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gamebunny-advance · 2 years ago

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NSR Comic Ideas I'll Probably Never Get To

My brain worms often prevent me from doing the things I actually want to do, so here's a list of NSR comic ideas that live in my head that I just can't bring myself to actually draw. These aren't full scripts like I've written in the past, but more like general outlines.

Draw them yourself if you want, but tag/credit me if you do. It'd be fun to see other interpretations of these prompts.

Since they're mostly gag comics, I've split them into "Set-Up" and "Punchline" in-case you want to write your own punchline or don't want to spoil the joke with the misguided hope that I will someday bring these to life. Some also have "Extended" parts which I think functionally don't need to be there, but may add context or additional jokes at the risk of dragging it out.

Anyway, I hope y'all enjoy them, and hopefully someday I'll be able to make at least 1 or 2 of these real. If there's a particular one you really like, let me know and it might inspire me to actually do it~

Preview:

Game (Neon J. teaches 1010 a new game.)

Clothes (1010 discuss the concept of nudity.)

Simulation (Kliff plays a 1010 dating sim to gather intel.)

Shorts (Tatiana urges DJSS to reconsider wearing shorts to work.)

Singing (Kliff sings to himself in the hideout.)

Chill (Gigi reveals that he has ice powers.)

Wall (Kliff and Tatiana have an argument that turns violent.)

Magazine (Neon J. tries to find the culprit of a smuggling.)

Trade (Kliff makes a trade.)

"Game" (Warning: Violence)

Set-up: Neon J. offers to teach 1010 how to play a new game. They all agree.

Punchline: NJ throws a gun on the table and declares the game is "Russian Roulette."

Extended: The winner turns out to be Blue (as per the chess poll), but he is traumatized by the events. It turns out to be borderline pointless, as the losing 1010s are immediately restored by the factory. The 1010s attack Neon J. in retaliation.

"Clothes" (Warning: Suggestive)

Set-up: Green holds a meeting to discuss if the concept of "nakedness" applies to the 1010's considering that their "clothes" could also be considered "skin." White is annoyed at the prospect of such a pointless discussion, but the others make their cases. Two camps form: team naked (Red and Green), and team not-naked (Blue and Yellow). Team naked believe the skin theory, and team not-naked believe that functionally they can't be naked. Additionally, Blue believes that their clothes are technically made of skin since they're 80% recycled materials.

White refuses to participate to break the tie, so to settle this Green proposes the "underwear test," claiming that if they look more or less naked while wearing underwear will determine if they are functionally naked or not. If they look more naked with underwear, then they weren't naked before because the underwear would draw attention to their nudity. If they look less naked, then they are naked because now they're more covered up. He convinces White to model for them since he hasn't done anything to help move the conversation anywhere (the sooner they settle this, the sooner they can do something else). White agrees and models some underwear, but all the 1010s determine that he just looks stupid.

Punchline: Green bursts out laughing, revealing that this was just a drawn-out revenge plot. White destroys him and their "Days since White has Destroyed Green" board is reset to 0.

"Simulation"

Set-Up: Kliff hobbles into the sewer looking half-dead and is intercepted by Zam, asking what happened to him. Kliff explains that he was doing research for the upcoming 1010 battle. To meet that end, he discovered that they released a dating sim that was supposedly programmed with the 1010 A.I.'s input, so he figured that there might be something useful in it that he could use for a battle strategy.

"Ellie says: Please don't pirate games from independent developers!"

When asked why he didn't just use a guide or play through for his research, he claims that although each 1010 only has 2 routes (good and bad) plus an ultimate ending for playing all routes, the A.I. adapts to the player, so the information would only be useful if he played as though he was Mayday or Zuke.

Punchline: The content of the game was so expansive and the story so moving that he was burnt-out emotionally and mentally. When he recalls the final ending, he starts crying, mimicking Mayday at the end of the 1010 battle.

"Shorts"

Set-Up: DJSS was recently hired onto NSR and has been pulled into a meeting with Tatiana. Tatiana tries to convince DJSS that wearing shorts is inappropriate dress-code, stating that "There are children here." Offended, DJSS starts pointing out the obvious biases in her request, citing that Neon J. doesn't technically wear pants and Eve accidentally interrupts their meeting in her usual outfit. Tatiana acquiesces on this condition, "Don't come crying to me when you come to regret your choices."

