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writerscompetition · 2 years

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Splash - Writers Competition

Calling all writers/poets: Are you a writer interested in gaining more exposure and a bigger audience for your creative work? Would an extra Rs.50,000/-, Rs.35,000/-, Rs.15,000/- in your pocket be a great thing right now?

If so, our Splash That Ink Writer’s Award is the perfect way to achieve both. For this award, any genre or theme of the poem, short story, long story, novel, essay any other form of writing is accepted. All applicants should submit their original unpublished work, 10,000 words or fewer, to be considered. Along with receiving an award of Rs.50,000/-, Rs.35,000/-, Rs.15,000/-, all the writers will have their writing featured within our blog, which reaches thousands of readers per month. Rules and exclusions apply. Additional info found at Splash That Ink Writer's Competition.

The Northern Beaches Library Service is holding its Splash - Writers Competition, a competition for young writers from Year 8 to 12. The theme of the competition is "splash." Submissions are open to all students in school from kindergarten to year twelve and library members. You can learn more about the Splash - Writers Competition and how to enter below. To enter, simply click on the link below.

The event is organized by Axis Bank and is a great opportunity for writers of all genres and levels. Its jury panel includes educationalists and mentors from leading schools and colleges. The top two national winners will receive a Scholarship worth Rs.1 lakh and a laptop, as well as digital certificates. There will also be mentors for the 100 shortlisted contestants. The competition is in association with WhiteHat Jr., Radio Mirchi, Sony YAY, and the Lockwood-Matthews mansion museum.

The competition is open to both children and teens. All submissions must be original. For children's and youth categories, original poetry and artwork will be accepted. The winners are required to give credit to their mentors in the writing process. Once they have been chosen, they will receive a monetary prize worth Rs.1 lakh. The winning entries will also receive a laptop and Digital certificates. For the competition, Axis Bank has partnered with WhiteHat Jr, Sony YAY, and Radio Mirchi.

Axis Bank has invited educationalists and mentors from top schools to serve on its jury panel. The winning national contestants will receive a Scholarship worth Rs.1 lakh and a laptop. Axis Bank is also sponsoring the 100 shortlisted participants with guidance from a mentor. Axis Bank is an important partner in the Splash - Writers Competition. It is one of the biggest literary competitions in India.

The Splash - Writers Competition is open to children and teenagers. Original artwork and poetry is encouraged, but all entries should be original. Those who win should give credit to their mentors. The judges will also be looking for original work from children. The judges will be judging all submissions based on their work, and the best entries will be announced in September. The winner will receive a scholarship of Rs.1 lakh and a laptop.

The Splash - Writers Competition is a great opportunity for budding authors. It allows young writers to showcase their creativity. You can even enter children's and youth poetry in the youth category if they have a mentor. The judges will look for the best entries for these categories and award the winners. This competition is open to all ages and can help you reach new heights. It is a good opportunity to start your own writing career and become published.

#Splash That Ink Writer's Competition

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watihewakete · 2 years

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Pravasa kathana in kannada pdf

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will-work-for-music · 6 years

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* 2017 ALBUMS OF THE YEAR

two thousand + seventeen birthed fantastic records that found me like friends, over + over again. these masterpieces lead me to people + experiences on adventures far better than i could have dreamed. these collections songs kept me company through the highest highs, the lowest lows + the walking in between of this year marked by hardship + madness, for most of the world. these are the tunes i smiled + screamed + cried + danced to the most, this year. i’m wildly grateful for each artist + the remarkable melody-wrapped memories they’ve gifted me. here’s to the songs that stay. 🖤

loved in no particular order:

* LOVELY LITTLE LONELY - the maine

brilliant + poetic + free. this band has been liberating me since i was seventeen. before lovely little lonely was even born i jumped at the chance to celebrate 10 years of this band of brothers who’ve grown up alongside their family of fans. to truly live the lyric: “let’s fall back in love with the world + who we are + do the things we talked about but never did before..” i’m grateful to the maine for adventures i only ever dreamed + for the soundtrack to them all.. she’s a masterpiece.

* THE SEARCH FOR EVERYTHING - john mayer

“And that ends an era. August ‘14-April ’17. I made this record for *you*. May you hear and see and feel yourself in these songs.” 🌊♥️🌊 - @johnmayer

she’s stunning from beginning to end.. i kept telling everyone this show felt like experiencing a film.. it’s surely safe to say JM has made another stellar, artistic set of songs for the soundtrack of my life. wow, wow, wow.. as he kept saying to us, “thank you, thank you, thank you.”

“[On The search for everything, Mayer] succeeds because he’s not donning a new costume: instead, he’s settling into a groove he can claim as his own, and it feels like he’s at home.” - AllMusic

* HARRY STYLES - harry styles

(on album release day) every once in awhile, a record comes along that surprises you in a great way. as i put it to my best friend, [on release day].. “oops, i think i like harry’s album.” THE cameron crowe recently wrote a truly stunning, intriguing rolling stone cover story with styles as the subject.. (the cover that my mom thought featured “a young mick jagger,” without a clue about the previous week’s SNL sketch, ha). as someone who was never into one direction (sorry, rob sheffield), i likely wouldn’t have given this album a shot, but it’s everything you wouldn’t expect to hear in a “former pop star” solo record. thanks to two of my favorite writers (rob sheffield, who penned the RS review like only he can, + crowe) for encouraging me to see harry for more than the kid from the boy band.. as crowe put it (on the RS music now podcast), “he’s a music geek, in the best way..” his love of classic rock shines through, while still capturing a sound all his own. well done, HS. “from the dining table” + “two ghosts” are early favorites.. which i chose just before ryan adams tweeted it.

Rolling Stone’s Rob Sheffield put HS at number 3 on his 2017 album list: “What a revelation to see Styles live the same week as Paul McCartney – a tutorial on the connection between joy and brilliance. So is this album. The songs are built to last, standing up to months of ridiculously heavy listening. The only rock star who can come on like Macca and Mick at the same time. The only rock star who could earn all six minutes of "Sign of the Times.” The only rock star using his hard-won artistic freedom to craft the kind of hilariously anti-commercial old-school personal statement where every song counts, making big guitar moves everybody else this year was too timid to try. The only rock star who thinks cigarettes in New York are “cheap.” The only rock star.“

* PRISONER - ryan adams

"i think ‘prisoner’ has so much more hope + sensuality in it—to me, it’s liberating. those songs are more a celebration of becoming something as it’s broken apart.”

a note to ryan, as tour came to a close:

i feel the most alive inside of these songs.. the ones that break me open + somehow heal me, all at once. RA, i know this time out on the road stole your health + your joy, at times, but the wonder with which you kept playing was magic to witness. i’m grateful for your pursuit of growth + grace, no matter what comes your way. be it bronchitis, haters or heartbreak, you never let anything keep you down. thank you for not one, but two flawless dates in two sparkling cities on the prisoner tour. rest up + stay weird.. xo

* ONLY THE LONELY - colony house

just shy of two weeks into 2017, franklin, tennessee born + bred band of brothers colony house released a creative, impactful collection of songs for the soul. the rocknroll band’s strong sophomore effort landed them spots in the year’s finest festivals across the country (homegrown pilgrimage fest, chicago’s lollapalooza, new orleans’ voodoo experience). it will be exciting to see where these driving, honest story songs take them in the coming year.

