Newest Signing
Part 1 - Fire on Fire Series
A/N: This is the first part of my new Leah Series, I have already started writing and planing parts of it but if you have any ideas let me know and I will try and include them.
Leah sat on her phone scrolling through various social media platforms, it hurt to see so many other people happy, with their partners when she wasn't, she had never had a successful relationship, to her no one was right, no one was the right match, she didn't feel like they clicked. So many of her exes told her that she had 'too high standards' or that 'soulmates don't exist' or something along the lines of 'you aren't perfect so why do you expect someone else to be perfect'. However she wasn't looking for a soulmate, she wasn't looking for someone perfect, she was just looking for the someone who was perfect for her.
She had started to think that maybe she was just asking for too much, and that her standards were too high, but that was until the day Jonas introduced the team to Arsenal's newest signing.
"Girls this is Y/N Y/L/N, she is our newest signing, and yes she did sign outside of the transfer window as approved by the FA due to issues at her old club, but no further questions on that please. She isn't going to be fully joining training until our Portugal training camp, just so she has some time to settle in but also a well deserved break, but you will see her in the gym and around the place, so please make her feel welcome. I think she is going to be really great for the team."
Her eye's immediately connected with the brunettes, she was tall and muscular, her face held the dreamiest blue eyes, and her smile was perfect, she continued watching the girl as she hugged Stina, the way her hair flowed, her body flowed, it was safe to say Leah was mesmerised.
"Stop staring, you creep" McCabe whispered in Leah's ear, causing her to break from her trance, giving the Irish women a playful smack on the shoulder.
"I'm going to the gym," she said as she stood up and headed out, everyone around her making eyes at each other.
_____
You walked into the locker room behind Jonas and as he introduced you to the team, a certain blonde's eyes connected with yours, you couldn't help but notice the small smile her lips created when she saw you, but you quickly diverted your gaze to your best friend. Walking up to her and hugging her.
"I'm glad they let you sign out of the transfer window," Stina said, sounding relieved as she released the hug, "yeah I was worried they wouldn't but once I explained to the FA what was happening they were horrified and told me they would reach out to whatever club I wanted to, within reason, and see if they would sign me. Apparently there are going to be investigations."
"Good, they shouldn't be doing that. But where are you staying? You can crash at mine until you find a place if you need."
"Thank you, but I'm all good, Moster and Tante said I could stay with them, as they are in Paris for the next however long, however it was more a non-negotiable, I think they also meant I was going to be staying when they came back, again non-negotiable, but I'll see."
You and Stina continued talking until it was time for the girls to go to their meeting. You had an appointment with one of the physios just so they could check your range of motion and get some base lines in case you were to injure yourself before your first fitness testing session. As you walked into the gym, you saw a certain blonde in the corner, working away at some exercises which must've been set for her. As you worked with the physio completing the activities and exercises he wanted you to do you couldn't help but notice the way the blonde kept glancing over to you, almost as if she wanted to talk to you.
_____
You sat down at a table with Stina and Frida, Caitlin joined you and wanted to catch up with you and also trying to help you integrate with the team more easily, Caitlin's presence meant that Katie and then consequently Beth sat with you too. You knew the Aussies already due to having spent most of your childhood and your very early twenties in Australia, due to your Tante's work.
"Steph," you called out as you saw the very flustered Aussie walk into the dinning hall, she turned her head around to you, just about every emotion passing through her face.
"Y/N?" she questioned as she walked towards you, "what are you doing here?"
"Well if you weren't late you would've been here when Jonas said I was transferring here," you weren't normally one to say anything about your teammates being late, especially new teammates, however you are Steph had been teammates a long time ago, making your senior team debut for Melbourne Victory exactly a year after she made hers, and she also had a mark on her neck, so you were waiting to see how bad her excuse was.
"Sorry yeah I slept in, Calvin was up barking most of the night. It's so nice to see you again though," she explained as she pulled you in for a hug.
"That mark of your neck would indicate otherwise," you whispered in her ear, she just groaned knowing everyone would've already seen it.
You spend the rest of the lunch talking to mainly Steph or Stina and Frida but occasionally others would make some small talk with you.
After lunch you said your goodbyes to the team, and started to make your way out, when you heard someone call out your name, you turned around to see Leah moving towards you. "Would you like to join me and some of the team for dinner tonight? We are just going to a local pub," she questioned.
"Umm," you filled the air as you hesitated not sure what the goal of her invitation was, "if you don't want to, that's totally okay, I mean you're probably busy anyway," she quickly spat out trying to backtrack.
"Oh no, I would love to, it's just that I don't currently have a car," you told her as you fiddled with the ring on your finger.
"Oh, I can drive you if you want, you can just message me your address later," you nodded and mumbled a quiet thanks before you both went your separate ways.
____
You were just about to put your shoes one when you received a message.
From Leah:
I'm just out the front in the car, no rush though. I know I'm early.
To Leah:
Hey, all good, I'm actually just putting my shoes on now, I'll be out in a second.
