#some of them aren't in the film though

[anghraine]

Tolkien's handling of race in LotR is bad, and should not be defended, but pointing out that the Jackson LotR films are perhaps even worse on that issue seems to be *really* unpopular with most of the fans. You'd think that a film series from the 2000s should be held to a higher standard than fantasy literature written in the '30s and '40s, but apparently not.

Exactly. Whenever someone (not even me specifically, or my friends—others have pointed this out!) tries to discuss it, people tend to get super defensive and make extremely dubious arguments to defend the racial casting and coding.

And it's like, yes, I have my bias as someone who has a lot of other issues with the films and who has resented their stranglehold on fandom for years. But I see people go on about how the Jackson films' racism was just being true to Tolkien's vision, despite manifestly not being "true to Tolkien's vision" in multiple respects, so a) why should racism be the thing they couldn't change, especially amidst all the other things they did change, and b) they're actually worse than the book in this regard at any rate.

Like, Tolkien's descriptions of dark-skinned heroic characters are entrenched in colorism, imperialism, all kinds of awful assumptions about how the world works even when he's awkwardly trying to push back (I think @elwing had an interesting discussion of how we can see this in the ambivalent representation of Tar-Aldarion, for instance). But literally nothing was preventing the filmmakers from including characters like those and just not retaining the textual descriptions, which would be weird to include in film anyway.

Of course, Tolkien himself was indignant at the idea that Middle-earth is exclusively Northern or English, no matter how many times certain folks repeat the "mythology for England" quote devoid of its original context. So my view is that the book absolutely has a lot of unconsidered or poorly considered racism and racist assumptions, but that this is not incompatible with the films and fandom being still worse and all the more culpable when you consider our RL circumstances.

[oveliagirlhaditright]

I forgot to mention that I saw the trailer for the new the The Hunger Games movie when I went and saw Blue Beetle (the prequel, you know?) and it does look really good (even though at first I was unsure about it). I'm probably for sure going to see it when it comes out. Though this will be the first time that I haven't read the book first... unless I do end up reading the book between now and then.

[alwaysahiccupandastrid]

Pixar did not have to go as hard as they did with the Kronos Unveiled scene in The Incredibles (2004), yet they did anyway and gave us one of the best scenes in modern cinema. Literally cannot stop thinking about how good this scene is, from the animation to the build up to the soundtrack.

I don’t think I truly understood how dark this scene - and this film - was a child: Syndrome is systematically and strategically luring in superheroes and killing them off in order to test and improve his Omnidroid design… these people were not only supers but they also had family and loved ones too, just like Bob, and one day they would have just disappeared because chances are they weren’t telling people where they were going because it was "top secret" and against the law. They thought they were doing something good, like helping the people in the island, while also getting to relive their glory days, perhaps even paving the way for superheroes to make a proper comeback… only for Syndrome to kill them in cold blood.

Most of these people can actually be seen at Bob and Helen’s wedding in the beginning of the film - they weren’t just random supers, they were their friends, people they worked alongside and cared about. It’s even worse when you realise that Bob probably blames himself because, after all, Buddy/Syndrome was his biggest fan and he dismissed him by not letting him help.

The relief on Bob’s face when he realises Syndrome doesn’t know where Helen is - meaning he also doesn’t know where their children are because he didn’t realise they were married at this point - is so realistic and gut wrenching to see. The relief contrasting with the anguish of knowing how much danger they and their entire family could have been in the entire time without even knowing...it's so well-done, you can literally feel it.

It’s also worth noting that originally the next target wasn’t Mr Incredible but Frozone - that was who Mirage was trailing, hence why his location is “known”. Imagine if she/Syndrome hadn’t realised that Mr Incredible was with him and they’d lured Frozone in instead as planned; he would have gone to the island to fight the Omnidroid 8 in a volcano setting. We saw how being in the burning building dehydrated Frozone and made it impossible to use his ice powers - presumably it would have been the same in the middle of a lava filled volcano, and he’d have been slaughtered just like the other superheroes before him.

This scene shows an entire generation of superheroes - Bob, Helen and Lucius’ generation - wiped out all because Syndrome felt slighted by his hero as a child, because he internalised that slight and let it drive him to revenge. And, if we take into account the deleted alternate opening scene, it’s mentioned that superheroes "aren't supposed to breed” - meaning there’s a likelihood that Violet, Dash and Jack-Jack are among the very few supers of the next generation. I know that it's deleted and so not really canon, but it's definitely a concept to consider, I think.

Then there's the fact Syndrome named the project "Kronos" - Kronos was a God who overthrew his own father in order to take over his rule, and then he ate his own children to prevent them doing the same thing to him. It feels like it reflects Syndrome once looking up to Mr Incredible and even saying "I could be your ward!", meaning Mr Incredible adopting or fostering him - the project name is a metaphor for Syndrome destroying the Supers, especially Mr Incredible, who he viewed as a father figure. The Omnidroids he built killed two birds with one stone: not only was he able to acquire the data to upgrade the robot to its final design, but it also eliminated the real super heroes and so left him as the last remaining "superhero", even though his powers are man-made, not something he was born with.

Not only did he want to become the only remaining superhero by killing the real ones in revenge, he also planned to sell his inventions at some point so everyone can be super - because "when everyone is super, nobody is". It's like a final blow to the memory of the superheroes he had killed.

I've talked too much about this scene but God... I love it so much more as an adult because it's just so chilling to think about. I'm sure other people can put it much more articulately than I just tried to, but I just really wanted to appreciate this scene.

[ikarakie]

after eddie introduces a demogorgon to one of his hellfire campaigns, the kids get a little squirmy. they're nervously looking at each other and aren't engaging as excitedly as they usually do. when he calls time, he watches dustin rummage through his backpack and produce a walkie talkie.

he watches, a bit dumbfounded, as the kid demands a 'check-in'. all at once, multiple different voices come over the channel. stating a name and then saying 'safe.' ("nancy, safe." "robin, safe." "max, safe.")

"steve?" dustin demands. there's only static. "steve!" a little more frantic this time.

