#so i put it under a read more

[codepend3nt]

I'm such a sucker for massive height differences, and the way he just towers over Rebecca is perfection.

like look at them

[illusioncanthurtme--art]

Hentai lookin ass Bill.

A couple more "suggestive" drawings under the cut:

I hesitated on posting these last two so much when I was drawing them, but that was like two weeks ago, and now I'm just numb to it. WHO CARES JUST TAKE THIS!!

I alluded to drawing more "suggestive" billford stuff a while back, and ironically, THIS ISN'T EVEN WHAT I WAS TALKING ABOUT SKJDFGDSH I was talking about something else I was planning on drawing. This just sorta happened.

I hope you like these!! Let me know if you want more.

oh, and the first drawing was originally rotated on its side, but I decided I liked it flipped around. That's why his coat is up like that. That's gravity babey!!!!

[maudiemoods]

WAAAAAUAGRGGG!!

I love them so so so much!! AURGG!!

[khytal]

and there was only one bed (oh my god there was only one bed)

extra:

[luxites]

"Know your place, fool." ⛩

I really want to know more about how he became the King of Curses

[shepscapades]

looking through your docsuma tag.....love them. wish they had one more combined braincell so they could realize their feelings

HERE'S THE THING THOUGH OKAY the problem is actually that they're both too smart about their feelings. you've got me down a horrible rabbit hole okay let me do my best to explain without being a freak(reading this back over, i failed <3).

Xisuma takes longer to realize, first of all. He's got so much to deal with coming out of s8 and through the beginning of s9 that quite frankly he's really just grateful to have another friend he can count on and trust, and he's so consumed by getting the androids back in working order on top of his actual season 9 plans (on top of Cleo shoving self care down his throat and demanding that he make a better habit of taking breaks and taking care of himself, which takes a LONG time to adjust to, if it can be argued that he ever does) that he doesn't really realize he's developed feelings for Doc until his heart beats him over the head with it randomly one day. Probably sometime in S10. Even then, because of said busy-ness, I think Xisuma has a very hard time getting over the meta-ness of a creator developing feelings for his creation and the selfishness of that reality amidst all of his other responsibilities, and he is likely too scared/overwhelmed to entertain the thought of the feelings themselves, much less the likelihood of reciprocation or the fantasy of a relationship.

Doc, on the other hand, realizes he is developing feelings for Xisuma kind of steadily throughout the course of s9, since that's when they start spending so much more time together in the lab working on androids and improving android tech. As a general statement, Doc is very aware of himself, all of the time. His awareness of the self is very important to his sense of normalcy and control, so any time he experiences a new emotion, he notes it, logs it.

So, while he's very aware of the feelings he's developing as they happen, he doesn't quite put a name to it/realize what it actually is until he talks to Tango and Etho, funnily enough--It's definitely one of those moments where Tango or Etho or whomever are explaining their struggles with the physical manifestations of their... idk, lovesickness-- ie, thirium pump rate irregularities, temperature fluctuations, influxes of feelings they've described as a combination of longing, affection, want, happiness, yearning... and Doc, as the unbiased third party to put 2 and 2 together, explains to them that those are obvious signs of romantic attraction, only very belatedly realizing several hours later that those are the exact symptoms he hasn't quite been able to put a name to. Naturally he's exceptional about being quiet about this realization until he slips up during a maintenance check-in with Tango sometime after, who is not doing well in s9, and Tango (mid romance-ranting) catches the passing of a wistful expression on Doc's face and calls him out for "totally thinking about someone right now" (Teasing aside, tango promises to keep Doc's secret).

So, despite knowing well his feelings before X ever develops his own, Doc is actually very, very careful about them-- He knows more than anyone else how busy Xisuma is. He knows how stressed X is. He also knows Xisuma seems to be more knowledgeable when it comes to emotions and feelings, and despite the clear signs that Xisuma shows interest(?) in him as well, Doc can only assume there is a good reason nothing romantic has happened between them-- he trusts Xisuma more than anything, and he--firmly-- will not breach this trust by acting on something Xisuma does not seem to be ready for (or does not seem to want yet(yet?)). Therefore, Doc is patient, and even though as Season 10 develops and Doc becomes aware of the likelihood that Xisuma could return the feelings, he trusts Xisuma's emotional intuition more than anything. He, painfully, recognizes Xisuma's discomfort (or hesitation), concludes that there must be a missing variable in this equation he cannot grasp, and decides to let Xisuma lead because of it. He will not push farther than he feels Xisuma has.

It's definitely one of those "fell first" "fell harder" type situations I think. I'm normal about them. can you tell

[ink-the-artist]

Rare @uncleflutus sighting

[cockroachesunite]

Here’s the whole thing! (Including the bit of dialogue right before my canon divergence for context)

The End (?)

Original format ☞ (part 1) (part 2) (part 3) (part 4) (part 5)

[signanothername]

Why do you like Killer?

