#sewing notion container

[junkologistsgoods]

[the-chosen-fanfiction]

Andrew | In-Laws To Be | Romantic

Your sweet and shy nature keeps you from wearing your heart on your sleeve. Your older sister Eden decides to help you out a little.

Requested by Louisa

There is a certain nip in the winter air that doesn’t often occur in the usually warm lands of Judea, so you make sure to dig out the woollen cloak from your wardrobe before heading out to the market in order to prepare for Shabbat. Armed with a large bag that fits around your shoulder as well as Eden’s lengthy shopping list, you make your way to the business of Capernaum, where dozens of people are traversing the wares on display, merchants yelling their prices and discounts alike. 

You hug your cloak a little tighter around your shoulders as you walk past the stalls, making sure to only purchase the items Eden had requested no matter how tempting some of the sweeter goods seem to be, even if they are practically calling out your name. You eye a specific box of honey buns as you browse the baker’s wares, and it must have been so obvious that you were eyeing them that the merchant oddly frowns at you when you only ask for some yeast and flour. 

Up next are the wine skins — three of them this time, due to the size of the company — which proves less difficult to resist. The leather containers of wine still prove quite the weight inside your bag. Perhaps you should have waited to get these for last, but the woman behind the stall has already pocketed your money.

Afterwards, you find the stand selling fish. Ever since Simon and Andrew left the fishing industry to pursue the Messiah instead, you have been actually having to buy it from other merchants instead of getting a few of them for free, fresh from the Sea of Galilee after a good night on the water. Not that you mind it. You’d gladly buy all the fish in the world with your own money now that they are followers of Jesus Himself. 

Your mind lingers on Andrew for a bit and you can’t help a smile from forming over your lips. He’s going to attend the celebration as well and frankly, you can hardly wait to see him. Whereas you’d often see the younger sibling of your brother-in-law every other day when they were still fishermen, you now consider yourself lucky if you get to briefly pass by him about four, five times a month. To your relief, you still have your sister Eden to keep your mind occupied with your other duties. Keeping yourself busy by helping her out around the house and making a living out of sewing clothes, you remain as productive as you can be.

It feels almost inappropriate to want to doll up a little for tonight. You are positively thrilled to get to speak to Andrew again, your tummy already swirling with butterflies at the notion. For a moment, you picture yourself more confident than you are, wearing something nicer than usual, making Andrew do a double take… Not that you expect him to. Whereas Eden is more easy-going, you’re usually the more quiet type, hanging around in the background. It is a miracle if you even dare to say a few words to the curly-haired man in question. And honestly, perhaps that Shabbat itself is not the best moment to try and impress someone. 

“—Did you hear what I said, miss?” 

The merchant behind the fish stall pulls you from your own mind by giving you a strange look. You rapidly blink and clear your throat. “Uh, I’m sorry, I was lost in thought for a moment.” 

The woman huffs. “I asked if I could help you with something. You’ve been staring at my fish for a good minute now.”  

You flush a little. “Ah. Yes, I… Uh, I’d like some… Some tilapia.” 

“How much?” 

You count in your head and on your fingers for a moment. “Seven… Seven will work.” 

The merchant packs up your order whilst you get the right amount of money from your satchel. It concludes your shopping trip as you tuck the fish into your bag. “Shabbat shalom.” you tell her, and she nods, forcing a smile on her lips. “Shabbat shalom.” 

Knowing Capernaum like the back of your hand — you’ve grown up in the village after all — you head back to the house of Simon and Eden, where your older sister is waiting for you to arrive with all the fresh produce she had asked you to bring. You step over the threshold to find Eden laying the table, the vegetables already cut and drizzled with lemon to keep them fresh. She smiles and brushes over quickly to help you out with the heavy bag. 

“Ah, (Y/n), you’re the best!” You hand her the satchel of money you had received from her and she puts it aside. You instantly start rummaging around your recently acquired groceries to take out the fish lest they start leaking liquid — you’ve learnt that the hard way — as well as the wine for your sister to put into a cool room. 

“Let me prepare the fish,” Eden suggests, knowing that you aren’t necessarily fond of the slippery task of cleaning them and removing the bones. Being a fisherman’s wife, your older sister has become quite skilled at turning them into tasty fillets, so you don’t complain when you are thus presented with the job to prepare the bread dough instead. 

Your challah is often favoured whenever you’re around at Shabbat dinners. Eden says you’ve got magic hands which causes the dough to proof to perfection, but you are personally more convinced it’s the little dash of cinnamon you sneak into there for a hint of sweetness; the spice itself is far from sweet but it still works, somehow. You know the recipe by heart, adding the right amounts of water and flour to the countertop to knead together into a stretchy mass between your hands. With a little oil, a pinch of salt as well as a bit of yeast, the dough is done for its first rising process by the time Eden has cleaned the third fish.

Upon cleaning your hands and covering the bread dough, you assist Eden by grilling the fish for her over the fire in her kitchen. Under the pleasant smell of fresh food, you have a moment to yourselves before the business of the evening begins.

“So, who will be joining us again?” you ask your sister, who looks at you for a second before turning back to her fourth fish to prepare. 

“Simon, of course, and Jesus, Mary, Thaddeus and Andrew.” On the last name, you barely manage to keep your face under control, feeling your face heat up. Still, you manage to not let Eden catch you blushing. You flip the fish being heated on the stone one last time before checking on your bread, finding that it needs a little more time to rise.

“You know,” Eden pipes up all of a sudden, as if it is written all over your face, “You are still unmarried.” 

Your eyes widen as you clear your throat. “That’s correct, thank you for the reminder.” 

Eden breathes something akin to amusement. “That’s not what I tried to say. What I mean is that I’m curious to see if there is anyone of Jesus’ followers whom you’d like as a potential future husband.”

Had she seen you flush anyways? Your heart rears inside your chest as you feel like a child caught doing something they weren’t allowed to. The expression on your face is so mortified that your sister gives you a reassuring look and exhales.