"he left to pick you up." a female voice replies, "he's probably fine. you'll see him soon."

none of the kids look particularly pleased, and pack up hastily. eddie and the other hellfire members all share confused glances. he, more morbidly curious than anything else, follows the little sheep as they hurry out of the school.

dustin is fucking restless as they all stand in the empty parking lot. he won't stay still and none of them are answering any of eddie's questions. and he only gets more confused when a brown beemer pulls in, windows down and playing depeche mode through the speakers. dustin goes to sprint towards it, and he has to hold him by the collar to stop him getting run over.

the beemer pulls up and steve harrington, in all his glory, steps out, frowning. dustin wrenches out of eddie's grip and all but bodies the guy, wrapping arms tightly around his midsection. steve, still looking puzzled, hugs back. lucas and mike trail after dustin.

"we called a check-in." dustin says, a bit muffled from where his face is smushed into steve's shirt. steve goes sort of pale, and- and presses a goddamn kiss to the top of henderson's head before tightening the hug.

"shit, i'm sorry." and eddie believes him. he sounds so guilty. "i meant to replace the batteries before i left. sorry, i'm okay." dustin pulls back and scrubs at his eyes. lucas takes his place, though the hug he gives is more like one of those bro-hugs jocks seem to love. steve smiles regardless. he just ruffles mike's hair, who pouts in response but looks relieved nonetheless.

"asshole." he mutters. "rule four, walkies on at all times." steve nods as the kid half-heartedly waves goodbye to eddie and hops in the backseat of the beemer. lucas follows. dustin seems reluctant to walk around the car, to take his eyes off steve for even a second.

"you wanna stay over tonight?" steve asks, warm and gentle. he folds his arms and in that moment eddie thinks they look sort of like brothers. "robin and me were gonna watch some films. we can call your mom from mine."

the kid nods, looking a bit happier. steve slaps him on the back and motions him to get in the car. dustin swivels to hug and say goodbye to eddie (who sort of forgot he was physically present in this moment) before doing as he was told.

steve turns to eddie. which- whew! hi pretty eyes.

"sorry." he smiles and eddie can't for the life of him figure out what he's apologising for. "they, uh- yeah. them." he gestures vaguely at the car and eddie just chuckles.

"hey, man, no worries." he says, a little breathless that he's having a conversation with the steve harrington. "they okay? never seen henderson look so rattled." steve nods, then seems to think better of it and just shrugs. cocks his hip to the side (stop fucking staring at his hips, munson, lord!)

"they will be." he glances back at the beemer, which is now full of childish bickering. pauses to think and then asks, "you using demogorgons in your campaign right now?"

eddie blinks at him. "yes? yeah. what the fuck- how do you know what that is? what-" steve just laughs.

"long story." there's a haunted look in his eyes before he continues, "just, uh- that's probably what upset them. demogorgons and us- them, i mean-" he waves his hand. "bad memories. hard to explain, but... if you could..." he doesn't need to ask, seems like he doesn't know how or even if he's allowed.

"got it, ill tweak the campaign." harrington smiles at him, something small and genuine, and murmurs a thanks. offers him a fucking lift, which eddie declines, motioning to his van. harrington just nods, tells him to get home safe and then clambers back into the car, yells at the kids to put seatbelts on with all the exasperation of a single dad, and pulls away.

eddie watches them go, having seen a side of harrington he'd thought dustin had been lying about. steve harrington, the caring babysitter, everyone's older brother, a changed man.

he starts escorting the kids to the parking lot more often.

[heich0e]

"are you like... into that?"

you tear your eyes away from the screen a few seconds after rintarou says it, too rapt by what's unfolding in the movie scene to look away too soon.

"what do you mean?" you ask, glancing over to the other end of the sofa where he's seated. he's slumped down in the corner of the sofa, nestled right into the valley between the cushions where he always sits—which has resulted in a permanent sort of vaguely rintarou-shaped indentation that you hide using throw pillows when company comes over.

he's watching you very intently from his side of the sofa, too intently almost. you'd thought you'd felt his eyes on you while you were watching the movie, but you aren't exactly sure how long he's been staring, and now it leaves you wondering what exactly he's up to.

rintarou nods towards the television on the other side of the room, you look back at the screen once more and see the male lead still at the centre of the scene. he'd just gotten into a fight—shirtless, glistening with perspiration, and a strangely erotic trickle of blood trailing down his philtrum. you swallow a little as you become engrossed in the movie again, forgetting momentarily that you were ever asked a question at all.

"so?"

your eyes snap back to rintarou—who's still focused only on you, but with a slightly more disapproving look this time.

"what?" you ask him, a bit huffily. you're still not even sure what he'd been asking you in the first place.

"you've been ogling that guy since he got the shit kicked out of him," rintarou says pointedly, lifting a hand and gesturing towards the television. "you into that or something?"

there's something kind of accusatory in his tone.

"wha—hu—no," you stumble over your words in your haste to defend yourself. "i've told you i'm not into hardcore stuff. and that would constitute like... doctorate level BDSM."

rintarou's lips purse slightly. "do you think that guy's hot?"

"i mean... yeah," you answer after contemplating it for a moment. "i didn't really think so before but he's kinda sexy in this scene."

"he just got the shit kicked out of him," the boy at the other end of the sofa responds flatly.

"so you've pointed out," you answer. you turn back to the screen, watching as the battered male lead winds a roll of bandages around his ribs, then drags his knuckles roughly across his lips to clear away some of the blood that clings to them. your tongue peeks out to moisten your own unconsciously. "don't you think there's something kind of hot about a guy with a bit of blood on him?"

"is this a trick question?"

you look back at rintarou again, and find him still fixated on you rather than the film. he's pouting a bit, and it kind of makes you want to laugh. instead, you push yourself up from your own little nest at the opposite end of the sofa, crawling down towards him.

"rintarou, are you jealous because i called the bloody guy sexy?" you ask him as you pause at his side, resting back on your haunches.

he nibbles on the inside of his cheek—a habit he's had as long as you've known him—and for the first time in possibly the entire 54 minutes this movie has been playing, he averts his eyes from you.