*Cracks knuckles* get ready

I don’t like Killer, I fucking LOVE HIM

He’s my number 1 fave au sans and has been for a very long time

Now to be clear, I’m talking about canon Killer here, i have mixed feelings about some fanon interpretations, some are good and i genuinely love them, others not so much

That being said, let’s actually talk about why i love my beautiful amazing wonderful son <3333

(All art used in this post is by Killer’s creator: Rahafwabas)

The very first hook for me is his very concept, the mere idea of a sans basically agreeing to go on a killing spree after so many genocide runs is just *chef’s kiss*

Killer knew it was wrong, he knew he shouldn’t, yet he did

Killer doomed himself by his choice, he could’ve stayed as “sans” but he chose to accept Chara’s offer, yet his choice came to be after he saw no point in refusing anymore (important addition and a correction here)

The canon comics had Killer saying that he’s the way he is cause he gave up, he said “you won, you’re the reason I’m like this”, he’s been on so many genocide runs that he felt a little part of him die each run, only to give up and go on said killing spree

It’s interesting how the player is a big part of Killer’s story, cause whether Chara was involved or not, the player is the root cause of his suffering

But what i love the most is that regardless of his backstory or reasons, Killer’s actions led to their inevitable consequences, and it forever changed him

The biggest change? His very soul, it went from a normal monster soul to his signature target soul, infused with Determination, something that supposedly hurts monsters, it’s almost like his soul was infected with it, and you can see how it physically affects him with the black liquid that constantly comes out his eyes, nose and mouth, and even at times, that sludge is too much that he chokes on it

And the amusing yet tragic parallel? Killer aimed to “feel something new” by his genocide runs, only to end up not feeling anything at all, at least at his default stage 2

Which brings me to the concept of his soul’s stages

I love Killer’s stages so so much, it’s such a beautiful unique and wonderful concept

Killer’s individual stages are sooooo intriguing to me, it shows Killer in a different light each time depending on which stage he’s in, stage 1 is the closest he is to being “sans”, the closest to he used to be, he can feel emotions and is generally back to his more lazy bones attitude, as well as his ability to actually show sympathy, and feel the pain he’s always in, but what’s interesting is that regardless of the fact he’s the closest to his old self in this stage, it’s still so clear that Killer isn’t really “sans” anymore, that no matter what, he truly had changed in a way that can never be reversed, a point of no return, even when Color saves him, cause his new habits? His fears? His pain? His trauma? They can never be taken away, Killer has to live with the scars of what he experienced

Stage 2 is who he’d become, he can’t feel anything at this stage, emotions nonexistent, and his nonchalant behavior towards himself and others is most apparent here, a parallel I like to think of is that Killer’s inability to feel anything at all is almost like prolonged sensory deprivation, when you’re deprived of sensory input/ simulation for long periods, your brain needs compensate, and so it does its job, Killer’s soul prevents him from feeling so he resorts to other methods (usually very self destructive) to compensate for his lack of emotional capacity

I also really really love how that especially during stage 2, Killer isn’t trustworthy, cause in stage 1 you can actually trust him to an extent, in stage 2 Killer’s actions, behaviors and mindset are completely unpredictable, but not because he’s random, cause he’s actually extremely calculated, yet regardless, his carelessness when it comes to his own life and other people’s lives is dialed to an 11 here, so he could either choose to kill/attack or simply stay and listen

we even get an actual in depth look at how Killer’s mind works in one of the canon comics, in which Killer contemplates whether to attack Dream or not as he listens to his own stages in his head, one of which tells him to Kill Dream, while the other tells Killer to talk to Dream first

How Killer comes to a final decision on whether he attacks or not is something I believe his calculated mind makes depending on the situation and the pros/cons of what act he chooses, Killer is pretty smart, he knows when to let his trigger happy self out and when to settle down

Stage 3 or the “crazy stage” is the stage in which he’d attack anyone in his way whether friend or foe, we unfortunately don’t have much canon info regarding this stage, but that ain’t gonna stop me from analyzing the shit outta it (and talk about how i perceive it)

I like to think of this stage as the combination between stage 1 and 2, yet it’s almost like his soul can’t truly decide on which stage to settle on and by extension founding stage 3 as a separate stage by itself, Killer becomes extremely unstable at this stage, his soul moves rapidly and it’s obvious he’s in pain cause of it, whether that pain is just emotional or both physical and emotional isn’t really clear, yet i’d like to believe it’s both, and i feel like Killer’s capacity to attack anyone at this stage is related to that pain, and something I really love to believe is that Killer can’t calm down enough to settle back to stage 1 or 2 unless he either wears himself out by fighting someone, or he’s left alone to his own demons long enough to pull himself together, if he were to be forcefully restrained during this stage, it would only serve to make it worse and prolong the time he stays that way (cough something i may or may not have made a quick comic about but never shared as always vjvjvjj)

Not to mention, one of the canonical responses Killer gives when asked if he’s ok at stage 3 seems to make Killer alternate between answers he wants to give between saying he’s “fine” and “i don’t know” which makes sense, Killer isn’t stable at all, it’s almost like his stage 1 self and stage 2 self are fighting over who gets to talk (stage 2 seems more dominant)

Yet the fact Killer is able to answer and comprehend his surroundings enough at this stage is very intriguing to me, cause it shows how much Killer is able to handle/endure (which is A LOT cause damn) and not only that, but it also gives us a very clear difference between this stage and stage 4

As for stage 4?? Woooh boi, it’s the stage I like to call “plunging into darkness”

We also don’t have much canon info about this stage, but one of the things i find interesting is the fact Killer deliberately keeps it a secret from everyone, when he tells Color about his stages, he only tells him up to stage 3, never bringing up stage 4, only for Chara to sneer at Killer that he shouldn’t keep it from his new BFF

It’s obvious Killer himself is very uncomfortable with the subject of stage 4, it’s apparent that it’s a stage that he rarely gets to, but it still bothers him enough to not want to even mention it, which makes sense, cause the comic we had of stage 4 shows that Killer gets to that stage when he’s reminded of all the murders he committed, and unsurprisingly, when he’s reminded of his brother, as what triggered this stage is actually a memory of Papyrus telling Sans to “see a puzzle”, only to be followed by memories of screams of anger, fear, and hatred of those he killed immediately afterwards, stage 4 is heavily related to his trauma