Punchline: DJSS leaves the room in a huff, and begins muttering to himself. At that moment, Yinu and Mama are passing by as Yinu points out that DJSS often talks out loud to himself. DJSS and Mama stop to try and make small talk while Yinu zones out of the conversation. She starts looking at DJSS's leg hairs and grabs onto them. DJSS thinks that she's trying to get his attention, but she suddenly yanks them out, causing him to let out a physical scream which bursts out of NSR tower to be seen by the citizens miles away. When we return to NSR tower, DJSS has toppled over from the pain, and Mama lightly scolds Yinu as they walk away from the scene. DJSS manages to pull himself back into Tatiana's office, crying. To which she replies, "What did I just tell you about crying back to me?"

Extended: It is revealed that this is why DJSS wears platform shoes: to keep Yinu from reaching his leg hairs. He also switched to velcro shoes just to be safe.

"Singing"

Set-Up: Kliff is singing Vs. SAYU to himself in the meeting room. He's embarrassed, but can't help himself because the song is too catchy. He at least finds relief that no one can hear him in there but suddenly notices that someone is peeking in through a crack in the door. It's Zam who was secretly recording it on his phone.

"Ellie says: Don't record people without their permission!"

Zam apologizes and slowly closes the door and begins to talk away before Kliff bursts through the door and begins chase. Zam manages to get the phone to Ellie, who gets the phone to Mayday, who is confused about what's happening. Kliff managed to get back to the game room, but he's too late.

Punchline: Mayday plays the video and says, "Wow Kliff... you've got a really good voice." Zam (who is a little beat-up from the chase) agrees and says, "But he never comes out to karaoke with us." Kliff is confused because he thinks the fact that he was singing one of NSR's songs is embarrassing, but Mayday laments that it's a really catchy song, and she does the same thing sometimes.

"Chill"

Set-Up: It's a hot day in B2J's hideout. Mayday laments the heat when Gigi passes by and puts his hand on her forehead. To her surprise and delight, his hand is really cold. She asks him if he was just holding a cold drink, but he reveals that he's half-ice elemental, so he has a naturally low body temperature, explaining that's why he's always bundled up. Mayday asks if she can hug him, since she thinks a frosty hug would be amazing right now. He's a little hesitant but agrees. Mayday feels relieved from the heat, but Gigi starts sensing murderous intent from somewhere. He notices a darkness flowing out from the meeting room and sees Kliff peering out. He urges Mayday to stop, but before she can do anything, Kliff accidentally falls over into the room from leaning on the door.

Punchline: Mayday wonders why this happened and concludes that Kliff must have been jealous. As Kliff tries to say that "it's not what it looks like", Mayday says, "You're jealous that I'm hogging Gigi all to myself. You can have a turn too." Gigi and Kliff internally monologue about how dense she is, but hug each other anyway to keep up appearances.

Extended: As they hug, Kliff realizes that it actually does feel pretty good. And the next shot has Kliff apparently monopolizing Gigi from the others as the latter wonders how they got to this point.

"Wall"

Set-Up: Tatiana and Kliff are arguing about something when Tatiana suddenly slams her fist into the wall, narrowly missing Kliff's head. Flustered, he says, "You can't win by trying to seduce me!" She replies, "This isn't seduction you moron." Before they can do anything else, they both hear a "Ker-thunk!" as Neon J. has situated a table with a sign reading, "Get wall slammed by Tatiana! $5 [Or the rough equivalent in ringgits]" and a small line has already formed. Tatiana questions this as Kliff slips away from the scene. Neon J. declares that he takes any business opportunity he sees. She's about to tell him to stop when the crowd starts looking disappointed.

Punchline: Tatiana begins wall slamming various characters including:

Mayday, who squees about being wall slammed by Kul Fyra.

Eve, who Tataiana tells could just ask her to do this for her.

Kliff again, who wasn't done with their earlier argument and had to pay Neon J. double since he "got the first one free".

Extended: After all the wall slams, Tatiana is exhausted and Neon J. tallies their profits from the day and gives Tatiana her share. It is also revealed that the "table" was actually a 1010 with a board on his back covered by a tablecloth.

"Magazine" (Warning: Suggestive)

Neon J. has called a meeting for the other 1010s to discover which one of them brought a dirty magazine into the house. They ask where he found it, but he claims it doesn't matter and he just wants to know who it belongs to.

