save a trans, commit suicide,” and “One bullet, one TERF.”
Guéneau faced further harassment throughout the month of May when a local chapter of the French feminist organization Nous Toutes published a statement calling for their supporters to boycott the bar.
“In Rennes or elsewhere: no feminism without trans people,” reads the call to action from Nous Toutes 35. “For several years, people from the Queer community have been denouncing attacks against them in a bar in Rennes: La Part des Anges. These recurring assaults are all the more problematic since this bar claims an identity as a lesbian and feminist bar.”
The statement continues: “Therefore, it’s important that this bar finally gets massively denounced. We would also like to call on the various political, activist or cultural organizations to stop organizing with this bar… transphobes have no place in our struggles.”
In response to the statement from Nous Toutes 35, Guéneau announced that she had filed a complaint for defamation, harassment and cyber-harassment.
Yet despite the claims of “transphobia,” Guéneau has said that her venue has always been accepting of people who claim to be transgender.
“My bar has always been an inclusive bar,” she said. “Trans people should be respected and have rights, and lesbian women who are born female should also have a space for themselves.”
However, tensions have escalated over the past five years as Guéneau defended lesbian patrons who were being harassed by men who self-identified as women and attended the venue seeking sex.
On multiple occasions, Guéneau told Charlie Hebdo, trans-identified males came to the lesbian bar to flirt with same-sex attracted women.
“If the young woman said: I prefer women, then the trans woman was offended and cried transphobia. But this young woman is not transphobic, it’s just a matter of consent, she doesn’t like penises, since she’s a lesbian!”
Women’s rights campaigner and founder of FemellisteMarguerite Stern shared her support for Guéneau, and questioned the accusations of “misgendering” leveled against her. Stern also placed blame for some of the harassment Guéneau endured in part on Nous Toutes for their public condemnation of the venue.
Nous Toutes, the liberal feminist group spearheading the harassment of the lesbian bar, has previously attacked causes they deemed to be “transphobic.”
In 2022, the group announced it would no longer provide data on domestic femicides due to concerns over the sex-based data being used by “transphobes.”
Nous Toutes had originally been founded to provide public insight into violence against women and girls in France, but launched into a social media war with another anti-femicide campaign group over transgenderism.
After Féminicides Par Compagnons ou Ex accurately reported that no trans-identified males had been murdered by domestic violence in France in 6 years, Nous Toutes responded by suspending their release of any data related to the murder of women and girls in the nation, claiming that the information was “oppressive” and “otherwise illegal.”
Nous Toutes then convened to determine how to make their femicide data reporting more “inclusive,” floating strategies which included counting general transphobia as femicide.
Violence against women critical of gender ideology is a regular occurrence in France, with multiple instances of women being physically attacked for not accepting the concept that trans-identified males were “female” being recorded over the past two years.
Reduxx previously reported on violence breaking out at French pro-woman events deemed “transphobic,” including on International Women’s Day in 2021 and 2022 when a number of women were left with injuries from rampaging trans activists.
In April of this year, a symposium intended to raise awareness of the plight of Afghan and Iranian women was abruptly postponed after trans activists threatened to violently ambush the event because of the presence of a gender critical speaker.
By Genevieve Gluck
Genevieve is the Co-Founder of Reduxx, and the outlet's Chief Investigative Journalist with a focused interest in pornography, sexual predators, and fetish subcultures. She is the creator of the podcast Women's Voices, which features news commentary and interviews regarding women's rights.
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Also while I'm at it:
Can people please remember that Death is her own person and the only Endless to have two miniseries, a short film, and a manga? She is not simply a satellite whose every waking thought and word and deed is built on the needs of her little brother. She is perfectly capable of making decisions and interacting with him without it being a 'Dream of the Endless is Poochie' factor.
At most any motivation she had with Hob and Dream was maybe that Dream might find a friend, but given Dream is Dream she probably didn't have a lot of faith in that and nor should she. I tend to think that it was about Hob's attitude to life and that she did this for her own reasons and about Hob himself, Dream given the chance sto sink or swim on his own because she's his sister, not his mommy.
Their sibling relationship definitely has its toxic moments. He puts her on a pedestal her actions and her own POV show is unwarranted and never tries to look for or to connect to the actual person or to consider there is one, preferring a goddess on a narrow and tall pedestal to his actual sibling. She is much more feckless than he is about communication and their major interactions show it, which is a further proof that the pedestal is not the actual person because the person he believes Death to be could not repeatedly fail to connect to her sibling like that.
This is true regardless, but at the the end of the day, Death is not Dream's fairy godmother, she is a deeply flawed and complex character in her own right, and her biggest flaws and her worst failures aren't directly related to Dream at all. And yes, I'm going to go for the nuclear option, if they cast Death as the 'hot' 17 year old with the bone pale look, would people still try to make her a mother archetype like they did the 35 year old Black woman or would they just treat her as fetish fuel and none of the deeper problems or characterization matter?
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