“There’s no rush, really. But I mean, we’ve met a lot of nice bachelors whom I wouldn’t mind as my brother-in-law. Take Thaddeus, for example, he’s really sweet. I think Little James would also be a good match for you, since you both have a soft and gentle nature.” 

Your throat runs dry — she hasn’t realised that you’d rather be with someone who is already her brother in law — and you take moment to collect your thoughts. “Thad or Little James?” you squeak, thrown off-guard by her sudden suggestions. Eden nods, smiling softly at your shy response. “I… I don’t know, Eden. Sure, they’re sweet and all, but I’m not sure if they’d be meant for me.” 

“Well, then I’m not really sure who would be a good fit for you.” 

You avert your gaze, feeling a little embarrassed that the thought hasn’t even crossed her mind. Is she right? Would Andrew not be a good match? 

“Maybe Philip?” she then recommends, “Yeah, he’s a Godly man, too. Someone who would be really gentle for you. He is the kind of man you’d like to come home to, I’m sure.” 

“Look, Eden, I…” You let out a slightly antsy sound, “I just don’t think that… That Philip would like me in that way, and honestly I wouldn’t really care, because as kind and wise as he may be, I just see him as a very dear friend.” 

Eden hums and gives you a curious look. “There is something on your mind.” she states. “I can see it in your eyes. Do you have a suggestion for any eligible bachelors around, (Y/n)? Do you have your eye on someone? Oh no, don’t think I don’t see that blush!” You gasp and quickly pad your cheeks to feel them hot to the touch, “You’ve got a crush, don’t you?” 

Letting out a shaky breath of defeat, you give the fish one last flip before they are all ready to go. 

“Come on, who is it? You’re my sister, you can tell me!” 

She almost girlishly grabs your arm, urging you on to reveal your secret. 

You laugh lightly, a little shyly, tucking some loose hair back under your veil. “I don’t think I should, I know he wouldn’t feel the same, and—” 

“Please, (Y/n), maybe I can help! And I’m sure Simon and Andrew can put in a good word for you.” 

Your face twists into uncertainty. “Well, look… That might be kind of the issue.” 

Eden frowns a bit. “What do you mean?” 

“Ah… The person I would potentially really like as my husband is… Hm…” you hardly dare to let the name cross your lips, knowing that she’d be the first one to ever know about your longtime crush on the curly-haired fisherman in question, “…Andrew.” 

Her mouth falls open as she gawks at you, nearly dropping her knife to the ground. Eden puts it on the counter quickly and steps closer to you. “Really? Andrew? Are you serious, (Y/n)?” You nod and she lets out a breath of disbelief. “For how long? I never knew that you—” 

“—Ever since our early teens.” 

The revelation hits her hard as she puts a hand on her chest, letting out a small laugh of slight shock. “How did I never… Never find out that you… For so long? And you never even considered telling me? Or asking me about it? I could have gotten Simon to urge him in your direction, you know, I could have helped out and—” 

“—Its’ fine, Eden.” you whisper, “It’s alright. I… I’ve been in love with him for quite some time, and if he felt the same I feel like he would have asked by now.” 

“(Y/n)…” Eden reassures, “You shouldn’t doubt yourself so much. You see, I bet that Andrew would be thrilled to know that a woman as sweet and kind as you is into him. I think you and him would be a very good match, I just… I didn’t necessarily expect it to happen, you know? I never would have guessed that you were sweet on him, so I never suggested it. After all, we’ve all practically grown up together, have been friends for so long. It’s the same reason I didn’t suggest John, by the way. It just didn’t cross my mind in the first place.”

“Well, you were acquainted with Simon too long before you liked him in that way, no? And yet, you married him.” 

Eden thinks for a moment. “I… Guess there is no arguing that.” she muses. “But would you like a word of advice, (Y/n)?” 

You perk up your head in question. “Yes?” 

“They will be here in a few hours. And… Once they are here, go talk to him. Trust me. Just be yourself, show him you are still that same sweet, kind girl from back in the day and interested to converse with him. If he doesn’t see you for what you are worth, he isn’t deserving of you, anyways.” 

“Talk to him? But I can’t— What could I talk about, then? I’m just going to make a fool of myself, be a stuttering mess, stumble over my words—” 

“—(Y/n). Don’t be so hard on yourself. You are a beautiful, wonderful woman who loves God. You are one of the most honest, genuine people I know. He’d be lucky to have you by his side, and who knows, you might be pleasantly surprised on what he feels for you.” 

You purse your lips, fiddling with your sleeve for a moment as you contemplate her words. 

“Give it some thought, okay? I’m sure that Andrew would love to speak to you more often, and perhaps something beautiful will bloom from it.” 

As you walk over to the counter again to continue on the challah, you ponder the words of your sister. 

“I’ll think about it.” you tell her. 

Eden smiles.  

“Good. You’ve got until tonight.” 

—

The home of Simon and Eden is a little cramped by the time all the invitees have showed up, but it doesn’t deter you nor your sister from serving the guests. You’ve been nervous ever since Andrew has crossed the threshold. In the end, you had decided to just wear what you were already wearing, not fond on drawing attention to yourself to begin with. 

You place a cup of wine in front of Jesus, Who kindly smiles at you. “Thank you, (Y/n). Are you alright? You look a little flushed.” 

Since you don’t want to lie to Jesus, you leave the answer in the middle. “I’ll be fine.” you mutter, which isn’t entirely untrue. Regardless of how the evening goes, you will be just that— fine. Your gaze flickers to the curly-haired former fisherman currently in conversation with Thaddeus. Jesus hums as He follows your eyes, smiling a little. 

“You know, I didn’t take that other seat next to Andrew for a reason. Eden was very adamant about it.” 

You gulp — look back at Eden, who is speaking to Simon at the kitchen counter — then back at Jesus.

“Do you know what she means by that?” You are fully aware that Jesus knows exactly what this is about.