You're pretty sure Leah's eyes widened as you walked out of the house and to her car. You opened the door of her car and saw her eyes run over your body before she said "You look nice," "Oh, thank you, it's nothing," you blushed slightly climbing into the passenger seat, but in truth it was nothing. You had a pair of light blue skinny jeans on, with a cropped country road rugby jumper on. You also have a black puffer vest in case you needed it but you placed that on the floor as you got in.
"You look nice too," you said as an afterthought, almost regretting it instantly, it probably wouldn't been better to say nothing at all than say that.
"Thanks," she smiled at you softly before she began to drive.
---
It was safe to say by the end of the night you hadn't once regretted your decision to come, all the girls there were super nice and it was a really great way to get to know them all, outside of soccer.
"Um, we're about to head home and we just thought to offer to take you home, since, um," Beth gestured over to where Leah was a the bar, you couldn't help but feel a small wave of warmth travel through your body at the fact that the team already seemed to care about you.
"Oh um, yes please that would be great," you followed Beth and Viv to their car, making small talk with them on the way home, when the car pulled up outside your home you didn't miss the look the couple sent each other, you quickly hopped out and thanked the two women profusely, before walking up the stairs of your home and collapsing onto your couch, noticing a message from Stina.
From Stina:
Hey, I hope the night out with the girls went well. What would you say to a movie night at yours tomorrow night? In the theatre?
To Stina:
Hey yeah it went well, Beth and Viv took me home, will explain why tomorrow night at movie night in the lounge room, you can invite Frida if you want too.
From Stina:
Okay. I'll be over around 5.
From Stina:
Wait, why the lounge room?
To Stina:
See you then, I'll make pasta.
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I love your writing so much!!
Can I request some comfort Sukuna where he finally breaks down the walls around readers heart who has been hurt previously years before…reader made him wonder why they didn’t ever let him see them cry before and that bothered him.
Sypnosis - Love wasn't for everyone, you had long since accepted that fact. But ... were you really okay with being alone?
Warning(s) - None besides mature themes and some foul language.
A/N - Oh my god I loved this request so much. Reader is definitely a little bit too much like me in this one, but it's okay because at least she somewhat fixed her issues!
! PIECE BEGINS UNDERNEATH THE CUT !
Love wasn't for everyone.
That was a hard pill to swallow, but it was one that you had swallowed after so many years of being constantly disappointed. One after the other, it was as if the heavens above were taunting you. Either that, or they were punishing you for some heinous crime.
Even though you wanted so desperately to experience what everyone else did; stolen glances, random flowers, gentle kisses, passionate sex, late-night dates … you had just come to the conclusion that no matter what you did, it just wasn't for you.
And you were okay with that.
Yet, it was annoying to then hear others come to you spewing their bullshit.
"You just haven't met the one yet!"
"Don't worry, love will come to you when you least expect it."
"Trust me. The moment that you stop looking for love, it comes to find you."
"You're quiet," Sukuna says harshly, dropping his finished cigarette onto the ground and snuffing out its orange hue with the toe of his boot. Your head jerks upward, blinking for a moment before you clear your throat – you hadn't meant to fall into a daydream.
"Hmm? Oh, no, I'm okay," you answer quickly, lifting your own half-finished cigarette to your lips and inhaling. You hoped that the smoke would ease your nerves, but it seemed to have the opposite effect.
Sukuna's eyes roam over your figure, his mind taking notes on your expression and body language. Your eyebrows are pinched together, eyes flickering to look at anything but him, your lips are turned downward in a frown that he somewhat wishes would go away. Your shoulders are stiff, back standing as straight as a line. Your hands are shaking.
"Tch," he clicks his tongue, turning his body and half-stepping towards you. His fingers close over your wrist, pulling the cigarette away from your lips. "You're a shitty liar."
Your eyes cast themselves to the ground, embarrassment heating your cheeks. He falters, but he toes out your cigarette anyway, then turning to face forward again – he doesn't want to make you any more uncomfortable than you already are.
"What are you thinking about?" he asks after a beat of silence, hanging his arms over the railing of your apartment's balcony. Your eyes flicker to him for a moment, silently admiring the way that the moonlight illuminates his face and the tattoos inked into his skin.
"Nothing that would interest you."
Not when it comes to you. Talk to me, he wants to say. But the words fall dead on his tongue. He doesn't turn his head to look at you, only humming in acknowledgement.
Another beat of silence passes over you and Sukuna. It gets you wondering … did he even like being around you? After all, the only reason why he kept meeting you after work was because he had offered you a ride home. In return, you offered him cigarettes. A fair trade.
"Interesting or not," he hesitates, biting his tongue, "'s not good when you keep all that stuff in."
You freeze, hands tightening their hold on the railing as you stare out at the cityscape. Already you can feel tears beginning to gather along your waterline. You try your hardest to swallow them away, but nothing.
"I-I said it was fine," you manage to choke out, trying to subtly wipe at your eyes. Sukuna notices … he always did.
He reaches into his pocket for something, then nudging your arm with a handkerchief closed between his fingers. You take it, mumbling a quiet thanks before wiping your eyes with it. "I'm sorry."
