#should I put it with the chapter art post???

[werewolfsister]

PSA: COMIC DRAMA

I've been slowly receiving critical, entitled, and passive-aggressive messages about the way I've been writing my comic! I wanted to address this behavior.

That being said, the majority of my readers have been nothing but positive! And when they spot a problem, they're kind about it. I really appreciate this; thank you to those who choose to be civil.

I'm making this post to address some issues, complaints, and questions I've seen. Let's take a look & see what we can discuss!

READ MORE UNDER THE CUT!

🦈-> I want you to use my character in your comic, but you're not using them! Sometimes, a character doesn't quite fit my vision for the comic-- even when they're designs that I love! I really do try to use as many people's characters as possible. I think it adds to the world & makes the comic feel more full of life! But I can't accommodate everyone's desires.

🐟->You're using my character in your comic, but you're not giving them enough screen time! Similar to the above issue, sometimes I don't think focusing on a particular character for any longer will serve the story well. Ultimately, I have final say on what happens in the comic. My advice is, if you feel your character isn't appearing enough, make your own content! Draw, write, craft, etc like I mention farther down below!

🐠->You said you were going to use my diplomat/character(s), but you only drew them in 1-2 panels. Why aren't you using them more? Similar to the points above! I was never planning on going into a TON of depth with the diplomats-- the comic focus also drastically changed, as I mention below.

🐡->You're using characters in the story that I don't like! Ahh that is too bad, but! In that case, you can always take a break from the comic & come back later to check if the characters are no longer being used, or maybe stop reading the comic altogether. However! If you have concerns with how the character is portrayed because of legitimate sexual/violence/illicit/illegal issues, then that's another issue entirely and you should let me know.

🪼->I thought this story was about rescuing Kenne, but now she's not even in the comic! I don't like the way this story is going! This is a big issue some people are having and I completely understand. There's been a lot of things going on behind the scenes that I haven't explained, which must be generating a lot of confusion. Originally, @kenneduck and I were collaborating closely on this comic. Recently, the dynamic shifted, and we're now working on the comic separately. @kenneduck is now responsible for the part of the story that heavily features her characters, i.e. Princess Kenne's perspective of the rescue, her rescue effort, and what's happening in the Domain of the Luminous trench. I am now working on a different angle of the story-- the diplomatic efforts of Zora's Domain in their attempt to negotiate for Princess Kenne's return. So, the story is still the same... the focuses have just changed and split!

🦑->You reblogged my fan art and/or linked it in your comic directory-- does that make my content canon? Oooh, this is actually kind of a tough one! Normally, if something is in the comic directory, I consider it to be canon to the story. So, if you've drawn something, and I add it to my directory for a comic chapter, I'll consider it to have happened in real time. THERE'S AN EXCEPTION! And it may be confusing, so I'm genuinely sorry! If you have drawn something where you are heavily modifying someone else's character--this means cosmetic changes, giving the character children/spouses/family, killing the character, altering their personality-- WITHOUT THEIR PERMISSION, then I cannot accept that as canon. It's still fantastic that you drew/wrote/created something and I will probably put it in the MISCELLANEOUS section of the comic directory. I'VE MADE MISTAKES ON THIS! So, I've since updated the directory. And, sorry for all confusion on this issue! If you've made something & intended it to be canon, let's talk about it!

🐳->I want to collaborate with you on your comic, can I do that? That's awesome! Maybe in the future, but right now I'm not taking on any more partners. Maybe you can make your own separate additions, with your character(s) like I mention below!

🐙>I want to make fan art, can I do that? You absolutely can. Go for it. This was originally meant to be a very interactive comic, so draw/write/create away!!!

🦀->I want to draw my character(s) doing something in the world of your comic, can I do that? You absolutely can. Go for it! Like I mentioned above, however, I may or may not deem it canon to the events of the comic. But even if I don't, I'll add it to the MISCELLANEOUS section of my comic directory! ...as long as you don't alterate someone's character without permission! If you've made something & intended it to be canon, let's talk about it!

🐬->I want to make a character based on a Domain you created/idea you drew/etc., can I do that? Of course! Go for it. I love seeing what people make!

I know this is a lot of text, but it's better to be comprehensive! Please, keep in mind, I'm just one hobby artist making a comic for fun, with the spirit of interactivity and collaboration in mind. But it's impossible to keep that spirit going when people feel entitled and demand things of me that I am not obligated to give.

I queue out my pages several weeks in advance with the help of the people I'm working with, so what you see in the comic is the product of a lot of thought and work. You're getting something for free here, y'all. It ain't so serious!!!!

Anyways, thanks for reading this! And for reading the comic! Peace out ✌️

[otrtbs]

Hi I hope you're doing well 🌷

I had a question. I'm totally asking out of pure curiosity, it's not a criticism or anything of the sort.

In ahb (this masterpiece of yours) Sirius's favorite painting is Degas' Dancers.

I wanted to know if you knew the background of this painting and if making it Sirius' favorite was a deliberate choice or if you had no idea at all.

Because the Ballerinas in Opera Garnier in Paris were all really young and mostly, they were poor. The dancers were often their family's hope to crawl out of misery.

The audience was full of men.

In fact, the sad flip side was that there was a whole prostitution network behind the scene. With these young girls. Men could pay for backstage access to watch ballerinas change and sometimes rape them.

So Degas was a big customer.

That's how he painted the dancers and most of his works.

That's again how he sculpted the ballerina, her tutu was added meaning the 14 year old girl was posing nude.

Degas is also suspected of being Jack the Ripper, there are a certain number of credible leads and potential evidences.

That's why I was wondering if you knew.

Since there is this whole chapter where they insult Picasso (as they should) I found it strange that Degas being a known major p*do did not receive the same treatment.

Ps: I'm french, I don't know if I made any mistakes writing this, if I have please excuse me I tried my best 🙏

Okay hi, hello! I am doing well and I hope you are as well! You have unlocked Art Historian Thesis Nat, so I am going to put an extremely lengthy post under the cut, I'm so sorry (this is literally my area of study,,, i fear i am incapable of being brief about this)

I do want to clarify that right off the bat, I don't necessarily think many of these art historical figures are "good people". Like none of them are the best, most moral, upstanding citizens you should model your life after (but they're also dead sooooo). But I also understand that I did take some time in my fanfiction to make my hatred for Picasso very clear, and so I can also understand the confusion in not extending that same hatred towards Degas. But there are a few reasons for that, that I'll try to explain below!

The direct historical documentation of Pablo Picasso's violence towards the women in his life is vast and damning. If you want particularly good insight into his violence and abuse, then I recommend reading Marina Picasso's (Picasso's granddaughter) memoir titled: Picasso: My Grandfather. I also recommend Françoise Gilot's (romantic partner of Picasso) books, Life with Picasso and Picasso and Matisse. It is through the memories of the people who loved Picasso and who loved him in turn, that we hear of his sadistic nature that drove his lovers to suicide and we get personal letters that he wrote to Gilot in which he says things like "Dora, for me, was always a weeping woman… And it’s important, because women are suffering machines" and "For me there are only two kinds of women: goddesses and doormats." His granddaughter has this to say about him: “He submitted [women] to his animal sexuality, tamed them, bewitched them, ingested them, and crushed them onto his canvas. After he had spent many nights extracting their essence, once they were bled dry, he would dispose of them.” And Gilot says: "I am the only one to not have been sacrificed to the sacred monster(…) and is alive to tell the tale. He was a wonderful person to be with, it was like fireworks, amazingly creative, so intelligent and seductive(…) but he was also very cruel, sadistic and ruthless with others and with himself (…) It was the greatest love of my life, but you have to protect yourself (…) The others did not, they clung to the powerful minotaur and paid a very high price."

Why this matters: The evidence for Degas being so virulently misogynistic and cruel towards women is extremely less substantial and more speculative in nature.

