#so many inaccurate takes

[six-of-cringe]

I'm actually gonna make the post this time. Before this accursed show comes out in 3 weeks time I'm going to lay out every single reason why people calling Wylan a ruthless killer or insane bitch or homicidal or some other weird fandom worship of violence drives me up the damn wall. The draft has marinated too long. It will be Complete and it's the bad takes that the mere glimpse of the show is bringing out that fuel me. This is a Promise

[uncanny-tranny]

Being uncompromising on your boundaries doesn't make you the spawn of satan. It makes you a normal person, and anybody who makes you feel horrible about not compromising on your boundaries should perhaps be a yellow, if not red, flag, at least.

[ribbononline]

New fic by @silverjirachi out wahoo wahoo! Go support it!!

[keeps-ache]

there are a couple changes i would make to the keyboard if i could:

wiggly exclamation mark

bleeding heart emoji

varying snake emojis (more poses would be fun)

question mark with a little heart for the dot bc, well,

more explosions

and that is all thank you

[marcusagrippa]

every time i remember this movie exists i take one hundred billion psychic damage

[prolibytherium]

There is no question of whether 'people hating your faves inaccurately' or 'people loving your faves inaccurately' bothers me more. The former can be annoying but it's the latter, hands down zero question. When people talk about my favorite characters in the "awwww blorby poor helpless itty bitty baby lamby... soaking wet teensy weensy widdle ickle baby kitten born shivering in a cardboard box all alone 🥺" way I'm just like Okay so I'm putting blorby into the woodchipper now

[unproduciblesmackdown]

"Ed Iskandar talked with God. Then it was Lucifer’s turn. Now he was addressing Adam and Eve.

[...]

Right now, Iskandar was rehearsing the plays from Act I, including Madeleine George’s 10-minute piece about the Fall of Man, which she gives the elaborate title,  “A Worm Walks Into A Garden or The Fall of Man, an experiment in motive and comedy.”  In it, Lucifer tells dumb jokes to Adam and Eve, as a way of seducing them. Adam finds them funny. Eve doesn’t.

“You’re missing a crucial part of your anatomy,” Lucifer says to Eve. “The funnybone.”

Lucifer is being played by Asia Kate Dillon.

[...]

Dillon was writhing and entwining themself around Eve.  Suddenly Chase Brock, the show’s choreographer, got down on the floor and started to writhe on the floor along with Lucifer. Brock had researched the earthworm, and showed some pictures of earthworms to Dillon on his laptop to suggest other moves they could make."

"50 different plays by almost as many different playwrights is a massive undertaking in which each vignette varies in tone from the one before it.  The actors playing the characters do not change from play to play; this forces the performers to be as comfortable and convincing with farce as they are playing tragedy.  It is also fascinating to contemplate the mental and emotional gymnastics that each performer of The Bats (the resident acting company of The Flea) must have undergone to ensure that each character maintains the same internal psychological throughline when they appear in different plays by very different authors.

The first act deals with the Old Testament books and the Nativity.  In playwright Dale Orlandersmith’s Song of the Trimorph, the angels in Heaven mindlessly worship God (a deliciously petty, yet shrewdly authoritative Matthew Jeffers), who takes it as His due until Lucifer (Asia Kate Dillon) starts to question whether love without choice means anything.

Dillon’s beautifully delicate, white-haired devil is one of the show’s most complex figures. Watching them evolve from nuanced philosopher to diabolical heavy to world-weary cynic, depending on the vignette, is fascinating.  The narrative speeds its way through the Bible. Highlights include Madeleine George’s surprisingly feminist take on the Adam and Eve story; Hwang’s marvelously urgent Cain and Abel tale, which posits the first murder as a story of vengeance against a capricious God; and Mallery Avidon’s whimsically horrifying tale of Noah’s Flood, which also entails the deaths of everyone who didn’t make it aboard the Ark.

[...]

The show’s second section deals with the Life of Jesus, with Colin Waitt’s astonishingly variegated boy-next-door Jesus shifting from an idealistic dreamer as he travels with Mary and Joseph to a forceful, almost angry philosopher when he argues with Lucifer about the nature of love to a bratty dolt when he confronts Gabriel about his inevitable fate.  The fact that the playwrights clearly have a different idea of Jesus’s personality sets Wiatt a complex task:  He has to make his Christ the same in all situations; whether he’s being comic or tragic, Wiatt is convincing and moving in a performance of stunning versatility.

Indeed, his likable turns in Gabriel Jason Dean’s beautiful Christ Enters Jerusalem makes his ferocious agonies in Qui Nguyen’s Christ Before Herod and his subsequent crucifixion all the more heartrending. The third act deals with Christ’s resurrection and humanity’s fate at the Day of Judgment, and includes a series of plays set in modern times, as well as God’s final words to Lucifer, Jesus, and to us.  The show’s final Day of Judgment coda by Jose Rivera is an essay of forgiveness and unexpected love."

"Overall, the point of view of The Mysteries leans toward deism, the Enlightenment philosophy that presents God as a kind of clockmaker who created the universe, then left it alone to run according to its own laws. We see God squabbling with, then abandoning, Lucifer, setting in motion the events of the Bible, but even in Eden he is surprisingly enigmatic.

[...]

And, as one of the thieves killed with Jesus prophesies, it may all be for naught; he conjures up a future in which "the religion founded -- haha --upon your existence will be held up to justify the slaughter of millions over hundreds and thousands of years, for the brutal sins of domination and exploitation, the lynchings, the massacres and genocide, the relentless militarism. Everything you stood for will be erased."

[...]

In any case, the company is an almost constant joy. Among the more striking performances, [...] Asia Kate Dillon is a compelling presence as Lucifer."

"Four dozen playwrights take four dozen spiritual positions, which allows bubbles of radical reimagining to emerge only to sink again beneath the waves. For instance, our very first playwright, Dael Orlandersmith, paints Lucifer (Asia Kate Dillon) as a sweetheart Cordelia type refusing to curry favor with an insecure God (Matthew Jeffers). The fallen Light bringer keeps popping up throughout, and yet while Lucifer makes a number of solid points—many vigorously antichurch—they're still costumed as a blood-smeared reptile. Does evil exist? Or does it only exist when it can dress super cool?"

"It begins with a scene in heaven where we meet the lavish Angel Chorus that will be with us for the duration of the play, and witness Lucifer’s expulsion from heaven, something like in Milton’s Paradise Lost.

[...]

We also meet the rebellious Lucifer in that first scene in heaven, played with dazzling cynicism by Asia Kate Dillon, and at the same time the angel Gabriel, played by Alice Allemano, who, obedient to God, in contrast to Lucifer, struggles valiantly trying to make sense out of God’s commands and following through on them.  These two, Lucifer and Gabriel, played by tall, striking people, fine actors who resemble one another, hold the vast array together like bookends.

The scenes in the Garden of Eden are delightful, played, appropriately in the nude, by Jaspal Binning as Adam and Alesandra Nahodil as Eve.  Throughout the play, Biblical episodes are interpreted by the many playwrights in non-canonical ways and the first of these is brilliant:  the knowledge the first couple gain through their disobedient eating of the apple is — how to tell a good joke and how to enjoy one!"

"Act I – The Fall begins with Creation and Lucifer’s fall from grace with God. Lucifer is played by a steady, radiant Asia Kate Dillon who reappears frequently to mix things up with earthlings and the rival angel, Gabriel, played by Alice Allemano makes goodness alluring. God is played by an extremely patient and multi-dimensional Matthew Jeffers whose sense of humor humanizes the Lord."

"As starting points, Dael Orlandersmith’s “Song of the Trimorph (Lucifer’s Lament)” and Liz Duffy Adams’s “Falling for You” are somewhat too abstract, particularly “Falling for You,” which has Lucifer wonder, “How can there be love in the absence of being?”"

"Starting with the Fall, we are introduced to the Angel Gabriel and the fallen angel Lucifer, played by two equally lissome and brilliant young actors, Alice Allemano and Asia Kate Dillon. They compete for God’s affections by using a chorus of singing punk angels."

"Asia Dillon as Lucifer brought the precise mixture of demonic delight and fragility necessary for such an adaptation: watching their performance was like looking at a raw cut in the bowels of the earth, brimming with fire and unimaginable sadness."

(no relevant quotes, but throwing in a brief pdf of a grantee project report that focuses on Engagement)

[un-pearable]

OH another very important comment i completely forgot to add: despite the long winded diatribe, i am, actually, having fun with ninjago again and am not dreading clicking the next episode button. im excited to continue watching. which is a definite improvement from like. last week. honestly in my experience some amount of moping and whining and gnashing of teeth is good for the soul. not too much and you cant just sit around and mope all day, but a bit of moping... it does help. i think.

unrelated but regarding your post on comics, technically im coming from a weekly serialized manga perspective but yeah no exactly having something that comes out so frequently produces many opinions all the time. i also feel compelled to talk about these opinions, all the time. i have to say though my sincerest condolences for being in the dc fandom. from the handful of posts ive seen from you it looks ... frustrating

hell yeah!! the good ol whine and dine (on fic) strategy to get you excited again

on the topic of comics,,, yeah. yeah. its really annoying bc its the kind of fandom where the last thing I want to do is get involved in discourse but Oh Do I Have Thoughts. and my usual strategy of venting in my small discord is not enough 😔 this next part is a very frustrated vent so uh. under the cut as to not piss off one of the most notorious fandoms of all time that I have Zero interest getting involved in

comics fandom is fucking insane bc anywhere else this isn’t anywhere close to a debate, but here arguing that a character being accurate to canon should be a priority means you’re fighting in the fucking trenches. saying someone should read an arc is a declaration of war with some of these people it’s baffling. why are you here if you don’t care about what actually happens to these characters

it’s completely deranged!!! this isn’t even “oh this particular stuff is treated as non canon bc it portrays the character poorly” it’s literally people BRAGGING about never reading the source material. writing a direct adaptation of the characters debut arc gets you dogpiled by people who think the completely woobified version from their fic is the end all be all characterization. and their one personality trait is an addiction

hate that i do this to myself. i was a part of the sinking ship that was voltron. i witnessed the rise and fall of countless stupid fandoms driven by the fandom’s flanderized dreams and every single time i fall for it. what the hell

it’s the mystery box. it’s getting to the core to see what could have gone well or what the original ideas were or the drama behind it al but EVERY time i burden myself with knowledge and endless frustration and a persistent fear of getting caught up in my own internet drama. agshdjdj

[ifievertoldyou]

when ppl use the 16 personalities quiz to figure out their type i don't believe the results half the time...