"...no."

you do laugh then, swinging one leg over his lap to perch yourself atop him.

"you're being silly," you say to him as you balance yourself with your hands on his shoulders. his own come slithering up to settle at your waist, and his grip is a little tighter than you expect. he's still sulking though, refusing to look at you.

there's a loud crash in the film playing on the screen behind you, but you don't turn to look at it—you doubt that would help the situation at hand very much.

"rin," you coax him, making your voice as sweet as possible.

he doesn't look at you, but he does seem to bite the inside of his cheek a little harder now.

you dip down close to him, your mouth hovering over his and your eyes level. "rin-ta-rou."

he finally looks at you, his lips parting in surprise at your sudden nearness. you're so close that your mouths brush slightly thanks to that subtle movement, and he leans into the warmth of your lips to kiss you properly after getting such a small taste of it.

rintarou pulls away after one long, deep kiss, slouching back into the sofa again—but this time pulling you down with him into his little him-shaped indentation—holding you tightly to his chest as he gets you both comfortable. you let him maneuver you however he wants to, placating him with your docility to make him feel better, and keeping any comment about his jealousy to yourself—at least for now.

the two of you eventually find a comfortable way to rest, entwined together on his end of the sofa but both with a clear view to the screen to resume your spectating of the movie.

"what's so hot about a guy with a nosebleed anyway? i used to get them all the time when i was a kid," rintarou mumbles bitterly after a few moments, and you feel the words reverberate through his chest as you rest with your head upon it.

you laugh lightly, and your boyfriend's arms tighten around your waist.

he pipes up again after a few moments more pass in the film.

"you don't want me to start fighting or anything, do you?" he asks you skeptically.

you've effectively lost track of the movie's plot now, but you don't really care that much.

"no, rintarou, i don't want you to start fighting," you reply, patting his chest reassuringly. "you'd get your ass kicked anyway."

"well, apparently you're into that," he mutters.

"will you be quiet and just watch the movie, nosebleed boy?"

(a week later, rintarou sends you a photo from practice—having gracefully taken one of motoya's receives to the face—with an angry red welt on his cheek, blood dripping from his nose, and an obnoxious smirk on his lips. unfortunately, you are kinda into that.)

[petermorwood]

More on pre-electricity lighting.

Interesting to see this one pop up again after nearly two years - courtesy of @dduane, too! :->

*****

After experiencing a couple more storm-related power cuts since my original post, as well as a couple of after-dark garden BBQs, I've come to the conclusion that C.J. Cherryh puts far too much emphasis on "how dark things were pre-electric light".

For one thing eyes adjust, dilating in dim light to gather whatever illumination is available. Okay, if there's none, there's none - but if there's some, human eyes can make use of it, some better or just faster than others. They're the ones with "good night vision".

Think, for instance, of how little you can see of your unlit bedroom just after you've turned off the lights, and how much more of it you can see if you wake up a couple of hours later.

There's also that business of feeling your way around, risking breaking your neck etc. People get used to their surroundings and, after a while, can feel their way around a familiar location even in total darkness with a fair amount of confidence.

Problems arise when Things Aren't Where They Should Be (or when New Things Arrive) and is when most trips, stumbles, hacked shins and stubbed toes happen, but usually - Lego bricks and upturned UK plugs aside - non-light domestic navigation is incident-free.

*****

Here are a couple of pics from one of those BBQs: one candle and a firepit early on, then the candle, firepit and an oil lamp much later, all much more obvious than DD's iPad screen.

Though I remain surprised at how well my phonecam was handling this low light, my own unassisted eyes were doing far better. For instance, that area between the table and the firepit wasn't such an impenetrable pool of darkness as it appears in the photo.

I see (hah!) no reason why those same Accustomed Eyes would have any more difficulty with candles or oil lamps as interior lighting, even without the mirrors or reflectors in my previous post.

With those, and with white interior walls, things would be even brighter. There's a reason why so many reconstructed period buildings in Folk Museums etc. are (authentically) whitewashed not just outside but inside as well. It was cheap, had disinfectant qualities, and was a reflective surface. Win, win and win.

*****

All right, there were no switches to turn on a light. But there was no need for what C.J. describes as stumbling about to reach the fire, because there were tinderboxes and, for many centuries before them, flint and steel. Since "firesteels" have been heraldic charges since the 1100s, the actual tool must have been in use for even longer.

Tinderboxes were fire-starter sets with flint, steel and "tinder" all packed into (surprise!) a box. The tinder was easily lit ignition material, often "charcloth", fabric baked in an airtight jar or tin which would now start to glow just from a spark.

They're mentioned in both "The Hobbit" and "The Lord of the Rings". Oddly enough, "Hobbit" mentions matches in a couple of places, but I suspect that's a carry-over from when it was just a children's story, not part of the main Legendarium.

Tinderboxes could be simple, just a basic flint-and-steel kit with some tinder for the sparks to fall on...

...or elaborate like this one, with a fancy striker, charcloth, kindling material and even wooden "spills" (long splinters) to transfer flame to a candle or the kindling...

This tinderbox even doubles as a candlestick, complete with a snuffer which would have been inside along with everything else.

Here's a close-up of the striker box with its inner and outer lids open:

What looks like a short pencil with an eraser is actually the striker. A bit of tinder or charcloth would have been pulled through that small hole in the outer lid, which was then closed.

There was a rough steel surface on the lid, and the striker was scraped along it, like so:

This was done for a TV show or film, so the tinder was probably made more flammable with, possibly, lighter fuel. That would be thoroughly appropriate, since a Zippo or similar lighter works on exactly the same principle.

A real-life version of any tinderbox would usually just produce glowing embers needing blown on to make a flame, which is shown sometimes in movies - especially as a will-it-light-or-won't-it? tension build - but is usually a bit slow and non-visual for screen work.

*****

There were even flintlock tinderboxes which worked with the same mechanism as those on firearms. Here's a pocket version:

Here are a couple of bedside versions, once again complete with a candlestick:

And here are three (for home defence?) with a spotlight candle lantern on one side and a double-trigger pistol on the other.