Sukuna doesn't answer, he doesn't have to. It's more of a silent understanding that yes, something is bothering you, but in your own time you would open up to him about it. Maybe it wouldn't be tonight, maybe it wouldn't be tomorrow … but eventually, you would.
He shrugs in response to your apology. "Nothin' to apologize for."
Another beat of silence passes over you both, this one more comfortable than the last. Sukuna reaches into his pocket, taking out the cigarettes that you had given him. He opens the box with his thumb, hesitating on taking another one out.
You eye the box out of the corner of your eye … it was the only reason he even came into your apartment, wasn't it?
To your shock, he drops the box off of the edge of the balcony, watching it through half-lidded eyes as it falls out of sight. You turn your head to look at him, finding him already staring at you.
Neither of you say anything.
One minute turns into two, two into four, four into six.
"Y'know, I get the whole … wanting to be alone thing," Sukuna says, turning away from you so that he wouldn't have to look at your slightly pained expression. He leans further against the railing, gaze focusing on the blinking lights of a nearby billboard.
"You can tell yourself all you want that you want to be alone," he finally turns to you, "but do you really want that?"
You freeze, eyes wide like a deer that had been caught in headlights. Blankly, you stare at him, mind struggling to mull over what he had just asked you.
Did you really want to be alone?
"I-" You pause, swallowing the lump that had settled in the center of your throat. "I don't."
With that, Sukuna swallows all of his pride and tugs you into his arms. You fold into him, nails biting into the back of his leather jacket – the one that reeks of smoke and of must. But at the same time, those two comforting smells remind you that right now, in this moment, you aren't truly alone.
Do y'all want a part two of this? Or like a series of Sukuna and !Non-Trusting girlfriend?
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Omega Pt. 14 {Natasha}
Summary : Seeing a little hope makes Natasha be protective and want to win you back again little by little
Pairing : Alpha ! Natasha Romanoff x Omega ! Reader
Warning : Nothing
World count : 2,283
{OMEGA PT. 13} {OMEGA PT. 14} {OMEGA PT. 15}
No one has permission to repost my work anywhere, if you see it please let me know.
Natasha has been sleeping in your room on the floor for the past four days now. You don’t have a heart to tell her that you four are okay and that she doesn’t need to guard you, so you just let her and offer her the couch at least, but she is still persistent about sleeping on the floor, so you just let her again and respect the boundaries between you two.
But Natasha has three reasons why she keeps insisting on sleeping in your room: first, to guard you; second, to be as close to the four of you as possible; and third, to at least earn herself even a little of your trust, and maybe there’s a chance. She hopes so, though.
And she’s still clinging to the idea that she can still earn the title of Alpha of yours someday, a baby step but still wanting to win you back, and she hopes that maybe you’ll lay beside her again and she’ll never gonna let you away from her hold, and the fact that she regrets sending you away when you let your thoughts win you and craving her hold.
So Natasha simply and secretly lay besides on the other side of the bed while admiring the four of you, peacefully and safely sleeping, but that’s only a few minutes, and she will go back to her makeshift bed to sleep by herself, and that’s enough for her to sleep alone in her room.
It took her weeks before you started to open up to her, letting her help you around, like cleaning the bathroom, and letting her help you when your back is hurting from the constant carrying of either one of the pups. To be honest, Natasha gives the best massage, and she also goes with you when you stroll the pups in the park.
But today, Natasha planned the whole day; every single detail was perfectly planned, and she hopes that everything will go according to her plan.
“Hi, I make breakfast,” then Natasha lightly brings the tray full of food to indicate that she really makes breakfast.
You blinked a few times and rubbed your eyes since it’s basically 6 in the morning and you’re not ready to wake up just yet, and the situation you're in makes Natasha chuckle at how cute you look. You glared up at her when you heard her chuckle.
“Why are you laughing? It’s too early for your breakfast,” you groan, leaning your head on the door frame while you yawn and stretch your limbs.
“It’s actually quarter to 7, and I just want to surprise you for breakfast in bed,” she says, giving you a shy smile, so you open the door wide open, and then you two proceed to the bed.
But before she could set the tray down, she looked at you, who’s already sat on the bed while your back was leaning in the bed frame, giving her a pout and puppy eyes.
“What’s wrong? ”Natasha then gave you the sandwich she made, then sat down in front of you.
“My back is still hurting.” You whimper a little, then take a bite of the sandwich. Natasha frowns at what you said; she doesn’t know if you’re doing it on purpose, even if your back doesn’t hurt for her to give you a massage, or if it really is.
And she doesn’t have any issue or complaint about massaging you, but she noticed that your back is hurting a lot these days, and that's concerning her. Maybe something is wrong.
“Have you gone to Dr. Cho? Your back is hurting a lot these days.” Natasha then pulled you up a little to sit up and scoot you forward so she could sit down on your back and start to lightly massage your shoulder, making you moan a little at the satisfaction.