[cparti-mkiki]

still thinking about the maria teresa author* who, when highlighting the physical differences between philip iv and his castilian subjects in passing, out of the blue, could think of nothing less strange than bringing up how "small and with rather developed body hairiness" the spaniards are. i think it was a french attempt at humor (haha! the spanish!) but it's just a very [?] thing to bring up specifically, given that the question of body hair was basically irrelevant with 17th century men's clothing.

it's a small thing but it stood out to me by its sheer randomness and the fact that someone thought it was either a relevant comment or a funny enough sentence to print. also my guy...... we are literally side by side. we are two mid sized to small countries glued together in a little peninsula-continent and we've had centuries upon centuries of exchanges. ive lived in both countries ive visited north and south and there is no big overarching "racial" difference between us............ i think there are obvious on-average differences in the extremes (pas de calais vs andalucia fight) but the way you see what's commonly attributed to the spanish you'd think we were different species. if you want to call us unattractive or more animalistic (not that i think the aforementioned traits are bad at all— but that's what the tone implies) you're gonna end up throwing a lot of stones at your fellow countrymen

*yeah, the one who did a biography of a spanish princess using only french sources lmao

[iloveyoumorethansoup]

We have work days usually on Friday to work on whatever upcoming assignments we have due. I have a lot of costume work (mostly detailing) left for me and theoretically I want everything done by like 3 and I get out of class at 2. Tomorrow is Friday. Which might be a work day for my only class. All of my upcoming assignments r done. I could show up (which would get me out of bed dressed and moving) and then if it’s a work day leave for my costume. This is a very good idea actually I will be doing this

[lifeaspect]

skimmed a classpecting discord and got SO MAD

this is why classpecting is a one person sport

[bluepixiedream]

TW: child abuse, implied sexual abuse and abortion are mentioned

Bambi was born tainted. Born to a woman who never wanted to be a mother. Born to a father who didn’t care to even stay for a minute after she was conceived. No other family was willing to take in a screaming newborn and just like that, little Bambi was left by herself.

The first foster family was nice, because a cute little newborn didn’t need much. She didn’t talk. She only cried and wanted to be cuddled. She was a good paycheck and if anything, they could leave her in her bed as she wailed for someone to love her as they blew the money on unnecessary items.

After she turned one, she went back into the system. Malnutrition. Under weight and under loved.

The second family was the same as the first. Everything was fine at first. Their visits were often, due to her neglected past and they were good with feeding her on time, loving her and buying her gifts. Social worker stopped arriving and everything went downhill again. Hours without a diaper change and rashes breaking out constantly. Her toys that she loved were taken away if she cried and she cried harder when she saw her foster sister ripping the rabbits head off. The foster parents didn’t care and eventually fucked up enough where social services were called again and she was removed once more, placed back into the system.

She didn’t get another placement until she was five. By then, she was nonverbal and still wetted the bed for obvious reasons, but reasons the social workers couldn’t quite place. Nobody suspects their own, and they chalked it up to her previous failed placements and abandonment. Her third placement was better than before. An older couple who lived on a farm who wanted some extra company. She worked hard but they fed her, gave her a bed and didn’t complain when she would cry from her nightmares and occasionally wet the bed. Little Bambi was getting better, and considered this farm and couple as her family, until one day, her foster dad fell deathly ill and eventually, the couple could no longer house her. Bambi screamed as the social worker came to get her. She pleaded with them to keep her. She would eat less. She would sleep in the barn. She wouldn’t talk. They couldn’t convince her that she did nothing wrong. She begged to stay and her soul was ripped to shreds as she watched the farmhouse grow smaller and smaller from the back window of the car. Bambi became nonverbal again, but she stopped wetting the bed and that was a plus to her case worker.

Next foster parent was an older lady who lived in the city, her apartment on the top floor of a building that was past its prime. The lady lost her daughter to cancer and decided she could open her two bedroom apartment to an older child. Bambi didn’t know what to think of her. She was eccentric, still rocking her 80s work out clothes and accessories but she taught Bambi a lot of being a woman, even if some of it was too much for a nine year old. She taught her about condoms and the different types they had. Diaphragms and the morning after pill. How to get the taste of semen out of her mouth and how to properly take care of herself now that she was a growing woman. She gave advice on finding back door abortion clinics and how to communicate with people who did things beyond the legal limits. She also taught her how to gamble and play poker. How to cheat without getting anyone mad and how to carry a knife for safety. Bambi grew the love her new foster mom. Bambi came home from school one day to find her foster mom kneeled over from a fatal heart attack. And just like before, she screamed as she watched the apartment building grow smaller and smaller from the back of the case workers window….

[verdantmeadows]

Alt text is an accessibility tool for many people, primarily those who are blind or visually disabled. It is not appropriate to ever use it as a punchline for a joke to tell a joke. Doing so takes away its reliability and trustworthiness. There are people who are INCAPABLE OF SEEING AN IMAGE OR FULLY SEEING AN IMAGE OTHERWISE. Using alt text to tell jokes HURTS THESE PEOPLE.

This post has like 8,000 notes. I'm so disappointed in how many people think this okay, but even more sad that many people don't understand how this is harmful or what alt text is even for. Please don't propagate or encourage these jokes. You are misusing and actively harming an accessibility tool. If you didn't know that this is what it was for, now you do know! Please do your part and don't spread such things.

Personal edit: I'd like to clarify that if you didn't know this, I don't want you to feel attacked or anything like that. It's okay you didn't know, but now that you do, you can do your best moving on! I said I was sad because I'm a visually impaired person and it can be sad that people don't know these things. I would have phrased this post a bit more objectively if I had known people would see it! It was just meant to be a personal expression of my feelings. I made this post as a visually impaired person myself who uses a screenreader.

Informational edit: This is ableist/bad because it ruins the integrity of the tool and makes people misunderstand what alt text is for. If people do this, it makes people falsely learn what alt text is and use it for notes, captions, or jokes. Misusing alt text ruins the integrity of the tool because it makes it so one cannot consistently rely on alt text to be accurate. It is also ableist because alt text literally just tells someone what an image is/says, so if someone cannot see the image, they don't necessarily have a way of knowing that the alt text is inaccurate, or they might be able to tell that it's a joke/caption, but then still have no idea what the actual image is/says.

[renard-dartigue]

Hi now i'm curious what is the beef with the rappers

Man this is going to be long so I'll try to keep this simple and entertaining. I hope this comes across as clear cause I'm shook right now.

Here is a glossarie to break thing up:

Prologue (The Spark 🔥)

Round 1.1 (Physical Education 💪🏾)

Interlude part 1 (Roots 🏠)

Round 1.2 (2 Warning Shots 🔫)

Interlude part 2 (Pusha the Seer 👁)

Round 2.1 (Knifes Out 🔪 )

Round 2.2 (The Nuke 💥)

Epilogue (All eyes on him 👀)

My Theory 🤷🏾‍♂️

Highly recommend checking out the tracks yourself while you read along.

Prologue (The Spark)

Let it be known that I am a neutral party and that I don't take sides when it comes to rap beef. I was here for the music and creativity. I am just trying to recount events to the best of my knowledge. Sorry if some details are inaccurate.

Okay so basically, Drake, J Cole, and Kendrick Lamar are the Big 3 of the rap world right now.

A month ago, Future and Metro Boomin (two rapper who supposedly don't fuck with Drake anymore) released a song with Kendrick Lamar called "Like That". In the song Kendrick took a shot at Drake and J Cole, saying there isn't a big 3, its only him on top.

4 weeks ago J Cole dropped a track called "7 Minute Drill" that is dissing Kendrick. However, in a move that is very uncharacteristic of J, he took down the official track and formally apologized to Kendrick. Thus signaling his exit from the rap battle.

ROUND 1.1 (Physical Ed)

Drake on the other hand dropped "Push Ups" 2 weeks ago, a diss track that went after other rappers he doesn't like but mainly Kendrick. In it, he made fun of Kendrick's height and his contracts. He then ends the song with "I was really try'n keep it PG" meaning he has a nuke on Kendrick that people don't know.

Not long later, Drake dropped ANOTHER diss track "Taylor Made Freestyle" with Ai voices of Snoop Dog and fucking 2PAC! Kendrick has stated before that 2pac is one of his idols so this must have been a deep cut. In the song Drake claims Kendrick doesn't write his own music and uses the writers of Taylor Swift. Relating a rapper to pop music is seen as disrespectful.

INTERLUDE PART 1 (Roots)

Before I continue, I want to give a brief run down on how the public perceives these two rappers.

Drake portrays himself as a superstar, he's always on social media flaunting his success and partying with other celebrities, seeing alot of women and living a lavish lifestyle. His music is catchy, something you put on in the club. Most of his fan base praise him for his sick beats and witty lyrics. He's been in the music industry for a while and is no push over.

Kendrick Lamar is a very private person, doesn't expose anything about his personal life unless its on a track. He almost never gets into fights with anyone. He is a family man, stressing the importance of being there for his wife and son and encourages other fathers to do the same. His fan base praise him for his creative lyrics and highlighting the black American condition.

ROUND 1.2 (2 Warning Shots)

2 Day ago, Kendrick Lamar came back with his first official diss track on Drake called "Euphoria". In this song, Kendrick goes in on Drakes fake personality. Drake has always been known around the community as a bit of a poser, he grew up in Canada and was raised by his white mother, a relatively comfortable childhood. He was a star on the popular show Degassi when he was young. garnering him a fan base early in his career. Kendrick doesn't approve of Drake appropriating black American culture and acting like he some tough guy. When in reality he is a Canadian nerd thats disrespectful to 2pac. All throughout the song, Kendrick hits at things that many people have know about Drake, such as his behavior around underage girls. He also called Drake a deadbeat father who isn't in his son's life, even referencing his lost battle to Pusha T. Then Kendrick finally warns him that he has more dirt that he is willing to share if Drake takes things further.

Similar to Drake, Kendrick dropped another track called "6:16 in LA" later that day. This song focuses on Drake's environment, specifically the people he hangs with. Kendrick implies that Drake paid people to dig into his background and when they didn't find anything, Drake made up stuff instead. Kendrick then says that someone in Drakes group is leaking information to him about something even more serious. Also planting a seed in Drake's mind that his supposed friends don't actually like him, just like the clout from hanging around him.

INTERLUDE PART 2 (Pusha the Seer)

Taking a quick break again, we need to discuss something that occurred long before Drake's battle with Kendrick.

5 years ago, Drake was in a rap battle with rapper Pusha T, someone who was smaller than Drake at the time in terms of popularity. Pusha dropped a song called "The Story of Adidon" where he dropped a bomb that Drake had a kid and wasn't taking care of him. Drake initially denied it but it was later revealed to be true.

Since then Drake has never responded to Pusha T's diss track, making Pusha the current winner. And Kendrick is bringing it back into the light.

Round 2.1 (Knifes Out)

Around 2 am EST time of May 4th, Drake drops his diss track, "Family Matters" one of his strongest songs, switching his flow 3 times in the span of 7 minutes. In true Drake fashion, its a club song with a catchy beat. Like his previous diss, its aimed at multiple people but the main focus is on Kendrick, even bring up "I was really try'n keep this PG".

Drake doubles down on his black identity and mocks the fact that Kendrick and other rappers are saying he isn't black, (incorrectly assuming that they are coming at him for being mixed when the real issue is that he is appropriating black American rap culture as a Canadian mixed man who grew up in a safe environment) Drake not only calls Kendrick a fraud who only raps about black issues for attention, Or that his activism is performative. He makes a shocking claims that Kendrick is a wife beater. Then Drake says that Kendrick's son doesn't belong to him and implies Kendrick's producer was the real father.