Not to mention it’s clear that when Killer gets to stage 4 he blacks out, he’s completely unaware of anything he does during this stage, and is only left to deal with the aftermath when he gets back to his senses, the fact it’s also a stage that seems to be “getting worse” is something that Killer definitely seems to hate

It sometimes makes me think whether Killer had gotten into trouble cause he killed someone Nightmare wanted alive while at this stage, cause with how he keeps it a secret, I’d assume Nightmare would be unaware of it for a while (comic idea perhaps >:) )

But y’know what’s better than talking about the stages?? Talking about Killer’s personality, behaviors and trauma

Killer can’t distinguish between what’s real or not, and it’s obvious he sometimes sees the world in the third person, as in he’s not completely there at times, not to mention the amount of voices he hears in his head, from his stages talking to him to hallucinations of Chara, Frisk and Papyrus, and oooh boi does he hate these hallucinations, the past obviously haunts Killer and it’s something he tries running away from constantly, yet he can never truly run from it when it follows him everywhere

Killer has a smile on his face most the time, but his attitude changes especially when Chara is mentioned, or when he’s reminded of his past in any way, he literally avoids food that reminds of his past life as “sans”, he freezes up at certain phrases such as “best friend” (something i also made a comic about that i never shared chchhchc)

He just absolutely hates to be reminded of the person he used to be, of all the things he used to have, cause in truth? They were all taken away from him by his own hands, only to be then forced to work under Nightmare, who only ensures that he never finds peace of mind

And the sad part? Killer let’s all those things hurt him, he lets Nightmare have his way with him, he lets Chara torment him, cause he thinks he deserves it, and most importantly, he deluded himself into believing that this is what he wants because it’s what everyone else wants, because it’s what the player wants

Killer even sometimes tries to force himself not to feel anything, cause come on, since when does he feel anything at all?

Killer, to put it bluntly, hates himself, and he thinks that his suffering is the Karma of what he’s done, and even at one point, he was going to erase himself out of existence cause he believed that’s what he deserved, as in Killer thought of himself as unworthy when it comes to Papyrus, that his brother doesn’t need him, that his brother is better off without him, hell he even tells Color that he needs to kill him if he ever reaches stage 3, it’s an obvious “ i want someone to put me outta my misery” attitude

Killer feels hopeless, and so he lets himself suffer thinking he can’t ever find peace or hope again

Yet the interesting part? You’d never know that Killer hates himself unless you’re a being of emotions (Nightmare and Dream) or someone who’s perceptive enough to notice Killer’s self-loathing like Color, that’s how good of an actor Killer can be, you’d think he’s a cold emotionaless killer but the truth only shines to those who actually can see through his act

Killer just has that amazing character depth and his story is genuinely so unique and beautiful, cause you in his story you can find details of other details within the details vhvhvjvj

All that? Mixed with really adorable little things like his love for cats, his silly attitude, his nonchalance with Nightmare, his capacity to be social with whoever, and his friendship with color? That is why I love Killer Anon <33333

[prettyboykatsuki]

BLUELOCK MEN AS SHOUJO + JOSEI ROMANCE TROPES / PLOTS | 18+

isagi yoichi - shoujo romance, childhood friends to lovers + boy next door. student athlete that isn't obviously popular but is generally liked by girls for being charming and approachable. madly in love with you, his childhood best friend and plans to keep it from you as long as he can. corny bedroom confession with a timeskip of you living in apartment together. his parents congratulate him when you start dating

bachira meguru - josei romance, strangers to lovers. has a secret identity or persona with a lot of online popularity and runs into you in his everyday attire. think cross-dressing or cosplay. comforts you in his normal clothes and runs into you again in some varied form of costume and always ends up saving you from different kinds of trouble and being a source of comfort for how positive he is. easily jealous and teases you a lot + very forward. the first time you have sex he's dressed as alice in wonderland for a photoshoot. embarrassed when you flirt back

kunigami pre-wild card - shoujo romance, classmate turned love interest. he's actually not your crush, but your friends. you're in the same class and attempt to play wingman. usually ends with you being alone with him. you end up falling for him and try to keep it to yourself for a long time out of a sense of guilt. kunigami flirts consistently and even asks you out. confession scene ends with you running away, him chasing after you and telling you he wants to be with you no matter what. you overreact about what your friend will say (they've known for a while)

kunigami post wild-card - josei romance. a guy you crushed on in highschool who comes back to your hometown totally different and kind of a jerk. you end up getting drunk and having sex. this undefine relationship leads to arguing until kunigami gets his act together. you work it out but ppl in reviews hate him

chigiri hyoma - josei romance, classic college group project partner trope. a little older than you. very put together. you're the only ones who work on the project. mysterious, pretty, dresses well. you crush on him one-sidedly until the project ends and then have a misunderstanding about him having a gf. (its his sister). confession happens after you avoid him and he confronts you. sadistic in bed but takes it slowly for you.

nagi seishiro - josei romance, partner in an online video game you play. is 100+ levels above you in an rpg and carries you through dungeons. plays as a character that doesn't suit him. you meet at a convention and he is a hot guy. continues to ask to hangout and takes advantage of the fact you have a hard time saying no to him. uses emoticons over text but is blank irl. very direct in his confession + doesn't let you avoid him. sex after getting together. gentle in bed but doesn't let you get up the next morning.