Punchline: The 1010s look to each other but remain silent. Neon J. expresses disappointment that they would disobey orders twice, but they claim that they can't determine who it belongs to without more information. Neon J. then correctly deduces that they all own copies of the exact same magazine, just hidden in different places. They are all grounded for 2 weeks.

Extended: In an attempt to make it easier to identify the culprit the next time this was to happen, Neon J. decides to give each 1010 a different fetish, so he can just match the content to the 1010. To his dismay, this just leads to them finding a magazine which miraculously contains all 5 fetishes.

"Trade"

Set-Up: Kliff sits on a bench in front of a fountain. An individual wearing a trench coat and hat obscuring their face sits next to him. Without looking at the individual, Kliff asks, "Do you have it?" They slide him an envelope. Kliff briefly examines the contents (seemingly a document) which can't be seen by the viewer. After tapping them back in, Kliff sets a USB drive on the bench. The individual takes it. "That should patch up most of your vulnerabilities." Kliff says. "Yeah. Most." The individual says with a square text bubble, revealing himself to be Neon J. As Kliff stands up he says, "I need a reason for you to keep coming back, don't I?" Neon J. is left alone holding the drive before squeezing it in frustration and curses under his breath. Kliff makes his way back to the hideout's meeting room where Mayday is waiting with a stern expression. She asks, "Did you get the goods?" Kliff tosses the envelope onto the desk and says, "I always come through, kid." Mayday examines the contents and smiles to herself.

Punchline: It is revealed that the document is a signed pin-up of Kul Fyra which Mayday excitedly hangs up in the room.

#gbunny writes #nsr #no straight roads #game is the shortest one #because that's the only one that i envisioned as a 4-koma #when writing these i realized that i don't utilize zuke as a character that much #i dunno. he's usually the comic relief in-game #but that somehow makes him more boring to write for #his brand of comedy is more of being 'comically serious' while i write from a slightly more absurdist angle #in other words: he's just too smart for me to write for #and he's also too nice for him to be the instigator of conflict #the only role i have for him is the straight-man but most of these didn't need one or had one baked into the story already #there is one mind comic that he plays a more major role in #but that one's a little too spicy (and under developed) for me to put here #to give you a slight idea of the contents: that comic's code-name is 'orientation'

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troublesomesnitch · 1 year ago

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Meeting Vhagar - Drabble

Aemond x Wife!Reader

Much to your dismay, Prince Aemond insists on bringing your little son to Vhagar. Set sometime during the Dance.

Contents: Just a little practice thing... Dad!Aemond, Targaryen parenting, subtle fluff. Little bit of subtle angst too. No filth this time..

Words: 3000, and very sloppily proof read.

The carriage can only take you so far as to the Iron Gate.

Beyond its massive doors, the Rosby Road winds North, poorly maintained and full of potholes, as it is the shortest of the main roads, and thus the least important. It is not as busy as others, and the gate is not guarded as well - clearly, as the men who should be protecting it are presently engaged in a game of cards, laid out on top of a large, flat rock.

That is where the driver will wait, but it is not your destination.

There is another little trail. One that runs in the opposite direction, scarcely used and partially hidden, visible only to those who know it. No horse or wagon can make the journey, and there is no option but to walk - first along a narrow, trodden path, and then further still, down treacherous steps, carved into the very rock the city rests upon. Past the watchtower, and across the Northern beach, to the vast caves of Maegor the Cruel, where Vhagar has made her nest.

You walk alone, just the two of you. The prince in his coat and boots, and yourself in attire much less suited for the occasion. Fine shoes, fine skirts, and with your little son cradled in your arms.

The gentle rocking of the carriage has lulled him to sleep. Four months old, he is, and a source of such joy that your poor heart can scarcely contain it. From his first high-pitched cry when you brought him into the world - oh, the pains of labour were all but forgotten, as was the threat of the raging war. And when the prince came to see his son, you could hardly even bear to let him hold him.

He wanted to bring the boy much sooner, but both you and the dowager queen staunchly put your foot down against that. Children should not be brought outside the home until they have at least lived through the first perilous weeks, and possibly even their first fever. And even then, most would argue, they have no business being around ferocious animals.

“I don’t like it,” you say, for the umpteenth time, taking the hand offered to you by the prince to help you cross a treacherous stretch. “It is mad, bringing an infant to such a beast - ”

“Vhagar should know him,” he says, steadfast and determined. As he has done whenever you voiced your concern.