The track caused an uproar. But only for the span of 15 minutes. Because Kendrick did the unthinkable.

ROUND 2.2 (THE NUKE)

Almost as if expecting Drake's move, Kendrick Lamar did what no one saw coming. He dropped his diss track "Meet The Grahams" about 15 minutes after Drake released "Family Matters".

This time around, in a fashion almost unheard of from him, Kendrick strips all the usual metaphors from his lyricism and structures his track like he is speaking to Drake and his family, 4 parts per individual.

Kendrick begins by speaking to Drakes Son, Adonis, the same son Pusha T exposed Drake for neglecting 5 years ago. He's apologizing to him for his father's behavior. Kendrick speaks to him softly but sternly like a mentor, telling him not to be like his father. Kendrick tells Adonis all the things Drake did and warns him not to do them too: involved with escorts, plastic surgery to appear more black, surgery to look more muscular, hiding a kid. (Kendrick stresses that Adonis is black regardless of being mixed, further highlighting that he isn't discrediting Drake's blackness because he's mixed but because he isn't being himself.) Finishing of by telling the kid to be proud of who he is.

The second half is Kendrick addressing Drake's mother and father, Sandra and Denise. Kendrick speaks to her like he's revealing tragic news, explaining to her that her son is involved in disgusting things. He goes down a list of things, his tone growing more intense and angry. Kendrick then claimed that Drake is employing and enabling pedos in his group, and hopes they die. Even implying that his group is going to be raided by the feds some day.

The third half is the MOST shocking of all. Kendrick begins talking to an unnamed individual, simply calls her babygirl. Similar to Adonis, Kendrick takes on a somber tone and apologizes to her for Drakes behavior. He says its not her fault Drake abandoned her, says that she is deserving of love. He warns her not to become a target for people like Drake to pray on and says she has so much to offer the world.

Kendrick revealed Drake has ANOTHER kid and isn't in their life! (Allegedly)

To close of, the fourth half is Kendrick speaking directly to Drake, his tone tired. He tries to reiterate that he doesn't have hate for him. However, Kendrick says Drake was the first one to go after his family and he couldn't let it slide. He once again calls for Drake to take the mask off. Then says this isn't a rap battle anymore, tells Drake he is fighting himself.

Epilogue (All eyes on him)

And so here we are, waiting for what will happen next.

Drake posted an Instagram story denying the claim he has another kid. But given what happened with Pusha T, we can't quite take his word for it yet. We should wait a bit to see if anything comes out.

Kendrick hasn't put out a statement on Drake's claims about him but given the recurring theme of Drake being a manipulative lier, Kendrick clearly denies it. Given how private he is, its difficult to prove or disprove it. Much like Drake's claims, we will have to wait and see if any evidence comes out about it.

Drake and Kendrick stans are at eachothers throats right now, arguing over who one and whats real or fake.

Right now everyone is looking to see if Drake is going to continue the battle or stay silent like he did with Pusha.

My Theory

Personally as an outside observer who only followed the beef for good music. I think this goes beyond a simple rap battle.

Here is my theory: Someone from Drake's clique told Kendrick that Drake and his producers were writing something about him. Real or fake, Kendrick was pissed. And so he drafted 3 tracks, dumping everything he hates about Drake into them. And then, with the leaker's help, Kendrick baited Drake into a battle, goading Drake to drop the "Family Matters" track so he can shut the battle down with "Meet the Grahams". Or maybe his first 2 tracks were a warning to Drake that if he released a track with lies on him he would reveal he has another kid.

I do think Kendrick initially had good intentions in trying to help Drake be a better person. But maybe the more he learned about Drake the less sympathetic he felt.

But I don't know thats just how I see it.

Thanks for reading my essay. I hope it made sense heh. I encourage healthy discussions in the comments and reblogs please. But everyone agrees that Drake is inappropriate with young girls. We won't argue over that.

[macfrog]

sweet child o' mine | pt. iv

to @mrsmando - without whom this insane story would never have happened in the first place. i love you i love you i love you thank you all so much for coming on this journey with me - it has been a blast. i hope you like where we turn out! love you guys always n forever x

pairing: neighbor!joel x fem!reader

summary: you're a mom. it's time to get your shit together.

warnings: bon jovi mention straight out the gate, labor/delivery [i have never given birth. those of you who have are nothing short of remarkable. please forgive if some of this is a little inaccurate or vague], use of pain medication during birth, description of pain and post-birth recovery, super emotional reader, unprotected piv, oral, alcohol consumption. DISCLAIMER: this series covers some issues which i know may be sensitive and possibly triggering to some. warnings will always be as thorough as possible, but if there’s ever anything you feel i’ve missed, please let me know. feel free to drop by my inbox anytime.

word count: 12k

pt. i / series masterlist | main masterlist | playlist | follow @macfroglets w notifs on to be the first to hear when i post 🩵

It’s September twenty-third.

Well, by now, it’s probably the twenty-fourth. You’ve been a little distracted, rolling between the sheets with your next-door neighbor for the last couple hours.

The wedding’s still going strong downstairs. The same Bon Jovi song has played three times over. Tommy has called Joel to ask where he is so much that Joel’s phone is now switched off and shoved to the bottom of his bag.

You’re slouched on the toilet in a sliver of moonlight. A fistful of tissue, panties loose around your ankles. Rolling your forehead side to side along the cool tile, heartbeat hammering between your temples.

Joel Miller – Joel fucking Miller – is in your bed. Naked, sweating, cock probably still half-hard.

This morning, the very idea of the man was an eyeroll. Stood in your mirror, promising yourself that this time tomorrow, it’ll all be over with.

This time in a month, it’ll be a foggy memory.

This time in a year, it –

His voice is muffled through the bathroom door. “Did you fall in, or somethin’?”

You snort. The milky moon blurs across your vision when you pull yourself upright. You swipe between your legs and stand, flushing the toilet.

“I needed a fucking breather,” you tease, tiptoeing back across the room.

Joel’s stretched out; a worked arm draped along the headboard. Sun-kissed to the middle of his bicep, paler across his shoulder. One leg bare on the mattress, the other under the sheets. They only just cover his modesty – dark hair trailing beneath light silk just in time.

He’s so big. It’s like you never really noticed until now. He takes up half the bed, laying like this. And sure, you’re halfway to fucked, but – has he always been so handsome?

You flop down beside him with a sigh, curling up in the burrow of sheets at his side. Your eyes trail up his body – the sheen of sweat up his side, the dark, damp hair under his arm. All the parts of him you’ve never seen before, will never see again.

You gulp. Quit fucking staring.

He doesn’t notice, anyway. He’s rubbing circles into his temples, grumbling. “How many goddamn times are they gonna play It’s My Life?”

“…for Tommy and Gina…” you nudge him, “…who never backed down…”

Joel chuckles, pulling his hand down his beard. “Twenty bucks says he’s changing that to Maria.”

“Oh, for sure. I ain’t going back down to listen to it, though.”

He hums in agreement, reaching over for his beer. His Adam’s apple bobs as he drinks.

“You owe me, by the way. This is my room, remember? My fucking minibar.”

He pauses, the bottle against his bottom lip. His eyes linger south of your chin before he answers, “I’m paying for the damn room.”

“Then I want a drink from yours. Make it even.”

He clicks his teeth and drinks again. “It’s one beer. Call it an early birthday gift.”

You frown. “When the hell’s your birthday?”

“Tuesday.”

“Bullshit.”

“Serious. The twenty-sixth.”

You push yourself up onto your elbows; chest bare and on display. And it’s a strange feeling, how little you care. Twelve hours ago, you didn’t know how close to sit next to him at the ceremony. How many times you could accidentally bump knees or brush elbows and it not be weird.

But in the last two hours, he’s made you come more times than you can count. More times than anyone you’ve ever been with before – that’s for sure. And you’ve repaid the favor: the proof is still dribbling out of you. Still dripping between your legs, all pearlescent and warm. You’re soaked, swollen, still sore from the size of him.

It’s a fucking strange feeling, that you don’t mind at all.

“How old are you turning?” you ask.

Joel swallows. He settles the beer on his sternum, thumbing the corner of the label. Sucks in a deep breath and says, “Forty-eight.”

“Jesus,” you mutter, eyes wide.

He turns slowly, glaring at you. “Hilarious,” he drawls, bumping the bottle against your tummy.

You hiss at the sudden chill. Wiping cold droplets from your skin, you swipe it from his grasp.

Joel pushes himself from the bed with a quiet groan and pads across the room. His cock sways with each step, an arrowhead of thick hair at its base.

He doesn’t seem to mind, either.

You tip your chin back, taking a hefty swig.

The pulsing bass is heavier, guitar squeal sharper, when he cracks open the window. Cool air sweeps past the scent of sex and settles softly on your skin.

The mattress dips again as Joel settles back into bed. He pulls the sheet over himself, silk falling over the stubborn shape against his thigh.

“Well,” you pass him the bottle, “happy birthday, old man. Here’s to forty-eight.”

“Here’s to forty-eight,” Joel echoes, staring off into space, “and whatever the hell it has in store.”

1:29. 1:29. 1:30.

It’s blurring across your vision. The pain and the panic and the blinking of your fucking alarm clock.

Your stomach is still tensed in the aftermath of the contraction; an ache like the slow sway of the ocean, a wave rolling off into the distance. You’re hunched over the edge of the bed – knee bouncing, palms kneading your round belly.

“We’re okay,” you whisper, blowing into the still night. “We’re fine. Maybe it isn’t labor, right? Maybe it’s just those…Braxton…shit…Hicks.”

The cicadas laugh as your uterus swings again.

Another kick of pain; a bolt that winds you, piercing from your stomach down between your legs. So slow it feels fucking personal.

Your back curls, nails digging into the mattress. You grit your teeth until it passes, then push yourself to your feet, reaching for your phone.

You think of Joel: the flecks of gold in his eyes, the rough surface of his palms. The fresh, woodsy scent woven into every thread on his shirt, seeping from every pore on his skin.

The way he’d pull you under his arm and walk you to his truck. Play more Eagles or whatever shit he has to take your mind off the pain – tell you he knows, he knows as you whimper in agony. The way he’d hold your thigh the entire ride, loosening it only to weave his fingers through yours.

He’s in Houston, though. He’s something like three hours away. There’s nothing he could do, even if you did call – even if he did pick up. Even if he got in his truck right this second.

Shit. Shit fuck shit. How are you in labor right now, on this fucking night? All your teasing, all your taunting the universe. You really think that’s gonna happen? You think your kid’s that much of an asshole?

Yeah. They’re half you.

You’re on your own. It’s nothing new; you’ve been on your own for most of your life. You drove yourself to college, worked your ass off, and sold your graduation guest tickets to your roommate. You found a job by yourself, moved back to Austin and turned it into home by yourself.

You haven’t needed anyone or anything, since you were eighteen.

