Star Wars Characters + their signature Burlesque songs
This is going to be mostly Clone Wars + Bad Batch era characters in this specific post.
Links are available by clicking the song title.
Clone Wars
Obi-Wan Kenobi | “Feeling Good” Muse
The original version of “Feeling Good” is one of the go-to songs for burlesque, it in a lot of ways, it mimics classic big-band cabaret showgirl tunes. Obi-wan has a lot of respect for tradition and those who came before him but he’s also his own jedi and deviates where he wants to. This cover by muse has that element of showy, flirty-ness and the flaunt of a song that can hold its own. The tradition of the brass overlaid with more pop-rock elements mean Obi-Wan can showgirl parade and peel to his heart’s content.
Anakin Skywalker | “I See Red” Everyone Loves an Outlaw
The lyrics are about cheating but the overall theme of this song is about being betrayed by loved ones. This could work for the fix-it timeline where he feels betrayed by someone he thought was a friend (Palpatine) or canon where he’s feeling betrayed by the order. It’s an angry, broody strong with a lot of strong beats and would mimic Anakin’s aggressive fighting, and sparks of wrath. We’re talking a LOT of very assertive, physical dance here.
Padme Amidala | “My Strongest Suit” Aida
This song is about fashion being a woman’s strongest asset, literally its in the musical. I can see Padme doing this as a tongue-and-cheek number because she gets teased for her prolific wardrobe as a Queen and Senator. Everyone knows she’s a powerhouse and this ballad, even tongue-and-cheek- is a BALLAD. The audience is going to worship at the altar of this high-energy strip-tease. And the costumes? Oh, they are encrusted in rhinestones.
Mace Windu | “Bad News” Melody Gardot
This is very in-line with classic lounge-style burlesque. Mace likes it because its slow and he has four + a half-minutes of the audience’s time and he uses them rolling around the stage floor with a thickass purple boa, eye fucking people and they thank him for the gift of that.
Cody | “You Make My Dreams” Hall & Oates
This act was created for one person, and one person only, others get to see it by the grace of the force. Obi-Wan has never missed a performance of it, which is good because Cody spends a majority of his time flirting with the man while casually whipping around tribute fans with impressively playful precision. It’s kinda like watching a bird do a courtship dance for his mate but with body shimmer.
Rex | “Lost Without” Shane Guerrette
Rex heard this song in a cantina in the middle of nowhere and that was the first time anyone knew the man had rhythm. The raspy, vintage-feel, simple chords, and easy percussion with a vocals that have a brass-like quality mean he’s going to toe the line of flirty classic tease, and sultry slow-burn. He’ll be in the audience, flirting and soaking up their attention before he saunters back to the stage to do floorwork that is hotter than sex..
Fives | "Betty (Get Money)” Yung Gravy
If you don’t expect this from that absolute sentient shit-post of a vod, I’ve got news for you: He does it dressed like a Chippendale’s Dancer and always loses his merkin.
Bly | “Mr. Sandman” SYML
This is a song about longing and we know how Bly feels about his Jedi. This is a soft cover, beautiful, elegant. It’s not a tease, its a tribute. I can see some beautiful fanwork happening, a lot of peel-cover-reveal. The choreo is slow but the audience is enthralled.
Fox | “Smooth” Santana, Rob Thomas
Fox chose this song because it was playing at 79s and he liked how easy it was to dance to. He likes to slide back and forth between a raunchy bump n’ grind with some hits and just holding the stage and staring down the audience while dragging a piece of clothing. At least once during the bridge when he’s in the audience, he steals someone’s drink and downs it.
Wolffe | “Teeth” Lady Gaga
The Tempo of this song is very driving, very authoritative but the lyrics are assertive yet dirty which Wolffe would appreciate. He’d bump n’ grind the hell out of this and probably howl for effect.