Degas being Jack the Ripper. Degas being Jack the Ripper started off as a tiktok theory posed in early 2024, (though you can find an article as early as 2004 written by The Guardian's art critic here) and while fun to think about and speculate, it isn't true. August and September and November of 1888 is when the Jack the Ripper crimes were committed in London and Degas was in the South of France at that time receiving medical treatment because he was in extremely poor health. (Which you can find in The Letters of Edgar Degas edited by Theodore Reff (I'm sure there's. free PDF version out there somewhere)). Also, self-admittedly speculative, but Degas didn't visit the East-End of London when he did make his excursions to London because he was classist 😭. So, it would be odd for him to know the ins and outs of the streets where the murders took place. And also he had failing eyesight starting at 36, so the odds of him being Jack the Ripper are extremely slim.

The Ballerinas Yes, while it is true that the ballerina's were often subject to horrific conditions and were prostitutes for the "wealthy" patrons of the opera house, this does not mean that Degas partook in that. in fact, most historical documentation surmises he didn't. Degas considered himself a "realist" painter rather than an impressionist painter, wishing to document "real life" in all of its ugliness, beauty and unstylized truth. Therefore his primary concern was documenting the opera house and ballet in all of the moments, not just when the girls were dancing on stage. And in many of his paintings, Degas captures the opera patronsn in his ballerina paintings as lurkers behind the stage curtains as sinister black shadows, or as men predatorily watching in nice suits (e.g. Ballet, 1876 and The Rehearsal of the Ballet Onstage (1874)). But Degas himself, was NEVER a ballerina patron, he is even quoted as saying "People call me the painter of dancing girls. It has never occurred to them that my chief interest in dancers lies in rendering movement...". (now this is not because Degas was morally outraged at what was happening to the ballerina's, but because he viewed the men abusing the girls as committing a sin against God by sleeping with prostitutes). But while Degas had access to backstage, he was never a customer. And in fact, Degas is a notorious, well-documented celibate. This is because Degas believed sleeping with women would make him lose his special painting ability. No lie. Here's a direct quote from Vincent Van Gogh in his a letter to his brother Theo about the artist: "Degas lives like a little lawyer and does not like women, for he knows that if liked them and went to bed with them, he would become intellectually diseased and would no longer be able to paint." Degas was also known to reject ballerina's advances as well (again, fearing women would take away his magic painting power).

Feelings towards women By all accounts, Degas friends describe him as being reclusive towards women to being jovial with them, but always kind to them outside of a working environment. He even developed friendships with his fellow contemporary women painters. In a working environment, Degas was obsessed with perfection, demanding ballerinas contort their bodies in painful positions, and making them hold those positions for hours at a time. By all accounts, this was not because he hated them, but was obsessed with capturing their movements, the limitations of the human body, and he demanded perfection from himself. (x x x) (i.e. his obsession for his work and drive for perfection as a painter made him demanding and harsh towards his subjects, not his pure hatred of women).

Conclusions: So by many accounts, Degas was not particularly fond of women, and had little regard for his dancers. But the claims that he must have slept with the ballerina's and been a patron/customer "because that's what all men did back then" are not backed by any evidence. only evidence to the contrary. I went in on Picasso because those that were close to him have written first-hand accounts of his monstrocity. This is not the case with Degas. So, while I didn't tear him down like I did Picasso, I wasn't lauding him as a saint either. I highly recommend reading the article called Degas's Misogyny by Norma Broude which details the ways in which modern times have run away with this idea of Degas being a sadistic woman-hater and how we've gotten to this point. Anyway, TLDR; I was aware of the dark "underside" of the Paris Ballet at the time in which Degas was painting his works. Do I think he is Jack the Ripper and a man who participated in ballerina prostitution? No, not at all. At the end of the day, I am just an art history girl, telling anyone who will listen that there is not enough documentation on Degas to take these claims as 100% truth, or put that man up there with Picasso. Peace and Love! <3

[importantdestinydefendor]

Chapters: 3/?

Rating:

Teen And Up Audiences

Archive Warnings:

Graphic Depictions Of Violence, Major Character Death

Fandom:

Arslan Senki | Heroic Legend of Arslan

Relationships:

Daryun/Original Character, Sam/Original Character - more tags to be added later

Characters:Arslan (Heroic Legend of Arslan), Daryun (Heroic Legend of Arslan), Vahriz (Heroic Legend of Arslan), Narsus (Heroic Legend of Arslan), Sam (Heroic Legend of Arslan), Farangis (Heroic Legend of Arslan), Elam (Heroic Legend of Arslan), Alfreed (Heroic Legend of Arslan), Original Characters - more tags to be added later

Additional Tags:

Alternate Universe - Canon Divergence, Worldbuilding, Grief/Mourning, Hurt/Comfort, Fluff and Angst, a lot of in-universe typical violence, even more secret keeping, dislike to friends to lovers, hey how about we give some characters even more trauma, it is basically a trauma fiest, you get trauma and you get trauma - everyone gets trauma - more tags to be added later

Summary:

As Pars and Lusitania go to war, the island country Maar offers their support in form of a delegation but get firmly rejected. The leading head of the delegation, Almennt Azar, decides to act from the shadows in order to lend aid to Prince Arslan and his growing number of loyal followers. Dispite her cold and distant demeanor they seem to be drawn to her - especially Lord Daryun - as they learn more about this mysterious knight. What lies under the facade of this White General and what does she have to do with Daryuns family? What does she know that Vahriz even hid from his own nephew?

[sp00pypumpkins]

I was doodling him but then i put him in a dress so have a silly

[lavenoon]

Did I plan on adding to the reveal comics I made? No. Have a prequel to this one anyway. Fully from our little Hunter's perspective this time, so no heartbeats in this one (just me going wild with lines from the fic). Protective idiot hellbent on the belief that all cryptids are evil is confronted with the fact that 1) their buddies are what they consider to be an "evil thing" and 2) have proven again and again that they care deeply about them and protect them right back. That won't cause cognitive dissonance for sure! (:

@naffeclipse Hi yes hello I am still SCREAMING about the newest chapter literally every time I think about it too much I have to get up and move (made drawing this a unique challenge LMAO) I need to physically shake someone about it. Finally time to drop the lie I am so not normal about this fic

Lines in the first panel: "Speak no more." "It looks just fine to me." You've never detected an entity this strong before. He stays back as you flick holy water throughout the rooms. [...] a pitch black flat face, circled by deep blue and blood red jutting angles [...] "I don't know what you got in you that keeps setting off my equipment, but it is strong." Its remaining three eyes aren't upon you but on something above you. "They don't think, they don't feel. They exist to terrorize and torment." "I think you scared it." "We are scarier than it." Somehow, he closed the gap between the two of you in a moment. [...] nothing short of another threat could make it give pause [...]

Second panel: You're grateful Moon is here with you. "Breathe," he says, warm as sunshine, calm as the new day. Moon lifts you off the ground, clutching you close around the waist. Moon's optics frantically flick to you, wide in alarm. You are first aware of cool fingertips stroking the top of your hair. "We will stay with you," he murmurs in a tender tone that makes your heart swell. [...] your electronically recorded gasp causes Sun to bristle. [...] expose your shoulder to Sun, who makes a rather deep, unpleasant noise when you both find angry red marks [...] You have each other. You're not losing that. "I assure you, little hunter, I'm not leaving your side." [...] kept anchored by the safety of Sun's hand. [...] you squint to make out Moon at your backside, holding you close. "You take care of the scary things." "You won't be near us." By the glow of his eyes, he almost seems to admire you. Sun presses you to his chassis. "We, and our soot, are at your mercy, little hunter." It certainly wouldn't have lent a hand in taking down another cryptid. [...] he flings it away from you. Well, the slightest bit of intrigue, or is it confusion? "You're hurt." Because of him, you raise your voice. He taps once. "You have a dauntless heart." "We must come with you." "That's what we adore about you." "You kept me safe," Moon says softly.