“Lower please, my lower back is killing me,” Natasha chuckles and scoffs out of amusement, then she lightly bends you down and lightly massages your lower back.
“Y/N, did you see Dr. Cho for your back pain?”Natasha asked again, and you shook your head and looked over your shoulder to give her a shy and apologetic smile, and that’s when Natasha knew the answer.
“We should visit her; maybe something is wrong.” By hearing it, your mood changed. It saddens you that you have to visit the medbay again and scares you that you will be admitted there again and can’t take care of your pups as much as you do, and like Natasha can read your mind, she sits down in front of you.
“Hey, we're just going to visit her and maybe do some tests, nothing serious.” You sighed, nodded, and took a bite of your sandwich.
"Ok.” You both then start eating your breakfast before the three pups start to wake up, and Natasha goes to Wanda and Yelena to ask if they can look after the pups the whole day since she’s still wishing that at least half of her plan will be done.
“Ok, Y/N, Nat, the result came up clean, no sign of abnormalities or anything different, but I would like to give some medicine to help the pain, and also don’t lift heavy materials for a week and get rest as much as possible. You need to let your body have a break since tending to the three pups could be overwhelming and hard, and please come back here after a week. I would like to run some tests again to make sure. That’s all.” Dr. Cho smiled at the both of you and gave you the medicines she prepared right before she entered the room.
"Thanks,” you two both said, then stood up to the bed you’ve been waiting for.
“Take those two times a day, morning and night, after your meal, and you have to take those 12 hours apart.” You two smile and nod, then thank her once again before you two walk out of the medbay with a sigh of relief.
“So, I planned this day to go out, and since Wanda and Yelena have the pups, maybe we could go out?”Then Natasha presses the elevator, going up to your floor.
“But Dr. Cho said, ‘Get rest as much as possible.’” You mimic her, then Natasha gives you a pout.
“I know, but I swear, no extreme activities, just walking around the park.” You bite your lower lips and sigh, knowing you can’t say no to those pouts.
"Fine,” you said, then Natasha smiled and quickly dragged you to your room to change, and so did she.
“Nat, look, I want those,” you pointed to the man who’s selling some balloons, a teddy bear, and some bracelets around the park.
“Which one? ”Nat asked, already taking your hand and leading you to the vendor that makes you squeak with happiness, and you jump a little, making Natasha laugh at your childishness.
“I want to have us a matching bracelet,” you said while looking at the various colors and various types of beads in the bracelet.
"Well, we could get those; which one do you think looks beautiful? ”Natasha, then join you in looking at the bracelets.
“Do you want a tulip? Or heart? Or maybe Shell? Gosh, they are beautiful; I can’t choose,” you whine, frowning, getting a little frustrated about what to choose, but Natasha smirked and saw a perfect bracelet.
“Why not this one? It looks good, and since you love nature, I think it will look pretty on you,” Natasha said, taking the butterfly bracelet, where there’s a big crystal bead in every two pink beads, and in the middle of those two are a little rock bead, and in the pendant, there’s two butterflies, one big with a little butterfly.
“But it's too girly,” you mumbled, looking up at her with a question.
“And? So? ”Then Natasha put it on you with a smile; seeing it really suits you, she took another one and put it on her wrist.
“Now we're matching,” she said, giving you a smile and taking a 20-dollar bill, saying to keep the change, then intertwining your hands with hers.
“But Nat, it looks too girly on your wrist.” You stop her from walking, getting worried that she will just throw it away when your back is facing her or that she will talk behind your back. You know, Natasha, she hates too many girly things when it comes to her things, and you already know and heard the way she insults them and the person when someone gives her girly things.
“So, I love it; it matches yours.” Then Natasha analyzed your facial reaction and body language and realized what you were thinking.
“I don't care if it's too girly; as long as it comes from you, I don't care what other people say. I love them,” Natasha said the last words when she looked down on our wrist with a smile, making me squeeze her hand.
“Now let's go get ice cream,” you cheer, and now you're the one who's dragging her to your favorite ice cream parlor.
“What flavor do you like? ”Natasha then took out her wallet, and you hummed, thinking and choosing what flavor you liked.
“I would like a mint chocolate chip and chocolate chip cookie dough.” You then stand beside Natasha with a smile.
“Ok, one of those, and I would like a vanilla and buttered pecan, please.” You two then wait until they serve you your ice cream, and after you get your ice cream, you two proceed to walk around the park.
But you're suddenly uncomfortable and shifting your stance, looking around the park, then fisting Natasha's shirt and going closer to Natasha.
“Natty? ”You whisper, the ice cream is getting forgotten that it is slowly melting.
“Mhh? ”Natasha, look at you after she licks at her ice cream. Seeing you uncomfortable and frowning, stop on her track.
“Something is wrong,” Natasha says, then surveys the surroundings and sends an alert to the team in case something happens.
“I feel like someone is watching us,” you added, and when you feel the cold ice cream running down your hand, you quickly wipe it with a handkerchief and lick the remaining on the cone.
“We should go home,” you nodded, and when you two turned around, that's when there's an explosion a few feet away from you, Natasha shielding you with her body.