It does nothing at all to calm your nerves. But it is his most compelling argument, and the only reason you have allowed this lunacy in the first place. So the dragon would recognise the boy as his, and as one of her own. So she would know to protect him, if - something should happen.

You make it halfway across the pebbled beach before the prince pauses. And you do too, lifting your gaze to follow his line of sight; see what he is looking at.

An enormous, greyish mass, some yards away, that at first you thought was a moss-grown rock, or years of washed up seaweed. But the mass makes a rumbling noise and begins to shift and lift itself, slowly and carefully, as though with much effort. Part of it becomes a leg, another part unfurls into a great wing, and the rock nearest to you becomes a head, with a mouth full of jagged teeth, and two eyes opening slowly. Amber in colour, and with slitted pupils staring straight at you.

“She can sense me,” the prince declares, with no small amount of pride, lifting his chin and straightening his back.

You, however, are paralysed, utterly shocked by her vastness. You have never seen Vhagar this close before, and though you knew of her impressive size, it is one thing to see her soaring across the sky, and quite another to be right next to her, unprotected and vulnerable.

It seems to you that the span of her wings could cover half the city, that entire buildings could fit in her mouth. And certainly, she could end all three of you with her fiery breath, or with a single swipe of her claw or her massive tail. One wrong move, even if accidental, even if she did not mean to - you would all be dead.

“Come,” the prince says, pushing at the small of your back. But you stall, digging in your heels, frozen in place at the sight of her.

“I’ve changed my mind,” you stammer. “We should go back - it is not safe…”

The prince gives an overbearing, if somewhat irritated sigh.

“Dragons are loyal beasts,” he reassures. “Vhagar is loyal to me, she obeys me - ”

“She is a beast,” you hiss, hugging your drowsy son closer to your chest. “She cannot be trusted. It is too dangerous - I won’t let you bring him any closer - ”

Prince Aemond does not like to be challenged. He turns around to look at you coolly, his voice low and scornful as he speaks.

“Is your opinion of me so unfavourable, wife, that you think I would risk harm to my own son?”

“No,” you respond, quietly, but truthfully. Since you were married, your opinion of the prince has only risen, slowly but surely. And it continues to do so, still - though perhaps not right now. “I don’t like it - ”

“Mhm - so you said,” your husband says dryly, all but wrenching the swaddled boy from your arms.

He does not complain, the boy. Prince Aemond comes to visit often, at least once a day, and sometimes more. He sits with the child, reads to him, lets him fall asleep in his arms - not for very long each time, but it is at least enough for the little boy to recognise his father’s low voice and stern face as something safe and comfortable. As is evident from the way he now settles against the prince’s leather-clad chest, tangling his little fist into a lock of his hair.

The beast remains still, pensive as her rider approaches, her serpent’s eyes fixed on the thing in his arms, on what he is bringing her. Your most precious treasure, your life’s very purpose, completely at the mercy of the greatest dragon in the world.

You might have felt more at ease if the soft, sparse hair on his head had been silver like his father’s, but alas, it is not. It is exactly like yours, and only the bright violet of his eyes gives away his true inheritance.

And that seems like too little a thing for such a large creature to notice.

Prince Aemond calls out in that strange language of his, with the open vowels and the rolling R’s. It is beautiful, especially in his mouth, and the dragon responds at once, contorting herself to let him touch her wrinkled neck with affection. Which is a strange sight, but what is even stranger is the way she grumbles - as though she likes it. He speaks to her as if she was another person, in long, full sentences that are much too complicated for you to even attempt to understand. There is only one word you can make out, for the sole reason that he says it twice - yoreliatzeh, or yorelatzya, or something akin to that. You haven’t a clue as to what it means.

Vhagar snorts once, and the prince steps back to give her room to move, to rise up onto her legs and bring her head closer, her nose almost touching his hip. While you stand at a distance, staring at the utterly bizarre scene playing out in front of you. A fearsome, vicious beast, sniffing the child like a dog would. Gently and carefully, only she is so big that each of her cautious breaths is like a small gust of wind, making your husband’s hair billow about his face. When she makes a grunting noise, he carefully unwraps some of the swaddlings, holding the child up to let her see him better, smell him better.

He is bright, your darling boy, and curious, like all babes and children. His eyes are wide as they take in Vhagar’s scaly form, and he gives a soft squeal of surprise or wonder, kicking his little feet under the blankets. Reaching his arm towards the beast's massive head, her massive teeth -

“Aemond, please - ” you gasp, clutching your hands to your throat.

