We learn that in the mid-17th century Shakespeare came to be associated with the Royalist cause after King Charles read and annotated his folio of the plays as he awaited trial. According to the staunch Parliamentarian John Milton, Charles drew inspiration from Shakespeare’s villainous Richard III. Next to a copy of Milton’s Eikonoklastes (1649), we find an exhibit dedicated to The Misery of Civil War (1680). An adaptation by John Crowne of Henry VI, Part 2 and Henry VI, Part 3, it was performed after Milton’s republic had collapsed, the monarchy had been restored and the theatres had reopened. The hurly-burly’s never done.
Shakespare conferences are fucking bonkers. I just got out of a plenary panel on accessible humanities pedagogies in ecological crisis and now I've got an hour break before the drag show.
“I hate you because if I didn't, I'd love you. But love, love is weakness, and I'll never be weak again.” sometimes the dialogue in supernatural fucking slaps
after all these years of listening to his voice my nicholas boulton radar is so powerful that I clocked him one sentence into his role in this radio play adaptation of lady windemere's fan (he plays cecil graham and I'm fairly sure it's the naxos production, for anyone who might be interested! martin sheen is also in it as darlington and does a great job)