* WONDERFUL WONDERFUL - the killers

the fifth studio album from brandon flowers + co has been called their strongest in over a decade. the frontman said the lead single, “the man,” was written through the lens of what his 20-something self thought it was to be a man..“being tough + bringing home the bacon, when really it’s about being compassionate + empathetic.”

For NME, Flowers shared that the lyrics of the album are “the most personal and bare” that he has ever been: “I’m looking in the mirror on this record and focusing a lot on my own personal experiences. Instead of just drawing upon all these experiences and maybe using them in other songs, I am going straight for it with this and singing about my life and my family and that’s something different for me.” The track “Rut” was inspired by the struggle of Flowers’ wife Tana with PTSD. He said: “Usually I feel protective of her but I decided to take it head on. So 'Rut’ is about her submitting to it. That doesn’t mean that she’s gonna let it beat her, but rather that she’s gonna finally acknowledge that it’s there and promise to break this cycle.” Flowers also added that putting his wife’s battle into a song helped him understand better what she is going through. “Have All the Songs Been Written?” was originally the subject line of an email Brandon Flowers sent to Bono, in the midst of a bout of writer’s block, before the latter suggested it would make an excellent song title.“

'wonderful wonderful’ is altogether driving + poignant + strong, intricately crafted for the artist + his listener.

* METAPHYSICAL - the technicolors

as soon as i experienced the technicolors–friends/labelmates/co-creators of the maine–live, i knew they would be in my life from that day forward. it seemed previous projects couldn’t quite capture the passion + enthusiasm of that short set, so 2017’s "metaphysical” was highly anticipated by many.

the title’s defined as “relating to the transcendent or to a reality beyond what is perceptible to the senses. beyond ordinary experience.” the aptly named project evokes a raw, ethereal energy that draws outside the lines, while remaining true to a rock solid focus. “sweat,” “imposter!” + “congratulations you’re a doll” would be welcome additions to any playlist, however it’s recommended listeners follow the sparkling sonic story from start to finish.

* CONCRETE + GOLD - foo fighters the ninth record from foo fighters is born + it is a freaking force. dave says it’s motörhead meets sgt. pepper’s. i sure do dig the super crunchy guitars + layered vocal melodies. paul mccartney plays drums + justin timberlake sings bgvs, just cause he wanted to + it makes me the happiest human.

“I feel an earthquake coming on,” Dave Grohl sings on “Dirty Water,” a moment of fragile guitar poetry from Foo Fighters’ ninth album. Of course, keeping things steady amid chaos has been one of Grohl’s signature themes since the Foos were born from the wreckage of Nirvana a couple of forevers ago. Musically and emotionally, Concrete and Gold is their most balanced record yet – from stadium-punk dive bombers like “Run” and “La Dee Da” to the acoustic soul that opens “T-Shirt,” in which Grohl gets his Nina Simone on, singing, “I don’t wanna be king/I just wanna sing a love song.” “Sunday Rain” is a guitar weeper so late-Beatles great it even has Paul McCartney playing drums on it.

Adele co-writer Greg Kurstin’s production adds big-studio texture without diluting the band’s raw tumult; even Justin Timberlake’s appearance – as a backing vocalist on the space-truckin’ “Make It Right” – is subtle rather than ostentatious. The highlight is “The Sky Is a Neighborhood,” a hulking dream-metal anthem: “Trouble to the right and left,” Grohl sings, driving into the darkness with a Bic lighter raised to the heavens.“ - Rolling Stone

* HALLOWEEN - ruston kelly

ruston kelly captured me, years ago, with the single release of his flawlessly raw, haunting "black magic.” ever since, like a ghost itself, the song was never far from me.

Rolling Stone writes, “Black Magic” is a crescendoing rocker that ponders the bewitching pull of romance –and how it can easily disappear in a cloud of smoke.“

"Kelly is just as adept at making catchy country grooves – Tim McGraw and Josh Abbott Band have cut his tracks –as he is capturing life’s darkest, most introspective moments. The songwriter’s debut EP, the Mike Mogis-produced Halloween, is a solemn meditation on the inevitable end of things, and the spirits that tend to haunt us. Kelly came to Tennessee as a last-minute decision after attending high school in Belgium (he jokes that his father might have been a spy). Once he landed in town, he held tenure in the jam band Elmwood and battled addiction, writing songs on Music Row while exploring his demons on Halloween and his forthcoming full-length. Current single "Black Magic” shows a powerful grasp on storytelling gleaned from his love of the Carter Family and Townes Van Zandt, but also a more ragged rock & roll soul: it’s Americana, if your Americana is Bruce Springsteen with an acoustic guitar, sung by someone who spins a little heavy metal too. “Sometimes I wear both a cowboy hat and a Slayer T-shirt, just to throw people off,” Kelly says.“

* REPUTATION - taylor swift

"hold on to the memories, they will hold on to you” at her core, i still believe taylor to be the fiercely strong, quietly brilliant songwriter she’s always been. the power of the song comes through when you strip it down + it still shines just as bright. thank you for making music that meets me where i am + takes me away, since that very first day, at fifteen (2006). thank you for this one + for playing it for jimmy fallon + his momma (go watch that performance + weep!) i look forward to growing into this record as i have the five that came before.. i’ve never doubted her prowess as a storyteller.. + i won’t start now.

see also: Rob Sheffield’s glorious write up. i wholeheartedly agree. https://www.rollingstone.com/music/albumreviews/taylor-swift-reputation-sheffield-review-most-intimate-lp-w511359

rob is my favorite RS writer/author on all-things music. from his books on life through the lens of pop music–bowie, beatles + duran duran songs, respectively, i wouldn’t trust anyone else’s TS review. he articulately captures how i feel, as a fan from album one.. i look forward to better understanding 'reputation’ with each spin, though i can’t help but miss the classic introspective ballads.

