#so it's not like i'll NEVER have a cat

[the-everqueen]

not get littol man :(

[andthebeanstalk]

Me: hm, I want something to put on the TV as background noise... Huh. Looks like YouTube is recommending something called The Last Unicorn. That's perfect, it's probably some old shitty animation that has aged poorly! I can watch it ironically!

Me, 2 hours later as the credits roll: *crying, cheering, buying the book, composing the songs*

Me, 2 weeks later: So I have compiled all of the quotes from the book that I think could make good tattoos, and also, HOW HAVE I NEVER LEARNED ABOUT HOW THE LAST UNICORN FUCKING SLAPS??? This gay-ass little fairytale fed my soul! Watered my crops! Transed my gender! Can't believe I heard of this story from youtube recommendations, of all places!!

[deafening-radio-silence]

I think that Dr. Christina "I was an excellent soldier" Raynor needs to deal with some personal things before she's anyone's therapist, because she strong-armed more of Bucky's autonomy away from him than Zemo did within the series.

[queenerdloser]

i just finished dark heir

[obsob]

drawings ive done this week for a competition!! probably the most ambitious thing ive drawn in my new style but im very happy with them! :3

[bonefall]

I have a question: I haven't read DOTCs but I have read the guides, and the guides Grey Wing is my fave and I've been warned he gets absolutely destroyed in the DOTCs books..so, what are the differences in Guide Grey Wing and SOTC Grey Wing?

BOTC!Graywing only has about a paragraph or so of information on him, and it points towards him being an ancient warlord type. I really like and miss this version, because it reminds me of something straight out of the Seven Military Classics.

We know that he was specifically an ancient leader of WindClan, back before leaders took -star as part of their names. Using some simple deduction from the history we know from SOTC, this means he was a leader before there were official Clans, and before Windstar. Just warring groups without borders.

Onestar refers to him as a tactician, and explains that he invented the practice of strategic placement using stones and drawings in his den like a little kitty war room.

These tactics mostly have to do with battling in open fields, so we can assume;

There were a lot of battles taking place in the moor

Graywing the Wise was involved in a lot of battles, so he could develop and test these ideas.

It's not much, but it's interesting. Paints this idea of a Moorland Warlord... Moorlord, if you will.

DOTC!Gray Wing has a couple of scenes where he's talking strategy or vaguely referencing a tactic, but he spends 3/4ths of his VERY short life having meltdowns at the idea of combat because Hurting My Sweet Brother Makes Us Just As Bad :(

(Camera pans and Sweet Brother Clear Sky is tying a woman to train tracks and cackling maniacally)

MOST of his life is this. He's like 2 years old when he dies of asthma and he only started having opponents to plan battle against in the last few months.

Most of the fights he's involved in before that are spontaneous-- and even less are commanding armies as was implied in BOTC.

He also half leads "WindClan". He's a joint leader with Shadowstar for a while. Anyway, DOTC also tosses him a pity mate because his first two love interests got fridged. His adopted kids like their abusive biodads more; one of them even vows to avenge Tom the Wifebeater, a man she met once who got her mom killed.

Aaaand that's the difference. I think it's obvious I like the BOTC take more.

[starry-bi-sky]

ive been hesitating to ask this bc youve been on a roll with the clone^2au (which i am frothing over) but could i poke you for some childhood friend au? bc GOD i wanna see how danny reacts to reuniting w jason or how the rest of the batfam react to learning jason never told danny of his resurrection or wondering if dannys gonna put jokers dead body on a display/offering to jasons grave. i havent been normal about this since i first read it and was wondering. thank you for your writing.

RAAAAHHHH DON'T BE HESITANT I AM JUST AS FERAL OVER MY CHILDHOOD FRIENDS AU AS I AM WITH CLONE^2 I AM DELIGHTED BY THIS. Like.,,,, i literally love them,,, so much. I can't listen to The Crane Wives without thinking of them.

(which is my fault - the ao3 fic of them has literally only crane wives lyrics for each chapter title and summary (posted AND the ones not written) so of course im gonna associate with them.)

