Random ask timeee! :D
As a tribute to the dire state the Hunting Dogs are currently in, which duo/trio of them is your favorite? Which are you gonna be most excited about when they (hopefully) reunite? 👀
AAAA HIHIHI
My favorite duo that I miss dearly, and barely have content of is Jōnō and Tachihara. They're such wasted potential istg. Tachihara is bothered by being supposedly 'not very smart'–which I heavily disagree with–and you know who could make up for that? Jōnō. Jōnō is the brain and Tachihara is the brawn, but their capability isn't limited to just that. Yes, Tetchō and Jōnō fit this description too, but to me, the unexplored battle potential of Tachihara's and Jōnō's combined Abilities is just so much more intriguing. With the very few interactions we got of them in canon, I can't help but imagine them having some brothers bonding time but it's military lab rats style. Also no one can convince me that they're not sent out on undercover missions the most, like they're both incredible actors; they'd fool Mōri, which Tachihara already did. Even Dazai could take a while to realize them. They're my power duo ever though I don't think we'll see them again for a while now. (If ever ಥ‿ಥ)
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I have two sides in my brain,
One side says to post not more than 3 times a day because if I do I will annoy people,
The other side says "screw you, it's MY BLOG, and it's MY INSANITY, and if PEOPLE FOLLOWED ME, that's THEIR PROBLEM, RAHHHHH"
They fight constantly.
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Maybe Station 19 was like an experimental cubist painting.
There were too many stories to be told and too many people trying to tell them, from too many perspectives, with too many styles…
Each viewer saw a different picture.
It was the show that tried to capture the zeitgeist and represent the under-represented. Also the show that often struggled. With the tones and textures. With representing w/o tokenizing. B/w laughing with and laughing at. B/w realism and romanticizing. B/w deliberate and arbitrary. B/w educating and entertaining. B/w what they consider profane and sacrosanct.
At times, it touched our hearts deeply. At times, it frustrated us to no end.
Not every story was given the respect, sensitivity and intricacy it was due.
One moment could lead to a profound understanding of an aspect of a lived life some of us had never known; while the next could be a moment that was beyond confounding - about an aspect of ourselves that made us feel slighted, diminished and even erased.
It had often been an exercise in empathy to find our common humanity at the intersectionality of stories. Yet, the scale of empathy often skewed too far in favor of some characters with the differing standards, narrative frames and plot armors. Ironically yet reasonably turning people off these very characters they wanted people to root for. A persistent dissonance and disconnect.
But it was also the show that didn’t shy away from the ugly, the raw, the uncomfortable and messy parts of our shared human experience. The tribulations of oppression. The perils of ambition. The tests of morality. The trials of friendship and love. That we would make mistakes, but we could also make amends. That we're not defined by our worst. That our best lives could still be in front of us despite the current struggles. That sometimes life sucks but having your people with you makes it more bearable.
I would think it an interesting journey for the diversity of people behind, on, and in front of the screen. The evolving stories, evolving characters, evolving storytellers, an evolving fandom - all amidst an evolving media landscape.
It was probably not an easy show to make. The show had a bewilderingly lack of support from abc or shondaland. Diversity seemed to be both good for promotion (when there was any) and the reason for the prejudice against it.
Just as it had not been an easy show to watch - so biased, inconsistent and self-contradictory. Like when they kept telling us about the family spirit and deep friendships yet somehow spent more time showing otherwise. Or when the writing of systemic sexism was somehow inherently sexist.
Personally, I don’t think characters belong to the writers alone. Besides the usual constraints, the characters were often adjusted back and forth to fit the plots. We’ve also learnt how network execs' dislikes, writers’ personal experiences were factored into the stories. I fully respect the writers’ artistic rights. But actors who embodied the characters for years have a unique understanding too. Viewers also have their personal takes about what were true to characters. It's ok to agree to disagree.
There had been sparks of brilliance, but often extinguished too soon. It has been confounding how the greys-verse did not capitalise on its vast potential, esp. S19. Even while both shows share a show-runner. Grey's anatomy could have lent its scale while Station 19 could have injected renewed energy back into its mothership. Both shows could have been better for it.
Although the characters have the foundation of distinct and interesting backstories, their development often did not fully utilise the narrative potential and the talents of the cast. I’m sure the crew was also competent and hardworking. But somehow some elements b/w n within the shows seemed to just cancel each other out instead of amplifying their impact. IMO 704 and 709 were a few exceptions.
But I'll always be glad S19 existed and we got a S7. I believe they had tried their best to wrap up and give closure to everyone invested in the show. I truly appreciated the hard work given the circumstances even when I personally didn't agree with some takes.
In the end, I really do want to remember it as the show with heart, the show that made us laugh and cry and the show that tried. The show that's unique - in both its merits and flaws. I’ll definitely miss the characters. One last time - 19!
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