* DIVIDE - ed sheeran

a fantastically diverse record. once again, sheeran proves he can break all of the boundaries + stay true to himself as an artist. he does it all so well, without appearing to care what anyone else thinks. “dive” is a bold, beautiful statement i continue to come back to + feel just the same. the record punches + dances in all the right places, from beginning to end, begging to be played on repeat.

* LIFE CHANGES - thomas rhett

thomas rhett gifted us the quintessential road trip singalong soundtrack record of the year. the day after it was born was spent on a bus from chicago to nashville, so when it wasn’t playing through my earbuds, it was spinning on repeat in my mind. the title track still stands out clear + strong, though i thoroughly enjoyed a live taste of the addictive early maren morris duet–“craving you”–back in february on the hometeam tour. it’s no wonder his career has catapulted with his seamless versatility in blending country’s storytelling with pop music’s neverending ear candy likeablity. this record excellently showcases rhett’s range from anthemic radio jams to heartbreaker ballads and true-to-life tales in between.

* FROM A ROOM (vol 1 + 2) - chris stapleton

stapleton released music this year in two parts, dubbing them “from A room” volumes 1 + 2–not just any room, “'A’ room” being nashville’s historic RCA studio A. some songs included in the collection were written up to a decade ago; ones chosen as they still ring true to the bearded, believable-as-they-come singer/songwriter.

on the authenticity of his craft, stapleton says, “I can’t really speak to why people like what we do. Hopefully, they know what we do is authentically us, and that goes over no matter what kind of music you’re playing. People will kind of hear that and connect with that in ways they wouldn’t if you were trying to be something that you think might be popular; I think that’s always a mistake in music, maybe even in life. Do something 'cause it’s in your heart, do something 'cause it’s what you’re supposed to be doing.”

“broken halos” + “second one to know” will, to me, always conjure up memories of seeing him open for tom petty and the heartbreakers at wrigley field, on their 40th anniversary tour, this summer. music is medicine and these honest-to-the-bone tunes are instant classics as well as a balm for the soul.

* FIRST CIGARETTE - travis meadows

“we rise. we climb. we shine like broken stars.”

the above is perhaps the defining statement of next-level nashville singer/songwriter, travis meadows’ 2017 studio album, 'first cigarette.’ the veteran of a different kind of war, there’s not much meadows hasn’t faced in life–cancer, heartbreak, addiction, depression.. and no story is off-limits for the wonderfully raw-voiced, honest-as-they-come artist. each song stays true to travis’ heart, some a little more uncomfortably authentic than accessible (ie radio-friendly), but that’s the way meadows prefers his craft.

“underdogs,” “pontiac,” “hungry,” + “better boat” stand out from first listen, yet each track was chosen to land where they do in the lineup + in the heart of the listener.

Rolling Stone writes, “To his most ardent fans and peers, including Eric Church, Dierks Bentley and Jake Owen, who have all cut Meadows’ songs for their respective albums, his open-book approach to his craft is his greatest gift. But Meadows lives in fear of rejection. That ever-lingering sense of distrust remains…

[On having label support backing a project for the first time]:

"It validates all of the suffering that I went through to get here,” Meadows says. “It gives it purpose.”

“I try not to be too hard on myself,” Meadows continues, “but I don’t deserve any of this. So I’m grateful for every inch I get walking that mile.”

* STEEL TOWN - steve moakler

steel town had only been out for nine days + i’d woken up with these songs in my head, every morning. i’m partial to “wheels” + “gold” + “summer without her” (co-written with + ft. my favorite-for-so-long, sarah buxton!!) + the title track, but i cannot pick a favorite, friends. the long wait from 'wide open’ to this one was oh-so-worth it. thanks for another heartfelt record filled with story songs i can spin for years + years to come. seriously, don’t sleep on this love letter to a historically hardworking hometown.

* BRETT ELDREDGE - brett eldredge

“Brett Eldredge’s self-titled third album is the Number One country album this week. The Illinois native also scored the highest all-genre chart position of his career, landing at Number Two on the Billboard 200, behind Kendrick Lamar’s LP Damn.” - Rolling Stone (August 15)

eldredge is both effortless + earnest, perfectly showcasing his ability + personality on the record he calls, “the most [himself].” from the playful first single, “somethin’ i’m good at” to the heartfelt vulnerability of “castaway,” listeners experience all-sides of the equal parts smooth sinatra, fun-loving country crooner. the standouts are story songs–“the long way” is dreamlike while “no stopping you” is wistful–both shine brilliantly on studio LP number three.

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rachelswirsky · 5 years

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Silly Interview with Anaea Lay (who wants to read your hate mail)

Rachel Swirsky: You were in Women Destroy Science Fiction--a project I greatly admire. What appeals to you about the project? What was your story like?

Anaea Lay: The Destroy series has been so phenomenally successful and huge that it's hard to remember that it started as an announcement that basically went, "You know what? Screw this. We're going to do a thing. Details forthcoming, let us know if you're in." I'm both irritable and prone to scheming wild projects, so an announcement like that is a perfect recipe to pique my interest. I sent them my info: i actually volunteered to read their hate mail for them since I get a bit of a kick out of getting hate mail. I have a weekly quota of cackling I have to meet and reading hate mail makes it really easy for me to hit it.

They did not take me up on that offer, but did ask me to write a personal essay for a series they were putting up on their Kickstarter page. There's less cackling involved in that sort of support, but I was game. It's pretty short and you can still read it online if you want. It's mostly about how I found SF at just the right moment for it to assure me that I wasn't as alone or strange as I thought I was.

What I like most about the Destroy project as it's grown and developed is how conversations around it have grown and developed. A lot of voices that were always there, but usually at the edges or hard to go find have been amplified and brought closer to the main stream of the conversation. That's the kind of effect that stretches beyond a single anthology or project. Twenty or thirty years from now, I'll get to be the pedant droning on in convention hallways about how this and that other thing taken for granted ties back to this project and here see all the ways I can tie them together. People will humor me and act like I'm being terribly interesting, and when they finally escape, I'll cackle. (I'll probably still have a quota to meet.)

RS: You have an unpublished novel. You quote what John O'Neill had to say about it: "…an unpublished novel set in a gorgeously baroque far future where a woman who is not what she seems visits a sleepy space port… and quickly runs afoul of a subtle trap for careless spies.” Can you tell us more? How did you come up with the idea, and did it surprise you where it went?