“I… Have an inkling.” 

“An inkling?” Jesus smirks and nods towards the empty seat. “Go. Eden will take over the hosting duties for a moment, and if she needs an extra pair of hands, she knows where to find Me.” 

Who are you to say no to Jesus’ instructions? Eden likely told Him on purpose. You find her gaze across the table whilst you take off your apron, and she winks. As you sit down next to Andrew with bucking knees, he looks up with a kind, almost surprised smile.

“Oh, shalom (Y/n)! How nice to see you again. I have to compliment you on your challah once again. I know I keep saying it, but wow, you never cease to amaze me.” Andrew’s eyes widen as he sees the blush on your face, then realises how he worded his praise, “I—I mean with your bread— Of—Of course you are a great person, too. I— I think— I think you’re great.” 

You smile softly at him, butterflies raging around in your stomach as you gaze upon his genuine expression. “Thank you for your sweet words, Andrew.” 

He gives you an almost giddy look before he snaps out of it, clearing his throat.

“Would you like a drink? Bread? Grapes?” 

“Please.” you softly murmur. He gives you a sweet look.

As he reaches for said items of food scattered around the table, Simon leans towards his wife, crossing his arms over his chest. “What’s up with them, huh?” 

“They’re totally into each other.” Eden whispers back. 

Simon nearly chokes on his own saliva. “What? (Y/n) is into Andrew? How is it, that I only find this out now? Did you know about this? For how long has this been going on?” 

“I found out this afternoon while we were preparing Shabbat dinner. It turns out that she has managed to keep her feelings hidden for over a decade.” 

“Over a decade? Are you telling me that I could have been saved from Andrew talking my ear off by pining over her constantly for a whole decade? (Y/n) this, (Y/n) that… I mean, I wouldn’t mind her as my sister-in-law, she’s a very nice person and I think they’d be a good match. But he could have been with her all this time and still he decided to constantly speak to me about it.” 

Eden hums and raises an eyebrow at him, turning to the counter to get the guests a refill of wine. 

“She’s already you sister-in-law, Simon.” she reminds him.

Simon frowns at that, thinking for a moment before his face falls into realisation. “Oh, yeah, that’s true… Anyways, let’s hope and pray that they will finally set things in motion now. It’s been ten long years overdue.” 

“I hope so, too.” Eden replies.

She smiles, pivots to the dinner table with a certain flair, and momentarily meets Jesus’ gaze. He nods towards you and Andrew, then winks at her. She returns it before tending to her guests again.

[creations-by-chaosfay]

The Perfect Quilter Gift: Subscription Box

If you would like to give a quilter a fantastic and perfect gift, a subscription box may be just the thing. How do these work? Every month, a box with mystery materials is shipped out. These boxes will contain fabric, tools and notions (thread, ruler, seam ripper, etc), at least one free pattern, and a few other goodies. The prices vary depending on brand. If you'd like to surprise a quilter in your life with a monthly gift, these are an excellent option. Each box is also less expensive than purchasing each of the products independently. Example? A single subscription box may be $29.95/month, but it has around $100 worth of products inside it. I've seen boxes that cost just $35/monthly but contain as much as $300 worth of products, coupons, and gift cards.

Some of these options are for a single product, such as just a stack fat quarters or just a few charm packs. If the quilter you want to surprise has a lot of tools/notions, these may be a better option. It'll help them build up their stash of fabric rather than creating clutter with a bunch of new rulers they may neither need nor want. A few have trials you can choose from and others are monthly. Make sure you cancel any subscription you don't want renewed!

Cotton Cuts - This has a variety of subscription options, and at least one comes with all the fabric already cut and ready to go.

Fat Quarter Shop quilt clubs - These are strictly for one single product, including stacks of fat quarters. This link has several options, but each is a monthly payment. It's $0.99 to join each any of these, then you're charged on the first of every month, start at around $17.

Fat Quarter Shop sew sampler monthly - This comes with a lot of goodies, so keep that in mind if the person you want to gift it to doesn't have many supplies. Rulers, pins, measuring tape, as well as fabric, and a few bonuses (stationary, pens, etc).

Bramble Patch - They have a couple monthly subscriptions, and as far as I can tell they ship only in the UK.

Ginger Quilter Box Monthly - This is one of the more expensive subscriptions, but it comes with a significant number of goodies every month.

Axholme Quilting Company - This is another UK company. They've closed their physical store, but their online shop is still open. It's also a subscription box with only fabrics, no tools/notions.

Keepsake Quilting club subscriptions - These range from just fabrics to a box with all sorts of goodies. They also ship internationally. The Pineapple Slice subscription is the most expensive on the list, but it comes with tools/notions, as well as patterns, and several other goodies.

Crate Joy - This has subscriptions for nearly every interest. This particular link is for the craft subscriptions. There are hundreds of different subscriptions on this website.

Darn Good Yarn Club - If you would like to surprise someone with artisan quality yarn every month, this may be just what you're looking for!

Artisan Quilt Company Quilting Box - This is one of the few that offers trials as an option. It's also strictly fabric, but they do mention there will occasionally be a little gift added as well.

Precuts Quilt Box - They offer two different box options, one has fabric and many extra goodies and the other has fabric and patterns with no extra goodies. There's also the option of a one-time purchase, monthly, and every three months subscription option.

Open Gate Quilts subscription box - This subscription includes a pattern, fabric for that pattern, thread, a notion, and a few other goodies. Each of the projects is small and can be made in less than a week.

Mrs. Quilting Subscription Box - This has trial options as well as a monthly option. It's also packed with all sorts of goodies.

I'm a quilter, and I can tell you right now I would squeal with delight if anyone purchased any of these subscriptions for me. Whatever clutter I have, such as extra rulers I don't need, is sold to a local thrift arts & crafts store located in my area, wasting nothing.