The prince turns his head to give you a stern look, one that clearly shows he is running out of patience. And maybe this time it is justified, because your fearful outburst startles the boy, who begins to squirm unhappily in his father’s arms. Fussing and whimpering; a sound that is as painful to you as salt to an open wound.

“Bring him to me,” you plead, “can’t you see that he is frightened - ”

“He is frightened because you are frightened,” the prince says, as soft spoken as always, but with a hint of something sharp underneath.

He cradles the boy closer to his chest, bouncing him gently, holding his head and murmuring soothing words. Exactly as you would do, and to the same effect. It calms him down, and his big, round eyes start darting around again, taking in his surroundings. The dragon, the grey sea, the fine silver clasps on his father’s clothes. It does seem that the latter intrigues him the most.

Vhagar lifts her neck and tilts her head just slightly, seemingly very interested in the child, in this tiny little creature; the way he moves his little limbs, and his soft coos and noises. There is an almost… thoughtful look in her eyes, or at the very least a curious one.

It makes you wonder about the extent of her perception. Whether she truly knows that this is Aemond’s child, that it came from him, from his body, his flesh. If she can sense it somehow, through the bond they purportedly share, or if she understood it when he spoke to her.

How intelligent is a dragon? Are they like dogs or horses, able to learn the meaning of certain words, but not the full breadth of language? Or do they think as people, with nuance and emotion, and a mind as vivid as your own.

You do not know. You suppose no one really does.

“Come,” the prince calls, reaching his arm towards you, beckoning you closer. However, a single glance at Vhagar, whose mighty gaze is now focused on you, is enough to inspire disobedience in even the most well-behaved wife.

“I would really rather not - ”

“She must know the both of you,” he insists.

“Is that - necessary?” you squirm, wringing your hands, very much aware that you are not a dragon rider, that you haven’t a drop of Valyrian blood. “Vhagar has no reason to think fondly of me…”

The prince scoffs.

“Are you not the mother of my child?” he says. “Now, come.”

You must go to him. He is your lord husband, and he is a prince, and such is the way of things. But you are not at all glad to, and you walk with shaky, reluctant steps, gripping onto his elbow and cowering behind him like a frightened child.

You close your eyes when the dragon lowers her head once more, bringing it towards you. A sudden, low-pitched growl makes your heart tremble, but the prince speaks a soft command. Lykirī, Vhagar. Lykirī.

It has a calming effect on you too. As does the arm he keeps outstretched in front of you - solely for your comfort, you assume, as it would make no difference whatsoever, should Vhagar decide that she does not like you. But you appreciate the gesture nonetheless.

The air is warm, this close to her, and your skirts move around your legs when she breathes, slowly and deeply, while the prince speaks to her in soft tones. That word again, the one from before, and many others. You know the words for wife, for king, for father, brother, sister, even for dragon, but he says none of those now, so you have no guess as to what he is telling her. Or if she understands. Or what he would call you, if not his wife.

This woman is my - spouse? lady? lover?

You do have a kind of love for him, and sometimes you think he does for you, too. Sometimes. One can never be sure of anything with the prince, who keeps himself so closely guarded. Even after more than a year of marriage. Even now that you have given him a child.

The birth went mercifully well, but your recovery was long, and he has only recently begun to come to your bed again. And so far, only a handful of times. The first time, it was so painful for you that the act could not be completed, and the second time, he finished so quickly that it barely even counts. The third was better. Pleasurable for both of you, but still strange after going so long without it - at least for you. It is both likely and possible that the prince satisfied his urges elsewhere while your body was indisposed. You do not know. Nor do you wish to.

The ground shifts beneath your feet, and the heat around you lessens, as does the heavy smell of burned flesh and brimstone, the very same one that so often clings to your husband’s clothes. When you open your eyes it is to the sight of Vhagar, settled onto her belly, her head laid atop her claws. Calm and docile, and with a deep rumble coming from her chest - one that is probably a sign of contentment, even if it sounds utterly terrifying.

“Touch her,” the prince commands, giving a gentle push to your back. “You have nothing to fear, touch her.”

It is quite clear that Vhagar is unruffled by your presence, that she is resting. But with her eyes heavy and half-closed, it makes her look so menacing, so evil - even though you know that evil does not exist inherently in any beast. Only in those who train it.

