Tumgik
#she's level 99
isekyaaa · 11 months
Text
I Was Transmigrated as the Saintess, but the Villainess is Doing Such A Good Job That I Think I'll Leave the Work to Her and Slack Off!
12 notes · View notes
theirisianprincess · 3 months
Text
Tumblr media
1K notes · View notes
arataka-reigen · 4 months
Text
The funniest thing Villainess Level 99 did was introduce the concept of dark magic also being able to heal people like light magic it just looks grotesque as fuck when it's used to do that
212 notes · View notes
amalgamasreal · 4 months
Text
Tumblr media
I would normally source this but it's from /a/ and has no credit on it.
157 notes · View notes
kalmeria · 4 months
Text
priorities
99 notes · View notes
moghedien · 19 days
Text
my durge multiclassed into an oath of the ancients paladin at level 10 so I got to start smiting at level 11 and the first person I got to smite was a random bhaalist in the under city that recognized me, called me a heretic, and attacked me. turning around and just divine smiting them to death felt good actually I hope it made Jaheira proud of me
25 notes · View notes
mantisgodsdomain · 5 months
Text
Finally, we get the opportunity to put our Spy Cards worldbuilding in a work. Though there are many questions about such things as "regulation" "how these cards are printed" "who approves a single spy card", and so on, we are here to present a bold new take: this game is based like 60% on obscure roach memory-reading tech that got turned into a card game with absolutely No card-game-related intentions included in the original tech and most of the card vetting is just from the fact that there aren't too many card printers out there and most of them make cards that need to be translated from Roach.
Strictly speaking, as a card game, it is not a terribly good or well-balanced one. It's popular primarily because of a mix of the difficulty involved in getting the data for high-level cards, the fun of seeing the variety of monsters that can be brought to the table, and the incredible amounts of ham and drama that goes into specifically the professional scene.
#we speak#bug fables#bold and new because we think that only maybe three people have even asked questions about the semantics ofc#notable points: professional spy cards is an entirely different thing from competitive spy cards#and the overlap between fanbases means that there is occasionally some REALLY incomprehensible beef about deck composition#also every time that carmina uses astotheles' card in one of her decks she has to pay him royalties#this is because he approached her personally about it. it was an Experience.#the roach tech thing also means that like a decent chunk of high level spy cards players know like. a handful of words in roach#competitive spy cards is generally smaller than professional and involves shit like actual deck composition and like#trying to get ahold of That One OP Card so that you can utterly crush people at the local tournament. actual card geek shit.#professional spy cards is basically wrestling in card game form and does NOT optimize the decks very well#because 99% of the draw of PROFESSIONAL spy cards is that youre gonna watch a whole bunch of people roleplay elaborate storylines#while also playing a game where most professional venues will invest in tech to read card crystals and summon appropriate effects#its a spectacle sport. specifically a spectacle sport where the actual game is mostly framework for Cool Monsters and Interpersonal Drama#carmina is a heel#this might be slightly incoherent but we'll clean it up later maybe. we are taking a break from sketching comms to write rn
44 notes · View notes
rabbitindisguise · 3 months
Text
Tumblr media Tumblr media
big oof
19 notes · View notes
ya-kiri · 4 months
Text
Elizabeth is MERCILESS!!!
Tumblr media
16 notes · View notes
brightwoods · 1 year
Text
Does anyone else feel like almost all of the conflicts that had to do with the various character dynamics in Chain of Thorns didn’t actually get resolved, they just unexplainably ceased to exist after two books of building them up because CC didn’t feel like writing them anymore and she didn’t know how to resolve it naturally after how she’d built the issues up so much?