Disclosure: I share this information because I can. There isn't a single brand or product that pays me to provide you with the information regarding anything I post, aka I have no sponsors.

[moonbrainedtranny]

This is my crochet notions kit. I like to use pill containers for these. It contains 7 sets of 0-9 numbered stitch markers that I use to count rows and a set of finishing needles to weave in my ends or sew pieces together.

Aside from my yarn and my hooks, this does most of what I need.

[hyperlexichypatia]

In your recent post about conservative talking points circulating in leftist spaces you mentioned the idea that "growing your own food is possible desirous and virtuous" I'm curious about this as a physically disabled person who grew up in a local agriculture heavy area, going to farmers markets and coops and the like with people who pushed this viewpoint HEAVILY, and now seeing (as a low-income disabled adult) how incredibly financially, physically, and time-exhaustive this way of life is for even having a few animals or just a garden, and how inaccessible this is to folks living in less rural areas this is for like everyone around me wondering if you'd be willing to discuss this more and the implications of it, maybe including the harm that it does? (I hope I'm not coming across as judgy or demanding here, I'm actually so happy to hear someone challenge this notion for the first time in my life)

Not judgey or demanding at all! Also, this reply got deleted three times while I was writing it, because my touchpad is borked, so apologies for any incoherence or missed proofreading or typos or general bad writing.

So the main problems with "grow your own food" ideology are related to the economy of scale. It's just much, much more efficient to have a few large farms with large farming equipment producing large quantities of crops than for each household to produce enough food to support itself, or even for every neighborhood/community/village to produce enough food to support itself. The shift from small to large scale farming has led to vast increases in crop output.

Of course, there are a lot of problems with large-scale farming as it is currently practiced. Workers are underpaid, overworked, often in horrible conditions. Equipment and pesticides and chemicals pollute. Shipping the products around the world takes fuel and carbon emissions. Farm animal living conditions are horrific. I'm not at all trying to deny or minimize the problems with large-scale industrial farming as it currently exists. But that does not mean that complete decentralization is a viable solution. On the contrary, fewer, larger farms can be more sustainable than more, smaller ones.

We definitely need some decentralization of farming, to reduce the energy expenditure of global crop shipping. A sustainable global food strategy has to include both large farms and small farms. But that is a far, far cry from complete decentralization to the household level or even the neighborhood/community level.

But I'm not an expert on agricultural policy. Frankly I don't know much about it at all. So I'm not here to talk about that. I'm here to talk about what I do know about: Food-moralizing culture. Because food-moralizing culture, not genuine well-meaning concern for the environment or farmhand working conditions, is the underpinning of "grow your own food" culture.

I say this because while there are environmental and labor problems with every industrial production of every necessary good, radical decentralization to the household level is not a widespread proposed solution (outside of like, fringe anarcho-primitivist subcultures) to other forms of problematic industrial production.

Like, industrial clothing production is atrocious! It needs to be radically changed! And almost everyone involved in advocacy for this necessary change is advocating different, better kinds of clothing factories. More worker control, fewer dangerous chemicals, more durable goods. With relatively few exceptions, most advocates are not advocating "Every individual household, all around the world, should spin, weave, and sew their own clothing."

The actual literal Luddites did not advocate that. Their entire position was rooted in being specialized, skilled craftspeople in a society that already had specialization of labor!

(I realize that I am saying this on Tumblr, The Home Of Fringe Craftspeople [at least it's not Instagram], and should this post break containment, I will get a lot of responses of "Well actually my friends and I all spin our own wool" -- great, I love that for you! Sincerely, I hope everyone gets to practice the art/craft/creativity/etc that brings them joy! That's a niche hobby, not a large scale political movement actively opposed to food justice and disability justice the way the grow-your-own-food movement is.)

You don't see large-scale political movements for "Everyone should forge their own iron" or "Everyone should carve their own wood" or "Everyone should lay their own bricks." And these things would even be technically more feasible than "Everyone should grow their own food," because they're not reliant on things like weather and soil conditions, or quantities of land. You see some smaller scale things like the "maker movement" or "nobility of working with your hands," but they're as likely to be focused on repair and other kinds of manual labor than on completely individualized generation of product from scratch.

So why are we relentlessly propagandized to all grow our own food? Well, according to me, because of food-moralizing culture. The belief that there are virtuous food and unvirtuous foods, and virtuous and unvirtuous ways of eating. That there's some kind of moral virtue in laboring and suffering for your food, and that the purest virtue is in enjoying that suffering. This is where the ableism is a feature, not a bug. Advocates will openly say that their movement doesn't have to be disability-inclusive, because the point is that if everyone "grew their own food" and ate a "natural healthy diet," no one would be disabled.

I would at least respect the movement a little more if advocates framed it as a sacrifice, like "For the greater good, everyone must take up agriculture," instead of pretending that we're all supposed to enjoy it.

I would also respect it a little more if most of the people who advocated it actually did grow most of their own food. Farmers at least, as self-righteous about Agrarian Virtue as they can be, are doing actual food-growing work, and actually are aware of the intense difficulty and commitment involved in doing it. But most of the people -- at least from my anecdotal observation -- who promote and brag about "growing their own food" absolutely do not grow their own food. They supplement their groceries with some homegrown fare. Which is fine. But it is not agricultural self-sufficiency, by a long shot. They also, by and large, aren't saving any money by doing so. Which is also fine. What's not fine is using your hobby as an excuse to deny material resources to people who need them.

Like, in my analogy of a large-scale movement of an everyone-should-make-their-own-clothes-from-scratch movement, they would be the equivalent of people screaming about how no one should have access to off-the-rack clothes, they should make their own clothes from scratch, like we do! And then what most of the people saying that mean is that they buy off-the-rack clothes and attach their own buttons. You're not really doing it either.

And the thing is, I'm glad that some people truly enjoy agricultural labor! I wish agriculture were more accessible as a career to anyone who wanted to do it! Not only because I want everyone to be able to do the kind of work they enjoy, but, purely selfishly, I do need to eat food, so someone needs to grow it!