"Fuck,” Natasha said, then saw armed people scattering around, so she pressed the emergency alert again.
“Shit shit shit,” then Natasha throws you on her shoulder and runs, getting you to a safe place, and that's when Tony, Wanda, and Sam come to the scene, landing perfectly and smoothly.
"Romanoff!” Tony shouted and came to her.
“I’ll go get her to the tower; go help them." Natasha gently put you in Tony's arms, then ran where Wanda and Sam were.
“Thought you might need these.” Sam gave her a pistol and a knife, smirking, but Natasha rolled her eyes at him.
“Yeah, sure, it will help me in the long run. Nice help, bird brain,” they both chuckle, but before Natasha could launch to the enemy, you were screaming her name.
“NAAAATTTT! "You screamed when Tony got hit in the middle of the air, hitting him in the arm and losing balance, making you fall.
“Wanda, catch Y/N!” Natasha shouted and ran to you. Wanda on the other side quickly turned around and saw you falling, so she quickly caught you with her powers and brought you down.
“Nat on your back!” Tony shouted, getting up to the floor and firing at the enemy who's on Natasha's back.
But before you could run to Natasha, someone grabbed you and put a handkerchief over your nose and mouth. You tried to wiggle out of their hold, but the longer you inhaled the toxin in the handkerchief, the harder it was for you to get out of their hold.
“Fuck fuck fuck,” Natasha then ran faster, and thankfully Wanda saw what happened, so she quickly flew where you were.
“Put her down! ”Natasha's eyes are bright red while she holds the man with her powers in the neck and hand, where he was holding the knife on her neck.
But when he smirked and shook his head, Wanda quickly snapped his neck, and you fell to the ground unconscious.
“The team is already on their way; I’ll go take her to Dr. Cho. The pups are with Kate, and Yelena brought your batons, widow bites, and gun,” Wanda said when she scooped you up and turned to Natasha, who's checking on you for other injuries.
“I need,” Wanda quickly said, shutting her up and taking you away from her.
“I’ll have her; I’ll make sure she's safe; the city needs you, Nat, and it will be faster and safer if I fly her to Dr. Cho.” Then Wanda put Shield around you two and started to fly when Natasha gave her permission.
“Take care.” Then Wanda will fly you to the tower without any attacks on her way, and she will get you to Dr. Cho safely as she promised.
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OKAY SO i have been rereading dustorange's wonderful post here about Dick in an UtRH-esque scenario where he dies & then comes back to life
AND I HAVE INCOHERENT BRAINSTORMING THOUGHTS:
so first, i think Robin!Dick would be just as hurt by the discovery that Bruce has a new Robin, and brood about it - but i think the shame of having died would stop him from confronting Bruce about it the way Nightwing!Dick does in canon.
and I do NOT think that he would expect Bruce to kill anyone for him (or even be upset that he doesn't? I just don't think this would be a consideration for Dick. he's gonna be fixated on "I failed." so he'll be upset about being replaced but not about the lack of revenge. and if Bruce did take revenge, i think he'd actually feel angry and betrayed about that because it'd feel like the choice was taken away from him, a la how upset he gets when he thinks Bruce has arranged to have Zucco killed - even if he intellectually knows that Bruce wasn't deliberately undermining himbecause he didn't know Dick was gonna come back to life.)
anyway so what WOULD he do??
what comes to mind is something along the lines of "Dick obsessively keeps an eye on Batman & Robin even while telling himself that he's not"
and then - say - if it's Robin!Tim (i feel like this has to be Tim because in the world where Dick dies there is no way that Bruce is voluntarily picking a new Robin), then maybe the moment when Dick steps in is when Bruce is in danger & he's furious / critical of Tim for not protecting Bruce well enough
and i feel like that's how he'd channel the hurt feelings - it'd all be deflected under shame and obligation, and then translated into the anger of "you replaced me & yet you're failing to do the job that you're supposed to do" (which is actually about projection/self-hatred because Dick would actually be mad at himself for having died & not doing that job anymore)
and Dick wouldn't want to see Bruce at all because of the shame over dying & subconscious fear that Bruce doesn't want him back, plus every little thing that Tim does differently would drive him NUTS because it implies that maybe the way Dick did things wasn't good enough for Bruce
i'm actually kind of fascinated by this now. because i am me and i have (1) obsession i am mostly invested in the dick & tim side of it sdfsdfds
so i'm picturing Tim very stung by whatever critical things Dick said to him & tracking this mysterious vigilante down, and then Dick doesn't want to spend ANY time with him BUT he's also subconsciously desperate for news of Bruce!!! so then something something Dick starts sorta training him a la Tim's various contacts with edgy non-batman-aligned vigilantes, and Tim's very defensive about how he IS a good robin so THERE but of course he's also defensive because he's secretly worried he's not good enough.
normally i would have tim Recognize dick since recognizing dick is tim's most basic skill HOWEVER i think it would be much more fun if tim doesn't recognize him so he can give dick a speech about legacy & the first robin: "i do x and such because that's how the first robin did it so it is Objectively Correct." which Dick will find incredibly infuriating but will be unable to counter since he cannot counter with 'the 1st robin was ME'
…hmmm i do think Dick ought to be angry about SOMETHING about batman's methods/attitude just because that's more dynamic? I feel like in order to make the adaptation work, there ought to be SOME kind of argument with Bruce right before he dies that he can still be mad about, a la the garzonas fight for Jason and Bruce. unsure what though?
okay let's see: I feel like Dick's main arguments with Bruce aren't about vigilante issues per se so much as they're about working in a team - so e.g.