Like how none of the characters but Cordelia and Thomas had any clue about the Alastair and Charles situation and then suddenly in CoT it was like who doesn’t know? Of course Matthew knew and didn’t say anything before and then randomly brought it up to Cordelia in Paris while assuming she knew too
Or how Alastair and Thomas went from how things were at the end of CoI with Alastair thinking it could never work because Thomas’s friends hate him to oh look everyone suddenly is friends with Alastair with no grudge with no development of that in this book at all, just an abrupt shift
Especially the Alastair and Matthew dynamic where Matthew hated Alastair and wanted him to have nothing to do with any of their friends and he spent CoI ranting about him to Cordelia. And then suddenly in CoT it’s like of course Matthew is supportive of Thomas and Alastair and oh look Matthew and Alastair are suddenly not just tolerating each other for Thomas’s sake but friends despite barely interacting and no development actually showing and never getting any mention of the other in their own POVs, just having Cordelia be like Alastair stop being dumb, you’re literally friends with him now
Or like everyone other than Christopher and Grace where it was like oh we don’t like her for how she’s treated us and her friends straight to anyway she’s one of us. Like yes Grace was useful and yes Tatiana manipulated her whole life, but none of that was why anyone changed their minds or opinions? It was just suddenly the flip of a switch when it was convenient for CC
Or Anna and Ariadne where it didn’t so much develop as Anna just acted mean to Ariadne on and off throughout the series and at the end of CoI she wanted nothing to do with a relationship and then in CoT she was just suddenly like sure I guess I do. Also, slightly different note, but I did not like that Anna barely interacted with anyone else for the entire book and she was just off in the corner being an irrelevant romantic subplot for almost all of the book except when she showed up to barely even be shown in the background being sad about her brother being dead
(Although Anna still got more of a reaction than everyone else and his death was poorly executed all around in the sense of how did you write this so predictably and poorly that no one even knows when he died and it’s so background and 99% of the characters don’t care at all and we don’t see his parents finding out or much of Thomas’s reaction or anything and it’s just as if he wasn’t a character anymore 2 seconds later which is a different genre of issue with CoT but similar problem in the sense that both issues made the book feel a lot more emotionless to read)
And how the issues of Thomas and Alastair being together as two men and Anna and Ariadne being together as two women in this time and the issues of what would happen if the fact that Charles and Alastair were gay got out to the entire Clave just disappeared and never got addressed at all. We know how the ClVe reacted to Alec Lightwood YEARS later. We know society was homophobic at the time TLH is set and that it seems like shadowhunter society was a lot less open-minded than mundanes a century later
I understand that Charles being blackmailed and making shitty decisions was annoying but it was like suddenly everyone finding out wouldn’t have consequences and all the other queer men characters were like how could you possibly be worried about this :/ as if they haven’t spent the whole series knowing they have to be careful about who they tell. And then suddenly it was just of course it’s totally fine and safe to have everyone find out and why wouldn’t you be fine with that. And it was really written in a way that had other queer characters like oh Charles is such a coward for not being ready to publicly tell a bunch of homophobic people his sexuality and it just wasn’t it??? And super weird after Thomas was terrified of telling even Anna and Matthew for years. And also, I did not care for the fact that when Charles did go risk getting outed to finally do the right thing, we didn’t even get to see it through any character’s perspective or how that important meeting went, we just got one line of dialogue from somebody else saying that it happened with no details at all. And I can’t think of other examples right now but there were quite a few moments like that where we got one line saying that something had happened that was important to the plot and to characters’ development that seemed like it would have been more interesting than some of what we did get to see where it was just totally breezed over and way too easy and totally background to less important stuff
And then there was the whole no one reacting to Ariadne and Anna dancing together publicly thing was like yeah that’s nice I guess but not realistic and it doesn’t go with the way things have been presented up to that point, it also just feels like a situation where CC was like well this would be easier for me so there just won’t be consequences and then they can easily end up happily together
And then there was the whole Thomas and Alastair thinking they couldn’t realistically be together thing and knowing they couldn’t get married or be known to be together by anyone they’re not close to and then at the end it’s still not really addressed how they’re going to be together? Like there was the laziest write off of the family tree being wrong and then we still are just left to assume that eventually they move in together and suddenly it’s not a problem and everyone’s fine with it? And then I also feel like we don’t actually know if everyone found out about Alastair and Charles’ sexualities after the blackmail or if people are going to assume about Thomas and Alastair or if that’ll cause issues or if no one knows outside of who they’ve told and they have to be careful or what. Which like wouldn’t necessarily need to be addressed if it wasn’t for the logistics of being together as two men in that time being part of the obstacle that they were struggling with being in their way and then it felt like it was totally forgotten to even be one at the end by CC
Idk like I’d love to think they just lived in a world where homophobia didn’t exist but it felt like homophobia was a plot point when CC wanted it to be an inconvenience and then suddenly disappeared just to make her writing easier the moment she didn’t want it there anymore instead of actually addressing the plots she raised with it if that makes sense?
And sorry, I really did not mean to go on a rant this long. And maybe everyone else had a very different reading experience than I did and other people don’t agree with some or all of this. I personally am just very confused about how the book was almost 800 pages long and it felt like so much of the development in it was us abruptly being told that development had happened rather than actually getting to see it and how so many of the issues were abruptly solved in an I don’t want to write this issue anymore kind of way rather than anything actually needing to be worked at outside of the Belial situation
Edit: You know what, I mentioned it in my tags but I feel like it’s annoying enough to put in the body of the post and make it even longer. What the fuck was with everyone outing or potentially outing everyone else just so that characters could openly talk about the queer characters and tell them to do what they want them to? Why did Matthew out his brother multiple times? Like yes, the people he said it to coincidentally already knew, but he didn’t know that. And why was Thomas outing Alastair? The straights got to keep their secrets as long as they wanted and fix their problems more naturally. Why did I have to sit through queer characters constantly having their sexualities and romantic histories to everyone else when they clearly had not okayed it? Why were the queer characters doing so much of the outing? Why were people who cared about them and knew what it felt like to be afraid of the wrong person finding out just broadcasting their sexualities to make it easier for CC to breeze past development to have their things get resolved fast? Why did no character have an issue with it at all?
