#so. hunters. which seemed basic. and didn’t fit with this One Scene i’ve had in my head for ages

[azierum]

i love cooking up oc lore. it makes me so giddy coming up with good ideas. usually from the most random inspiration

[fanficshiddles]

Eternally Mine, Chapter 41

Loki and Chris were stood at the side of the grass, arms folded over their chests while they watched Toshi try to teach Claire and Louise some basic self-defence techniques.

It was going… not very well. They were both rather clumsy and kept tripping over their own feet.

‘I didn’t realise Louise was this clumsy.’ Chris chuckled.

‘I know Claire has her moments, but this is ridiculous.’ Loki responded.

Toshi ran a hand down her face. ‘Maybe this isn’t going to be as easy as I thought.’ She muttered to Jessica, who was beside her.

‘Ok. Let’s try a different tactic, you’re both rather clumsy and together it seems worse.’ Toshi announced to them. She had started with trying to get them to learn some moves on one another, but realised that maybe wasn’t the right way.

‘Loki. Chris. Get your asses over here.’ Toshi called to the guys.

‘Uh oh.’ Chris muttered as he and Loki wandered over.

‘Go behind your girl and let’s try something. Ok, Louise, Claire, the guys are going to come up behind you and grab you. Though guys, loosely, not vampire strength, let’s start easy. I want you two to do what I showed you to get out of their grip. Imagine they’re a stranger in the street that’s come up behind you.’

Louise and Claire nodded in agreement, eager to get this right.

As soon as the guys stepped in behind them, Loki loosely grabbed hold of Claire and she felt him press his body against her back.

Chris did the same with Louise, though wrapped one arm around the front of her neck, albeit loosely too.

Instead of trying to get free, they both just sort of melted.

‘You’re not supposed to be getting aroused at this.’ Chris laughed as he caught a whiff of Louise.

‘You’re just as bad, pet!’ Loki growled at Claire, who then tried squirming out of his grasp, forgetting everything Toshi had taught her so far.

Louise just fell into a fit of the giggles at the situation, which then wasn’t helped by Chris as he started tickling her, making it worse.

‘Oh my god.’ Toshi face palmed. ‘Right, David! Matt! Get over here.’ Toshi yelled at the guys.

David and Matt came over and took place of Loki and Chris. Toshi glared at Chris, who shrugged at her. ‘What? It’s not my fault she’s excited by my mere presence.’ He gloated with a smirk.

Toshi shook her head in dismay. ‘You knew exactly what you were doing. Both of you!’ She scolded and glared at Loki too.

The rest of them ended up coming over to watch, too. Severus was even amused by the scene.

After getting Louise and Claire to re-focus, they actually managed to get somewhere now they weren’t practicing with one another, or with their partners. They were able to master the technique of getting away from someone that was attempting to grab them from behind.

‘Now, obviously this technique will be more difficult against vampires using their full strength, but these lessons are more to protect you both from human hunters… just in case. They might work on drunk vampires, or weaker ones. Though if we can get your strength and stamina built up then you’ll have more of a chance even with stronger vampires.’

‘So, there’s still a chance I might be able to kick Loki’s ass eventually in a fight?’ Claire asked with a grin as she and Louise sat on the grass to get their breath back.

‘Well, maybe eventually. You’d certainly have a possibility against Loki. Louise though, I’m sorry to say, against Chris you’ll never have a chance.’ Toshi said honestly.

Claire let out a cheer and fist bumped the air. Loki’s mouth fell open and he glared at Toshi. ‘Hey! I’m strong!’

Chris grinned and winked at Louise, who giggled and blushed. Chris then joined Louise on the grass and wrestled her playfully, making her laugh more.

‘I’m not saying you’re not. Just that if Claire really buffs up and practices hard, maybe one day…’ Toshi trailed off and shrugged.

‘I doubt it. I’ve not had any human defeat me.’ Loki huffed.

‘Have you actually fought any humans apart from hunters?’ Toshi asked, folding her arms over her chest as she took slow steps towards him.

Severus raised an eyebrow at Toshi’s tone, he knew exactly what was about to happen next… he felt a little sorry for Loki. Just a little.

‘Of course not, no need to. I know there won’t be a human strong enough to take on the average vampire like myself or the others here.’ He gloated a bit.

When Toshi walked right up to him and squared up to him a bit, Chris had a feeling he knew what was about to go down too. So, he scooped Louise up and moved her out of the way, then he grabbed Claire’s arm and tugged her out of the way too. She looked a bit confused at first, but soon clicked on when Toshi began rolling up her sleeves.

‘Let’s test that theory.’ Toshi said confidently.

Loki raised an eyebrow. ‘What?’

‘Let’s test that theory.’ She repeated. ‘Come on. I’m a human, you should be able to beat me easily.’

Loki laughed and shook his head. ‘I’m not about to fight a friend.’

‘Scared you’ll lose? To not only a human, but a girl?’ Chris called with a smirk as he watched on with amusement.

‘Don’t wind him up.’ Claire whispered.

‘What, don’t want to see him get his ass kicked?’ Chris asked her.

‘Shut up.’ Loki hissed over at Chris.

‘Come on. Just a friendly fight?’ Toshi asked Loki as she began stalking around him.

Loki sighed and put his hands on his hips. ‘Fine. Just don’t go crying to Severus though when I prove my point.’

‘Geez, since when did Loki get so boastful? He’s been hanging around you too much.’ David chuckled as he stepped next to Chris.

‘He was often like that as a kid.’ Chris chuckled.

‘I agree with him though, he’s a strong vampire. There’s no way Toshi will be able to take him out.’ David muttered.

‘Hundred quid.’ Chris commented without hesitation.

David turned to face him, eyebrow up. ‘What?’

‘Let’s bet on it. Hundred quid says Toshi kicks his ass.’ Chris put his hand out towards David.

‘You’re on.’ He shook his hand.

Severus smirked from the side.

Louise just shook her head with a laugh. She wasn’t really sure who would win.

Loki had barely taken a stance when Toshi lunged, she was quick and agile as she jumped towards him and bent down to put a hand on the ground as she levered her body round, to use one of her legs to swipe at him, taking his feet right out from under him. He fell down to the ground with a loud thud and knocked the wind from him. Toshi jumped on his chest and held one of her knives to his throat. His eyes widened and he put his hands up.

‘Holy shit.’ He gasped.

‘Of course, if you were a vampire I was after, I’d slit your throat to keep you occupied for a good while and then I’d get my silver bullet ready to finish the job.’ Toshi said as she hopped up off him.

Loki blinked quickly, he didn’t even notice how or when she got her knife out. He couldn’t believe how quick she was for a human. And there was a decent amount of strength in her legs to swipe him down like that.

David was stunned. Chris just grinned and put his hand out towards David, motioning with his fingers for him to give him the money.

David grumbled under his breath as he took out his wallet and gave him fifty quid. ‘I’ll get the rest to you tomorrow.’ He huffed.

Chris chuckled and looked at Louise. ‘Next weekend, let’s go out for a meal. My treat.’ He winked at her, making her laugh as she hugged into the side of him.

‘You bet against me?’ Loki screeched at his brother when he hobbled over towards them.

‘Not necessarily against you… I bet on Toshi.’ Chris shrugged.

Loki scowled at Chris, then sulked off to get a drink. Claire rushed after him, hiding her amusement as she cooed over him to make him feel better. When Loki got to the picnic table and picked up a drink, he looked back over at the others and continued scowling.

‘It’s not all about strength all the time. We humans, especially being female, need to use our finesse as much as we can. Take them by surprise as soon as possible is our best bet.’ Toshi said to Louise. Then, without any warning, she did exactly the same to Chris, bending down and swinging her leg out to swipe his legs out from under him.

While he fell to the ground with a thud, just as loud as his brothers, he did, however manage to get up in a split second before she had the chance to even think about doing anything else.

Loki began howling with laughter upon seeing Chris being taken down like that.

Louise couldn’t help but laugh too at the look of surprise on Chris’ face.

‘Well, it seems even the strongest vampire can be taken down in surprise, even if just for a moment.’ Toshi said proudly.

‘What the hell was that for? I bet on you! Not against you.’ Chris huffed as he wiped his jumper and frowned at Toshi.

‘Just proving a point to Louise and Claire that we can be strong too, just in a slightly different way. If I was trying to take you out, I would then have to be extremely quick to get a knife to your throat. Though even I know that would be easier said than done.’

‘Cause Chris’ reflexes are faster than the others, right?’ Louise asked.

‘Damn right.’ Chris said as he rolled his shoulders and put his arm around Louise, giving Toshi one last scowl. Though Toshi swore she could see a slight hint of a smirk at the corner of his lips.

‘I wish I had bet on that happening.’ David sighed.

Toshi walked over to Severus, seeing him smirking.

‘Too far?’ She asked as she slipped under his arm.

‘Not at all. Just right.’ Severus chuckled lightly and leaned down to kiss her.

‘Damn, how Hannibal doesn’t realise he can trust you is beyond me. The fact you can knock Chris down like that without him going ape shit on you is more than enough proof of his trust in you.’ Matt said to Toshi.

He wasn’t wrong. If anyone outwith their group did that to Chris, he likely would’ve torn their throat out in response or tossed them off a cliff. Heck, more or less everyone else in the group wouldn’t ever dare to even attempt doing something like that with him.

‘He doesn’t like Chris, that’s why he doesn’t care for his judgement with Toshi.’ Loki said as he and Claire walked back over to them, Claire had a bag of crisps and Loki was stealing some from over her shoulder.

‘Yet he’s shit scared of him. You can tell by the look on his face.’ Spencer chimed in.

‘Which doesn’t really make sense as to why he keeps talking bad about Toshi on front of him.’ Jessica hummed.

‘He likely knows that Chris needs a more solid reason to fire him or actually hurt him. So, there’s only so far he will go to wind us up.’ Severus said.

‘Hannibal likely feels threatened by Toshi’s presence, too. The fact she’s a hunter, who are our enemy, he can’t face the fact that she’s trying to help us.’ Loki said with a mouthful of crisps.

‘Geez, bro. I know you didn’t grow up in a barn and have better manners than to eat with your mouth full.’ Chris commented to Loki.

Loki just flipped him the middle finger in response.

Claire and Louise looked at one another and shook their heads.

‘We definitely need to keep an eye on Hannibal, but I think the hunters targeting us are our main priority.’ Chris said to the group, and they all nodded in agreement.

[write-orflight]

Songs to Play While Hunting a Killer: Chapter One

*Gif not mine*

Prev -> Next

Pairings: HotchxReader, Enemies to lovers

Rating: M

Words: 2.5K

Warnings: None right now, eventually will be smut

Request: OPEN/CLOSED

Summary: Y/N is a Bounty Hunter who always runs. Aaron is the Agent that stays behind, it was no mystery why they didn’t get along. When the two are called to revisit an old case together it’s no wonder old feelings revisit too.

AN: I’m taking some liberties with the reaper storyline but still keeping the basic crux of it. So please don’t attack me that it’s not exactly like the episodes I’m trying to fit it around the story. Message to be added to taglist! much love, Cia. 

        Chapter 1: Killer Queen by Queen 

You stopped at the motel first to check out and change. Opting for a black cropped t-shirt, skinny black jeans and as always your leather jacket. You put your bags in your car and head to the FBI headquarters. Queen blaring in your stereo and suddenly remembering why you hated driving in the city. You parked in the parking garage and put the top on Lou, figuring you’d be separated for a while. As you say your goodbyes, you hear a low whistle behind you.  

“Is that an 85 Miata?” The older gentleman asks. 

You smile. “Close, 1990. How are you doing, Rossi?”

The man looked confused for a second before the realization took hold. “Y/N?” You nod and the man is sweeping you in a hug. “Look at you, bella, you’ve grown. And changed styles apparently.” 

“Yea, that tends to happen over a decade, Rossi.” You laugh, following the man into the building. “What are you doing here though? Last I heard you were retired and rich?”   

“Still rich, just not retired.” The man laughs. “What’re you doing here though? Last I checked your dad is actually retired.” 

 “Actually, Hotchner invited me to consult on a case.” You say. Rossi looks at you incredulously. 

“Hotch? Willingly asked for your help?” 

“Well, it was like pulling teeth but thankfully he’s not an idiot.”

“What happened with you kids anyway? You were inseparable back in the day.” 

You frown. You didn’t like to think about that time in your life. “People change.”   

“I’ll say, look at you kid. All leather and classic cars now.” He laughs, you laugh with him as he directs you into the BAU. 

The two of you are immediately greeted by a brightly dressed blonde woman. “Hey Rossi!” She says to the man. 

“Garcia.” He greets, gesturing to you. “This is--” 

“Y/N Y/L/N.” She says, extending a hand for you to shake. “Hotch had me look into you, you are completely bad-ass! I read about how you went after that team of bank robbers last month that ended in a car chase. You’re like super cool, I’m Penelope.”

“Thank you, Penelope. Hotch made you look into me?” 

“Oh yea, I’m the Tech Analyst for the BAU.”

“I assumed so, and he made you do a background check on me?” You ask, trying not to sound angry. It wasn’t her fault, but your tone betrayed you. 

She looks at you awkwardly. “Umm, yea… Sorry?” 

“Not your fault, excuse me.” You nod to the two people. Rossi tries to stop you but you dodge the hand going to your wrist and stalk up the stairs to your dad’s old office that was now Hotch’s. You slam the door closed and he looks up from files on his desk and levels you with an angry expression. 

“What do you think you’re doing?” He says. 

“You had a background check run on me?” You ask angrily. “When I’m already an approved consultant.” 

“Of course I did, I needed to know what kind of person I’m sending out there with my team.” 

“Which is why you read my file which already has my background check in it! Not to mention, you already fucking know me, Hotch.” You say, seething. “Don’t look into my life without my permission again.” 

The two of you didn’t notice the team watching you from the bullpen below. 

“Do you guys know who she is?” Reid says, looking to the group. 

Emily shakes her head. “No, but judging by how they’re yelling at each other, Hotch definitely knows her.” 

Penelope walks up to the group. “That’s Y/N Y/L/N. She and Hotch went to Academy together and she’s helping us with our next case. Which is what I came to tell you, we should head to the conference room now.” 

The team is waiting in the conference room for 5 minutes before you and Hotch walk in. You’re still kinda pissed but you knew better than to make other people shoulder your bad mood, especially strangers. 

“This is Ms. Y/N Y/L/N, she’ll be consulting with us this case-” 

“Doctor.” You say. Hotch looks at you confused. “I went back to school after I quit the FBI.” You explain. “So it’s Dr. Y/N Y/L/N.” 

“I didn’t know that.” He says. 

“What? It didn’t come up in your unnecessary background check?” You say, the team including Hotch give a small grimace. You decide to ignore that and sit. “Shall we get started?”       

A blonde woman cleared her throat. “Yea, we’re going to Boston, a couple was found dead in their car, the boyfriend was shot once in the head, and the girl was stabbed multiple times. We’re investigating to see if it was the Boston Reaper.” 

A light skinned man speaks up at that point. “The Reaper is back? He hasn’t killed in a decade, how are we sure it’s not a copycat?” 

“It’s him.” You speak up. The group looks at you, but you keep your eyes trained on the crime scene photos. “Is there any record of the male victim wearing glasses?” 

You watch the woman who introduced herself as Garcia earlier type on a laptop for a minute before speaking up. “There’s no record of it, why?” 

You push the photo towards Hotch so he could see what you were seeing. “It’s Foyet’s.” 

He looks at it and nods. “Wheels up in 30.” 

You pale for a second. “Up?” 

“Yea, we have a jet now, Bella.” Rossi says, patting you on the back. You swallow roughly. 

God, you hated flying. 

—————————————————-  

You really hated flying. 

The team seemed pretty calm, expected since they fly so much but there was a reason why you liked driving Lou everywhere. Flying was… not your style. 

“Fear of flying?” You look up to see the lanky kid from earlier looking at you.

“Fear of crashing.” You nod back. 

“You know, turbulence hardly results in crashes. What you really have to worry about is microburst. The sudden down-pressure of air hitting a craft like this will capsize it.” He says smiling, you look at him in horror, knowing he was just trying to comfort you but accidentally did the opposite. 

“You’re Dr. Reid, right? Gideon’s prodigy?” 

“You knew Gideon?” 

“I know Gideon. He was an agent on my dad’s team for years. I just had lunch with him about 2 months ago.” 

“Months?” He says, confused. “I haven’t heard from him in years and you saw him months ago?!” 

“Relax, it was purely by chance. I ran into him while working a bounty in Albuquerque and we decided we might as well eat lunch together while we were in the same place.” You shrugged. “He talked about you a lot though. Still keeps track of the work you’re doing, said he was proud.” 

“Well, if he really was I’d hear it from him.” 

“I know. Trust me I’ve called him an idiot multiple times for leaving the way he did but…. this life isn’t for everyone, it certainly wasn’t for me. It takes a toll and eventually something's gotta give.” 

“Let’s go over the case, please.” You hear Hotch call out. You both instantly turn your attention to the man. You can’t help the nervous feeling in your stomach, it’s been a while since you worked an actual case that wasn’t already solved. You didn’t want to fuck this up. You watched Aaron and his team go over the details of the case, now with the information that you provided them earlier. You watched as his team regarded him with respect and the authoritative air he had about him now. Hotch had always been a serious person, you not so much. Back in the academy days you used to balance each other out. Now, all you did was clash. 

“Do you have anything to add, Y/N?” Hotch asked. The team immediately turns to look at you. 

You smirk. “If I had something to say I’d say it, Hottie.” 

“Hottie?” The light skinned man from earlier questions, smirking at Hotch as well. Hotch ignores him leveling you with a serious look. 

“I’ve already told you it’s Hotch or Hotchner now, Y/N.” 

“Hotch.” You say, testing the word out on your tongue. You grimace. “Doesn’t have the same ring to it. I think I’m going to stick with Hottie, if you don’t mind.”  

“I do.” He says, blankly. 

“Well then, I guess it's good we have bigger things to worry about right now.” You say. He looks you in your eye, you look right back. You’ve never been scared of Aaron, you weren’t going to start now. The team was now watching the exchange intensely, you imagine that no one had really stood up to Hotchner before. 

“Fine.” he says after a while. “Reid, JJ you guys head to the Field office. Morgan, Prentiss and Rossi head to the crime scene. And you.” he says, looking you back in the eye, you smirk. “You’re with me, you’re going to help us find George Foyet since he has no last known address. Show me how good you actually are at bounty hunting.” 

“Oh, I’m more than good, Hottie.” You wink. Aaron rolls his eyes. 

You sigh. Just like old times. 

--------------------------------------------------

When you exit the plane, the FBI issued SUVs are already waiting. Before he could notice, you picked the keys out of Hotch’s pockets and slid into the driver's seat, putting your shades on to combat the baking sun. He looks confused for a second before just getting into the passenger seat. You put Queen on the stereo before peeling out. You drive for a while in silence, Hotch clearly watching you. 

“What?” you say. 

“Is this how you start all your cases? Because you seem to just be driving aimlessly and we don’t have tim--” 

“Hottie, relax. I know exactly what I’m doing.”  

“Hotchner.” 

“Come on, there was a time when you liked me calling you Hottie.” 

“Times change.” 

You nod. “That’s true.” You say, you knew you and Hotch would never be the same after what happened. “Call your tech girl for me?” You ask.

Hotch nods and calls. You hear a voice on the line. “Talk dirty to me.” it says. 

“Hey, it’s Y/N/N.” You say. “Can you tell me where Roy Colson works?” 

“I can tell you what he ate for breakfast, honey. One second.” You continue driving listening to the faint clacks of Garcia’s typing. “Employee records say he’s employed at the Boston Examiner now.” 

“Exactly what I thought, thanks Garcia.” You park. “We’re here.” You say getting out the car, Hotch falling into step behind you. 

“How’d you know? Where Roy was?” He says. 

You look at him confused. “Basic investigation skills? I may not have a fancy technical analyst but I do know how google works.”   

The two of you walk into the building and are greeted by a woman seated at the front desk. You smile walking up to her. “Hi, Meredith? I think I spoke to you on the phone earlier.” 

“Yes, Zoe right?” 

Hotch looks at you confused but you just smile and nod. “That’s me.” 

“I’ll show you back to Roy’s desk. He must be so excited you guys are visiting.” 

“Yea, we’re just stopping in town before the honeymoon, thought we might surprise him for lunch.” If Hotch didn’t look confused before, he sure did now. 

“If you head down this hall and to the left, his desk is in the far left corner. Have a fun lunch, Congrats on your marriage.” 

“Thank you!” You say smiling, slipping your hand into Hotch’s. “Come on, honey. Let’s go.” 

As soon as the receptionist is out of sight, Hotch is pulling his hand back like it was chemically burning him to be attached to you. “Hey! That could hurt a girl's feelings, you know.” 

“Zoe?” He asked. “Honeymoon??” 

“So I said a tiny white lie to get in. Roy wasn’t answering my calls.” You shrug. “I lie all the time on bounties.” 

Hotch stops you from walking, stepping into your space to look you in the eye. “This isn’t a bounty, Y/N. It’s a federal investigation. This is unreasonably irresponsible and if you had been caught in your lie that’s the only thing the defense would need to call a mistrial. A serial murderer would go free because you can’t think for one second.” He’s angry, you’ve seen it before. And you want to get angry right back but for some reason the only that happens is butterflies in your stomach. 

So not the time, Y/N… you think to yourself.        

“Fine, no more lies. Only honest real investigation from now on. Scouts honor.” You say, saluting the man. He only rolls his eyes before continuing to walk down the hall. 

The two of you walk onto the editing floor where you see Roy hunched at a computer desk. He looks up and sees you, eyes widening. 

“How’re you doing, Roy?” you say. 

“How did you find me?” He asks, you scoff. 

“Finding people is literally my job description.” Hotch watches you lean back on his desk, arms folded. “You’ve been ignoring my calls, Roy.” 

“I already told you I wasn’t comfortable giving up his location to you.” 

“And I told you, it’s not for me it’s for him.” You nod, and Roy turns finally looking at Hotch. “Reaper’s back, which puts George at risk, so I’m going to need an address before Big Boy arrests you for obstruction of justice, ok?” You slide over the stack of post-it notes he had on his desk to him. “Write.”      

Roy writes silently before sliding the pad back to you. You rip off the top note and smile. “Thank you. Oh and Roy?” You lean down, so that you’re eye level to him, looking him deep in the eye so he’d know you were serious. “If I see any of what we talked about today in tomorrow’s paper… I’m going to find you, for real. And Aaron won’t be here to protect you that time. Understand?” 

The man gulps and nods. You tap him lightly on the cheek with your palm. “Always nice to see you, take care.” 

You and Hotch walk out the building together. “Was there not a better way you could’ve done that?” Hotch says. 

“That?” You ask. “That was nothing, It’s not my fault Roy is essentially a gopher.” 

“You can’t just go around making vain threats to people for information, Y/N.” 

“That’s literally how I do my job, Hottie. And I apparently do it well since I got the address.” You look at Aaron over the roof of the car. “Don’t question how I do my job, I won’t question how you do yours.” You say before getting back into the driver’s seat. 

Aaron sighed a deep sigh, looking up towards the sky. 

This was going to be a long case.

Taglist: @evyiione​ @weepingmoneywagontoad @yeah-just-ignore-me-thanks​ @dj-lowkey @zizzlekwum​ @blrthelines​ @diesinspanishbcimhispanic​

[9worldstales]

MCU Loki Ep 1 “Glorious Purpose” intensive analysis

So, I’ve seen the first “Loki” episode and, of course, I couldn’t stop myself from talking about it.

Beware about spoilers!

We start in New York 2012 and that part is merely “Avengers: Endgame” albeit they changed a bit the visual so there’s more focus on Loki. We’ve close up of Loki when he is ‘Captain America’, when he says by to the Hulk in the lift and so on.

It’s a good choice because he’s basically the only character the visual seems to focus on (the only other character who gets a close up is the Hulk yelling ‘No stairs!’), subtly telling us the story is about him.

On a sidenote though, in “Avengers: Endgame” you might see Loki walked vaguely near 2022 Tony Stark and we also have Scott Lang asking Tony if he wears Axe body spray, which he confirms. In “Loki” we don’t see these scenes but keep them in mind, they’ll be relevant later on.

Anyway as everyone knows Loki picks up the Tesseract and disappear.

We get the Marvel opening but without the usual ‘heroic’ music, this time it’s more ominous? Or maybe it’s just me. “Marvel studios” also gets written in green and gold on a black background.

It’s not the first time Marvel changed how it presented, in the first episode of “WandaVision” for example it was in black and white instead than in the usual red and silver but it’s still a nice touch.

So we resume… with the visual showing us an insect walking through the desert. Then the camera shows us the full view of the desert, informing us it’s the Gobi Desert in Mongolia.

Rather high in the sky a space portal opens for a moment and the next we know is that Loki is lying flat on his back on the ground among clouds of sand which, I guess, were raised due to him falling into the desert. Loki is without the chains holding his wrists (did the power of the Tesseract destroy them? The fall?) and easily pulls away the muzzle Thor put on him and from his confused expression as he sits up and see people coming close to him, I get the feeling he didn’t exactly plan to fall there and in such a way.

So I guess maybe this is his first attempt at using the Tesseract and he didn’t quite gave it a direction on WHERE he wanted it to take him? Because really falling from the sky flat on the ground in the middle of the Gobi desert among people who didn’t even talk his language doesn’t seem the sort of thing one would plan.

Anyway, despite being in an unfamiliar situation Loki finds a rock to stand over and introduces himself:

“I am Loki of Asgard. And I am burdened with glorious purpose.”

Which yes, it’s how he introduced himself to Fury in “The Avengers”.

The people there have no idea of what he’s saying and asks him who he is in their own language (Mongolian). It’s unclear if Loki gets what they’re saying.

In the comics all Asgardians, can speak every language thanks to the ‘Allspeak’ or ‘All-Tongue’, in which what they say is understood by every species in their own native language.

In “Thor” earlier script though there was this dialogue:

Darcy: So, how can you speak our language? Volstagg: Your language? Ha! Silly girl, you're speaking ours.

In an interview Ray Stevenson (Volstagg) and Joshua Dallas (Fandral) discussed that bit.