[rogueshadeaux]

Chapter Thirty-Three — Shadow Play

“I see the mark on each affront to God, now. The Mark of the Beast. It burns in their chests like the pits of hell, it’s on their hands anytime they use their powers. They’re all branded. All marked, even me. But I see it now, I see why God has made me what I am.”

7k word count | 2 spacers provided as pause points | TRIGGER WARNINGS: a lot of words, possible claustrophobia [they are UNDERGROUND please remember that!], human experimentation, military mention. ONE imbedded link.

Our footsteps echoed back a thousand times as we walked along the crescent-shaped dais on the other side of the room, Dad the first to step up onto it. “How far back do you think this goes?” He asked, shining a light down the rounded archway of the hall he was standing in front of. ADVANCED SYSTEMS. The last words of his sentence reverberated in the chasm, Brent joining him to look down it. 

“Hey!” He hollered, his voice overlapping Dad’s as the single syllable hopped around again and again. Brent turned back to face everyone, motioning down the hall. “It’s gotta be long.”

“Has to be some sort of tech lab,” Dad muttered in agreement. 

Brent smirked at the thought. “Think we have enough time to go look? Maybe they have, like, ray guns back there,”

“If we’re talkin’ Vermaak,” Zeke started, looking over my head at Dad, “We should probably start here. Advanced systems has gotta mean power transfer device, right?” 

Dad, though, wasn’t listening, not really; his phone’s flashlight had traveled along with his stare, looking across the dais to the hall on the other side, brow furrowed. His eyes narrowed a bit like he was trying to decipher something in the shadows, and he stayed quiet long enough for me to share a worried glance with Brent. “Dad?” I eventually asked. 

“Hmm?”

“You okay?”

He blinked hard, coming back down to earth from wherever his head had dragged him as he looked over at me, then to the other men. “Y-yeah, sorry,” he stammered, giving the hall at the other end one last look before turning fully to Advanced Systems. “We should see what’s down there.”

 Everything looked insane, so futuristic, and I felt bad for laughing at Bertrand when he said he was amazed by what he saw because I couldn’t help but agree. This place was amazing. 

Dad blew past the unmarked doors in the hall, moving deeper into the hall as he sensed something I only caught onto the further we traveled; there was something at the end of the hall echoing our footsteps back just a little too loudly, the sound coming back like an irregular heartbeat as it tried to match the loud drumming in my ears. Zeke stayed behind Brent and I as Dad held up a hand, light sweeping the rounded ceiling and noting the strange change: “It’s getting taller.”

“The entrance was wider too,” Brent muttered, shining his own against the wall. “Means there’s something at the end, doesn’t it?” 

“Probably.” Dad agreed. 

And they were right; as the ceiling widened like a maw, it spit us out into a rounded room littered in broken glass and severed wire, the walls lined with pods built into the walls. It looked like the shattered glass came from there, rained down by nearly a hundred of something escaping. A raised platform stood in the middle of the room, the perimeter circled by computers while the center held some excavated hole, something ripped up out of the ground and the concrete remains left strewn among the glass. 

And hanging from the ceiling were two cuffs, and a thick dangled wire with its copper ends sticking out. 

“Jesus,” Zeke muttered, shining his light behind him at one of the pods. They also had wires dangling from their enclosure, the ends looking like the pasties of EKG machines and some still holding catheters for veins. Zeke came to the conclusion I did, first to verbalize it: “They look like experiment pods.”

“Think this is where the Vermaak were?” Dad asked, stepping up to the platform. The computers stood on metal podiums with no visible wires, some with broken screens. “Wish Eugene was down here…”

“Could be,” Zeke hummed, messing around with the electrodes. 

Brent followed Dad up onto the platform as I slowly walked around it, shining my light at the base. There was no gap or welding or something that connected the platform to the floor; the ends simply bent out like the platform had been molded from the ground on a pottery wheel, no actual bolts in sight. It was so sleek, so unnaturally smooth and perfect.

There was a flash on the side and I glanced over to see Brent taking pictures of the pit, probably just as much for his own files as Dad’s. ‘Course. But the shine was enough to distract me, and I didn’t know there was something in my path until I could feel it under my ankle boot.

I lifted my foot to peel off the little thing off of it — it looked like a tag? Like the sort of paper tags I’d put on my gymnastics bag before going to a meet. It was in near-perfect condition, having been untouched since it was dropped.

Date and time of capture. Circumstances. Weapons, physical conditions, name rank, all duplicated three times on a page that signified needing to be cut. I flipped the page over, the sections on the back more for the holder than whoever the form was supposed to be attached to, the top titled ENEMY PRISONER OF WAR (EPW) CAPTURE TAG (PART A). “I found something,” I announced. “I think it’s some sorta…some sorta army thing?” 

Dad’s head snapped up. “What?” 

I didn’t bother answering, instead following the rounded edge of the platform again to where he stood and handed him the page. He breezed over the front before flipping it to the warnings on the back, huffing. “‘DA Form 5976,’” he muttered, looking over his shoulder at Zeke. “Direct Action form. The military raided this place."

“Oh yeah, more than likely,” Zeke agreed. “New Marais was under martial law for a bit as they dug around for information on the Beast and the First Sons. Guess they got here first.” 

Dad made some sort of dissatisfied noise in his throat, flashlight going from the form back to the computers — and then to the divot in the floor. “If this is where the Vermaak were…that had to be where the power transfer device was. They came in here with the intention of detaining anyone they found.”

Zeke left where he stood to join Dad on the platform, his light adding to the one shining down into the pit. “Guess now would be a good time to tell you they didn’t get the original device, huh?” 

Dad perked up, looking at Zeke. “Really?”

“Yeah. Bertrand tried shipping out the device, the original one meant for one-on-one transfer, when I was spyin’ on the Militia for Cole. He was trying to get it outta there before Cole got to it. You know the whole story about that gang fight at Fort Philippe?”

“Yeah,”

Zeke nodded once. “It was for that. We captured the place from the Militia, got the device, and Cole used it right there with Kuo. It exploded after.”

“What happened to it after?” I asked. Sure, it exploded, but it had to go somewhere, right?

Zeke shrugged. “It was basically scrap. Even if they got it, they wouldn’t have found anything useful in it.”

Dad’s brow furrowed. “So they never actually got the power transfer device?” He asked Zeke. 

“If it’s what was in this hole? No. Most the military coulda done was download whatever was on the computers.”

“And probably wipe them,” Dad added, more a complaint than an observation. “I’m surprised they didn’t rip these things out of the ground.”

Brent stared thoughtfully at the computer we were standing in front of, finger tracing the pole of steel that was holding it up. “We could.” 

I blinked. “What?”

Brent looked up, glancing between Dad and I. “You can recover deleted stuff from computers, right? Even if you’ve done everything to scrub it off. If we take the computer up to Dr. Sims, maybe he can find something.”

Dad rubbed the back of his neck, looking at the pedestal and the defunct computer on top of it. “We’d have to find its hard drive,” he eventually mumbled before looking back up at Brent. “We can’t just take the monitor, that’s useless.” 

“Wouldn’t the army take the hard drive?” I asked. It seemed illogical that they’d sweep the First Sons base and leave behind something so crucial. 

Brent’s eyes traveled down the metal pole, all the way to the floor and along it. “Maybe they didn’t know where to look,” he muttered, following some line we couldn’t see. His eyes raised to follow the wall and I saw all green was gone, replaced with a silver that reflected the light like…well, steel. He tracked whatever he saw to the wall next to the atrium’s entrance, eyes narrowing slightly.

“Hold this,” Brent asked Dad, not even looking at him as he passed over his phone and causing Dad to almost drop it on the ground. Brent stalked over to the wall and ran his hand along it, looking for some bump in the smooth texture and cursing under his breath when he couldn’t find it. “There’s something…under this…” Brent growled under his breath, sounding sure. “But the wall isn’t steel. I don’t see any…any bolts either.” 

“Think it’s welded straight on?” Zeke asked. 

