#so really its just be saying it as it is (and its shitty and i shouldnt be there) and everyone just going but nooo but i like your art :^(

[sneppu]

The Reasons Why Severus Snape is Secretly a Cat, Actually.

I'm saying he's a neglected and abused stray little black cat and here is why

He's very meow meow. VERY kitten.

Black cats are vilified and assumed by some to be evil. Coincidentally, both of these things happen to Snape as well.

Difficult to befriend. Cats are already picky about who they like, and Cats who have had it rough are even more difficult. One cannot just waltz up to a cat like that expect friendliness, or even indifference for that matter.

Extremely bad, no good, very bad luck with dogs. Seriously, the man MUST have dog trauma by now. Werewolves? Sirius, one of his biggest haters and tormentors, a dog animagus? even Fluffy mauling his leg?? The first two were marauders, yes, but that's not a good thing when it comes to Snape. (not all dogs and cats dont get along, but its certainly interesting. Personally, I headcanon him as a definite cat person who has a bad associations with dogs but thats a whole other post.)

Very hissy and snarly and unpleasant when threatened - and sometimes, even when YOU think there's no apparent threat! This is premium Gato™ Behavior. An abused little shelter cat, horribly unsocialized, becoming hyper defensive anytime anything happens to him, even if the thing that is happening is kind.

it fits with the idea that hes "mean for no reason" because there IS a reason - cats are complicated little guys! Where you see a nonissue, He might see a threat. Where you see kindness, he might see mockery. Where you see playfulness he might see cruelty, and so on. After all, he's been on the receiving end of it all too often.

Cats like this usually end up stuck in shelters - not a home - because no one will take them. They're too offputting, they're too mean, they're too much trouble. One could argue that Hogwarts itself IS that shelter in this scenario; a place to be, but not a home. Not really.

Worth noting: maybe to Harry, Hogwarts can be considered a sort-of Home, but he actually found kindness and friends there. Severus lost his only friend and was tormented there. Better than his incredibly shitty situation with his family? Certainly! but Shelters often are.

SWM fits as well; A moment of extreme distress from being humiliated, afraid, and overwhelmed? all those jeering laughing faces while he is vulnerable and unsafe, defenseless at the hands of people who have continuously hurt him for years?? and to see and know that his friend - his BEST friend - the only friend; the only PERSON, he has, is there holding back a smile as it is happening too? Have you ever met a cat in distress? of course he lashed out. It's honestly astounding that he didnt lash out MORE.

and while on the subject of SWM, him lashing out at Lily applies here too. A cornered, distressed cat (especially one with a history of abuse) sees everything as a threat , even people it is normally friendly to, if it's distressed enough. Have you tried to bathe a cat? or maybe tried to coax one to get into a cat carrier for the vet? these things are very difficult but manageable at the best of times but "vulnerable, afraid, humiliated, and threatened" are NOT the best of times, I fear.

it even works with his occlumency and the way he deals with vulnerability as well. Cats, when in pain, do their best to hide that pain. This is because to be outwardly hurt is to be vulnerable, and that can lead to predation by bigger animals. Severus too, hides his vulnerability. The things that truly matter to him, his worries, his soft and squishy bits, and loyalties all carefully locked away.

Rivalry with Minerva?? that's just good ol' unserious cat drama. Have u ever seen an indoor cat staring down a stray through the window? silly little creatures. They'll grumble about it and act like its on sight (and maybe it is!) but when you're not looking, there'll be sniffing through the glass and pretending they dont care while they nap suspiciously close by.

Starved for affection and touch. An abused stray, past all the hissing and the fear and violence, once they're finally given a chance and finally understand that they are safe, just wants to be loved. They usually end up being the most affectionate and loyal cats of all! only to those they feel safe with, of course.

And speaking of loyalty, that applies here too. He was loyal to Lily, the first and only person to show him kindness (though my feelings for her are very complicated) and he was later loyal to Dumbledore. Unfortunately, neither of these people ever truly took in the stray, not really. And so the Stray was never actually socialized, and never completely safe, and never actually given a home.

and finally.. his death. Cats have a tendency to hide when nearing death, or dying.. and as such, often die in solitude. Severus may not have exactly had a direct hand in this of course, but.. there's something about him dying in this shitty little shack, far away from the action, presumably alone (or so he thought until Harry and his friends materialized out of nowhere under the cloak.). He wasn't actually alone in his actual final moments, but in the time leading up to it? Very lonely.

In a way, one could say that Lily came closest to adopting the stray Sev cat. And maybe she would have! maybe she wanted to take in the stray at one point - had planned to, even! But her friends told her he was dirty and gross, "who knows where that things been! he's probably diseased". and The marauders kept tormenting him, making him increasingly defensive and hissy and violent, as cats often are in that situation and then it was also "look how cruel and mean he is! he'll only hurt you". and maybe when the time finally came and that defensiveness finally WAS aimed at her it only confirmed what she had already begun to believe. And then she decided she wasnt a cat person after all. Who knows? One could make an argument for all of that. Do i see things that way? maybe, maybe not. My feelings toward every character who is not Snape are largely indifferent for the most part.