AL: That novel was a bit of an experiment. I had a big, sprawling space opera universe that I'd been building in the back of my head for years while working on other things. It was time to start actually working on things there, but while I knew a lot about it, things in the back of my head tend to be squishy and hard to work with. So I decided to do a safety novel first, something that would let me touch on the major set pieces without any risk of pinning myself in later or breaking something I'd need.

Which meant I had no idea what I was going to do with it when I sat down. I knew I wanted a pair of sisters as the protagonists, and I wanted the younger sister to do some protecting of the older sister, then just kept throwing things out there to see what happened.

I'm in the process of re-working on of the plotlines from that novel into a game for Choice of Games. It's serving as a learning workhorse for me again because I'm using it to experiment with all the things I learned while doing my first game with them. Clearly pirates, spies, and snarky computers are the learning tools every modern writer needs in their workshop.

RS: You used to podcast poetry--how do you go about figuring how to give a poem voice?

AL: I hosted the Strange Horizons poetry podcast, but I did as little reading of the poetry as possible; that's our venue for getting in a variety of voices and it seems to me that if people are particularly invested in my voice, they can get plenty of it in the fiction podcast.

That said, I would step in when we were short on readers or there was a poem that particularly caught my eye. (Editor's privilege is a marvelous thing!) Reading poetry is both easier and harder than reading prose; poems are frequently crafted with a very deliberate ear toward how they sound, which means you're not likely to find the text dull to interpret vocally. At the same time, you then have to do justice to the choices made in how the poem was put together, and justify it being you doing the reading rather than any given reader's interior head voice. So I look for the tools the poet gave me, then look for the ways I'm best suited to using those tools and build my performance around that. I'm a complete sucker for consonant clusters and sibilants.

RS: What was wonderful about running the Strange Horizons podcast?

Running the Strange Horizons podcast is fantastic. I've given the poetry podcast over to Ciro Faienza, who was one of our staff readers for the poetry podcast and the single most common provocation of fanmail the podcast has gotten. That podcast takes a lot of work, and I'd gotten to the point where I was very aware of a lot of ways it could be better, but realistically wasn't ever going to have the time to implement any of those improvements. Ciro immediately made some great changes and I'm really looking forward to what he does as he gets into his groove.

The politic, and mostly true, answer to what's fantastic about doing the fiction podcast is getting to read the stories early and then pull them apart and put them back together in order to give a good reading. The slightly more true answer, which has been growing over the course of the podcast, is the responses I get to the podcasts from the writers and the audience. I pretty much only consume short fiction in audio form these days, which leaves me very grateful to all the places that are making it available. Every time somebody reminds me that I'm one of those people is really great, especially when they're reminding me because they liked what I did.

But also, I really like getting to pull the stories apart and put them back together.

RS: So, on your website, you claim that the rumors I am a figment of your imagination are compelling. What are those rumors and why are you compelled by them?

AL: I actually exist as a multi-bodied individual quietly working to bring the world under the rule of a mischievous alien intelligence through widespread distribution of coffee and sunlight. We've already conquered most of California and are making great headway in Washington. Every sip of coffee you take, and every day with bright, clear skies, our agenda advances that much further.

Once, upon being informed of this (it's no fun to subvert an entire civilization if they don't know it's happening - you have to advertise) the person I was warning expressed skepticism about the veracity of my claims. Apparently, according to them, the very concept of a multi-bodied individual is imaginative speculation and the idea of being one even more so.

There's not a lot I can do in the face of such claims. There are people who don't believe in the moon landing. There's not a lot I can do about people who insist on remaining skeptical about coffee and sunshine powered conspiracies. But I do find such relentless denial of obvious reality to provide a fascinating insight into human psychology, especially when the stakes are this high.

The projects question: got anything you'd like to mention to readers?

The biggest thing I'm in the middle of right now is the Dream Foundry, which is a very cool new organization that's connecting different types of creative professionals all across science fiction, fantasy, and the rest of the speculative world. We're running useful articles on our website and starting up some very fun programming on our forums. We've got really big plans for the future (Contests! Workshops! Assimilation of the entire industry into our standards for compensation and professional conduct!) but we're already doing some very neat things, which is great for an organization that's less than a year old. In the short fiction realm, I just had "For the Last Time, It's not a Raygun," come out from Diabolical Plots. It's a tiny bit a love letter from me to Seattle, though I'd understand if it looks more like hate mail to some people. Much larger, my first game with Choice of Games, "Gilded Rails," came out late last year. It's a huge (340k) interactive novel where you're trying to secure permanent control of a railroad in 1874, during the very early days of the labor movement and age of Robber Barons. You get to choose between fixing markets or helping out small scale farmers, you've got a possibly-demonic pet cat, and a supreme court ruling over inheritance law for a big tent revivalist operation accidentally turned society into a more egalitarian alternate history where just about the entire cast might, depending on what you choose, be female. Also, I snuck in hot takes about the contemporary theater and poetry scenes, which is exactly the sort of timely, incisive commentary everybody needs in their business sim. I spent roughly forever, and also an eternity, working on this, so I'm really thrilled to have it out in the world. It could be said that I'm cackling over it.

#silly interview

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neeliepsrecs · 7 years

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On-line Wizarding Library Awards Round 3 2007

Since the archive owl.tauri.org shut down in 2012, the winners of the awards have been recovered from fanlore.org

Fire & Ice (Snape/Granger fanfiction)

Denial (M) by little beloved

The Love You Take (RS) by Subversa

Mists of Time (PG) by amr

The Common Room (General HP stories)

Altered Perspectives (RS) by SnarkyWench

To Know Who I Am (RS) by firefly124

About Snape (PG) by septentrion

Parseltongue (Award is for story translator)

Floresta de Dean (pt) (G) by ferporcel

Mestre do Encantamento (pt) (RS) by Subversa and translated by Bia Regina

Ilusões (pt) (M) by BastetAzazis

Draconian Measures (Draco-centric stories)

The Witch Bower (RS) by Bambu

Heart and Soul (M) by sshg316

Family Ties (G) by Annie Talbot

Realm of the Half-Blood Prince (HBP-centric stories)

One Last Request (G) by sshg316

Requiem For A Death Eater (M) by Rakina

The Path of the Alchemist (PG) by HumanTales

Hogwarts: A History (Pre-serial stories)

Unseen (M) by Subversa

Where Would I Be If I Didn't Know You? (PG) by Yemeron

Shack (M) by talloaks

Something the Dark Lord Made (Darkfic stories)

Between the Lines of Fear and Blame (RS) by hogwartshoney

Death Eater's Wife (M) by irisgirl

Tin Angel (G) by Spiderwort

Moonlight & Madness (Remus Lupin-centric stories)