Pull one trigger to light the candle, pull the other trigger to fire the gun.

What could possibly go wrong? :-P

*****

Those pistol lanterns, magnified by lenses, weren't just to let their owner see what they were shooting at: they would also have dazzled whatever miscreant was sneaking around in the dark, irises dilated to make best use of available glimmer.

Swordsmen both good and bad knew this trick too, and various fight manuals taught how to manage a thumb-shuttered lamp encountered suddenly in a dark alley.

There's a sword-and-lantern combat in the 1973 "Three Musketeers" between Michael York (D'Artagnan) and Christopher Lee (Rochefort), which was a great idea.

Unfortunately it failed in execution because the "Hollywood Darkness" which let viewers see the action, wasn't dark enough to emphasise the hazards / advantages of snapping the lamps open and shut.

This TV screencap (can't get a better one, the DVD won't run in a computer drive) shows what I mean.

In fact, like the photos of the BBQ, this image - and entire fight - looks even brighter through "real eyes" than with the phonecam. Just as there can be too much dark in a night scene, there can also be too much light.

*****

One last thing I found when assembling pics for the post were Folding Candle-lanterns.

They were used from about the mid-1700s to the later 20th century (Swiss Army ca. 1978) as travel accessories and emergency equipment, and IMO - I've Made A Note - they'd fit right into a fantasy world whose tech level was able to make them.

The first and last are reproductions: this one is real, from about 1830.

The clear part was mica - a transparent mineral which can be split into thin flexible sheets - while others use horn / parchment, though both of these are translucent rather than transparent. Regardless, all were far less likely to break than glass.

One or two inner surfaces were usually tin, giving the lantern its own built-in reflector, and tech-level-wise, tin as a shiny or decorative finish has been used since Roman times.

I'm pretty sure that top-of-the-line models could also have been finished with their own matching, maybe even built-in, tinderboxes.

And if real ones didn't, fictional ones certainly could. :->

*****

Yet more period lighting stuff here, including flintlock alarm clocks (!)

[beatrixstonehill2]

"Is my punishment almost over?" Emily asked her boyfriend, Joey.

"No, not yet, baby girl..... I think you need to learn your lesson a bit longer."

"But....! The tournament is in a month. How can I perform like this?"

"Not my problem.... You should've thought of that before being such a naughty girl, Emily."

Joey wasn't wrong, in a way..... Almost a year ago he started dating an Olympic silver medalist gymnast, who was known the whole world over for her skill and dexterity. Shortly after dating her, though, he was sent something damning by a random person online.... At the time, Emily was basically flat chested, yet had a cute butt and tended to give the cameras sensual, flirty looks, often blowing kisses and winking at the camera, sometimes bending over unnecessarily to give the people filming her something to zoom in on.....

Turns out when pervy guys reblogged these clips and admitted to masturbating to her performance, she would reply, happily encouraging them. On her official account, zero shame, her with the silver medal as her avatar. She'd tell these random men to 'milk their cocks good' and 'cum real hard for her tight little ass', like some porn star. Joey saw this and was very amused..... So, he decided Emily had to be punished--badly. He told her she had to obey him and take breast growth pills, to give the next national gymnastics tournament before the Summer Olympics a good show.

"I'm sorry, Joey..... you know I can't help myself. I love to flirt."

"Which just tells me how badly you need to be punished. Look at this one I found! Some random married guy posted that he wants to throw you in his van, hogtie you, and put 'a pile of kids in your pretty gut'. Did you block him....?"

She shook her head. "No....."

"Oh wait, you went on an extended RP session in the public comments about how he was going to abduct and rape you. Damn, you're one messed up girl."

"Messed up as a guy that makes his girlfriend grow a pair of boobs that weigh 50lbs each? Knowing she's a gymnast!"

"Nah, not as bad. But hey, think of all the hot interactions you'll have on Instagram now! You're gonna step out, not in your leotard, but a bikini, these gigantic udders spilling out. And you'll do your routine.... as well as you can. Think of how many guys are gonna jerk off to that."

"Fuck.... that's so hot." Emily bit her lip, fondling her pussy and breasts. "They're so heavy.... I look like an idiot with these things....."

"Well, you are an idiot. A horny, drooling idiot, too obsessed with fondling that swollen pussy of yours to care whether or not millions see you flirt with married men and RP getting knocked up by them."

"I'm.... it's just a little addiction, is all. I could try therapy...."

"Nah, I think you deserve to be nothing but walking jerk-off fodder. You're done being a real athlete. They'll just have you on because your oversized, goofy looking udders will make so many desperate, horny men tune in. And a whole bunch of normies to make fun of you."

"Fuck you.... you find these tits sexy..... You just came so hard inside me!"

"Well, I find them less sexy than I do the fact that I made you grow them. Understand?"

She nodded obediently. "Yes, master."

"Good girl, now, isn't it going to be fun watching you balance those giant tits and a belly full of my kids at the next tournament? Damn, by the time the Olympics roll around, those tits will weigh 100lbs each. Won't that be so fitting? I can't wait to see you even try to perform..... Then your career will be sitting on OnlyFans, immobilized by those cartoonish udders, masturbating all day like the drooling, horny idiot you really are deep down. You'll be flirting with your desperate, gross fans, all of your regular fans won't want anything to do with you as you sit there ten hours a days fondling yourself, surrounded by a pair of tits too big for you to carry on your own....."

"Fuck you...."

"Don't act like you don't agree. You aren't an athlete Emily, you aspire to be nothing but walking jerk-off material. So you might as well go for gold, isn't that right?"

Emily bit her lip, rubbing her heavy breasts. "Then I better go for 200lbs each...... be totally trapped by these things...."

"Now that's the perverted little idiot I love."

"I aim to please, Master. ❤️"

[ashintheairlikesnow]

Okay so here, I think, is why I think Red, White and Royal Blue succeeds spectacularly as a romcom, and actually to me is a better-than-average take on the genre.