Verdict: Severus Snape is a Cat. He is a little kitten meow meow. Give this man a little cauldron to curl up in asap

[literaila]

Need more gojo reader smoochfest

“remember this one?”

you’re a little bit dizzy, by now. you can’t remember how long, or when all of this started—but the end result isn’t necessarily unpleasant.

you hadn’t wanted to join nanami and shoko (and gojo whoever that is) for a drink—after a long day, three too many outfit changes, and a bed that you missed like an old childhood friend.

but your complaints are only partially heard, and satoru tends to drag you along wherever he goes, like a doll.

currently, though, you don’t really mind that.

gojo is not drunk, but you definitely are.

that’s why, mind you, when satoru spins you around again on the sticky linoleum floor, in this shitty bar that is definitely too small for dancing—you stumble a little.

but satoru’s hand is right there on your waist, keeping you steady and making sure that you don’t run into anyone that could be passing by.

usually he would let you trip and fall and spill someone’s drink down their shirt—because that would be hilarious—but you’re drunk, and he’s not and…

he enjoys taking care of you, when he gets the chance.

“no,” you say, giggling, when you’re spun back to him. “but i don’t think you should do it again.”

he’s grinning down at you. “why not?”

“because i might puke.”

satoru snorts, slowing his dancing down a little bit—because you really are swaying. “cute.”

“i know. aren’t you glad you married me?”

his eyes are covered but they’re sparkling (or you’re hallucinating). “very glad,” he says, with all the swagger that his seventeen year old self had.

that is to say, absolutely none.

but you lean in anyway, drunk and giddy and sweet, and brush your nose against his.

and satoru complies, like he always does, so his breath tickles your mouth and one of his hand finds its way to your jaw.

you kiss him once, just a slight peck, and pull back. you’ve always been a tease, but you usually reserve it for at home.

not now, though, when he’s so focused on only you, and so close that he could swallow you whole.

dancing always reminds you of satoru proposing, of letting him guide you wherever he wants to go in some sick metaphor about love and torture, the cure and the curse.

and, goddamnit, you’ve always been a sappy drunk. you’re going to regret this in the morning—especially because satoru has the upper hand here.

you told him you loved him for the first time because you were drunk.

and so, “i think im in love you,” you say now, again, just to get him to smile.

“then don’t tease me,” his tone is stern, a bit whiny, but you can see his dimples now.

“it’s so fun, though.”

“everything’s fun when you’re drunk.”

“tipsy.”

“okay, baby.”

“and everything’s fun with you.”

satoru’s mouth opens, his canines glittering in the dim light of the bar, and then he scoffs, “you—“ but he never finishes the sentence because his hand moves to the back of your head and he’s kissing you again.

you settle on your tip toes to reach him, sighing as he pulls you closer.

and you’re not moving now, nonetheless dancing, but who the hell cares?

satoru bites at your bottom lip, as punishment for being in love with him, and allows you to wrap your hands around his neck, drawing circles with your fingertips.

your body is so heavy and uneven, but it’s easy to kiss him like this. you’re not self conscious about the other people because satoru will keep them away from you both, and you’re not worried about breathing because why would you need to breathe when you could be kissing him?

still, eventually he pushes you back, setting his hands on your shoulders so you don’t fall. and he grins at you again, cheeky. “i think i love you, too.”

“oh, good. or this would be awkward.”

he kisses you again, a bit softer, but it’s not even a kiss, really.

because you’re both just laughing into each other, and everything seems so funny for a moment that you just let it happen. if you could rank the moments in time, kissing satoru like this would be very close to the top.

and someone probably shouts at you to get a room—but who cares anyway?

[slutshamethesquirrels]

Your JJK Fav + Why I think You're Single

hi so i did a version of this on tiktok way back when but i feel like i didn't have as great of an understanding of these characters and their respective fans as i do now. please keep in mind that this is purely my OPINION!!!! (my correct opinion)(im kidding)

Gojo - This one's a little hard because there are subsections of Gojo stans. You have the bad bitches, the coolest of the cool Gojo meat riders and then you have (incoherent screeching). I'm gonna assume you are the former here.

Y'all really love the idea of a partner, not actually having one. I feel like y'all will have talking stages a plenty, but when it comes to the nitty gritty y'all are not riders. Not that you don't want to be, no no you'd love to find your person but at some point friends you gotta realize that your person is gonna come with an ick or two you might not like. Relationships are about compromise. Real people simply can't be hot, rich, talented, strong, and funny all at once!! You're getting three of those at best.

Geto - I feel a need to disclose here that I am a Geto girly. I feel like most of us are chill, if not a bit odd // willing to swing.

Babes,,,, and im gonna touch ur clit when I say this-- Real life relationships aren't supposed to have intense cycles of highs and lows. Thats,, thats the cycle of abuse friends. Genuine, healthy connections actually aren't supposed to make you feel like you wanna rip their chest open and crawl inside. I know, i know you can't get attached unless you feel insane about them- but we have to stop this.

Nanami - Again, I feel like Nanami girls have a wide umbrella, but generally I think Nanami stans are very nice people. Nanami, for the most part, is the safest healthiest choice.

Put down the fuckin calculators. I am contacting cafe astrology as we speak and having them ban your IP from accessing their domain anymore. No, put your wallet away, we are not PAYING a psychic to tell you your most recent crush is not your soulmate. Y'all are over-analyzers, over-thinkers, and have a list of requirements for a partner that is twelve miles long. Maybe just talk to people?? Hmm?? Make a connection??

Choso - Oh, Choso stans,,,, loves of my life. Y'all are cool. Like genuinely actually fucking cool. Kiss me.

Okay, so I actually need you guys to see red flags as what they are. No, he doesn't coincidentally have 13 insane exes that won't stay out of his DMs. He did something to all of them. No, its not cute and sweet that he has to call his mommy and tell her goodnight and goodmorning everyday with kissy noises. That man is 24. No, Dominoes pizza did not text him and ask if he was up at 2AM. ur too optimistic, baby. I love you. Get a grip.