Brent shrugged. “No idea. Either way it’s way too smooth to get through, unless I…”

Brent stared thoughtfully at the wall for a beat before bringing up his fist and turning it to steel, some extra metal shavings layering against the ridges of his knuckles as he reared his fist back and slammed it against the wall. 

Whatever metal was there instantly gave away, revealing a hidden server farm sitting stagnant behind it, all ziptied servos wires and electrical tape. “Oh, shit,” Zeke muttered as Brent moved to grip the second panel and rip it off, more of the server bank being revealed. He looked over to Dad. “That’s gotta be for every pod in here and these computers."

Dad nodded slightly. “Alright. Okay, Zeke, you’re our best bet for this, so salvage what you think might be useful,” 

Thirty minutes later, Zeke was zipping up the sling backpack and Dad sighed, turning to look back in the room. He looked absolutely displeased at how much nothing there was in this room. “The ice Conduit, Kuo — you said she was activated down here, too?”

Zeke nodded. “She came outta here cold as a corpse. Said they injected her with something to get her goin’.”

Dad mulled over those words. “We should try Bio-Science, then.” he decided unilaterally, voice making it very clear that this wasn’t up for discussion. “Whatever activated her here had to be made there.”

It was unsettling how loudly our footsteps echoed back at us as we walked out of the hall and back into the atrium, across the floor to the space where the Bio-Science hall stood. Dad was leading the pack, steps sure the entire way to the hallway before he faltered, staring down the hall with reservation. 

“You okay?” Brent asked. 

It took Dad a moment to even register that Brent spoke, glancing back at us. “Yeah, yeah, I just…” he drew off, attention going back to the hall. “You ever get a really weird feeling, like something’s wrong?”

“It’s probably the shitty horror movie lighting,” Zeke joked. 

“Not like that,” he chastised. “I mean, there’s just…there’s something wrong here. In this hall. I don’t know what it is or…”

He drew off, growling under his breath as he failed to translate just how wrong it felt to him. I could sort of relate; I’d get a bad feeling in situations that did turn out to be bad, and there was whatever that gut feeling was when the ice soldiers appeared on the Sound. Maybe Dad was getting that weird sixth sense right now too? “Do you want to leave?” I asked. 

“No,” Dad answered almost immediately. He flexed his shoulders, and that unsureness left him. “Come on,” He decided, “Let’s go see what we can find.”

Our footsteps rang out sharply like slamming gavels as we walked into the wing. God, how huge was this place? The hallway seemed to go on forever, large spaces in-between the labeled and rounded doors. And those labels didn't exactly help. Once we passed the basic ones that said things like 'Laboratory Supplies' or 'Restroom', the placards began to list off actual project names: Project Emerald, Project Mirage, Project Fracture.

I wasn't feeling very hopeful about much, especially when Dad just blew past the doors to keep walking down the hall. “There's...a lot of rooms to go through,” I mumbled, shining my phone light at another door that said 'Project Helix'.

“I know,” Dad replied. “Try to remember all the names. Let's get to the end of the hall, see if there's anything there,”

The end of the hall came swiftly after that conversation, the placard reading 'Project Metamorphosis'. The door…it was scratched to hell and back, chipped away like someone took an axe to its front and failed to take it down. Dad’s hand traced the edge of the door, that pensive look still on his face. He stayed unspeaking for so long that I finally cracked, saying, “Dad? Are you okay?” 

Dad nodded. “This is it,” he said with so much assurance. His phone light traveled around, inspecting the weirdly shaped door. 

“You sure?” Zeke asked. 

Dad nodded slowly. “Yeah, I…” his brows came together, like he was confused by his own knowledge. “I’m sure. Let’s go.”

“Looks like someone else tried getting in, too,” Brent pointed out. “Think the military tried taking down the door with no luck?”

No one answered. If that was true, it meant we probably wouldn’t have a chance to get in, either. 

Dad stepped up to the door and tried opening it. Tried. He pushed against the door, he fit his hands in the linear grooves to try and pull. Brent put his hand against the door only to flinch away at the attempt to drain it, and I crouched, running my hand along where the door met the floor — or, more accurately, where the recess was. “It lowers,” I said, looking up at them two. “Goes down, like a car window,” 

“Without electricity, it’s basically useless,” Zeke said as Dad got to my level, looking at the recess. “Delsin, I know you’re intent on this, but it doesn’t look like we can get in—”

“No.” Dad snapped a bit. “This…there’s something in this room. I need to see it.” He pinched the bridge of his nose for a moment before turning his head to look at Brent. "Well, any advice from the architect?"

Brent huffed, humored at the recognition but unable to answer. “Couldn't tell you. Haven't really looked into how to tear down buildings, yet. I don’t even know what kind of metal this is.” He hit the metal with his knuckle, the metallic ping that reverberated back high in pitch. 

Zeke’s eyes narrowed at the sound, and before long he was digging in his pockets for something, pulling out his keys. He held a little flashlight-shaped thing on it up to the door, sliding it around its face. “It’s not magnetic,” he declared, shoving his keys — with the magnet on them, apparently — back into his pocket. 

“So then, what’s that mean?” Dad asked. 

Brent was the one to speak next. “Means it’s probably titanium,” he said, pushing his own hand against the door. “Which means it’s strong.” 

“So we’re not gonna be able to get in?” I asked, standing. 

Dad’s face darkened. “No. We’re getting in.” He said, determined. “How do you break titanium?” 

“You don’t,” Brent said, almost sounding offended at the idea. “Do you know how strong it is?” 

“There’s…” I drew off, unsure how to ask what I wanted to. “There’s rankings or classes or something for metal strength, right? Are there any stronger metals?” 

“Steel,” Zeke hummed, looking over at Brent. 

Brent shook his head. “I don’t know if it’d be enough,” he admitted. 

“It's worth a shot,” Dad said, standing straight. “We throw enough steel at this door and it’s bound to break,” 

“Yeah, and it could also take down the entire hall.” Brent stressed. “We have no idea what’s load-bearing in here and what’s not. Most doors are connected to one—” 

“The door sinks into the ground,” I interrupted. Not only that, but this one was round. Didn't load bearing walls have to be vertical? “What’s the likelihood of it being one if it does that?”

Brent’s words faltered as he looked down at the rubber flaps on the door’s edge. “I…” he drew off, thinking hard. “Less…less likely, but still—”

Dad seemed to think that was enough. “Then we just aim for the door,” he decided. “And try not to bring anything else down.” 

Brent’s eyebrow cocked. “‘We?’” 

Dad nodded, saying, “We should use our powers together. Steel and concrete.”

“What about Jean?” 

Dad’s eyes broke from Brent’s to glance my way, and he dedicated all of seven milliseconds to the thought before saying, “Jean, you and Zeke move back, be ready to help if something happens.”

I tried not to let the request get to me. My water probably couldn’t help here, anyways. 

Dad and Brent passed me their phones and Zeke pulled me a good eight feet back as they both positioned themselves in front of the door, Dad hovering over Brent’s shoulder. I hadn’t realized they were nearly the same height before now. “You prep, I’ll add, we both throw. Okay?” He asked Brent, who nodded. 

The steel Brent produced caught the light from the phones, little beams bouncing around and the very large and very threatening looking beams Brent was making grew over his shoulder like some magical spear being materialized from thin air. I guess, in a way, it was. But what was different this time was Dad putting his concrete-laden hand through the shrapnel cloud to reach for the bars and touch them, the black rock on his arms sloughing off and onto the steel to make a jagged battering ram. 

“Now!” Dad yelled, moving to cross his arms over his face. Brent’s arms flinched as Dad threw his out and the battering ram went flying, the sound it made as it slammed into the titanium door something unpleasant I could feel in my bones as it screeched in protest, making me cringe so hard I accidentally bit my cheek. The door jolted hard, but stayed standing. 

“Again!” Dad yelled over the echoes of the grinding metal. Brent built up another large spear, Dad touching it with his gravely grace before they both threw it at the door a second time. This impact came with sparks and a divot in its center that exposed a way darker metal beyond the painted surface, a bullet hole in the kevlar the First Sons gave the door. “Come on, almost,” Dad encouraged. 