Part of this seems to be set in a world where you guys fit in perfectly and the rest is very much on Earth. Ray: Yes, but on Earth we started it all, you see. This is just one of the realms. This is where all the legends come from. All the ruins have gone into myths and Norse mythology. It’s all us, love. It was all us before that. They’ve forgot their place, really. They think, “Oh, you speak our language?” and it’s actually, “No, you’re speaking ours.” Joshua: We invented it. [Ray Stevenson (Volstagg) and Joshua Dallas (Fandral) On Set Interview THOR]

The implication seemed to be that there was no Allspeak, they just spoke the same language because Asgardians invented it and Midgardians learnt it.

We also have this bit from “Avengers: Infinity War”:

Rocket: You speak Groot? Thor: Yes, they taught it on Asgard. It was an elective.

This implies it’s not that Thor was magically granted the ability to understand Groot, he had to study his language.

So well, I would say that no, so far Asgardians didn’t have Allspeak in the MCU, hence, unless Loki studied Mongolian or his magic powers granted him Allspeak, he can’t get what whose people are saying to him. So really, I don’t think he wanted to end up in Mongolia, he should have thought he wanted the Tesseract to just bring him somewhere very far from New York City. That is unless it’ll turn out someone managed to interfere and have him fall there for some purpose.

But, back to Loki.

As I said he doesn’t really get to talk with those people because a door opens up out of nowhere and near to the Tesseract which is lying forgotten in the sand and people in an armoured suit and carrying weapons start to appear.

Loki is kind of confused but he recovers fast.

Putting up a tone of confidence he orders the guy not to touch the Tesseract, thinking they aim at getting it. Another door opens up out of nowhere and we get another person in armour. To save time I’ll say the woman is supposed to be Hunter B-15. I wonder if she’ll get a name beyond this or not.

The situation of the people at the TVA isn’t exactly great but I’m running ahead.

Now, I think Loki preferred to deal with the Mongolian people because although he can understand what Hunter B-15 says, it clearly makes no sense for him.

Honestly I’m not going to blame him.

“Appears to be a standard sequence violation. Branch is growing at a stable rate and slope. Variant identified.”

This isn’t the kind of sentence that makes sense in a conversation, if you aren’t familiar with the TVA.

Hunter B-15 doesn’t care what she says doesn’t make sense to him and wouldn’t make sense to any other normal person. She calls him ‘Variant’ and talks as if everyone should know and respect the Time Variance Authority as an authority to defer and obey to.

I love Loki’s reply here:

“It's been a very long day, and I think I've had my fill of idiots in armored suits telling me what to do, so, if you don't mind, this is actually your last chance. Now get out of my way.”

He had a very bad day, he’s probably still bruised and sore due to his ‘meeting’ with the Hulk and his fall from the sky, he might very well be exhausted and he’s clearly confused but he acts as if he’s in control and won’t let himself be intimidated. I love him.

As he moves close Hunter B-15 hits him and informs him although he’s moving at 1/16th speed he’s feeling all the pain in real time.

Now… from when “Loki” trailers had started going around there had been a debate if the TVA is the good guys or the bad guys.

I’ll jump a bit ahead and tell you they clearly believe they’re the good guys.

But just from this bit you can start to question the idea they’re good guys.

They aren’t just acting as Vigilantes but they’re claiming an authority that no one on planet Earth gave them and demanding submission, not hesitating to beat people when they do not complain.

I know, some of you are thinking that Loki is a bad guy so serves him right but that’s not really the point because they aren’t even beating him for what he did to New York but for a crime he didn’t know he was committing, acting with an authority no one on Earth gave them. They just took it. And they would have taken it if the one picking up the Tesseract and ending up in Mongolia were to be a random person that out of bad luck had picked up the Tesseract and had ended activating it by accident.

This is not about Loki, this is how the TVA operates and it’s scary.

I don’t know if “Loki” will want to dig into police brutality and I honestly don’t dare to hope in it but it would be an interesting turn.

Hunter B-15 seems to be enjoying her work. I won’t call her evil yet, it’s clear she thinks she has the authority to do so, that the TVA enabled her to think she’s doing a good thing but she doesn’t seem to have… hesitation in doing so. One can still do his duty and not enjoy beating up people and causing them pain, yet the dialogue gives me the impression she’s very cool with beating up resisting Variants who has no idea they’re Variant and causing them pain.

Maybe it’s just me, maybe she’ll prove she’s actually a gentle soul but, for now, she doesn’t look as such. We’ll see.

Anyway she straps a collar around Loki’s neck and then, finally, she let him fall at normal speed before two of the men with her grabs him and carry him away while she picks up the Tesseract and orders to ‘reset the timeline’, which, at first I thought would mean they use that sort of mechanism to send back the time, erasing Loki’s appearance from the timeline. I’m not sure now. It might as well erase everything there. Loki turns to see what this mechanism does and from the look on his face it doesn’t seem anything good.

I hope not but well, in a way, sending everything back of some minutes erases lives that could have possibly be lived differently so yeah, in a way they erased lives. It’s the dilemma of changing time after all.

Whatever, Loki is dragged through the door that opens out of nowhere and appears at the TVA. The door disappears behind him and he has no idea where he is.

Now I guess it’s a good point to point out how people had been wondering which kind of Loki this one was, if he was based on the Loki on “Thor”, the one in “The Avengers”, the one in “Thor: The Dark World” or the one in “Thor: Ragnarok”.

In itself he can’t really be based on neither of them.

Loki’s characterization in “Thor” is split in two, there’s Loki prior to discovering the truth, and there’s Loki after discovering the truth, mad in shock and grief until he realizes his father would never accept him and let go of Gungnir.

This Loki can’t obviously be the Loki pre-truth but he can’t even be the one post it, as in that one the pain was still too new and raw and mixed with the desperation of denial and the attempt at ‘fixing things’.

So, can he be “The Avengers” Loki?

Marvel’s site confirmed that during “The Avengers” unknown to Loki, he was influenced by the sceptre as well. Very likely he wasn’t influenced in Clint Barton or Erik Selvig style, as the site says:

“Gifted with a Scepter that acted as a mind control device, Loki would be able to influence others. Unbeknownst to him, the Scepter was also influencing him, fuelling his hatred over his brother Thor and the inhabitants of Earth.”

Basically the sceptre on Loki works in a manner similar to how it worked on the Avengers when they started arguing in the Helicarrier. It warped his perception to the point he might have seen them as his most hated enemies, making difficult for him to see Thor was extending his hand to him or that the people were actually just scared but it didn’t make him a mindless, loyal servant. A different type of control on him but one that’s no less dangerous. Anyway I’ve talked at length about it while replying to a post so I’ll just link it here.

Loki is now very far from the sceptre so the mind stone shouldn’t be able to influence him any longer. As a result he’s probably more in control of his emotions.

So… “Thor: The Dark World” Loki?

Close enough but not quite, as that Loki had to go through Odin telling him some pretty awful things and spending a year forgotten by Odin and Thor in a jail.

Even more clearly he can’t be “Thor: Ragnarok” Loki as that one lived a huge chunk of things he hadn’t lived yet… never mentioning Waititi wanted “Thor: Ragnarok” to be his own thing, not a continuation of “The Avengers” and “Thor: The Dark World”…

“I was lucky enough they didn’t force me to acknowledge things- there were certain things in the film, like the play, which makes fun of the scene in The Dark World where Loki dies, but there’s a point to that play, sort of to recap what happened, but also to tell the audience, “This is not what you think it’s going to be, this film is not going to be a continuation of that. It’s its own thing, and what you think you expect from this film ends at this play.”” [Empire Podcast Spoiler Special: Thor: Ragnarok with Taika Waititi]

… while Loki is an alternate continuation of “The Avengers” so it has to be more “The Avengers” compliant than “Thor: Ragnarok”.

In short this Loki is his own Loki… or a Loki we hadn’t seen yet because we weren’t really shown much of Loki post sceptre influence, pre one year of solitary confinement.

Back to the story two things are interesting to point out.

One is that there’s a Variant Skrull as well in the TVA.

The other is that once there the Tesseract lost part of its shiny light as if it powered down.

Last but not least, instead than a futuristic look the TVA has the look of midcentury modern aesthetic as if, instead than going in the future ore remaining in the present, we’ve gone back in time.

Anyway, as another prisoner is dragged into the room, Loki tries to escape and discovers that Hunter B-15 can rewind his time so he’s back where he started. She then gives the Tesseract to a man at a desk, telling him to log it as evidence.

The guy, I’ll spoiler you and tell you his name is Casey, has no idea what it is and it’s Loki who has to explain him it’s the Tesseract and one should be very careful with it. Casey merely find it sounding dumb.

This is our first clue that to the TVA the Tesseract doesn’t matter at all. We’ve finished Phase 3 with the infinity stones raised at the level of immensely powerful artifact but, for the TVA, they’re nothing.

This is the first blow that the “Loki” series gives to the MCU as we previously knew it.

On a sidenote it’s nice Loki explained what it was to the unsuspecting desk man. If this weren’t the TVA he might have ended in the Gobi desert as well just by handling it carelessly.

Hunter B-15 drags Loki to a door and Loki tries to threaten her only to be showed inside that door.

Have you noticed how no one read Loki his own rights so far? That’s because he has none and the story is about to make it even more clear.

In the room there’s a robot of some sort (which I find slightly creepy despite its smile) which would like for Loki to undress. At Loki’s refusal accompanied with a comment that “This is fine Asgardian leather” the robot, without any warning, merely disintegrates his clothes.

Some assumed it was played for laugh but the music doesn’t suggest it, and Loki is clearly upset as he stutters when he speaks again. In real life, when you’re arrested, in many states your belonging are confiscated but they will be returned to you once you’re released or they’re returned to your family.

The TVA destroys them.

A trap door opens below Loki and he finds himself in another room, dressed up in TVA uniforms for Variants.

There’s something I think I need to mention which is I love how the show is characterizing TVA desk people.

The guy we’ve met before had his own character which we could guess despite the few lines and moments in which he appeared.

This new guy is also characterized.

He has a kitten in the room, which moves away slightly as Loki appears, probably scared and a mug with the image of a kitten. It’s tiny details but they made him a person instead of merely something that’s there.

He pushes in front of Loki a huge stack of papers telling him to sign to verify this is everything Loki said. Loki’s two following comments get printed and he’s demanded to sign them as well.

It’s another aspect of the TVA that’s actually unpleasant.

The amount of paper is huge and it would take a lot to read it all in order to check it but… the truth is the request is impossible. People isn’t made so that they can remember everything they’ve said, exactly as they’ve said it and it gets even more troublesome if there isn’t the other half of the conversation but just what we said.

So it’s not even a point to discuss if Loki really said just that stack of paper and nothing more or that stack of paper is too small, or if maybe there’s more paper he’ll have to sign or if that stack of paper only cover his time as a Variant and not the time in which he followed the Sacred Timeline.

The request doesn’t just make the TVA look like a bureaucratic place but shows it demands impossible tasks from its victims.

Oh, another interesting thing I noticed is that the camera is at a slightly lower point when it is on the TVA guy, so, despite the guy being seated, it gives him the impression of being higher than us viewers. On the over side when the camera is on Loki, it’s far from him, with the result of making him look small.

It’s a fine detail that gives us a certain subconscious impression.

The TVA guy stares at Loki as the latter gives up and start signing. It seems he only signed one paper, without even trying to read them all. I wish they had let us see how Loki signs. I wonder if he writes his name with runes, since the inscription on Thor’s hammer was in rune.

We’ll see, we’ll find out Loki knows how to write in English so he might use it to sign.

Anyway as soon as he finishes signing another trapdoor opens below him and he finds himself in another room.

So far the TVA is reminding me more and more of “The House that sends you mad” from “The Twelve Tasks of Asterix”. Well, of a very dark Variant of it to be exact, a Variant that reminds me of something way more unpleasant, but we’ll get there. In the next room Loki is asked:

“Please confirm to your knowledge that you are not a fully robotic being, were born an organic creature, and do in fact possess what many cultures would call a soul.”

Loki just asks if there are many people who don’t know if they’re robot and this is taken as a confirmation at which he’s urged to move through it. At Loki’s question he’s told if he actually were a robot and didn’t know it, the machine would melt him from the inside out.

Before thinking the situation is absurd let’s remember Vision exists in the Marvel universe and he’s a robot and he could have been programmed so that he wasn’t aware of this or might lose awareness of it due to a malfunctioning.

So if a Vision variant unaware to be a robot where to show up at the TVA they would just melt him from the inside out, no big deal.

The machine turns out to be a photographic machine, which doesn’t take Loki’s mug shoot but photograph his temporal area, which Loki has no idea what is and no one bothers to explain him.

Again, through the whole procedure there’s no request of consent nor explanations, Loki has no rights for the TVA, he’s merely supposed to comply.

Loki ends up in another room with another ‘convict’. They’re both demanded to take a ticket. The first convict refuses, Loki complain there’s just two of them so it’s useless but complies and put it in his pocket. Loki clearly has better manners or has figured out there’s no point discussing and is bidding his time to when arguing or rebelling might be worth something.

As Loki complains...

“This is a mistake. I shouldn't even be here.”

...we’re introduced with Miss Minute. Miss Minute is a cartoon watch which is supposed to FINALLY help people catch up before they stand to trial for their crimes. We’ll find out that Miss Minute is there not for the convicts’ benefit but for us viewers’ benefit as it explains us the origins of the TVA.

If we want to stretch things it might be there also for the TVA benefit as it might give them a sense of legitimacy.

Anyway Miss Minute’s speech feels like Odin’s speech at the beginning of “Thor”.

Is a self glorifying narration in which they paint themselves as the heroes and something that exist for other people’s benefit.

But it only paints the TVA in an even darker light because when it explains how one becomes a Variant it says:

“But sometimes, people like you veer off the path the Time-Keepers created. We call those Variants. Maybe you started an uprising, or were just late for work. Whatever it was, stepping off your path created a nexus event, which, left unchecked, could branch off into madness, leading to another multiversal war. But, don't worry, to make sure that doesn't happen, the Time-Keepers created the TVA and all its incredible workers. The TVA has stepped in to fix your mistake and set time back on its predetermined path. Now that your actions have left you without a place on the timeline, you must stand trial for your offenses.”

A break here.

From this little bit we’re introduced to the idea there’s only 1 timeline because each time another timeline could be born, the TVA erases it. This begs the question of how we’re supposed to judge this bit in “Avengers: Infinity War”

Stephen Strange: [Panting] I went forward in time to view alternate futures. To see all the possible outcomes of the coming conflict. Peter Quill: How many did you see? Stephen Strange:14,000,605. Tony Stark: How many did we win? [Dr.Strange stares intently at Tony for a moment.] Stephen Strange: [Pause] One.

If there’s only 1 timeline, it seems impossible there could be 14,000,605 futures… but actually the key might be that there could be 14,000,605 futures… but the TVA erases them. The time stone might show those futures who had the possibility to be born… and that the TVA squashes under their feet, all for the sake to make canon their favourite future, while all the others have to cease and desist. If this is true I do wonder if the actions of the TVA can be undone, so that we can have “Doctor Strange in the Multiverse of Madness”.

Back to “Loki” and to what Miss Minute said, which is pretty worrisome and not at all uplifting.

I mean… we can speculate who starts an uprising might be someone bad (which is not necessarily the truth, what about the people involved in the French Revolution or the American Revolutionary War or the Resistance in WW2?) but a poor guy who’s just late for work?

They don’t really see the difference between him and a guy starting an uprising because for them the matter isn’t what they were trying to do or which kind of people they were, just that they created another timeline, a crime they clearly weren’t aware to commit as no one warned them about how this was forbidden by this self imposed authority.

Loki clearly finds all this idiotic but then he hears the previous guy arguing with some sort of guard who demands his ticket. Now the previous guy is clearly a dumb liar, as insists he asked for the ticket but wasn’t given one, when he was loud enough and alone enough everyone in the room could notice he was the one refusing to take a ticket.

Anyway at this point the guard vaporizes him. In short they just murdered him, without trial or anything for the terrible crime of ‘not taking a ticket’.

Loki is appropriately shocked and hurries to get his ticket.

Something that’s also worth mentioning is the whole TVA is clearly structured to make people feel powerless.

There’s no explanation, they’re forcefully dragged in an unknown place by people claiming authority from an unknown structure, they’re forced to comply, they’re stripped naked against their will, dressed all the same, handled like objects who’re not called by their name but ‘Variant’ with even assigned a number, threatened to be melted if they don’t know they’re robot (and what if they know? They don’t take their picture or they just melt them?) and subjected to an explanation in form of a cartoon that feels absurd and that merely has the point of legitimizing the TVA as heroes and them as criminals.

Anyway Loki finds his ticket and shows it in a scene that reminds me of “Indiana Jones and The Last Crusade”. Do you remember when Indy and his father board a Zeppelin to leave Germany and Indy tosses a Nazi out of the window and explains his actions by saying the guy was without ticket so everyone shows his ticket at him?

Anyway at this point we’re shown the title, “Loki" with a filter that makes it look like an old movie and the letters changing font.

Okay, I’m a bit late but I should probably mention that, form when Loki go to the TVA the colouring had a huge abundance of yellow and brown with basically no blue (except a little in the Miss Minute cartoon) which gives an idea of this being like an old movie. The music is kind of creepy and there’s a clock tickling as we see it.

Which is an interesting idea. Even though the TVA seems so modern, furniture and the structure of the place felt all but modern. Even the robot that stripped Loki felt as if it just came out from a very old and outdated idea of how a futuristic robot would look like.

We resume the story but this time we’re at Aix-En-Provence, in France in 1549.

We’re in a beautiful gothic church and one of the TVA agents, explains that the corpses on the ground belongs to some Minutemen (the name for the TVA agents who do field work apparently) who responded to a routine Nexus event. As soon as they arrived someone jumped on them.

Mobius is there as well, and he’s apparently playing the part of the detective as he’s studying the corpses.

Hunter U-92, another poor guy who apparently has no name but just a number clearly suspect of someone and tells so to Mobius who agrees as the stab wounds look consistent with the previous, the Minutemen were hit on surprise and the reset charge (remember? The stuff that erase the deviation from the timeline) is gone.

Oh we’re also told this is the 6th attack in the last week THAT THEY KNOW OF. I hope for them it’s Saturday, because this would mean ‘only 1’ attack each day. This would be rather terrible if they were just at Monday since the day hadn’t even ended yet.

Now… remember when I was comparing the hunters of the TVA to police and wonder if the show would dig into police brutality?

Well, we’ve this scene in which someone enters in the place and Hunter U-92 is immediately ready to attack him with the wand they used against Loki or some other similar TVA weapon.

Only the one who got in is, apparently, just a kid, not the dangerous variant they’re searching and it’s Mobius who has to stop Hunter U-92 from attacking a kid who, for all they know, is completely unrelated to the crime, a kid that’s far from them and weaponless.

I don’t want to know what would have happened in Mobius hadn’t told him ‘Wait, stand down! Stand down’ (note how he has to say ‘stand down’ twice) and had physically stopped him in his track with his arm.

Mobius approaches the kid, speaking gently in French, apologizing for Hunter U-92’s behaviour, saying he’s just an imbecile.

Hunter U-92, annoyed by his comment, reminds him that he too can speak every language on the timeline, and that in short he can understand what Mobius is saying. The sentence though is more for our benefit, telling us those men can use the TVA version of Allspeak or whatever the “Loki” series wants to call it.

There’s a lovely visual showing us the kid and Mobius met in front of a beautiful stained glass window which depicts Satan.

To get the boy to talk Mobius draws a stick figure on some sort of small tablet he has and then passes it to the boy, telling him to tap on it. The boy does and the figure becomes a walking holographic projection which causes the boy to smile instead than assuming it’s witchcraft and running away screaming.

Okay, we are in 1549 and not in middle age, but that would still feel like magic even at the end of Renaissance age. But whatever, boys sometimes can put aside their fear for something that amuses them and this one had no troubles dealing with the guy killing all those TVA agents.

Anyway Mobius asks the boy if he knows who did that and the boy conveniently does. He points to the figure in the glass stained window, a horned demon, likely Satan. We might think it’s symbolic, that for the boy whoever kills someone is a demon… but… wait a moment.

Anyway Mobius says the boy shouldn’t worry because that devil is afraid of them and that they will put the boy back to where he belongs.

The boy smiles and Mobius notices his teeth are blue. It turns out that the ‘devil’ has gifted the kid with some… candies? Bubblegums?

I’ve no idea if those ‘Kablooie’ are actually some kind of American food, sorry about it but it’s clear although the kid has pointed to a devil, he wasn’t so scared by him to turn down his gift or to not try it out. And a devil giving him a gift doesn’t really feel like someone who wanted to harm him, despite the boy seeing him.

I get this feeling this ‘devil’ is targeting specifically TVA hunters only instead than the timeline or people inside it. He leads them somewhere and then attacks and dispose them. If he’s doing so because the TVA hurt him or because he wants to control the timeline that’s up to speculation.

We’ll later be said this guy is another Loki variant, and in this scenes we were given clues to figure out ourselves, like how he stabbed the TVA agents and how the boy pointed to a demon or, more specifically, to a horned figure, and we knows Loki wears horns when in his full Asgardian attire.

Anyway Mobius takes the ‘candies?’ ‘bubblegums?’ away from the boy and orders Hunter U-92 to run the candies for sequence period and temporal aura… not that Hunter U-92 thinks they’ll find anything but he’s worried because the branch is nearing red line and they need to go. In my understanding if it reaches the red line it could risk creating a multiverse.

Mobius sends the boy to play outside while Hunter U-92 orders to set a reset charge.

Again we aren’t explained what a ‘reset charge’ works.

However we’ve seen the cartoon with Miss Minute and in that one there was a reset charge and when it activated it didn’t rewind the timeline… it erased it. So the creepy things is it could be this reset charge just… destroys everything, erases all the lives in that alternate timeline because, in a way, they’re all Variants, and the TVA disposes of Variants.

Well, I hope I’m wrong because otherwise it means each time the TVA resetted a timeline they basically killed each life living in that universe, which would make Thanos, who ‘only’ killed half the population once, a rather tame mass murderer.

Anyway before the timeline is resetted another TVA person joins Mobius and it shows him a file about the just apprehended Loki. Maybe nobody except me cares but they had previously shown an image of a Loki file and in it there were question marks on where the race was. Now they’ve written ‘Frost Giant’. Either the file shown was for another Loki Variant or they managed to remember Loki was a Frost Giant and fix the file.

It could be the file for another variant though, as his height in it is given as 6’4” while in this file he’s 6’2” (1.88m) which is Tom Hiddleston’s true height (for who’s curious 6’4” is Jeff Goldblum’s height… not that I think the Grandmaster is walking around pretending to be Loki because well, this would be weird…)… or they messed up Loki’s height as well. We’ll see.

As I know some have wondered about it, Loki’s eyes are given as blue and not as green… which is correct as Tom Hiddleston said:

Loki is a sexy villain, but that’s not part of his ambition, is it? He doesn’t seem to be interested in love or sex but he has this sexuality about him, maybe it’s his lust for power. What do you think of Loki as a sexy beast? Tom Hiddleston: [Laughs] That’s the first time anyone has ever used that phrase about Loki. It’s fascinating isn’t it? I don’t know because it’s not a part of the conscious construction. I take relish in playing him. I think there’s a physical self-possession about him, a self-acceptance. Of course I’ve been very exacting about his physicality. You know, I was born with very blonde, curly hair, and a mixture of Scottish and English genes, and my complexion is very ruddy and healthy. In making him with this raven black hair and blanching my face of all color, it changes my features. Suddenly my blue eyes look a lot bluer, which lends a severity to my face. And even my own smile has a distorted menace to it. Whatever comes through me naturally is distorted. It’s almost like a filter on a light. ['Thor: The Dark World’: Tom Hiddleston on boom times for evildoers]

Which implies he never wore green contact lenses to play Loki.

Whatever, we’ll go on.

We’re back to the TVA and Loki’s trial starts.

He’s taken in front of the judge Ravonna Renslayer who addresses to him as Laufeyson. Except for a small comic later retconned in “Thor: The Dark World”, this is the first time in the MCU Loki is called Laufeyson… which is a little sad as he never identified as such (the closest he goes is to say he’s Loki of Jotunheim when he tries to trick Malekith) yet meaningful as well as the TVA evidently never recognized Odin’s ‘adoption’ as valid. For them he’s not Odinson, he’s Laufeyson because that’s what he’s born. ‘Loki Odinson’ in his file is labelled as an alias same as ‘God of Mischief’, nothing more.

But well, they aren’t really interested in his name, for them he’s ‘Variant L1130, AKA Loki Laufeyson’. Renslayer informs him he’s charged with sequence violation 7-20-89 which can mean everything and nothing at the same time as, to us, and to Loki, is just a collection of numbers, and asks him how does he plead.

Loki tries, as it’s his habit, to put up a polite yet confident front.

He claims a god doesn’t plead and has been a very enjoyable pantomime, but he'd like to go home… and boys, we know he would really like to do so. He’s putting up a front because we saw how uncomfortable and scared he was through his permanence at the TVA.

In an old interview that’s sadly no more available Tom Hiddleston said:

“The thing with Loki is that, if he’s afraid, he won’t show it. He’s been highly trained, through the experience of his slightly traumatic life, to shield his fears.”

Why didn’t we see him scared in “The Avengers” even though he took risks in it too while now we’re allowed to catch glimpses of his fear here and there?

“The Avengers” had to paint him as the big adversary, the great obstacle the heroes have to overcome.

Are we going to feel that bad for you in this movie, or are you gonna – ? Tom Hiddleston: Yeah. He does some pretty nasty things. On one level, it was like, I knew I had to up the ante because there’s seven superheroes that make up the Avengers, and, in order for the film to work, the film is the most redemptive, feel-good, kind of fist-pumping story. And, in order for the audience to be pumping their fists for Iron Man, and Hulk, and Thor, and Captain America, they need to overcome a really big obstacle. And, unfortunately, that big obstacle is me. [LAUGHS]. I hope I have retained a sense of his kind of emotional damage [like we saw in Thor]. There is a lovely scene with Chris Hemsworth where you see a glimmer of his — his vulnerability, but… he’s yielded to the dark side, you know? [Interview With Tom Hiddleston AKA Loki]

In this episode the Loki we met isn’t the adversary, he’s the main character, so we get glimpses of his true mind. He’s afraid or confuse, yet he reacts to all that by putting up a front, by presenting himself as confident and in control. It started from when he found himself in an unfamiliar situation, facing the Mongolic people and it continues and will continue and mind you, it’s a good and popular technique to hide your fear.