Toji - I have knocked noggins with more Toji stans than I care to admit in this fandom, however the ones I do vibe with are SUPER cool. Again, I feel like Gojo/Toji stans have that same thing. Im gonna assume you're the cool variety.

I feel like a lot of your relationships start purely based on sexual/physical attraction, and then get explosive bc yall didn't actually like eachother, you just liked the way the other one looked. I can definitely see this leading to maybe not abusive, but definitely toxic situations. and the thing is i feel like toji stans actually would make a BOMB partner but yall will settle for shitty people because theyre hot and then end up locking yourself in the bathroom and going through their phone while they bang on the door and scream from the other side.

Sukuna - This is the one I have the least interaction with on the day to day. Y'all fascinate me. Just out here doing you. I feel like most Sukuna stans are actually probably some of the sanest of the bunch, they seem to just slide in, post their fan works and dip. I respect it.

You can't fix him. no, no, you can't. stop trying. he's already grown. you cannot raise him.

[purpledemonlilyposting]

Oh good the Lorch is sending herself asks about me again.

[Lily's Post]

Oh yeah Lily calling marginalized people a "pick me" for not having the same exact opinions as you doesn't make you look bigoted at all.

Unlike you I don't think children's cartoons are activism. And my pointing at that some people like to try to downplay the lesbian themes in Steven Universe, or at least the way lesbians interact with the themes of the show, actually has nothing to do with the show itself.

Hey Lily did you know I also really don't like the word queer being thrown around, refuse to call myself that because it means strange and also dislike "anti-assimilationist" types?

Speaking of which:

[Lily's Post]

Yeah I say that about the kids telling me queer has been "reclaimed" for me. I would think you'd agree, Lily.

Those are two completely different concepts you dumbass. We can have gay content in mainstream media without it being insulting dreck driven by rainbow capitalism.

Lily is the one who basically wants the Hayes Code back. She wants every show and movie to tell her who is good, who is bad, what to think and for the bad guy to get thrown off a cliff at the end.

Lily just because those are the only two pieces of media YOU know I like doesn't mean that's all I like or have ever seen. Have you seen But I'm a Cheerleader? How about Saving Face?

Hey Lily if you'd actually watch my responses to you:

No I sneer at shows with bad depictions of gay characters when they have bad depictions of gay characters. Especially when they break their own spines patting themselves on the back for it.

Are you trying to get ahead of my VOD you falsely struck going back up on Thursday? You know the one where you said an early 2000's flaming queen stereotype in some shitty Alicia Silverstone vehicle was super good "gay rep" because you had some retarded need to paint a narrative that Canadian cartoons "did it first"?

The whole "she's just mad other shows are outpacing things she likes" lol it isn't a competition, dawg. That's you, Lily. That's how you think.

This is how I know its a self ask.

Yeah that's why in my reaction to James Somerton's somehow EVEN WORSE takes on Utena than yours I kept saying things like "Utena isn't really that hard to understand it just tells it's story in a very abstract way".

Also if you think the Sword of Dios is "the sword of patriarchy" you really didn't get it but much like James here I doubt you ever even watched it, Lily. I look forward to your "In a Nutshell" video where you will read out TVTropes with zero context and get everything wrong.

Lily I hadn't watched the show fully in over 15 years when I made my very first video on you. I wasn't even expecting to talk about Utena you just went on a tirade about it in the middle of your 2023 Steven Universe video.

In fact, the reason I even cut that video in the first place is I was so impressed with my own recall of the show. And then it got 5k hits out of nowhere on my then completely unestablished channel because people just hate your takes that much.

And now making fun of you has paid for my new GPU and CPU. No Man's Sky is running great and I'm ready for Dragon Age Veilguard so cheers!

[galaxy-fleur]

What did you think of Leon and Ada's new relationship in the remakes? Meta wise

I think it's an interesting and more nuanced take on their relationship! Which I definitely like. I see no point in judging OG RE2's love story between them, no matter how cliché and nonsensical it is. It's a product of its time, and it's charming in its own cheesy way. Teenage me cried over Ada's death in there, so I do have a soft spot for it.

But the Remakes offer a fresh interpretation of what happened between them, and I'm definitely interested to see where they will take their relationship in the future (that is if they do, because I wouldn't mind them just having separate story arcs from now on).

If we're talking actual analysis, I'll put down my thoughts. I don't know if you can call it a full-on analysis per se, as it's more just me writing out my personal interpretations on things. So keep that in mind please!

Long post under the cut. I'm talking almost 4k words and way too many shitty gifs (I have no time to make them all polished). I have way too much to say. I'll basically be going over their entire relationship throughout RE2R and RE4R so... yeah.

RE2R and RE4R are two games that offer a full story for Leon's character, and that's a very awesome thing that Capcom has done. I'd even say it's one of the best things they've done with RE recently. Making RE4R feel like a direct continuation to Leon's arc in RE2R makes total sense, and it makes many scenes in RE4R that much more satisfying to play through.

While RE2R does end on a somewhat positive note (much like every RE game has to), Leon's arc in it is very much negative. He loses more than he gains, he's unable to save anyone, and his good intentions end up being used against him. Claire ends her RE2R story by saving a little girl she has come to care for. Leon ends his RE2R story by losing the G-sample, 'losing' Ada without getting much, if any, closure from her, and not saving even a single person he has encountered. Claire and Sherry don't really count in Remake-verse (which I kinda don't like) because their storylines mostly happened separately from each other.