A Cord of Three Strands (PG) by Subversa

Eyes (PG) by ferporcel

The Banebrewer (RS) by Grace has Victory

Snarry (Snape/Harry slash stories)

Help Wanted: God and Executioner (RS) by pir8fancier

The Winter of My Content (G) by magalud

This Boy's Life (RS) by pir8fancier

The Deathly Hallows (Book 7-based stories)

Forest of Dean (G) by ferporcel

And Madam Pomfrey Cried (G) by talloaks

What Might Have Been (PG) by snarkyroxy

Action/Adventure

A Gathering of Angels (M) by Annie Talbot

Mists of Time (PG) by amr

Looking for Magic (RS) by Hypnobarb

A Most Important Element in Water (M) by sylvanawood

A/U stories

Denial (M) by little beloved

The Love You Take (RS) by Subversa

Southern Magic (RS) by lapita

Angst

The Love You Take (RS) by Subversa

Unseen (M) by Subversa

Tabula Rasa (M) by ayerf

Challenge (Fics written for a challenge)

Denial (M) by little beloved

Send Not to Know (RS) by Subversa

A Fresh Start (PG) by richardgloucester

Crossover (Stories with non-HP characters included)

To Know Who I Am (RS) by firefly124

Oh, Boy! I'm a Wizard! (PG) by HumanTales

Harry Potter and the Eagle of Truthiness (G) by Potion Mistress, who accepts the award on behalf of C. Morgan

Drama

Denial (M) by little beloved

Mists of Time (PG) by amr

Unseen (M) by Subversa

Humour (Humourous and parody stories)

Phoenix Feathers (M) by Camillo

A Most Unlikely Correspondence (G) by little beloved

A Fresh Start (PG) by richardgloucester

Hurt/Comfort

Saving a Death Eater (PG) by Bambu

Send Not to Know (RS) by Subversa

Because the Phoenix Sang (M) by LoneButterfly

Poetry/Filk/Song Fic (Poems, filks, Song-based stories)

The Song the Summer Sings (PG) by sshg316

Johnny Has Gone (PG) by Soul Bound

The Winter of My Content (G) by magalud

Romance (Romantic stories)

Denial (M) by little beloved

Improbable Felicity (M) by Subversa

Mists of Time (PG) by amr

Snapshot/Drabble (Short, one-shot stories)

Virgin on the Ridiculous (RS) by melusin

A Good Morning (G) by Keladry Lupin

Forest of Dean (G) by ferporcel

Best cliffhanger

Ladder (RS) by ubiquirk

The Curtain Falls (M) by Bambu

Looking for Magic (RS) by Hypnobarb

Best death scene (Yes, there has to be a death in this.)

Match Made In Heaven (PG) by LoneButterfly

Resurgam (M) by ayerf

In Death (G) by Anastasia

Best new spell (Best newly-invented spell)

The Love You Take (RS) by Subversa

Southern Magic (RS) by lapita

Improbable Felicity (M) by Subversa

Best original character (Best new non-canon character)

Mr Alister Comes Home: A Master of Enchantment Christmas Story (PG) by Subversa

Tayet (G) by Annie Talbot

To Know Who I Am (RS) by firefly124

Best tearjerker (Minimum 2 tissues....)

In Apple Blossom Time (G) by Annie Talbot

Unseen (M) by Subversa

What Might Have Been (PG) by snarkyroxy

Best snog (A romantic one, duh)

The Love You Take (RS) by Subversa

Ladder (RS) by ubiquirk

Heart and Soul (M) by sshg316

#x #sshg #awards #owl awards #round 3

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angelluvrs · 5 months

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A lonely girls confession

I look into eyes of unavailble men and see opportunity instead of infidelity

bad choices line up for me to pick and instead of turning around i run toward imperfection

i cry to my friends when i have been wronged once again like it wasnt written

accross his forehead and down his body

down his body i go as his head aches with love

and my body hurts with excitement

i get ready in the morning and i want to be seen

looked up and down by mistakes not yet made

i doll up to the idea of attention and dress down at the thought of true love

the gentle manner of gentlemen bore me and i know this is what i should want

and what i need is to be picked up and told ive been bad

and plead for your foregiveness for seeking attention but you dont

so i wont settle down

ill give them what they want to see

choke at the misogyny like i am not a part of the problem

ill tell my friends all i want is a man thatll make me feel special

but i dont give them time unless they give me a hard time

and i am sick of myself

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lucidityisabsent · 2 months

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love at your pleasure

i will touch you right there if you do not care, and i may kiss your body everywhere

what is this/deux everywhere everywhere everywhere just my love everywhere

#poetry #rs scott #very short stories/long dreams

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stupidjewishwhiteboy · 7 years

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Some things I’ve learned while reading through a collection of all of HP Lovecraft’s poetry:

* As a poet, I can see why he’s largely known as a short story writer

* He was at least somewhat aware of his lack of abilities, as the notes in this book include some of his comments of some of his poems where he essentially calls them doggerel

* Despite being born 25 years after the Civil War and in New England, he was a hardcore supporter of the Confederacy and he has several poems talking about the Lost Cause (i.e. “the Confederacy was noble to defend slavery”)

* He wrote a poem called “On The Creation of N****rs” (without the censoring bits). No comment I think is necessary here.

* Apparently in response to the Italian American community in his hometown of Providence petitioning to get a street renamed “Columbus st.” he wrote a satire in which a descendant of Rhode Islanders driven from America by the horders of foreigners comes back to visit in the year 2000 and proceeds to bitch about how all the streets are renamed after Swedish, Irish, French, Spanish, Italian, Jewish, and Polish things (his Polish street name is literally “Wsjzxypq$?&%$ladislaw” by the way).

* On a non-racist front, he seemed to like writing poems about his friend’s romantic troubles which he transformed into Classical Greek romances about shepherds romancing nymphs and the like

All in all, this has been an experience and I’ve still got hundreds of pages to go.

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risingpakistan · 11 years

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The Pakistan Monument

The Pakistan Monument in Islamabad, Pakistan, is a national monument representing the nation's four provinces and three territories. After a competition among many renowned architects, Arif Masood’s plan was selected for the final design. The blooming flower shape of the monument represents Pakistan's progress as a rapidly developing country. The four main petals of the monument represent the four provinces (Balochistan, Khyber-Pakhtunkhwa, Punjab, and Sindh), while the three smaller petals represent the three territories (Gilgit-Baltistan, Azad Kashmir and the Federally Administered Tribal Areas). The Monument has been designed to reflect the culture and civilization of the country and depicts the story of the Pakistan Movement, dedicated to those who sacrificed themselves for future generations.