The Bad Batch
Crosshair | “Death Don’t Have no Mercy” (Stripped Version) Esterly, Eric McSpadden
This is a slow-burn about the inevitability of death. It’s very Crosshair. The twangy-bluesy guitar with the rolling drums and choral backing vocals make this an unexpected choice for those more familiar with classic burlesque but Crosshair plays everything close to the chest but with the presence to really make this song captivate. He’ll be walking the stage, staring down the audience, and peeling off clothing, slooooowly to keep the tease alive.
Echo | “Say My Name” KNGDAVD
No one was expecting this, even even Echo. The first time he performed, he wasn’t even sure he wanted to perform. This song kicked on, the dirty verb of the guitar, the kick of the beat, the croon of the singer summoned the Domino Twin in him and he went for it. There was bump n’ grind, there was parade and peel, there were so many credits on the floor that this boy slipped and went into the sexiest split of any of the rings.
(Echo now has rhinestoned plastoid plates that snap on to his legs, not head canon, canon, I will not be accepting feedback.)
Hunter | “Desperado” (Slowed TikTok vers) Rhianna, RH Music
The man is a tracker. The audience is his prey. This version is a sultry slowest-of-the-slow burns. It’s all about drawing the tease out, the audience on the edge of their seats, not to see the skin (but also yes) but to just watch this man who has complete control over every single muscle through fluid physicality take off one garment at a time. It’s about the connection he can maintain with the audience, the presence he takes up just by breathing (which is part of his choreo).
Tech | “People Are Strange” Tribe Society
Some performers tend not to engage with their audience because they are so into what they’re doing, enjoying themselves. Others prefer to be observed, to be art. That’s Tech. This song is sultry and smokey and slow, anyone else would be slithering across the stage and stripping. Tech is using this song to showcase the flexibility of the human body, there are alot of acrobatic poses with very slow transitions. Since Tech is an inventive mind, he also likely likes to innovate new and interesting ways to remove clothing (such as an inverted hand-stand on a chair while removing a thigh-high from one leg with his toes of the other).
Wrecker | “I Believe in a thing Called Love” The Darkness
Classic-rock with a super playful vibe. I could totally see Wrecker choosing a hair-metal inspired track. It’s high energy, perfect for a guy with little impulse control and a whole lot of love to give. He’s gonna rip his shirt off within the first 30 seconds of the song, swing it around and then chuck it into the audience and they are going to eat.it.up. He’s going to have a lot of fun on stage, that’s what its all about for him, he’ll do bump and grind, he’ll do (his version of) classic flirty, he’s gonna tease but in a delightful way and during the clapping-bridge he’s gonna gonna reveal assels (they’re tassels for your butt).
Bonus:
Yoda | “Pour some sugar on me” Def Leopard
He doesn’t take any clothing off and still ends up buried in credits.
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Shane Guerrette - Nomadic Soul
Shane Guerrette – Nomadic Soul
“Nomadic Soul”, is the follow-up single to “Wound Up”, released in 2017. Now that some time has surpassed, so has the music content to that of which belongs to Shane Guerrette. His last single release “Wound Up”, brought forth the talented artist to do it all, from writing, recording, producing all was done by the artist in question. So the same ordeal was done with this all new single “Nomadic…
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Shane Guerrette - Wound Up
Shane Guerette is a passionate and introspective songwriter with a particular focus on crafting intimate melodies with an edge of rock music. His recent release, “Wound Up”, is a song with a fresh take on acoustic rock, igniting his sound with lots of energy, but also with lots of emotion by way of the natural instincts of his lyrical flow and unique vision.
Shane is a young and talented singer, and he obviously has a lot to say. Often compared to fresh artists such as John Mayer or Ed Sheehan, Shane knows how to turn a good melody into a great hook, and charm a diverse and broad audience with his amazing stage presence and natural charisma.
Youthful, energetic, yet mature and accomplished, Shane is an artist on the right with all the necessary skills to impress! Listen to the song and play the video embedded on top of this article!
Find out more:
www.reverbnation.com/shaneguerrette
www.facebook.com/shaneguerrettemusic
www.instagram.com/shaneguerrette
www.youtube.com/shaneguerrette
twitter and snapchat @ shaneguerrette
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