But – oh, Jesus, fuck it. This was a two-man job from the start. Some things you figure you can let slide – and having a kid seems like a pretty decent excuse.

Fuck it.

You move, hunched and hobbling, to the bathroom door. Slumped against the wooden frame, you cup a hand between your legs.

Sure enough, your underwear is soaked. The fluid trickles down the seam of your thigh, warm and thin. It glistens in the moonlight when you lift your fingers.

“Shit,” you whisper. “Goddamn it, Duck.”

Body tingling and almost numb with pain, you scroll through your contacts to J. You stumble into the bathroom, wet fingers slipping around the sink. A weight begins to pull low between your hips.

Two rings and the tone cuts, his voice instantly spilling a cool comfort down your spine.

There’s no hello, no double checking that you haven’t accidentally dialed him in your sleep. Only that trademark drawl, that flat tone you’d swear sounded bored, if it weren’t for the haste with which Joel asks, “You okay?” the second he answers.

As if he were awake anyway, just waiting for your call.

“Yeah,” you choke, rubbing the nape of your neck. “I just called at one in the morning to…to say hi.”

He sighs, the crackle of breath echoed by the tinkle of wind chimes. The creak of wood as he settles into a chair on Vanessa’s parents’ porch. “Alright, smartass. What is it?”

“I’m…I’m in labor.”

“Mhm. That sure is funny, baby. Good one.”

You groan. “No, Joel, I swear – I swear, I just went into labor.”

He pauses. The chimes titter in the background. “You’re…You ain’t kidding me?”

The sharp peak of pain swipes the air clean from your lungs. The phone hits the sink with a clatter, drowning out your cry.

This kid is beating the ever-loving shit out of you. You’d be embarrassed if you had the energy to think about it.

“Baby?” Joel yells, loud enough that the sound loops around the bowl. His voice lifts to an octave you didn’t know it could reach. “Talk to me. Please, talk to me.”

Your fingers clamp around the phone. “I’m f-fine. It’s fine. I just gotta…gotta change my fuckin’ sheets, Joel, my waters broke while I was sleeping –”

“Oh, Christ,” he growls. The door squeals as he storms back into Vanessa’s family home. “The sh…Change the goddamn sheets? You gotta get to a hospital, darlin’!”

You laugh, head tipping back. “It’s fine,” you tell him. “Feels like the kid’s trying to kill me, but I can – shit, I can take ‘em.”

There’s the jangle of keys, the ruffle of a shirt being thrown over his head. “Yeah?” Joel says.“You can take childbirth, all on your own? Do me a favor and call a damn ambulance, baby.”

“An ambulance,” you repeat, laughing again.

“Yes, an ambulance. Call 9-1-1 right now. You want me to call ‘em? Let me go grab the landline –”

“Joel, do not call an ambulance –”

And if you thought you’d heard him at breaking point before – plucking your underwear from his lawn, dragging you around Home Depot, paling in your room with a pregnancy test in his hands – you know you have, now.

“You gotta get to a goddamn hospital now, baby!”

His voice trembles at its end, quivers like the pluck of a guitar string. A high-pitched echo, a nervous vibration.

Joel’s panicking.

It’s the second thing in less than five minutes that you never knew he could do.

“I can’t afford a f-fucking ambulance, Joel,” you yelp, sitting back on the edge of the bathtub.

“I will pay for it,” he pleads, “I’ll pay. Just – you gotta call them. You gotta…” He sighs again, breath wavering. “You’re in labor, and you’re alone. If anything happened to you, I –”

A hushed voice interrupts him. Follows him through the house, knotting her nightgown around her waist and twisting her dark tresses into a ponytail.

“She’s in labor,” Joel tells her. “I can’t stay. I’m going back for her.”

The porch door slams shut before Vanessa can reply, and Joel’s back outside again. Gravel crunching beneath his boots, crickets screaming in the background. “Still with me?” he asks.

“Still here,” you breathe, tracing your nails along your leg. “Duckie says hi, I guess.”

He hums. “Hi, Duckie. You little shit.”

You rock back and forth, eyes closed. Breathing between contractions, your head low between your shoulders. “How long will you be?”

The truck door creaks open. “I’m leaving right now. I’ll be…Fuck, I’ll be a couple hours, at least. I’m on my way, alright?”

Tears drip onto your bare thighs, the salt spilling into your mouth. “Joel,” you shake your head, “I don’t think I can do this.”

“Yes, you can,” he says. “Are you kidding? Got us this far ‘n now you want to bail? That ain’t you, baby. Come on, now.”

“I wanna bail,” you insist. You slump to the floor, head lolling over the rim of the bathtub. Weeping like a little kid. “I’m scared, Joel. I’m so scared.”

“I know you are. Lord knows I’m scared, too – scared as hell. But –” the engine roars to life, “– I can’t wait to finally meet this kid. Our kid. Can’t wait to hold ‘em. Can’t wait to see you become a mom, and me become a dad.”

“Mom and Dad,” you whisper, sniffling.

“Mom and Dad, right? Yeah. You can do this. I know you can.”

The bathroom blurs behind your tears. You close your eyes, replacing the pale night with warmer dawn. Replacing it with images of tiny hands and feet; missing front teeth and a love-worn teddy tucked safely into bed.

Joel’s voice is softer, kinder. Calmer, now that he’s closing the hundred and fifty miles between the two of you.

“Just – don’t let the kid give you any shit, alright?”

The fear boils into determination. Something more irritating than it is terrifying. You inhale, blowing a heavy, shuddered breath to the ceiling. “Whatever, Miller.”

“Attagirl,” he says. “That’s the spirit. Now, call a damn ambulance.”

With a scoff, you push yourself to your feet, waddling towards the foot of your bed. You sway back and forth, holding your bump and listening to the hum of Joel’s truck.

And then you hear it.

Three sharp raps, from downstairs.

You wander to the hallway, squinting in the dark. “Joel?”

“Hm?”

“Are you…?”

The sound grows louder the nearer you draw. Quick knuckles against your front door.

“Am I what, darlin’?”

You lower yourself down the stairs, fist tight around the rail.

It’s August again. Sun’s encore blazing through your kitchen windows, bleeding golden through your living room. Everything shining, everything new and untouched.

Knock knock knock.

Light satin, duck egg blue; string lights and a diamond-encrusted necklace. The bones of your wardrobe propped against your porch. A rattling toolbox hanging from his fist, a positive pregnancy test in yours.

The knocking halts when you flick the porch light on. She calls your name once, old voice quivering.

Your phone is still glued to your ear as you pull the door open. “Al…?”

She squints at you and lifts a hand to shield from the light. She’s still in her pajamas – green dressing gown loose and lifting in the breeze.

Her eyes drop to the tee draped over your bump, the silver stream of fluid down the inside of your thigh. As she opens her mouth to speak, your hand slams into the doorpost.

“Oh, fuck,” you groan, and Alice Brown steps straight over the threshold.

“Are you in labor? Oh, sweetie. Sit down, sit.”

She backs you towards the stairs. One bony, trembling hand around yours – squeezing as tight as you are. She rubs up and down your spine, shushing until the pain subsides.

You blink up at her glowing figure, haloed by the porch light outside. “How did you…?”

She hushes you with a finger in the air. “I’m up most nights. I heard you from the window. Have you called 9-1-1?”

You shake your head, beginning to cry again.

Alice just nods, dismissing your bullshit. “Where’s your overnight bag, sweetheart?”

You toss a thumb over your shoulder. “It’s up in the nursery. I can go grab it –”

She holds you still with a hand on your shoulder. “Stay.” Another curt nod, then, “Get your shoes, get yourself over to my car. Do you need pants? You need pants. My car, right now.”

“Alice, you really don’t have to –”

“Get in the car,” she insists, climbing past you. “I’m right behind you!”

You watch her figure dissolve into the dim upstairs, and lift the phone back to your ear. “Did you…hear all that?”

“Alice Brown,” Joel replies, and you can hear the smirk in his voice. “What’d I tell ya? That woman doesn’t miss a goddamn thing in this neighborhood.”

“Three centimeters,” the obstetrician says, covering your legs with the sheet. “Still a little ways to go.”

The suite is hushed and still. Walls an unoffending shade of oatmeal; decorated only with oak paneling and a framed painting of some lilies.

A nurse tilts the shades, averting the twinkling city lights in the distance. She turns and smiles – the same fucking smile everyone’s been giving you since you set foot in the place. Head tilted, brows arched.

Sympathy that you want to chew up and spit back out at their feet.

You force yourself to smile in return, and she floats back out to the bustling reception.

“Will he make it?” Alice asks. She’s still in her pajamas; the floral print goes well with the interior of the room. “The father, I mean. Joel.”

The obstetrician peels the gloves from her hands. She shrugs as she drops them into a wastebin. “I don’t see why not,” she says. “Things are moving a little quickly, but I don’t see you having your baby in the next couple hours.”

“You don’t know this kid like I do,” you groan, shifting in the bed.

She lifts the cardiotocograph reading, scanning the jagged lines. “You’re doing great,” she says. “I’ll be back in a little while. Just holler if you need anything.” She strolls off, letting the door sweep shut behind her.

Alice adjusts your pillow and squeezes your shoulder. She holds out a cup of water, guiding the straw to your lips. “He’ll be here,” she whispers.

You take a sip and settle back. “I don’t think I’m that lucky. I told him I hoped he’d get a flat on the ride there. This feels like karma.”

“Well, if it’s anyone’s karma –” she wiggles her fingers, “– it’s his. Going to Houston was ridiculous in the first place. Hell, you two not being together is ridiculous.”

You scoff, shaking your head. “Just because we’re having a kid doesn’t mean we should be together. You shouldn’t be with someone for the sake of a baby who won’t even know any different.”

“Right, right,” Alice agrees, turning away. “You should only be with someone if you love them.”

“Exactly. And me and Joel – we’re not in love.”

She murmurs to herself. She lowers into a chair by the window, crossing her arms. “I’m seventy-three,” she says. “I’m not a damn fool.”

Something twists awkwardly between your hips. You wince, clutching your bump.

Duckie’s heartbeat pulses through the room. Muffled little bubbles of noise, popping one after the other. Strong and steady as hell – a determined little thing, the doctor said.

Don’t I fucking know it, you thought.

You reach for the silicone mask and cup it over your mouth. The gas is cold and funny when you inhale, feeling it shoot straight for the back of your skull. It does little more than dull the spiking pain, but still – you tip your head back, eyes rolling closed.

You let yourself fade from the suite – its yellow lamplight and hushed chatter outside – to somewhere warmer. Somewhere brighter.

Birdsong high overhead, and the whispering leaves on the oak trees in your yard. The sweet breeze on your skin, soothing the sting of the sun. Prickling wood on your fingertips, the gentle strum of a guitar somewhere beyond the fence.

Peering between the slats, catching glimpses of him like watching a film reel. His head nodding, his foot tapping. The concentration tight on his face; the perfect pick and pluck of his fingers on each string.