From air the monument looks like a star (center) and a crescent moon (formed by walls forming the petals), these represent the star and crescent on Pakistan's flag.

Conception

The plan to build a national monument in the capital city of Pakistan was undertaken by the Ministry of Culture who was Hamad Kashif at that time. In this respect, Pakistan Council of Architects and Town Planners (PCATP) organised a national competition around the theme of signifying strength, unity and dedication of the people of Pakistan into an icon representing an independent and free nation.

From a total of twenty submissions, three were short-listed. Finally, the design proposed by Arif Masoud was selected for construction, that revolved around the creation and development of the country.

Structure

The monument is located at the west viewpoint of the Shakarparian Hills, and is spread over a total area of 2.8 hectares. The high location makes the monument visible from across the twin cities of Islamabad and Rawalpindi. The foundation stone was laid on 25 May 2004 and the complex was completed by the end of 2006 for inauguration on 23 March 2007. The total cost incurred was more than Rs.580 million.

The structure comprises four blossoming flower petals, built of granite, representing the unity of Pakistani people. The inner walls of the petals are decorated with murals. The central platform is made in the shape of a five-pointed star which is surrounded by a water body. A metallic crescent surrounding the star is inscribed with sayings of Muhammad Ali Jinnah and poetry of Allama Iqbal.

Murals

The murals on the inside of large petals are based on Islamic architecture, and were decorated by a team of artists led by Kausar Jahan and Zarar Haider Babri, who spent a total of 119,000 hours on the artwork. The first petal features the Malki Tombs, Shahjahan Mosque, Rohtas Fort, Gawadar, and Faisal Mosque. The second petal depicts the images of Quiad-e-Azam Muhammad Ali Jinnah, Fatima Jinnah, Minar-e-Pakistan, Badshahi Mosque, Shila Tunnel, Karakorum Highway and a group of cheering people at Jinnah's public appearance. The third petal reflects Allama Iqbal, the Shah Rukn-e-Alam's Tomb, Mahabat Khan Mosque, Indus Valley Civilization, Lahore Fort and Indus River Delta. The fourth petal comprises the images of Sheesh Mehal, Lahore, Shalamar Gardens, the Uch Sharif Tomb, Islamia College Peshawar, the Ziarat Residency, the Khyber Pass and a polo match. Pakistanre

#Pakistani people #Pakistan Monument #Pakistan #Muhammad Iqbal #Muhammad Ali Jinnah #Islamabad #Federally Administered Tribal Areas #Allama Iqbal

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emergingislamabad · 9 years

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Pakistan Monument

During the initial stages the plan was envisioned and started by Uxi Mufti son of Mumtaz Muftiin 2005[1] later the plan to build a national monument in the capital city of Pakistan was undertaken by the Ministry of Culture which was under Hamad Kashif at that time. In this respect, Pakistan Council of Architects and Town Planners (PCATP) organised a national competition around the theme of signifying strength, unity and dedication of the people of Pakistan into an icon representing an independent and free nation.

Structure

#Pakistan Monument #Pakistan #Islamabad Information #Islamabad #Beautiful Islamabad

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bollywoodirect · 7 years

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Remembering #JahanaraKajjan on her birth anniversary. Hailed as the reigning queen of the stage, the glamorous movie actor, the trained singer, the fashionable modern girl, and the trendsetter, Jahanara Kajjan or Kajjan Bai, better known as Miss Kajjan was many a splendored personality. No wonder, in her heyday she was saluted as the ‘Lark of Hindi cinema’ and the ‘Beautiful Nightingale of Bengal Screen’. As a young lad in Lahore, I dimly remember, seeing her in Madan Theatres’ “Laila Majnu (1931). I recall its roaring publicity through splash of posters and eye-catching hoardings all over the city with dazzling pictures of Miss Kajjan. The novelty of Talkies was still fresh and cinema houses attracted big crowds, more so when films were packed with songs. “Laila Majnu” featuring Miss Kajjan and Master Nissar, the most popular singing pair of the stage was a spectacular success. I vaguely remember, a scene from the film, where Majnu (Nissar) looking for Laila (Kajjan) in the wilderness sings Laila Laila Pukarun Mai Ban Mein, Laila Pyari Basi More Man Main. “I am crying for Laila in the jungle when the beloved Laila is residing in my heart”. Those days, there were hardly any film magazines and the practice of publishing spicy interviews of stars was still a couple of decades away. There is a mention of Kajjan by Kathryn Hanson, a leading scholar of South Asian theatre history in her book “Stages of Life” (2011). Jahanara Kajjan (1915-1945) is pronounced there as ‘Popular singing actress, daughter of the courtesan Suggan and the Nawab of Bhagalpur’. There is a question mark on her date of birth since no authentic information is available. This applies practically to all female artistes from the professional class, who turned famous as theatre and cinema actors. However, the circumstantial evidence culled from Kajjan’s stage and cinema career in the late 1920s and early ’30s and also some reference to her love affairs during that period leads us to conjecture that she was born sometime around 1910. Kajjan belonged to a family of professional artistes, who carried the tag of tawaifs or courtesans. They were also invited by the princely courts and aristocracy to perform at their private mehfils. With their refined manners they provided stimulating company to the male elite. An established code of conduct ruled out marriage in their profession but they were allowed to have a liaison with a chosen patron. Kajjan’s mother Suggan apparently had one such relationship with her father. The anti-nautch campaign at the beginning of the 20th Century denigrated the singing and dancing profession. Some, among them, became gramophone singers or theatre stage actors. Kajjan received education at home and even learnt English. Well versed in Urdu literature, she wrote poetry under pen name “Ada” and some of her poems were published in Urdu magazines. She received intensive training in Hindustani classical music from Ustad Hussain Khan of Patna. Noting her mastery of ragas, her mellifluous voice and also her charming looks, she was hired by a theatre company at Patna. She is said to have performed on stage for three days at a fee of Rs.250 per show. She enchanted the audience with her golden voice. This paved the way to her joining Alfred Company owned by Madan Theatres of Calcutta. According to Fida Hussain, a Parsi theatre legend, “He worked with actress Jahanara Kajjan becoming her director and leading man”. Kajjan attained name and fame as a very popular singer and actor of the stage. The advent of talkies in 1931 brought a revolution in the entertainment scene. The phenomenal success of the first talkie “Alam Ara” in March 1931 inspired a number of producers to make their “all talking, singing, dancing films”. Madan Theatres of Calcutta, were already in the field and were only a few weeks behind when they hit the screen with “Shirin Farhaad” based on the stage play scripted by the renowned playwright Agha Hashar Kashmiri. “Shirin Farhad” beat “Alam Ara” as it was more refined technically and featured 42 songs by Kajjan and Nissar, already popular singing pair of the stage. The film was a tremendous success across India with Kajjan emerging as the first superstar of Hindi cinema. It is said that a tongawala in Lahore pawned his horse to see “Shirin Farhad” 22 times. It was followed by another super hit “Laila Majnu”, featuring the same duo Kajjan and Nissar. Another film that created history was “Indrasabha” based on the play written by Agha Hassan Amanat, the court poet of Wajid Ali Shah, the last Nawab of Awadh. Loaded with 71 songs, the film still holds the world record as “film with most number of songs”. The film with duration of three and half hours (211 minutes) was entirely in verse and Kajjan sang several songs, ensuring its roaring success all over the country. Some of the most popular numbers sung by Kajjan were — “Toone to mora man har leeno more banke saanwaria ” (Oh my dearest you have captivated my heart); “Chaman ko yun mere saqi ne maikhana bana diya ” (My wine server has turned the garden into a tavern); “Kab se khadi hun terey dwar, bula le mohe balam re ” (My love please call me as I have been waiting at your door for so long). Some of her other memorable movies were “Bilwamangal”, “Shakuntala”, “Alibaba aur Chalis Chor”, “Aankh ka Nasha”, “Zehari Saanp”, etc. By mid 1930s, the early enthusiasm for song-dramas, mythological stories and Persian love tales was wearing off and many film producers were forced to close shop, Madan Theatres among them. The classical numbers sung by the likes of Kajjan were losing their appeal and so was her theatrical acting style. She failed to receive any offers from the new producers. A wealthy woman, she stayed on in Calcutta, but after a couple of years with depleting resources, she was compelled to move to Bombay. Her Parsi connection, especially with Sohrab Modi, the doyen of Parsi theatre, helped her to get some acting assignments there. Kajjan’s career in Bombay was short-lived from 1941 to 1944, during which she appeared in six marginal films, with the exception of Sohrab Modi’s “Prithvi Vallabh”. Further, she was given only minor roles and got little chance to display her singing calibre. She lived a lavish life at Calcutta. Fond of pets, she even had two tiger cubs for some time. Kajjan was cited as a fashionable modern girl. A studio portrait of late 1920s shows her wearing makeup, ear rings, nose pin with finger waived hair, dressed in a sari with laced blouse. This very photograph was carried in an advertisement for face powder and hair products by “The Crisis (New York) 1928”. Kajjan had learnt western dancing and was a regular visitor to Calcutta Club, mixing freely with the elite gentry. On a personal front, she had a colourful life, with roaring love affairs with many of her co-stars. Fida Hussain, her theatre director and co-star openly speaks about the ups and downs of his romantic relationship with her. She was also intimately involved with Najmul Hassan, a very handsome actor of his time, who landed at New Theatres, Calcutta after being sacked by Bombay Talkies for his notorious affair with the leading star Devika Rani. There is little information about her personal life in Bombay, where she passed away unsung in 1945. Courtesy- The Hindu