reo mikage - shoujo romance, rich x poor trope. you end up working for his parents company to pay off debt and he finds you there. you've had beef since forever. uses this as an opportunity for him to extort you but ends up really admiring your resolve. one-sidedly pines after you and throws money at the problem. forces you to go as his plus one to some gala and confesses to you on the dance floor. you think he's making fun of you but he is not. goes to your house to clear things up days later. makes you quit your job

itoshi rin - shoujo romance, classic school ikemen prince with bad personality. few close friends but always garners a lot of attention. you keep crossing paths with him against your will. eventually this leads to one-sided beef that makes you run into each other even more. douchey tsundere while falling in love. falls harder. kabedons you in the school hall way. tosses all of his valentines chocolates except for yours. his mom fawns over you.

itoshi sae - josei romance, extremely classic office romance trope. boss at your office job + oldest son. high up in the food chain. inhuman, cold, and popular for being handsome. tends to give you a hard time. nicknamed office demon. son of a rich conglomerate. you drink too much at a work dinner and complain about your lack of sex life which is how you start having sex. courts you seriously but you pretend not to notice. falls first. introduces you to his granny who took care of him.

barou shouhei - josei romance, scary guy who works in the tiny town you've just moved to after nearly dying from overwork in the city. extremely gruff when talking and generally intimidating. you warm up to him gradually after seeing how he interacts with the elderly. works in an old business that's gone through his entire family. stayed behind to work so he could support his sister through college. helps you find your passions again. more heavy on the romance than the smut. you fuck after a festival and he sees you in yukata. gets along with your family

shidou ryusei - josei romance, strangers to lovers. classic "hookup" after a really really bad break-up completely drunk. wake up next to him and he doesn't let you leave. you can't remember what happened so you're forced to endure his insane company. you later find out you didn't have sex that night but instead you blabbed about your ex and threw up all over yourself which is why you were both naked. also realize you don't know anything about him. realize he's weirdly considerate albeit kind of terrifying. only has sex once you realize that. only marathon sex until you crawl away. works as a stylist. classic "fall for me already," line when you're asleep.

oliver aiku - josei romance, exes to lovers. bad break up in highschool to meeting again. a client of your workplace. pushy and worse than you remember. end up sleeping with him after a lot of arguing and work together as ususal. extremely messy relationship and hatefucking that feels too intimate. only get together once he's about to leave again. did not fall out of love you. bad personality but romantic after the fact. lets you yell at him as often as you need. self-aware that he sucks but charming.

SHORT BUT HONORABLE MENTIONS

otoya eita - shoujo romance, school player you ask to fake date you to get your ex off of your case in exchange for tutoring. takes it up cause he thinks you're cute and falls for you seriously. has to work hard to chase you because of his reputation

karasu tabito - shoujo romance, friend of the guy you're actually crushing on. stays on the sidelines while you pine for his friend and picks up the pieces when you get you're heart broken. insanely nice to you while dating despite being a huge jackass as friends.

yukimiya kenyu - josei romance, arranged marriage partner per family request you're reluctant to meet. extremely pleasant to you and objectively a good man. you mostly refuse him on principle but he melts your heart slowly and treats you very well. you don't marry for a while tho. breaks his premarital sex rule wanting to make you feel good.

[samipekoe]

color adventures today. my friends oc in the fabled gold bikini and random headshots

[asgardian--angels]

Izzy Discourse Masterpost

Hey all, given the amount of awful splintering and wank happening in ofmd fandom rn regarding Izzy's death, including the flat-out immature and unacceptable harassment of David Jenkins and Co, I wanted to just make this one all-encompassing post to address the various grievances and complaints I've seen (almost entirely on Twitter). If I've missed anything, please feel free to add on. I'm putting most of this under a read-more for length.

Please be aware, I say all of this as an Izzy fan. I've loved his character since season 1, and while I was sad to see him go, I completely understand and support David & Co's reasons for concluding his arc, and I think it was done respectfully in a way fitting to his character. So let's break down some of the takes I've seen. I am not referencing specific posts or people here, I just want to address the general themes that I keep seeing about why some people are upset.

Izzy's death served no narrative purpose.

Look, this is one that I'm sure fans will debate for the rest of the hiatus. It's completely within your right to disagree with this writing choice, but Izzy's death did serve a narrative purpose in the story that David Jenkins is telling - and he has spoken to this end in several interviews already. I can only summarize here, and fans may find other perspectives in time as well. What we need to remember is that Our Flag Means Death is, at the end of the day, Ed and Stede's love story. That has been made abundantly, explicitly clear. The show has been fantastic at fleshing out the other supporting characters, but that's what they are - supporting characters. They often have their own subplots but ultimately the narrative seeks to move Ed and Stede's story forward and they are tools to spur Ed and Stede's growth or mirror their struggles. Izzy has been a wonderfully complex, multifaceted character but we must remember that all characters are vessels through which stories are told, lessons are imparted, and metaphors are established. He's not a real person who 'deserves' any particular fate. David said he's always intended for Izzy to die at the end of his arc.

Firstly, Izzy (now canonically, through his own dying words) represents part of Blackbeard. He enabled and encouraged Ed's darker side, they were mutually toxic forces to each other. Ed is attempting to cope with and move on from this phase of his life, and like Stede in season 1, set out a free man, unshackled by expectations and loose ends of those he's hurt and been hurt by (though we realize this is an ongoing process that takes time). This lovely gifset sums it up nicely, with Izzy being the Mary parallel, and making s2 mirror s1. Blackbeard is both Ed and Izzy; Ed cannot be free of Blackbeard while Izzy is in his life, and when Izzy is gone he will never truly be Blackbeard again. They are each other's rotting leg!! Yet, they love each other - and David has said that for Ed, this has developed into a mentor and father relationship, and where Ed has previously despised his father figures (his actual father, Hornigold) he does not want to lose Izzy. This time, Izzy brings out Ed, not Blackbeard - and that's where we get the callback to 'there he is', bringing their impact on each other full circle, freeing Ed, getting approval of sorts that he never had, to be soft, to be loved (and there are parallels to Zheng and Auntie here as well that others have made) from that force that drove him to stay in line all this time. David has said in multiple interviews now that he was going for the idea of the mentor/father figure dying and the hero living on and trying to do justice to them.