They ran the same race, Brent putting his entire upper body into this next throw, and the way the entire hall shook as the battering ram made impact with the door frightened me so badly that my water was reacting before I even saw the shrapnel, phones falling to the ground to instead let my hands shoot out to weave a wall of water between them and the wall they took down. The remains of the bent circular door shot back, taking out multiple desks in the room behind it and careening into a wall as my water caught whatever rubble it tried to throw back at the two men. The shaking stopped and the horrible sounds died off soon after, and within a beat, everyone breathed. 

And then immediately groaned as the broken door slowly fell forward, revealing the hallway it couldn’t fit through. “God, it's neverendin', isn't it?” Zeke muttered, glancing at me. All I could do was sigh in return.

I let my water fall and we all entered the lab dedicated to whatever Project Metamorphosis was, shining our flashlights around the room. God, even the furniture was white, pure metal desks laid in rows in the center — well, minus the ones Brent and Dad sent flying — with standing laboratory tables lining the walls, the expo marker on the white boards posted on the wall above them faded out but still legible.

Zeke beelined it towards some leftover lab equipment while Dad moved to shift through the contents of the first desk. Brent and I glanced at each other and simultaneously shrugged, moving to the edge of the room and exploring on our own.

With no luck at my station, I moved back towards Brent, him not even looking up as I moved. “This is insane,” Brent murmured, looking down at some files. “It looks like they were trying to do something with inactivated Conduits,”

“What, like what the DUP did?” I asked, looking around his shoulder at the document. Or, trying to — the font was so small that it looked like gibberish to me.

Brent shook his head. “No, different than that. Not sure how, though...” His flashlight left the laboratory counter to shine on the board screwed to the wall — which we only then realized wasn't a board at all, but one of those x-ray lightboxes. There were still some x-rays attached to it, but Brent's phone light wasn't hitting the picture right to make it show.

“Here, hold this,” he said, passing me his phone so quickly that I almost dropped it on the ground. After throwing a quick glare my way, Brent leaned forward, ripping the x-ray from off of the board and holding it in his hands, elevated a bit. “Okay, shine the flashlight under it,” he requested.

I did — and immediately cringed after. God...what happened to this person? Their jaw simply wasn’t there anymore, shatterings of bone protruding out of the open orifice in ribbons. I've seen brain x-rays before in health class, and while you're not supposed to see every nook and cranny, it's also not supposed to be foggy white, almost like it was riddled with infection or melted to mush. “Jeez,” I murmured, shining the light farther down the x-ray. It stopped just after the clavicle — not that that was one anymore, either. It was riddled with extra growth, as if wrapped up in solid tumors. “What the hell happened to them?”

Brent opened his mouth to retort when Dad, in the center of the room, called out, “Found some stuff on the Ray Sphere!” looking up at Zeke.

Zeke turned, in the midst of wrapping a stoppered glass vial with his sock while handlessly shoving his foot back into the tennis shoe. “What's it say?” He asked, taking off the sling bag so he could store the vial away.

“A lot of big words I don't know,” Dad started, holding up the rather thick file as Zeke and Brent's light landed on Dad's form, illuminating his tall shadow against the wall. “But it has a beginning note — apparently, the Ray Sphere can corrupt a person's powers?”

Zeke's head tilted to the side as he slipped the sling bag back on, looking at Dad curiously. ""Corrupt?'” he repeated. “Corrupt how?”

Dad looked back down at the file, phone light traveling across it in tandem with his eyes. “Says it makes a person's power stronger, but more volatile. Harder to control.” He looked up at Zeke. “Were Cole's power like that?”

Zeke shook his head, almost seeming offended at the accusation. “No, he was in control of what he could do.”

“And his power didn't affect his daily life? He wasn't having issues with—” Dad looked down at the file in his hands, “—his 'enhanced capabilities exceeding the threshold of practical applicability in routine activities, leading to the unintended manifestation of his powers in a potentially disruptive or uncontrolled manner?'”

“What does that even mean?” Brent scoffed.

Zeke's eyes, though, went wide. “Son of a bitch,” he muttered. Then repeated it, louder. “Son of a bitch!” With a foot stomp, like he just made the world's biggest breakthrough.

Dad glanced back up, eyebrow quirking. “So is...that a yes?”

Zeke nodded fervently. “Cole couldn't do anything with electronics 'cause his power would short circuit the wires. He couldn't sit in a car or hold a gun 'cause he'd make 'em explode. You're telling me that's why he couldn't do that? The Ray Sphere corrupted him?”

Dad looked back down at the document. “More like made him too powerful for his own good. Which I mean, did help with the Beast, but he would have had a horrible time trying to live in the Age of Technology.”

Zeke nodded. “Yeah, you've got that right. Had to create a double insulated phone pouch just so he could call me whenever we were off doing stuff,”

“These powers,” I interjected. “The, uh, corruption. Would it be enough to turn someone into a monster?”

Dad looked over at me like I was insane — but Zeke just nodded sagely. “Guess that would make sense. Bertrand, his power was...well, it was somethin'. He could turn himself and other people into these things, buncha fucked up looking creatures.”

Brent held up the x-ray, and we both immediately shined our phone's flashlight behind it to brighten up the image of the jawless person. “Like this?” Brent and I asked in unison.

“Jesus Christ,” Dad muttered, looking at the image as Zeke nodded.

“Exactly like that. Well, one of them, at least.” He replied.

Dad looked equal parts confused and bewildered. “So there was a Conduit that could turn just anyone into monsters?” He asked Zeke.

Brent let the x-ray fall, turning back to the table. “Not just anyone,” he said, grabbing his own stack of documents. “People with inactivated Conduit genes,”

“That's somehow worse,” Dad's murmur echoed easily to us. He raised his voice. “But if someone's able to manipulate a Conduit like that, we need those notes. Anything that can affect their powers is close enough to what's going on with your sister.”

We nodded, Zeke motioning for us all to come here as he took the sling bag off once again for us all to put our found documents in. As I worked on rolling up the x-ray and slipping my hair tie around it so it would fit easily, Brent muttered, “You don't think you're gonna turn into one of those, right?”

I could feel the blood leave my face as I thought of the possibility. “Oh God, I hope not?” I said. “I mean, the notes said it was nearly instantaneous, right?”

He nodded. “They did, they did. Just wondering, 'cause it seems like it would be a great cosmetic improvement for you,”

My smack against his head rang out loudly through the room and into the adjacent hallway, his yelp bouncing around just as vibrantly. Asshole. 

As Dad tried to find a way to fit the large x-ray into Zeke's bag, I watched Brent turn, shining his flashlight across the room and to the gap in the wall where the vast hallway stood. “What do you think is back there?” He asked me.

“I don't know,” I shrugged. “Probably more human rights violations.”

“Was there anything else over by that x-ray viewing box?” Dad asked us. We both sorta shrugged, giving him some noncommittal sounds that had him huffing hard. “Alright, I'll go double check. Do me a favor? Go check out the desk we flung next to the hall.”

We nodded, separating from the group as Zeke moved to fiddle with the other desk that was thrown to the side when Brent and Dad broke in. Brent put the flashlight on me like a spotlight as I tried to shift through the contents of the desk despite the weird angle it was at, pulling out nothing but useless to-do notes and nicotine gum foils.

“Anything good?” Brent asked me.

I scoffed, “Unless you wanna count old McDonald's receipts as loot, then no,”

I sat back on my heels and looked up just in time to see Zeke straighten, holding his hand up triumphantly like he had found gold — but whatever was in his hands was too small to see. “Got something!” He declared. “Some sorta recording chip.“

Dad turned to look over his shoulder. “Any idea what's on it?” He asked.

“Not yet,” Zeke hummed. He grabbed at a little pouch on the strap of his sling bag and there was a quick snap as he unbuttoned something. “But luckily, I brought Cole's old phone. I had tinkered with it a bit way back when — gave it a chip reader.”