(if you wanna listen to some of their songs while thinking of cfau here are my recommendations: "Once & for All", "Here I Am", "Hollow Moon" is a Danny AND Jason song to me, this would be my go-to song for an animatic of CFAU if i had the skills for it. "Tongues and Teeth", "Curses" and "take me to war" is a heavy cfau danny song to me, and of course, "the moon will sing")

Like they're BEST friends dude, they're two sides of the same coin and when they were kids they would do this thing where their 'fingers crossed'/'double-crossed' was them hooking their index fingers in the fingers crossed gesture.

and i'm actually currently rewriting my original post into a more fic-like format, and when I'm done I'll post it on here under the cfau tag - with the original post still in tact. But its,,, gonna be so long dude,,,, the original behemoth was just over 9000 words,,, and I've written 3k words already of the new one and we haven't even reached Jason and Danny reuniting at the gala yet,,, i need to get back to that,,,

and then to answer your questions!! god im almost hesitant to answer because i dont wanna spoil the little fic i had planned for it but also like,, its not like im gonna spoil everything, right? and answering the questions isnt the same as writing the scene down so!!

i love danny and jason's reuniting, like i've thought about it SO much and I've thought about it happening after Danny kills the Joker. I know the reveal could have been before that, and it could have been equally just as dramatic but like??? Thematically, doing it after danny kills the joker is SO good. To me at least.

Because like?? Jason's been in somewhat denial about danny's plan to kill the joker for months. ever since danny told him that he wanted to at the gala. And from Jason's pov its not even technically a plan. He sees his best friend for the first time after five years and his best friend still isn't over his death. He hasn't stepped foot in Gotham since his funeral and now suddenly he's here.

And he's still so full of grief over his death that he tells a masked vigilante that he's going to kill the guy that did it, who lives in said masked vigilante's city. And danny's got that look in his eyes that Jason knows so well that means he's being serious. And yet he still doesn't know if he should believe him or not.

And then he does. Danny kills him. And Jason can't fucking believe it. And when he goes and sees Danny, Danny's hands are still covered in blood. And that reunion? God like a fucking firework show. Danny's so fucking angry, and pissed, and hurt, and so goddamn overjoyed that he's alive and here that he sends them both to the ground, and if he doesn't calm down he's gonna take out the power in a five block radius.

there's just so, so much yelling on Danny's end. And then so much crying, first from Danny and then them both. because god, you're alive. you're here. i've missed you so much. i'm never letting you out of my sights again.

and Joker's death! God I don't want to actually say too much about that, but the way I have it set up thematically makes me actually not want danny to take any part of the joker with him as an offering. and he may actually forego that particular ghost etiquette and offer something else as an offering to Jason in substitute to not bringing him the Joker's heart/head/ritualistic body part.

Because you know what the last thing a man whose been spending the last two decades of his life building himself up to be larger than life would want? A death that's unremarkable. :) and that's all i'll put on the matter for now.

and the batfam!! they technically already know that jason hasn't told danny he was resurrected, and plenty of them have mixed feelings on them. largely bruce and dick i think, considering they saw firsthand how close jason and danny were when they were kids.

Dick was honestly surprised at first when he found out that Jason hadn't told Danny he was alive - and on one hand he understands the reasoning for it, and on the other hand he isn't sure if it was such a good idea. Especially after he sees Danny again after he arrives back in Gotham and sees just how badly Jason's death was still affecting him. But it's not like he's going to try and convince Jason to tell him - he can make his own choices, even if Dick has questions about them.

Bruce has much the same thoughts as Dick, so there's not really much to add here other than he might bring it up once or twice to Jason like, vaguely. And then immediately drops it when Jason shuts him down. He might actually somewhat...?? prefer that Jason hasn't told Danny because that raises a lot of questions and could jeopardize their identities. However, again, Jason can make his own choices and there's not much Bruce can do about it other than disapprove from afar.

Tim who knew of Danny from stalking the Wayne family shares similars sentiments of being surprised that Jason didn't tell Danny, but again, yeah, understands the thought process to some extent. Doesn't bring it up ever.

Everyone else who hadn't seen firsthand how close Danny and Jason are don't really have much opinion on it -- Jason didn't tell his best friend he was alive, great, he also didn't tell them either so it's not like its that much of a surprise. It would've been more of a surprise to them if Jason had told Danny before he told Bruce and co. Damian may make a comment or two about Jason not telling Danny, but its not about how he can't believe he didn't tell him or anything like it.

[icewindandboringhorror]

................ he 

[marclef]

THE EYHM COLLECTION GROWS!!!! managed to make some space without having to move too much so they can all be together!!

(i made the smaller ones into stickers bc i'm running out of picture frames!! hope that's ok!)