By presenting yourself as confident, your opponent might believe you might have some reason to be confident and be more careful and hesitate in attacking you, and sometimes this is all the advantage you need.

Renslayer remains unfazed, as she likely knows Loki has no advantage over her. She knows he’s powerless, in an unfamiliar environment he knows nothing about, forced to wear a collar that somehow controls his time, submitted to rules he knows nothing about and surrendered by enemies.

Loki isn’t the first who was carried in front of her and she knows he won’t be the last. The system is unjust and the trial a farce but she’s persuaded for it to be righteous and the right way to deal with ‘Variants’ as this leads to the greater good of avoiding wars into the Multiverse so justice and fairness are clearly not something she has to care about.

Anyway she pressures the issue and, understanding she won’t let go, Loki shifts the blame on the Avengers, pointing out how he came into possession of the Tesseract because THEY traveled through time, according to Loki in a ‘last-ditch effort to stave off his ascent to God King’.

So yes, even though he was soundly beaten by them and he’s in a bad spot Loki still tries to play highty and mighty and not cower up in fear. But how did he know about the Avengers travelling through time? We saw he noticed the whole thing with the case, but how did he knew the Avengers were involved and not some other guy?

Remember how I mentioned that “Avengers: Endgame” had Loki walking vaguely near 2022 Tony Stark and we Scott Lang asking Tony if he wears Axe body spray?

Well, Loki clearly has a fine nose because he recognized the Axe body spray coming off from 2022 Tony Stark and figured out he was a future version of 2012 Tony Stark.

It’s kind of a pity they hadn’t kept these bits in the series but whatever, I get why they might have cut them.

Loki, like most of the fandom, blames them as the Time Criminals and suggests if Rendlayer were to provide him a taskforce he could eliminate them for her.

As he spoke we see Mobius intruding in the trial and sitting down as it carries on.

Back to Renslayer, she isn’t interested in the Avengers, claiming they were supposed to go back in the past but Loki wasn’t supposed to grab the Tesseract and escape.

Loki laughs at the absurdity of the statement and demands to know who decided this.

The answer is the Time-Keepers who dictate the proper flow of time so that Renslayer can dictate the proper flow of time according to their dictation.

And you start to see the horror of this system.

The Time-Keepers arbitrarily decide which is the proper flow of time and impose it on everyone. They basically make the rules according to what they like the most… and, of course, they don’t inform anyone of which ones the rules should be.

When Loki picked up the Tesseract and escaped there was nowhere a big warning sign saying ‘if you do so you commit a crime’. He didn’t even know there were Time-Keepers and a sacred timeline and the TVA did nothing to fix this.

While in many countries you’re supposed to know the law and pledging ignorance is not an excuse, the TVA is a self imposed and not recognized Authority of whose existence nobody knows anything which dictate rules according to the Time-Keepers’ tastes.

There’s the risk of total annihilation due to a multiverse war?

Fair worry but then why they get to decide how the sacred timeline should be? Which are their criteria for it? Why the Avengers going back to time was okay?

Although they saved lives, the whole things was incredibly messy as discussed in “The Falcon And The Winter Soldier”… and that series only touched the tip of the iceberg.

But whatever. The Time-Keepers, which Loki defines gods because that’s basically how the TVA paints them, at the moment remind me of the gods of gods in the “Loki: Agent of Asgard” comic and with them the whole idea everything is a tale.

The Sacred timeline feels like nothing else but the tale the Time-Keeper enjoyed, their canon, as if they were Marvel. Everything else is a fictional Au written by fans that gets a ‘cease and desist letter’ and is erased from the net.

Anyway Loki is feed up. He decides to plea ‘guilty’ but not of the crime they’re trying to pin on him but of… using his magic against them. Only his magic doesn’t work.

Hunter B-15 is probably the first who realizes what’s going on and, chuckling, explains it to Renslayer who’s not catching up. As Loki gets angry for not managing to use them, Renslayer explains magic powers don’t work at the TVA, which might explain why she didn’t recognize what Loki was doing while Hunter B-15, used to fieldwork, did. Renslayer might have never seen people using magic powers but Hunter B-15 might have done so.

Only no, because in an interview Gugu Mbatha-raw said about her character:

“She had a history of a hunter and a more military role like Wunmi’s character” [Many Sides of Loki | Marvel Studios' Loki Cast & Creators]

So, no, I’ve no idea why she didn’t catch up. Was she playing dumb? Has she been so out of the field she didn’t recognize the signs? Or, despite being the judge at Loki’s trial she hadn’t read his file and didn’t know he could do magic? It can be, as I said the trial is a farce so she might not have cared to document herself beyond a certain point.

Hunter B-15 is still laughing. She’s enjoying this.

Anyway she decides Loki is guilty and sentenced to be ‘reset’… you know, like the timelines.

Note again how Loki had no rights in this. He had no lawyer, he wasn’t explained things, he was just asked how he pled but that one was more a pro-forma than anything else. They had already decided he wasn’t allowed to do what he did and therefore guilty.

The trial was a farce to give the TVA a semblance of justice but it’s all a show.

Back to Loki, he has no idea what they mean with ‘reset’ and they didn’t even have the courtesy to explain it to him. Angrily he says:

“You ridiculous bureaucrats will not dictate how my story ends!”

To which Renlayer replies:

“It's not your story, Mr. Laufeyson. It never was.”

So yeah, now they’ve started with the references to stories which are another subtle jab at the “Loki: Agent of Asgard” plotline.

By the way, keep in mind Renslayer’s reply.

As Loki complains they have no idea what he’s capable of and tries resisting being taken away Mobius speaks up.

Fundamentally Mobius wants Renslayer to pass Loki to him as he has a plan.

There’s clearly a story behind the relation between Renslayer and Mobius, they aren’t just professional to each other, they’re closer than that.

Renslayer agrees although she says he’ll get the blame for whatever goes wrong.

Mobius looks at Loki, Loki stops struggling and asks him who he is and Mobius smiles in a satisfied manner and doesn’t reply.

The scene shifts to them walking through the place, Loki threatening to burn the place to the ground. Mobius clearly doesn’t take him seriously, saying he can start from his desk.

The fact is… Loki is powerless and Mobius knows. We know too, we’ve seen how the trial went. However there might be more at play. Mobius knows the whole of Loki’s life which as far as we know, included only episodes of violence post discovering who he was and during his permanence on Earth.

To him Loki’s statement might feel more an expression of frustration than a sincere threat.

As they walk Loki happens to see the world outside the place he’s in from what looks like a window. He’s surprised and Mobius encourages him to have a look.

Loki points out he though there was no magic there. I’m not sure if he’s saying so because he sees car flying and assume it’s magic.

In “Thor” and “Thor: The Dark World” magic was compared to science so maybe that’s what he’s saying, that the world he sees seems to advanced.

Mobius insists there isn’t magic there so Loki says that’s not real.

They exchange some more lines in which Mobius continues to play on Loki’s declaration he’ll burn the place down.

I’m curious.

We know Mobius is actually chasing another Loki Variant, one who killed many TVA agents (we’ll see some of them got burned down too).

He’ll later claim this Loki is not dangerous, but what’s the difference between this Loki and the other? What makes the other dangerous? And can’t this Loki get dangerous too?

Is Mobius doing the same that Loki does?

Acting confident and joking about Loki burning down the place because he actually fears he might have the potential to just do so if not handled correctly?

We’ll see.

Once they’re on a lift Mobius decides to introduce himself as ‘Agent Mobius’ and offers him his hand to shake… and I’m reminded of this scene from “The Avengers”.

Natasha: But you figured I'd come. Loki: After. After whatever tortures Fury can concoct, you would appear as a friend, as a balm. And I would cooperate.

The TVA doesn’t see what they’ve done as torture or even as ‘wrong’… but many states wouldn’t approve of some sort of vigilante capture a person for something THEY labelled a crime, force him to undress, destabilize him to the point he’s not even sure if he’s a human or a robot, put him through a mock trial and then threaten him to be ‘reset’.

It’s in dystopic universes you find authorities who can just arrest you for breaking laws they made up without your knowledge and then decide of your life.

Mobius might not be looking like Natasha but, after all this, someone acting like a friend would make him automatically more cooperative and, in a way, it does.

Hunter B-15 had to drag him where Loki just follows Mobius more or less quietly.

Anyway, back to the story.

Mobius decided to introduce himself in a friendly manner and I would want to remark Loki asked him who he was when they were at the trial so this is a rather late introduction which he might be doing right now because we just hear Loki sighing as he’s clearly unnerved.

Mobius is playing the role of the good cop in a way, trying to gain his trust.

Loki doesn’t handshake, he’s not going to make friend so easily, but asks him if he’s taking him somewhere to kill him.

Mobius says no, that’s where he just was which, if it’s not a lie, means that resetting Loki would have meant to actually kill him. So again… what about the timelines that get resetted? All the people in them get killed? The place gets razed to the ground? Disintegrated? What?

Mobius’ reply might be truthful but it’s also clever because he’s setting himself up as Loki’s ‘saviour’. Others wanted to kill Loki but he? He just saved him which begs the question of ‘shouldn’t Loki be a good boy and comply with Mobius’ requests and trust him and all the stuff?’

Now… I know that people feel like Mobius is a good guy because he saved Loki but the story will make clear he didn’t do it out of the goodness of his heart… but merely because he needs him.

We’ve seen Mobius with the boy before, he made him comfortable so that the boy complied and gave him info, which is one of the many interrogating techniques.

That’s what Mobius is doing here.

Anyway we proceed with the best known scene of “Loki” as it was in the very first trailer.

I remember people discussing Mobius’ words about Loki liking to talk, as in the first movie he was often silent and quiet.

Well, to be honest if the movie had been left in his original cut Loki would have surely talked more, but what stuck with me watching “Thor” wasn’t so much that Loki was often quiet, but that many times he attempts to speak but he’s silenced.

On the Rainbow Bridge Volstagg asks him:

Volstagg: What happened? Your silver tongue turn to lead?

…which means Loki normally was skilful at persuading people to believe what they say or to do what they want them to do, which doesn’t necessarily makes him a chatter, but surely someone who knows how to talk. And we see that in “The Avengers” when nobody is there to interrupt him he allows himself to monologue. It’s an interpretation, of course, with whom people can disagree.

Anyway Loki decides to talk with Mobius. It’s not a stupid decision. Mobius is clearly not seeing him as a threat but he’s not being overly hostile either. Loki is completely a fish out of the water so it’s in his own interest to play along with Mobius, talk with him and find out more information about the place. In fact the first thing he asks is how long Mobius had been there, because this is tied in how much knowledge he could have.

In fact, the more he’d been there, the more he might know.

Mobius though remarks since time passes differently at the TVA he has no idea… which is a convenient reply as it only confuses Loki and explains nothing. In fact he could have said not the exact time he’d been there but give an approximation like ‘a lot’ or ‘very little’, instead, by giving out a vague reply he gives Loki an info he could do nothing with (time passes differently) and no real info about himself. At the same time, by giving out an answer, he again seems amicable, like how, when Loki asks what his answer means, he says Loki will catch up, as if he’s not withholding information, it’s just ‘complicate’.

Loki resorts to check the information Miss Minute gave him in her cartoon, which Mobius confirms because he has nothing to lose.

Loki laughs and tries to spark a response by being rude in defining the TVA system.

“The idea that your little club decides the fate of trillions of people across all of existence at the behest of three space lizards, yes, it's funny. It's absurd.”

Note, ‘little club’, ‘three space lizards’, ‘funny’, ‘absurd’.

He’s mocking the system, likely in order to get a response, but also in order to gain some measure of control.

It’s something he has done during the trial and is something he did in “Thor: The Dark World” facing Odin… or in “The Avengers” when he was held captive. But in “The Avengers” and “Thor: The Dark World” he had some understanding of what to expect. Here he’s blind flying, trying to test Mobius to see what he can get out of him while still trying to hold a façade of control.

On another note Loki says rather often how all this is absurd. To him this is a world of nonsense, like the one Alice found when she ended up in Wonderland (and it’s ironic how “Alice in the Wonderland” also contain a mock trial about the stealing of tarts in which rules are made on the spot as well as Alice here and there questioning her own identity or discussions about paths…) but I think having him repeat ‘it’s absurd’ so often it’s also for us viewers, to drive home we’re in a dystopic universe.

The TVA isn’t good, it’s absurd, with its rules that don’t make sense, a huge bureaucratic world and we might laugh at it if it wasn’t that’s also an organization that kidnap people from their timelines and subject them to their rules, rules they follow without questioning, like religious fanatics.

Who says what the Time-Keepers chose it has to happen is better than something else? They don’t know but, what’s more, they don’t care.

But let’s go on.

Mobius don’t fall for Loki’s provocation, he just retorts

“I thought you didn't like to talk.”

Which is a convenient way to answer Loki without giving Loki any answer.

They enter in a room which, Loki comments, looks very much ‘like a killing-me kind of a room’.

Mobius turns the situation by shifting the blame on Loki. It’s not that the room looks like a killing-him kind of room, it’s just that Loki is not big on trust. Because Mobius is totally deserving Loki’s trust because he saved him and was nice to him and acted like the perfect good cop so Loki really, should trust him. If he’s not doing it then it’s because he’s lacking in the trusting department.

But Loki had had his fill with trusting people and then discovering he wasn’t his parents’ son nor an Asgardian. His answer his moved by all the pain that discovery caused him.

“Trust is for children and dogs. There's only one person you can trust.”

Mobius’ reply again doesn’t take Loki’s words seriously, as if they were just something to slap on a shirt. He’s being passive aggressive in order to force Loki to question himself and keep control of him. The more Loki is unsure and question himself, the easy for Mobius is to manipulate him.

A break here.

It’s not that everyone has only one person they can trust… actually sometimes you can’t even trust yourself, while some other times you’ve plenty of people you can trust.

The idea you CAN’T trust in anyone is as damaging as the idea you should blindly trust in people but, in Loki’s situation yes, he should definitely only trust in himself, everyone in that situation should do it, trauma of being lied through your whole life or not, because Mobius isn’t doing all his out of good will but out of his need to use Loki.

So he’s not to be blindly trusted, he’s to be assessed so that one can see up until which point Mobius can be of some aid, so as to turn the exchange one of reciprocal benefit. If Loki were to hand himself in his hands, instead, only Mobius would get a gain for it, while Loki would risk to be used and then disposed once he has ended his purpose.

As Mobius is fiddling with a round thing that apparently control a projector, Loki questions him again, but with those words he has raised the bar a little.

If Mobius wants him to trust him, he has to start giving more clear answers.

“If the TVA truly oversees all of time, how have I never heard of you until now?”

Mobius is still good at diverting the attention as his reply irritates Loki and causes him to lose track of the conversation.

Mobius: 'Cause you've never needed to. You've always lived within your set path. Loki: I live within whatever path I choose. Mobius: Sure you do.

There are two things from the exchange.

One is that Mobius ends up confirming that the TVA is sort of a secret organization that decides for others, that’s ABOVE OTHERS. They don’t let you know which rules you’ve to follow, they decide which rule you’ve to follow and then let you blind fly until you stumble into a rule you didn’t know exist and break it. And then they come to punish you. And that’s when you learn they existed.

The second is that again Mobius, while not openly disagree with him, is dismissive of Loki. He has made him defensive by pushing him to say ‘I live within whatever path I choose’ then he hadn’t outright said ‘no, you don’t’ but by the way he replied he hugely implied it in a manner that sounds more like he had said ‘oh, you naïve child, and your delusions, of course you don’t chose your path’.

As Mobius invites him to sit down Loki tries to attack him since Mobius gave him his back but Mobius uses what we’ll learn is a Time Twister to loops him and send him standing back where he was. Then Mobius very calmly insists for Loki to have a seat, again driving home the point that Loki has no choices and is powerless.

Loki complies and sit down.

We can argue if he should have or not but the truth is there was no real point in resisting beyond making things difficult for himself because if there’s something true here is that he’s powerless and he should just bid his time and search for a weakness, instead than resisting.

Of course this is all well and good for Mobius, as things are proceeding in the way he wants.

Loki crosses his arms, which, in body language, hints that he’s feeling anxious, resistant, tense, insecure, afraid, or responding to distress. Arms crossed indicate also defensiveness, unyielding attitudes, and perseverance working as an act of self-comfort.

Long story short, Loki is not comfortable or willing to cooperate and he’s physically putting a barrier between himself and Mobius… and letting Mobius know of this.

Mobius is unfazed.

“If looks could kill.”

It’s a simple sentence that let Loki know that yes, he gets the message Loki isn’t going to go down to this willingly, but also reminds him of Loki’s powerlessness and of how Mobius is unafraid and in a position of power. ‘If looks could kill… you would kill me, but looks can’t kill so you’ll have to sit there and do as I say. Your resistance is futile. Amusing even.’

Loki doesn’t play along, making clear he doesn’t plan to cooperate. At least not easily. Mobius doesn’t believe him.

“Really? Even when you're wooing someone powerful you intend to betray? Come on.”

It’s an interesting sentence for Mobius to say, because he’s lampshading Loki isn’t using with him the same technique he used with Thanos and the Grandmaster. Since the story knows Loki should act more cooperative and obedient according to his previous records, I wonder which point they’re trying to make. Is the idea that Loki started to act as such after his one year imprisonment in Asgard, understanding opening defiling Odin got him nowhere and that he should have instead played along, therefore this Loki hadn’t gotten to that point yet?

Or is the idea Loki is deliberately choosing to act like this because he has already figured playing along with Mobius wouldn’t work?

We’ll see.

The answer could as well be a Doylist one, the audience expects him to act a certain way, the author is aware Loki normally acted in a certain way but they wanted him to act differently for… reasons.

We’ll see.

Mobius continues to make a show of his power. He is specialized in the pursuit of dangerous Variants but not like Loki, Loki is just a pussycat… only it’s EXACTLY like Loki… as it’s Loki he’s pursuing. Another version of him. He’s not telling him that though, exactly because the whole point of the discussion is making Loki feel small so that he can control him.

Credits when it’s due, Mobius is playing a dangerous game because the Loki he’s pursuit and this one might be two different Variants but they’re always Loki and this one has all the potential to become the same as the other, if he’s not already and just keeping it buried inside himself.

Anyway, the fact that Loki is so contrary, forces Mobius to act as if he were willing to make Loki some concessions for his cooperation. A reward for good behaviour if so we can call it.

“You answer them honestly, and then maybe I can give you something you want. You wanna get out of here, right?”

The truth is I genuinely doubt Mobius can grant him that, or, at least, not that in the way Loki might intend it. The TVA erased the timeline he came from. He has no more a place outside of the TVA. The most ‘getting out of there’ could mean is what will later happen, make him a worker for the TVA. He won’t be allowed to go back home, he’ll just have to serve them in exchange for having them not delete him.

Mobius though shifts cards and pretends it means he can go back to where he was, asking him what he would do, should he return.

I particularly enjoy this dialogue.

Mobius: You wanna be king? Loki: I don't want to be, I was born to be. Mobius: I know, but king of what exactly? Loki: ( Scoffs ) You wouldn't understand. Mobius: Try me. Loki: Midgard.

The ‘I don’t want to be’ echoes what Loki said to Thor in “Thor”…

“I never wanted the throne! I only ever wanted to be your equal.”

…and ties in with what Odin told him as a child…

“Only one of you can ascend to the throne. But both of you were born to be kings.”

Which is something Loki hints at in “Thor: The Dark World” as well.

Frigga: You know full well it was your actions that brought you here. Loki: My actions. I was merely giving truth to the lie that I had been fed my entire life, that I was born to be a king.

“The Avengers” suffers of a huge plot problem in this regard, which is the jump between Loki in “Thor” and Loki in “The Avengers”. In the year that went between the two Loki is deeply changed but “The Avengers” refused to explain why, it just shows us a different Loki.

To search for an explanation we’ve to read interviews:

“And in the time between the end of Thor and the beginning of the Avengers, Loki has explored the shadowy highways and byways of the universe – and he’s met some terrible, terrible people and probably had some awful experiences, which he has survived and overcome. So by the time he arrives in The Avengers, he knows the extent of his power – and he’s unafraid to use it. And more importantly, he’s unafraid to enjoy it.” In Marvel’s The Avengers, Loki sets out to remake Earth as his personal kingdom. “That’s his motivation. Thor has his own kingdom in Asgard. Why shouldn’t Loki have his own? As Loki sees it, planet Earth is a world at war with itself. All of these races and tribes are fighting each other. And if they were united in the reverence of one king, there would be peace. It’s not that he plans to attack Earth. It’s that he plans to ‘restructure’ it as a new kingdom of which he will be the head. Loki feels that it’s his birthright. He feels that he was born to rule. And he sees the human race as an incredibly weak people who actually were made to be ruled. And, in his mind and in his opinion, the human race functions better under rule.” [The art of The Avengers]

“I think he went, like with everything else, to—Joss Whedon and I discussed it—to a sort of… it was just, like, the worst place imaginable. I think he went to, sort of, all of the darkest recesses of the universe. I’m sure he had a brush with—several brushes with death. I think he ran into the shadiest characters you can find in the Nine Realms. I think he had to rely on his wits to protect himself. It was really, really, really unpleasant, I think. I don’t have any frame of reference for that, except for imagining what it might be like to be kidnapped by a terrorist or something and have to survive a very, very frightening and precarious existence. But whatever it was, it was important when Loki came back for The Avengers, that whatever compassion he had left was absolutely shriveled to a minimum because of the experience that he had. Harrowing, I think, and scarring for life—in a way that Thor and Odin and Frigga find very, very difficult to understand.” [Tom Hiddleston - live on stage Q&A: Popcorn Taxi - part 2]

And in the end we stumble into this:

“Well, I can’t tell you exactly what went on because it’s this dark, dark secret that I didn’t make up yet. But, the other day, I had trouble with that because he had this very passionate Shakespearean tragedy thing going on in Thor and then I needed a villain who’s not only capable, but ready and willing and anxious to take on all these heroes. For me, he just basically went on some horrible walkabout… That was pretty much as far as I got.” [Joss Whedon told Comic-Con the question he doesn’t want us to ask ever again ]

So fundamentally “The Avengers” didn’t know what happened to Loki that changed him, they just went with the idea something bad happened, which of course should have happened since Loki met up with Thanos, who’s famous for torturing his daughters. They also tossed in that while on Midgard he was under the influence of the Mind stone.

“Gifted with a Scepter that acted as a mind control device, Loki would be able to influence others. Unbeknownst to him, the Scepter was also influencing him, fuelling his hatred over his brother Thor and the inhabitants of Earth.” [www.marvel.com/characters/loki/on-screen]

Ultimately though, what happened is never stated nor explained.

When Loki wants Asgard’s throne it’s clear he’s doing so because he associates it with his father’s love. Who gets the throne is the son Odin’s love.

“To prove to Father that I am the worthy son. When he wakes, I will have saved his life. I will have destroyed that race of monsters. And I will be true heir to the throne!”

But Midgard? Midgard is chosen by Thanos, because he needs the Tesseract, which is there. Did Loki wanted it too? Or was it Thanos who chose for him? Hard to say but “The Avengers” still ties Loki’s wish for a kingdom to his father.

THE OTHER: You question us? You question him? He who put the scepter in your hand, who gave you ancient knowledge and new purpose when you were cast out, defeated? LOKI: I was a king! The rightful kind of Asgard! Betrayed! THE OTHER: Your ambition is little, born of childish need. We look beyond the Earth to greater worlds the Tesseract will unveil.

It makes sense. When Loki is told his whole life is a lie, his first action is try to erase the truth by erasing Jotunheim. That was as much personal as practical (they were at war with Jotunheim). Becoming a king might have been another attempt at still erasing the truth. He doesn’t attempt to become king of Jotunheim, as it would be his birthright, but of something else, Midgard. He’s imitating Odin.

Loki: I went down to Midgard to rule the people of Earth as a benevolent god. Just like you.

All this to say that Loki’s reply ‘I don't want to be, I was born to be’ is actually a lot more layered that it sounds is actually a lot more layered that it sounds and that’s why he doesn’t think Mobius would understand it and gives him a simple answer, something he thinks he could understand. A location over which he could rule.

At the same time the irony of the situation isn’t lost on me. A moment ago Loki said he ‘live within whatever path he chooses’ yet he claims he was born to do something. This wasn’t a choice, this was predetermination. Or letting Odin dictate his path.

Anyway Loki claims he would then move to conquer Asgard and the Nine Realms and agree when Mobius suggests him to go for the space… and honestly I think here Loki is just playing a part. He’s giving Mobius the answers he thinks Mobius wants, an evil Loki. “Loki” clearly is not going to retcon “Thor: Ragnarok” and we’ve seen that in that movie once Loki had the throne of Asgard he didn’t start a conquering rampage but just contented himself with it.

So, no, Loki doesn’t want to rule the universe, he just wants to prove himself something he was told was true.

Mobius don’t take him seriously, either because he knows Loki doesn’t aim to universe domination or because this is convenient for him. He says something interesting though, albeit misleading.

Loki: Mock me if you dare. Mobius: No, I'm not. Honestly, I'm actually a fan. Yeah. And I guess I'm wondering why does someone with so much range just wanna rule?

With ‘I’m actually a fan’ I don’t think he means he supports Loki, I think he’s subtly hinting he’s very interested in Loki. The other Loki, the Variant he’s trying to catch and that holds them all in a stalemate. Kind of like Sherlock Holmes might have appreciated Professor Moriarty’s intellect. This Loki and his other Variant might have a shared past… which makes this Loki interesting as well.

Then Mobius lead Loki in a loop in Loki’s reasoning. Loki is big on how he decides what he does. He values his own freedom. A huge part of why he reject the TVA system is because they want to dictate what he can and can’t do.

