listen. i love el and i think she's a fascinating character. we all know this. i am very clear about this. but like. it really is SO crazy how she really came in and, like... fucked will's life up so fucking bad lmao. i know that it wasn't her fault, and i'm not saying it is, but that's just... such an excruciating writing choice.
it was a choice to have her be the one that opened the gate & essentially sliced will's life into an ugly before and after. it was a choice to have her replace him as mike's number one as soon as she came back into their lives. it was a choice to make her the party's mage and then "change" will from being their wizard to their cleric. it was a choice to make her his sister. it was a choice to purposely have her wear his clothes and have the same bangs. it was a choice to have her ignore him on mike's first day in lenora, despite the fact that he was mike's friend, too, and first. it was a choice to make her oblivious to his feelings.
it was a choice to make them love and genuinely care about each other. it was a choice to make her feel like a monster for everything that'd happened and kept happening. it was a choice to make will not resent her. it was a choice to make him support her enough that he's willing to uphold her lies to mike (!!!) of all people with his inaction.
it was a choice to have him spill his heart out to mike and gift him his painting all in her name. to have him be the one to unknowingly make mike finally say "i love you" to her in response to his confession. to have him realize too late that he's been needlessly pushing mike towards her this whole time.
it was a choice to place will right beside mike, his first ever friend and keeper of his heart, when he told el that his life started just as will's ended.
it was... a bold fucking choice to replace will with el in mike's eyes due to outside influence. it throws them into chaos and disarray because el and will are not interchangeable, and it shows in how...
mike seeks from el everything that will already gives him.
mike readily gives will everything that el begs him for.
el cannot read or understand mike in the innate, wordless, and familiar way that will does.
mike cannot be vulnerable with el, but he opens up to will without even needing to be asked.
mike always heeds, trusts, and listens to will, even when they're arguing or going through a rough patch.
mike always knows just how to mend things with will, because he knows exactly what he needs and he doesn't ever hesitate to do and give it. nor does he need anyone to help him with their conflicts either. he just knows.
el is always left waiting for him to do things for her that he's currently doing for will.
will visibly hates and feels uncomfortable lying to mike, but el can do it consistently with ease.
will is the one that loves mike how he truly wants (and needs) to be loved.
will hasn't been able to move on in full, because he was cast out of his own story and demoted to a supporting role behind the new lead.
el hasn't been able to find out who she really is, because she's been thrust into roles that were never meant for her to begin with. she has always been contorted into the shape of whatever others need or want her to be, but they don't fit because they aren't her.
and, like... there are so many things in this story, which is to say the show as a whole, that would not have happened had the men in el's life not done that. had they allowed her to just be, it's highly likely that the dominoes would've never fallen the way they have.
thankfully, the narrative is set up in such a way that it appears this disorder will rectify itself, but it's still so... upsetting to think about lol.
it all boils down to choices: who gets to make them, what choices they have, why they made those choices, and what happens after. that's all the show is: a series of choices, or a lack thereof, and their consequences with some monster mumbo-jumbo sprinkled on top.
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Actually I'm still thinking about it. Another interesting way in which RvB is anti-war is the way that the Director fills the role of a villain and antagonist (especially in the Recollections trilogy, where he's a faceless villain we never see but is responsible for everything that happens).
In his memos to the Chairman, the Director emphasizes his sense of duty and obligation to the military- he becomes irate for the first time when he feels that it's being implied that he was derelict in his duty... or that the work he did out of that duty is being criticized for being against the military's interests. He also talks about Allison's death in a way I find... interesting.
"You see; I never had the chance to serve in battle. Nor did fate provide me the opportunity to sacrifice myself for humanity as it did for so many others in the Great War. Someone extremely dear to me was lost very early in my life. My mind has always plagued me with the question: If the choice had been placed in my hands, could I have saved her? [...] But, given the events of these past few weeks, I feel confident that had I been given the chance, I would have made those sacrifices myself... Had I only the chance."
The idea of sacrifice is central to the way he talks about his wife's loss, to the way he talks about the war in general. He talks of sacrifice with a sense of veneration- that it's something he aspires to do, that he longs for. There's a few ways we can interpret "I would have made those sacrifices myself"...
-That in Allison's place, he thinks he would have laid down his life too.
-That if given the chance, he would have given his life to save hers.
But most interestingly...
-That he would have sacrificed Allison's life for the continued survival of humanity, if that was what duty called for.
...And personally, I think all 3 are true.
In most war media, the Director's perspective on sacrifice is very common. Sacrifice is glorious and heroic- to die in battle is an honour- and it's the only way to ensure the group you serve survives. This is a tool of propaganda- nobody wants to go to war just for the sake of it, you have to give them a reason that the risk of dying or being permanently disabled isn't just acceptable, but desirable. Beyond that, most people don't want to do things they think are immoral- you have to convince them it's important, a necessary lesser evil. You teach them to sacrifice their morals, too.
The way they train soldiers to follow orders and to kill, is to convince them that they, and the people around them, and the people they care about, will all die if they don't. It's drilled into your head from day one. It's the way they ensure their commanding officers won't shy away from sending their men off to die. The message is constant- sacrifice is your duty, and duty ensures your people's survival.
In the Director's eyes, the damage Project Freelancer caused was his sacrifice. He never got the opportunity to sacrifice himself during the war- so he sacrificed others, as military brass do. The Freelancers- including his daughter. The countless sim troopers. Any people he considered "collateral damage" on missions. And when the opportunity to do so presented itself, he sacrificed a copy of himself- Alpha- and he sacrificed a copy of Allison- Tex.
The very thing that derailed his life- the loss of his wife- he made it happen again. He put her copy in dangerous situations, let her exist in the position of constant repeated failure, created the circumstances that would eventually lead to her death. He put their daughter in deadly situations that nearly killed her repeatedly, provided her with impossible expectations leading to self-destructive behaviours in the name of duty, implanted her with two AI knowing they could cause her permanent harm. He was confident he "would have made those sacrifices himself" because he did.
The Director is the embodiment of the military war machine. As an antagonist, he is a warning against buying into the glorification of sacrifice. He's a condemnation of the idea that one should be willing to do anything to win a war- that duty to the military is the thing that ensures survival... All the messages that are pushed to ensure recruitment and obedience of soldiers.
He's a reminder that swallowing the propaganda leads to you doing terrible things... and in the end, you're a broken man left mourning the losses that you suffered even as you repeated them, convinced that it was all necessary.
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