THANK YOU SO MUCH EVERYONE WHO'S GIFTED THESE TO ME THOUGH!!! I'M CALLING ALL OF YOU OUT HERE BECAUSE I LOVE YOU!! ❤❤❤❤❤

*sharp inhale* @eskariolis-con-salsa @oddpizza @woobab @the-little-knight @moon9931 @misdreavusplush @noodletime @witch-tower-au !!!!!!!

hope you all have a good holiday season!! love you all! *MWAH*

[marblerose-rue]

ten years ago today i made my fursona :-D

[raveartts]

turt

[damianito]

“Your era...is coming to an end”

[crescentfool]

I noticed you're a Ryomina!!! How did you get into it? And do you have any good fanfics/doujinshi you can advice me to read? ANYTHING on Ryomina actually? I'm dying for anything about them!!! Thanks!!

yes!!! it's me!!! i'm ryomina fan (one of many)!!! thank you for visiting my askbox, i'll do my best to answer all of the questions because it always makes me happy to see that ryomina sparks joy for people! :D

...this got really long because i like linking to things, so i'm putting it under a read more (IM VERY NORMAL ABOUT THEM)

how did i get into it? i got into persona 3 around august 2021 through the movies- at the time my only experience with the persona series was with P5R / P5S / P5D. p3 was the one that interested me the most (i thought minato was very pretty + i caught wind that the themes of the game were very resonant with people). i picked the movies over the game because i'm a guy who plays games at a snails pace, haha.

admittedly, i did latch onto ryomina because of the scenes in the third and fourth movie (i have mentioned in the tags of this art i drew how much i felt like i was exploding and blasting off to the moon watching it).

but what really dug me into the ryomina hole (and what has kept me there) was thinking about how much ryoji encapsulates the themes of p3- and how interconnected his fate is with minato. i wrote some musings about their dynamic here, if you're interested!

tl;dr: what if we were both boys and we were mirror images of each other and i inherited your kindness and looks but god doomed our narrative even though we're soulmates

on ryomina fanworks recommendations:

regarding fics: i'm going to assume that you've probably read the fics that have the highest kudo ratings on them, so i won't really be listing those.

a personal favorite fic that i always hold close to my heart is Eurydice's Vow by crescentmoontea, which explores the idea of ryomina in p5r's third semester. this was the first fic i read about ryomina and it made me tear up lots...

i also think a lot about I Alone Await You by Nail_gun, literally scrumptious writing that captures the ryomina dynamic so so well. actually check out Nail_gun's other ryomina fics while you're at it too!

other fun fic i'm fond of: can't get my mind out of those memories (what were they?) by foxmulder_whereartthou. ryoji being homeless lives rent free in my head and it's all because of this fic. there's a bunch of other fun ryominas from the same author too (i still need to read them)

BkZa555 also has some fun AU scenarios if you're into that too, notably with Zagreus (P5-Setting, Ryoji focus) and The Definition of Insanity (TIME LOOP fuckery!), but they're currently ongoing.

these were some ones that came to my mind first- as i have the strongest recollection reading them. admittedly i haven't really been reading fic this year, so i don't have many recommendations from fic that came out this year. but if you're so inclined to let ryomina consume your soul, i definitely recommend giving the newer works in the ryomina tag a look-see and see if it strikes your fancy!

as a side note, i do have a few ryomina fics that i've bookmarked on my ao3 here, though i have to say that i'm not sure how well they hold up in terms of like... what i would seek out of a fic these days. but they made past me happy so i bookmarked them, LOL. it's kind of outdated (my collection of fic recs has my old username *disintegrates*).

regarding doujinshi: i have not read all the ryomina doujinshi available, but as a starting point, please take a look at this list from pandora-scans from livejournal!

notably, this is where you can find the strawberry-chan say good bye doujin- which features a small and cute comic from shuji sogabe (the p3/p4 manga artist), as well as other artists. the existence of this doujinshi is the funniest thing to me because it's like "HEY if you're wondering what the volume 8 cover is really gay it's because sogabe contributed to a ryomina doujin." this fact makes my head spin (positive). it explains a lot about the manga.

regarding persona side material:

i know you didn't ask for these but i thought that i mine as well list these too, since i feel that the side materials have some fun expansions on ryoji and minato's interactions. i haven't... watched/read all of these but, hey, i like to share these things!

for comic anthologies for the persona series (some of which have ryoji!). if you're interested in reading them, here's a scanlation index from maboroshi-no on tumblr. i don't think this is a comprehensive list, but i think it will be a great starting point!

for some translations of the persona 3 drama cds, check out imaginary-numbers on dreamwidth! ryoji and minato interactions can specifically be found in the persona 3 character drama cd vol. 1, and for the audio + english subs, you can watch this video on youtube:

and ohh the musical. ryoji singing and dancing gives me so much joy. i haven't watched the musical in it's entirety (only fragments), but here are some links that may be of interest to you:

Ao no Kakusei (The Blue Awakening), Sakuya version - playlist for the first p3 musical, translated by Phoenix Maiika.