First, the leads have absolutely scorching chemistry. They are incredibly believable as two men absolutely infatuated with each other. They each kiss like drowning men shown water, right down to how each grabs at the other, at hair or back or neck and face.

They each have developed their character having a specific characteristic even when flirting or kissing. Henry grabs Alex's hair, for example, every single time, in a way that makes it clear he spends serious time thinking about that hair.

Fair enough, Henry.

They also do something even goddamn better.

They are friends. They are believable as two people who could actually get along long enough to fall in love.

They are allowed to become FRIENDS.

They are given time to get to know each other before they get physical. You can feel their interest in each other growing. And, to my opinion, you can tell that Henry is feeling Alex out through texts to see if the interest might be reciprocated even though he thinks it can't possibly be.

One thing that kills me about romcoms is how the leads will have witty "sexy" banter but don't seem to actually like each other. They are enemies who fall into bed but aren't really believable as lovers.

Henry and Alex are believable, because they... Well. They're impossibly silly even when tearing at each other's clothes. They have awkward moments.

They laugh.

Alex laughs in bed. He holds Henry in a way that is romantic, openly so. Henry is overcoming the conditioned hesitation and avoidance he has, his smiles and warmth and laughter come with rare vulnerability - Alex is a man who throws himself head first into life and has no such compunctions in the moment. He laughs because this is awesome and Jesus Christ, Prince Henry is too hot to be real.

They like each other, they stumble, they laugh.

But also, another reason this works so well?

The sex scene isn't scorching.

Watching the sex scene felt realistically intimate. It felt like I had walked in one real people and needed to leave. It was intense in a way that felt like something I maybe wasn't meant to see.

It was filmed so well. So much romanticism and deeply felt adoration in a simple grasping of a hand, the look in soft eyes, a hand pressed against a back. The edge of a knee just in frame. Looking up and looking down.

It felt like we walked into their room during and saw them both laid utterly bare.

Henry's look of vulnerability and nerves and pleasure, Alex looking slowly over his face to take it all in. Moving slowly, then, when everything they do before this is hurried or hidden.

It works as a romcom because you believe 100% these two men could get to like each other, fall in love, and stay that way.

You believe Henry's very real terror of rejection from the public because he already knows his family, beyond his sister, will reject him. You believe that Alex is a headstrong idealist who is sure that you can bulldoze through any wall too tall to climb.

And you believe that between the two of them, they can find a way around the wall entirely.

This movie is a master class on how a movie can get you to suspend so much disbelief if the leads sell their characters. The importance of believable chemistry.

And also... Isn't it nice to see a queer love story in a world that is, in some ways, just a few shades better than our own?

P.S. you cannot tell me Stephen Fry did not chew the goddamn scenery in circles all around everyone during his single scene. That man was having a ball.

[hedgehog-moss]

"rn I feel like reading about someone's quiet daily life, maybe a diary or letters, set in a place or context I don't know much about, without turmoil or tragedy" oh! do you have any recommendations for books like this?

This is one of my favourite types of books! Here are 30(ish) recs...

May Sarton's The House by the Sea or Plant Dreaming Deep

Gyrðir Elíasson's Suðurglugginn / La fenêtre au sud (not translated into English unfortunately!), also Bergsveinn Birgisson's Landslag er aldrei asnalegt / Du temps qu'il fait (exists in German too)

Gretel Ehrlich's The Solace of Open Spaces, which iirc was originally written as journal entries and letters before being adapted into a book

Kenneth White's House of Tides: Letters from Brittany and Other Lands of the West

Sei Shonagon's Pillow Book

The Diary of a Provincial Lady, E. M. Delafield

Growing Up with the Impressionists: The Diary of Julie Manet

Elizabeth and Her German Garden by Elizabeth von Arnim (do not read if you don't like flowers)

The Road Through Miyama by Leila Philip (I've mentioned it before, it feels like this gif)

The Sound of a Wild Snail Eating, I keep recommending this one but it's so nice and I love snails

Epicurean Simplicity, Stephanie Mills

The Light in the Dark: A winter journal by Horatio Clare

The Letters of Rachel Henning

The letters of Tove Jansson, also The Summer Book and Fair Play

The diary of Sylvia Townsend Warner—here's an entry where she describes some big cats at the zoo. "Frank and forthcoming, flirtatious carnivores, [...] guttersnipishly loveable"

The Letters of Rachel Carson & Dorothy Freeman were very sweet and a little bit gay. I mostly remember from this long book I read years ago that Rachel Carson once described herself as "retiring into her shell like a periwinkle at low tide" and once apologised to Dorothy because she had run out of apple-themed stationery.

Jane Austen's letters (quoting the synopsis, "Wiser than her critics, who were disappointed that her correspondence dwelt on gossip and the minutiae of everyday living, Austen understood the importance of "Little Matters," of the emotional and material details of individual lives shared with friends and family")

Madame de Sévigné's letters because obviously, and from the same time period, the letters of the Princess Palatine, Louis XIV's sister-in-law. I read them a long time ago and mostly I remember that I enjoyed her priorities. There's a letter where she complains that she hasn't received the sausages she was promised, and then in the next paragraph, mentions the plot to assassinate the King of England and also, the Tartars are walking on Vienna currently.

Wait I found it:

R.C. Sherriff's The Fortnight in September (quoting the author, "I wanted to write about simple, uncomplicated people doing normal things")

A Tree Grows in Brooklyn, Betty Smith

Pond, Claire-Louise Bennett

Rules for Visiting, Jessica Francis Kane

The following aren't or aren't yet available in English, though some have already been translated in 5-6 languages:

ツバキ文具店 / La papeterie Tsubaki by ito Ogawa

半島へ / La péninsule aux 24 saisons by Mayumi Inaba

Giù la piazza non c'è nessuno, Dolores Prato (for a slightly more conceptual take on the "someone's everyday life" theme—I remember it as quite Proustian in its meticulousness, a bit like Nous les filles by Marie Rouanet which is much shorter and more lighthearted but shows the same extreme attention to childhood details)

Journal d'un homme heureux, Philippe Delerm, my favourite thing about this book is that the goodreads commenter who gave it the lowest rating complained that Delerm misidentified a wine as a grenache when actually it's a cabernet sauvignon. Important review!