From Izzy's side, Izzy cannot be free while Edward remains either (Mary cannot find peace while Stede remains). The scar never truly healed, the leg will always be a reminder. At this point the argument becomes 'yes, but why did he have to die? Why not just sail off with the crew of the Revenge?' David has stated that he feels they've done everything they can with, and for, Izzy; he's come leagues from season 1, he's found community, he's found hope, he's found new parts of himself, and he's made good memories. He's found worth outside of what he can be to others. That's more than most pirates could hope for. Where would his character go from there, when the Golden Age of Piracy he belongs to has burned to the ground? Would he stay around and whittle on the Revenge? If he were a real person, yes, that would be lovely, and he'd deserve all the quiet peaceful happiness in the world. But as I explain several points below, he's not interested in being a captain. He's not up for the hard physical labor of regular crew, and he's extremely overqualified for that besides. He has served his narrative purpose, and symbolically, to enter a new age, everything must go. He's connected to the old age of piracy, to the Republic of Pirates, that is now demolished. To him, fighting for what he believes in, for the family he's found, bringing down an army of British twats in the process, is how he should go. It's a pirate's death, and as Izzy's said, he's a pirate - unlike Blackbeard who's succeeding in breaking away from piracy, Izzy never wanted to stop being a pirate, throughout his arc. To me, that's why Izzy remains trapped in the narrative, trapped in history, whereas Ed and Stede will escape history. They leave piracy, and canon, behind, while Izzy was content to remain a pirate and face a pirate's fate.

Burying him on land, right next to Ed and Stede's beach house, shows that his sacrifice was not in vain - they start this new life together, thanks to Izzy's mentorship, his role in their lives that sometimes for worse, sometimes for better, made their love what it was and made their breakaway possible. The new age is built on the foundations of the old age, and is stronger for it.

As we're well aware by now, David tweeted that there's no version of ofmd without Izzy. Whether that's literal or not, symbolically it's true. Izzy's arc of growth affected everyone on the Revenge. Jim fondly remembered fighting for a time when life meant something on that ship; the crew helped give Izzy new meaning in life, and he helped them in return. When he dies, they mourn and have a funeral; that wouldn't have happened under Blackbeard's watch in episode 2. His life meant something to them. He influenced Ed and Stede immensely, and they will take that with them. As David's said, they're all a family, and Izzy was a part of that family, and his loss unites them and brings them closer to continue to fight for that family they've built. It's a tragic, sudden death of someone they've all grown to care for, and that steels their reserve to keep the torch lit. They literally sail off into the sunset to hunt down Ricky to avenge Izzy; he will always be a part of this show. And, of course, with the brief appearance of seagull Buttons, the door is left open for anything.

If this was The Izzy Show, then sure, we'd be content to see him simply engaged in shenanigans every episode. But the plot, and therefore the characters, need to keep moving forward, and Izzy got his growth and development. He got what he needed for his character to have closure, and he served his symbolic narrative purpose in Ed's (and Stede's) story. You may have your own ideas and perspectives, and that's great - that's what fandom is for. But we cannot say his death was pointless when David Jenkins and the writers clearly had a well-defined motive for pushing the narrative in this direction. I actually think the narrative around Ed and Izzy is the most well-developed in the entire show. I for one am so happy we got such an interesting and complex character, and had the brilliant Con O'Neill to portray him.

Izzy's growth & healing arc was rendered pointless by his death.

As this post so eloquently puts it, it's pretty bleak to have the outlook that taking steps to heal and find meaning in life is worthless if it's later lost. Seeking happiness and self-actualization is worthwhile for its own sake; no one knows what's down the road, and we all die eventually. Find meaning in life now. Would you rather have had Izzy not miss with his bullet in ep2? He was given the chance to experience joy, freedom, and hope for the first time in potentially a long time, and when he died he did so with those happy memories. As mentioned, Izzy's death was decided long beforehand given the narrative, and the point of storytelling is to make you feel emotions. We were given impetus to connect and relate to Izzy's character through his process of healing, so when he did die, we felt it keenly. That's how stories work actually! We felt what Ed felt. It moved us. It's not a bad thing that Izzy's arc made him more likeable to fans before his death. It's not a bad thing to lose a beloved character - guess what, it happens constantly in stories - and it's not bad to grieve over it either, but to say that it made his journey pointless is just not true. People saying that Con must be upset that they snatched his character away from him after getting to develop him so much - again I say, would you rather him have died in ep 2 before he had the chance to grow? Or how about in s1, when the crew tried to mutiny? How'd you feel when Stede killed him in his dream, in the very first scene of the season? I think Con's probably glad for the opportunity to have explored this character so much in season 2. Ask him if he thinks it was pointless.