Ao no Kakusei (The Blue Awakening), Kotone version - playlist for the femc version!! also translated by Phoenix Maiika on YouTube.

Persona 3: The Weird Masquerade (English Subtitles) - playlist by rumio!

P3 Weird Musical DVD & Soundtrack Booklet Scans by rumio_k - twitter thread that links to these funsies, if you don't have twitter, here's the publicly shared drive link.

god. these sure are a lot of links, huh? i hope you enjoy them- pick and choose whatever sounds most appealing! (if this overwhelmed you im sorry GKLHLDH i just like being very comprehensive in my answers about things so i got carried away).

and as a reminder, you (and anyone else reading) are always welcome to browse my tags/archive and reblog things from there anytime! i have... nearly 300 ryomina posts which, while mostly consists of art, has a few fics, meta, hcs, gifs, memes, and whatnot scattered about.

or browse the minato and ryoji tags too! there's.. nearly 1k minato. and 500 ish ryoji. and they're going to keep on growing because i can't stop being obsessed with archiving these things. god help me i am so deep in this hole called ryomina hell and now you're here too. welcome aboard!

there's always going to be a lot of fun ways to enjoy rotating ryomina around in one's brain, i think- they're a pairing with such fun symbolic imagery that is So Deep (to me) but ALSO they're immensely hilarious and weird guys (affectionate). so i love to share these things in hopes that it gives you joy too! they are the most couple ever (to me) (i'm biased)

thank you again for the ask! i hope it can satiate your need for more ryomina, and be a nice aide in exploring the p3 fanspace :)

[catsafari25]

A/N: Hello again, and with this I think (?) I may have succeeded in writing enough bionicle fic to get it out of my system (unless another plot bunny hits me like a cannonball, but... eh, we'll see) and thus, here is the companion piece to the Vakama & Roodaka oneshot.

This time, exploring the scene where Vakama entered the Great Temple, from his side of things! This was also partially inspired by the scene in Challenge of the Hordika where Nokama is almost physically repulsed in trying to enter the Great Temple :)

x

In the tunnels beneath the temple, Vakama must stoop.

At first he shuffles, mutated arm tucked against him and his sole hand brushing only briefly along the floor to steady himself, but the passages are dark and deep and lined with creatures which seek out the weak. The eyes that watch him are not hungry. They keep their bellies too full for that.

In the end, it is easier quicker to drop to all fours, to share the weight between claw and tool that feet alone cannot. His altered form folds into the new stance with frightening familiarity. It's comfortable.

Natural.

The crown of his mask grazes the tunnel's ceiling, but only in passing. His gait is sure. Well. Surer than the ungainly slouch it had been before.

It was said – back when Matoran were awake to say such things – that even the strongest swimmers of Ga-Metru would hesitate before plunging into the depths of the protodermis sea. Not because the creatures there had any fondness for the taste of Matoran. In truth, it was thought that the rahi actively disliked the flavour. No, it was because the way Matoran swam was indistinguishable from the rahi's usual prey. Only when they had sunk tooth and jaw into their meal would they realise their mistake.

It was an annoying, if harmless mistake for the rahi.

Matoran couldn't say the same.

Vakama's early crawl through the passage had been like that of a Matoran swimmer: functional, but slow and indiscernible from wounded prey. Creatures drag themselves down into these depths to die, in hopes that they will be devoured only when they are too far gone to feel it. The eyes are patient. They will wait to see if this newcomer is similarly inclined.

And so when Vakama drops to his haunches, the eyes blink. Reassess. He moves less like the hunted and more like the hunter now, more predator than prey, and the eyes – and teeth – keep their distance after that.

The path Vakama stalks through was once a protodermis pipe, made obsolete even before the cataclysm. Newer conduits had been built, more efficient, more resilient, and this one had been disconnected but never dismantled. When he reaches its origin, it takes some effort – and his blazer claw – to break the seal across the hatchway, but when he does, one of the temple's protodermis purification chambers looms above him.

