HEY REMEMBER THAT GRADE A CRINGE I WAS TELLING YALL ABOUT???
Anyway hello hi hello! This is Ivy Darling, yes yes he's the apple of Dandy and Wally's silly eyes. A pal of mine made a sort of AU where they made a stork puppet so we could design little fan babies so here we are!!!
TECHNICALLY Ivy isn't super canon to Dandy's story? But Ivy is so very comforting for me to draw if I'm very honest. Just...happy family moments ya know?? Idk idk. He's here and he's just a little guy.
Anywho, the Special Delivery AU that this is based off of belongs to @parrotparfait
OH I ALMOST FORGOT the second child in the sketches, the one holding Ivy's hand, is his half sister Bloom who's Dandy and Gloom's fan child designed by @theknifeclown jknfdjn Gosh the baby au lore is silly.
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i feel like the reason aang isn’t as adored and beloved as he should be is because he’s the protagonist but he’s also not an archetypal western classical hero. i don’t agree with the entirety of that “avatar aang: feminist icon” essay because i think the role of patriarchy and gender in atla is more complex than what that essay posits, but he definitely complicates the masculine ideal of heroism and generally does not conform to patriarchal notions of masculinity. which is very deliberate, especially as contrasted with sokka and zuko’s explicit struggles with the imperialist/colonial standards of an aggressive, militaristic, and chauvinistic masculinity. aang is subversive because he represents an absence of war in a world ravaged by it. through his link to a (somewhat more) peaceful and harmonious past, he represents a better possible future. as katara would say, he brings people hope.
but people don’t like that he’s not visibly edgy or tormented like zuko is (even though he’s a far more tragic character than zuko is, just fyi), that he isn’t “cool” (even though he’s literally the coolest kid ever, just fyi), that he “gets the girl” (even though if anything, she gets him) despite being twelve and bald and nice (the horror!). katara is the more classical hero of the narrative, as its narrator and its catalyst, the adventurous revolutionary who gradually learns to control and use her powers and eventually becoming a force to be reckoned with. zuko is the classical anti-hero of the narrative, his “redemption arc” constantly hailed as one of the greatest character arcs in television. so people expect katara and zuko, as very obvious narrative foils who parallel each other every step of the way, to be the obvious couple, because based on every romance narrative we’ve been inundated with throughout our lives, within our patriarchal society, they “just make sense together.”
but as much as katara is a protagonist in her own right, aang is the show. the title quite literally represents the central thematic tension of the entire narrative, the colon illustrating the implicit divide between his duties to this brave new world in desperate need of justice and balance, or his duties to his extirpated culture as the last true voice among them. aang is the central figure because this tension represents the crucial ideological battle happening across the entire show. aang is the avatar because he is the only person in the entire world whose values have not been shaped by war.
people constantly laud zuko, in particular, for being the most interesting, complex character in avatar. but i personally don’t even think that’s true. which isn’t to say that zuko isn’t fascinating in his own right, of course, but rather that he’s certainly not the only complex character this show has to offer. he just happens to monologue about his anguish constantly. but aang wasn’t raised as an imperial prince, and so he approaches the world, and his own pain, in a very different manner. the reason he immediately goes to ride giant koi on kyoshi island, mailchutes in omashu, and otherwise goofs around after learning of the shocking ramifications of his people’s genocide is because that’s how he copes with his pain. unlike zuko, who never stops talking about his aches and yearnings, aang represses his trauma and hides his tears behind a mask of upbeat cheerful goofy twelve year old antics.
until he can’t anymore. until he snaps. both katara and zuko wear their hearts on their sleeves, and that includes their rage. but aang’s rage is dangerous specifically because it represents that he has been pushed past his limits, that the conditions of this world in which he is a perpetual stranger, temporally displaced and dispossessed, are intolerable. that peaceful reconciliation is impossible. and the fact that he persists beyond that breaking point, over and over again, to firmly and resoundingly establish his ideals even as they conflict with everything he has learned about this world, a world that is not his own even as he can never return to the world he once knew, is what makes him so unique, so powerful, so beautiful.