Killing off Izzy was bad for queer rep/burying your gays/"Izzy was the queer heart of the show"

I'm putting 'bury your gays' on the top shelf so people can't use it when it doesn't actually apply. Most of the main cast of characters in this show are queer, and it's a show about pirates with a good amount of violence. Ergo, chances are a queer character will die in the course of Things Happening In Stories. Izzy didn't die because he was queer, and he wasn't the token queer rep. Please turn your attention to the boatloads (literally) of queer characters that are happy and thriving (how about the LuPete wedding immediately afterwards??). As for Izzy being the "queer heart of the show," this is literally the Ed and Stede show. You know, the two queer leads whose queer love the show revolves around, per David Jenkins himself. I'm glad folks connected with and derived joy from Izzy's growth and especially his performance in Calypso's birthday, but he is not the main character of the show. The queer heart of the show is in fact, the entire show, all of their characters and the community & found family they create aboard the Revenge. Not to mention the fan community as well. Izzy was never carrying the show's representation on his back, and frankly that's an absurdly wild take to have (esp when he spent most of s1 actively working against the main queer relationships in the show, attempting to maintain the oppressive status quo of pirate society).

It was bad and irresponsible to have a suicidal character die

Are we forgetting the entire first half of the season where Ed, who was suicidal, kept trying to passively kill himself because he felt he was an unlovable monster, only to be shown that he is in fact loved unconditionally and it gives him the strength to fight for life and triumph against his own self-doubt? The show has spent quite a lot of effort telling viewers that despite feeling damaged or broken you are worthy of love and that you are loved even if it may be hard to see it when you're in a bad place. That you don't need to be fully healed to deserve love and care, and that love and support will help you along your journey. It's incredibly wild to disregard this major plot point and fundamental message of s2 to try and spin this the opposite way for Izzy's character.

Secondly, where are people getting 'Izzy is suicidal' from? Are we going back all the way to episode 2, when he's at his lowest point and fails at his suicide attempt, only to be figuratively reborn after removing the metaphorical rotten leg? By the time of the finale he's shown to be in a good place, thanks to the arc of healing and growth he's gotten, through the support of the Revenge crew and his 'breakup' with Blackbeard allowing him to find his own way in life, realizing he doesn't need a purpose to have value and enjoying his time on the Revenge and the bonds he's made with Stede and the crew. He is, in the words of Ivan, "the most open and available I've ever seen him" by the finale. To take episode 2 as evidence he's suicidal is to erase his whole season of growth, which is an ironic thing to do in the context of these arguments. There's no canon evidence Izzy Hands was suicidal post-'Fun and Games'.

As for 'irresponsible,' once again I say, David Jenkins is not your therapist, he's not 'Dad,' and has no responsibility to tell his story any other way than he intended to tell it. Please find media that gives you what you want or need, and if the death of a fictional character causes you this much distress please seek help. I mean this kindly but seriously.

Killing off Izzy was ableist/bad for disability rep.

I point once again to the rest of the characters, several of which are disabled in varied ways. There are literally multiple other amputee characters specifically. It's not good storytelling to wholly avoid killing off any character that is disabled/queer/poc/female or [insert marginalized group here], especially when a) it makes sense narratively, and b) there's plenty of representation of these groups in the media in question. The answer isn't making such characters invincible and immortal, it's increasing the number of these characters in shows so it's not devastating when some do die in the course of natural storytelling.

OFMD was my comfort show/safe space show, now it's ruined for me

I am not trying to be insensitive here when I say that's a problem that is yours and nobody else's. David Jenkins created this show with a three-season vision and a story in mind, and he is telling that story to the best of his ability the way he wants to. It's already been said that he and the crew did not anticipate the fandom becoming as large and passionate as it has. The plot of the show was never intended to be 'fan service,' and it's ironic that there were people complaining this season that there's been too many fanservice tropes, up until David and the rest of the writers room made a narrative decision they did not like, then the complaints changed to not coddling the fans enough.

We as viewers can derive joy from this show, it can be a comfort to us, it can be important to us. But it was not designed specifically for that purpose, therefore it cannot fail in that respect. We do not have the right to harass writers for not steering the ship in the direction we want - it's their work of art, and we can choose to either come along for the ride or not. It's rare to see creators actually given the chance to tell their story the way they intend (budget cuts aside), so let him do that. He should not cater to fans, or cave and change the story to appease us. Respect his right to create his art, and remember you have the right to create your own. That's what fanfiction is for - write fix-its to your heart's content, but keep these realms separate. David Jenkins and Co hold zero, and I mean zero, responsibility to you. He could not please everyone no matter what he did, it would be fruitless to try, and it would certainly compromise the quality of the story he set out to tell.

You are absolutely allowed to dislike choices made in any show. Curate your media experience. If this show no longer brings you joy, stop watching. But it was never David's purpose nor responsibility to juggle the mental health of millions of fans. Trying to put that on him will only make him less enthusiastic about interacting with fans or continuing to make this show. This isn't rocket science. You're responsible for yourself, not this guy you call 'Dad' that you've developed a parasocial-therapist relationship with.

Izzy should have become captain of the Revenge.

Really?? Firstly, we did actually get that already in s1. He was tyrannical and the crew mutinied. But even if you think 'well after his character arc he'd be better suited to it,' it goes against the point of this arc. He's found value in not having a distinct role or purpose on the ship, decoupling his worth from the job he's expected to perform. He's found his place amongst the crew, not commanding it. There's no narrative reason to put him in charge when he's expressed no further interest in slotting himself back into a role full of pressure and expectations.

Con O'Neill was only told halfway through filming, it's cruel to just kill off the character he loves so much.