The room beyond is quiet.

Unmarked.

He doesn't realise he's stopped until the chittering of his audience draws closer. The snarl he throws back echoes off the pipe's walls, and the eyes retreat, but do not leave.

Vakama curls his hand around the lip of the hatch, and then falters.

Something is wrong.

It's not a pain, because the feeling does not hurt as it ought, but something is undeniably, fundamentally wrong. It causes his breath to catch, his hand to flinch, and it would be so easy, so easy, to turn and walk away, only...

Only he came here for a reason.

The wrongness flares, amplified for a moment, and then he pulls himself up. The eyes watch, but do not follow. Do they feel it too? Can even such base creatures sense the innate malice the temple exudes?

He clambers out of the purification chamber – empty and abandoned now – and stumbles upon his landing. He catches himself, but does not rise back to his feet.

Wrong.

This is wrong.

And at the edge of the wrongness there is a strange sort of terror. It dreads the same way the fire fears the sea, the same way the prey fears the predator; it is the meeting of two primally antithetical forces where only one can survive. It whispers turn back through his mind.

He moves into the next room.

It's one he knows well. Light filters down from the rot-stained windows, centering – as it had the day he'd first seen it – on the suva, and casting long sentinel shadows of the columns standing to attention around it. A crack mars the suva, its stone dome now split cleanly in two from the quakes, and – drawn by some desire he cannot identify (instinct, curiosity... nostalgia?) – he approaches.

It seems so small now. Even bowed and altered in his Hordika form, he looms over the Ta-Metru symbol he'd once had to stretch to reach.

Unbidden, his hand moves to the niche where once he'd placed a Toa Stone – where once he had though himself chosen, duty-bound, destiny-gifted – and falters a breath from the stone.

The wrongness spikes.

Screams.

And with a twist of something he will not call horror, he understands it is not originating from himself.

But from the temple.

It is repulsion. It's alienation. It's recognising him, but as other, as rahi.

It's disgust that a monster would dare enter its sanctuary.

In the Ta-Metru carving, stone once polished to the point of fragmented reflection, he sees a glimmer of his own face. Neither Toa nor Matoran. Nothing blessed by Mata Nui.

Vakama recoils.

And then a wave of his own disgust, propelled by that fury that runs so close to the surface now, rolls through him. If you didn't want us as the Toa, you should've stopped Makuta from choosing us, he thinks, and digs his claws into the stonework.

The wrongness sings.

But he knows it for what it is now, and his morphed, clawed hand gorges scars through the carving. The stone is soft. Its makers had never imagined someone would take a blade to it.

There comes a tapping from across the room, echoing brazenly off the ancient stone walls, and Vakama retreats instinctively into the shadows. A Rahaga enters.

Norik?

No, this Rahaga's armour is more akin to a Po-Matoran than a Ta-Matoran's, the colour of dust and stone. Vakama tries to recall the Rahaga's name – and then dismisses the attempt.

It won't matter, in the end.

The Rahaga walks as he always has, stooped and slow, but clearly unhindered by the temple. He passes by the suva and runs one gnarled hand across the stonework, his movements marred by curiosity rather than reverence.

The rage arrives a fully-formed creation. It drowns out the wrongness, floods the apprehension, and he is moving before he's decided that this is the path he wants.

It is not pain, for it does not hurt as it ought.

But it does still hurt.

x

Whatever the Rahaga might once have been, they are old and weak now. Four are captured before Vakama's rage has a chance to cool, but the ire is no less dangerous when it does.

(That's the thing about Ta-Metru; it's not a place of fire so much as it is of magma. And magma doesn't extinguish with the cold; it sets. It moors itself into place, an unmovable, burning force.)

The rage settles, solidifies around his heart and lungs and carves a home between his breaths.

(Magma is not fire. It does not leap blindly from one source to the next. Instead it advances. Slowly. Steadily. It finds a channel, a destination, and it engulfs all in its path until it reaches it.)

He finds the last two remaining Rahaga, pathetically ignorant to their brothers' fates and still scavenging the temple for answers. He hears the way Norik appraises his sister's translation, relief clear in his voice that they are one step further on this wild rahi chase. Relief, surely, that the Rahaga are one step closer to regaining their Toa form.

(And Vakama's anger has found its destination.)