If we all want an economic system without exploitation or coercion, while still ensuring that all the necessary work still gets done, we have to actively support everyone's desire to contribute to society in whatever way best suits them! The world needs farmers, and the world also needs plumbers, electricians, teachers, writers, and lots of other jobs! But that requires being part of a society. It requires division and specialization of labor.

This answer is entirely too long. I'm sorry about that. I have a lot of feelings about how much I hate Food Culture.

[tourwithaditi]

tour 3!!! Embroidery 🪡

This week for study tour we visited the New York Embroidery Studio. Before coming, I thought that they would mostly be doing regular, typical embroidery. However, after visiting I saw that there was much more to it than just embroidery. I was also surprised to hear how many big brands, celebrities, and events they have done work for. 

Upon entering, the first thing I saw was shelves full of old, black sewing machines. Later, during the tour, I found out that these were all functional machines that were all used for different purposes! This was so crazy to me because I feel like usually, these machines are just for show and are unusable. I think the machine that created ruffles/ribbon was really cool as well as the machine that created a carpet-like stitch. There was also another machine that did a crochet top stitch which was really pretty. It had a 3-d effect and it was able to create scallop edges which were really pretty. 

Another really cool machine was an embroidery machine that dyes the yarn as it stitches. Most embroidery machines use multiple colored yarns to create designs, but this one uses one spool of yarn and dyes it right before it is stitch which is amazing. I had never seen or heard of a machine with this type of capability. 

Despite it being a smaller studio, they had tons of materials stored away. There was a wall full of containers of rivets, gems, beads, spikes, and other embellishing notions. It was so satisfying to see them all color coordinated and separated in sections of gold and silver notions. 

My last favorite thing was the wall full of patches. I spent a lot of time observing the wall and finding different patches. I saw a lot of name brands, and cute and funky designs that had been made into patches. There were so many patches for Marc Jacobs and Mickey Mouse. I also found a patch with my friends name which was super cool and random.  

[imnothinginparticular]

#finishedbooks The Rise and Fall of the Third Reich by William Shirer. Got this for Christmas from my dad. Carrying a page count longer than Tolstoy’s "War & Peace," this for the most part is considered the first magnum opus on the Third Reich written a mere 15 years after the war. Since, there have been more but this has the unique distinction of containing eye witness accounts as Shirer was a correspondent through much of the Third Reich (1934-1940) and present at the Nuremberg trials. A journalist by trade, any criticism that could be levied came from academic fields which for the most part was positive, although a number a German historians detract from the book. The primary point among them, is that Shirer attributes Hitler’s rise to the German national character and not more simply as yet another version of totalitarianism that was present after WWI. Either way anyone who has written on the subject since has to acknowledge this work and his references alone in the book add another 700 pages. With that, I always had a huge interest in history, but with this my primary concern was precisely how Hitler used the existing constitution to destroy it as he dismantled it in a mere 53 days…democracies are always to be treated with fragility. But before that it was a series of shocks (again Klein’s “Shock Doctrine” to some extent) with the staged Reichtag fire, oppression of opponents as a result, his ‘Enabling Act’ in 1933, followed by government purges (focusing on minorities), and finally appeasing the military by purging his own SA, not to be confused with his SS who were largely upper class in comparison to the SA, to appease the military before complete autocracy. More curious are the details and indoctrination from the university to youth programs over to the farmers. So roughly half of the book is pre-war before the Poland invasion compounding the amount of appeasement and denial that led up to the war. And even then there were so many bluffs that the west could of called and defeated the Nazis quite easily as most of his military were still at that point highly skeptical and yet everyone more or less go along with it. What becomes dark going into the turning point with Stalingrad was how simultaneously equally they were concerned with pushing the Soviet lines, but coming with the SS and immediately exterminating the Jewish and other detractors. Attending the Nuremberg trials after the war he existensivly has a chapter on all of the atrocities committed by the regime, which goes into the stasis I was in reading this. I took up what should make up my next solo exhibition that ended up taking around 280 hours while watching all of The Walking Dead, and reading this in between only listening to a curious combination of Julius Eastman, Kid A, and Motorhead. So everyday was a hangover, going to brunch for steak and eggs/ coffee reading this for an hour or so while sobering up, going straight the studio cutting only black fabric while watching the zombie apocalypse. Breaking for dinner at my local mom and pop izakaya reading for another hour and half, before going back and sewing and more Walking dead. Then night cap at my local bar where I get to hear the news back home as my father and sister were included in those government and DEI purges before going to bed and dreaming about a combination off all of this severed limbs of those both dead and undead, and me just surviving putting all these black bits together for something...it was surreal. Also just hard to read due to its shear size and giant swastika on it. I did intend to make some illusions to current affairs but meh, I will say the US has mastered the notion that political parties are nothing more than a systemic organization of hatreds.

[envieextensions]

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[stitchings-blog]

Sewing Patterns: First Projects on a Sewing Machine

Sewing patterns are an essential tool for any sewing enthusiast, whether you're a beginner or an experienced seamstress. They provide a blueprint that guides you through the process of creating clothing, accessories, and home decor items.

Understanding how to use sewing patterns effectively can make your projects more successful and enjoyable. If you are a beginner, here’s a simple guide on how to use sewing patterns with a sewing machine, from selecting the right pattern to finishing your project.

Choosing the Right Pattern

Selecting the right sewing pattern is the first step in any successful project. You have to consider the following factors when you want to use a pattern. First, you have to be honest about your skill level.

Patterns are typically labeled with a skill level, such as beginner, intermediate, or advanced. More advanced patterns require complicated stitches and sewing machine speeds, so choose a pattern that matches your skill level to avoid frustration.

You also have to ci-onsider the type of project you want to do. Decide on what you want to create and select a pattern that matches your project type, whether it's a dress, tote bag, or pillowcase.