Un automne à Kyôto, Corinne Atlan (I find her writing style so lovely)

oh and 西の魔女が死んだ / L’été de la sorcière by Kaho Nashiki —such a little Ghibli film of a book. There's a goodreads review that points out that Japanese slice-of-life films and books have "a certain way of describing small, everyday actions in a soothing, flawless manner that can either wear you out, or make you look at the world with a temporary glaze of calm contentment and introspective understanding [...]"

I'd be happy to get recommendations in this 'genre' as well :)

[watermelonlovershigh]

another sickfic/period prompt.. living together as friends/housemates and H finds her on the floor in the night feeling really sick from her period and sits with her + helps her out 🥲 changes her sheets for her, rubs her back and just holds her on the floor with a blanket round them. she's absolutely mortified with no choice but to be accepting of his help and all he wants to do is make her feel a little better :(

Period Cramps Are No Fun {part 1.} (housemate!harry series)

AN: thank you for this request. it's not exactly as the request said but i hope it's close enough. and i normally don't write harry as anything other than y/n's lover but made an exception with this story. please share your feedback with me and let me know how you liked it. enjoy. xoxoxoxo

This story contains: small period leak, severe period cramping, puking due to period cramps, crying due to pain and embarrassment, mentions of sex toys, comfort, fluff

{ housemate!harry - friend!harry - softrry - any harry era - au!harry }

word count- 1,956

You wake up in the middle of the night with severe period cramps and when your housemate and friend Harry happens to wake up for a glass of water, he sees you on the bathroom floor crying and has no choice but to be by your side and comfort you.

You were looking to be someones flatmate or housemate. You'd put offer after offer online and one day a guy named Harry accepted your offer. He had a pretty nice townhouse in London and from his brief description of himself, seemed to be an alright guy. You didn't want to move in with some lazy scumbag and you'd come to find Harry is the opposite of that.

He's probably the cleanest guy you've ever met. He enjoys keeping things organized and loves to keep the house smelling fresh with candles on every shelf and table. And you get along quite nicely. You'd even go as far to say over the six months of living in his townhouse that you've become friends.

Doing things friends do such as order take-out food together, watch movies on the couch, paint each others nails, share juicy details about your love lives (or lack thereof). Harry is a very fun guy to be around and if you're being honest with yourself, you'd say you've developed a slight crush on him. I mean how could you not? He has nearly all the characteristics of what every woman's ideal man would have. Physical characteristics and things through the actions he does.

Now even though you've became great friends over the six months of living here, there is still stuff you try to keep private. For instance, your periods. Harry's not dumb and obviously knows you get a period. Mainly from seeing your sanitary products under the bathroom sink or in the bin by the toilet. You don't try to keep your periods a secret, just private.

And though Harry knows you get periods, as do most females, he has yet to see the bad side of your periods. The periods that make you sob on the bathroom floor from the amount of pain your cramps are causing. The periods that make you nausous and throw up. Luckily those periods aren't a monthly thing but they do happen a few times a year for whatever reason and it sucks.

--------------------------

Late last night as you and Harry were watching a movie on his sofa, you began to feel crampy in your lower stomach. You asked if he could pause the film while you went to the bathroom down the hall and he agreed. And that's when you realized your period had came and you'd leaked. It's not a bad leak but it's enough for you to need to change your underwear and your shorts. Which the shorts barely had any blood on them but still called for a fresh pair.

Once you got yourself situated, you returned to the living room where the first thing Harry commented on is your changed clothes. "Did you change your shorts or somethin'?"

Quickly, you answered, "Yeah, my period started and I kinda leaked. Okay, you can press play on the movie."

Harry nodded sympathetically but followed your orders. He would have said something else to try and comfort you but knew you prefered to keep your periods more private. He doesn't understand why though. All women get periods. It's not something you should be ashamed of and he wished you'd understand that.

Now it's four in the morning and you're woken up to what feels like the worst period cramps of your whole life. Fuck, you scream in your head, it's gonna be one of those months. The longer you lay in bed the more nausous you began to feel from how painful your cramps are and that leads to you stumbling out of bed and rushing to the bathroom down the hall.

After what felt like an eternity, you made it to the bathroom and literally crawled on the floor over to the toilet. Now that you're in the bathroom you feel less nauseous but the pain is still in full force. That's when the tears start flowing. With your back against the wall and your knees up to your chest, sobs roll out your body as you fight against the waves of your uterus contracting to release its lining.

Harry is a heavy sleeper and usually don't wake up unless someone outwardly calls his name or pushes him awake. What wakes him up right now though is a dry mouth and a craving for a glass of water. So he gets out of bed and heads to the kitchen. But before he can even make it to the kitchen, he hears what sounds like crying coming from the hall bathroom.

Rushing over to the bathroom door, the sight before him breaks his heart. You didn't have the strength to shut the door so from the hall, Harry sees you sobbing in front of the toilet, back against the wall, and a hand clutching your stomach. "Oh, Y/n," he steps inside, "what's the matter?"

You slowly lift your head and the first thought in your mind was you didn't want him to see you like this. This was too embarrassing and you were too vulnerable at the moment. "Harry, go. Don't look at me."

Taken back by your words, Harry retorts in concern, "Not until you tell me what's wrong. Are you sick? Why're cryin'?"

Realising it's no use to deny your housemates help in your condition, you answer through the pain and tears, "My.....my cramps are SO bad. It hurts so much, H...Harry. *sob* It's making me feel so sick."

Harry frowns sympathetically and kneels down beside you in just his boxer briefs, which is his usual sleep attire. He would have covered up a bit more if he'd known this is what he was going to be walking into on his trip for a glass of water. As soon as he kneels down, you get the real urge to puke.

You push yourself off the wall and hang your head over the toilet. A harsh dry heave leaves your mouth that makes him cringe but nothing more, yet. Harry quickly scoots behind you and collects your hair with one hand and runs his other hand over your back. He doesn't know if you want to be touched right now but knows that when he's getting sick he finds that if someone rubs on his back it makes him feel a little better.