He does not descend on the Rahaga's leader the way he has the others. No. Norik will know what's coming for him first. He gets to fear. Vakama waits until Gaaki has gone, until Norik is alone, and then he circles. The wrongness thrums in his veins, weighing him down and labouring his breaths. It doesn't matter. Let Norik hear his approach.

Norik doesn't try to run. Vakama will give him that much. (A wise choice. Vakama intends for this encounter to last, but if Norik runs, Vakama cannot be sure he won't chase.) Instead, the malformed once-Toa calls out and actually tries to approach him. Stupid. Doesn't he know that he won't win any fight, transformed as he is? As both of them are? No, instead, he tries to talk. As if they are equals, as if Norik has done anything to deserve his respect rather than his scorn. As if he has earned the temple's forgiveness for his trespassing.

Even when Vakama raises the fate of Norik's fellow Rahaga, Norik attempts to sway him with the illusion of reason, talking of duty and unity, as if he's not using the other Toa Hordika to chase after a rahi myth for his own desires. As if their roles are in any way comparable, both Toa of Fire once, both leaders, it's true, but Vakama hasn't forgone his duty to chase after selfish needs.

And it stops now.

Vakama circles closer, and Norik is still talking, unease in his voice, but not fear. Still searching for the right words to turn Vakama to his bidding as he has the other Toa Hordika. Ever the voice of two-faced logic.

Why won't he just shut up?

Does Norik think him to be as gullible as the others? As quick to desert his duty as them?

And Vakama knows he wants – needs – to shake that assurance, that arrogance out of Norik. Needs to see that facade of self-righteous wisdom crumble into the terror of his situation.

The growl begins deep in his chest and, unleashed, it becomes a roar. He rears out of the darkness, into the weak sphere of light surrounding Norik – and there, there he finally sees true fear fill the old fool's eyes.

Something slams into Vakama and he reels, his roar cut short. His hand reaches automatically, defensively, to his mask. He finds only water there. It clings to him, imbued with some sort of power – he can feel something other in it – but otherwise impotent.

"Leave my brother alone," Gaaki snarls. She stands in the doorway, small and hopelessly overpowered, but her shoulders are tensed with a stubborness Vakama recognises. Already, her spinner is powering up for another shot.

Well. Two can play at that game.

Vakama's rhotuka fires into motion, but the water has seeped into the mechanism, and dowses the fire before it has a chance to catch. He gives it a withering look, before turning the expression onto Gaaki. "Very clever."

Another water spinner hits him, but this time he is braced for it and all it does is wash harmlessly off him.

"Is that all you have?" he asks. His blazer claw splutters, but the claws on his hand flex. After all, there's more than one way to defang a muaka...

Gaaki steps back. Good. She knows she's outmatched. "It's a devastating attack underwater," she offers, and her words are strong but there is a cracked edge to them.

"Then you'd better start finding a puddle," Vakama growls, "before my claws find you," and he drops into a run, feet pounding and fangs bared and that ever-present wrongness humming about him.

She doesn't flee. Just like Norik, she stands her ground, gnarled fingers wrapped tight around her staff. Her eyes are hard, but he sees the way her hands shake.

How long will her resolve last, Vakama wonders. Before or after the claws find their mark?

He never finds out.

He's knocked off his feet before he reaches her, and when he hits the ground, ropes of energy pin him to the earth, like a water-bound rahi caught in a net.

What–

Norik.

He'd forgotten Norik.

He thrashes against the restraints, but they hold strong – for now. His blazer claw splutters again, but it does nothing to the energy that binds him.

He stills as he hears footsteps approach.

The two Rahaga hobble into his line of sight. Gaaki is breathing hard, as if only now is she allowing herself to feel the fear. "You left that late, Norik," she says, and even the breath that follows sounds more like a shaken wheeze than a nervous laugh. "Almost too late."

"I only had the one shot. I couldn't afford to miss," Norik replies. "He's got our brothers. Gaaki, go find–"

"I'm not leaving you alone with him," she retorts. "I only went for a moment before, and look what would have happened if I hadn't returned."

Vakama tilts his head as well as the energy net will allow. He grins at the Rahaga, anger curdling it into a sneer. "Yes, Gaaki, you're very good bait, congratulations." He shifts his gaze to Norik. "But you've always been so good at getting others to do your dirty work, haven't you, Norik?"