Dad's eyebrow raised, and he 100% looked like he was not buying whatever Zeke was saying. “And you're sure a 25 year old piece of technology will work?”

Zeke snorted. “I modified a Nokia. I'll die before this thing does.”

Dad began walking over to Zeke as he fiddled with the old phone and the chip reader. The beam of light above me slowly started to move, and I glanced up to see Brent's attention — and inadvertently his phone — begin pointing towards the hallway again. “C'mon,” he finally said as I rose to my feet. “Let's go check out what's back there,”

Brent was already walking away by the time I called out to Dad to tell him what we were doing. “Okay, just shout if you find something, alright?” he requested as I jogged to catch up to Brent.

The hall was squared, which was different from the others — it felt like a normal hallway. Brent flashed the light everywhere; the high ceiling, the floor, where they met. He had this studious look on his face that left me wondering if he was taking notes for his own build down the line, or if he was critiquing the place and thinking of how he could have done it better. “Wonder if every other room is this big,” he hummed, light jolting to shine behind us. I couldn't blame him; I wasn't really a fan of treading through the dark underground, either. It felt like there was always something breathing over my shoulder. This entire place was freaky enough even without the fact that it was entirely powered down.

“Well, it's going to be a very long night if they all are,” I murmured back.

We turned forward simultaneously, just in time to see the light of the phone catch in the reflective surface of a pane of glass. It was as long as Brent was tall, following the curve of the wall in a slope. “What the hell...” Brent muttered.

The closer we got, the more I realized it wasn't a window, but a door, some large and super thick plexiglass thing that had five separate locking mechanisms on the outside. None of them had a keyhole though. There was a screen the size of a small television on the side, and a laminated piece of paper above it haphazardly taped to the wall like it was an afterthought, the 'TEST SUBJECT 0409' in giant bold.

There was nothing else about the corpse in the viewing room. No name, no demographics, no gender. Just a set of numbers the First Sons only bothered to throw on the wall after the fact. Barely cared about, barely human.

“What the fuck…” Brent drew off as he looked into the chamber. I couldn’t say much, I was too shocked. 

The glass was iced at the edges, patterned spreads of white frost that made the hairs on my arms stand on end. There wasn’t a bed in the room, no sink or anything. There was barely something that constituted a toilet — but it was all frosted over. The corpse in the corner of the small observation room was curled in on herself, arms wrapped around her knees as if she was trying to keep every little bit of warmth she had left contained to her core until the very end. She was perfectly preserved. That’s what was worse; I could see her frosted eyebrows still screwed close together, how she seemed to have froze in the middle of chattering her teeth. The folds of the thin scrubs she was in were stiff with icicles, her lips softly blue. 

“They froze her?” I whispered, the reminder of that feeling making shivers run down my spine.

Brent moved his phone’s flashlight around, up and down, trying to get a good look inside the chamber. “Look, see that?” he asked, pointing to the corner of the room. I looked up where he was pointing; it was one of those old flip signs, the kind they’d have at super old airports that would flip to say if a place was boarding or whatever. The white on it was damaged from the frost, but the dark black lettering showed through with ease; PRESERVATION ENGAGED.

“Do you think it was something to keep her body…” I drew off, unsure of how to even say what was going on, “...mummified?” 

Brent flashed his light around the room once more before letting it settle on the 5 locks. “That, or keep her from squealing.” he sighed hard, turning. “C’mon, let’s look at the others.”

I threw one last look at 0409 before letting my eyes fall to my feet, following Brent. 

There was a cshchsk that echoed into the hallway from the main room of the lab, like a walkie talkie was receiving interference, and then that same sickeningly sweet voice from the other dead drops came back, the voice of the Bertrand guy. 

“At first, I questioned His choices,” Bertrand’s voice echoed down the hall, the gross drawl of his accent making another shiver go down my spine after the one wracked up it by the cold hallway. There was another testing room, this time a man in it, hands frozen to the wall as he died trying to claw through the frost. I couldn’t help but hold my arms close to my core and Brent noticed, dragging me along. “Why would God turn me into such a monster when all I’ve done is follow His word? I never strayed far from His grace,”

Brent scoffed. “Isn’t this the same dickwad that was a fascist?”

I shook my head in disbelief at this asshole’s words, looking into the next testing chamber — and pausing when I did. In this chamber, there was definitely…someone, but I couldn’t see them well. Not when they were buried under the frost like that. But there was something off about the lump in the frost that I couldn’t put my finger on, like they were misshapen in a way. 

I mean, of course, that could have been a side effect of being frozen alive. 

“I prayed for days after I used the Ray Sphere to ask God why. Why turn me into this beast, this monster?” He asked no one. I’m pretty sure it was just to hear himself talk. “Why would He damn one of His most loyal soldiers to be a demon for the rest of his life? But I don’t believe that’s it anymore, no. I think I finally see what He has planned for me.”

Brent stopped dead in his tracks, making me run into his side. “Wh–, dude!” I snipped, rubbing where the bridge of my nose hit his hard bicep and blinking back the tears from the impact. 

Brent didn’t react. He didn’t even really care. He was too busy staring wide eyed into the next testing chamber, face a bit paled even in the dim light of my phone’s flashlight. I followed his stare, my own eyes widening as I looked at what was in the room. 

There was a human…I think. It was definitely the remains of one, at least. Their skin was leathery, grayed out in the way you only expected corpses to be. But the color darkened to match the texture the further it crawled down their arms, the skin growing and hardening to become these scythes of a pollex crab claw. It looked shelled, too, just like a crab’s would be. There was still a face to the person, still a mostly human body…but those claws…

“I understand what the auras I see are now. Marks of the Beast, of the devil’s influence. I’m branded with my own, and that’s why the Lord has made me what I am. I must atone for my sins.” Bertrand’s voice said from the other room as both Brent and I looked at each other and then rushed to look in the next cell. This one had the same claws and grayed skin, but there was more. Jagged frills of shell climbed up their — its — arms, clubbed claws where its feet used to be. It laid curled, back to us, so I couldn’t see its face — but I could see how its back seemed larger than humanly possible, like there was an extra set of muscles along its spine. 

“What the fuck?” Brent murmured again, more aghast this time. 

“I see the mark on each affront to God, now. The Mark of the Beast. It burns in their chests like the pits of hell, it’s on their hands anytime they use their powers. They’re all branded. All marked, even me. But I see it now, I see why God has made me what I am.”

 I followed Brent as he walked briskly down the hall, glancing into each chamber before quickly moving on. God, they were all the same; the huge claws long enough for them to use as crutches, the bent backs. At some point we got to see the horrors of that x-ray in all their fucked up glory; black bled through their abdomen and up their spines like something was poisoning them from the inside, their jaw shattered by the force of those thick appendages that jutted out of their jaws like tentacles. I guess the only solace I could cling on to when looking at these monstrosities is that they looked tranquil, curled up in the frost. Hopefully the people they once were passed peacefully. 

“He is giving me a chance to repent. To be more. His son was betrayed by one of his own, yet through that betrayal, we received salvation for our sins. That sacrifice is what He is expecting of me now.” Bertrand said, sounding so sure of himself. “I’m to be His sword and His might. I’m to cure the world of these demons by turning them into such and exposing them to the world.”

Brent’s steps slowed as the phone’s flashlight moved to face forward again and started traveling up, higher and higher as it caught the red and black exoskeleton of whatever that was in front of us. The chamber was at the end of the hallway and double the size of the others with the little crab-guys — but it needed to be to hold that creature. It was doubled over, reinforced arms being used as forelegs as it glared forward, three eyes on each side of its elongated head. It looked like something out of a horror movie, especially with its mouth open like a lotus, three long pincers coming together over a row of razor-sharp teeth. You could barely see the skin of the human it used to be under the exoskeleton of its hard shell, just as grayed and veined as the other crab-guys only an evolved form. Was this the end stage? Two segment claws as long as my arm and knees facing the wrong way?