Finally, the size of the project matters. Make sure the pattern is available in your size or can be adjusted to fit.

Preparing the Materials

Before you start cutting and sewing, gather all the materials you’ll need. It;s best to keep all of these materials in a sewing cabinet. Sewing cabinets are specifically made to store sewing and quilting materials, and some even have spaces for sewing patterns.

Even if you are a beginner, it’s best to invest in sewing cabinets that can fit your tools, notions, patterns and materials, so you can keep your working space clean and organized. Make sure to  prepare the following:

Fabric

Choose a fabric that’s suitable for your pattern. Check the pattern envelope for fabric recommendations and required yardage.

Notions

Gather any additional materials like thread, zippers, buttons, and interfacing that your pattern calls for.

Tools

Ensure you have the necessary tools, including scissors, pins, measuring tape, and, of course, your sewing machine.

Reading the Pattern

One of the most important things is to know how to read a sewing pattern. Patterns typically include several components, and it’s best to store them in your sewing cabinet so each component will not be lost.

Pattern Envelope

Contains information about the project, including size options, fabric requirements, and suggested notions.

Pattern Pieces

These are the templates you’ll use to cut out your fabric. Each piece is labeled with its name and any necessary instructions.

Instruction Sheet

Provides step-by-step guidance on how to assemble your project. Read through the instructions thoroughly before you begin.

Cutting Out Your Pattern Pieces

Once you’ve familiarized yourself with the pattern, it’s time to cut out your pieces. Wash and iron your fabric to prevent shrinkage and ensure accurate cutting. Then layy your fabric flat and arrange the pattern pieces according to the layout diagram provided in the instructions. Use weights or pins to secure the pattern to the fabric.

Use sharp fabric scissors to cut around each pattern piece, following the cutting lines exactly. Transfer any markings (like notches or darts) to the fabric using tailor’s chalk or a fabric marker.

Start Sewing!

With your fabric pieces cut out, you’re ready to start sewing. Follow the instructions for detailed steps on how to sew your project. Work through the steps methodically, sewing each seam and completing each task in order.

Pay attention to seam allowances, stitch types, and finishing techniques specified in the pattern. Use pins or clips to hold pieces together as you sew. If your project is a garment, try it on as you sew to ensure a good fit. Make adjustments as needed and do the final touches such as the hems, edges, and closures.

Whether you’re sewing a simple tote bag or a complex garment, following these steps will help you make the most of your sewing patterns and achieve success in your sewing endeavors.

Happy sewing!

For more information about Quilt Frames and Quilting Accessories please visit:- Premier Stitching DBA Sew Vac City

[divinejhonson]

Creative Uses for Spice Boxes Beyond the Kitchen

Introduction

Spice boxes are essential kitchen tools, offering convenience and organization for your culinary needs. However, their functionality extends far beyond merely storing spices. These versatile containers, often adorned with intricate designs and craftsmanship, can be creatively repurposed for a variety of uses. At Crafts Emporium, we celebrate the art and practicality of spice boxes for the kitchen, showcasing their potential to enhance various aspects of your home and lifestyle.

The Allure of Spice Boxes

Traditional Craftsmanship

Spice boxes, particularly those from Pakistan, are renowned for their traditional craftsmanship. These boxes often feature detailed carvings, vibrant colors, and artistic designs, reflecting the rich heritage of Pakistani Handicrafts. The meticulous work that goes into creating these pieces not only makes them functional but also transforms them into beautiful decorative items.

Material and Design

Crafted from various materials such as wood, metal, and ceramic, spice boxes can vary in design from simple to elaborate. Wooden spice boxes, for instance, often come with intricate carvings and decorative inlays, while metal and ceramic boxes might feature colorful glazes and patterns. This diversity in materials and designs opens up a world of possibilities for repurposing these boxes in creative ways.

Creative Uses for Spice Boxes Beyond the Kitchen

1. Jewelry Organizer

A spice box can serve as an elegant jewelry organizer, helping you keep your accessories in order. With multiple compartments, you can neatly store rings, earrings, necklaces, and bracelets. The compartments protect each piece from tangling or scratching, and the decorative design of the spice box adds a touch of sophistication to your vanity.

Tip: Use small dividers or velvet lining to further organize and protect your jewelry within each compartment.

2. Craft Supply Storage

For those who enjoy crafting, a spice box can be a perfect solution for storing small craft supplies. From beads and buttons to threads and glue sticks, the multiple compartments of a spice box make it easy to keep everything organized and accessible. The traditional designs also add a charming element to your craft room.

Tip: Label each compartment to quickly find the supplies you need.

3. Desk Organizer

Transform your spice box into a stylish desk organizer. It can hold pens, pencils, paper clips, and other office supplies. The elegant design of a spice box can add a touch of class to your workspace, making it not only functional but also visually appealing.

Tip: Choose a spice box with a lid to keep dust and debris away from your office supplies.

4. Miniature Plant Pots

The compartments of a spice box can be repurposed as miniature plant pots for small succulents or herbs. These charming containers can brighten up your space and add a touch of greenery to your home. Ensure proper drainage by drilling small holes in the bottom of each compartment or adding a layer of gravel.

Tip: Use a saucer or tray underneath to catch any excess water and protect your surfaces.

5. Button and Sewing Notions Holder

For sewing enthusiasts, a spice box can be an excellent way to organize buttons, thread spools, needles, and other sewing notions. The multiple compartments keep everything in its place, making it easier to find what you need during your sewing projects.

Tip: Use small containers or zip-lock bags within the compartments to separate different types of sewing notions.

6. Travel Accessories Case

A spice box can be a handy travel accessory case, especially for items like toiletries, makeup, or small travel essentials. The compartments keep items organized and prevent them from spilling or mixing. The sturdy design also offers protection to delicate items.

Tip: Choose a spice box with a secure lid or clasp to prevent contents from spilling during transit.