Yet in “The Avengers” he said:

Loki: I come with glad tidings, of a world made free. Fury: Free from what? Loki: Freedom. Freedom is life's great lie. Once you accept that, in your heart...[Like a gunslinger, Loki turns to face Selvig who's standing behind him and places his spear against Selvig's heart. Selvig's eyes glow black.] Loki: You will know peace.

and

Loki: Kneel before me. [The crowd ignores him. Three more Loki's appear, surrounding and blocking the crowd from escaping.] I said KNEEL! [While the crowd quietly kneels, Loki embraces out his arms with a wide smile] Is not this simpler? Is this not your natural state? It's the unspoken truth of humanity, that you crave subjugation. The bright lure of freedom diminishes your life's joy in a mad scramble for power, for identity. You were made to be ruled. In the end, you will always kneel.

It’s unclear how Loki came up with those ideas, albeit the fact he came from Asgard, which is a place where Odin rules as a supreme ruler and humans are viewed as inferior…

Odin: She does not belong here in Asgard anymore than a goat belongs at a banquet table.

…this might be another result of Odin’s awesome parenting, and not necessarily the result of Thanos’ manipulation… though the two might have superimposed so that it’s hard to say where one stop and the other begins.

Loki confirms this view here as well.

Loki: I would've made it easy for them. Mobius: People like easy. Loki: The first and most oppressive lie ever uttered was the song of freedom. Mobius: How's that one go? Loki: For nearly every living thing, choice breeds shame and uncertainty and regret. There's a fork in every road, yet the wrong path always taken.

On a personal note I think Loki wants to see himself above of this, but it’s clear that he too had to deal with choices that breed shame, uncertainty and regret, never mentioning he believes he was seen as inferior by Odin and deprived of his path.

Loki: So I am no more than another stolen relic, locked up here until you might have use of me.

The fact he thinks Odin would have never put on the throne of Asgard a Frost Giant (a monster and therefore even more inferior in the Asgardians’ opinion than humans) no matter what and that he thinks this got confirmed when Odin told him he couldn’t do it, which pushed him to let go of Gungnir.

Loki wants to be above… he wants to be the master of his fate after instead he was forced to dance on other people’s strings (Odin, Thanos) but deep down he’s drawing from his own experience the downsides of freedom. He just wants to overcome them.

Mobius then says he’ll show Loki a sampling of Loki’s greatest hits… which are basically the end of the battle of New York.

It’s fundamentally a close up of how he was beaten and how he asked for a drink, which Mobius mocks further offering him a drink, which Loki refuses pointing out he remembers that scene.

We kind of stumble in a problem the series has. Mobius says:

“It's funny, for someone born to rule, you sure do lose a lot. You might even say it's in your nature.”

The problem here is that the sentence is misleading. Loki at the moment has two big failures on his shoulders, the one in “Thor” and the one in “The Avengers”. It doesn’t make a lot and note that in “The Avengers” he also had minor successes. He walked away from SHIELD’s facility with the Tesseract, he managed to have Clint Barton steal the Iridium, he let the Avengers capture him so that he could let the Hulk lose, which worked and he could recover the scepter and escape, he managed to open the portal and let the Chitauri in. Basically, since he let himself be captured and even Steve knows, Loki won all the battles except the one who decided the war. Which yes, was a big loss because it was the one that mattered the most but still it shows Loki’s losing record isn’t as big as Mobius makes it look like.

Loki ends up bringing up Coulson. To prove his point that Loki isn’t really good at winning Mobius could bring up the fact that Coulson was resurrected in “Agents of S.H.I.E.L.D.” but no, he prefers to say the Avengers came together to literally avenge him by defeating him.

Now yes, Coulson’s death played a big part in all that, they felt guilty and sorry for him, as they all were tied to him one way or the other and this made what Loki did personal enough they could easily put away their differences… but I’m not overly fond of this theory because it implies if Coulson hadn’t died the Avengers would have never came together, would have never overcome their difficulties and would have lost.

Which, I guess, might be a possibility “Loki” might want to explore, we saw in a trailer an image of New York completely destroyed… but it’s something I don’t particularly like because it paints the Avengers in a pretty dark light.

If they didn’t have a common grief, they would have never cooperate for the common good.

Of course it’s not that Mobius care, this explanation is convenient for him, an Augustinian view of evil in which evil collapse its evil’s own doing. Because Loki killed Coulson, Loki set up his own defeat. Evil loses because it’s a snake that bites its own tail… which is an interesting view, really, but, in this case, it put a huge shadow on the Avengers.

Whatever, let’s go on, Mobius’ point is to make Loki feel small, not to explain him why he lost.

But still… he would manage to make a better point if the series weren’t forced to use only the footage from the movies. But well, I guess they had no other choice.

I enjoy the next bit of discussion. Mobius asks Loki:

“Do you enjoy hurting people? Making them feel small? Making them feel afraid?”

Which is exactly what he’s doing to him. There’s a huge irony in the whole discussion. They both think they’re in the right doing what they’re doing/what they did and that this excuses their actions.

They set up a moral motive, Loki sees himself as a liberator, Mobius sees himself as the saviour of the sacred timeline so they are above others, they came make them feel small and afraid and don’t have to feel guilty for it.

They get to a stalemate, although Loki isn’t looking at the screen, which is our clue he isn’t enjoying what he’s seeing, the people suffering. He didn’t like to look at them in “The Avengers” either, not looking when he ‘freed that eyeball’ as Mobius put in. Even when Thor forces him to look at the attacked city he shows he’s distressed. Loki however enjoyed being at the centre of the attention, it’s that what got him to smile, not hurting that man.

But whatever, to try to compensate, the series shows us some unseen material from Loki’s past, namely when he played the role of D.B. Cooper.

On a sidenote this hugely confirms my theory Loki used to hang out on Earth since he could play that part. Among the other things which the series didn’t show Cooper appeared familiar with the local terrain; at one point he remarked, "Looks like Tacoma down there," as the aircraft flew above it. He also correctly mentioned that McChord Air Force Base was only a 20-minute drive (at that time) from Seattle-Tacoma Airport. He asks for 2 bourbon and soda, paid his drink tab (and attempted to give flight attendant Tina Mucklow the change). He even offered to request meals for the flight crew during the stop in Seattle This makes Loki someone who knows very well how things work in Midgard… contrary to Thor.

Mobius introduces the whole thing saying

“You're really good at doing awful things, and then just getting away.”

And yes, it was awful. Although Cooper is described as extremely polite I can’t imagine that the crew who knew he had a bomb onboard felt comfortable with dealing with that situation. The worst part though is that he did it because he lost a bet with Thor.

Now they don’t exactly dig in what the bet was, but Heimdall was likely watching his every move and Thor asking him to do something similar as penance for losing a bet paints Thor also as pretty awful.

The best part though is that Loki excuses it by saying ‘he was young’. The whole thing took place in 1971, in short, 41 years before “The Avengers”. 41 years are a lot for a human, enough to make them say ’41 years ago I was young’, but Loki is at least 1047 in “The Avengers”. We don’t know how fast exactly Frost Giants and Asgardians age but, unless they do an abrupt jump, if Loki was young 41 years ago, he probably still is, which would match with the fan theory he’s actually around 17 in human years.

Now we can take Loki’s sentence as something a young person would say, as in a span of a short time they effectively grow and change a lot so their slightly younger self might feel a lot younger to them, or he might be talking in a more metaphorical sense.

Discovering the truth about himself and what followed forced him to grow faster. Now he wouldn’t do such immature things… which is a rather sad though.

At Loki’s request of where was the TVA back then, Mobius replies they were right there with him, just surfing that Sacred Timeline. Loki asks then if that has the Time-Keepers' seal of approval.

He scores one on this one as Mobius can’t reply, he just says not to think in terms of approval or disapproval.

Let’s remember something else that had the Time-Keepers' seal of approval was Thanos wiping away half of the universe but not just that. There’s also Thanos travelling through time to get to that future and stop “The Avengers” from undoing what he did with the infinity stones, which means they approved Tony Stark’s death in order to stop him.

Awesome people, don’t you think? More similar to writers who’ve to sell a good story than to people who care and wants to protect the people who lives in the timeline.

Anyway Mobius says they’ll go back to Loki’s escape and to a little psychobabble, which tells us not even Mobius sees this as a psychology session or therapy or whatever you want to call it. This interrogatory’s aim isn’t to let him know Loki better, he believes he knows him already. He’s trying to shape Loki into a willing collaborator because that’s his goal, not heal Loki or whatever.

Mind you, I think he’d like to get to know Loki in the sense he’s trying to catch a Loki and knowing Loki better might help him in his work… but so far he really hadn’t asked anything he didn’t know already so no, this isn’t a big ‘let’s get to know Loki’, though he might find some interest in seeing what makes him tick in the conversation, this is just a ‘let’s manipulate Loki into cooperating’.

Loki wants to stand, Mobius uses the Time Twister to loops him ‘back in his cage’. Because don’t mistake the situation just because he’s not being aggressive or physically abusive, Loki is in a cage and Mobius makes a show of showing it to Loki. He can’t stand up without Mobius’ permission and Mobius further remarks it by saying he ‘can play the heavy keys, too’, in short that he can play the role of the ‘bad cop’ that slams back the prisoner in his chair when he tries to move.

Or should we assume Mobius feared Loki was going to attack him?

Maybe, as I said Loki and Mobius might be more similar than it looks like, both acting in control and high and mighty to hide they are actually in a tight spot. Mobius isn’t a hunter, he might not be strong, he might not know how to fight beyond waving that Time Twister and the TVA wand, while Loki knows. We don’t know from which race Mobius is, but Asgardians and Frost Giants are naturally very physically strong, much stronger than humans, and Mobius might belong to a race that’s just not the same.

But still the scene works conveniently for Mobius, because it’s another chance to drive home how he completely control Loki.

Loki’s reply, regardless of it being sincere or not, is good because it says Mobius just overreacted as Loki merely wanted to make a point.

After an exchange in which Mobius gives him permission to stand and Loki remarks he’ll do what he wants, which in a way he did since ultimately he stood, he asks him what he wants.

Mobius says

“I want you to be honest about why you do what you do.”

Loki calls it a lie and he’s probably not completely right but neither completely wrong. Mobius likely doesn’t care about why Loki did what he did in the past, that’s not a time he has to deal with, but he cares about forcing Loki to be honest. Loki has to trust him and cooperate with him and this includes that he has to open up. Mobius has to already know the answer to his questions, otherwise he could never know if Loki is being honest and he knows them because he knows Loki’s future, how he evolves, how it pained him to see Frigga die, how he saved Thor even though it lead him to be stabbed, how he didn’t aim for space domination when he was king of Asgard, how he came back to save Asgard, how he died for his brother.

So Mobius is not lying when he says he wants Loki to be honest… but that’s not because he cares about the answer, which is what Loki figured and why Loki called him a liar. It’s a matter of control and Loki can see it.

Loki: I know what this place is. Mobius: What is it? Loki: It's an illusion. It's a cruel, elaborate trick conjured by the weak to inspire fear. A desperate attempt at control. Now, you all parade about as if you're the divine arbiters of power in the universe.

And Mobius claims to be sure to have such a role which again, it’s an awesome irony because they both play the same game, they act as if they’re superior than others.

Mobius shows him his speech about freedom, which of course feels like a slap on his face because now it’s turned against him and his mad scramble for power.

Loki catches up and insists on his freedom, on how he’s the one in charge of his destiny who will win because HE did it, not because it was supposed to happen or was allowed by the TVA.

Mobius tries to bring him down again informing him if he hadn’t picked up the Tesseract he would have been taken to a cell on Asgard… or, you know, he might have been out there killing TVA men staging the 7th attack in the last week that they know of. But let’s not tell this to Loki at this stage. It might give him ideas about not being completely powerless against the TVA.

Mobius shows him the scene of his return to Asgard, which Loki rejects as a trick as ‘it never happened’.

Mobius agrees, it didn’t happen TO HIM, but it would have because they know also how his future was meant to be and that he should think of it as ‘comforting’. Which is not considering how his life was meant to be.

Note how Mobius is showing him only Frigga. How she was there for him when he came back, how she asked him if she wasn’t his mother and how he rejected her, hurting her. Loki doesn’t know what the argument was about or what pushed him to say so, all he sees is her being there for him and him hurting her and as he watches he moves closer.

Then Mobius explains how Loki believed to send the dark elves to Thor and instead sent them to Frigga… only he’s conveniently overlooking Loki had no idea they were Dark Elves or that there was a Dark Elves attack. Loki assumed the Kurse was just another Marauder arrested by Thor.

The Marauders were a collective of loosely affiliated alien pirates composed of many different races. When the Kurse is captured no Asgardian figured out what he is, they’re all persuaded the Dark Elves are dead, exterminated by Bor. For all Loki’s know this is a prison uprising, the Dark Elves’ ships hadn’t even appeared yet and started their attack when Loki sent Kurse on his way.

Mobius is cherry picking facts so as to shape them the way he wants.

Loki is shocked at seeing Frigga’s death which Mobius knew would have happened because he knew how he reacted when this happened.

He tries to rationalize what he saw by thinking they captured Frigga and forced her to play that part, while Mobius insists that’s the proper flow of time and that’s what has to happen because it has to and the TVA makes sure of it. However, although the TVA ensures Frigga’s death, he tries to make it all Loki’s fault. He caused it, and now Mobius wants to know if he enjoys hurting people, as if he could not know how devastated Loki was when Frigga died. He asks him if he enjoys killing people like he did with his mother.

He knows the past time Loki felt completely responsible for it, he’s trying to get him to feel the same even if Loki actually never meant to kill Frigga.

On a sidenote, he’s trying to send him on a vulnerable loop to get his collaboration like Thor did that time… but it’s a dumb move. Let’s assume Loki swallows they could send him back to his time and accepts to submit to being jailed. The TVA would still ensure he would direct the Kurse to Frigga so that she’ll die because this is the proper flow of time for them.

Although I doubt he meant it, Mobius actually isn’t giving Loki reasons to cooperate with him permanently, just to think harder to a way to avoid that future.

I don’t really know what Mobius is thinking but he seems so sure that he can come out as so overly powerful and righteous he can both bend Loki to his will by saying he’s to blame for Frigga’s death and, at the same time, that he should do nothing to prevent it.

Anyway at this point Loki attack him and is looped again. He ends on the ground with Mobius apologizing, BEFORE PUTTING THE TIME TWISTER IN HIS POCKET, saying it because the Time Twister just loops him, not the furniture… but he actually meant it, because Loki had been standing by a while and he could have looped him to just standing there.

Mobius goes on trying to make him again feel even more smaller.

“You weren't born to be king, Loki. You were born to cause pain and suffering and death. That's how it is, that's how it was, that's how it will be. All so that others can achieve their best versions of themselves.”

In short he was born to be used by the sacred timeline to create heroes. But it’s a ridicule argument, in itself, because every living being create pain and suffering in his life, albeit sometimes in smaller measure than Loki or for better reasons. And the idea that people become better only through pain and suffering and death… is scary because somehow it legitimize it. It makes right to kill Coulson because then the Avengers can be born. It makes right for Thanos to wipe away half of humanity because so the Avengers joined forces again.

It’s a damaging and wrong mindset… that Mobius is of course pushing forward because that’s the narrative the TVA spins. They don’t save people, they just decide who lives and die according to their taste… which works if you’re a storywriter but it’s awful if you’re talking of real people.

Loki calms down and asks again what is that place. Mobius offers him his hand in a classic stick and carrot game. He wants Loki to obey. Loki complies and they’re interrupted by Hunter B-15. Mobius is forced to leave with her but not before telling Loki:

“Don't go anywhere. It was just getting good. Spirited.”

In short he was enjoying making Loki feel miserable, which I don’t think he does because he’s a jerk but just because that’s his job. Like Hunter B-15, they’re very motivated in doing their job to the point they don’t realize the other isn’t just ‘a variant’ but a person with feeling. They think they’re doing the people a service by murdering the extra.

Kind of like how Thanos saw himself as noble when he murdered half of the people in the universe to save the other half and expected people to feel grateful to him.

By the way, do you think that Loki is complying too easily?

Not really, do check the way he let Mobius pull him up and how he then moves his left hand for a moment inside his pocket to pull it out immediately afterward. We’ll come back to it in a moment. For now let’s follow the plot that has Hunter B-15 claiming that talking ‘to that Variant’ is a mistake as he should just be reset, read, if Mobius had been honest, killed.

For Hunter B-15 Loki is not a person, he’s just a Variant, a Variant to destroy. Actually it’s not even because the other Loki Variant is killing their units, because Mobius says she thinks all the Variants should be reset.

And remember about how Loki could be in a jail or plotting the 7th attack in the last week that they know of? Well, that’s just what the other Loki variant did as they just lost another unit.

I know I should be cheering for this Loki but I’m also really cheering for that other Loki variant. Go burn the TVA to the ground.

Mobius goes back to Loki and… discovers he disappeared. Because when Loki let Mobius pull him up he caught his chance to stuff his hand in Mobius’ pocket, steal the Time Twister and put it in his own pocket. That’s what Loki was thinking when he calmed down, a plan to get out of there, a chance to take the Time Twister.

Now… don’t the TVA know in advance what happens in the TVA? What the Variants would do once they’re captive? Because Mobius seems genuinely surprised and they’ve to search for Loki so for all their bragging about knowing everything and controlling everything maybe they actually don’t. They can’t control the Variants, which is why the other Loki Variant can attack without them knowing in advance. Their sacred timeline doesn’t cover it so they’re blind to it.

Of course it’s possible he let Loki take it on purpose but I want to think against it.

We see that Loki has looped himself in an early point of his entrance in the TVA and has noticed Casey, the guy at the desk who has taken the Tesseract. He follows him, clearly planning to get the Tesseract back and, with it, to leave the place.

Mobius and Hunter B-15 search for Loki, giving each other the blame for his disappearance. Hunter B-15 would like to catch this chance to dispose of Loki but Mobius rejects the idea since he believes he can still help.

Loki tracks Casey down. Casey recognizes him and he forces him to kneel behind the desk. He asks him his name and once he has it he tells him in his most threatening tone to give him the Tesseract or he’ll gut him like a fish.

Only Casey wants to know what’s a fish because he wants to know what he’s being threatened with, before complying and he has spent all his life behind a desk so he has no idea what a fish is. I guess he also doesn’t know what it means gutting.

Loki can’t imagine not knowing what a fish is… which is kind of weird because he should know for example humans never head of bilchsnipes… but maybe due to his name he’s thinking Casey is human. Honestly the whole TVA staff seems human. Can I say I don’t like it?

In the comics though, the TVA staff was made by people cloned. They literally were made by the TVA. I wonder if this is Casey’s situation.

Anyway Loki clarifies he’s threatening him with death. It doesn’t unfazed Casey much (do people die INSIDE the TVA?) but, to Loki’s relief, he complies, opens his drawer and give him the Tesseract whose light is still mostly turned off. Loki feels a moment of relief before noticing that in the drawer there are assorted infinity stones.

At Loki’s confusing Casey explains they get a lot of those, enough to use them as paperweight. I guess the infinity stones influence might allow people to do different choices and become Variants as they can influence them.

Something inside the TVA though, turns off their power.

Loki is confused as he picks up a green one, which should be a time stone. We hear the sound of stones moving but we can’t see if he placed it back where it was.

Loki is utterly confused as he walks away with the Tesseract in a daze looking at the sacred timeline and wondering if the TVA is really the greatest power in the universe. Behind him, Casey nods.

The elevator opens, Hunter B-15 tries to hit Loki but Loki uses the Time Twister to disappear again so she misses him completely and almost hits poor Casey. Note that the blow would have been fatal for either Loki or Casey.

Hunter B-15 didn’t care of how Mobius said no pruning or resetting, we can see that the cart, which gets hit instead of Loki, disappear.

This time Hunter B-15 didn’t go for physical pain, she went for the kill.

Loki is back in the interrogation chamber where he put the Time Twister on the table and watches on the projector his future. First Frigga’s death, as if to try to accept it, and he’s almost in tears, then he lash forward to Odin telling him and Thor that he loves them and that they should remember that place. This too touches him emotionally. He sees Thor telling him how he thought the world of him and he sees them fighting side by side against Hela and then telling him maybe he’s not so bad. He smiles at seeing that, laughing sadly but then… he sees his death at the hands of Thanos. It’s obviously traumatic but, I hope, when he can think at all that in perspective, he’ll be able to see the truth.

He wasn’t born to cause pain and suffering and death. He also saved lives, his brother’s specifically but also the ones of some Asgardians.

And, at the same time, he could see, he could learn his father and brother did love him, or at least that was the intended message of those scenes (I won’t dig into them portraying it correctly or not).

The file about him ends.

Loki gives into a slightly hysterical chuckling and the door behind him opens. It’s Hunter B-15 who asks him what’s so funny.

Loki replies ‘Glorious purpose’ which can mean all and nothing. According to the file his glorious purpose wasn’t to become king, but not even to cause pain and suffering and death. At the same time it’s not a particularly uplifting message the one that file gave him. The moment he could start again with Thor, Thanos killed him. In the end, even if he tried to change, his life would be one of pain and suffering until his death.

Loki and Hunter B-15 fight and somehow she doesn’t have anymore her murdering wand nor the men following her.

She’s alone and disarmed but she’s clearly a trained to fight and rather strong. Loki is smarter though. As soon as she slams him on the table he grabs the Time Twister, unlatches his collar and wraps it around her neck. Then takes on her his revenge for having been looped way too many times that day by looping her a lot until he makes her disappear. Where to I’ve no idea but I hope for him far enough. He was clearly taking out on her all the abuse he suffered from her and Mobius. In the end he tosses the Time Twister again on the table.

Meanwhile Casey is retelling his misfortunate meeting… evidently finding the idea that Loki would turn him into a fish much worse than the idea Loki threatened to kill him and then complains about the hunters showing up and pruning his cart.

Really, it makes me wonder if the TVA doesn’t use the world ‘dead’ in conversation. It’s all ‘reset’ or ‘prune’. I’m not saying they don’t know of it, just that they don’t use it to define what they do because it would make them look bad. You murder a living being. You reset a timeline, prune a branch. There’s a psychological difference that allows them to see Variants not as living beings but as objects.

As he speaks Hunter B-15 appears in front of him so that’s where Loki sent her.

Meanwhile Loki has remained in the room in which he was. He seems worn out as he sat on the floor against a wall, his face in his hands and the Tesseract set next to him.

Mobius, who gets into the room holding one of those TVA wands, finds him like that. Mobius rubs in he has nowhere left to run.

Loki states how he can’t go back to his timeline, then decides to comply with Mobius previous request. He tells him he doesn’t enjoy hurting people, he does it because he has to, because it's part of the illusion. It's the cruel, elaborate trick conjured by the weak to inspire fear. And claims to be a villain.

Is he being sincere or just telling Mobius what he wants to hear?

I like to think he’s being both. In “The Mentalist” Patrick Jane once tried to teach Teresa Lisbon how to gain someone’s trust. His first suggestion was to ask that person for a favour, so that they would feel more powerful, when this didn’t work he told her to get that person to lower their guard she should lower her own. I get the feeling Loki is doing this. He’s lowering his guard, giving Mobius what he wants, so that Mobius will lower his guard too. Like when he accepted his hand only to steal the time twister.

There’s a power in being sincere as well, which is to make Mobius feel more powerful by giving him power and therefore push him to underestimate Loki.

Mobius, who previously told him

“You weren't born to be king, Loki. You were born to cause pain and suffering and death. That's how it is, that's how it was, that's how it will be. All so that others can achieve their best versions of themselves.”

Now saying him that’s not how he sees it.

He’s either giving him the carrot in his carrot and stick game or he’s just remarking one of the main characteristics of the TVA. The TVA is neutral, they don’t approve or disapprove actions, people has no choice, they’ve to follow a path and Loki’s path was to do what he did so that others could become better. The TVA doesn’t really seems to care of the moral axis of Loki’s alignment… or their own or everyone else, they only care of the ethical alignment.

Now, as I’ve seen fandom discuss this, in roleplays people created character alignments to give an ‘ideal’ for a character to live up.

This caused the birth of two Axis, the moral axis (Good, Neutral, and Evil) and the ethical axis (Lawful, Neutral, and Chaotic).

The alignments of the moral axis are pretty easy to figure out, so I’m not even discuss them, but the one of the ethical axis are basically meant to tell if a character follows the law or not.

The TVA is clearly lawful aligned, they blindly follow their rules as if they were a dogma, a faith. Hydra is lawful. Steve Roger is lawful, as he wants to follow rules.

Loki in a good part of the movies doesn’t follow the rules, we saw it from the start, in “Thor” he decided to act to interrupt the coronation, which was against the rules of Asgard, and then he tricked Laufey, which is against the rules of war. In “The Avengers” he let himself be arrested so as to unleash the Hulk. In “Thor: The Dark World” he pretended to join forces with Malekith so that he would remove the Aether from Jane and then stole from Odin the throne… and so on. He’s not the only one though, Thor himself as moments in which he’s chaotic, like when he invades Jotunheim against his father’s order and how later will invade that SHIELD facility, or how he’s challenge his father again in “Thor: The Dark World”.

Actually all the Avengers here and there had been chaotic… and here and there had been lawful.

Loki’s situation places him more on the chaotic axis because he has no other master but himself. In short he doesn’t respect anyone else’s rules, sometimes not even his own as he claims Frigga isn’t his mother when he clearly feels she is and fights to avenge her… but he too had his own moments of being lawful.

That’s because people aren’t roleplay characters and they wouldn’t feel realistic if they were just sitting on one alignment.

But whatever, let’s go on.

Loki picks up the Tesseract, and Mobius asks him if he tried to use it.

“Oh, several times. Even an Infinity Stone is useless here. ( Scoffs ) The TVA is formidable.”

And here we’ve Loki trying on ‘wooing someone powerful he intend to betray’, to put it with Mobius’ words. I wonder if Mobius can realize it or he’s so sure in his idea he’s powerful he misses it.

Either way he has gotten what he wanted, Loki acting this way means he has acknowledged they’re powerful enough he has to play along with them.

Mobius tell him:

“I can't offer you salvation, but maybe I can offer you something better.”

And here I feel an echo of Thor in “Thor: The Dark World”:

“I did not come here to share our grief. Instead I offer you the chance of a far richer sacrament.”