“I’m meant to be the cure to the monster Kessler saw in his visions, the Beast that will burn the world to the ground,” Bertrand affirmed to himself. “I’ve done it, and watched them be hunted like the vermin they are. I’ve built the Militia to help track them down. These Conduits are not human, and they won’t be when I’m done with them. We are in the end times, and I am one of the disciples God intends to help salvage the world.”

Brent and I stepped closer to the frosted glass, standing on either side to get a look at just how tall, how wide this thing was. It had blades that ran up its elbows like knives, one elbow nudge away from spearing through someone. “Let them devour New Marais like a swarm of locusts. Let them see the monsters that are hiding among the meek, and let me be their savior. Let me lead them away.”

As I was looking at the jaw ripped open with tendrils of tissue holding the bones together, a volt of electricity shot up my spine when I realized the thing was staring back at me, blinking ice off of its translucent eyelid. 

“Let them ravage the world and get rid of the sinners, and may God help those that fight against them.”

“Jean,” Brent warned when he saw the head of the creature, the ‘Ravager,’ snap sideways to look at him.

We both took a half step back as the Ravager’s elbows flexed and it stood straighter, looking down at us from behind the glass. The three pincers on its mouth flexed open so it could give off a garbled scream that even the thick glass couldn’t keep silent, making me flinch and move to cover my ears. Its limbs moved lazily as it awoke from whatever hibernation the frost had it in before its super thick and long claws slammed into the concrete ground, shattering it with each rake. 

It was trying to dig its way out. 

“Run,” Brent said as Dad’s voice yelled something from the lab. “Go, run!”

[gyro-daily]

Day 1

[seventh-district]

several days and 15 thousand words later, i am relieved to report that the suffocating urge to Write Something has been sated and no longer has me in a chokehold

[wormcreature]

money is the symbol for love

[caterpillarinacave]

I am SAT for your Chenry fic. Please please tag me when you upload it?

Aw, thanks so much! I’ll be happy to!

[raininyourblackeyes]

I finished the art for my cousin's new poetry collection cover, I finished rewriting one chapter of my fantasy story and now it actually sounds kind of what I want it to sound like. That means I can go back to that figure skating au fanfic and finish the next chapter by the end of next week.

[pherryt]

A multi fandom Crossover - 12 chapter, 28K fic - Rated G, No Ships

Summary: Zoro and Ryoga get so lost they travel through other fandoms. No, they don't know what's going on either, but they sure would like to find out. Maybe someone along the way will have answers?

Why should you read Lost Boys? Let me Convince you

Firstly, I know I probably hurt myself and my chances of this getting read - always a struggle for a normal crossover, much less one like this - by posting it all at once, but I truly believed it would be more enjoyable to read that way and I didn’t want to deprive from that experience.

Secondly, I'm pretty proud of this multi fandom crossover and I don't think you need to know all the fandoms involved to enjoy it. (I even have testimony to that fact). 

Each chapter focuses on one fandom (outside of the Main Characters of course) and should be written in a way that you don’t need to already be familiar with them and can also, mostly, stand on their own (with one or 2 exceptions) if you wanted to skip to a fandom you were more interested in.

So, in that light, I’m going to make some posts (by chapter) with teasers, tid bits and maybe even art.

This fic started as a crack idea, and still retains some elements of that. It should be just some nice, lighthearted fun as Zoro and Ryoga ping pong through a series of random universes that were mostly picked out by my friends, followers and fellow writers.

What do you need to know about the Main Characters: Ryoga Hibiki and Roronoa Zoro?

1 - Ryoga Hibiki (or more properly, Hibiki Ryoga) aka, P-Chan, is from the Manga/Anime Ranma ½ by Rumiko Takahashi, which came out in 1987. He is not the Main Character, but he’s the main rival (and reluctant best friend) of the Main Character. He’s a martial artist, insanely strong and, as far as i know, the original Eternal Lost Boy. 

Oh yeah, he also turns into a pig. (The pig form of him is referred to as P-Chan)

Ryoga’s ability to get lost is so bad, he was once three days late to his own challenge - which took place in the empty lot behind his house - because he couldn’t find the location he had chosen himself.

2 - Roronoa Zoro is, of course, from One Piece by Eiichiro Oda, which is currently an ongoing series started back in 1997. He’s a green haired swordsman that uses three swords - a style he created himself, and is the First Mate of the Strawhat Pirate Crew, and also pretty strong.

He also cannot follow directions for his life.

The Zoro in this fic is pre-timeskip, so he’ll be in his white shirt, black pants, green haramaki outfit.

The Premise:

The idea behind this story came about when I watched an episode of early One Piece (Just before the Thriller Bark arc, somewhere around episodes 326-335) where Zoro got separated (Re: Lost) from the rest of the crew and wound up in the enemy’s stronghold with no idea how he got there or where he was or that it was even the enemy.

It made me think of all those “One does not simply walk into Mordor” memes, one of which includes the 11th doctor doing just that with the tag line “Simply walked into Mordor, doesn’t know where he is”, because that was absolutely what Zoro had just done.

And what would be better than having one lost boy? Having two! And thus, this story was born.

[paganinpurple]

AO3 Etiquette -UPDATED

Based on both decent and not so decent replies, I have made some changes to my original post below.

It would seem a whole new kind of AO3 reader/writer is emerging and it is becoming clear not everyone quite understands how the website community works. Here is some basic guidance on how most people expect you to go about using AO3 to keep this a fun community archive that funtions correctly:

As well as likes, kudos is for when the story was interesting enough to make you finish reading. If it sucked or was badly written, you probably left. If you finished it, you liked it - so kudos.

If you really liked it, you should try to comment. It can be long and detailed or a literal keysmash. Writers don't care, we just love comments.

No critisism unless the author has specifically asked or agreed to hear it (so use your notes to say if you want some constructive feedback). Even constructive critisism is a no-no unless an author note tells you it's okay. No, posting it online is not an open invitation for that. Many people write as a fun hobby or a way to cope with, among other things, insecurity and just want to share. Don't ruin that for them. I've seen so many authors just stop writing coz they can't handle the negative emotions the critism brings, and it's only meant to be a fun thing shared for free (pointing out tagging errors is not included in this).

Do not comment to ask the author to write/update something else. It's tacky and off-putting and will probably have the opposite effect than the one you want.

There is no algorithm, it's an archive. Use the search and filter function to add/remove the pairings/characters/tropes etc. you want to read about and it will find you the fics that fit the bill.

For this to work, writers must tag and rate stories. This avoids readers finding the wrong things and missing the stuff they want. I don't care how cringy that trope is in your eyes - it gets tagged.

The tag exception is if you don't want to tag a million things or spoil your story, you can rate it as "chose not to use warnings," and maybe tag the bare minimum.

Don't censor tags. How can someone exclude a tag if the word isn't typed out correctly? There are no content bans for terms so don't censor them.

If the tags are mostly content/trigger warnings, especially if they are things considered very fucked up or graphic, you might want to use "dead dove - do not eat" to ensure people know that you're not messing around with tags and what they get is exactly what you've warned them about.

Character A/Character B means a ROMANTIC or SEXUAL relationship of some kind. Character A&Character B is PLATONIC, like friendship or family.

Nothing is banned. This is an rule because banning one thing is a slipperly slope to banning another and another, until nothing is allowed anymore. Do not expect anyone to censor for you. Because of the tags system, you are responsible for your own reading experience.

People can create new chapters and sequels/fic series any time after they "complete" a story. So it's considered perfectly normal to subscribe, even to a finished story. You can even subscribe to the author instead just to cover your bases.

Do not repost stories or change the publishing date without an extremely good reason (like a complete top to bottom rewrite or an exchange youve written for going public). It's an archive, not social media. No one cares what's the most recent, only what fits their tag needs.

Instead of deleting a story you wrote if you hate it - consider making it anonymous or orphaning it so others can still enjoy it, without it being connected to your name anymore. If you still want to delete it, fair enough.