And that's not mentioning that he gets (assumedly, and I am very much hoping we'll finally see more concrete scenes of how it all happened in Remake-verse) pretty much kidnapped and forced into a life he never wanted right after. To say that Leon can't get a break in RE2R is like saying nothing at all. Poor guy gets put through the wringer on every level.

Now, onto his relationship with Ada, and how it ties into everything... It should be said that, while he obviously grows to care about her throughout their short time spent together, he remains suspicious of her. RE2R Leon is naive, but I often feel like people make him too naive. He's not an idiot. He tries over and over again to get answers from her, and he clearly feels apprehensive with her. And I mean... that makes sense. While she does save him multiple times, she keeps her distance from him.

I'd say he starts opening up to her on an emotional level after witnessing Robert having to kill off his own daughter. He directly confronts her, demanding for answers and voicing his drive to do what's right. In a way, that's him showing his vulnerability to her. And Ada uses it against him. After all, it's a perfect opportunity to play on his (rather naive) determination to be the hero to help her achieve her own goals. Ada is also the only figure of 'authority' he has at the moment. Even if her claim of being FBI seems kinda off, she's the only one he has.

And I'll go over Ada and how I interpret her later. For now, just keep in mind that her using Leon is more of a gray area than just some horrible, disgusting thing. I'm just going over the events from Leon's viewpoint here.

So, they team up. Ada starts softening up to him. They share light banter with each other: 'A: After you. L: Gee, thanks.' She expresses concern over his safety (the alligator scene). I'd say that's the point where he starts to care for her on a more personal level from before. As you would.

Him taking a bullet for her was instinctual. I'd say it's a more pivotal moment for Ada's character here rather than Leon's. In Leon's case it's moreso her taking care of him right after that matters. He directly mentions it to her later on (at least I'm pretty sure his 'you protected me' referred to that). I'd say him waking up to find himself tucked in with her coat and his wound taken care of was the moment his 'I care because it's another person who's in this with me' turned into 'I care because I feel genuine attachment to this person'.

Was it romantic? I'd say that's left for you to interpret how you wish. I like to think of it as him just caring for her as a person. Leon is someone who cares very deeply for others, and he's always striving to be the protector to those around him. I kind of think that someone caring for him when he's weak and vulnerable is something that is very meaningful to him. Now, Ada saves him multiple times at that point. But that's the first instance of her arguably going beyond what's needed. Sure, taking care of his wound was necessary, although she could have just let him be as he was for all we know. But tucking him in on top of that? Yeah, that's an obvious 'I care' gesture.

From then on, Leon is following Ada because he wants to trust her. And I do want to ring this home. He wants to trust her. Doesn't mean he does trust her. Because even though he shows genuine care for her, it's clear that he knows she's might not be telling him everything.

He wants her to trust him, so that she'll tell him what she is keeping from him. So that he can trust her.

The kiss scene is a perfect representation of exactly that, I'd say. Honestly, I'll just link this analysis right here, because I pretty much interpret it in almost the exact same way. But I'll go over it in my own words as well.

Leon's growing frustration is in full display here. He turns around from her, he paces, he tries to appeal to her. To just trust him enough to be honest with him. It's clear that he knows Ada might not be telling everything, but he chooses to believe her regardless.

Hence the exchange that follows this:

Ada: 'Hey Leon, trust me?'

Leon, walking up to her: 'Trust me?' (Reversing her question)

Ada: 'Honestly, if I didn't, you'd probably be dead.' (A genuine answer as far as we know, but it's not one Leon wanted to hear, so he shakes his head, mutters 'Right.' and walks off.)

And I do feel like Ada knows that Leon is suspicious of her here. Her reaction once he walks off comes off as kind of panicky to me. She knows she might be losing him, and she can't have that. So, she once again appeals to what she knows is his weak spot. His drive to help others and 'save' the city. It does work. Somewhat. But he's still swaying, so she does the first thing she thinks of. She kisses him.

She, quite literally, cuts off his line of thought so he stops thinking about it. Because him thinking is dangerous for what she's really doing here.

I think it would be very disingenuous to say that that was a kiss of love or affection. It is not presented as such, nor is it addressed that way in all. It was Ada's last attempt at stopping Leon from questioning her any further. How much of it was her focusing on her goals, and how much of it was her effort to 'protect' him from potentially figuring out the truth, is left to your interpretation. But whatever intentions she had, good or bad, it was a kiss of manipulation.

It does shut Leon up, as he's visibly stunned. He doesn't even say anything at that. He just stares at her, then at her hand on his knee. Now, here's the tricky part of it all. Do I think Leon felt romantic affection/attraction to her here? On some level, I'd say yes. But it's definitely no 'love at first kiss' or anything like that. He's confused, mostly. While he spent arguably little time with Ada, it was a time full of meaning. Surviving side by side and protecting one another is no small feat. And Ada did show her care for him.

I think, he chooses to trust her in that moment, because he, once again, wants to believe in her. Even if her kiss felt out of nowhere, and so much of what she says (or rather doesn't say) makes no sense. He chooses to trust her because he wants to think that she's a good person who cares for him.

And so, we come to the pivotal bridge scene once he learns the truth. I do like how he confronts her in a blatantly emotional manner rather than logical. It's not so much about her being a mercenary itself, as it is about her using him and lying to him. That's what he's actually confronting her about, whether he realizes it or not. That's exactly why he tells her to shoot him, fully resolute as he holds her gaze. He wouldn't do that if he was just trying to apprehend a criminal like a good cop would (as he tries to present it at first).