I wonder if Mobius is trying to play that same game to get Loki to cooperate. Loki though has seen the video. Maybe he knows too. And well, at least Mobius came out more honest because he told him he can’t offer him salvation. Remember when he babbled about what Loki could do if he were to go back to his timeline? It was all a pourparler, words that weren’t meant to turn true as Loki is not meant to go back to his timeline. Ever.

That timeline doesn’t exist anymore it was reset.

But at this point Mobius has to be honest and give Loki something back, the reason why they’re interested in him… which is the dangerous Variant they’re hunting is HIM, or better another Variant of himself.

Meanwhile in Salina Oklahoma, 1858 Hunter U-92 and his men are checking on something. They find an object from the early third millennium but discover there’s oil on the ground and think it’s just someone who found himself a time machine and came back here to get rich. Hunter U-92 thinks he’s not worth the paperwork of searching for him and that they should just prune the timeline. Then they notice a figure in a black cape.

The figure has a oil lamp which they drop on the petrol covered ground. The fire spread to the Minuteman who start to die by arson. Hunter U-92 tries to crawl to the reset charge but someone grabs him and pulls him back. Then a hand, clearly not his own, picks up the resect charge.

And either this is the story sharing with us the 7th attack or the other Loki’s Variant has just managed to make the 8th attack in the last week that they know of. Really, I would say for the TVA it’s better to hope it’s not Monday.

As for me, I’m sorry for them but I hope it’s Monday there.

I’ve no sympathy for bureaucratic regimes who views people who don’t complain with their wishes as things… pardon, as Variant, and implement on them the “Final Solution” under the guise of pruning or resetting them.

This doesn’t mean everyone at the TVA is necessarily evil… but they’re dangerous, they’re fanatic who live in a regime that elect them at judges of other people’s lives. Judge Ravonna Renslayer dictates the proper flow of time according to the Time-Keepers dictations without bothering to question them, or the justice of it. At the TVA no one asks himself if it’s right or wrong, they just do it, they don’t know any other way to do it.

It’s not that they want to be evil, they actually want to be noble and just, they believe in the propaganda that’s all spread on the creepy posters around them and think they’re incredible, courageous and dedicated workers and don’t question their work or their lives at all.

They’re just many little Adolf Eichmann mostly bereft of initiative, cultural and moral depth; the latter did not go beyond the conditioning that had been given to them by society.

They lack empathy for what they destroy, for what they prune or reset and so they won’t stop thinking at what they’re doing.

Long story short, we should be grateful the TVA doesn’t exist because, really, that’s a creepy organization that pulls out the worst from people empowering them to murder others and telling them they’re doing something good.

Mobius, Casey, Hunter B-15 are brainwashed by the TVA worldview. It’ll be interesting to see if prolonged interaction with a Variant, Loki, might open his eyes or not. For now they’re like children who can’t distinguish good from bad because they buy a wrong narrative in which they’re above it.

I’m curious to see if they will ultimately eat the fruit of the tree of the knowledge of the good and the evil or if they’ll remain ignorant and dedicate executors of the TVA. We’ll see.

Well, this was long. Thank you to all the people who remained through this long, long episode study of mine. I can’t wait to see the next Loki episode!

[simon-newman]

Newman’s Anime Reviews - Kimetsu no Yaiba

Hello Everyone and welcome to my first anime review in… Nearly 4 years?

*Cough*

Yeah - I know - I am still supposed to write the Seven Witches review… I have no excuses. I will get to it. SOMEDAY!

But today I’m going to talk about another anime. The first title from my 2021 anime challenge.

Actually this is the only anime from the challenge list that I’ve picked myself because I’ve been intending to watch it for a while now.

I’m talking about

Kimetsu no Yaiba

Now - I didn’t really know what I’m getting myself into. I’m not sure if this counts as an achievement but I didn’t know shit about this title outside of:

Some people I know highly recommended it to me,

Nezuko is the best girl (and a demon)

There’s some dude wearing boar’s head as a mask,

Swords

Apparently it’s about killing demons

This is everything. EVERYTHING I knew when I started watching.

First things first however - let's start with the premise.

We meet our protagonist - Kamaboko Gonpachiro as he’s living his harsh but happy life with his large family. Monjiro takes on the responsibility of caring for his mother and younger siblings as the oldest male in the family after his father’s death before the start of the plot.

We join our protagonist as he goes down the mountain to sell charcoal at the nearby village and promises to come back with a lot of goods and food for the New Year’s.

Right off the bat we’re presented with beautiful scenes of  a loving family life our protagonist enjoys and I’m not going to make any anime veteran jokes about it.

Long story short - Tontaro’s trip lasts longer than he expected and he ends up staying the night at the village. It is then that we learn about demons that prowl the night of Kimetsu no Yaiba world. Evil creatures of darkness that feed on the flesh of humans. We also learn about demon hunters who protect people from those demons.

Gengoro resumes his trip back early in the morning but thanks to his keen sense of smell soon realizes that something is wrong. Very wrong. He rushes forward to get back as soon as possible but it is already too late.

There was a demon attack during the night and his family got killed with the sole exception of his sister Nezuko who was turned into a demon.

Surprising a demon hunter who appears shortly after Nezuko manages to regain her senses and has strong enough will to resist attacking humans. Thus begins Kanjiro’s journey - to become a demon slayer himself, avenge his family, protect others from what happened to him and find a way to turn his sister back into a regular human.

Sounds easy, right?

  I’ll be honest here that while the beginning was executed beautifully I must admit that I wasn’t really feeling this anime right away.

It seemed like your standard shounen anime from the start. Greatly executed despite being very cliche but still not outstanding.

Tragedy to set our protagonists on their way followed by the training arc and Jangoro finally becoming a demon slayer while Nezuko changes in her own way to be able to live without consuming humans - surprising experienced demon slayers.

It is only after that that the real story begins and we follow Tanjiro as he starts his mission as a true demon slayer himself.

Truly basics of the basics if I were to be honest. At that point I couldn’t really complain about anything in this show but at the same time nothing really stood out. As mentioned - the story was cliche. The fights so far were so-so. Animation was good but at the same time I knew that Ufotable isn’t showing it’s best yet. Somehow however it all just worked - together with music which really played into my tastes - yes - I really enjoy the music in this show (make it the one thing i really liked at that point).

But then everything changed with the Asakusa Arc.

Oh no! It’s Michael Jackson! RUN!

  The introduction of the Big Bad Muzan, his Twelve Demon Moons and the possible way of turning Nezuko back into human set our vague goals in place and Kentaro finally had a clear mission to accomplish.

What’s more - from this point on the fights become far more entertaining as well.

I did get the impression that this progress might be done too rapidly but thinking back it’s a good thing actually. We got too used to 150 episodes of nothing important happening and now any sort of early development seems rapid.

Before you say that I contradict my statements from earlier reviews hear me out: While we do meet major antagonists early on we don’t really get much from it outside of direction in the story. The Big Bad doesn’t make a move himself and is not even fought directly but becomes aware of Tangoro’s existence and wants him gone.

This is a good development to happen early in the story to keep the stakes high while not resolving anything just yet.

But this is not the end of improvements.

In the following story arc (Tsuzumi Mansion Arc) Santarou meets with two fellow demon slayer newbies - Zenitsu and Insouke who add some team dynamics to our already decent story and IMO further improves the fights we get to see.

As for the new team members… Zenitsu starts out pretty annoying at first with his extremely cowardly demeanor while Inosuke is the polar opposite with a fearless, rash personality.

I might be overthinking it but I see Inosuke as a parody - of sorts - for a character I personally dislike - Kirito from SAO. Both are dual-wielding master swordsmen with a feminine face (and for added bonus they’re both voiced by Yoshitsugu Matsuoka) but while Kirito’s strong because he’s the protag (Gary Stu) Inosuke is insanely ripped from his harsh life in the wilderness and… Well… Pretty much insane.

Pretty amazing, aren’t I? Pretty amazing, aren’t I?

  This change of pace - going from just Gentaro and Nezuko to a 4 man team with Zenitsu and Inosuke - marks the difference between the first and second half of this anime (and i forgot to mention it’s a whole 26 episodes show - not the 12 episodes short we got used to in recent years).

While the first half was kinda decent but not outstanding the second half is really, really entertaining to watch. Both the characters get a lot more chances at interaction and development and the action steps up from what we’ve seen before.

In short - two story arcs I’ve mentioned above supplemented what was lacking before. Things I wasn’t even clearly aware of initially.

Without a clear mission for Tenpachirou to accomplish we’d just descend into a monster-of-the-week formula and without more team members we’d be left with no means to explore our protagonists’ character in full.

What’s of Ponjirou extreme kindness if we don’t get to see him affect people with it outside of one-time-only interactions and his good relationship with his sister?

Yes - you can show it time and time again but from this point on it comes out more naturally and as I’ve mentioned already - we get to see it affect people in the long run - something I hope we’ll see further in the story.

Left to right: Boss Honey Badger, Sleeping Badass, Best Girl and Cinnamon Roll.

  Which brings me to this sad point…

Despite being a full 26 episodes show it still feels more like an introduction. We barely get to the right formula in the midpoint and conclude the fight against the first real enemy shortly before the anime is over. Souchirou’s journey has only just begun.

I’ve really wanted to write this review after watching the following Kimetsu no Yaiba Movie: Mugen Ressha-hen. That’s for multiple reasons.

At this point I know that this story arc is going to further up the stakes with the Upper Ranks of the Demon Moons getting into action but at the same time I’m really excited to see if Ufotable is going to show us what they’re capable of in terms of animation.

Because I think this anime deserves it.

Sadly - while the movie was out already I didn’t manage to watch it before writing this review.

Kamado Tanjirou vs Lower Moon One - Enmu.

  To sum it up - It was an interesting experience to see the anime develop in front of me - from a decent cliche show that didn’t make any major mistakes and played all the tropes just right into a really good and entertaining show in it’s own right.

My final assessment of the show is also the result of a certain niche this anime fits into. Namely the enjoyable sword fight scenes.

I’m definitely going to watch the movie when I’m able to and dive right into the following seasons of anime if they are made.

At this point something with this anime resonates with me - this show feels “just right” for some reason.

There’s also an added benefit of it not being dragged into infinity. From what I’ve heard the manga is already finished and we could get a definite end line before the story gets watered down into tasteless money grab.

Something to be appreciated when it comes to shounen manga…

Well. It is time to wrap up this review as well.

With all the above being said my final verdict is...

  Final Score: 8/10  +Newman’s Mark of Quality

Status: Completed

Sentence: Butterfly Mansion rehabilitation training (I bet I’d enjoy it after a while).

 Next: Code Geass

[kitkatopinions]

The more I think about Ren's new semblance ability and the scene with the Ace Ops, the more I hate it. Long post full of crit ahead.

No one else is discovering new semblance abilities in tense situations other than Jaune, who discovered his one ability. Llike, maybe the Fall of Beacon would've been stressful enough people would be discovering new abilities? And Weiss doesn't count, because her ability was treated like just another glyph, only this one is special. Whether getting new powers is experience and skill based, or trauma based, long time hunters like Qrow and James should have way more abilities than they do, and the Ace Ops and Winter all should have at least two powers. CRWBY is very choosy about how and when they use their ill defined rules about auras and semblances.

Ren is in control of this power right after getting it, and chooses to use it on the Ace Ops and Winter, but not Yang or Jaune. This implies that Ren doesn't read their emotions because that's a breach of privacy, but feels free to not only breach the Ace Ops privacy, but talk about it out loud. Because trust is for friends, and so are basic boundaries. It would make sense to me for Ren to use his new powers on Jaune and Yang as well, since he's doubting everyone’s capabilities and strength right now. But whatever. Why would we need to know how they feel?

But on that… Why do we need to know how the Ace Ops feel??? We as an audience already know Marrow is sad and doubting his place, Harriet is angry incarnate, Elm is also angry, and Vine seems fine. This doesn't do anything for the story except let Ren try to divide them more than they already are, during the worst time possible. Sure, while Salem's at Atlas's doorstep and literal children are probably dead, tell one of the members of the most elite team of Atlas graduates who were just tasked with a vitally important mission to ditch his position. Winter seemed fully convinced by Jaune actually having a good plan, so Ren figuring out a new power and turning into a mood ring didn't do anything. Also, Ren doesn't just tell them what they're feeling, he also reads their motivation and where they belong at the same time. Because 'Harriet angry' apparently translates into 'Harriet is incredibly torn up about Clover dying and trying not to feel it!' And 'Marrow sad' apparently means 'Marrow no longer fits in with this group and is actually a good person!'

And then Ren reads Winter's emotions and sees that Winter is feeling everything. So like… Okay. Are the Ace Ops Tinkerbell in the Peter Pan book? Only able to feel one emotion at a time? Harriet isn't angry and sad, she's just so angry it's all Ren can see! And Vine isn't sad, or angry, he's just (presumably) calm. But Winter is feeling all the emotions equally. Which of course, means she also doesn't belong here.Most adults feel more than one thing at a time, by the way. Idk why this makes Ren think Winter is special and different, rather than him wondering how the Ace Ops can only be displaying one emotion.

Ren also tells the Ace Ops the reason they fail is their terrible team work, since they won't admit they're friends, despite the fact they fought amazingly as a team at the start of the last season. Everyone jot that down. Strategy, planning, experience, knowledge of each other's skill set, and common goals all mean nothing. The only thing that can make you a fully functional team is friendship. We're ignoring the fact that Blake and Yang scoffed at the idea of working outside of their duo, never mind that the group literally drew their weapons on Qrow in V6 and demanded he do what they want or leave. Never mind that Yang and Ruby are currently fighting, Yang and Blake are apparently fighting, Yang and Ren are fighting, and Ren and Nora have been distant, cold, and frustrated with each other for one and a half seasons now. They still haven't had any problems fighting as a team because underneath it all, they're friends! In a normal, fun romp anime or cartoon, I might be able to be okay with this. But isn't RWBY marketing itself as a hopeful grimdark? Or at least, aren’t they saying this is a more mature, nuanced tone than the fun romp that only hinted at more darkness in the early seasons? You can't have 'morally gray characters that drift between ally and antagonist’ just lose because they aren't admitting they’re friends in even a hopeful grimdark. And it’s not strong plot for the most powerful graduates of a strict military school who have been on the field for at least a couple years (except maybe Marrow) lose to the first year drop outs THEY HELPED TRAIN because they're hiding their feelings for each other. I'm sorry, I thought this was a show where skill and consequence mattered.

On top of all this… We all know that portraying women of color - specifically black women - as constantly angry and hiding her emotions is a racist stereotype, right? I don't mean 'having a black women displaying anger is racist,' but again, the show had Ren sense her emotions and figure out what's wrong with her, and she was only angry, and Ren decided she's hiding her feelings behind a wall of thick anger. Elm is the same way, even going so far as to try and attack Ren. And it's not just this instance. They've been overwhelmingly angry since the end of volume six. Whether or not CRWBY thought this through, they should've done a google search that could've let them know not to do it. Vine is almost as bad in being the stoic, calm, at peace, Asian. I'm only holding off on calling him just as bad because I don't know for sure that green represents peace or calm.

Don't get me wrong, there were things I liked about that scene. Ren choosing to act and do what he could was a great choice, he clearly took what Jaune said to heart, and decided inaction due to doubts and fears wouldn't help anyone. I hope this doesn't mean the end of Ren doubting things and challenging the team (since his concerns are very valid and weren't solved,) but I like that direction. Winter really shined in this scene. I just wish the writers would put as much care and complexity into Harriet, Elm, and Vine. And the main star of this scene in my opinion was Jaune. He didn't fight the plan to blow up the whale, only requesting that they be allowed to go in ahead and try to rescue Oscar and laying out the benefits. I love this. Jaune isn't asking her not to do her job, he's not doubting that it has to be done, he's not blaming her for it, and he's accepting that if they go in, they may become part of that sacrifice. But he's trying to save a friend that's important to him anyway. I think this might be the best I've ever liked Jaune, actually.

But the cons of this scene, in my opinion, severely out weigh the pros.

[miraculouscontent]

Random Miraculous thoughts I have that don’t really fit anywhere else:

- Considering how Sass seems to be the “leader kwami” in “Sandboy,” I imagine that he’s still that even if Tikki wasn’t active. Ladybug might be the leader between her and Chat Noir, but Tikki doesn’t strike me as the “leader” type on her own.

- This isn’t a criticism of Adrien’s character really, but I noticed that both of his crushes are rich/famous types (Kagami being high-class and Ladybug being a superhero) and now I can’t unsee it. Marinette just has more variety between her crushes of rich boy and “poor” boi (as Astruc called Luka once I think when someone questioned him on the possibility of Lukloe).

- i wonder if the “statue scene” in “The Puppeteer 2″ would’ve been better if we hadn’t known that Adrien was the real deal. I feel like it flavored the scene too much in one direction and it’s a moment where knowing something that Marinette doesn’t makes the scene drag.

- Speaking of Adrien, “Desperada” is still my favorite appearance of his in the entirety of Season 3, in case anyone was wondering. It’s insanely satisfying to see Plagg actually lay into him for being irresponsible (plus, Adrien and Kagami interacting is adorable).

- We still have no clue why Aurore is the weather girl and that plot point in “Stormy Weather 2″ still confuses me.

- It’s funny (well, not funny, just really sad) how “Miraculer” seems so important yet it’s one of the most skippable and pointless episodes in the season (which is saying something). The best we get is Chat getting Cataclysm’d (and no, I don’t mean it in an, “lol I like seeing Chat get hurt” way; I mean that we got to see what a real Cataclysm does to a person), but otherwise it’s the plot point of Ladybug telling Chloe that she won’t be Queen Bee anymore which is never brought up again in the finale and also Mayura actually being efficiently on her feet despite every other episode showing her going sickly and weak at some point.

Sentimonsters are also already established so that’s not anything either, and Chloe fending off an akuma meant literally nothing. Even if you could argue towards the latter that it was to show to the audience that it could be done, giving such a scene to Chloe seems to pointless, especially since it’s not even for a joke. Astruc has also openly said that the relationship between Chloe and Sabrina is toxic so the episode is just a mess altogether. All “Miraculer” does is show that Ladybug tried to explain to Chloe that she couldn’t be Queen Bee anymore and then it literally didn’t matter anyway because of “Miracle Queen.” It’s like every scene of the episode was written by a different person and they all had different priorities. If I were to devise a timeline, I really could think of no other suggestion for “Miracle Queen” than “skip it.”

- My last anon basically made this point as well, but Lukanette is one of the more weirdly... I dunno, “consistent” things in this series? That’s not even a compliment on how much I adore the ship but--like, I mean, I’m sure Season 4 is going to ruin it, but you have:

“Captain Hardrock” - they meet (not much going on there of course)

“Frozer” - “Do you think Luka is like Adrien, just a friend?” followed by Luka letting Marinette go to Adrien, which may’ve given her the idea that he feels nothing for her as--

“Desperada” - “Luka? He’s just a friend!” and then Adrien with the whole “right choice” symbolism and essentially giving Maribug the go-ahead to start noticing Luka romantically

“Silencer” (I’ve already gone into detail about why “Silencer” takes place after “Desperada” and am not going into it again) - Marinette seeing Luka with The Blush on her face and Luka confessing to Marinette, which clearly does things to her heart

“Felix” - Marinette feeling bad/embarrassed about blurting out things about Adrien in front of Luka (even if it was unintentional) and then we get a confirmation about how Luka feels about the whole thing (which “Frozer” hinted at but this is a direct statement on the matter)

“Heart Hunter” + “Miracle Queen” - showing where Luka and Marinette stand in their relationship: Luka is still thinking about her and is comfortable visiting her out of the blue and being unintentionally(?) flirty. Marinette still has the dokis for him but is still mixed up with Adrien (as “Felix” had established), seemingly deciding at the end of the finale to move on.

Point being, Lukanette had one of the more tangible arcs in the series.

[carols-review-box]

My Thoughts on Ginny & Georgia: Season 1 

These are my thoughts.

Right off the bat, I want to address that this is, by no means, a comprehensive review. I’m not even sure if it can be called a review. These are just my thoughts on the show, and it may or may not cover everything (in fact, it most certainly won’t cover everything), and I’ll try my best to write it out in an organized manner, but I can’t make promises. (Though, in all fairness, this is just a blog for my own entertainment, and I don’t expect anyone to actually read it.) 

Now, moving on. Ginny & Georgia, season 1. Where do I begin? 

First Impressions 

I first encountered Ginny & Georgia on Netflix when the website decided to auto play its trailer while I was scrolling through it. I watched--almost begrudgingly-- a short, 1 minute clip of Ginny complaining to her teacher about how all the books on the curriculum were written by white men. While I understand where Ginny was coming from, and while I understand that a lot of high school literature is written by authors who sometimes are not representative of their audience, Ginny’s introduction just came off as obnoxious and annoying. I thought, “Imagine moving to a new school, and that’s the first thing you say to the teacher.” I rolled my eyes, wrote the show off as another try-hard feminist woke piece (or something like that), and didn’t think I’d watch it. 

Well, at some point, I obviously decided to give the show a try. And by the middle of the first episode, I was actually really surprised when Ginny didn’t turn out to be insufferable in the beginning. I say in the beginning-- because her character really slides downhill past a certain point.

Plot 

Throughout the entire show, I was probably a thousand times more interested in Georgia’s plot than Ginny’s. 

It makes sense-- Ginny’s plot is... well, pretty much a generic teen soap opera that I’ve seen hundreds of times before. There are some unique themes to her story that I’ve rarely seen portrayed in other shows, like her experience as a biracial person, but other than that, it seems to be your run-of-the-mill drama. 

On the other hand, Georgia’s plot is fresher. I haven’t personally seen any black-widow narratives (if Georgia could be called that), so I was intrigued and curious by how her story would play out. Not to mention, I liked Georgia’s love interests far better than Ginny’s, but maybe that’s just my personal taste.

In comparing these two plots, I do feel like the writers did Ginny wrong. Georgia is given an interesting storyline with a relevant backstory and plot points that actually make sense, whereas Ginny’s story is mediocre, we rarely get to see her side of the past, and half the stuff that goes down in her life is either unrealistic and overdramatized or it just makes no damn sense. 

Characters 

I could probably talk a great deal about the characters in this show. I have the most to say about Ginny (75% of it is criticism, honestly), so I’ll dedicate an entire section to her later. For now, I’ll start with these characters:

Georgia: Georgia, oh Georgia. To put it simply, Georgia is a psychopath hidden behind a large smile and a buzzing Southern accent. For the first 5 episodes, I was so fooled by her act (and her beauty) that I forgot she’s a literal murderer and most likely not a good human being. But I guess that’s, in part, what makes her very interesting to watch. 

Hunter: I literally felt nothing but a mixture of boredom and pity whenever Hunter was on screen. For the first 8 episodes, he is just an extraordinarily boring character-- and his boringness is used as a justification by Ginny to cheat on him (that’s where the pity part comes in). I enjoyed how how he got more character in the ending episodes, and I could understand his struggles when he fought with Ginny (in that scene). But if he wasn’t dating Ginny, then he would’ve been a completely forgettable character.

Marcus: Marcus ALWAYS looks like he’s high. I don’t think there’s a single scene in the show where he doesn’t look like he just smoked something. He also has little personality, other than being the “bad boy.” I guess his hotness makes up for it, or something?

Maxine: While I enjoy Max overall, I think she can be really annoying, talkative and insensitive at times. Emphasis on the last part, because she does this irritating thing where she says something racist, and then asks if she just said something racist. 

Abby: Out of the friend group, I feel like Abby is the most dramatic without being overdramatic. She experiences things that a regular teenager would. However, she can be a bad friend at times, and I don’t like how the characters gives her a pass on some questionable choices she makes. 

Paul: I like Paul. It is a little bit hypocritical of me to say Paul is a good character when he basically has the same exact personality as Hunter, but I’m going to say it: He’s a good character.

Zion: Zion is smooth, and I enjoy his little wisdom bits with Ginny. But he was introduced too late into the show, and I can’t see him being a good fit for Georgia. 

Joe: I love Joe. Just like some of the other characters, he is kind of plain. Kind of vanilla, daresay boring, but for some reason, I love him. Maybe it’s because of his adorable connection with Georgia. Maybe it’s because he offers some much-needed comedic relief in this overdramatized show. Maybe it’s because he has attractive qualities, like running a “successful” business, or maybe he’s just my type. For many, many episodes, I wanted Georgia to get together with Joe the most. 

Austin: I forgot Austin existed for half the time. Like, I know the kid stabbed someone, but in the grand scheme of things, he’s just so forgettable.

Character: Ginny

Ginny. Ah, where do I even begin with Ginny? 

First, I’m just going to say this: I know the writers intended to depict a biracial person’s experience in America through Ginny. I’m not biracial myself, and I don’t fully understand the issues that biracial people go through, so I’m not going to comment too much on how the authors managed to fuck up. I say “how” and not “if,” because a lot of biracial people have said that Ginny & Georgia is kind of a bad example of their life, and also because even I can see the problems with the show from a mile away. 

Getting that out of the way, I’ll start with Ginny’s overall character. 

One would think that a character who is depicted as-- for a lack of better words-- as “woke,”... as in, a character who is supposed to have better moral values than others (the definition comes from the word’s general connotative interpretation from leftist media), would be a good human being. But time and time again, we see that Ginny is everything but. 

These are my biggest issues with Ginny’s character:

1) She acts like she’s better than everyone else, but also like she’s super oppressed. I know these two personality traits aren’t mutually exclusive, but they’re not a good combination either. 

2) She thinks she’s the only person in the entire town who has real issues. Other characters confront her about this, and she eventually mellows down, but it’s astounding to me the amount of people she had to offend before she got the point.

3) She can be really ungrateful and rude towards her mom. I know Georgia is not a perfect mother-- not even close-- and she can be genuinely crazy at times, but Ginny is very rarely appreciative of her mom’s efforts. 

4) Despite Ginny’s intelligence, she is not smart. She commits a bunch of dumb mistakes. Now, some of these can be attributed to her just being a teenager-- like having unprotected sex, sending nudes, being peer pressured into stealing, etc. Whereas other choices-- most notably cheating on her boyfriend-- are just a product of her shitty personality.