1) Bruce being controlling/demanding, and
2) Bruce being secretive and doing stuff behind Dick's back, and
3) Bruce not allowing Dick enough autonomy,
4) just generally a perceived lack of trust.
SO maybe whatever The Frustrating Thing that bruce was doing when dick died is a thing he's STILL doing with this new robin, and dick is getting frustrated all over again sorta on tim's behalf but mostly on his own behalf because he never got to resolve this with bruce
but anyway that way when Bruce finally spots disguised!Dick, then they can have the fight again before Bruce realizes who he is <3
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Helluva Broken Narrative and the most useless character..
Disclaimer: Not saying you can't enjoy this show folks. Enjoy it all you want, this is just a rant about the lack of a cohesive narrative!
I really was completely dead on posting, but I just can't get this out of my head.
I feel people should be acknowledging this far more than it has been, this is extremely important. This goes beyond just episode pacing, this goes beyond the characters....this is something that without it? There is no real show, which is....
Helluva Boss has a BROKEN NARRATIVE.
Some fans wanna claim it has this 'complex' writing and I'm sitting here going like "really? Where?"
It doesn't sorry and know why? Because Season 2 of this show, basically broke the narrative that Season 1 was building.
These past posts of mine, will show you why the narrative is broken.
Now can they continue on with the story they are telling? Yes of course they can, but it won't fix the fact that it's not coherent to Season 1, that it's not needed.
Wanna know who the most useless character in the show is now? If you guessed Stolas, you're correct! In the meaning of making Stolas this guy who did nothing wrong and who's sad....they took away his character purpose.
Stolas has ZERO purpose being within the show now, given how things have played out.
But you might say
"Well he's needed to give Blitz the Crystal and end the deal!"
Except....no, he wasn't. Remembering my posts above, where you can have I.M.P. killing in Hell as a Season 1 thing?
Maybe they're just getting started with their company? So Blitz wants to supplement with killing in Hell by killing those up top so he goes to see about getting an Asmodean Crystal?
See let's backtrack here folks, the episode Oops it was mainly about Blitz and Fizz reconciling right? Which they do at the end of the episode. Now follow this, if we take into account the above, Blitz' dialogue could be.
Blitz: "Fizz look, I know what happened to you was horrible. I don't...expect you to forgive me, but I'm struggling to support myself, my daughter and my employees with my company. I....if you can just think on it, perhaps I could get one of those Asmodean Crystals?"
The scene ends and Fizz goes back to Ozzie, while along the way he's thinking about Blitz' words and how he was saved by him where in the end, Fizz agrees to send Blitz a Crystal because he's earned it from saving his very life.
Or here's another scenario, Blitz has a Crystal from the start(which he took from Verosika when they were dating), but as things get far more hectic up on Earth with more dangers. The Crystal ends up shattering after I.M.P. gets back to Hell after a job, thus Blitz goes to actually confront his past and reconcile with Fizz in order to try and get a new one.
See how easy it is now, to just remove Stolas entirely? They took away a character's purpose of being in the show....that to me, is completely disappointing. Characters, especially those that are suppose to be IMPORTANT, should have a purpose...without that? You may as well just delete them entirely.
Blitz could have had 2 whole Seasons with relating to the past and those that he hurt, that he TRULY hurt(Verosika, Fizz and Barbie) that would actually matter to him as a character. But instead, all these characters are instead shoved to the wayside, for a character who doesn't matter anymore and only actually matters because the writing is FORCING him to matter.
You can write the narrative in so many different ways with what Season 2 gives us, that completely destroys what Season 1 told us. Are we now expected to just....IGNORE AN ENTIRE SEASON?
They can do this whole "sad Stolas is sad and Blitz is hurt and Stolas is going to give him a crystal." Thing all the way to 'try' and fix things, but it'll fix nothing....because the deal between them was retroactively made completely pointless.
The show will continue obviously, but in the back of the minds....it will be a broken narrative and Season 1 is basically buried 6 feet under. As a writer, this really annoys me....because they had how long between Seasons to nail this down? How long have we all waited just in-between episodes? This shouldn't have happened.
Yes, is storytelling hard? Obviously, none of my stories are perfect....but at least the narrative is coherent from beginning to end.
Anyway...I just...had to get this out of my head, because it was really frustrating and I want it to be acknowledged more. The narrative is important folks, if it's broken...that's not a good thing.
I'm still watching this show....if only because I'm knee deep in it now and I still somewhat actually like the characters, but what I don't like...is this broken narrative that is still hanging around with a pointless character that doesn't matter to the show anymore.