Norik doesn't even have the decency of guilt. Instead, he simply looks tired. "Whatever you think you know–"

"I know the truth! You don't care about the Matoran, you only care about yourselves!" He strains against the ropes, and although they do not break, there's a little more give in them than before. He slumps back to the ground, breathing hard. "You might have the other Toa fooled. You might even have the temple fooled, but not me," he growls, and the temple's hatred presses down on him, straining his last words.

Gaaki places a frail hand on her brother's arm. "Norik," she says, and there is such unbearable sorrow in her voice. "He looks in pain."

"It's not my doing," Norik assures her softly. "My snare spinner only binds."

Vakama snarls. "I don't need pity from the likes of you. I know what you are."

"We're allies, Vakama," Norik says, in that insufferably reasonable way of his. "Friends."

"You're frauds," Vakama snaps. He twists against his restraints. They slacken, just a touch. "Liars. You don't deserve to walk these floors."

And the Rahaga stand there, unburdened by the temple's hate, strangers to this land, to Metru Nui, and yet it is Vakama the temple repulses? After everything he has forgone, the life he's abandoned, the friendships he's lost, Mata Nui punishes him?

His rhotuka fires off a fire spinner, and it goes wide, cracks a wall. Norik and Gaaki stumble back, Norik preparing another snare shot, but the energy net holding Vakama snaps. Vakama lurches forward, suddenly free, and slams into Norik.

The snare spinner wraps itself around a column. It lights up the room with crackling energy.

A blast of water grazes past his shoulder, too shy of hitting Norik to commit to taking the easy shot, and Vakama reels towards Gaaki. He fires with a snarl, but hears the snare spinner coming again and ducks at the last moment.

Again his own attack misses and the shot cleaves clean through a wall. Something on the other side begins to smoulder.

Then it begins to rumble.

It's a low sound at first, as deep as the earth and just as vast. Almost like a distant growl. But then the cracks begin to spiral out across the roof, along the columns, and the room buckles.

The light flickers. The frames of the high windows above collapse.

The world becomes fragmented, filled with flickering images. Falling masonry and toppling pillars and dust – but the sounds never relent. Even in the depths of the passing darkness, the thunder continues.

And when the dust settles, so does an awful silence.

Vakama straightens, or does his best approximation of it. Fragments of cracked protodermis fall from his shoulders, his head, his back. He withdraws the hand which has somehow found itself raised above Gaaki, knocking aside the stone slab caught against his arm.

Where's Norik?

Both Hordika and Rahaga stand side by side, that quietness disturbed only by the skittering of stone shards settling. There is wrongness in his breath, his head, and it's impossible to separate where the temple's ends and his begins. But any moment now, Norik will reappear from the wreckage, bearing that ever-same holier-than-thou look, and the anger will rise anew in Vakama.

Any.

Moment.

Now.

"You've killed him," Gaaki says, and her voice breaks that terrible stillness. She draws in a half-breath that cracks into a sob. "You've... oh, Norik..."

No.

No, it was an accident. He hadn't meant to– Norik had simply been in the wrong place. It wasn't as if he'd taken a blazer claw to Norik, or hit him directly with a fire spinner. He'd only meant to... what? What had he only meant to do?

Something swings towards him and he grabs the staff before he even registers what it is.

"He's not dead," Vakama says, and maybe if he says it, he might even believe it. He snaps his gaze to Gaaki, as if her grief is bringing it to pass. "He's not. He's not as easy to kill as that. When the others– when the Toa find him, he'll be fine. Fools like him always find a way to survive."

Gaaki attempts to pull her staff free, but her strength is no match for Vakama's. He wretches it out of her grasp and tosses it aside.

"Stop that."

She doesn't listen to him, only steps back and charges up her rhotuka. The grief in her eyes fogs into hatred.

The water spinner hits him but does little more than rock him.

"Stop."

Gaaki screams, a sound of rage and anguish, and releases a volley of spinners as ineffectual as the first.

Vakama's patience – or whatever had held him in place until now – snaps. He lunges forward. His claws close around the joints of Gaaki's rhotuka and pins the mechanisms harmlessly into place, in the same manner one might pick up a baby ussal crab by the widest edge of its shell. She thrashes, but Vakama's grip holds.

"I said, stop," he snarls.

She's breathing hard, her gasps sharp-edged with agony. "You killed him," she says, voice hoarse and hateful.

His insides twist, and – Gaaki hauled by his side – he starts the ascent to where the rest of the Rahaga are trapped. He doesn't look back to the rubble. Doesn't glance for one last glimpse of Norik's resting place.