5) There is a really bad implication concerning Ginny’s views on race. I can probably talk a lot about race in this show, but true to my word, I’ll keep this short and talk about the one thing that really bothered me: Ginny ignores the black kids. There’s a line in the show where Ginny says she’s too white for the black folks and too black for the white folks... and she uses this to justify never having any friends or not fitting in. But when she gets to Wellsbury, she’s accepted by everyone, including black people, yet she chooses to ignore them. She only sits with them near the end of the show when her friend group kicks her out. And she looks miserable. 

Ginny likes to complain a lot about her white side, but all things considered, I think she has an issue with her black side instead. I don’t know if this is representative of the biracial experience, but I imagine this can’t be a good thing to portray on screen. 

I know it’s crazy of me to say this right after I just ripped Ginny apart. However, despite everything, I actually like Ginny as a character. Do I like her as much as I like Georgia or Joe? No, but she swings more good than bad. What can I say? She’s entertaining (in the same way that Cheryl from Riverdale is entertaining). She’s at least somewhat relatable, and I wouldn’t have watched the entire season if I truly found her to be unbearable. 

That being said, Ginny does have a lot of potential to grow, and I sincerely hope the writers do her better in the next season. 

Themes 

*At some point in the future, I may add more to this section.  

Family: Despite a significant portion of this show being terribly unrealistic, I appreciate the show’s overall depiction of family and separation. For one, the show represents families who aren’t stereotypically nuclear. Our main protagonists are a single mother-daughter combo. The Bakers next door have a deaf father and a mother who doesn’t fit into a perfect mold. There’s a biracial family (Hunter) who connects far more with their American side than their Taiwanese-- so much that Hunter and his sister don’t even speak a lick of Mandarin. The small details and nuances which are added into the show makes them far more representative of the general American population. 

Conversations: This show gives conversations that are far overdue in media. While Hunter and Ginny’s fight scene is 98% pure cringe, the remaining 2% of it is an important reminder on being biracial (or a person of color) in America. Many of us struggle with our racial identity, and it’s unproductive to compare who has it worse. 

Overall + Rating 

To me, the first season of Ginny & Georgia is a 6.5/10. (Five being the average; so this would be a little better than average). While it showed a lot of potential at the beginning, the show eventually devolved to nothing more than a standard melodrama-- even on Georgia’s part. It tried hard to be another Gilmore Girls but ended up falling quite short. I am looking forward to its second season though; and hopefully, it’s much better than the first. 

[writerfangirlbooks]

Bobby’s Daughter Part 1

Dean x Y/N

Prompt: Imagine flirting with Dean Winchester before he finds out you're Bobby's daughter.

A/N: I know Bobby never had children, but let's imagine for now. I've got a cool idea, for the most part, to go with this prompt. As always, feel free to request any ideas you would like me to write! I've had quite a few Dean ones recently and even more coming up soon. Thanks for sticking with me. Also, I just can't write a story without a backstory, I just need it desperately haha, so enjoy this midnight mess. And uhh, this one gets a little steamier than the others, just a heads up. Also this one is getting multiple parts! Word Count: 1800

Credit to gif owner!

It took you long enough to convince your dad to so much as let you hunt by yourself.

You heard the story of your mom once, and only once. Your dad hated discussing what happened to her. It broke his heart, losing the love of his life. Bobby often declared he didn't know what he would do without you, that you being born was a blessing and miracle tied into one burst of joy in this miserable man's life. That was quite a bit to live up to. Fortunately, you weren't stuck with him all of the time. Once he stopped homeschooling you, you were able to have real interactions and get to know the real world.

Every once and a while, a friend of your father would drop his sons off at the doorsteps to watch for endless amounts of time. Sure, the boys were a couple of years younger, but at least they never said you had cooties. They were excited to be with Uncle Bobby, though they weren't related. It occasionally made you doubt your place in his heart, wondering if he wished you had been born a son instead. However, it was nice to not be made fun of not having a mom and having a drunkard for a father. You saw the brothers young and at one point, hadn't seen them since. It wasn't uncommon for traveling hunters to occasionally leave their children for a weekend or two, so you didn't easily remember all of their names.

Growing up a female was tricky in small-town Iowa, even more so as a hunter. Your father spent some time away hunting when things began to go awry in nearby towns. You started public middle school around age eleven, but your father feared you were simply too young to spend nights by yourself, and you didn't exactly have a bunch of friends to spend the nights at. That ended up causing extra frustration and stress on his plate before you suggested an idea you watched on television: private school.

In a way, Bobby was a better father after you went away. You became more outgoing, learned what it meant to be a lady, and more importantly, how to use that to your advantage. You were encouraged to learn other languages, try extracurriculars. So you did, studying Spanish and French for the rest of your education. You joined the photography club, acted in theatre, and played soccer. You went home on holiday breaks, summer being your favorite as it meant spending more time with your dad. He did his best to be home as often as possible. You got excited to fix cars if it meant spending time with him. Despite his protests, you felt encouraged to hunt, so he gave you pointers. It was years before around age sixteen, he finally allowed your first solo hunt. It was thrilling and unsurprisingly, it went great. He preferred playing board games and watching television with you, making him overall pretty chill.

The one thing he was not a cool dad came to your dating life. You tried getting a boyfriend young and Bobby insisted on meeting him before your first dance. Let's just say the two of you didn't leave together by the end of the night. He was more lenient toward regular, mediocre guys. His one rule was the most adamant: don't date hunters. Fortunately enough for you, most hunters were around your dad's age, so, very much not your type.

That could lead to some very lonely tonights as you became an adult, leading to one night stands in apartments. Of course, you skipped past the whole college scene. Far too expensive and not something you seemed interested in, anyway. Despite your father's protests, you decided to spend time traveling rather than staying with him. You had gotten used to your independence and was somehow nearing thirty way too quickly. You considered yourself content in life. You were a darn good hunter, a woman that could hold her alcohol, and a successful freelance photographer. You weren't sure where your dad's income came from and you decided it best not to ask, sticking to making an honest living while hunting as often as possible.

It was late summer and Bobby's birthday was coming up soon. Although he hated celebrating, you made sure to be around during this time. It just so happened to coincide with a case you were tracking. You figured you would surprise him tomorrow evening and make his favorite dinner. For now, though, you rented a small apartment half an hour away. You felt motels were dirty and a bit pathetic. You did have some class, after all.

Tonight you were looking for a good time, clothed in one of your favorite dresses, with matching heels and handbag. You headed to the bar, pulled up a chair, and ordered your favorite margarita. Soon enough, a man's build and shadow blocked your view of the door. He cleared his throat and you turned your head, taking in the view of messy brown hair and mischievous green eyes attached to a face full of sun-kissed freckles. The man wore nothing special, just regular jeans and a plaid shirt layered with a hunter-green jacket. It was a look that fits well in Iowa, but his voice showed quickly he was not raised here.

"Not a beer girl, huh?" He asked, raising an eyebrow towards your bright colored drink. You did a quick assessment and deemed this man as not a threat. He could be just what you were looking for. As you began to speak, you watched his attentive gaze dip from your eyes to your lips then back again.

"Not quite my style. I like something a little sweeter," you said with a small smile. Leaning back in your chair, you aimlessly twirled the straw around in your drink as you looked back up to the handsome stranger.

He draped an arm around your chair, his fingers lightly brushing your shoulders in the process. "Then feel free to call me sugar, sweetheart," he said. His eyes crinkled with the flirty grin. You wanted to laugh at what a bad line it was but figured his looks could make up for a lacking game. You bit back your smile by licking your lips and tacking a long sip of your drink.

"Well, I don't know about that, but you can call me Y/N," you offered.

The conversation quickly led into basic first date questions, leading you and the man who later introduced himself as Dean to realize you had quite a few similarities, such as bands, landmarks, and even pies. Neither of you was able to persuade the other to change interest in alcohol. Once you got to the topic of cars, you had lost track of time. Dean claimed to have an older Impala and was eager to show you. You were used to the ploys of cool cars to get a woman outside, but you weren't objecting to where the night was headed. You were left intrigued and somewhat shocked that someone this good looking was actually telling the truth about having such a well kept and beautiful vehicle. You were hoping to get the chance to impress him with your own knowledge about cars at some point if things actually made it past three am leavings, which was typically not likely.

When Dean proposed the invitation, he noticed your response was less than immediate. You didn't mean to hesitate but was trying to work out to tell him how you did not feel comfortable leaving your own car in the bar parking lot. His shoulders sagged ever so slightly. It typically wouldn't have been that noticeable except behavior change was something you studied in school when taught how to create poses for your photos. His green eyes were bright and eager, reflecting from the yellow lights outside of the bar.

"I, uh, if you're not interested... we don't have to..." Dean began stuttering, changing pace. He must not be used to rejection, you decided. "I don't want you to be uncomfortable."

You took one of Dean's hands, finding the new change endearing. Although it could've been funny to turn down someone that seemed like a player and innate flirter, that was not your plan for tonight. "Dean, I'm fine. I just don't like to leave my car, so if you want to follow, or go with me, back to my place?" You offered. You tilted your head, waiting for an answer.

He nodded. His grin had returned widely and he used his other hand to indicate for me to lead the way. And off Dean and you went. The two of you stumbled into your apartment in half the time it should have taken you to get back. Dean's chatter filled your ears up until you unlocked the door to your room.

Your keys were tossed onto the television stand while shoes were being kicked off against the closet door. Heat filled the room as your bodies filled the bed, disregarding your clothes and newness to one another. You felt much more connected as Dean kissed you, a sense of familiarity in his warmth and scent. It began with an intense and heavy makeout before his lips left yours, and began to trail down your neck, continuing further as time ticked away. The clock on the wall was the only sound you could hear besides your ragged breathing and the squeaks of the bed. The sheets were too weak for your grip, so you moved your nails into his back. You could feel his smiles trace your skin. You couldn't help but shudder when Dean whispered into your ear. It was a beautifully messy sight, watching Dean and you move as one, clinging to one another. Your eyelids fluttered, unsure of where to focus as the sensations grew stronger. Arching your head back to allow more room elsewhere, you thought you had lost your voice before one simple movement reminded you how to speak, urging you to call out Dean's name.

The night carried on for much longer.

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[reliciron]

Eternal Empire After Effects

In addition to that post I made a while back about how your characters deal with either the boost in Force sensitivity or the brand new sensitivity for your smugglers/troopers/agents/bounty hunters. I want to talk about the general fucked up-ness that the Commander has to deal with post-KotET.

Like DAMN. Bare minimum, they’ve had to deal with carbonite poisoning, the general mind games of Valkorian, and then they had their mind literally broken in the last chapter. At worst, they get all that, plus taking a lightsaber to the gut. To say nothing of having to fight an impossible war for a little over a year straight with everyone’s hopes and dreams riding around on their shoulders.

A lot of the posts I’ve seen about other people’s ocs has some form of lingering effects from everything. And I just want to talk about it for a minute, cause I live for filling in the scenes we don’t see. [Take this with a grain of salt, as I’ve never played a dark side character, so my perspective will be skewed.]

Long term physical effects:

They were poisoned slowly over the course of 5 years, you can’t tell me that one little dart thing can fix that, at least not right away. This could take the form of lingering nausea, migraines, dizziness. The symptoms of heavy metal poisoning would fit well here. And I hc my consular as having some permanent nerve pain from it.

The stab on Asylum is absolute bullshit in the game. Valkorian or no, there’s no way they’d be walking out. I think I posted a pic I took before, but the stab is easily close enough for the heat transfer to damage the spine. Bone cracks and warps with heat, so you can see the problem there. The wound is almost dead on for where the stomach sits and the lungs, liver, kidney, and intestines are all in range to get badly burnt (yeah I know, alien anatomy might be different, but we’re assuming its mostly the same).

We’ve seen what a lightsaber can do to a blast door in The Phantom Menace, take that and apply it to a person, and Arcann held that blade there a loooong time.

Yes, Valkorian saves them, but I think of it more as he kept them from dying, and not, he completely stopped the blade from cooking them from the inside out. So the three days Lana mentioned are horseshit. The Gravestone’s tiny ass med-bay is absolutely not equipped to handle an injury like this.

I always figured a better way was Valkorian kept them alive long enough for Lana to threaten her way onto an appropriate station and made the doctors fix them. Even so, getting what amounts to several organ transplants, implants to bypass possible spinal chord damage, replacement ribs and vertebra, and a whole lot of skin and muscle grafts will leave your Commander pretty messed up, even with magical Star Wars tech and Force magic. And their allotted recovery time seems to be the length of the base’s construction on Odessen, so there’s no way in hell they’re really done healing by the time they have to go back out into battle.

Specific injuries aside, a year is a long time to fight more or less constantly. At least during the base game you sort of had rests between chapters. They’re gonna rack up an impressive list of injuries, alongside wear and tear like their knees and feet having trouble from the constant running and jumping. And their elbows and shoulders will break down from hours upon hours of absorbing the recoil of a gun or the constant flurry and clash of a lightsaber.

Long term mental effects:

As ugly as the physical stuff is, the mental effects are just as bad. Depending on what class they are, having the goddamn Sith Emperor riding shotgun in their head will fuck them up big time.

Classes who faced off with him more-or-less directly, like the Knight, Consular, and Warrior, are going to have the worst time of it because they KNOW what this sort of thing leads to. The warrior has seen the dead eyed puppet on Voss and knows that could be them soon. The consular had to deal with the emperors children and the First Son. They’ve seen a prominent and powerful Jedi master absolutely crumple under the power of the emperor and he wasn’t even IN there. And Knights have already experienced the emperor’s control first hand.

Not to say the others won’t have trouble with it, it’s just that the reasons will be a little less direct. The smuggler and bounty hunter are used to being their own people, not tied down to anything or accountable to anyone, and now there’s the threat that everything they have will be taken from them and there’s no amount of sneaking or shooting that will save them. Troopers built up their command from basically nothing and now they’re Republic heroes, but Valkorian now threatens the lives of everyone they’ve sworn to protect. The agent is easy, they’ve suffered mind control before, they’ve been slaves in their own body, and they’re terrified of it happening again. And inquisitors were literal slaves who clawed their way to the top, and they’d sooner die than be a slave again.

So just having that asshole there means constant stress for the whole of KotFE and KotET. Insomnia must be a given. How do you know you’ll wake up as YOU? That Valkorian won’t hollow you out in your sleep and walk around in your skin the next day? And for the Knight, Agent, and Inquisitor, I’d think panic attacks are probably a thing, even if they don’t let anyone see it.

The stab will definitely cause some trauma. Pretty sure any wound that gruesome would. And if they didn’t have nightmares before, they sure do now and I’m willing to bet that they might shy away from lightsabers for a while, which leaves an interesting dilemma considering they’re in a war with Force-users, and some of them are Force-users themselves.

Fighting a guerrilla war with an absurdly powerful adversary has to be incredibly taxing, especially for classes who’ve never had to command anything. Smugglers and Bounty Hunters are very screwed here, assuming they care about running the Alliance well. And the burden of saving the galaxy is a heavy one. I can definitely see classes who have saved the galaxy multiple times to be getting increasing bitter about always having to be the one to clean up the messes. Why are THEY the ones who always have to suffer? Why isn’t there ever a hero to save THEM when they need it?!

Agents get their own little special bit here with the bullshit that is Vaylin’s conditioning. They know exactly the kind of misery she’s going through, the powerlessness that one single phrase or word causes. I can understand that the writers couldn’t figure out or bother with a whole separate scene of the agent refusing to use the conditioning, cause then they’d have to figure out how to not have Vaylin murder them on the spot. But goddamn we could’ve at least seen them struggle with it! Maybe an extra few lines of them pleading with Vaylin because they desperately don’t want to use her control phrase. Ugh, at least behind the scenes an agent can have a break down about how they’ve become exactly like the intelligence officers who’d decided that they were too much of a liability to go without a leash they could pull. And now they’ve pulled an identical leash on Vaylin.

And then we have their mind being broken. That could be a post in and of itself. Valkorian came within a hair’s breadth of destroying them entirely, and they were so broken that they didn’t even know their own name. And in the space of 10 or so minutes, they scrape themselves together and fight a god. It’s very impressive (and I’ve got my own issues with that fight) but I don’t think you can pull yourself together that fast after being that messed up without some lingering issues.

Chronic insomnia and night terrors, full blown PTSD, panic disorders, severe anxiety; something THAT traumatic will absolutely leave marks.

And after that? They just keep going. Yeah, things calm down, but they’re still at the head of a very powerful faction now (if not ruling Zakuul), there’s no going back after this. And they’ve got a massive restoration project ahead of them as tensions continue to simmer between the Republic and Empire. The more dutiful characters must be near the end of their rope. There’s no rest, just the next fire to put out, and they continue to run themselves into the ground. And the more flighty characters are now forever shackled by the Alliance. There’s no flying off into the sunset for them. No more anonymity as a bounty hunter or smuggler. Their old life is over, whether the wanted it or not. And how can they really relax when there’s this many people looking at them for direction. They’ve become just like those asshole military leaders who they used to mock.

And for just about all of my characters, they hide it. No one can know that they’re falling apart at the seams. Either it’s about personal pride and acting unphased cause they’re just THAT good, or because they’re trying to be the leader the Alliance deserves and don’t want to disappoint or frighten them by showing just how badly they’re coping. Either way there will be a breaking point.

And even after it all comes out in the open, and they (hopefully) get the help they need. It’s never completely over. Chronic pain and fatigue, depression and anxiety, persistent insomnia; these things don’t just disappear, they’re an ongoing struggle that helps color their future actions.

I just… I really like considering things like this because it hits close to home. Seeing them struggle with some of the things I deal with makes them feel more like people. Cause god knows the writers aren’t gonna put this kind of stuff in there.

[soysaucecas]

oooh for the ask game 24, 30, and 44!

MAGPIE MY BELOVED HELLO

24. What are your favorite episodes?

The only episodes I've really watched are TMWWBK (which is my favorite episode and I'm certain would still be my favorite if I watched every single one because it has the only SPN character and the only SPN line), The French Mistake (which was funny enough but honestly in the Just Okay category for me, which makes me pretty sure I wouldn't enjoy actually watching SPN if this is one of the funniest/highest-rated eps), and Reading Is Fundamental (my best friend was watching it and asked me if I wanted to hop on Discord, I thought it might be fun to see Kevin's first introduction but instead this ep found the two of us taking like 90 minutes to get through it bc we kept pausing and screaming (derogatory) as the model minority stereotype jokes piled up and up and up... Unfortunately not a favorite even if we got Meg AND the "pull my finger" joke AND the "Sorry" shot). Other than TMWWBK, from clipping and transcript-reading, I like Wayward Sisters (who doesn't?), The Things We Left Behind (Claire!!!! Cas trying to be a dad! The diner scene aka my favorite destiel scene of all time bc being in love just looks so good on Cas! Also the parallels between Claire and Randy and teen Dean and the adults at that club in his story... woof.), Golden Time (Eileen gets to be HERE and be sad and loved and fight people with ghost powers and Cas gets to do a cool speech and a stabbing and do the Asian community a favor), and Lucifer Rising (just immensely sexy on all counts for Ruby, Sam, Cas, and myself). Also I am SO fond of Steve!Cas so I'll add Heaven Can't Wait even if I barely know anything about it.

30. What is an unpopular opinion or headcanon you have about the show?

Ooh okay hm I think. So I adore confession scene, but I don't think the "I cared about the whole world because of you" is like. The Objective Truth the way that most bloggers seem to take it. Cas was lobotomized tons of times before he met Dean, he was described as coming off the line with a crack in his chassis, he's always been the weird little angel who likes humanity too much! I don't think Dean came first, and although gay love was part of what helped Cas invent free will, he *Ruby voice* didn't need the feather to fly, Dumbo! I do think Cas believes what he says in the moment, but I also think he sorta... made himself believe it? This is probably just me deciding that cas-coding should go both ways, but like. I very much crush as a coping mechanism and I very much overascribe my actions to love because it simply seems more noble/poetic to do so. Being miserable because school is hard is cringefail but being miserable because of unrequited love is Good Shit. And I have been in unrequited love with my best friend for at least 7 years (probably 9 but I didn't realize it earlier) and if you asked I would 100% say that she taught me love and defined love for me and that she will be my first and last, but I also know that that is not entirely true; it's just the narrative that I like for myself. And I think that being in an Empty deal contingent on whether or not he LETS himself feel happy would lead Cas to do plenty of mental maneuvering, which I think involved intentional self-poor-little-meow-meow-ification via overascribing his choices and happiness to Dean (and I also think he'd already been doing that for a while just because of personal self-worth issues and because it's a nice narrative). I know as Cas's last Moment on the show it was probably written to be The Objective Truth, but I am perceiving him and I say no.

44. If you could write an episode of Supernatural, what would happen?

Oh scream okay! This is a fun one! I am going to start out with two ideas from other people:

1. Months ago Nate from the pocnatural discord had the idea of an episode from the "monster"'s perspective where the Winchesters are just clearly the antagonists while not doing anything different than they usually do. I think the idea was that all these supernatural beings live in a self-regulating community together and we have one Very Likable pov character who's a member of this community, but one of the newer members messes up one day and kills someone and the Winchesters come on a case and wreak havoc on this Very Much Functioning (there was going to be a whole rehab and reparations thing for the new member who messed up!) system and kill pov character and in the end you just HATE Sam and Dean for it.

2. It's hard to adapt anything from bad moon rising (aka my favorite spn fic) very well because the point of an Arab Winchesters season 1 rewrite is that it doesn't really work with the white characters we have now, but I think I could see a version of chapter 2 adapted as long as Haley (an Ojibwe hunter who lives in the area affected by what Sam and Dean are hunting) takes the lead. I'd especially like to see this section:

Dean laughs, a little disbelievingly. The question has never crossed his mind. “Do you like it?”

This gives Haley no pause at all. “Yeah,” she says. “I mean, it’s not really about killing monsters, though, for me. Or, it’s not always about killing monsters. It’s about community. Not violence. It’s a spiritual thing to build a home, you know?”

“Oh,” Dean says. He can’t think of anything else to say. It has never crossed his mind before that hunting could be compatible with a community.

I don't have any original episode ideas to add to the hunting discourse, so we're on to my ideas about character-driven eps. I think I would like to see a version of my sastiel possession fic (ty again for beta-ing that! you're a real one) as an ep around the time of 9.11 because Sam deserves to work through their trauma, but idk what the Dean plot should be for that. Another thing I would like very much is TFW drunk history storytime (so like. Tall Tales bass boosted), where for some reason they all need to go over what they were doing during Stanford era but each of them is telling someone else's story. It's gonna be either Sam->Dean->Cas->Sam or Dean->Sam->Cas->Dean. It starts out very funny (they all have terrible wigs and makeup in the flashbacks. Cas is Jimmy wearing a giant mask with googly eyes on it.) but as it goes on it gets increasingly sad how much these three don't really know each other.

In the Sam->Dean->Cas->Sam episode, Sam's telling of Dean's past veers wildly between "crushing pussy and killing things" and "feels like absolute shit all the time" and it's funny but Not Right and afterwards Dean goes "I didn't know you thought of me that way" and Sam says "... I am basically reading off the voicemails you left me back then" and Dean has to sit there and contend with the mythology he himself wrote for Sam to believe in. Dean->Cas provides the comedic beats for the episode as Dean awkwardly narrates Cas's Life As A Weird Little Guy who watches trees grow and heals babies and in the end Dean goes "so how did I do" and Cas is like "well actually I was either getting lobotomized or murdering people so like 3/10?" The moral of this plot line is that Dean is bi. Cas gives a fairly faithful retelling of Sam living her trans little life at Stanford and veering between trying to be Normal and being a total weirdgirl and feeling guilty and angry and happy and free. It becomes clear that Cas admires Sam a lot (but also feels like. guilt and some self-recrimination for not being that) for rebelling from their dad and exploring their queerness during a time Cas was still to his knowledge in total soldier mode, and Sam is having an a_good_soldier's Thesis 5 moment about how she failed the kid she used to be and how very sorry they are about all the things that happened to them, and Dean hates that this is the first he's hearing about so much of this but is also quite emo about the parts where Sam is struggling. The ep ends with them all in the same room not looking at each other and not knowing if they want to group hug or never talk again.

Dean->Sam->Cas episode is similar but the storytelling dissolves a lot faster as it becomes clearer way faster how much their own emotions are getting in the way. Dean is upset that Sam could leave their family so easily and probably swing a normal life, Sam keeps wondering what it would be like to live millennia just KNOWING that you were right and good and clean, and Cas is gay and veering between fitting Dean's life into a larger Righteous Man narrative and just being very tender (and sad and angry) about Dean's pain. Episode ends in a rather cathartic shouting match where they all end up apologizing to each other for many things.

Oh also I would like to see Cassie again but I don't have an episode in mind there. Also would love to see Kaia adjusting to life in Sioux Falls and befriending the others and dealing with Bad Place trauma.

tysm for the questions sorry for taking so long!

(ask game)

[natsspammityspamspamham]

Dino Watches Anime (Nov 15)

BOI, I HAVE A MIDTERM ON TUESDAY AND TEST ON WEDNESDAY. SCREW THAT. I’M GOING TO TALK ABOUT THE ANIME I’VE BEEN WATCHING IN BETWEEN STUDY SESSIONS! Yeah, the studying is like 2% while the anime and games are like 98%... I’m working on that, okay? Anyway, I’m going to cover mostly seasonal stuff with some other stuff.

Let’s go over the seasonal stuff first. Summer had so few anime coming out whereas Autumn/Fall came in like, “OPEN THE FLOODGATES! LET’S GO!!!” I haven’t even gotten around to all the anime airing this season that I want to like Yuukoku no Moriarty, Majo no Tabitabi, and Adachi to Shimamura. I missed some last season too like Deca-Dance which I just didn’t want to commit to if it was only for the good animation.

Taisou Samurai (DROPPED) 

I dropped it after two episodes. MAPPA has two major series this season, but they clearly gave more time and attention to the one that was actually going to make money here (which I’ll talk about later). This one seems like a passion project without the passion in it anymore. It’s like opening a bag of chips and finding out they went stale long before you even reached into the bag.