But, he never gets that closure or resolution he was aiming for. Ada lowers her pistol. He breaths out shakily, probably wanting to continue talking, to figure this out. But he doesn't get that.

I do think Ada telling him to take care of himself as her 'last words' is a very painful thing for him. Because it leaves him with no actual closure on what happened between them. Ada chose to not harm him, and her last words to him are ones of selflessness. But she also lied to him and used his vulnerabilities to achieve her goals. And it's not like Leon knows anything about her occupation, and just how much she's involved with it on an emotional level. Maybe she's someone forced to do this against her will. Or maybe she enjoys doing such dirty jobs for all he knows.

That's the thing. Leon doesn't know. And that must be both frustrating and painful. He's basically left questioning all of his interactions with her, how much of it was genuine, whether she was honest with him at all.

And, most importantly, his time with Ada basically proves to him that his drive to protect and save, his willingness to give people the benefit of the doubt - is a flaw, and a weakness. It directly ties into his arc in RE4R. (And his relationship with Krauser, in a way, but I won't go over it here.)

He throws away her bracelet on the train, and I think that kind of shows that he chooses to believe in the pessimistic way of interpreting their time together. He throws it away because he doesn't want to hold on to something that reminds him of her. And, simultaneously, of his mistakes.

Now, let's go through the same events from Ada's POV, shall we? It's a bit more challenging, since we don't get to be in her shoes, but it's still a fun exercise.

Ada's initial interactions with Leon are ones of annoyance. She basically scolds him like a kid for always getting in danger and acts like saving him is a chore. But chooses to help him out regardless. I think it speaks of her humanity despite her line of work. It's an interesting dichotomy that follows her every single appearance pretty much, though not much is done with it (thanks Capcom). But yeah, despite her visible annoyance with him, she saves him time and time again.

She doesn't visibly soften up to him up until that same Robert scene. She's pretty observant from what we can tell, and she probably already had a good idea of Leon's righteous nature, but it's the first instance of her actively playing into it instead of making small snide comments about it ('Trying to save the world?' 'Good luck with that.'). That doesn't mean she doesn't care, though. It's subtle, but the little sighs and changes in her facial expression do show that she's at least a little bit conflicted at the prospect of lying to him on such a huge level (though you can't see most of it with her sunglasses).

It's one thing to say a passing lie about you being an FBI agent, and it's completely another to play the long game by using someone like that. But she needs to accomplish this task, and it already proved to be more difficult than she expected. Remember, Racoon City was Ada's first time dealing with anything of this sort, too. She might be a mercenary, but it's not like she had to deal with zombies and B.O.W's before that. She's out of her depth, and she has someone pretty much offering themselves to her as her assistance.

So, she takes the risk.

While she does join in some passing banter with Leon after that, she still keeps her distance. She's dry and mostly unemotional in her mannerisms. Remember how I said that Leon taking the bullet for her was more pivotal to her in the story? Let's go over that.

It would be disingenuous to say that Ada is a complex character, unfortunately. Most of the complexity she does have, we pretty much have to add on to ourselves. Hell, I'm doing it right now with this entire section! Capcom is doing a way better job with her in the Remakes, but she's still pretty flat as a character. Maybe this'll (hopefully) change in future installments. But for now, we work with what we have.

Either way, we do know that Ada is someone who's self-sufficient and chooses to work alone. She keeps her distance from everyone, and she lives by 'everyone for themselves' ideology. Basically, a total opposite of Leon's 'protector' role. All that to say... someone taking a bullet for her is definitely not something she would expect. On some level, specifically because she would never do that herself. Especially for someone she basically just met. But Leon risks his life for her. Furthermore, telling her to go ahead instead of anything else.

I think that's the moment Ada starts caring for him on a personal level. Maybe she feels like she should repay him for this. Or that she owes him a debt. Regardless, she takes care of him and tucks him in, before proceeding further.

That care only grows once they reunite. Now she's the one injured, and he takes care of her, despite her protests: 'I can do it myself'. Ada is self-sufficient, but Leon offers her his companionship time and time again. We don't know whether that's something she lacks in her life or not. We don't know enough of her as a character to say that. But she's obviously someone who's not used to getting help from others. Again, on some level, because she doesn't do that herself.

Remember, while Ada did save Leon numerous times before, she always acted visibly frustrated by it, like it was a chore she was forced into, despite her choosing to help him herself. Leon, on the other hand, is quick to offer and insist on helping out, very much eager to do that for her. She already made the choice to use him, but now she learns that he's a genuinely good person with a kind heart, and not just some stupid naive rookie.

And so, the kiss scene, again. I already said that her kiss feels like a last-ditch effort to stop Leon from questioning her any further. And I do think she acted on impulse. Thus why she follows up with a hand on his knee and the: 'I'm counting on you'. And I, personally, think she kind of regretted doing that right after. Or maybe felt extra conflicted about the whole ordeal as a whole. The way she slouches and sighs heavily once Leon leaves is very reminiscent of that. It's kind of a mix of 'Fuck, I messed that up, didn't I?' and 'What the hell am I going to do after this?'

It also should be noted that Ada never meant to tell Leon the truth. It would be convenient for both of them. Leon would feel like he did something good, and she would complete her mission with no further issues. Both sides win. But... things go haywire. And she's confronted with the consequences of her initial choice to use him.

It'll be silly to say that Ada doesn't care for Leon. If she truly was this heartless mercenary some would like her to be, she would shoot him on the spot. Her pistol being empty doesn't really matter, either. Leon was basically offering himself up to her, again. Even without any bullets on her hands, she could have easily knocked him out or something.

