the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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So if you're telling me Durge was the first person to be tadpoled, and Gortash tadpoled his parents...
Gortash not only showing up to Flymm Cobblers unannounced, despite avoiding his parents for decades in the same city, seeking revenge driven by his abandonment issues ...but give me absolutely unhinged Gortash who shows up ALSO driven by grief and loss and rage.
Give me a Gortash who is a new brand of scary. This is not the ruthless politician. This is not the arms dealer. This is not Bane's Chosen. This is something foreign even to himself that verges on madness.
He shows up at their door disheveled in a way he would never allow himself to be. He smiles wide, his only intention to harm, and laughs and laughs through the tears streaming down his face.
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Why I like 03's automail reveal in liore more than BH prompted by this pic I encountered again:
When I compare the scenes visually, I really really like how proportionally larger Ed's automail is in 03 to the rest of his body. It's more bulbous and thicker around the shoulder portion. When we get a forward facing shot of Ed you can see clearly how far the anchoring port comes across his chest. It's up to the juncture of his neck and over his pectoral muscle.
Despite Winry's wonderful talent and work with automail, you can only make such a durable high functioning model so slim. 03 in general highlights Ed's more childlike qualities. It makes use of visual contrast to point that out as well. To me, seeing the automail on him is like seeing a domestic cat have a panther paw. Much too powerful and encompassing for the size of it.
It's yet another reminder that he's a kid in an adult world. Too smart and too young and having made such a large mistake. It's very fitting for the overall tone of 03.
(the animation of Ed tearing his coat over his shoulder was also sick as fuck in 03 like holy god it was awesome)
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