Taisou Samurai, at its core, has a premise that I found really promising. I happen to like watching gymnastics sometimes, and the idea of an athlete who doesn’t want to retire is interesting. They went wrong with the execution. I don’t know what they were trying to pull here, but with unlikeable characters and a terrible run at it, it’s like they weren’t playing with a full deck of cards here.

Also, if you don’t know what a gyaru is, one of the supporting characters will look like a racist caricature. Also, this bird has no other point than to try to make up for this show’s lack of usable humour by using Kappei Yamaguchi’s range and going, “Please, save this show. I beg you.” 

I didn’t even bother giving this show three episodes to drag me in because I just couldn’t see myself wasting another 20 minutes here. Maybe I’ll have a change of heart, but for now, I should be having better things to do.

Munou na Nana (WOULDN’T RECOMMEND)

I know everyone has made this joke already, but this is really just My Hero Academia x Among Us. I feel like if there was some more... budget put into this anime, they could’ve made it a lot better. The manga had a lot more detail, so a lot of the gruesome scenes with zombies or killings, etc. were muted and toned down beyond belief. Not to mention, I guess watching it after I read the manga just made me feel stupid. This is such a junkie show that pulls tricks that everyone knows is coming. Nonetheless, I can’t find some big reason to say “do not watch this” because it’s still a very mediocre show. It has its good points, but its presentation devalues it, the voice acting is meh (especially since Yuuichi Nakamura is playing THREE overpowered main cast characters this season), and the jig is up after the first episode, so the twists are just to make you sympathize more with the imposter. I haven’t seen a show like this for a while though, so I guess you can watch it if you want something refreshing like that. I don’t think you’re supposed to like this cast of characters, so I won’t say anything against not liking this cast. 

Kamisama ni Natta Hi (CONDITIONALLY RECOMMEND)

Jun Maeda... the man who manages to incorporate baseball into every anime he does... seriously, every anime I’ve watched by him has it from Angel Beats to Charlotte to that unfinished Little Busters I just left on hold. Anyway, Kamisama is no exception. Jun Maeda has a reputation for building touching stories that start off strong then really lose their footing once he realizes that he’s not going to get 24 episodes and needs to squeeze all of those 16 episodes of story left into 4 episodes or so. It also doesn’t help that sometimes he goes off on useless storylines that pay no use to the story. 

Hina is really funny sometimes (but can be annoying). Narukami is funny. Really, everyone has some valid point about them that makes the show better compared to the previous entries. 

Seriously, some little kid comes up to you and goes, “The world is ending, I am God, and I’m going to stick by you.” Meanwhile, you’re just a simp that’s trying to get your childhood friend to fall for you.

Honestly, I’m still having a blast watching this. As much as Maeda’s writing can really suffer from tonal shifts (mostly in the end), I still wanted to watch this anime simply because I always like his storytelling in the beginning, and the laughs it brings can sometimes still muddle out the bitter taste that’s left in your mouth when the series finishes. I can already feel this train going down a slide and off a cliff. I already paid for my ticket though, so I’m obligated to stay on this shootshow until the end.

Seriously, I do not like where some of these relationships are heading. 

Maoujou de Oyasumi (CONDITIONALLY RECOMMEND)

This anime is relatable. It can get stale fast for a lot of people, but every time I think I’m going to get sick of it, it pulls one of the same gags that makes me go, “This. This is why I’m sticking with this.” I’m not sure how much more there is to say. It’s just an abducted princess who couldn’t care less that she’s a hostage and instead, takes this newfound time to take some good ZZZs. What a life.

Oh yeah, this princess is also willing to commit murder, mutilation, theft, and assault to get the sleep she wants. 

Tonikaku Kawaii (CONDITIONALLY RECOMMEND)

I’m not dropping this show... even if it makes no sense. The premise is astoundingly stupid, but it pulled a Zombieland Saga on me. It sounded so stupid, but once I gave it one episode, I found myself being entertained and almost rooting for the characters and their relationships. 

Imagine this: You are about to get into the high school of your dreams when you see the girl of your dreams cross your path. You want to ask her out so you jump over the barricade and get hit by a truck. You’re on the brink of death when you realize you can’t die there without confessing your love. You chase her down with blood coming out of your head and confess. She says that she’ll only go out with you if you marry her. You then... somehow survive, drop out of school, then get a job to search for her. I kid you not. This is the setup. It’s as stupid as it sounds, and the anime knows this. It doesn’t try to fool you into thinking that this series is supposed to be anything but some highway fast-track way to convince you into watching a married couple. I think what irked me the most is that the character designs didn’t change from when they were in middle school to when they were adults. It wasn’t the being hit by a truck and not being sent to another world, it wasn’t this girl who stopped the truck without ruining her hair, it wasn’t anything else but their character designs staying the same. 

Anyway, this anime is cute as long as you can jump some hurdles. It’s basically puppy-love marriage with anime stupidity through and through. I don’t know what about this series people, including myself, find charming. 

Jujutsu Kaisen (RECOMMENDED - BUT DON’T COMPARE TO DEMON SLAYER TOO MUCH!)

It’s Shonen Jump. “Will it be the next Kimetsu no Yaiba? The next big Shonen Jump series? One of the next big three? Five?” No, I don’t think so. I’m not enjoying this nearly as much as I did binging KNY. The cast isn’t nearly as likeable, but I’m still having a good time. It’s not all that fair to make that comparison anyway. The cast for Jujutsu Kaisen is passable. I like some of the main cast, but I feel like they lack the same kind of depth with its main heroine. I know she gets more stuff done in the future chapters, but her backstory so far is, “I had a friend once... No, she’s not dead. She just left our small town.”

The fight scenes are actually so much fun to watch. MAPPA gave this series a lot more time and budget than say that first anime I mentioned. It’s fluid, the camerawork is amazing, the choreography is on-point. 

The voice acting for this anime is spectacular among the main cast... when character dialogue allows it.

I feel a bit of imbalance, but Yuuji does offer a good protagonist template. Junya Enoki makes his lines so funny and gives this nonchalant approach that is the polar opposite of his performance in Tonikawa. This is definitely his season.

Junichi Suwabe voicing the main demon thing is amazing too. It fits so well, and he sounds so cool and evil. It’s great.

Gojou is also one badass mentor played by Yuuichi Nakamura. Overpowered, part of the main cast, etc. Insert your reverse Kakashi joke here. Just give him more Sharingan genjutsu, I dare you. 

Yuuma Uchida is back playing another tragic character that’s serious and uptight. I can’t say much more about him.

The opening and ending are both worth listening to even if you don’t want to watch the anime. Lost in Paradise by ALI has been on repeat for me.

Besides that, I’m going to go over some other anime that I’ve been watching.

Hunter x Hunter (AS IF THIS HASN’T BEEN RECOMMENDED ENOUGH)

Slowly. Slowly but surely. 11/148.

I know this is going to be amazing... I just want to be in the right mood to full savour it. I don’t want to be consumed by stress and not pay attention. The reason why I like a lot of those seasonal anime is because I don’t pay the same kind of attention. 

If you told me these characters’ ages, I probably would’ve believed everyone... except Leorio. The guy looks like a middle-aged money-hungry gangster.

What I would give to have the energy and serotonin of a Shonen Jump protagonist. 

Haikyuu (YEAH, IT’S GOOD)

I’m watching this one with my mom and sister as they go “OMG OMG OMG” as we watch while I’m sitting there like -_-

Don’t get me wrong, it’s a good show, but sports anime are made like shounen battle anime (because they are in a way) with different stakes. I’ve felt more “nervous” about some of the Haikyuu matches than I did with some of the Hunter Exam. Worst case scenario in Haikyuu, you lose the match. Worst case scenario in Hunter x Hunter? You die. 

I knew what I was going to get into when I was watching Haikyuu, and it’s given me what I remembered (since I did watch 10 episodes of it a few years ago) and expected.

SKET Dance (HIGHLY RECOMMEND)

Unfollow me. Unfollow me right now. This is what I’m going to be talking about for the next month. I can feel it. I’ve had this show for like 3 days and watched around 33 episodes along with some of these other titles. I have a problem. I know that, but I don’t feel like fixing it. This show is just too good.

I get why people call this a poor man’s Gintama, but it’s not quite that. I can get the similarities, but it’s like eating an empanada and saying that it’s just like that dumpling you tasted last week. It looks alike on the surface... if you’re not that great at... telling the difference between things... but once you get to the meat of it (PUN HAHA), you realize that they are completely different, and you were a fool for thinking otherwise. 

That’s our main heroine! Go go go!

Dude, episode 25 hit me out of nowhere, AND I READ THE SPOILERS! I won’t say any more than that.

The cast is one of the best that I’ve seen in a while. Their chemistry is basically the entire show. Without one of the main three, you wouldn’t have the show anymore. It handles its female characters better than some of its fellow competitors at the time, and it may have what some may call a “token fat character”, but the character never makes fun of her for being fat. They make fun of her for saying “Yabasu” every single sentence. It hurts that the manga ended with some loose ends, and this anime isn’t getting a season 2.

But at its weird and mushy core, this show is about three people with heavy and complex pasts who simply want to help people work out their issues in their own... unique ways. 

I don’t want to say much else, but I wish more people would watch/read it and create/post most content for it even if it’s a bit old because it deserves it. I’m almost a decade late, and this anime still holds up.

I gave Mairimashita Iruma-kun its own post.

[maxparkhurst]

How did you create your characters? What was your process?

TMI Tuesday:  How did you create your characters? What was your process?

// <offers out a chair> You’re going to want to sit for this. It’s going to be a LONG story. For those who’re looking for a short answer: I’m actually in the middle of creating these two. Edits and tweaks are always being made to make them appear real and true. And it’s thanks to everyone on here and in-game that they’ve progressed so much. 

Now for the long version. 

<buckles seat belt> 

Evolving as an Author:

Maxinora and Augustine Parkhurst are a culmination of ideas inspired by a myriad of things. The process of creating them isn’t linear. It has a lot of pit falls, unexpected twists and turns, and a ton of hills. To understand how we got the current versions of these two, we need to go back a couple years ago. 

It’s the summer of 2012. In efforts to get me off of his account, my Dad gifted me my own. This was when I made my first ever serious roleplay character- a hunter named Evelon Holmwood. Well, at the time I spelled it like Evavllyn but...Yeah. We’re going to gloss over that fact. Now, Eve was my pride and joy for the last several years. I played this character nonstop, refusing to play or write about anyone else. In retrospect, I used this character more as therapy than anything of creative merit. 

Eve’s story was basic at best. But I got better with story-telling the older I got. Unfortunately, her story got so convoluted that I had hard time salvaging anything from it. Now, you’re probably asking: How does this relate to Max? Fear not. I’m getting there. It was around this existential crisis that a mutual friend of my boyfriend and I convinced us to leave WoW and hop on SWTOR. My boyfriend was more than eager to make the switch but I was skeptical. Leaving WoW meant leaving Eve. And was I ready for that? 

He assured me I was and helped me make a character on SWTOR. This was the first iteration of Max. A bounty hunter from Nar’Shadda named Maxinora Fenrik. My intentions was to make her a lowkey copy of Eve. At this time, I wasn’t very confident in my writing abilities and liked to stay in my lane. But, the more I roleplayed this character the more she took on a life of her own. She evolved past Eve and exceeded my expectations. Playing a new character bolstered my confidence and while I no longer play SWTOR -due to OOC reasons- I still have fond memories with this character. I enjoyed this character so much that I reused several components of her design when making Max. Some which include her name and being blind in one eye. 

I flipped between the MMOs when Legion dropped. Expenses started to pile up and between the two subscriptions I didn’t have the time to play both. In the end, WoW won my affection and I made a Blood Elf because I had friends on Horde Side. Rorien Hawkthorne was her name. A drunk artist and master assassin. She’d be the second iteration of Max. She had an older sister complex, an affinity for being melancholy, and it was my first experience with playing a character who could kept secrets- or tried to at least. Another new character under the belt and I was feeling a little more confident in my story telling abilities. I’d probably would’ve kept playing that character if not for OOC drama happening in a guild I was in. The fallout had me jump back to the Alliance where I indulged in creature comforts. It was back to Eve. 

Tumblr made an entrance in my life around then as I ventured forth with a refreshed look on my hunter. I salvaged what I could and made a half-decent story. A lot of her misadventures are still posted up on her blog @evelonholmwood​ On the side I made the third iteration of Max. A fire mage and blacksmith combo by the name of Rowan Celwick with her younger brother Thomas Celwick.  They were just two orphaned kids trying to make a life in Stormwind. Rowan was an arcane drop-out and blacksmith wannabe and Thomas...Was...Well? Thomas? A glorified side-piece? A way to garner pity for Rowan. I didn’t place a lot of emphasis on them or their characters. My main focus was Eve. But these two would be the underlying foundation of Max and Auggie’s characters. 

I eventually took a hiatus from WoW and focused on more personal writing. The details are boring so I’ll gloss over it by saying that creating a character completely from scratch was the final push in the right direction for me. Fast forward several months to a year aaaaaand BOOM! Pandemic. 

Writing is an escape for me. It’s one of my best coping mechanisms during trying times. And when nothing else works, I over indulge in some Warcraft. So, I resubbed. There was hesitance when re-entering the RP scene. I didn’t leave Eve’s story off on an convenient note. For lack of better phrasing, I wrote myself into a hole I couldn’t get out of. So, with the help of my boyfriend, I decided it was time to give Eve her happy ending and shelf her for good. 

Which put me in a dilemma! Who was I going to RP? Well, you remember the Celwicks? They became my newest project. 

The Creative Process: 

I knew the Celwick story was weak and read much like a middle-school fanfiction. Revising was a must. But there were integral pieces to their story which I enjoyed: 

Familial Sacrifice 

Juxtaposing concepts

Intertwined Fates

These were themes I could work with and evolve. Keeping these in mind, I started to deconstruct the Celwick story line. They were no longer Gilnean but Kul’tiran. This prompted a name change from Celwick to Parkhurst. And I won’t lie, I like the sound of Parkhurst better than Celwick. Thomas became Augustine and Rowan became Maxinora (Mainly because I actually HAD the name Maxinora and not Rowan). The little changes got me hyped for the characters. 

Next, I started to trim away the unnecessary details that bogged down the narrative. Things that either didn’t fit or made the timeline too convoluted were replaced. Pyromancy was a great example. The age I wanted Max to be wouldn’t yield to her understanding of Pyromancy. At least, not to the level I WANTED it to be. SO, I turned it into lament’s magic. Alchemy. (I also always wanted to play an alchemist since watching FMA) 

A girl with two professions seemed excessive as well. I had to look at why I wanted her to be both an Alchemist and a Blacksmith. The answer was simple. I just liked the juxtaposition of an intelligent woman being rough and tumble. Which made me ask: Was Blacksmithing necessary to achieve that imagine? The answer was no. To pay respect to her previous iteration, I made their parents blacksmiths. It also let me keep themes of fire in her concept. The change in profession brought on a change in her appearance. I made her a little more slender to fit with the alchemist appeal. 

Max’s aesthetic was brought on by my previous characters.  Rorien inspired more internal facets of Max while Fenrik inspired outward appearances. Max’s auburn was strictly a decision made on the fact that I had one too many character’s with black hair. There wasn’t any other reason for it. 

Designing Max was easy. The real challenge was with Augustine. Up until that point, all I had to go on for his character was Tommy Celwick and...Well. There wasn’t a lot there. He wasn’t much more than a poorly used trope and I considered doing away with him all together. But I realized that I REALLY liked the trope and I liked what he did for Max’s character.  So, I buckled down and made myself think through all the reasons why Thomas Celwick -AKA Augustine Parkhust- needed to exist. 

I decided that I needed him in order to present themes in Max’s story. He was the foil to her character. Cynic older sister? Meet optimistic brother. He also appealed to not only the three themes listed above, but also the newest one I wanted to explore: two sides of the same coin. Max and Augustine are simultaneously the same, having similar traumas, and yet different. If for nothing else, Augustine could help propel Max in the right direction. Be her moral compass, you know? With a bit of half-assing here and there, I managed to get a decent character out of Augustine. Took the cliche nerdy brother idea, physical design and all, and ran with it. Shortly after I  made their Tumblr account. In no way did I expect this BOY to take on a life of his own. Like, Auggie knocked on my brain’s door and was like, “Yeah. No. I’m not a side character. Give me my own story...” 

Which will bring me into my final point! 

The Characters Write Their Own Story: 

I’ve never been able to sit down and plan a story. My mind doesn’t work in such a structured fashion. It wanders and explores. When I’m creating, I’m watching. Watching the scenes play out before my eyes as these characters take what I’ve given them and grow into something almost independent of me. The basic pieces of Max and Auggie’s back story, along with character design, were purposeful. Yes. But everything that came after was THEM.

It’s cliche, I know, but I can’t describe this experience any other way. These two grew outside of my influence and now dominate a space in my brain. They talk, work, and interact without me. I mean...Not REALLY. But...It feels like that. It feels I’m watching through a keyhole and just recording what I see as their story plays out. 

I guess a better analogy is me being the director. I’m watching the movie in the stands as two actors improv. On good days, I’m in control and rework scenes until I’m satisfied with the results. Try this. Move here. Say this. On bad days, I don’t see anything. My actors went home. The lights are off. Show’s cancelled for the day. These days make me sad...But they’re worth it because on the BEST days...The best days Max and Auggie run the whole show, and I am watching through the keyhole as their story unfolds little by little. 

It’s truly magical. 

The last part of their creation was the voice. Character voice, for me, is like building muscle. You need to work out. Start small and work your way up in weight. Every little piece I wrote made their voices stronger; and that’s including asks and threads. Interacting with other characters helped to flesh them out as people. And while it was hard and intimidating at first, it’s started to become easier. 

Wrap-Up

My method is messy and untrained. I don’t claim to have any secrets. My knowledge of writing is mediocre at best. But I’m having fun. And that’s were the real magic of any character comes in. Fun. Because if you aren’t writing about something that sparks your soul- either with love, happiness, hatred, etc- then it’s nothing more than a forced, hollow husk. Writing is meant to evoke emotion. At least in mind. And want to express complex emotions and share them. In a perfect world? My characters -any of my characters- resonates with someone. They become the escape someone needed. That’s the ultimate goal. 

It’s thanks to all of you that Max and Auggie have come this far. It’s from their interactions with others that they’ve managed to evolve into something incredible- especially Augustine. He just kept shining brighter and brighter until I felt obligated to make him an in-game character. So, you all are just as much a part in the creative process as me. Thank you! 

And a special thanks to my boyfriend for always being a sound board for my rambling ass <3 

THANK YOU FOR THE ASK, ANON! Sorry I posted an essay...<3 

[remnantoforario]

RWBY Chapter 10

It’s been a while since I’ve done one of these. I have been reading the chapters, but there has been a slight dip in quality since the beginning, and that’s mostly because nothing really happened since the last chapter I reviewed. There was the battle at the dock at the end of V1 and that was it. Not much to talk about.

This was a fear I had going into the manga, but it wasn’t like I was completely against it. To think the manga would completely diverge from canon was a fool’s errand anyway, so I was content with what we got. My biggest praise for the manga has always been the character work anyway, which I think Bunta Kinami does very well.

Even though I didn’t review the previous two chapters, there is a moment from chapter 9 that I wanted to spotlight, well a couple of them:

First was this shot from the food fight. It wasn’t drawn in the manga for obvious reasons, but I like the shout out. This was easily one of the most memorable battles of the entire series (Though I do wish the manga expanded more on JNPR. It was fine in the earlier chapters, but it will be kind of weird when we get later into V2 and 3 when they get more screen time)

Next are these three pages. Once again it’s Kinami’s improved character work that makes this scene work so well for me. In canon, after her talk with Ozpin Blake was adamant about pursuing the White Fang and her team kind of just went along with it. The scene fit in a way because the threat of the group was fairly urgent, but I think this scene works just as well.

Here, Blake is conflicted about going against the White Fang. Not because she’s scared of them, but because of the incident at the dock. She knows she messed up going out on her own, and doesn’t want her team - her friends - getting hurt because of her actions. She’s not a hunter yet, she’s just a student so its best to let the adults handle it. She basically has the dialogue that Yang and Weiss had in canon. It fits how she is written here instead of in canon where her characterization was still all over the place. 

This gives her team a little more agency here since they are the one’s who spurn Blake into action. I also like how Weiss makes the declaration that they are a team (even if this version also kinda glossed over her prejudice towards Faunus).  

Now that is out of the way, onto to the actual review of chapter 10.

Opening page is everyone going on their respective assignments. Nothing new here (well Neptune was introduced last chapter but other than that nothing of note), but I do like how the page is framed and how everyone shows a bit of their personality in the poses (also Yang has a helmet in this version, safety first).

Yang and Neptune ask Junior for info so nothing really big there, but there is a little divergence with Ruby and Weiss that switches things around a little bit. It starts here where Weiss suggests Ruby search town for clues instead of Ruby just leaving her high and dry when Penny randomly wanders in.

As Ruby searches through town (which looks to be much bigger here) she sees a child near get ran down by Truck-Kun! Enter Penny.

The scene is similar to canon with Penny stopping the moving vehicle (even if it does skip Ironwood introducing the Atlesian Knights), but the added element of a child makes the situation a little more dire. 

Blake and Sun infiltrating the White Fang rally seems oddly placed. In the show it was clearly done at night, but here it looks like it takes place at the same time as the stuff with Ruby and Penny. The same could be said for Yang and Neptune going to see Junior. Though I do like the sense of scale the art invokes for the rally. Also no Neo, minus ten points. 

Back with Penny and Ruby, I really like the call back to chapter 8 (or 7 I can’t remember off the top of my head) what with Ruby reciting to Penny the same words she (Penny) said to her when she was looking for Blake (also how can you not appreciate this art?).

The chapter ends with Torchwick starting his attack and finding out Blake and Sun (along with more great looking art). 

Not much in this chapter, but it does start to highlight one of the problems with the manga: the pacing. I said before that the quickened pace was a boon in spots (mostly V1) but its starting to hamper it as we get into V2. I don’t know if its because Kinami is trying to rush to the “good stuff” in V3, or he only has a set amount of chapters he can do and is trying to do as much as possible. Either way it really hampers the potential of the story. I think it would benefit immensely if he just allowed the story and characters to breathe a little more because its starting to really drag things down. 

Aside from that. It’s another mostly solid chapter. See you next time. 

[vaxieon]

BL3 - Perspective pt.2

Part one: The “First” Vault Hunter

Back again with part 2 of my multi-part personal evaluation. Once again it will be under a readmore so those not interested don’t have to scroll far. This one is a bit of a dozy regarding Lilith.

Lilith and her struggle

This is one I genuinely feel upset with given we’ve known Lilith for a long time. She’s been established from day one as being very powerful and confident in herself and her abilities (albeit suffering from the sexism present in BL1). On top of that, she’s played a role in almost every single installment of the series in one way or another, really fleshing out her personality from her former player class to an NPC.  Borderlands 2 was where they introduced her as the mythical “Firehawk” an entity that struck fear into the hearts of bandits across Pandora, even unintentionally starting her own literal cult following. Yet, this wasn’t for sake of glory, Lilith is shown to be intelligent and strategic and though she wouldn’t know it yet, a leader in the making. This eventually shows up through the ending of the Pre-Sequel and further in with the Commander Lilith DLC for BL2.

It can be assumed that these were traits they wanted to keep from her original character profile in the first game, where she appeared to be split to the character we know and Tannis (See here: WARNING LOUD). Either way, Dr. Lilith Cashlin, whether that is still the case or not, is not your run of the mill NPC when it comes to the sake of intellect. She’s shown to have gotten away with faking her death twice, once as part of her origin and the second in BL2 to keep out of sight from Hyperion. Although we don’t know what she did to accomplish that, we follow with her echo correspondence with Roland (see here) and see that she’s been using her alias as a way to keep the Bloodshot Clan away from Sanctuary for Roland to focus on Hyperion. She as well as the other original VH had to deal with the aftermath of New Haven, an event that greatly effected all of them and made them more focused on saving the citizens that they’ve lived alongside. She genuinely cares for people and wants to do what’s right given the power she has, she understands she has a lot riding on her even if she’s still learning how to deal with responsibility.

In my opinion this makes seeing Lilith throughout the games a way of seeing her grow as a person and slowly get acclimated to being a woman of legend. At least that’s what I was hoping to see in BL3. It all seems to fall flat with her, becoming very little over a one-word catchphrase and her powers alone. Personally I feel the downfall of her started in the Commander Lilith DLC, where Sanctuary ends up overrun by Dahl (I’ll probably make a separate post on Sanctuary). After Roland’s death, Lilith stepped up to the Commander position for the Crimson Raiders, something she didn’t necessarily even have to do. While in position she even made the initiative of letting Tannis create a testing field for training the new Raiders in the The Form of Digistruct Peak. Now regardless on if it would be considered ‘canon’ or not, the idea that Lilith would like to have a training ground made for the sake of the Raiders very much shows she wants to build up a solid homestead for residents of Sanctuary to live in peace on Pandora. Something that honestly should have lead to them actually returning Sanctuary to the ground, and building it up further.

By them taking it away from her they essentially ruled out potential for more personal growth between her and the people of Pandora. She did what she could given the events but if anything it felt like trying to make the player accept the ship in BL3 as the next logical step. Her also naming the ship Sanctuary 3, three mind you, makes her character seem unwilling to accept mistakes from the past and just act like nothing has changed. Which was the whole point of originally having the sanctuary for New Haven citizens be named Sanctuary and not some blanket of New Haven 4. This gets further pushed by the lack of information between our flying city and the ship, and how or why Lilith gave up on the concept of an organized Crimson Raider military, reducing it to a more casual club status. Topping that off, neither Brick or Mordecai continue to follow under her regardless of their conversation at the end of BL2. The Commander title she was given really not being used for anything other than a DLC title.

People have discussed how poorly the scene was for her powers getting stripped away, but what really gets me is how Tyreen’s constant bashing over Lilith’s “Firehawk” title makes it seem like the writers know she can be better. Tyreen is never shown to have any fast way of travelling, so regardless of when they happened to arrive, Lilith could have easily gotten away. To begin with, she wouldn’t have been outside alone with the key in the first place. We have seen Lilith act strategically and plan further ahead in case of things going wrong, warning you of danger and even calmly talking you through while she herself was in danger. She had been through a lot through the events of the games and very well knows the various types of villains that come through the works, there was no reason for her to have her guard down. Once again just a victim of giving the villians excuse to have more to do with the storyline. Without falling Lilith’s character, Tyreen would have absolutely zero power to effect you during most of the game, which honestly is a failure on the potential of Tyreen too.