But, she can't bring herself to hurt him. Because Leon really is a good person that doesn't deserve that. And she knows that, and she cares for him on a personal level on top of it all. We don't know what she was going to do, before Annette shot her. Maybe I'm actually talking out of ass here, and she really was planning on knocking Leon out cold. But, we'll never truly know.

And her last words for him are to take care of himself. Because, in a way, Ada, more than anyone, knows just how selfless Leon is. On some level, it's a wordless 'I'm sorry', if you wish to interpret it that way.

Boy, was that a lengthy mess! Their first introduction to each sure was tumultuous. But we still have RE4R to go through! Though it'll be more about Ada than Leon.

Nevertheless, let's talk about Leon's interactions with Ada. I think we all know he's noticeably harsher and colder to her. It's an interesting change, and it does show that he feels resentment towards her for what happened in Racoon City. We don't know how his initial conflicted feelings morphed into this resentment, but they did.

I don't think nearly enough people mention that he's genuinely being very damn rough with her in their little sparring session. While yeah, you could make an argument that he's holding back, he's not being careful either. Ada has to put in actual effort to fight him off, which she doesn't even succeed in because he takes her off-guard with his intensity.

And he also puts the sharp end of his dagger to her throat. Just to rub more salt into the wound.

I don't think this was him wanting to hurt her or threaten her, though. It was more of a show of strength. Ada approaches him by taunting him and teasing him, like she can do whatever she wants to him. But he's not that same naive rookie anymore. And he shows her exactly that.

A kind of: 'Don't think you can play the same trick on me twice, or you might get burned' message. A message that I think Ada does get.

As for him smirking at her, I don't think that's him being 'happy' to see her or anything. I think that's just him being amused that she still thinks she can play him like that. He grows all cold and distant with her right after.

Leon obviously has a grudge that he hasn't let go of. I actually like how he's almost needlessly petty with her in RE4R. Making snide remarks, calling her heartless and dismissing her on numerous occasions. It shows that he does care. If he didn't, he would cooperate with her with no further complaints on his part. He's purposefully being cold to her to show that yes, he is still upset about what happened, and he will use every opportunity to demonstrate exactly that. It's petty and kind of childish, in a way. But it makes sense for him, and it adds extra flavor to their relationship at this point in time.

Though, he does offer an opening to her in the boat.

'Have you changed, Ada? Or are you trying to use me again?'

It's a good parallel to his: 'Trust me?' In RE2R, and both phrases are used for a similar purpose.

He gives Ada an opening to trust him and be open with him. One that she doesn't take, again: 'What do you think?'

She gives him no answer. Just like she didn't in RE2R. I think, in a way, that kind of gives Leon an answer by itself. He trusts Ada and relies on her when push comes to shove, but he doesn't give her any more openings from then on. I'd say that's his 'I think we both know this is where we go our separate ways' moment.

With Ada, things are way more complicated, in a good way. Separate Ways gave us so much to work with, and that's amazing.

Throughout Separate Ways, we see Ada bouncing back-and-forth on what she wants to do. She's initially very cold and resolute in her job, helping Leon out more like a passing convenience than anything else. She does still help him, though. She's still dealing with the dichotomy of what she presents herself as, and what she actually acts as.

I really like her confrontation with Luis in particular. She's cutthroat and blunt. Almost chillingly so. And she only relents once Luis mentions her own infection. Him telling her of Leon's infection has little effect.

'And why does that matter to me?'

I think that's a question she's asking herself just as much as Luis here. Though, she's still in her cold, self-sufficient mercenary role here. To be honest, I find her relationship with Luis in particular much more interesting in RE4R, but since we're talking about her and Leon here, I'll just say that Luis is the catalyst to her change (so to speak, Ada doesn't really change as a character per se, I'll elaborate on that later). Not Leon.

She confronts Leon face-to-face, quickly being met with the truth that he is not as easy for her to push around now. And I do think she has zero bad intentions there. She was genuinely just playing around and teasing him. Only to figure out that that approach won't work at all. It's kinda cute, honestly. So, she gives him an opening of her own instead. She tells him to leave Ashley, to prioritize his own safety over hers. Because that's what she would have done in his place. Leon is quick to shut that down. Something that Ada probably expected, as she just huffs and gives a knowing 'Right.' to that.

That's the moment Ada knows Leon hasn't changed. Not really. He might be colder, more ruthless and dangerous, but he's still that same guy, wanting to protect others, no matter what. She knows she'll have no success in swaying him at that point. Hence why she tells him exactly that on the boat later.

The next pivotal scene, I'd say, is her watching Ashley wake up and learn of Luis' death. Ada mostly treats Ashley like a nuisance, something Leon has to protect. Because that's his job. But in that moment, she sees the genuine connection they share with each other. She sees that Leon cares. And not just because Ashley is an innocent person he has to save, but because it's Ashley.

Ada's arc throughout Separate Ways is not that connected to Leon, which is a good thing. Similarly to Leon concluding his story from RE2R by saving Ashley and proving to himself (first and foremost) that he can protect someone he cares about, and that his humanity is a strength, not a weakness, Ada learns to accept herself, too. She's visibly conflicted at the start of SW, but by the end of it, she knows what she has to do, and she made peace with that. Her hesitating before going against Wesker in the facility is one of the last moments of her hesitating with her intentions.

But, again, that scene is more about her and Luis. Luis is very important to Ada's character in SW, and I think that's neat.