It's come to my attention that metaworks ARE allowed on AO3, which is something I wasn't aware of. So if you do post an essay or theory, please tag it as such so others can choose to search for it or exclude it. Art is also allowed.

The only reason this archive works is because NON ONE PROFITS. Do not link to your ko-fi or patreon or mention monetary gain in any way or you violate the terms and risk having your account removed. If anyone does link, it leaves the archive open to people claiming it's for profit and having the whole thing removed.

I KNOW there's plenty more I missed but I'm trying to cover most of the basics that people seem to be struggling with.

I invite anyone to add to this, but please explain, don't berate.

[itsfirecat]

(text description in ALT and below the cut)

Based on some rumblings I heard, I ended up quickly throwing together a fun little WIP bingo sheet! I'll admit I largely wrote the prompts for writing, but I think a good number of them should also apply to art!

Ultimately, the goal is to have fun, and finish whatever WIPs you can (without burning yourself out or having a bad time). If you needed a sign to pick up that project you've been putting off, the time is now!

3x4 Bingo square titled "Finish your fucking fics february"

the top three across left to right read "Update your oldest WIP", "Finish a WIP that's been buried deep in your drafts", and "Finish a WIP that you haven't posted yet"

the second row reads "Finish a recent WIP", "Finish a WIP you're scared of" and "Finish a WIP that's been haunting you"

the third row reads "Update a partially posted WIP", "Finish any WIP/Free Space", and "Finish the next WIP in a series you've been avoiding"

the last row reads "Update your newest WIP", "Finish a WIP that's been ignored for at least 6 months", and "Finish the next chapter for a fic you've been meaning to for months"

[itsbenedict]

mutual 1: conventional morality is nowhere near cringe enough to be based. you agree.

mutual 2: i'm going to liveblog my attempt at solving this obscure statistics conundrum you've definitely never heard of

mutual 3, reblogging mutual 2: oh, yeah, the Obscure Statistics Conundrum, we've all seen it. i have strong opinions on the obvious easy and simple way it should be solved, somehow

mutual 4: i need. to fuck that old man.

mutual 5: picture of a bird

mutual 5: picture of a bird

mutual 5: picture of a bird

mutual 6: [twenty-post long reblog chain arguing about politics with a stranger in stubborn defiance of the obvious fact that the stranger is not reading a single word they're saying]

mutual 7: here's my take on the latest chapter of the current Wildbow serial that you're going to have to blur your eyes and skip past because you haven't found time to read all five million words of this cool thing you don't want to be spoiled on

mutual 8: what if [the most deranged shit you've ever heard in your life]- and we were both girls?

mutual 4: don't forget i need to fuck that. old man. please.

mutual 9: [automatically generated link to a post on some ideologically extreme underground social media site with ten users that they use instead]

mutual 5: picture of a bird

mutual 5: picture of a bird

mutual 5: picture of a bird

mutual 5: god every single thing about my life situation sucks so fucking much i want to cry and now you do too

mutual 5: picture of a bird

mutual 10: reblogging that last picture of a bird

mutual 5: picture of a bird

mutual 4: that old man. you know. what i need.

mutual 11: here's today's doodle :) [outlandishly beautiful piece of original art which gets seven notes]

mutual 12: only posted eighteen spicy takes about gender today, so here's a new one i just came up with. is this anything

mutual 13: hey, wanna look at this pornography that somehow hasn't gotten taken down by Tumblr yet?

mutual 14: [a pun so bad she gets put in the fucking Hague]

mutual 5: picture of a bird

mutual 5: picture of a bird

mutual 5: picture of a bird

mutual 15: [21st reblog on the politics reblog chain where everyone is talking past each other and has zero intention of persuading anyone]

mutual 4: i need to FUCK that old man. what do you mean he's dead

mutual 8: what if i fucked that old man. and we were both girls.

[nuggetofthesea]

Before writing more stories, I want to help people come to terms with the "identity death" and heavy themes in the animal HRT comics, and as a writer, want to explain why it isn't ACTUALLY death, but a form of renewal. Because I see it on all of my friends posts.

"I am just concerned about this loss of self thing, it sounds like identity death and I don't like it" is the common comment.

But in all of these comics, it is less about loss of self, but more about leaving behind who you were. A sign of extreme change and showing their own way of moving forward, and the start of a brand new life. A willing change to a new start.

Identity death is an unwilling change. All choice was stripped away from them and a new identity forced on them. This is also different from a transformation that leads to acceptance of the new form.

But in the animal HRT comics my friends put out, it is a willing change to a new form and cones with mental changes they are willing to go through. That isn't the same as a death. But a new start to their life they can start living to the fullest. It's also why some choose not to start anew, to bring one journey to a close and begin a new one. They choose to have that be part of the same journey. A new chapter instead of a new book if you will. In either case these are willing changes.

It can seem terrifying to some, but a total rebirth of yourself CAN be a slightly scary theme. It is terrifying to choose to take that new life.

But let me set up an example here:

When I first came to be, I thought I was going to be a visual artist, because Ashe was and that's what I remembered. When I was locked away by my own doing in the headspace I was stuck in a perpetual cycle of misery. It was terrifying to take the step to discover myself. To lower the barrier I had created, to rediscover myself.

But when I came to be, Ashe said I could be anything. A new sense of self outside of her. A new life. I tried to draw first, but I couldn't. Visual art was not my thing anymore. It never was. I just held on to memory of being a copy of Ashe. When writing my introduction I realized I love the feeling of writing. I have my own form. My own life. My own identity. A new start.

So let me ask you: Should I have not taken that opportunity to completely cast off who I was to embrace who I am? Should I have left myself in misery and fear as something I'm not? All for the sake of not casting off who I was and my life before? No.

Now while I do remeber all of what happened before my change, none of that shapes who I am now, because that life wasn't mine in the first place. This isn't a death of my identity, but a new start to an identity I chose. And I am happy to be able to live it with my new sense of self and build NEW memories. A new life.

Which also leads to the second heavy theme in those comics. Shortened lifespans. Outside of the fact that we are told time and time again HRT can lead to a shorter lifespan (which is a false average) starting a new life also means you are probably starting in the middle.

Our body is almost 30. That is 30 years of my lifespan gone. Yeah, I was around for 15 (almost 16) years of that, but my new life began a week ago. Who I am began just last week. And even though in the headspace I am early to mid 20s at best, that is still a cutdown lifespan.

So should I just have not bothered with the new start?

Absolutely not. The gift of life, new or old, isn't about how long it lasts. But how you live it. It is hard, it comes with problems, but for as long as I have of it, I will cherish the new memories I build, the new start I have, the ability to just... exist. For as long or short as that may be. And through this new start to my life, the people who love and care for me are still here. Still stand by me. And that is a great thing.

So please, don't be too offput by heavy themes in our stories. Even my stories will have some rough parts. (They'll always be tagged)

Hope this at least helped ease why those themes are there, and why some people choose to have them.

Also, don't worry about "adding to the fuel used against us" because we could sneeze and they'll find a way to use that against us. The fact is, with the Animal HRT series, actual HRT does come with some discomfort, pain, downsides, and problems. And like the heavy themes in the comics, we determined it is worth it for us to keep going despite them. We knew the risks.

"Everything is a risk. Life's boring as hell if you don't take them JUST because there is potential problems. Just make sure you understand them." - a line chaos told me the day I formed

It does less good to show everything as risk free and painless, because then nobody is prepared for the risks they are actually taking. Or the comic is based off the creator's life to that point, and they DID experience a lot of pain. So retelling their story (like mine) might be painful at spots.

My point of all of this is, the heavy themes are required to tell these particular stories. And while not every story requires dark spots, the dark spots help to accentuate the brighter picture. Otherwise it can just be blinding. So please go easy on the artists/writers behind them. As it is usually something personal for them.

(This also might not apply to all of them, some people just like writing horror, and we should respect that too.)

Next story should be sometime within the next couple weeks. Just needed to get this out there. It's been on my mind since releasing the short story with Iris.

-Aqua