Guys, he's an actor. More than that, an actor with a theater background. I think he's used to characters dying. You don't need to look out for him. Con and David spoke one on one about it at length so they were on the same page, and David even said that Con took it well. I'm sure Con had input, just as other members of the cast have influenced their characters' stories, costumes, backstories, etc. Do you really think David Jenkins hurt Con's feelings or something? The writers (remember, it's not just David, it's a whole team of hard-working people coming up with these ideas) gave Con such a chance to shine this season, really developing Izzy beyond what he was given in s1 and letting Con show off his full acting range. Why are you only focusing on the destination rather than the journey? Sure, Con's probably sad to see Izzy go, but please do not project your distress onto him or try and accuse David & Co of being 'cruel' to their cast. That's really ridiculous. It's constantly evident how close they all are.

More importantly, do you actually, seriously think that Con O'Neill would want fans to harass each other or the writers over his character? The man who preaches being kind above all? There is no better way to make an actor uncomfortable about a show and its fanbase than to start treating fictional characters like they're more important than real people. He would not want you to bully people over Izzy Hands, and it's mind-boggling that some of you have convinced yourself otherwise.

Lastly, I just want to talk about the fact that some people are holding OFMD to absurdly high expectations.

Our Flag Means Death has been a pioneer series for its diverse representation, earnest storytelling, and themes of hope, community, and love. It's fine to discuss aspects of the show with a critical eye, but so much of the discourse has truly felt like folks are trying to find fault in a show that is leagues ahead of the average tv series that we still enjoy. How many fan favorites are killed off all the time? How many plotlines are scrapped, or drawn out without closure, or contradicted the very next season? How many shows are indifferent or actively hostile towards their fanbase? How many have any queer characters, or actually do bury them? The bar's so low, and OFMD has risen above to give us so much. Some are holding the show to astronomical expectations, waiting for it to fall from the pedestal it's been placed on. If something you don't like happens in the show, it's not suddenly ruined or demoted to being ~just as bad as those other shows~. Give them some breathing room, have some perspective on how progressive the show is, and that perfection is impossible, especially meeting every single viewer's idea of it. This is basically a repeat of the recent Good Omens drama, with an absurd number of people harassing Neil Gaiman for breaking up Aziraphale and Crowley and leaving the second of three acts on a very predictable cliffhanger. Let stories be told, let them unfold as they may, and you are free to leave anytime. It's so wonderful that more queer love stories are becoming popular and even mainstream, but let's not shoot ourselves in the foot by tearing them down when they don't go exactly the way you want it, which often seems to mean no drama, no character deaths, and therefore no conflict or even plot!

Just, please be civil human beings, and while this seems to be a difficult thing for so many fandoms to do, just keep your fan opinions in the fan space. Never bring your grievances to the writers, never bully them and persecute them for telling a story that you opted into viewing. That's something that goes entirely against everything this show, and this cast and crew, have imparted onto us - the importance of kindness, support, community, and love. I'll say it again because it bears repeating: the fate of a fictional character is never more important than how you treat real people. Just be kind in real life, which includes the internet. Thanks.

Now please, let's work together to ensure we get a season 3. There's so much more story to be told, and if you want to see Izzy back, whether that's as flashbacks, as a ghost haunting the inn, or in the gravy basket, we'll need more episodes! #RenewAsACrew

[hailsatanacab]

I'm a sucker for Twin Reveals, idk if you know that. So I have to ask about "you're joking, right? gala pranking turned twin reveal"

ngl this is the flavour of the month for me rn, I've really hopped straight back on the demon twins au with a passion! you get 500 words of the intro here because I have no restraint :)

———

Tonight is becoming, as often happens with a gala, a dismal affair.

Bruce has (finally) managed to extract himself from a torturous conversation with Mrs. Johnson, and is allowing himself a quiet breath with a glass of apple juice masquerading as whiskey when someone taps him on his shoulder.

“Mr. Wayne?”

It’s a voice he recognises, despite only meeting the man once. He doesn’t groan—he even resists the urge to throw his glass at him and make a break for it—but it’s a close affair. He’s not Superman, after all, and there’s a limit to his strength.

With a deep breath and the customary ditzy smile of Brucie Wayne plastered on his face, he turns towards Mr. Masters.

Only to immediately freeze.

“Ah, yes, I don’t believe you’ve met.” Mr. Masters turns and presents a young boy to him, gently pushing him forward slightly. His dark hair is ruffled and there’s a thunderous look on his face as he flashes Bruce a glare before stubbornly fixing his gaze back on the floor. “May I introduce to you my son, Daniel Masters?”

This is the fourth gala Vladimir Masters has been to since his reintroduction into high society, only the second one he and Bruce have attended together, and, as Bruce is silently lamenting, there is still so little known about the man. Yet, he doesn’t strike Bruce as someone that would pull a joke like this.

After 20 years locked away in his house suffering from an unnamed illness, his return had been completely unexpected and not entirely welcome, from what Bruce has heard. Too many years spent away shrouded in mystery has people weary about forging new connections, but his recent successes with his business might persuade a few brave—or foolhardy—individuals into making some investments.

Which must be why he’s now back on the gala scene.

Which must be why he’s chosen to become Mayor of a little unknown town in Illinois, as baffling as the choice may be.

Which must be why he’s pulling this stunt. This practical joke. Something to break the ice, to share a laugh with Bruce. To start a conversation.

The only real question is why Damian is going along with it.

“I’m sorry?” Bruce says, chuckling awkwardly.

Poor Damian looks just about ready to pull out a sword and start swinging, so perhaps he’s not as comfortable in going along with it as Bruce first thought. There's a tension in his shoulders, his whole body as taut as a bow string. Did Dick put him up to this? It’s definitely something his eldest would find funny.

“My son, Daniel. Daniel, say hello to Mr. Wayne.” There’s a flash of annoyance in Mr. Masters’ eyes as he gives Damian another nudge to introduce himself.