While the scene itself is kinda awkward, her encountering Ashley during the final battle is another arguably important one. Her watching Leon and Ashley before that was about her witnessing Leon's care for her. Now she sees that Ashley fully reciprocates that care. They are on equal ground with each other.

And so, the final scene between them. I already said that Leon settled on his answer concerning Ada before that. But Ada makes one final opening to him. It's a selfish one. After all, what exactly would happen if Leon agreed to come with? Would they just leave Ashley to die and fly off into the sunset? On some level, I think Ada knows that what she's asking is unrealistic, especially for Leon. But I think it also speaks of her progression throughout Separate Ways. Ada learns to be more genuine with herself, even if it means being selfish or asking something that she knows will be rejected.

So, she shoots her shot one last time. Leon gives his answer. Ada is not surprised by it. But she is visibly upset by it. She knew it was coming, though.

So, they do exactly that. They go their separate ways. At least for now.

[average-ravnican]

I know I have talked shit about the guilds, I should probably give some of my gripes, with them, huh?

Gruul: they just tear shit down, and cause chaos, which is fun for a few days, but they never stop. Also, if you’ve ever been in a mosh pit with one, they will intentionally throw elbows and hands trying to start a brawl.

Golgari: I don’t like bugs. I have a phobia, and unfortunately it makes the entire guild suck. Also, if you buy anything off them, it’s definitely laced with something. 100% of the time.

Boros: part of the issue is the whole persecution of the Guildless, part of it is the fact they’re a guild full of cops, and part of it is the fact they have literal angels in the guild so they feel justified in their shitty takes.

Azorius: what I said about Boros being cops? Yeah, that except the cops are also legislators, actively voting for the police to be more powerful. Also, they FINED ME FOR EATING

Orhzov: Ghost capitalists. I don’t think I need to say much more, other than that for some reason we literally allow them to enslave ghosts and we’re cool with that??? If anyone enslaved a living person, we’d be pissed, but if they’re dead it’s cool?

Rakdos: other than the murder, I guess they’re fine. But it’s like hanging out with your friends from school who got really into music and drugs and never got a personality.

Izzet: other than being a dragon’s cult of personality, and having a literal murderer as their current leader (am I the only one who remembers when Ral killed the Izzet champion of the maze? So he could go instead? He did that in front of a crowd.) and the fact that a disproportionate amount of goblins have “research” accidents on their watch, its being surrounded by gifted kids who need to be the smartest in the room.

Dimir: for self preservation reasons I will not say anything about house dimir.

Simic: similar problem to Izzet, but they also just want to stick tentacles or crab claws on everything. I had a friend who transitioned with the combine, and she’s happy, but she also does glow in the dark.

Selesnya: I won’t get into the personal reason I dislike them, y’all aren’t ready for that story, but it’s almost a joke. “We prefer unity and harmony and peace and will FUCKING MURDER ANYONE WHO GETS IN THE WAY OF IT” (looking at you Trostani)

Not all of these organizations are bad, I just don’t understand why our government is run by all of them.

[themeraldee]

Just had the funniest thought: Picture a Vought Halloween Party/Gala/Event. Everyone is dressed up as their favorite hero. Even the Seven have donned a little extra on top of their suits—Maeve with cat ears and whiskers drawn, The Deep dressed up as Popeye, even Translucent had zombie makeup on his face whenever he chose to reappear and scare unsuspecting patrons. Homelander, however, thought this was a stupid holiday. He refused to dress up for the mud people and had little to no respect for anyone who did. You had begged him to have a little fun and even though he typically would do ANYTHING for you, this was his limit.

Except…that was before he saw you show up in what seemed to be the female version of HIS costume. You strolled in, having had the costume department work on it for weeks before the event. The suit was skin tight, the muscle padding unnecessary as you wanted it to look as sexy as possible. Everyone smiled and greeted you, but Homelander was left speechless, eyes roaming up and down, taking in your figure. We know our boy loves himself but imagine seeing you dressed up as him? His ego would soar and he’d get turned on within minutes. You avoid him, obviously, wanting to draw out the teasing. If he was SO against Halloween, then you’d make sure this was one that he would never forget ;)

Ahhhhhhhhhh I love this. I feel like it would be even funnier if you put on a blonde wig (if you're not blonde already) and just really be the gender bent version of Homelander for everyone to ogle and drool over. Because one sexy Homelander wasn't enough!

You know he's fed up with the regular folk daring to dress up as him especially with those cheap plasticky shitty replicas of his costume. So you coming in with this overengineered tailored suit that just totally makes you Mrs Homelander that would fit right on the cover of Superhero Weekly has most certainly got him whipped!

I love the idea of avoiding him, teasing him throughout the night and there's very little he can do bcs there are cameras and he wants to fit his brand. So you throw him a wink across the room every now and then before socialising with the rest of the crowd.

He loves seeing you (and only you) in his costume but he's getting increasingly more frustrated with you being bratty and hitting him with a good old you're the real hero. Him! Like yeah he definitely is the real hero but that's besides the point.

People are taking pictures of you two and already you've given marketing the idea to get a proper photoshoot of the power couple planned for the next magazine.

When he finally manages to whisk you away he's teasing you telling you to fly you two away saying something along the lines of "well if you wanted to dress up as me you might as well be me" but you just roll your eyes and drag him to the elevator to his penthouse. In his mind he's already thinking what would happen if you took V and with a lucky hit managed to snag powers matching his...

He totally fucks with as much of the suit on as possible. And its most certainly getting hung up right next to his until the next occasion.