You draw in a steadying breath, gathering up your courage, reaching your hand out - only to then think better of it and let it fall.

“I am afraid to,” you whisper.

The prince sighs. But his hand closes gently around yours, bringing it to rest on the side of her nose, first the tips of your fingers, and then your whole palm.

It is like nothing else you have ever felt, her scales. You always imagined that a dragon’s skin would feel like leather, but Vhagar’s skin is so much tougher, so much rougher, like running your hand over little rocks. And she is warm - so warm, as though a fire is always burning somewhere in her throat.

She does not object at all to your touch, even when the prince withdraws his own hand, leaving only yours. Only you and Vhagar. The largest, oldest being in the world.

To think, the things she has seen. The conquest, the Dornish Wars, the very founding of the realm of the Seven Kingdoms. Dozens of castles have crumbled in her fire, and thousands of people have perished, and she has fought and won hundreds of battles; torn through stone, rock and earth as though it was boiled jelly.

It is at once terrifying and romantic, like something from a fairytale, or stories of ancient times. A creature of such myth and legend that you almost feel as though you should bow down to her, as one does before a great matriarch.

Vhagar the Conqueror. Queen of all Dragons.

She closes her eyes when you draw back.

“He might ride her too, some day,” the prince says quietly. Wistfully.

“But dragons only have one rider - ” you protest, cutting yourself off when you realise what he meant. What he left unsaid.

This is war. The realm is at war. Death is everywhere; at the end of a blade, in the point of an arrow. And if not on the field of battle, then in tainted water or plague-ridden camps; empty bellies or festering wounds.

“You shouldn’t say such things,” you mutter, looking down at your feet. Your dirtied shoes.

The prince does not answer. A heavy mood has settled over the rocky beach, something vast and bleak and empty, only compounded by the surroundings. The colourless sky, the sombre crashing of waves. Even Vhagar gives a doleful sigh, as though she too is weary of what is to come.

She has been the prince’s companion since childhood. He was born to the queen, but Vhagar made him what he is, made him ruthless, made him brutally ambitious. Made him Aemond One-Eye, Aemond the Kinslayer. Prince Regent, Protector of the Realm. She has known him boy and man, as well as any, and better than most. She has known him in life, and she may yet know him in death.

You push that thought away as forcefully as your mind allows. You shouldn’t think such things.

A coo from your son breaks the tension, and his eyes turn to the sky, where a large heron is flapping its wings. The afternoon is turning to evening, and soon the bell will ring for supper - something warm and comforting, you hope. You are cold, your breasts feel sore, and you have most certainly had enough excitement for one day. For several days, in fact.

“Can we go, please,” you breathe, looking up at your husband with wide, pleading eyes.

“She is tired,” he says, with a soft glance at Vhagar’s terrifying face, and a gentle touch to her side. “Yes, we should.”

—

You walk slower on the way back. Uphill, with sore feet, and your boy now fast asleep in your arms. Safe and snug where he belongs.

“My Prince,” you begin, sweet and innocent. “What does… yoreliatzeh mean?”

There is a sly little smile on his face when you look at him, a self-assured look in his remaining eye.

“Jorrāeliarza,” he corrects, with an artful pause before he continues. As though to keep you in suspense. “It means dear. Or… beloved.”

If he sees the sudden blush on your face, he does not let on.

“Jorālitzeh.”

“No,” he says. “Jor-rāe-liar-za.”

“Jor-rāe-liar-za,” you repeat, trying your very best to mimic the exact movements of his mouth, the way he gently rolls his tongue. “Jorrāeliarza.”

“Better,” he nods, and then you round a corner, just in time to see the guards hastily hide their cards away, and the driver shuffling back towards the carriage, eagerly shoving his winnings into a pocket.

Jorrāeliarza. Jorrāeliarza. Jorrāeliarza.

Dear. Beloved.

You like that very much.

Please feel free to come into my asks or DMs with critique of my fics! Constructive is preferred, but not required.

Tags. @arcielee, @targaryen-madness, @aemondsbabygirl, @qyburnsghost, @blackswxnn

I am a mess with the tagging, I'm so sorry if I forgot or wrongly tagged anyone. Let me know, I will fix it.

#aemond x reader #aemond x you #aemond targaryen x reader #aemond targaryen x you #aemond fanfiction #aemond targaryen fanfiction #aemond fic #aemond targaryen fic #aemond fluff

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