7. Gift Packaging

The unique and decorative nature of a spice box makes it an ideal choice for gift packaging. Instead of traditional wrapping paper or gift bags, use a spice box to present small gifts or treats. The recipient will appreciate the thoughtful presentation and can repurpose the box for their own use.

Tip: Add a personal touch by decorating the box or including a handwritten note.

8. Spice Up Your Home Décor

In addition to its practical uses, a spice box can enhance your home décor. Use it as a decorative piece on a coffee table, bookshelf, or side table. The intricate carvings and designs can serve as conversation starters and add an element of sophistication to your living space.

Tip: Pair the spice box with other decorative elements such as candles, vases, or photo frames for a cohesive look.

How to Choose the Right Spice Box for Creative Uses

Consider the Size

When selecting a spice box for repurposing, consider its size and the number of compartments. Larger boxes with more compartments are ideal for organizing various items, while smaller boxes may be suitable for more specific uses.

Material and Design

Choose a spice box made from durable materials that suit your needs. Wooden boxes offer a classic look and sturdy construction, while metal and ceramic boxes can add a touch of modernity or color to your space.

Ease of Access

Ensure that the spice box is easy to open and access. This is particularly important if you plan to use it for frequently accessed items such as office supplies or travel accessories.

Aesthetic Appeal

Select a spice box that complements your existing décor or the intended use. Whether you prefer a traditional, ornate design or a sleek, modern look, choose a box that aligns with your style and preferences.

Conclusion

Spice boxes are more than just functional kitchen tools; they are versatile and elegant pieces that can be creatively repurposed for a variety of uses. From organizing jewelry and craft supplies to enhancing your home décor, a spice box from Crafts Emporium offers endless possibilities for creative applications.

Explore the diverse range of Pakistani Handicrafts and discover the unique beauty and craftsmanship of spice boxes. Whether you’re looking to organize, decorate, or gift, these charming boxes are sure to add a touch of elegance and functionality to your life.

[dippyface]

I do use a fancy butter cookies tin @julesce sent us as one of my storage containers for stitching & sewing notions. my other one is a thrifted Really Useful Box from Really Useful Products Ltd lmao

[creations-by-chaosfay]

I'm on mobile and my hands can't do a whole bunch of typing right now, so here's the short version:

The brown drawers seen next to my cutting table are full of pulled fabric and pattern, and the drawers to the immediate right by the door are random things. The drawers next to my sewing machine are full of notions, like pins, needles, and rotary blades.

I have 18 cubes of fabric on the shelves.

The plastic bins contain scrap batting, fabric I've been collecting for years for a sampler quilt (teal, turquoise, cream, and brown), finished little things like coasters, FPP patterns, and some packaged patterns.

The smaller bins contain scraps.

The bottom shelf has all my watercolor books, candles and witchy things, and old sketchbooks. FYI I can barely write a few words before I lose the ability to hold a pen/pencil. Doodles and sketching are virtually impossible.

On the side of the cutting table is where I have all my watercolor paintings and paper, zipped and sealed in plastic carrying cases. I also have flat rate boxes there.

On the backside of the table, I have things I can forget about because they're not in use. The table is supposed to be in the middle of the room so I cam have access to everything.

My dream is a 20x20 foot sewing room, so about the size of a garage. With lots of shelving, a bay window or two, walk in closet with shelving, a door to a fully enclosed and private patio (ideally with heated flooring), no carpet, and wall space for my design wall (flannel I currently hang on the bedroom wall.

Fun fact: the cutting table cannot be taken apart. Sections required gluing, as instructed in the manual, and trying to take thr table apart will destroy it. When we do remodel the house, a wall will beed to be knocked put in order to remove the table.

I will be painting the walls and installing shelves for vertical storage over the cube units, shelves with rods to hang quilts from.

The reason I have the room arranged this way is due to having only two power outlets. One is behind a cube unit, and I can just remove a cube box to access it.

The plastic basket on top the plastic bins is placed on the floor to make room for the air purifier. My table is set up on a stand when in use. Said tablet has hundreds of patterns on it, and also has Vudu set up so I can listen to movies I own. I can see thr movie in my head while listening, which then helps me stay focused on my work. Yes, I have ADHD.

[whennnow]

"Put On Thy Beautiful Garments" Book Review

November 15, 2018

[Image ID: A photo of the title page of a book titled "Put On Thy Beautiful Garments: Rural New England Clothing 1783-1800." The page is blue and has a sepia illustration on a cream background.]

A month or two ago I was in the midst of a Pinterest research trip, when one of the blogs I was reading mentioned a book I hadn't encountered in my research before: "Put on Thy Beautiful Garments" by Merideth Wright. I did a bit more digging (with the intention of adding it to my Christmas list), and found an old library copy for less than $10! So I went ahead and ordered it. Unfortunately, I mixed up my shipping and billing addresses, so it got sent to my house instead of my dorm, and I had to wait a long time before I actually saw it.

There seem to be two versions of the book - one published in January of 1990 by Clothes Press with the title "Put on Thy Beautiful Garments: Rural New England Clothing 1783-1800" and the other published by Dover Publications in December of 1992 with the title "Everyday Dress of Rural America 1783-1800: With Instructions and Patterns." Both have the same cover illustration (done by Nancy Rexford), but I am unsure of the content differences between the two. So to keep from confusing anyone, including myself, I am reviewing the one from 1990, "Put on Thy Beautiful Garments."

The book is divided into five sections. Part 1, “What People Wore,” goes into some background, providing general information, research, and instructions for using the book to make the clothes it contains. Part 2 is “The Individual Garments,” and it looks at each article of clothing individually and discusses who would wear it when, fabric choices, and construction, as well as providing simple, scaled down patterns. It is divided into “Women’s Clothing” and “Men’s Clothing.” Part 3 goes more in detail about fabric and gives instructions on hand sewing techniques. Part 4 is a collection of places you can buy patterns, fabric, and notions, as well as places you can look for more historical information. Part 5 is a very thorough bibliography.