"Shhh," Harry whispers gently, "it's okay. You're okay. I've got you." He patiently waits until your feel better or actually get sick. After a few more jarring dry heaves, you end up throwing up in the toilet. And though the act feels like hell and is gross, you hope it will also relive the sickness your belly feels due to your period cramps.

You slowly lift your head up, taking deep breaths, and start crying again. This time not from the pain but from embarrassment. Harry's quick to ask, "Hey, what is it, Y/n? The cramps again?"

A little more coherently then the last time you spoke, you answer, "No. Just embarrassed. I threw up in front of you." That has Harry throwing his head back with a laugh.

"Y/n, I don't give a single fuck about you throwing up in front of me. Everyone gets sick from time to time. Just want to make sure you're alright. I hate that your period cramps are causin' you so much pain."

While subconsciously rubbing circles in your lower tummy, you ask desperately in a near whispered voice, "H, can you please go get me some pain medicine. It's in my bedside table drawer in my bedroom. Once I have that I think I'll feel better. At least for a couple of hours."

"Of course." Harry agrees and gets up off the bathroom floor to head to your bedroom. Once inside, he walks straight to your bedside table and opens the drawer to find your bottle of pain medication. While rummaging through to find the bottle, Harry tries to ignore the assortment of sex toys you have in there; bullet vibrator, dildo, clit sucker. Shit, this is the wrong time for him to get all hot and flustered at the thought of you using those under his roof.

He finally finds the bottle of pills and heads back to the bathroom where you still are. Within the time it took him to grab your medicine, you've stood up off the floor, flushed the toilet of course, and now sit on a closed toilet seat. Harry opens the bottle and asks, "How many? One or Two or....?"

"Two please." Harry hands you two tablets and grabs a paper cup used for rinsing your mouths out by the sink and fills it up with tap water. You carefully grab the small cup from his hands and take the pills with urgency, just wanting to be out of pain as soon as possible.

Once that's over with, Harry annonces, "Well, I'll let you get cleaned up in here and I'll be out there waiting for you."

"Okay, thank you." you respond gratefully. Harry really is the best housemate you could have asked for. While he's gone, you change out your tampon and brush the taste of vomit from your mouth. Then you exit the hall bathroom, ready to try and get a few more hours of sleep.

As you step inside your bedroom, you're taken back. Harry has managed to change your sheets and duvet, claiming a fresh pair will help you relax and hopefully sleep better. He's also set an actual glass of water on your nightstand, as well as plugged in his heating pad for you to use. "Harry....... what's all this?"

Nervously, because he doesn't know if this is all too much to do to someone who is just his housemate and friend, Harry replies, "Um, just wanted to make sure you come back to a comfy room. Hopefully you'll get a few more hours of sleep. And if you get thirsty or need to take more medicine, there's a glass of water there. Then my old heating pad that you can use across your tummy to also help with your cramps. Hope it's not too much."

You turn around with a small smile on your face and reach out to hug him. He's startled at first but soon relaxes and hugs you back. You hug for a minute before you break away first and mutter your appreciation. "No, this is great, Harry. Not too much at all. Thank you for your kindness tonight. And thank you for putting up with me in the bathroom. I know that wasn't a pretty sight. So yeah, just, thank you so much."

Looking down at you, Harry gets the urge to kiss you, but instead, says, "Y/n, it's no big deal, really. I would have helped anyone in that situation. Just want you to feel better s'all. Now get back into bed and around ten I'll wake up and make us a brunch. Sound good?"

"Yeah, sounds perfect." You crawl back into your bed that now has fresh sheets and maneuver the heating pad over your tummy. The pain medicine has begun to work but your uterus is still quite achy. As Harry turns around and heads out your door, you yell out, "Night." even though it's five in the morning by now.

"Night, Y/n." Harry speaks as well before slipping back into his bed across the hall. Now laying in your separate beds, all you can think about is how much you would have loved if Harry was in your bed cuddling you. And all Harry can think about is how much he wishes you were in his bed, so he could cuddle you. Maybe one day that day will come. But for now, you're just silly housemates that's turned into friends.

(PLEASE REBLOG BECAUSE WRITING IS NOT EASY AND IT'S FREE SO JUST DO IT)

(no more tags are allowed because i've hit my number limit. sorry : ( )

tag list: @one-sweet-gubler // @harryscherrysugar // @hsfanficsrecss // @lollypopsx // @harrycanyonmoonn // @itfeelslikemytherapisthatesme // @damnasstyles  // @mrsstylesharry // @softmullet  // @meetmyblondemuffins  // @thegirlnextdoorssister // @stanleystyles  // @haarrrys // @michellekstyles  // @skyangel57   // @the-gardener-31 // @lhharrylilpumpkin // @yousunshine-youtemptress // @clairestylessss  // @kissmyaxe140  // @goldenmelonsugar-hi // @kaitieskidmore97 // @florencepughily  // @alienorknight //@dancearoundthelivingroom  // @swiftmendeshoran

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My Masterlist Masterpost

Arguments and Confessions {part 2.} (housemate!harry series)

[lackadaisycats]

I’m so sorry if you’ve already answered this somewhere, but how do you design your characters?

I’ve been trying to make an OC from the prohibition era and it turns out there’s basically nothing to work with for men’s outfits, so I’m curious how you made this many that look unique and fitting to the characters

There is so much to work with, though! You will tend to find more of a focus on variety in women's fashion, but there is still quite a lot of menswear to ogle too. I suppose it's just a matter of searching out ideas and inspiration in the rights corners. Here are a few suggestions:

Old Clothing Catalogues -

Collections from Sears-Roebuck and other popular clothing retailers are pretty easy to find compiled into relatively inexpensive books, or just floating online.

A fair bit of it is in the public domain now.

--Here's an entire 1922 catalogue of stuff to flip through.

-----------------

Contemporary Artwork -

Some phenomenal illustrators were working in this field amidst the "Golden Age of Illustration" and featured prominently on the covers of magazines and on the ads inside. There was a lot of emphasis on fashion.