#As a queer person the whole using homophobia against her characters as plot just to pretend homophobia doesn’t exist and call her characters#cowards for worrying about it as soon as she’s decided writing it doesn’t serve her plot agenda anymore really icks me right out#Like yeah I’d love homophobia to not exist but girl what are you doing that’s so gross to go about it that way#ALSO everyone outing or potentially outing everyone else to other characters to make it easier to get the queer characters to do what she#wanted them to was a HORRIBLE vibe. Why is Matthew outing his brother? Why is Thomas outing Alastair? Why is everyone telling everyone else#people’s sexualities as if it’s nothing and everyone has a right to know when that character clearly did not feel that way#And it’s so out of nowhere every time too#Hot take: Charles protecting Alastair’s privacy instead of outing him was more valid than anything any of the other queer characters said#about Charles or Alastair’s sexualities even if I hate Charles and his going along with the blackmail was bullshit#Also now that I’ve written all of this down and 99% of what I wrote about in here has to do with the canon queer characters that’s not#a great look either that she did breeze over some of the stuff with the other characters for sure but she was way more likely to skip depth#and development with the queer characters in CoT#CC said no slow burn gradual changes in this book… there’s only room for abrupt 180s and Cordelia running 🏃‍♀️#Sorry if this has weird typos and other mistakes in it. I typed on my phone and didn’t check for autocorrect nonsense and I’m too lazy to#reread this all rn at my current brainpower level#CoT#Chain of Thorns spoilers#Chain of Thorns#The Last Hours#The Shadowhunter Chronicles#Cassandra Clare#My Posts
75 notes · View notes
celleryeller · 3 months
Text
Tumblr media Tumblr media
I gotta love an anime where the protagonist is the embodiment of Autism Creature
16 notes · View notes
sadlynotthevoid · 4 months
Text
I love when a character is super strong or competent in something and the reason behind it is stupidly simple. Like, so stupid.
As in, they ask "how did you became so strong?" And the reason is something like "I always eat my vegetables". Buddy, that shouldn't make you able to throw a whole person like a boomerang.
Or a character becomes suddenly good at something and they're like "I practiced hard", but then they show them doing some hardcore, at the speed of the light, practice— for a pair of days.
It's so funny. It doesn't make sense. I love it.
Btw, this was caused for watching Villain Level 99 too early in the morning.
13 notes · View notes
moonsbijou · 3 months
Text
they like each other so much!!! 😭😭😭
13 notes · View notes
basilpaste · 3 months
Note
ANYWAY. OSIS ISABEAU. when you become stronger and stronger and your defense becomes more and more preemptive. wasting less and less time (and you hate it when you notice it)
you are strong. you are the fighter. isnt it good? to not have to struggle to keep up anymore? isnt it nice to attack instead of support?
youre a wall. a thick layer of defense. practically untouchable.
youre not sure you like this. didnt it feel good to help your friends? to support them?
have you ever actually liked fighting?
8 notes · View notes
juneboat · 3 months
Text
hmmmm need more villainess level 99 yuri posts out there. what can i brainrot about to spread the word of "eumiella should not be in love with patrick"
12 notes · View notes
tritoch · 4 months
Text
me: oh wow an ffxiv theory/meta post! i love these even when i don't agree with them. i wonder if this person will highlight an underdiscussed aspect of the setting, or reframe someone's characterization interestingly the post: "in the original japanese--" me: unsubscribed. blocked. reported. hie thee hence and never darken my door again.
#ffxiv#it's written in tokyo! we are talking about people who if they had a translation question could *walk down the hall and ask the writer*#it's not the english version's fault that you're a coward who's afraid of subtext and subtler characterization#even if it was intended as direct translation 99% of you lack the japanese fluency to appreciate any degree of nuance#and you frankly clearly can't appreciate nuance in english to begin with! so how could you know if it's conveyed correctly.#my favorite example is haurchefant. a lot of people complain about him being 'toned down' in english#which 1) he is. it's culturally necessary. if EN haurchefant talked about your sweat and offered you a 'warm bed' he'd be loathed#he'd come off as sexually aggressive towards women and as bad mlm rep. fans would DESPISE him.#different audiences have different values. he has to be written slightly differently to land in the same way he does in the original.#2) no he's really not. like sure the text of his lines gets toned down. but he's still absurdly into you. he's still a weirdo thrillseeker#there's still SHIRTLESS MEN WORKING OUT IN HIS OFFICE LOL#a lot of people complain that the english version is too aggressive or people are too mean and it's like...these are different contexts#like there's sooo many alisaie lines where people are like 'she's more of a cute tsundere in jp she's mean in english' and like.#alisaie is 100% an american tsundere in english. the localization team just knows how tsundere archetypes come off in english#which is to say straightforward tsundere shit tends to scan in english as either incredibly childish or cumbrained nonsense#and they have in turn written her with just a slightly lighter hand and more culturally intelligibly in english#she's a teenage girl who covers her sensitivity and inability to stop caring by putting on an abrasive front. that's a tsundere#alisaie is sort of an insane feat of localization. new levels of technology previously unheard of#'alisaie is like my badass wlw little sister' okay...yes. let's go with that. please ignore the ass shots in the trailers.
7 notes · View notes