I found the book to be incredibly educational, particularly the section on period-appropriate sewing techniques. Also interesting was the inclusion of clothing worn by the Western Abenaki people! While it doesn’t give instructions or patterns for their clothes, it does talk in depth about what they wore, what it was made of, how it was worn, and how trading with the settlers impacted their wardrobes. I’m actually very glad it doesn’t include instructions on making their clothing, as that would feel appropriative. “It’s a culture, not a costume,” after all.

Having been published in the very early 90s, some parts are a bit dated. For example, in the section on women’s stays, it talks about using cardboard or roller blinds as boning. It makes me very glad that synthetic whalebone exists now, and that the internet makes it widely accessible. Also dating things a bit is the resource section - it talks bout mail ordering and ordering from catalogs. I haven’t had a chance to look into all of the resources listed yet (maybe keep an eye out for a follow-up post?), so I’m not sure if that section is terribly useful.

The patterns start at the innermost layer and work their way out. The women’s section starts with a shift, then stays, pockets and petticoats, three types of gowns (open and round gowns, shortgowns, and chemise gowns), a neckerchief, and an apron, followed by a bit on hair and headwear. The men’s section is arranged similarly, starting with the shirt, then the cravat, breeches, waistcoat, coat, and frock, followed by a hair and headwear section. There are also short sections on stockings and shoes. Patterns or drafting instructions are given for everything except the headwear. The patterns are drawn on grids where each square is an inch, allowing easy drafting and sizing. Instructions are straightforward, often referencing what type of stitch or finish would be used.

I can’t think of anything that disappoints me about this book, honestly. I’m thrilled about the section about sewing techniques and I can’t wait to dig into the Resources and Bibliographies to see what gems are still accessible!

With any luck, I’ll be back before Christmas with a follow-up post!

Stay warm, stay safe, stay dry.

[simiansmoke]

🎲 Ya boy, Beansley

kiss roulette

🎲 - generated 40 // impulsive

DK really disliked formal settings. His Dad of course was adamant they attend any and all balls held by other kingdoms to drum up good future relationships while they could still make them with Cranky in the mortal realm able to smack the hell out of the Jungle prince's snout whenever he started to mouth off in poor favor.

But by the time the Kong prince had found himself grumpily enjoying his own company and a splash of banana bourbon on the balcony - strategically away from the party going on in the Beanbean castle, Cranky was off schmoozing with the kingdom's queen, so he could finally get some air and unwind.

That is until the bean prince finds him. DK still wasn't sure what to make of the short and talkative heir. Half of what he yammered just went over the Kong's head- like...how many fucking syllables did someone need to say good evening? Definitely not the amount equivalent to a full ass ballad.

"You know ~ word of mouth is, you're quite the singer on the down low, am I being presumptuous?" The green prince laughing through the gaps in his fingers causes DK's fur to flinch furiously. "But my, how can that be true? Rumors and nasty ones at that! I see no reason for a beast without lips to be able to hold a note-"

Setting his bourbon down on the edge of the balcony...albeit hard enough to cause some spillage and tickle a crack up the glass that held his social therapy for the night, DK flashes the pestering prince a warning fang. "I have lips, asshole. Why don't you do us all a favor and sew yours SHUT?"

Fat chance of that, because the Kong's anger only seemed to amuse the other prince more, goading him into a fit of amused chuckles and eyes squeezed shut to help contain the overwhelming mirth that seemed too much to bear for such a small stature. "LIPS? Your mouth is but a pistachio, my poor Kong ally-"

All right, he's got to get this guy GONE. His chance of a pleasant evening rides on the very notion. A big hand clamped onto his short saboteur's shoulder before he sticks his face rudely into the other's space with a soft snarl and a parted maw that mashes...the entirety of the pea prince's face. Peasley might as well have had a pressure washer applied to his face, because the combo of lip pressure, tongue swabbing and spittle-spotted growls leave the flailing busybody with a slightly twisted up image once the Kong backs off.

Granted the elasticity of bean blood has his face unfurling and setting itself back into place soon enough, though in the place of smug fraternizing lies stunned disbelief and mild disgust at being covered with ape slobber. "M-my WORD-"

"Go drink bean water, you weird little finkrat!"

[himblebo]

Organizing make my brain go brrrrr

[iirulancorrino]

One of the inventors of the sewing machine didn’t patent it because of the way it would restructure labor. Another was almost killed by a mob.

Always when I sew I think of Emma Goldman with her sewing machine, or Emma Goldman during her first night in jail “at least bring me some sewing.” Wikipedia says the sewing machine reduced average garment construction time from 14 hours to 2 hours. Somewhere on a sewing blog someone wrote of making new garments from existing ones: “use every part of the garment” and “each garment holds in it hours of a garment worker’s life.” I sew and the historical of sewing becomes a feeling just as when I used to be a poet, when I used to write poetry, used to write poetry and that thing culture began tendriling out in me, but it is probably more meaningful to sew a dress than to write a poem. I make anywhere from 10 to 15 dollars an hour at any of my three jobs. A garment from Target or Forever 21 costs 10 to 30 dollars. A garment from a thrift store costs somewhere between 4 and 10 dollars. A garment from a garage sale costs 1 to 5 dollars. A garment from a department store costs 30 to 500 dollars. All of these have been made, for the most part, from hours of women and children’s lives. Now I give the hours of my life I don’t sell to my employers to the garments. My costs are low: 2-dollar fabric from Goodwill, patterns bought for 99 cents or less, notions found at estate sales for 1 or 3 dollars. I almost save money like this. The fabric still contains the hours of the lives, those of the farmers and shepherds and chemists and factory workers and truckers and salespeople and the first purchasers, the givers-away, who were probably women who sewed. Sewing is difficult. There is a reason girls were trained in it before they were trained in anything else, years and years spent at practice, and even then they might not have been any good.

Anne Boyer, Garments Against Women