“Hello, Mr. Wayne.” Damian growls out, eyes still stubbornly lowered, his jaw tensing painfully. His voice sounds different, almost like he’s affecting Mr. Masters’ accent. Just what is he playing at? Bruce is struggling to find the funny side in all this.

Is this a case they’re working on? Not a prank, but rather some investigation that Bruce isn’t privy to? It wouldn’t be the first time his children have kept him out of the loop, but to do it in a gala, and a Wayne gala at that, where they’re sure to be recognised…

No, it has to be a joke. They’re planning to embarrass him, they have to be.

[turrondeluxe]

[anachronistic-falsehood]

saintsofchaos reblogged el-presidente 🔁

🌄tinyakitten Follow

MAKING A TEA FARM FOR MY BEAUTIFUL GIRLFRIEND <3

⚔️saintsofchaos Follow

She’s on a different team Tina 0_0

🌄tinyakitten Follow

mad bc you’re single huh bad??? how’s it going with forever

🍃el-presidente ✅ Follow

👀👀👀👀????

⚔️saintsofchaos Follow

I’m blocking you

👓puddle-of-slime Follow

JUST HAD SEX WITH MY BEAUTIFUL WIFE LIKE THREE TIMES IN THE PUBLIC POOL AT GLOBAL <3 LOVE IS REAL

#i’m unblocking him #i feel like i just saw god

carnivoreanimal reblogged saintsofchaos 🔁

⚠️pac-trigger-warning Follow

im literlally fucking crying and sbhakding what did he meanb by this

🔪carnivoreanimal Follow

ola queridinho ;)

🛤️industrial-revolution Follow

BACK BACK BACXK BACK BACK

🛤️industrial-revolution Follow

GO AWAYYYYYYY

🛤️industrial-revolution Follow

HE'S LITERALLY NUERODIVERGENT AND A MINOR

🛤️industrial-revolution Follow

YOURE BREKAING HIS BOUNDARIES YOURE BREAKING HIS BOUNDARIES YOURE ON HIS DNI LIST

🛤️industrial-revolution Follow

KYS KYS KYS KYS KYS KYS KYS

🛤️industrial-revolution Follow

@/saintsofchaos GET HIS ASS

⚔️saintsofchaos Follow

@/carnivoreanimal Cellbit you wanna 1v1 me at blue's base if you're not too scared??? OwO

🔪carnivoreanimal Follow

i'm going to eat pac's other leg

parrot-animations reblogged peterparkoier 🔁

🔪carnivoreanimal Follow

saudades de meu esposo :(

🗡️peterparkoier Follow

TE AMO GATINHO 💖💖💖💖💖

🖋️parrot-animations Follow

it's important to me that you all know cellbit is kicking his feet and giggling and twirling his hair reading this over and over btw

#gay people real!!!! #this is the man y’all are afraid of??? he’s literally a cat in human form

parrot-animations reblogged ninjastarboy 🔁

🖋️parrot-animations Follow

BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS

🔪carnivoreanimal Follow

BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS

🦈foolishgaymers777 Follow

BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS

🪶baghzzzzzzzzzzz Follow

BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS

🛹carreraaa Follow

BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS

👓puddle-of-slime Follow

BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS

🐦crowfather Follow

BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS BOLAS

🌟ninjastarboy Follow

is this what having a stroke feels like

🖋parrot-animations Follow

STROKIN DEEZ BOLAS HA GOTTEM

#TEAM BOLAS 🔛🔝

industrial-revolution reblogged tinyakitten 🔁

🔎pacifist-detective Follow

i miss tina :((((

🌄tinyakitten Follow

I MISS YOU TOO WHERE ARE YOU I'M BRINGING YOU FOOD

🔎pacifist-detective Follow

YOU ARE THE LIGHT OF MY LIFE I'M AT GLOBAL 🥰🥰🥰

🌄tinyakitten Follow

I'M ON MY WAY RIGHT NOWWWWWWWWW

⚔️saintsofchaos Follow

Do you need an escort to get you there Tina?? 0_0

🌄tinyakitten Follow

GET A JOB!!!!! STAY AWAY FROM HER!!!!!!

⚔️saintsofchaos Follow

I'm just trying to be helpful -_-

🌄tinyakitten Follow

YOU'RE NOT KILLING HER ON MY WATCH

🛤️industrial-revolution Follow

wlw on mlm violence!!! hashtag love wins

industrial-revolution reblogged armedanarchist-deactivated8008135 🔁

🦾armedanarchist-deactivated8008135

this fucking sucks. they couldn't let me have my kid on the island, they couldn't let me have morning crew in purgatory. this is hell this is actual hell i can't even have pac because his team made him kill me. this fucking hurts fuck this gay earth

🛤️industrial-revolution Follow

king i hate to tell you this but you posted this on your main insted of your secret side vent blog that no one but me and phil have ever been able to find 👍 thuoght i should let yuo know

🦾armedanarchist-deactivated8008135

IF YOU NOTICED THEN WHY DID YOU FUCKING REBLOG IT INSTEAD OF MESSAGING ME

🛤️industrial-revolution Follow

WHY ARE YOU STILL REBLOGGING IT INSTEAD OF DELETING IT KING

⚠️pac-trigger-warning Follow

fit are you okay??? i'm sorry i was telling them not to kill you :( do you want to meet up and talk???

🦾armedanarchist-deactivated8008135

I'M DEACTIVATING

🛤️industrial-revolution Follow

IT'S SO JOEVER 💀

[dunkalfredo]

been wanting to draw The Big Scene from chapter 2 of human after all for a while now and finally did it!!!! yeehaw!!!!!