After taking her siren abilities, the writing makes the audacity to take away Lilith’s own personality and experience, rendering her almost nonexistent when it comes to basically anything in the game. Even Maya herself (who I will talk about on a separate post) refuses to let Lilith be present in battle, which is degrading when they both in canon were established to fight side by side together. Many of the VH in the series are not sirens, and yet are welcome to be present no matter the situation because the characters trust in their abilities. Lilith is headstrong, doesn’t take ‘no’ for an answer and wants to prove herself no matter the situation. This is just all thrown out the window for a Lilith that is complacent in people keeping her confined to the bridge of a ship. A ship that really could be managed by anyone (especially after Balex comes in).

Honestly, I don’t mind her getting her powers taken, even though i wish it to have been done in better, it’s not a bad story element. What I mind is that she’s never given a chance to prove to the player on how much she is worth regardless of them. She had done so much for the people of Sanctuary, she had the privilege of battling the Destroyer, she had faked her death twice, been captured by Hyperion and lost people she loved, but for what? The story gives her no way of proving her commitment, she doesn’t even get to hold a gun for a majority of it. She gets left on the sides only to be thrown around like a doll when she actually has a chance. Ava’s speech to Lilith after Maya’s death aggravates this more, because while Ava’s dialogue is very fitting given the situation, Lilith has never ran from anything the entire series other than in BL3.

In the end, even with her sacrifice it just feels hollow, because without her involving herself through the game, what was the emotion we were intended to feel for her? Because of her sheer incompetence through the story, the player ends up more or less feeling like ‘oh she did something i guess’ than actually having sorrow for her not being there simply because it was about the same when she was there to begin with. Roland’s death in the second game felt more impactful because he was constantly trying to get Sanctuary to a better point and when in battle, would actually fight with you to push you through. There was no need for special powers because the personality of a character just simply isn’t what they have, it’s what they do. Lilith deserved much more than that.

Once again I can really go on, but so far this is the longest one I’ve done. I really loved Lilith as a character and having her death not even leave an impact makes it really obvious how misused she was.

[cruddyborderlandstheories]

athenas or the new ign videos... hmmm

im gonna go for the ign videos (moze gameplay and sanctuary-iii, no guns yet, i have a reason for that) because athenas hasn’t gotten its sweet instagram video yet. once that’s released i’ll do a full post on it. by the time i got around to finishing this post, they had released the video. oh boy... gonna do the gun post then the athenas post, i think. alright, off we go.

tl;dr: we read the entire end user agreement DAHL thrusts upon us for using the ECHO device, talk about some stuff like how (spoilers) it seems like Lilith will be getting her powers back at the end of the game, and a voice line Lily says that sounds like “Tyreen took my powers. it’s like Tannis said: [inaudible] Siren” (altho im not 100% sure on the [inaudible] part because 1) it sounds weird and 2) there’s a drum beat and also the devs are talking over her, the Siren part seems fairly accurate because of the way her mouth moves). so you know. im gonna be agonizing over that until i can hear what she says. ive already spent an hour just repeating it over and over. i nearly fell asleep lol

we’re gonna start with the moze gameplay (the first 14 minutes of bl3) because chronologically it’s first in both timeline and release date

i love the license plates on the right there

also it looks like they added in claptrap’s old welcome sign from windshear waste! time to stand in front of it for 30 minutes to see if any messages pop up like bl2

fast travel station as well, definitely going to see if/where i can teleport and going there immediately. i imagine this is more for DLC stuff and grinding tho.

also! i do believe we saw Covenant Pass previously. good to know this is actually where it is!

Marcus saying “And Welcome to Pandora!” in the beginning confirms that, yes, they’re going to be on a bus!! i wonder if there will be a fight scene before that though. it’s interesting Clappy mentions that “those jerks who tried to murder you are the children of the vault!” so i mean... there’s gotta be... right?

im also convinced this intro is going to be a mirror of Borderlands 1. i stg if it starts out with the first few notes of Ain’t No Rest for the Wicked and then swaps songs I’m going to lose my mind

also also, the order is totally going to mimic the bl1 one. Fl4k = Mordecai, Amara = Lilith, Moze = Roland, Zane = Brick. We even have Lilith taking Angel’s spot as the mysterious voice in our heads, and probably Marcus driving, AND being dropped off at a bus stop.

bet the reason they changed it from ‘Moze as the Bot Jock’ to ‘Moze as the Gunner’ is because it fits under ‘Roland as the Soldier’ better. Also, ‘Zane Flynt as Himselfs’ would be a play off ‘Brick as Himself’. Amara as the Siren is obvious, and ‘Mordecai as the Hunter’ vs ‘Fl4k as the Beastmaster’ is pretty similar as well, given Fl4k has all those Hunter skills.

the 4 basic emotes im guessing. im so glad we have the option to boop our friends in the face with emotes.

also moze’s little bunny skin is adorable

the ECHOnet used to be called “Riftspace”, “the Spline”, and... “MercTel: A Cyber-Dahl Joint” lmfao

specifically calls out Pandora. also, “artificial megastructures”??? THAT’S SO COOL

AND FUCKING

SENTIENT MEGASTRUCTURES???? 

gearbox. please. i have never ever wanted anything more in my life. please. it’s probably my birthday. PLEASE GEARBOX

also interesting that the user agreement specifically notes ‘Respawns’. I assume this is a joke because New-U stations have been confirmed not canon

“Core law”. Core law? Core... daddy? ... ????

core as in like a core government somewhere that’s not the border worlds? that’s interesting...

“The Legion”, okay, acknowledging TPS, that’s dope

“Project Blackrakk” ... im interested

“Thresher Company” lmao

im curious if Axton was apart of any of the mentioned ones. i don’t think it’s been stated, but i could be wrong

“Chieftain Oort”. also ‘Recently Legless Gary’, lmfao poor dude.

oh yeah im sure this is fine. also holy shit did they google the synonyms for ‘change’ and just start listing them? lmfao

“implicit subscription to the Digby Vermouth ‘Dig’s Gigs’ secret concert subscription service” 

sorry, what?

if this doesn’t come up again in the future- if we don’t get a spam letter or 3 in our mailbox about this concert subscription thing i'm gonna be so disappointed

Dahl hates you if you’re not a fan of hyper-jazz, “you snob” lmfao

my brain hurts, they’re good at writing these 

damn phones exist? i thought everything was ECHO. aight, that’s good to know. i guess there just aren’t any phone networks around the border worlds

also “shared dreamspaces” sound really cool

hm. that’s no good lmfao. also i love that the buttons are ‘Agree’ and ‘OK’. there is no escape, once you agree, you can’t even leave because you’re agreeing that you’re trapped with these rules even if you cancel.

that’s fucked up, DAHL. can’t believe you treat your user base the same way you treat your employees. i guess i shouldn’t be surprised.

anyway, shoutout to literally the only TOA I’ve ever fully read in my life.

also, clicking through this TOA too fast WILL end claptrap’s voice line early. so be careful if you want to hear what he has to say!!

oh shit lmao I gotta go edit that Fl4k post

ok im back ~time magic of being able to save things in drafts and post them at a later date~

sliding preserves momentum, so you can actually slide (nearly) the entire way down! i love this.

small, but claptrap bends his antennae when trying to be stealthy. i thought that was a pretty cool detail

“and some guns include an alternate shooting mode~! try it out!”

player: `immediately shoots claptrap in the face`

i died lol

a very nice look at this sign.

good to know that the twins really are tempting people to join with promises of food. i mean it makes sense, i imagine most of the cultists are desperate for stability and a reasonable life on pandora.

also, Shiv calls himself “holy influencer of the children of the vault” lol. i love that. gearbox really is going for the internet’s throat, isn’t it?

i do like that hovering over an NPC will give you their name only and not name/healthbar.

a better look at one of the signs referencing the Mother!!! i was waiting for this, the only real look we got at one was in that one scene with Moze and IB

“Behold the Mother strength surrender to the truth” 

yeah that’s not ominous...

i assume the mother and father are intended to be tyreen and troy? but idk how i feel about that implication...

i like the new little gear/spring effect for the magnet lol

new lilith! i know a lot of people don’t like it, but i do. she looks better than the bl2 vers. altho i think it’s weird they swapped both bl1 and bl2′s ‘AI’ effect to those dots and then didn’t bring it to BL3. the dots effect felt cleaner. curious why they’re not applying it to bl3 when they went thru all that effort in 1 and 2.

... back up please.

i like that there is a changing icon for long pressing now

“time to check out our slay of the day!” sounds like Tyreen but tbh i legit thought this was moze’s reaction to opening the chest at first lol 

you can hear someone start screaming in agony while she’s walking up the stairs, so i know it’s not moze, but im so used to the VHs talking when they see a new piece of loot my brain just assumed.

also THE MUSIC IN THE BACKGROUND IS A REMIX OF BANDIT SLAUGHTER!!! IM SO HAPPY ABOUT THIS I WAS FREAKING OUT THE FIRST TIME I HEARD IT

also, claptrap when dropping health yells “this could save your life! then, you’ll owe me a life debt!” bullshit im pretty sure you already decided we owed you a life debt the moment we stepped off that bus

“i see it... the great vault” - a line from a cultist you kill

i know i mentioned in this post that the Great Vault may be already opened, but it could also just be a Vault they’re planning on opening and using the propaganda to convince the cultists to help them find it. 

“if you help us get this vault open, you’ll be handsomely rewarded! you’ll get superpowers! you’ll get regular meals! you’ll get money and guns and dates!” you know, the usual stuff. 

either way, elevating the Vault to a higher state (god/heaven/whatever) makes sense if you’re running a cult.

btw there is a hidden chest in the scaffolding to the left of the door, if you’re interested in grabbing some better guns before shiv. personally, i’ll be using the toy guns.

also the TVs are actually playing propaganda now!!

this one is asking questions that i cant understand due to the sound effects of the chest and claptrap talking, but it says something about “... the dust? ... join the Children of the Vault!”

“hey shiiiiiv all your dumb friends are dead!!”

shiv be like

“all my friends are dead”

some cool level-up art! I notice these are the same pictures as used on the japanese site. i wonder if they change depending on which VH you’ve picked (If you’re playing Amara/Fl4k, do you get pics of Amara and Fl4k? the player is playing moze, afterall).

also also “it’s a KIA on the knife wielding maniac. suuuper dead.” 

it’s cool that the VHs have specific lines for the deaths of bosses. i hope that continues and it’s not just a ‘15 min of intro gameplay’ thing. you know, where everything is super detailed in the beginning and then slowly gets less and less as the game progresses? anyway, moze’s little chuckle is fuckin adorable lol

ah. the door closes now so you can’t even explore Shiv’s room before Lilith shows up. gearbox plS you know me too well, i was looking for a g l i m p s e

claptrap’s voice line for getting released is SUPER off time, he hits the ground before going “you did it! i’m sa-ahhhhhhhh!” it’s weird, wondering if that’s just a glitch.

also also we get a nice listen to the revive ally sound. i could’ve sworn it wasn’t in the first look at this mission we got, because i heard it for the first time during the coop Zane/Amara gameplay on Promethea. i might be wrong, tho.

im very curious what these symbols are claptrap is beaming up

i mean you know what im gonna say

they look eridian

and they do

so wtf clappy why u beaming up eridian letters to Lilith

i assume maybe Tannis gave clappy some weird upgrade or something so he could communicate with the crimson raiders without the CoV listening in? it could be that Tannis or someone is decoding this message since Tannis does know how to translate Eridian (as shown in her bl1 ECHOs)

... or at the very least she gave Lilith a translator

the darkening makes it so that you can see the crackening. also this COULD just be a beam that lilith can see from wherever she is, but i want to believe there’s more eridian stuff. bc eridian stuff is fun.

this is so fu cking crisp im dying i love it

lilith’s tattoos spreading down her fingers

same symbol as her chest tattoo. maybe the symbol denotes new powers? like how lily has one on her chest for phasewalking, and a new one on her hand for teleportation

i love how her wings look like actual fire. i fucking love this

lilith is looking so fucking good in the new engine

im glad they got rid of her super red eyes, tbh it looked a bit weird

i think they are really pushing her fire affinity, im sure we’ll see Maya has an elemental affinity as well (im calling corrosive) and im sure Tyreen will too (slag). Amara looks to be Shock because that’s her ‘default’, but who knows until (if) bl4 comes out. but corrosive wings on maya would look SOOO fucking cool. please. please please please.

god she looks so good compared to bl2. i love how the tattoos softly glow in the dark, too. i gotta play this mission late in the day...

“you’re... the voice in my head, right?” i love this so much, i really hope my shitpost comes true.

lilith gives you a grenade mod for completing her mission! im really glad they are PUSHING through the tutorial/intro so you can get right into the game. bl2′s ‘intro’ of all these tutorials was brutal. especially waiting to unlock your action skill.

in 3 you get your action skill automatically at level 2!!! which is insane, i love it! they’re jumping right into it, it’s great. and they seem to be pushing for you to get all the stuff you need right away. 

it’s curious to note that in bl3 we get our class mods at the end of the Promethea demo (after Gigamind), since in bl2 you get your first (usually?) after the hunting the firehawk mission and both seem to take place immediately after we get to the ‘base of operations’ of the game (Sanctuary vs Sanctuary-III).

yep that quest is 100% in line with the quest marker. 

i imagine From the Ground Up may be discovering where the Vault Map/Key actually is? maybe bringing people to the Recruitment Center (notably Tannis)

for this scene. i hope this takes place after the HBC, because i seriously... can’t imagine the twins showing up, taking the Vault Map, bringing it to the HBC, and then NOT taking Lilith’s powers/trying to kill Lily and accidentally taking her powers. it just doesn’t make sense, Vault Hunters be damned, we are level 2 they could melt us easy peasy. 

If anything, it feels like we COULD find the Vault Map in the Recruitment Center, Tannis tries to activate it/fix it, we find out it’s mega broke, and then the Sun Smashers show up and take it. but i seriously can’t imagine Lilith nor the new VHs allowing that to happen while they’re still there. maybe if Tannis sends us to do something while Lilith is gathering other CR members? then it could make sense if they attack while Tannis is alone with the Key...

OR

we end up finding something in Shiv’s room that shows/helps us realize the Sun Smashers bringing the Vault Map to the Calypsos. tho this would mean the quest From the Ground Up is SUPER short and I imagine it’s not. Maybe we raid a camp of theirs like the one in front of Sanc-III with the bridge/ramp? We need to be about level 6 before we go and we start From the Ground Up at 2 so there’s obviously something DEEP we’re missing here. maybe this is a mission where we go gather the other Crimson Raiders? HMMMMMMMM...

.... oh.

nevermind lmfao

she opens her ECHO immediately after this LOL i feel kinda dumb now

raiding their camp it is! the Droughts sounds like a fun location. Very much like the dust. you guys think there’s a Shade situation going on there? i’m excited to see it. Still think we’re going to use Shiv’s room to get that lead, though. i just really wanna watch tv lmfao. i hope this means the bandits run from the camp to the HBC, or we find info that the bandit warchief sent a party to the HBC with the Vault Map. either way, i just don’t want the twins showing up until after the HBC or i will have so many questions. “why didn’t you kill lilith?” being the first. “the god queen wants her head!” ur goddamn right she does, so why doesn’t she (try to) kill lilith???

85% already?! hot damn

also

that’s one badass description there, Moze

also also

while having gun slots locked is pretty normal, im surprised they’re locking class mods and relics, too! i wonder when we’ll be able to equip relics. maybe when we first go to eden-6 or smth. or maybe after we meet up with Rhys. shit maybe he’s just handing us an artifact (im gonna interchange these a lot, sorry!) in that Promethea video lmfao

“ready to chuck some boom and frag some maniacs” lol moze i love you

if you’re playing Zane... `equips grenade mod for checkmark` `immediately equips second action skill and never actually uses grenade mod`

“it’s the firehawk! the god queen wants her head!” 

like i alluded to before, i would not be surprised if Tyreen doesn’t know she can absorb Siren powers... when she goes to succ lilith in front of Sanctuary-III, it’s totally possible she actually was trying to kill her. That could explain why she looks so intrigued at her hand like “oh shit okay lets see what this can do”

might be why she was okay with sending her cultists after her instead of showing up herself.

“alright, we got a foothold. maybe things are turning our way. come on killer, you’re with me” we are going to explore the SHIT out of shiv’s room.

alright alright alright

let’s move on to the Sanctuary-III stuff

yessss

i love the quest objective thing, it looks like we will be able to swap through our quests with the push of a button! also im curious why exactly we’re going to promethea right away. i wonder if the twins say something about moving there after getting the vault map/lilith’s powers, or if we hear from rhys. im expecting something about the vault map, since our vh will admit they don’t know rhys at all when talking to lorelei. but for some reason we need to be within the city limits? since lily says ellie got us within the city limits. 

hmmmmmm. okay, okay, maybe the map was trying to lead us to promethea for vault reasons during that short amount of time that we had it and it was working. maybe promethea is what we see when tannis is activating the key during that one cutscene? ohhh shit how dope would it be if we got that fucking easter egg message? omg “Children of the Vault. Come to Promethea. We are not on Pandora anymore. Tannis is not what she seems. Do not open the Vaults.” and everyone is like ‘uh did that thing just mention Tannis by name??’ and now it’s REALLY important to get the map back just so we can figure out wtf it’s trying to tell us. 

i will question how ‘Tannis is not what she seems’ would affect character relationships, especially if it’s said so early in the game. so perhaps we only hear the first part of the message. maybe it’s corrupted because it was recently broken. iunno. just playing around with ideas. the canon of this game is like flarp putty until sept. 13th

anyway moving on because this is literally the first f r a m e of the video

i like that you can see pandora’s eridian scar. if the destroyer is speaking through eridium to people, it’s gonna bust outta the side of this planet like you wouldn’t fucking believe lmao. eridium is a window to the soul and if you stare long enough into its glossy, shining sides, the destroyer stares back

that or it’s just like a beacon, slowly spreading its influence across the universe. but i like the idea that the destroyer can waltz out of a big enough hunk of eridium. so it will bust out of pandora’s eridium scar. F in chat for pandora but also lmfao the amount of tentacles and rage would be unparalleled.

reality is that the twins are probably farming this scar for eridium to turn into slag for multiple purposes. like brainwashing their cultists, giving them powers, and ensuring their guns have their manufacturer’s quirk (im getting to this in my next post bc im just gonna compile all the ign gun videos into one big post)

the floor art is different from the actual sanc-iii demo. i mention this first in my behind closed doors panel analysis, but im gonna mention it again because this is ~official~. the floor list on the first walkthru of sanc-iii we got had the names of all the crimson raiders and lines leading to their shops. so we had the infirmary/tannis, marcus, moxxi, etc listed on the floor. i imagine this new sanc-iii will change as we get more people on board or if we do a sort of re-decoration of the ship.

also also, it’s cool to see that we have 4 rooms on the minimap, likely one for each of the VHs (and your coop buddies). ive seen speculation that the other, non-played VHs will hang out in their rooms when you’re not playing them, and tbh i really hope this is the case.

we also know this version of sanctuary-iii is after pandora, so there are no promethea citizens aboard yet. which makes me double certain the first sanc-iii video we got takes place either after endgame (explaining why Lily has her tattoos back) or right after Athenas (explaining why Maya is there). which... i mean... spoilers, guys. 

that’s one good lookin fast travel station, holy shit

im in tears over here because “Caution: no steppy”. this is so fucking funny to me

no steppy on me

okay moving on because i will cry laugh over this for forever im allowed

moze’s room is so much different than amara’s

also i notice she’s on the left of the two on the top, which makes me hope the other 4 are reserved for the other VHs (or your coop buddy).

compared to the official sanc-iii demo video

and amara’s room

moze’s is so barren oh my god

someone get this girl like... a colorful throw pillow or something

baaank. also doubles as the secret stash. kinda upsetting, because that is infinitely less loot i can store when i make a lot of characters. also if i upgrade the bank once, is it upgraded across all my other characters too? or are the guns i put in storage slot 11 locked up until i buy the upgrade?

either way, i am saddened because no more mule characters. and way less space the more characters you make and more gear you find, because all gear you put in here is there across all characters. i hope this means our backpacks will be a lot bigger this time around!

supamax mfg shows up again

ppm/04-02 matches up with the number behind the fast travel station. i wonder if this will come into play. if the number changes later in-game im going to freak the fuck out bc that means wherever we are isn’t actually sanctuary-iii

ppm/04-02. remember that 👀

also, the wall behind the golden chest changed from red to steel/greenish. can’t tell the actual color. same as the floor

you know. that color.

“golden keys are popular. you can get some in-game and also get them online”

in-game you say??? im interested! i wonder if there will be some sort of arena (like moxxi’s) where if you complete it you get a key as a reward. i saw people speculating about some sort of randomized boss rush, that could definitely be a way to get gold keys, as well.

oooo engine room! im excited to explore here.

original size is 16. so, we have 40 backpack slots! still... you know... only 1 above the max of bl2, but hey. at least that’s an upgrade. as small as it may be

on the bright side: bank upgrades increase capacity by 5. with a base of 10, and 8 upgrades, we have 50 slots to fill. which is a big leap from the original 24. it is still a shame we have to share these across characters, tho

offline cultist stream? makes me think the CoV really was trying to steal/take over sanc-iii from the crimson raiders and we went to go take it (back?) in Taking Flight. either the CoV found/ordered Sanc-III, or the crimson raiders were building it/fixing it up, their stronghold got taken over, and the CoV were prepping it for takeover.

the shooting range. and if you notice that little CoV symbol in the bottom left there? yeah pretty much backs up my previous theory

all those red bits are tied to ellie’s crew challenge. so we’ll be collecting things for her!

an altar for scooter 😢

“we’re gonna get those cultism sumbitches, believe you me”

where you get yeeted out of Sanc-III. im definitely going to try jumping in it to see if it kills me. doesn’t look like the drop pods are available yet

that’s not clappy, pretty sure he’s hanging out on the bridge right now

schematics for veronica

the thing i was most excited about in this video!

loooots of customizations! which excites me because i know eridium used to get useless late game when you’ve grinded all the raid bosses. it looks like eridum is going to be in ultra high demand. but u can bet ur ass im gonna be unlocking all those fucking customizations asap.

veteran rewards is also super super interesting

hgggggg i wanna know what the shields do!!! 

i like the vault symbol at the top of the item card as well, shows you its a special type of weapon/item. im honestly surprised we’re able to buy ‘veteran rewards’ so early in the game? i mean obvi we won’t have enough eridium (look at the costs!) but it’s wild it’s even accessible. im personally a fan of the first bonus ‘anointed: gain life steal on action skill end’

looks like these guns have been chosen

to give them those special bonuses

i do see that just anointed is not class specific, but the ones that say anointed gunner or maybe anointed siren will be (confirmed by the devs in video).

you pay with eridium, so maybe the vending machine has some way to confer the power of eridium to the guns. or some shit. iunno. it’s possible this won’t be available until the end of the game, hence veteran rewards, and is only being shown to us right now since this is a showcasing video.

pandoran civilian. no promethea civilians today folks! i am CONVINCED that the old sanc-iii demo takes place after the end of the game. at least after athenas.

it’s weird seeing moxxi hanging outside her bar.

is also cool to know that the 4 slot machines are actually available. seems like npcs can play them, but we can use all 4 if we want to. which is really nice

the one on the far left is called the ‘loot boxxer’ and it gives mostly guns lol. i see they are taking jabs. good for them

better pic of the leftmost machines

Zer0 seems to have a bounty board? not sure if this is like a physical bounty board or if they will contact you when they want something dead, but it is cool to note. this isn’t shown in video, just the devs speaking about it.

similarly hammerlock has ‘big game hunts’ where you find “rare, challenging creatures” and kill them for him

apparently we’ll be killing something known as a manvark

this book

i fucking recognize this book

HAMMERLOCK NOOOOOOOOOOOOOOOOOOOO

in all seriousness tho

hammerlock probably isn’t in his room because we haven’t rescued him from eden-6 yet.

a cool thing about the crew challenges: as you progress through the game and do these challenges, sanc-iii will ‘grow and change to reflect the things you’ve accomplished’. altho another dev says “sometimes these are optional things, like challenges” 

so now im like oh shit we’re gonna change sanc-iii as we play the game. i wonder if that means we’ll be changing the hull, too. because you know. the blue paint job. we gotta go STEALTH. sneaky beaky into the calypsos fleety

tannis doesn’t have the saurian on her table. also, interesting note, she DOES have the eridian log in the corner. meaning she must have had that before eden-6. interesting... maybe we’ll find more on Pandora.

she is still covered in blood tho. idk i don’t have an explanation for that. don’t think i want to think of one, to be quite honest.

oh no. (those are skulls next to all the gurneys)

“tannis plays a much bigger role in bl3 than she has in past games”. bigger than borderlands 1? that is... impressive. she’ll be running the health vending machines (which is weird bc i could’ve sworn in the promethea demo, zed was still running them... hm.)

another angle of sanc-iii

clappy? you good there?

the devs said they’re using him to plug a hole. i assume the calypsos shot at the ship as we’re leaving or smth.

lily with no tattoos, who also looks significantly more pissed than her other sanc-iii demo counterpart

you know. because she got her tattoos.

also

fucking

lilith says something right here. all i can make out is “Tyreen took my powers. it’s like tannis said. ..... [inaudible] Siren.” maybe some weird word i haven’t heard before? i swear she’s saying ‘like tannis said: a ‘m...’ Siren” but i am not 100% sure. if someone could help me out, that’d be rad.

so its sounding like lilith rushed in with explicit warning from tannis about tyreen stealing her powers, and tannis knew tyreen was some sort of Siren and warned lily, but lily didn’t listen. it could also be that lily is saying something like “im not a siren” but i can’t really hear it if she is. it sounds like she saying a word that starts with m to me. if someone could help me with this i’d owe you my life

whew. i am. fucking TIRED.

im gonna sleep for like 3 hours and then wake up and make food before the fl4k streams start.