i know that aang isn’t the typical hero, neither narratively nor aesthetically, but really, that’s the entire point. the world, our world, needs something other than what we have now. we need someone who will not succumb to the ideals of domination and victory through violence to assert themselves. we need someone who stands firm in refusing to kill the firelord, even as everyone he knows tells him otherwise. we need someone who knows that darkness cannot be vanquished through more darkness, but can only truly yield to purifying light.
and sure, aang is a child, and often acts childishly. sure, he’s not conventionally handsome and alluring. but one thing i will never understand is how that somehow negates his appeal to the masses. because even if you don’t appreciate how crucial he is to the themes of this narrative you all seem to love so much, how can you not love his adorable little face? his precious little laugh, his zest for life, the infinite well of love and kindness he holds in his heart? people who hate aang are crazy to me. because you are, quite literally, hating the world’s most precious baby boy.
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“I thought I was supposed to be the one worshipping you today,” you say in a gasp, eyes fluttering close as you grip the sink counter tight in front of you. Bakugou only huffs a little laugh, his nails digging into the fat of your ass before he taps his palm against the flesh hard, eliciting a little hiccup from you.
“‘S my birthday, so what I say goes.” he tells you muffled, the vibration of his words making your knees quake. he has to hold you up, but he doesn’t care, finds the weight of you pressing back into him something he can get drunk off of.
he woke up nearly right after you did, trying to squeeze you close to him in bed but you scrambled out of his hold, promising to make him breakfast instead. you hadn’t expected him to follow you, to press you against the sink, to nip at your neck and kiss his way down to where your underwear rested on your hips. hadn’t expected him to drop to his knees, to worship, to kiss, to taste you. hadn’t expected him to lick you so sweetly with such a rough tongue through the fabric, for your arousal to bleed through onto his waiting tongue.
“Better than breakfast,” he mutters against you, thick fingers spreading you wide to get a good look at your winking hole, how it drools down the inside of your legs. he spits on it, diving back in to follow the trail, his lips puckering as if kissing you in such an intimate way, you think your vision goes black for a moment.
“Make me cum,” you whimper to him, his lapping pushing you up onto your toes, your hips digging into the sink counter. you reach a hand back to hold his face still with a grip on ash blond locks, grinding yourself against him until his face becomes sticky, but he grins all the while. rolls his tongue from his mouth, lets you use him because there’s no better present than being able to please you.
it comes out as a gush, your pleasure. sprays all over his mouth and chin and neck, your cries stuttered and high, your eyes clenched shut, your entire body shaking from the stimulation that overtakes you.
“Even better than birthday breakfast.” Bakugou grins, nose slightly scrunching at the tug to his hair when he slurps at your hole that still drips for him, spitting back the contents once more. he doesn’t catch it this time, just watches the thickness of his spit mingle with your pearlescent stained cum, thumbing open your cheeks to watch your hole clench and unclench from the scrutiny, the wetness slipping down your thighs.
he kisses you once more, a smacking sound, humiliating, before letting your cheeks go. not without another smack on the roundness of them, nipping at the red and warmed mark of his palm that he branded on you just moments before.
“A lot fucking better.” he tacks on once more about the stupid breakfast. you glare at him over your shoulder, even though he’s the one who’s keeping you held up right now with his firm grip around your still twitching hips.
“You’re gonna stop shading my cooking, asshole.” you bite at him, unable to hold back a shudder when you catch his devious grin, the bottom half of his face and neck still wet from your squirting.
“You caught that?” he asks with an innocent cock of his head, pressing another innocuous kiss to your warmed flesh. you tug at his hair a little harder this time, knowing it’s something that the birthday boy loves, especially by the way he’s damn near leaked through his white boxers.
“Shit head.” you mumble, but he only grins wider, his eyes flickering with the promise of devouring you whole today. just as a little birthday treat, he supposes.
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