Half-hoping that he’ll spot you, scold you for spying and storm back into his house. That he might bring it up later – And another thing, while he whips his newspaper from your grasp, ignoring your cackling.

Half-hoping that he won’t. That he’ll sit there at his back door, bottle of beer at his feet, playing to his audience of sparrows.

And you’ll stand here, wishing you could ask the name of each song he hums.

The contraction splits your daydream in two.

In two hours, you dilate almost three centimeters.

You pace back and forth across the suite, pausing only when your womb clenches like a fist. The contractions are lasting longer, swinging lower, and punching harder. They’re giving you less recovery time; less of a chance to get back on your feet.

It’s a fucking nightmare.

Joel’s still not here. Last you heard, he’d just hit Travis County. Twenty minutes, baby, I promise. That was half an hour ago.

It might be for the better that he hasn’t gotten here. You’ve warned Alice three times already that you might just beat the shit out of him, whenever he walks through that door.

And you know what, sweetheart? She chuckled. I bet you could beat the shit out of him, sore as you are.

“Fuck,” you cry out, collapsing onto the bed. You stretch out forward, head hanging between your shoulders, and gulp back more of the laughing gas. The ache barrels from your stomach to your hips, peaking in the very center.

Alice rubs circles into the small of your back. It’s not helping, but you let her do it anyways. Gives her something to tell the neighbors that isn’t damaging to your reputation.

“That’s it,” she coos. “A little longer, just a little…”

The door clicks open just as the tense band begins to loosen.

Your head is spinning. The mask slips from your fingers.

Alice’s hand pauses. “…a little longer…” she repeats, voice drifting. Her weight leaves your back, replaced by something heavier, stronger.

Safer.

Someone grounding, someone smelling of pine and sweet spice.

He sits on the bed at your back and curves around your body. Lips to your shoulder like the sun in your backyard. His beard scratches against your hot skin.

You blink your eyes open.

Joel’s watch face winks back at you. His hands are over yours – bigger, wider. His fists swallow yours whole. They turn, slipping beneath your palms, and your fingers lace together.

“Joel…” you breathe, face turning in to his neck.

“Hi, sweet girl,” he says, wiping sweat from your brow.

You fall limp against his chest. “Holy shit.”

He looks exhausted. Gray, almost translucent. Looks like he’s just driven a couple hundred miles, half asleep and wholly panicked.

But – he’s here. He made it.

The sight of him, the feel of him holding you upright, melts away any anger or resolve to fight back. For now, at least. Picking an argument can wait until there isn’t a human splitting you in two.

He’s here. You’re not doing this alone.

“Holy shit,” Joel repeats. “You okay?”

“How did you get here so –?”

“Ninety-five the entire way.”

You frown. “Only ninety-five?”

“Trunk’s a hunk a’ shit,” he admits. “Couldn’t break a hundred.”

Alice scoffs, somewhere across the room.

He cradles you, his lips to your forehead. “Where we at?” he asks, staring at the paper churning from the cardiotocograph.

“Five, almost s–shit – six centimeters.” You clamp down on his hands, your uterus winding again.

Joel holds the mask back to your lips and you suck another chemical breath in. “Six? Jesus,” he gapes at Alice, “ain’t that…ain’t that real fast? For – for your first?”

Your fingers are weak and shaky, resting on his knuckles. “Your kid has a sick sense of humor,” you mutter into the silicone.

“That ain’t from me,” he says. “That’s all you, maestro.”

You turn closer into his shirt with a groan. He’s solid as a rock, swaying you through it. He’s here.

Alice swipes her coat from a hook by the door. She shakes her head, pulling it over her shoulders. “Ninety-five, Joel? Sweet Lord.”

He rolls his eyes. His hand curves around your bump. “Had a little bit of an emergency, Alice,” he says, watching your face twist with pain.

“And what if you’d had an accident?”

“I didn’t, Alice.”

“You could’ve, goin’ that damn fast. You’re lucky you’re even here.”

Joel finally looks up. “It’s four in the mornin’,” he protests, like a teenager. “Lucky if I passed five cars.”

You give him a weak smile, lowering the mask. You won’t win, you mouth.

He presses his lips to your head. “’s too much fun,” he murmurs, and you snort.

“Oh!” Alice throws a hand up. “I’m glad you find it funny!” She buttons her coat and glares back at both of you, hands on her hips.

She’s a busybody – has been since before you even moved in. She showed up on your doorstep on your first night with a casserole in hand, and made sure to get a good look at your living room before she shuffled back to her own place.

Always watching, always listening.

You never thought you’d see the day when you’d actually be thankful for her snoopiness.

“Thank you, Alice,” you say, head tilting. “For getting me here, for holding my hand…Thank you.”

Her expression thaws, eyes gleaming. With a sniff, she composes herself – and then points to Joel. “You call me as soon as that baby arrives. I won’t sleep, Joel, until you call.”

“I’ll call,” he assures.

She looks back at you. Balls her crepe paper fists, gives them a hearty shake. “Good luck, Mom,” she says, and with one last glance, slips out of the room.

Joel turns back to you, an eyebrow raised. “Take it she was out tendin’ to her tulips again?”

“Yeah,” you snicker, “one in the morning, those fuckers had to be watered.”

He chuckles. “You feelin’ okay?”

“Better now,” you tell him.

“I’m so sorry, darlin’,” he says, shaking his head. “I should’ve been here. A goddamn idiot, headin’ off like that. So damn stupid.”

“Shh, you’re here now.” You wipe the tears from the corners of his eyes. “I just needed you to be here.”

He nods. “I’m here, whatever you need. Tell me what I can do.”

You take a deep breath. “I need…”

Joel straightens – bracing, ready to jump at your first request.

“…I need a fucking break, Joel. I’m so tired, and this fucking kid –”

“Alright,” he sighs, shifting from behind you. “You and your goddamn jokes.”

You smirk, looking over your shoulder. “You missed me.”

“Hm,” he fixes the neckline of your gown, “I missed you. I really did.”

Born at 07:43. It’s a girl.

It’s like being broken open. Like splitting at the seams; your old self falling from you like shards of fruit. Separating, rolling apart; making way for someone older, wiser. Someone with all of the answers in the palm of her hand.

Mom.

You finally get it. She turns to you, finally glances over her shoulder. And she’s no stranger – no one you haven’t known your entire life. I know you, you whisper, nail trailing her smile lines and the pimples along her jaw.

I see you every time I look in the mirror.

Duckie is pulled from your body with a scream like bloody murder – a scream which matches the whimper you let out in shock, if not in volume.

The kid can scream. Jesus Christ, she can scream. It pierces the dull room; deafens you for a couple seconds the first time you hear it.

You’ve never heard a sound so fucking beautiful.

She wails as they lift her from your body. All curled-up, wriggling in the midwife’s arms. She wails as they slot her beneath your chin, as they wipe the blood and amniotic fluid from her.

She wails until the moment her skin meets yours, and as though it’s all you’ve ever known, you begin shushing her cries. Your arms close around her body, rocking her until she settles.

Her tiny hand grabs for something, for someone, for –

You.

Her mom.

“Joel,” you gasp, watching her tiny, pruned fingers clasp tight around just one of yours. “She’s…she��s so small…”

He sniffs in reply, lifting his hand from your shoulder to wipe his face.

You turn to look up at him.

He looks as broken open as you feel. Eyes bloodshot and soaking, tears streaming into his thick beard. A sob in his throat which chokes and silences him, until he catches your eye and he can’t help but laugh with elation.

“Look at her,” he weeps, all torn up by the little girl in your arms. He presses his lips to your forehead in a crash of a kiss: wet, soaking wet on your skin.

You beam up at him when he pulls away. “We did it,” you whisper.

Joel shakes his head. He runs a thumb across the damp print left on your head. “You did it, honey,” he mutters. “I was nothin’ but a spectator.”

“You almost missed the game,” you quip, and he laughs again.

Your body throbs; nearly numb with pain, heavy with fatigue and emotion. But as long as she’s here, this tiny tornado of a girl, you don’t feel a thing.

Clenching and then unclenching her fist around your finger – so delicate compared to the punches she was throwing at your ribs just six hours ago. She’s worth every fucking second of it.

You finally fucking get it.

She fits so perfectly in the crook of your arm. It feels as though your body was made just to hold her – the very shape of you, designed especially for the very shape of her.

You wonder whether it was the same for your mom. Whether you came along and made her feel whole, for the first time in her life.

Duckie’s eyes open – all glossy and brand new, blinking up at the both of you like she needed no introduction. She already knows you, from the inside out. Her dad’s graying beard, the threads of silver around his temples. Her mom’s tear-stained cheeks, eyes red and bleary with sleeplessness and pure love.

You’re Mom, you’re Dad.

It’s all she’s ever known.

The pillow sighs as you lean back into it. The doctor begins repairing the damage done between your legs; threading and knitting your body back together.

You’re caught between a state of bliss and shock. Your brain is doing much the same work to itself as the woman between your knees is. Patching over all the bloody parts: the screams which tore your skin, the pain which cracked your teeth.

None of it holds a candle to the weight of her in your arms. No matter how tired you are, you can’t take your eyes off her. Her puffy cheeks, the little creases between her brows. No matter how sore, you never want to let go of her.

Joel runs a finger down Duckie’s cheek. “Ain’t she the most beautiful thing in the world?”

“I love her,” you say, bubbling again. “I love her more than anything.”

An hour old, and she’s already a daddy’s girl.

Joel ambles back and forth at the foot of your bed in the recovery suite, bouncing Duck in his arms. He’s never looked so relaxed, so natural at something. He’s never seemed so content, so peaceful.

Everything he’s ever made with his hands – structures and framework and your goddamn closet – and yet this, this tiny accident, this baby girl you were so sure you’d dreamt up right up until an hour ago –

This is the thing he’s proudest of.

Morning lifts through the windows, all soft and vanilla. It floats around him, sunlight spilling across his skin and breathing life and color into him.

Sunlight – or his daughter. They’re the same thing, anyway.

You pull apart a slice of toast, watching. Just watching. Sweet strawberry jam on your tongue, the flavor of everything sharper, fresher. The colors brighter, more vivid.

The world makes more sense like this, you think. Painted in shades of honey and ochre; a room in a corner of the world where time slows to a halt. A soft lullaby from his lips, and the little coos from hers.

The ache of love and labor lingers deep inside you, and nothing has ever made more sense.

You suck the sticky sweet from your fingertips.

Joel looks up, toying with Duckie’s hand. “You want her back?” he asks, a dumb grin on his face.

You shake your head. “I like watching you.”

He scrunches his nose, nuzzling it against his daughter’s, and whispers, “I wasn’t gonna give you back, anyways.” He sways in the early light, staring down at her. “Jesus,” he mutters, swiping at his eyes again, “I didn’t…I didn’t know I could love somethin’ this much.”

“Me, either.”

He drifts over, lowering himself slowly onto the edge of the bed. He extends his elbow, still cradling the baby, and helps you pull yourself upright.

You hiss, a not-so-subtle sting between your legs.