He's not dead. He's not dead he's not dead he's not

The wrongness, the hatred, has woven so deep into him, it's almost a part of him now.

Toa don't kill. Vakama can't remember who taught him that (he recalls, briefly, the flash of a gold mask, but it comes with pain – grief – and he pushes it aside before it can take root) but it gnaws at him like a trapped stone rat. Toa don't kill.

But he was never meant to be one.

And if the Great Temple – if Mata Nui – thinks a mistake was made in Vakama's destiny....

Well. That's somebody else's problem.

x

The Hordika that returns to Roodaka is different from the one she sent out. There's something new in his eyes... or perhaps something lost.

"How was the temple, Vakama?" she asks when it's just the two of them.

He looks to her. Beneath the anger, beneath the rahi, there's almost a haunted look to those eyes. It vanishes a moment later, but Roodaka never doubts her own eyes.

"Unwelcoming," he replies, and Roodaka smiles. She could have suggested Vakama pick the Rahaga off one by one in the chaos of Metru Nui, outside where her Visorak could have been an aid... but the temple had been too good an opportunity to miss.

"Good." She sets a hand on his shoulder. "You owe no loyalty to Mata Nui, Vakama. Not anymore."

He rolls his shoulder, but not sharp enough to dislodge Roodaka's hand.

"One thing I do not understand," she says. "What happened to the sixth Rahaga?"

The Toa growls. It is a gutteral sound, rooted deep in the chest and at home in a way it wasn't before. "You wanted a message left for the other Toa. I needed a messenger."

"Alive?"

Vakama shrugs his shoulder again, and this time she lets him roll her hand loose. "Does it matter, so long as they understand?" he growls.

No, Roodaka concedes as she surveys the remains of the Toa before her. She supposes not.

[protoindoeuropean]

So, he has a new series out so I was reminded of my obsession with Ding Yuxi again and in watching some YT video about the new series I was again struck by how fascinating it is to me how different his looks can be. For example, when I watched the first series with him in the main role (The Romance of Tiger and Rose; which yes, I'll readily admit, I agreed to watch in a large part because I saw him on the poster and was like, well, I wouldn't mind seeing more of this 😏), there were two ~versions of him – in the historical and the modern setting:

And like yeah they all wear those wigs in historical dramas so that's not particularly remarkable, right. Little did I know that this was just a tiny tip of the iceberg

Because then when I went to look him up afterwards on YT etc. and the first pictures I saw were these:

about which I was at first like, is that even him? Like the face is just ... not the same in these? But ok, what do I know, anyway ... And then I watched an interview where he has yet another different look, and that seemed kind of in between, so that "bridged the gap" in a way. And then! – in that same interview – they juxtaposed him with another of his earlier looks:

and it's like, who tf is this person ?

It's just, idk, really amazing how much just different hairstyles, lighting, makeup, accessories will do. Obsessed

Other interview looks are nothing extreme

And obviously there's supposed to be more variety when looking at the different roles

But still, sometimes I'm just like, this is one person .....

And like, sure, these looks obviously aren't impossibly different, but comparing the different ends of the spectrum can be pretty wild

In any case, the one that brought all of this about was this latest one:

and idk at this point I shouldn't be surprised anymore. And yet ...

Anyway, I do actually love his acting too lmao

It really is ... delectable 😌

[bonefall]

wait, why can’t a decent amount of the members in proto-thunderclan not hunt?

A lot of them have serious physical disabilities! It's enough that it poses a logistical problem, which they are committed to overcoming together.

Thunder Storm's three legs makes him slower than his companions. He's ferociously powerful, but like a male lion, he has to rely on his "lionesses" to slow a large animal.

Bright Storm has asthma from her heroics trying to save SkyClan cats from a fire. She's taking that from Gray Wing, who is famously the first major death now. Like her son, she has a difficult time with chasing prey.

Bumble is dyspraxic. She's a terrible hunter and fighter and struggles with self-worth because OTHERS used it to dehumanize her, and continues to, even after an entire society forms out of love of her.

Sunlit Frost has permanent nerve damage in his arm from the fire, and ends up working so hard that it makes his disability worse. A bite on the good paw from Snake becomes infected after he refuses to sit out from digging graves after the First Battle; I am planning a chunky B-plot about Sunlit coming to terms with the fact he has to retire early.

That's FOUR major members of a small group with physical disabilities that make hunting hard or impossible. They have a lot of logistical problems that I will actually be exploring solutions to.