[clowningaroundmars]

page full o' hobies 🎸

top pose inspired by @spectra-bear

process pics under da cut ↓

[kylejsugarman]

one thing i honestly love about both "breaking bad" and "better call saul" is that it openly admits to the fact that breaking the rules and doing bad things can be fun. the characters don't always just do bad things because they have no other choice or because they're forced into it or because they are working towards a greater goal of doing something Good: sometimes they just do it because its pleasurable. because lying and pulling off schemes and fucking people over feels good sometimes. because its Easy. even the "good" characters do it. sometimes they face consequences for it, sometimes they don't, but the show doesn't subscribe to any one philosophy about Why people do bad things and is honest in saying that yeah, sometimes they have no other option, but sometimes they do have other options and still choose to do it because it makes them Feel Good.

[spookygibberish]

Dogstock are typical of what are often deemed the ‘evil’ races in many other fantasy works. They were created by some higher force to be slaves, they are carnivorous by nature, they resemble animals other than human in dentition and build. They growl and bite and walk behind.

The Uhasr (a dogstock culture) are descendants of such slave-infantry that was abandoned when the empire that used them to capture the steppes decided the land wasn’t so profitable after all, and more pressing matters drew their attention elsewhere. Like tools left spent on the ground, the unneeded, excess dogstock were left to survive on their own in Hochkiskuph. The native peoples, of course, did not welcome them any more, or see them any less as oppressors when the hand released the lead. To the Hochkiskuph peoples, the Uhasr are a predatory ghost, an echo that consumes them even in absentia. To the Uhasr, one human is much like another, differing in number and equipment, but never in essence. Uhasr are a species of wild animal with a human face. Humans are prey on two legs. Humans smoke and poison uncovered dens on principle, Uhasr abduct and consume men and women and children all the same.

A common trend I have noticed in media which aims to humanize monsters, is that it often relies on passivity. Humanity is contingent upon kindness. The monster that is A Person only so long as they are a harmless thing at heart, something which can be understood and befriended. Their violence is reluctant, their hearts noble. Grace is a concession to the dominated. Only the toothless beast, declawed and pinioned and caged, is one which has earned its personhood. The ontological enemy supersedes the ontological man.

[quietwingsinthesky]

i really do think the desire to paint ten as unambiguously The Worst™️ when it comes to his relationship with martha is out of this desire to uncomplicate their relationship. to decouple them as friends and people who profoundly impacted each other’s lives. it’s just an easier narrative to swallow: that ten was Awful to her and then martha kicked him to the curb when she realized she was too good for him. easier, maybe, then dealing with the troubles of unrequited affection don’t have to be anyone’s fault, or that ten shut martha out in a lot of ways but let her in in others that he wouldn’t let any other companion near, or that they were still friends, they still wanted to see each other and be around each other, even though it was messy and sometimes hurt. you know?

[faunandfloraas]

It is kinda funny seeing people talk about Seungmin lately because he definitely has gotten more bold and confident for sure. He's also just getting opportunities to be perceived as an individual on his own as well for the first time in a while but it's still jarring to see people be like Aw he was always such a quiet goodie two shoes little nerd and it's like...... he was the one to leave and seek out his own vocal coach and blatantly talk about it, which of course lead to I.N and Lee Know also doing the same, he was the one to go on bubble and tell off sasaengs who used to camp outside their old dorm for invading members privacy but also because it effected other residents and staff at the complex, something that i'm certain upper management wouldnt have been happy about, and he wasn't curt or nice about it either. like he's never actually been a wallflower, he's always had a pretty strong backbone and seems to stick to his principals, its not really new.

[triglycercule]

if dust takes off his hood and scarf then nobody can recognize him. he has literally no permanent traits that make him recognizable (which actually kinds upsets me because,,,,, there is no physical representation of his character development from sans to dust BUT EAAHHHH whatever,,, we cope with it.) but in like a silly goofy comedic way. it's like perry the playapus ans dr doofenshirmst (incorrect spelling but only by societies standards)

dust with hood down and no scarf

killer: a sans?

he puts on the scarf

horror: a GENOCIDE sans???

the hood goes up

killer: DUST SANS AKA MURDER SANS AKA DUSTTALE SANS FROM HIT AU DUSTTALE?????

horror's skull breaks a second time on the other side from sheer shock

[elecmon]

Not to completely change the subject but I'm getting the stitches removed from another mole extraction for, haha and get this, get that Womp Womp noise machine ready!!

Potentially mmoooorrreeeeee skin c*ncerrrrrrrrr. Ahahahaaaaaaaahhhh

Anyway getting them cut off in 7ish hours, and to no one's surprised I'm too stressed out to sleep

Got an email earlier today that the results of the testing are in, so at least that can get over with too (originally they had said it was gonna be a 12~14 day wait, but the stitches would be removed in 10 days)

[moldy-flowers]

The interesting experience of being pro Sasuke, anti konoha, pro tobirama, anti Naruto ending, pro Sasusaku, anti Itachi, pro Sakura, anti SasuNaru, pro Tobirama×Izuna, anti Madara, pro karin, anti Orochimaru, pro Uchiha and anti Hashirama. And also as much as I hate the guy danzo was kind of hot when he was younger...

[zer0point5ive]

silly little details i suppose but i love how diana’s room is a mixture of so many things like i’m truly obsessed with the way it didn’t end up just being a generic pink princess sort of bedroom with bare walls and no clutter and instead she’s got some castle-y snowglobe and a picture with an extra funky frame on her bedside table, a massive snake toy across her headboard and teddies and dolls and a fancy little vanity, tons of horse riding awards and pictures she’s drawn hung on the walls and i just love how real it is to be honest