“You, uh…you think of a name yet?” Joel asks.

“Not yet,” you reply, hooked onto his shoulder. Duck blows a bubble and you wipe it with your knuckle. “I thought we were sticking with Duckie?”

His cheeks swell. The sun kisses the edges of his beard. “I thought of one,” he says softly. “Maybe. It’s your call.”

You yawn into his shirt, the warmth of him calm and soothing. “Alright, Miller. Hit me.”

He looks down at the baby nestled in his safe hands. The smallest thing either of you have ever seen.

The name must roll around his head a few times, the way he tilts to-and-fro – looking at her from one angle, then the next. Deciding, when he pulls back, that she suits it from every direction. Like it was her name long before he or even you knew it.

You watch his lips shape the name before you hear it.

Sarah.

And for what feels like forever, you just stare at him. The syllables lingering in the air like glistening specks of dust in a sunbeam. Your eyes follow them down to your daughter, now sleeping peacefully with two hands around one of her dad’s thumbs.

“Sarah,” you repeat, remembering whose name it was, whose name it is – whose name it has always been. “Sarah Miller.”

Joel’s shoulders lift. “What do you think? She look worthy of bein’ a Sarah?”

The rustle of tissue paper. Blue and green and purple tearing between your fingers. The funny fuzz of pom poms as your hands rummaged through the bag. Her hand swimming towards you, an orange foam fish riding the waves between her fingers. Bubbly sounds erupting from her lips.

Your girlish giggle. Her silly grin. Hopscotch along the sidewalk; stopping to look for cars before she’d walk you across the street. How much do I love you, baby girl?

More than the whole world, Mama.

“I love it,” you breathe, tears running to the corners of your mouth. “Sarah fucking Miller.”

“Sarah fuckin’ Miller,” Joel echoes; two wet lines the same as yours, curving down his cheeks. He shifts her into the crook of his arm.

You’re impossibly close. Your chin rests on his shoulder, foreheads brushing when you lean in to each other. His breath is hot on your lips, closer and closer and closer until –

He tastes like salt, rich with emotion. Salt, and then sweet when your tongue meets his. He lifts his free hand to cup your cheek, and your fingers link around his wrist.

And you know you shouldn’t be doing it – know this isn’t your man to be kissing. But in this room, where no one else can see – where it’s just you, him, and all the best parts of yourselves shaped into someone better – he feels like yours.

Just for a moment.

Joel takes the first week of Sarah’s life off work.

He spends a good twenty minutes on the phone to the contractor, talking more about the kid than he does the job. Her eyelashes, her fingernails, the way her legs scrunch anytime he lifts her up.

He’s besotted with the entire thing. And he tells everybody so.

He moves in with you both, stays in your guestroom. It’s a week of no sleep, no peace, and a total of three showers between you. Wearing the same clothes covered in spit-up and drool until one of you has the time or energy to do laundry.

It’s hard. It’s the hardest thing you’ve ever done. By your count, you’ve already cried three times to Joel – terrified you’re getting it all wrong.

But you’re doing it. Jesus God, you’re doing it.

You order takeout most nights. You can’t stand long enough to cook just yet, and you don’t trust Joel not to burn your fucking kitchen down – despite his protests. And it feels like, after everything your body’s given you, it deserves a greasy pizza and some chicken wings.

You rot on the couch together, watching shitty TV and arguing over reruns of Jeopardy! – until Sarah wakes and the whole thing begins again.

Joel loses the game of rock, paper, scissors tonight.

“Shh, baby girl. ‘s alright now, I gotcha,” he lulls, tucking her back in to her bassinet.

She fusses and stretches out; arms over her head, legs curled up. Her onesie is still a little too big – the socked feet all baggy, the sleeves rolled up her wrists.

He lingers for a moment as she drifts off, a hand stroking her tummy. Watching, always watching her. The rise and fall of her stomach, the puffs of breath from her nostrils, her lips still suckling away in her sleep.

“I swear I have a baby photo that looks just like her,” you say. “Same nose and everything.”

Joel clicks his teeth. “Got her looks from her mom. Lucky thing.”

“Low-hanging fruit,” you snort.

He drifts back over, sinking into the couch at your side. “Doin’ okay?” he asks, and you nod.

Every muscle in your body still feels like a ton weight. Your stomach is still swollen; there are still stitches between your legs. There are moments you can’t tell if you’re crying because of hormones, exhaustion, or joy.

Every time, it’s a combination of all three.

Life before feels so long ago – and it hasn’t even been a fortnight. But then you held her for the first time, and now – your arm misses the weight of her when she’s not in it. Your house feels eerily quiet when she’s not laughing, or whimpering, or screaming the fucking roof down.

You can feel your daughter growing up already, and she’s only ten days old.

On the mantelpiece, safe in a stippled gold frame, your mom beams down over her. The photo at least twenty years old, the memory even older. Laughing, the way she always was; nothing quite so funny as a joke frozen in time.

Joel prods you with his elbow. “She’d be proud of you, you know. Your mom.”

“Oh,” you scoff, “no, she’d be like, Holy shit. This kid totally kicked your ass.”

He chuckles. “Sure she did,” he shrugs, “she’s your kid.”

The TV babbles to itself across the room. In its glow, Joel meets your eye. A tiny, pearly fleck swimming in deep honey.

It’s familiar – each shade of bronze in his eyes, each thread of silver through his hair. Like you’ve mapped each and every line on his skin, collecting them like the sleepless hours between you.

Everything about him feels so normal. Burnt toast in the morning, a spoon clinking around a mug of coffee. The rustle of the newspaper, the sizzle of eggs in the pan, the baby snoring on your chest.

Everything – and yet nothing you’ve ever known.

“I miss her,” you whisper. “I miss my mom.”

His hand finds yours instantly. “I know, baby. I know you do.”

You slouch down, leaning on his shoulder, and close your eyes. Joel presses his lips to the crown of your head, his thumb looping around your knuckles.

Sarah gurgles in her sleep. She sighs – a satisfied little sound. Nothing has ever made more sense.

His voice rumbles against your skull. “Who sent the lilies?”

Your eyes flutter open. “Hm?”

Joel flicks his finger towards the window, towards a sprawl of speckled, cream flowers. “The lilies? They weren’t there this morning.”

“Oh…” You turn to look up at him, cringing.

He sees the flicker of her behind your eyes. Her lustrous curtain of hair, her perfect almond nails.

“Really?” Joel asks, mirroring your expression.

You nod, trying not to laugh. “From her and Kate. You were upstairs with Sarah when she came by. I offered to call you down, but – she just wanted to drop ‘em and go.”

“What did she…? Did she say anything?”

Your head shakes. “She just…she said congratulations, said she hoped we were okay. Then she got in her car and she left. I kinda figured things weren’t sunshine and roses, anyway. You haven’t fuckin’ seen her since Houston.”

He snorts, fingers massaging his eyes. “I was goin’ to tell you,” he mumbles into his palms, “I just…Honey, I don’t even know what day of the week it is right now. I’m sorry.”

“You don’t have to tell me anything,” you mutter.

“Yes, I do,” he insists. His eyes flit over to Sarah, then back to you. “We haven’t really talked it through yet, me ‘n her. I called her a few days ago, we agreed it’s time. It – it’s past time. I shoulda called it months ago.”

“I guess,” you sigh. “Are you okay?”

Joel’s brow furrows. “’course I am. I got the most beautiful baby girl in the world,” and then, rolling his eyes, “you’re here.”

“Oh, fuck you,” you clip, batting his arm. “Vanessa could do way better, anyways.”

“I don’t doubt it.”

You squeeze his fingers, softly adding, “I’m sorry it didn’t work out, Joel.”

He stares down at your clasped hands. He looks tired, worn out. You figure it’s not just from the newborn. But he takes a deep breath, something the color of relief dawning on his skin, and looks you dead in the eye.

“I’m not.”

­“Hey, Duckie – can you say, Happy birthday, Daddy?”

A vinyl wobbles on the turntable – some acoustic record from when Joel was a teenager. There’s wrapping paper still crumpled beneath the coffee table; four plates with more crumbs than cake left, dotted around the room.

Tommy leans in, a lopsided party hat on his head, and tickles Sarah’s chin.

She blinks at him, unamused, then scrunches her little nose and turns back into your chest.

He sighs, straightening. “She don’t like her uncle Tommy all that much,” he grumbles, sulking back over to the couch. Maria puts a consoling arm around his shoulder.

You rest your lips on Sarah’s head, breathing in her sweet scent. Swaying back and forth, you tease, “She don’t like anyone all that much, not unless they’re her daddy.”

Joel’s head lifts and he smiles, eyes glistening. He watches you and Sarah dance; laughs when you twirl her around and she tips her head back, flashing a gummy grin.

“She’ll come around to ya,” he tells Tommy, wandering over to your side. “We all learned to, eventually.”

Tommy scoffs. “Very funny, old man. Jesus.”

Joel stoops down to let Sarah run her small hands through his beard. He catches her fingertips between his lips and pretends to nibble on them.

She giggles, squirming in your arms. Her fingers find the sweeps of hair on his forehead and, taking a fistful, she tugs.

“Christ,” Joel hisses, pulling back.

“That was on you this time,” you chuckle, pointing a finger. “You know she does that, and you still fall for it.”

Maria glances down at her watch. “Is that the time?” she asks, turning to Tommy. “We should really turn in.”

“Oh – right, right.” Tommy tips the last of his beer into his mouth. “We’re takin’ Mom to brunch tomorrow. Better get some goddamn rest.”

Joel hums, still massaging his hairline. “Hey,” he whispers, elbowing you. “Maybe I should take her over. She’s getting sleepy – ain’t you, little Duck?”

“Oh, yeah.”

Tommy stands and holds a hand out. “Why don’t you let Maria and I take her? We’ll tuck her in, keep an eye on her. We weren’t half bad the other day, while y’all were at work. And if she’s stayin’ at Joel’s tonight anyway…”

You glance to Joel, who shrugs. Something shaped like Sure.

“As long as you don’t mind,” you reply, bouncing the baby slowly. “Let me go grab her things.”

Joel’s hand slips across the small of your back as you pass, making for the stairs. He lingers at the bottom, watching until you turn into the nursery with Sarah in the crook of your arm.

You set her down in her crib and gather some of her favorites: a yellow blanket, a duck comforter, a rattle shaped like an elephant. She watches contentedly as you shuffle back and forth, staring when you lean over the wooden rail.

“You know how much I love you?” you whisper, curling a finger inside her fist. She squeezes, and you say, “More than the whole world.”

She grabs at the chain dangling from your neck, the letter S catching the light. Instead, she lifts your finger to her mouth. Her nails scratch light as a feather across your skin. Her gums are tiny and soft around your knuckle.

Everything about her is tiny and soft. Her sweeping eyelashes, her plushy cheeks. Her round tummy, and the squeals she lets free as you dot kisses and blow raspberries all over it. No matter how much she’s grown in three months, she’s still so tiny.

She’ll always be the smallest, sweetest thing you’ve ever known. And she’s all yours.