Narratives, coherent narratives are important to a story, without it? You don't have characters and you don't have a story.
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Glad you liked the submission, as I have more on the Aware of Abuse AU!
I think it would be really interesting to reflect on how this situation would be kind of a drawn out grapple for Marinette. This is in no way salt and I think if it was written she'd both warrant having hear grievances hear, but also could definitely come off as a bit antagonistic, or at least wary.
(Exactly how hostile she defaulted to with Chloe tended to oscillate episode to episode so ya know how it be)
Marinette would have the easiest time getting close with Kagami. She has no history like with Chloe & no baggage, IE friendship with Chloe, like Adrien. Tomoe is not someone Marinette admires and its much easier to see abuse in the physicals side. While she'd struggle to see it more in the verbal or negligence side; or otherwise be able to rationalize the negative behaviors such as over protectiveness.
Meanwhile Adrien would be tied a lot closer to Chloe going into school as she'd be being less overtly antagonistic or vain. Plus, they'd have a much stronger "We need each other to keep from falling back into old patterns and to survive" mentality.
Plus Adrien would be a bit more overtly snarky and less respectful to authority or stuff like Gabriel's fashion shows. He still is very nice and super wants to be liked by everyone all the time, but it'd be a lot easier for her to see the negatives in his behavior.
Chloe meanwhile would probably rankle and outright frustrate her the most. Not just because she'd still be hard to get along with in general, or because she still is not against ignoring rules or disrespecting authority figures. But because...
No clue what your religious views may or may not be, but have you heard those talks of "Catholic guilt" and the idea of needing to suffer, do penance, ETC before one can be redeemed?
Marinette wouldn't strictly think or want that, but there would be a part of her that would sort of... Well resent that Chloe is seemingly just choosing to change and not even necessarily enough.
That is to say, Chloe might still rudely reject Sabrina's cookies out of hand but then instantly walk it back and have some.
But more in that she's suffered no defeat, she's not been taken from her previous luxurious circumstances, she hasn't seemingly lost anything and even more she'd not even be overtly contrite.
That is to say, Chloe wouldn't be doing stuff akin to the Lady Luck AU (Nothing against it, great fic!) where she'd frequently reflect on how much of a 'fuck up' she was. Or or say stuff like, "I know I was a bitch but I am trying to be better". Or feel guilt in the "I can't even be mad they assume the worst of me cos I probably would have done X."
She's just choosing to be different and on some level its deeply unsatisfying and even frustrating.
(Where is the arc, the climax, the catharsis!?)
Especially if some people roll with it or let her get away with it when she starts falling into old habits.
Marinette doesn't want Chloe to suffer or beg forgiveness or hate herself she doesn't. She just doesn't understand why now? Why at all? Why because of her friend? Why because of how she was treated and not how she treated others?
Why couldn't she care enough about hurting Marinette to change!?
That I think would be the lynch-pin and one that is, from Marinette's perspective, as well as others in and out of universe entirely sympathetic, she was hurt after all.
But in that same vain Chloe's an abused child lashing out due to trauma and taught such terrible lessons she sometimes couldn't process that she wasn't doing 'right'.
Marinette's been hurt, and that would need to be properly addressed. But it wouldn't need to happen in a self recriminating manner necessarily.
Not that I don't love those, self hating characters rife with issues are fun to explore. It is just that I think it'd be interesting to explore both, changing as a person, and a "Bad" victim getting help before they actually even start processing over much how others might warrant reoperations.
Does that make sense?
The story "restorative Justice" sort of dips into this from a different middle ground angle and most stuff by Generalluxun often have elements of it too.
Oh yeah no it's.
Marinette doesn't understand why Chloé is Like That™ in the first place, so she can't fathom her wanting to change.
From Mari's perspective, Chloé's life is pretty perfect. She's beautiful, she's rich. She can do whatever she wants whenever she wants and always gets her way through money or influence. She's always bragging about how she's so much better than everyone. Clearly her parents must adore her because they spoil her with gifts and never tell her 'no'. Any 'hardships' are just minor inconveniences that Chloé brought upon herself by being mean.
So why would Chloé choose to change? If it's not broke, don't fix it. Chloé's life is Perfect™, why would she do something to make it different?
It's not that she wants Chloé to suffer, or thinks that she /should/ suffer. She just doesn't understand why someone with a Perfect Life™ would change without going through some kind of suffering that forces introspection.
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Oh this is hysterical
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been feeling mixed on some of my friends recently
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there's something specifically inside my head that is closing up that makes trusting anything so hard. i have to manually keep my mind open to the potential of anything being significant. i am so used to things being bad and things hurting and things not working and being powerless that it takes an exorbitant amount of mental energy to make sure I don't let myself shut down possibility. and I do it because I never want a certainty inside of me besides love to rule anything. but I want my brain elastic again. i want it open like breathing. it doesn't erase the unfairness or the critique or any of the bitter-built philosophy.