#Jahanara Kajjan #Kajjan Bai #Bollywood #Bollywoodirect

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yespoetry · 4 years

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Listen to a Recording of Our First Virtual Reading

On Saturday, March 28, 2020 from 7PM to 9PM EST, we hosted a virtual reading on Zoom, the first of a new series called LOVE HAS NO DISTANCE.

The reading consisted of 12 featured performers, two open mic performances, and a discussion - as part of a way to celebrate work, support each other, and bolster collaborative conversations. Below you can find information on each reader, with ways to support them, as well as listen to a recording of the reading itself.

Featured Readers:

Orchid Tierney

Orchid Tierney is a poet and scholar from Aotearoa-New Zealand, now residing in Gambier, Ohio. Her chapbooks include Brachiation (Dunedin: Gumtree Press, 2012), The World in Small Parts (Chicago: Dancing Girl Press, 2012), Gallipoli Diaries (Gausspdf, 2017), and the full length sound translation of Margery Kemp, earsay (Trollthread, 2016). First collection, a year of misreading the wildcats, is out from The Operating System (2019). She received an MCW from the University of Auckland (2010), an MA from University of Otago (2013), and a PhD in English from the University of Pennsylvania (2019). She is Assistant Professor of English at Kenyon College.

Work: a year of misreading the wildcats: The Operating System, 2019; excerpt here Social: Twitter, Instagram

Denise Jarrott

Denise Jarrott is the author of NYMPH (Vegetarian Alcoholic Press, 2018). She is also the author of two chapbooks, Nine Elegies (Dancing Girl Press) and Herbarium (Sorority Mansion Press). Her poems and essays have appeared in jubilat, Black Warrior Review, Zone 3, Burnside Review and elsewhere. She grew up in Iowa and currently lives in Brooklyn.

Work: NYMPH: Vegetarian Alcoholic Press, 2018 Social: Instagram

Stephanie Valente

Stephanie Valente lives in Brooklyn, NY. She is a Young Adult novelist, short fiction writer, poet, editor, and content & social media strategist. In short, she wears many hats. Especially if they have feathers. She is the Assistant Editor at Yes, Poetry and writer at Luna Luna Magazine. She has published Hotel Ghost (Bottlecap Press, 2015), waiting for the end of the world (Bottlecap Press, 2017), and Little Fang (Bottlecap Press, 2018). She has work included in Susan, TL;DR, and Cosmonauts Avenue, and has provided content strategy, copy, blogging, editing, & social media for per’fekt cosmetics, Anna Sui, Agent Provocateur, Patricia Field, Hue, Montagne Jeunesse, Bust Magazine, Kensie, Web100, Oasap, Quiz, Popsugar, among others.

Work: Little Fang: Bottlecap Press, 2018; short fiction here Social: Twitter, Instagram

Angelo Colavita

Angelo Colavita is a writer from Philadelphia, PA, where he serves as Founding Editor of Empty Set Press and Associate Editor at Occulum Journal. He is the author of two collections of poetry — Flowersonnets (ESP 2018), Heroines (ESP 2017) — with work appearing or forthcoming in the Operating System’s ExSpecPo series, Pigeon: A Radical Animal Reader vol. 2, Mookychick, Madcap Review, Prolit Magazine, Metatron, Dream Pop Journal, South Broadway Ghost Society, Luna Luna Magazine, Yes Poetry, Apiary Magazine, and elsewhere online and in print. His forthcoming epic poem, Nazareth, will be released by APEP Publications in 2020.