“Jesus, kid,” you sniff, swiping at your tears. You slip your hands around her back and prop her on your hip. “Alright, let’s go. Quit making your mom cry.”

The bag over your shoulder, you carry her out of the room and into the dark hallway. It’s quiet downstairs; nothing but the crackle of the record player, the distant chink of dishes in the kitchen.

That – and hushed voices in the living room.

“Joel,” Tommy says, over and over again. He’s trying to cut in between his brother’s rambling. Joel – listen to me. Just listen, for one second –”

You linger on the bottom step, trying to split Joel’s voice from Tommy’s. Trying to pluck the words out, over Maria’s humming from the next room.

“…and it ain’t that simple, Tommy it’s –”

“What ain’t simple about it? You have a –” Tommy says it through his teeth, “– you have a kid together, Joel. You really think she’s gonna –”

Sarah grabs the charm around your neck and shakes suddenly, rattling the chain.

You close your hand around hers, losing your balance. “Shhhhit, Duckie, you –”

Joel’s eyes snap to your figure as you step down. He clears his throat, leaning away from Tommy. “Hey – hey, darlin’.”

“Hey,” you reply. Bright. Chipper. Unclenching your fist to let your daughter shake your necklace some more.

She squeals with delight when she spots Joel across the room.

“She ready to go?” he asks, slinging a quick – telling – look at Tommy.

You look between the brothers, browns quirking. They look as guilty as each other: scratching their beards, staring at the furniture instead of you. “Uhuh,” you reply, tongue against your teeth. “Everything…everything okay?”

Tommy slaps his thighs as he stands. “Everything’s great, sweetheart. Sure as shit. Joel – you, uh…you got a key on ya?”

“Oh, yep.” Joel reaches into his pocket. He unhooks a silver key from the chain and drops it into his brother’s open palm.

Tommy calls for Maria. He sidesteps around you, face flushed and smiling.

She floats through from the kitchen, drying her palms on her jeans. “Where’s my baby duck?” she sings, reaching for Sarah.

You pass her over and she melts into her aunt’s arms, curling up into a little pink lump on her chest. “She just had a feed, like, twenty minutes ago, so – she should go down pretty well. And there are more bottles in Joel’s fridge, if you need ‘em.”

Maria nods, wrapping Sarah’s blanket around her. She lifts the bag strap from your shoulder and hands it to Tommy. “I’ll text you as soon as she’s down. Come on, Duckie, let’s get you to bed.”

Tommy leans over and squeezes your arm, winking as he follows his wife. He calls goodnight to Joel, lifting a pointed finger over his head, and closes the door behind them.

Things could not have gone smoother.

It’s suspicious as shit.

You turn when you hear Joel shifting.

“C’mon,” he utters, a pile of plates in one hand. “I ain’t leavin’ you with this mess.” He heads through to the kitchen, broad figure swaying.

The plates spill into the sink, water trickling over them. Joel hums to himself as he gets to work with a sponge in hand.

You linger in the living room.

Things have been good lately – peaceful. You’re in as much of a routine as Sarah will allow: a steady pattern of dropping her off and picking her back up, patchwork family dinners, daytrips whenever both of you can make them.

Your body is healing, pulling itself back together. You don’t have to think about being Mom anymore – she walks in stride with you. The world is painted a new shade of normal – one where you can do anything with a baby on your hip, one where love becomes your first language.

One where you swallow back the ache in your heart, for better or for worse. The only piece of you still fractured. The only wound left open.

Joel’s birthday cards lie flat on the coffee table. You pluck them up one by one – his parents’, Tommy and Maria’s, yours – and Sarah’s.

A messy splotch of a handprint, bright yellow paint smeared across half the fucking card (she hasn’t quite mastered self-control yet). A googly eye plastered to the bird’s chest; orange crayon for the beak and legs.

Sure, you took charge for most of the project – but when he opened it and saw his daughter’s little masterpiece, you caught him swiping his knuckle at the corner of his eye. He snuggled into her, perched on his lap, and whispered, Thank you, little Duckie.

You prop them along your mantelpiece, dotted around your mom’s photo. When you step back, looking from son to brother to…a good friend, you could almost pretend.

Almost pretend that they belong here, on this mantelpiece. There is no yours and his. Just one of everything; nothing doubled nor halved.

Almost pretend that he won’t collect them as he leaves, break into another teary laugh at the sight of the duck painting, and then kiss your cheek goodnight. Promise to have your daughter back in time to go swimming tomorrow morning.

Almost.

“Hey,” Joel calls, “did you, uh – did you hear Tommy talkin’ about Jackson?”

You slip into the kitchen, side by side with him at the sink. “Uh, yeah,” you reply, lifting a towel. “Moose, pine trees. Yep.”

“It sounds beautiful. You think we should take a trip up there sometime? Could be Sarah’s first vacation.”

“You mean the three of us?”

He shrugs, scrubbing a bowl in the water. “Sure. I don’t think Duckie would let one of us stay behind, do you? She’d scream the damn airport down,” he chuckles, looking back to the twinkling bubbles.

You hum. “Maybe.”

“You don’t feel like it?”

“No, I do. I just – I don’t know. Maybe someday.”

“Okay,” Joel says, nodding. “Put a pin in it.”

He passes you a dripping plate and you drag the towel over it, circling the pattern until the suds are wiped clean. And another, and another.

It feels awkward. It feels stiff. There’s something hanging between you, heavy on both your shoulders. A weight you haven’t felt around Joel in over a year.

You turn to him as he stacks the last plate on the draining board. “Is that what you were talking to Tommy about?”

Joel pauses. “You heard that, huh?”

“Only the part about having a kid. It’s none of my business, I know, I just –”

“Actually,” he clears his throat, “it’s plenty your business.”

He leans back against the counter and crosses his arms. A deep breath, cheeks puffing as he exhales. His grip on the dish towel whitens his knuckles.

He’s…nervous. The same shade of gray he wore the night you went into labor.

He takes another unsteady breath.

“Joel?” you ask, head tilting. “Whatever it is, you can say it. I got whiskey, if that’ll make it easier. Probably tastes like shit, but…”

His expression cracks. His eyes twinkle, and he smiles. Only a little, but enough. Enough to let the words slip through.

“You know, that night at Tommy’s wedding was one of the best nights of my life.”

Your heartbeat thuds a bassline in your ears; the rush of your blood the squealing guitar. Skin tacky, moans caught between teeth. Laughter and lust tangling together in the air.

“Yeah?” you ask.

Joel nods. “Yeah. Lying there – talking, laughing, messin’ around. I don’t think I’ve ever laughed that hard in all my life. I could’ve stayed in that room with you forever.”

Your eyes start to sting. You look away.

“I thought I would regret it. I thought I should regret it. And I never did. But then,” he takes a deep breath, “the next day, I look out front, and my newspaper’s sittin’ on my lawn. And for two weeks straight, I kept checking – and there it was. I thought, Sure as shit, she regrets the whole thing. I thought you never wanted to see me again.”

You shake your head. “I wanted to see you again. I missed – I missed you. Missed pissin’ you off.”

He laughs. “I missed you pissin’ me off. Missed that annoying as hell thud on my porch.”

“I didn’t know if you wanted me to – you know,” you admit, and Joel nods.

“We got pretty good at avoidin’ each other,” he grumbles. “And then – with Vanessa, I thought I’d be doin’ you a favor. Letting you off light.”

“You…you took her number to do me a favor?”

“Naw,” Joel says. “I took her number ‘cause her brother in-law has a lumber company, and I had a closet to build. I was drunk, I was an idiot, and I brought it up to her at the wedding. By the time I thought it through, you ‘n I weren’t speakin’.”

You stare at him, jaw slack. “Are you fucking kidding me?”

He shakes his head. He edges closer to you. Voice low, he says, “I shouldn’t’ve gone out on that first date with her. I shouldn’t’ve done any of it. I should’ve talked to you about what I was feeling.”

“Well, maybe we both should’ve,” you mutter, wringing your hands. “I wasn’t exactly the best at it, either.”

His head tips, considering. “Can I tell you now?”

You glance over to him. “Tell me what, Miller?”

“Tell you…tell you that I love you,” he whispers.

It steals the breath from your lungs. One clean swipe.

He nods to himself, then – certain of it – and says it again. “I do, darlin’. I love you.”

Your heart begins to hammer. Tears spill over onto your cheeks, dripping from your jaw.

“And, look –” Joel takes your wrists, “– I got no right to say any of that, I know. I put you through a hell of a lot, these last few months – and that kills me. But if you’ll let me, I swear to you – I’ll make it up to you. I’ll take care of you for the rest of my life.”

You look up. His cheeks are dappled, too – glistening with tears. “Joel…” you weep.

He cups your jaw. “Listen to me. What we’ve had, the last three months – I want it all the time. I want you, and I want Duck. I want the three of us under one roof. I want to sleep in the same bed as you.”

You breathe a shuddered laugh. Your hands fall over his wrists. Keep talking, you mouth, bottom lip trembling.

“I want to get married, or not,” Joel says. “I want to show up to Tommy and Maria’s anniversary party late, ‘cause Duck couldn’t pick which shoes she wanted to wear. I want to have more kids, take ‘em on vacation.”

“Wyoming?” you sniff.

“Wyoming,” he repeats. “I want…I want all of it, baby. You ‘n me. I want you ‘n me, more than anything in the world. And if I’m too late, then you can tell me. Tell me, and I swear on my life I will never mention it again.”

Your hands curve over his. His strong knuckles, worked and weathered and worn by his years. Down to his wrists – the tatty strap on his ages-old watch, the dark hair peppered along his arms.

“I love you so much, baby. So much that it drives me insane. You drive me…fuckin’ insane.”

“Oh, fuck you,” you whisper, balling your fists against his chest.

Joel laughs, nose brushing against yours. “Yeah,” he sniffs, “I figured you’d say som’ like that.”

“I love you, too,” you mumble, linking your arms around his neck. “Shit, I love you.”

“Ain’t that a thing?” he says, and his lips are on yours.

It’s been a year. A year since the first time you felt him – lips soft as velvet, sweet with alcohol and something stronger. His tongue and yours, his teeth and yours. Every part of you clashing with every part of him.

And goddamn, you’ve missed it.

Joel follows you upstairs, pinning you to the wall by your bedroom door. White heat flooding through your veins, he kneels before you and pulls you onto his tongue.

He’s hungry.

He laps at you as though you’ll be gone in the morning. As though he won’t wake up tangled in you, breathing in your scent, lips on your skin.

Dusk seeps in at the edges of your vision; daylight draining from the sky. It’s dark, too dark to see him clearly, but you feel him fucking everywhere.

His beard grazes the inside of your thigh. He kisses where he scratches your skin. He holds your hips steady, tongue dipping in and out.

“You know how fuckin’ sweet you taste?” he growls, slipping inside again.

He looks so good between your legs. Like he was made for it – made for you. All yours, in ways you never really understood until now.

He brings you to the edge with his tongue flat against your clit. Holding your hips firm against his mouth, groaning with you as you fall.