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I just learned something so incredibly fucked up
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Please ignore if I clicked the wrong blog to respond to.
But I also want new Megas and Protomen :(
RIGHT?!?!
I mean, yeah, the Megas also have their takes on Skullman's theme ("Cracked Skulls"; inspired by MM4) and Chill Penguin's theme ("Chill XMas"; inspired by MMX), and I guess there's also one based on Storm Eagle's theme ("Rougmer Storm"; MMX), but I haven't listened to that one yet.
Like, I get that they have a good story arc to cover the first 3 classic games, but it would be so cool if they explored some of the themes of the following games, y'know? Or flesh out the MMX or other series music! Or hell, pick and choose some Robot Masters and make a new narrative, or like literally anything, please, people are starving over here! And it's not like they aren't still active. Don't get me wrong, I love their Castlevania stuff under the Belmonts label, but it would be nice to get Mega Man content outside of just remixes/remasters of their existing songs. Plus, they're still doing concerts, so like the audience is there for it!
And as for the Protomen, I hope that they actually end up releasing Act III at some point. Having listened to The Fight, it makes me crave it to an unhealthy degree. I love the grimdark kinda take on Mega Man that focuses more on the role that humanity takes in all of the conflict. I feel like that angle gets extremely neglected in Mega Man media.
Idk, as a fan, it's just kinda frustrating how neglected mega man gets. Like, it feels like the rare times whenever we do get content, it focuses on the first three or four games (if we're lucky), and then it just dies off! Or goes dormant for a decade or more. The franchise has so much creative potential that just isn't realized and it's so sad!
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did i make a mistake?
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Say what u will Abt the whole prev tags thing but I think it's neat to see those in my notifications, it's like I get to have a small Convo w someone which is just nice, I get to see into their mind for a moment which is nice and wonderful
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this doesn't feel fair
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THE TEXAS LIBRARY ASSOCIATION HAVE ISSUED AN APOLOGY AND A RE-INVITATION. HERE IS MY STATEMENT
hello buckaroos. the TEXAS LIBRARY ASSOCIATION have issued a formal statement and apology which you can read at the attached link.
while i find the language used to discuss what was done a little unsatisfying, i would like to start by saying i appreciate anyone taking steps to prove love is real and make things right. the genuine feeling of ‘realizing you have made a mistake and hurt someone else’ is a terrible one, and i have so much empathy for this group as they reckon with their choices causing harm. i appreciate their apology.
i also think more good than bad has come from this situation. i am so thankful this happened to me (someone with a large social media presence) and not a smaller buckaroo author without the means to stand up for themselves. i think the next time someone comes to the TXLA with an accommodation need, they will hopefully be taken more seriously
lets trot down to business about specifics now. the TXLA has re-invited chuck to the original panel and even offered to take a moment at the top of the panel to talk about what happened. this is very kind of them and i will say THANK YOU.
unfortunately i will also have to decline.
the fact that it took this much effort, social media backlash, and discussion to let me simply EXIST PHYSICALLY in a way that is authentic to myself is not a good sign. if this organization immediately questions an authors chosen presentation in this manner, i cannot imagine what my other accommodations would be met with.
sometimes i am at an event and i very quickly need extra space to breathe. sometimes i am at an event and i need special guides to help me along from place to place. these are not ‘big asks’ and every other conference has gladly provided them, but if the TXLA had this kind of initial reaction to my physical appearance, i cannot imagine them readily helping with my other needs without ‘proof’.
this is clearly not a safe place to trot for those who require additional accommodations. regardless of any apology, their ACTIONS have shown that people who appear unusual or unique are not welcome at this event on a subconscious level. i believe the TXLA have some serious inner work to do beyond this apology, and i believe this inner work will involve actions more than words.
but even more importantly i would like to make this very important point: IT DOES NOT MATTER IF MY MASK IS A DISABILITY AID OR NOT. i appreciate the way this discussion has allowed us to trot out some deep talks on autism and proved love in this way, but i think there is a much more important point at hand.
regardless of WHAT someone looks like, it is not the job of an event or conference to pick apart WHY. physical presentation can be a part of someones neurodivergence, or gender, or sexuality, but i can also just exist as a nebulous undefined part of their inner self. it can be a piece they are not ready to openly discuss yet. the guests at TXLA are authors (aka ARTISTS) and the idea that a conference dedicated to an ART is going to deny people with unique and unusual presentations for ANY reason is absurd. since when are we applying a ‘dress code’ to our artists?
without knowing it, i personally believe there is an element of the ‘good queer, bad queer’ phenomenon going on here. there is a push to say ‘LOOK we accept these marginalized groups and cultures’ but behind the scenes that means ‘we accept these marginalized groups and cultures who are quiet and speak in turn and wear the metaphorical suit and tie’. it is easy to show diversity when you only take on the voices that arent too ‘strange’.
to prove my point i ask you this: do you think orville peck would have FOR ONE SECOND been asked to perform at the texas library association event without his mask?
so with that i say ‘very sincerely, thank you, but i will have to decline the re-invitation. maybe next year’
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