Work: Flowersonnets: Empty Set Press, 2018; excerpt here Social: Twitter, Instagram

Mark Lamoureux

Mark Lamoureux lives in New Haven, CT. He is the author of four full-length collections of poetry: It’ll Never Be Over For Me (Black Radish Books, 2016), 29 Cheeseburgers / 39 Years (Pressed Wafer, 2013), Spectre (Black Radish Books 2010), and Astrometry Orgonon (BlazeVOX Books 2008),. His work has been published in print and online in Elderly, Denver Quarterly, Jacket, Fourteen Hills and many others. In 2014 he received the 2nd annual Ping Pong Poetry award, selected by David Shapiro, for his poem “Summerhenge/Winterhenge.” He teaches at Housatonic Community College in Bridgeport, CT. His chapbook, Maris McLamoureary's DICTIONNAIRE INFERNAL, co-authored with Chris McCreary, was published by Empty Set Press on Halloween 2017.

Work: Horologion: Poet Republik Ltd., 2020; poetry here

Social: Twitter, Instagram

Taleen Kali

Taleen Kali is a writer, musician, and artist native to Los Angeles. After coming up in the DIY scene as front woman of riot grrrl band TÜLIPS (2011-2016), Taleen debuted her solo act at Echo Park Rising and tours nationally with her band. She's founder of DUM DUM Zine, an experimental publication and literary arts collective named a "cult favorite" by the L.A. Times.

Work: Soul Songs, Lolipop Records, 2018; writing here Social: Twitter, Instagram

Sarah Nichols

Sarah Nichols lives and writes in Connecticut. She is the author of four chapbooks, including Dreamland for Keeps (Porkbelly Press, 2018) and She May Be a Saint (Hermeneutic Chaos Press, 2016). Her poems and essays have also appeared in Thirteen Myna Birds, The Ekphrastic Review, Calamus, and The RS 500.

Work: Dreamland for Keeps: Porkbelly Press, 2018; poetry here Social: Twitter

Genevieve Pfeiffer

Genevieve Pfeiffer is Assistant Director at Anomaly where she is curating a folio on reproductive justice and its intersections (she urges you to submit). She is a writer and poet, and facilitates workshops with survivors of sexual assault and harassment. Her work is forthcoming or has been published in Erase the Patriarchy, Juked, So to Speak, Stone Canoe, and more. She blogs about outdoor wanderings and herbal birth control’s intersections with witches, colonization, and personal and bioregional health at: https://medium.com/@GenevieveJeanne

Work: essay here; poetry here Social: Instagram

Leza Cantoral

Leza Cantoral is the author of Trash Panda, a collection of poetry, and Cartoons in the Suicide Forest, a collection of short fiction, and the editor of Tragedy Queens: Stories Inspired by Lana Del Rey & Sylvia Plath. She is Editor in Chief of CLASH Books. She has published poetry and nonfiction in Luna Luna Magazine, Entropy, Philosophical Idiot, Breadcrumbs Magazine, Cultured Vultures, Quail Bell Magazine, Verse, and A Shadow Map: An Anthology of Survivors of Sexual Assault (CCM). She is the host of Get Lit With Leza, a podcast where she talks to cool ass writers while getting hammered. She has a B.A. in Cultural History from Marlboro College.

Work: Trash Panda: Clash Books, 2019; poetry here Social: Twitter, Instagram

Zoe Tuck

Zoe Tuck is a queer transgender poet based in Northampton, MA. Author of Terror Matrix and Soft Investigations, co-curator of the But Also reading series, she offers poetry workshops and other services such as literary publicity and marketing, small press consultation, tarot readings, and more. A former member of the editorial collectives of Timeless, Infinite Light and of Hold: A Journal, she also continues to be available for editing services and manuscript consultation. She is currently working on building the Threshold Academy, an experiment in radical pedagogy and a future bookstore + alternative educational space, in Western Massachusetts. Support her as she writes her epic poem here.

Work: Soft Investigations: Daisy Mayhem Books, 2019; poetry here Social: Twitter, Instagram

Lisa Marie Basile

Lisa Marie Basile is the founding creative director of Luna Luna Magazine, a popular magazine & digital community focused on literature, magical living, and identity. She is the author of several books of poetry, as well as Light Magic for Dark Times, a modern collection of inspired rituals and daily practices, as well as The Magical Writing Grimoire: Use the Word as Your Wand for Magic, Manifestation & Ritual. Her work focuses heavily on trauma recovery, writing as a healing tool, chronic illness, everyday magic, and poetry. She's written for or been featured in The New York Times, Refinery 29, Self, Chakrubs, Marie Claire, Narratively, Catapult, Sabat Magazine, Bust, HelloGiggles, Best American Experimental Writing, Best American Poetry, Grimoire Magazine, and more. She's an editor at the poetry site Little Infinite as well as the co-host of Astrolushes, a podcast that conversationally explores astrology, ritual, pop culture, and literature. Lisa Marie has taught writing and ritual workshops at HausWitch in Salem, MA, Manhattanville College, and Pace University. She is also a chronic illness advocate, keeping columns at several chronic illness patient websites. She earned a Masters's degree in Writing from The New School and studied literature and psychology as an undergraduate at Pace University. You can follow her at @lisamariebasile and @Ritual_Poetica.

Work: The Magical Writing Grimoire: Quarto Books, 2020; poetry here Social: Twitter, Instagram

Joanna C. Valente

Joanna C. Valente is a human who lives in Brooklyn, New York. They are the author of several books, including Marys of the Sea, #Survivor (2020, The Operating System), and Killer Bob: A Love Story (2021, Vegetarian Alcoholic Press). They are the editor of A Shadow Map: Writing by Survivors of Sexual Assault and received their MFA in writing at Sarah Lawrence College. Joanna is the founder of Yes Poetry and the senior managing editor for Luna Luna Magazine. Some of their writing has appeared in The Rumpus, Them, Brooklyn Magazine, BUST, and elsewhere. Joanna also leads workshops at Brooklyn Poets. joannavalente.com / Twitter: @joannasaid / IG: joannacvalente / FB: joannacvalente

Work: Marys of the Sea: Operating System, 2017; Xenos: Agape Editions, 2016 (free pdf) Social: Twitter, Instagram

Open Mic:

Zeke Greenwald

Zeke Greenwald‘s work has been featured by the Opiate, Prelude, Join the Dots, Künstler Künstlerin, and others. Check out more of his work at zekegreenwald.com

Work: poetry here Social: Instagram

Daniel Adam Saftler Social: Instagram

Check out the video recording below:

#recording #virtual reading #love has no distance

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