You come with a broken moan. Hips stutter to a halt, legs fall wide open. The warmth in your belly spills over and rushes to every corner of your body.

Joel moans, tongue still lapping as your cunt pulses all over him. “Good fuckin’ girl,” he slurs, watching you come undone.

He stands, a chaste kiss to your lips, and then parts them with his tongue. “Taste good?” he mumbles, kissing you gently.

Yeah, you think, moaning against him, it tastes fucking good.

He spreads you out on your mattress and kisses what feels like every square inch of your body. You giggle at the feeling of his lips behind your ear; moan when they close around your nipple.

Your back arches; little lightning bolts as he pulls the buds to a peak. Your fingers knot through his hair; hissing at the meeting of pain and pleasure between Joel’s lips.

“I love you,” you whisper, when he settles between your legs. You don’t know that you’ve felt something so true in all your life.

He smiles. Your fingers trace the lines at his eyes.

“Come here,” he says, and pulls your hips to meet his.

You curve a hand around his neck, glancing down at your open legs. “Looks a little different to the last time you saw her.”

Joel shakes his head, licking his lips. “Beautiful, baby. She looks so goddamn beautiful.”

Each movement is careful, deliberate. He notches his tip at your hole and pauses until you’re looking at him again.

And then he pushes in.

He slips an arm under your head; the other holding your thigh on his waist. He kisses you as you stretch around him. He still tastes like salt and slick.

You gasp, teeth gritting around a hiss. “Fuck,” you whimper, turning in to his chest.

“Easy, easy,” Joel coos, voice rumbling against your temple. “Catch your breath. Doin’ so good.”

“It’s not sore,” you tell him, nodding for him to move again. “It’s…it’s just…different.”

“Tighter,” he groans, eyes on your cunt as it draws his cock in.

You agree, “Tighter.”

He catches you in another kiss, his tongue slipping between your lips. “Feel so good, sweet girl. Breathe. ‘m right here.”

It’s never felt like this before. This gentle, this tender.

You have never felt like this before. Broken open, stitched back together. Your heart split into two – whole again each time his body meets yours.

Joel catches your moans on his tongue. He steadies his pace; rocking into you over and over. Laughing against your lips; your fingers intertwined with his.

“Feel good?” he pants.

Your head rolls back. “Mhm.”

“Take it, baby. Such a tight little thing.”

“Joel,” you cry, “I’m close.”

His teeth nip at your neck. “Shit,” his hips jump, “attagirl. Just like that.” He thrusts into you harder, bleeding the color from your vision.

You pull his lips to yours, foreheads tacky. Joel’s eyes gloss over.

I love you, he breathes.

And the world whitens.

He pulls you against his chest when you come back around. Shifts up the headboard, skin all sticky and warm. He kisses your temples, kisses your shoulders, kisses your knuckles.

You melt into his grasp, turning to look up at him. You run your fingers over his lips, through his damp hair. Just staring. Drinking him all in.

“You were right next door, the entire time,” you whisper.

He runs a thumb across your cheek. “Yep.”

“Do you think we wasted too much time?”

Joel’s lip turns. “Nah,” he says. “We found our way.”

“Needed a little help, though.”

He scoffs, tongue between his teeth. “I’m sure she’ll hold it against us forever.”

You think of that evening in August. The last bow of the sun before your world changed forever. Of deals struck and promises made. Of satin on your fingertips – newspaper ink and duck egg silk.

You think of that photograph on your mantelpiece. Bright eyes watching every second of it. A smile on her face the entire time.

You laugh to yourself. Joel looks down and kisses your swollen cheek.

“We should go,” he taps your thigh, “got a little duck who’ll be wonderin’ where her mama and daddy are.”

The church tower rings out twice as the truck purrs between graves.

Joel pulls up under the shade of a sycamore, tires rolling to a halt. Sarah kicks her feet, her heels thudding against her car seat.

“Mama,” she presses a sticky finger to the back window, “flowers.”

“Yeah, baby,” you call over your shoulder, hugging your own graveside gift a little tighter in your arms. “Lots of ‘em, huh?”

“Yeah,” your daughter quietly considers, then kicks her seat again.

Joel waits patiently for you to give him the go ahead. He slips a hand around your knee, looking ahead at the rows of headstones. So patient, so gentle.

Your chest swells, a deep breath filling your lungs, and you nod. “Alright.”

“Sure?” he asks. “Take as long as you want, darlin’.”

But if you wait any longer, you’ll never leave. The paper wrap crinkles in your arms. “You take Duck,” you reply, “I’ll take…”

Joel lifts your hand, placing a soft kiss between your knuckles. “You got it. We’ll walk on.”

He leaves you in the truck to collect yourself. He unbuckles Sarah and sets her loose, following her across the grass with his hands in his pockets.

Her light-up sneakers flash as she sprints; head tossed back, toothless smile pointed to the sun. She turns back to her dad, her little hand fitting perfectly into his.

Made for each other.

You hook your fingers around the handle and leave the truck.

Their grave is a short walk down a grassy slope, sheltered by another towering tree. Its leaves flutter down around you as you near the stone; stray petals which catch in the breeze and lead the way.

You kneel down, the grass dry and prickly through your jeans. “Hi, Mom,” you whisper, sweeping some dust from the base of the grave. “Hi, Dad.”

Your grandma picked this spot. She’s long gone – laid to rest elsewhere with a grandfather you never met – so you try to visit as often as you can. Freshen the flowers, brighten up the stone.

It fucking sucks, but someone’s gotta do it.

You peel the brown paper from the bouquet, exposing the soft colors Sarah picked back in the florist. They fit perfectly on the stone, right beneath the words Devoted parents.

Tears prick at the corners of your eyes, a feeling that wraps itself around your throat and steals any other words – until a flash of pink catches your attention.

“Duckie,” Joel calls, following her between graves. “Hey. This is a cem…Hey, Duck, listen – this is a cemetery, we gotta be – Sarah!”

You stifle a laugh, watching him jog after the hoodie tied around her waist. He swipes for her hand and she dodges him, ducking between graves faster than his mid-fifties joints can turn him.

There’s no one else here – it’s only you. And it’s a quiet enough place as it is, so – you let her laugh. Let him chase her, and let her sneakers light the place in pink. What else is there to do?

“Sorry it’s been a little while,” you tell your parents, eyes still on your man.

He’s kneeling now, Sarah on his thigh, in front of a tall, cross-shaped stone. They’re pointing at the words on the stone, her inquisitive eyes studying each one.

“I know I said I’d come visit for Dad’s birthday, but I guess things got busy – what with the move and all. We’re still living out of boxes. But the girls’ rooms are almost done – we just gotta paint ‘em.”

You look back down to the stone. Your mom’s name carved deep into spotted marble, your dad’s underneath. One awful date to tie them both together.

Dad probably heard Duck’s first squeal and turned away; gone back to whatever boring activity he might get up to in the afterlife. But your mom, you know for certain, is sat with her chin on the heel of her palm. Watching her mini-me trace the shapes of words, squirming when Joel presses his lips to her temple and whispers hints to her.

She’s probably smiling, making some comment about how big Sarah’s getting. How smart she is, how funny. How she must keep you and Joel on your toes – and goddamn, she’s right.

“Joel’s been working on the kitchen,” you continue. “I left my phone in the truck, but you should see it, Mom. He got these marble countertops, these little brushed-gold handles. He wrote our names on the wall before he tiled it, so whoever remodels after we’re gone will find that. The four of us.”

“M-meh-mem-orr-mem-or-ree?” Sarah tilts her head.

Joel nods. “Memory, yeah. Good job, Duck.”

“Duckie’s good,” you tell your mom. “She’s top of her class in – well, everything. Really wiping the floor with all the other first-graders. She’d have been your favorite – I know that much. And you’d have been hers.

“She’s gonna be some kind of lawyer, we think. Social justice and all that. She likes to be a woman of the people. Always talkin’ back to Joel – she hardly cuts him any slack, these days,” you laugh.

“He’s good, too – Joel. Working hard, as usual. Tommy and Maria visited last week – they brought Buckley, and now Duck won’t stop goin’ on about us getting a dog.”

You chance a glance over the stone, making sure the pair are out of earshot when you add, “Don’t tell her, but we called the pound last night. We’re heading there tomorrow while she’s at school to pick one out for her birthday. Joel’s giddier than I think Sarah’s gonna be.”

Joel’s carrying Duck now, wandering down a wobbly row of graves.

She halts him by pointing to one. “N-eh-v-eh-never…fff-or-g-for–”

He stares at her, a grin breaking across his lips. “Sound it out, that’s it. ‘s a big word, baby girl. You got it.”

The world seems to blur around them. The birds sing, a light melody from overhead. The green trees sway across the blue of the sky; the straight soar of cars on the highway. It all fades into the background, behind the two of them – wandering from shade into brilliant sun.

Your family. Your man, your blood – and everything in between. The little girl who brought it all together in the end – leading her dad by hand over knolls and broken stone, chasing butterflies, and asking what eh-teh-err-nal means.

“Means forever,” Joel says, kneeling beside her. “’s how long I’m gonna love you for.”

“And Nel?”

“And Nel.”

“And Mama?”

“And Mama.”

Sarah runs her hands through his beard, swaying side to side. “But me the most,” she concludes, nodding.

Joel hms, biting back a laugh. He lifts his chin, asks the little girl whether or not he’s going gray.

She has the same ridiculous laugh you do. The same snort you used to find so embarrassing, until you heard it come from her.

Just watching them stokes the already burning fire in your ribcage – the warmth flooding around your heart. He’s so good at it – being a dad.

Was he ever anything else, before he was a father? You can’t remember a time you didn’t wake up next to him, wrapped up in his arms, or with one of his kids burrowed between your bodies. It all feels so long ago, now.

He wanted to do everything. He’d lie with you between his legs, holding your half-sleeping form upright while you fed her. He’d race home after work specially to bathe her. He picked up any and every single duck-themed thing that he came across.

And what were you? Mom felt like such a fucking longshot. So out of your reach that you couldn’t understand the meaning of the word.

But there are days when she says it – Sarah, looking up at you with Joel’s twinkling eyes and a smirk which matches yours – and it’s like you’ve been waiting your whole life to hear it. Like you’ve been waiting your whole life for her.

Well. Her, and her little sister.

“And, uh – another thing,” you say, reaching for the plastic handle of a car seat. “I brought somebody for you to meet.”

A clumsy fist shoots up to shake a speckled dinosaur toy – the brown spheres of its eyes catching the sunlight. She squeals with delight when you unbuckle her, kicks her legs the same way her sister always did.

“She’s a little nervous, ain’t you, Nel?” you whisper, laughing at her gummy smile and tiny, socked feet. “She spit up on herself on the way here, but – I think you’re gonna love her.”

You perch the baby on your thigh, same as Joel did with Sarah, and she wraps her fingers around one of yours. You wiggle it – waving to your mom’s name, to the petals gently fluttering in the breeze.

“Mom,” you sniff, “this is Ellie.”