Collier's and The Saturday Evening Post are a couple of the more prominent and easily searchable resources. The costuming on the cover art always has a lot of personality.

There's Rockwell, of course, and it's almost impossible to go wrong with J. C. Leyendecker. He's probably best known for his Arrow Collar ad art, but even his sock ads are like…

There were numerous other amazing and influential illustrators working at the time too. Here's a list of some of them. Here's a bonus Henry Raleigh featuring some of his fabulously-dressed people.

-----------------

Blogs and Articles -

There are so many of them! If you want historical accuracy, be wary of write-ups pulling all of their references from film and television. There's nothing wrong with using those for inspiration if you aren't too concerned with historicity, but there are some pretty comprehensive and well-researched things out there with more of an eye on actual fashion history too:

--Gentleman's Gazette - What Men Really Wore in the 1920s

--The Fashionisto - 1920s Men's Fashion

-----------------

Digital Collections -

There are numerous digital historic image collections stemming from universities, museums, libraries, and the government that are free to peruse too.

--The Metropolitan Museum has a searchable catalog of exhibits that includes fashion and photos

--Here's some things from the New York Public Library

-----------------

Photos at Large -

If you aren't sure where to start, image searching for any of Hollywood's early celebrities will typically turn up a bevy of production stills and promotional photography featuring a variety of fashions. Here's a random Getty images search for Harold Lloyd. A lot of standard 3 piece suits, but a lot of stuff with added character too.

Photography was generally quite accessible by the 1920s, though, and you can find a lot of authentic photos of people from all walks of life, out in the wild wearing all sorts of clothes.

This is by no means the limit to the resources available, but hopefully it'll provide some leaping-off points for designing looks for your characters!

[bumblee-stumblee]

The Telegraph

Scores of actresses turn down roles in play critical of JK Rowling’s gender views

Craig Simpson

Thu, June 13, 2024 at 6:49 AM PDT·3 min read

A play that criticises JK Rowling’s views on gender is struggling to cast women with 90 actresses so far rejecting parts.

The stage production, which is set to debut at the Edinburgh Fringe, has already caused outrage over a working title which labelled the gender-critical Harry Potter author a c----.

The production is yet to cast any of the female roles, including that of Rowling herself.

The part of Harry Potter film star Emma Watson has also been repeatedly turned down, and around 90 actresses have refused to take part in the project amid concerns over its critique of Rowling.

The author has become a figure of hate online among some activists, and received death threats after publicly sharing concerns about the encroachment of transgender campaigning on women’s rights.

Actors have been found for male leads, who will portray Harry Potter cast members Rupert Grint and Daniel Radcliffe.

Creative producer Barry Church-Woods told the Telegraph: “This project has met some kind of resistance every step of the way, though I’ve been generally surprised by how difficult it has been for us to recruit the female cast in particular.

“It’s a well-paid gig meeting industry standards and the script is terrific.”

He added: “I think it’s fair to say that a few things are coming into play in casting.”

The play, which was written by queer-identifying Hollywood scriptwriter Joshua Kaplan, tells the story of a fictional intervention staged for Rowling by the stars of the Harry Potter franchise, Watson, Grint and Radcliffe.

The three actors publicly denounced Rowling in 2020 when she first raised concerns about the spread of gender ideology, the belief that gender is unfixed and changes according to how people self-identify.

The work was initially titled TERF C***, with TERF standing for trans-exclusionary radical feminist, a term which has been deployed pejoratively against women who have opposed trans ideology.

It is understood that 30 actresses have turned down the role of Rowling in the play, and 60 have refused the part of Watson, while agencies representing aspiring female stars have been nervous to put their clients forward for the project.

There is some suggestion that the actress may have ideological misgivings about the play, or be concerned about a potential backlash.

It has been suggested by producers that some actresses may not want to appear in a play critiquing Rowling and ruin their chances of appearing in the lucrative new Harry Potter TV series on the Max streaming service.

Rowling is acting as executive producer for the series, and will be involved in key decision-making.

Mr Church-Woods said: “We’ve had agents reluctant to put names forward, I suspect, because they do not want to damage their clients chances of landing roles on the new Potter TV series.”

Writer Mr Kaplan has insisted that his play does not carry a set message, and is more about “relationships and how Rowling’s opinions evolved” rather than a work “interrogating the substance of her opinions”.

TERF plays the Sir Ian McKellen Theatre from August 2 to 25.

But I thought TWAW? Why aren't they looking to hire Transwomen actors to play the women's roles if they truly believe that they are women?

Isn't it funny how they seem to know what a woman is when they want to use them to mock other women?

[adventuringblind]

Ma Belle

Lestappen x Reader

Genre: Mafia AU, fluff

Summary: an arranged leads to a few struggles. The main one being that Max and Charles can only seem to summon their wife with her favorite movie.

Dialouge prompt: "It's okay baby, you're safe with us." "Yes we can watch the same movie for the millionth time, love."

Warnings: arranged marriage, daddy issues

Notes: part of my 1000 followers event. Requests are open again for regular asks btw (poly, lando, oscar, charles, Max, daniel, and logan for sure, and Liam and Carlos, depending on the request)👀

Masterlist

Being a bargaining chip had been her purpose. The only reason she was born. In the possibility some kind of treaty needed to be made, she would be there.

So she learned how to be perfect. How to look the part her father needed her to. Played the game that everyone in this line of work plays.

Regardless of if everything in her mind is screaming to back out and run away as they sign the papers. She's being married off to not just one man, but two men who she doesn't know. They know each other. They'd supposedly been in her situation and have been married for a while already. They look at her with Kindess. A Dutch named Max and a Monegasque names Charles. A sympathy maybe only They can share with her.

She closes herself off the second they are alone. She is nothing more then a possession. A piece on the board for if things go wrong. These two don't actually want her and they already have each other. Why is she even here? Because of some treaty?

She ignores them. Keeps her distance. Pretends they don't exist. All the while watching the same move over and over again when they aren't around to hear.

Beauty and the Beast is her comfort movie. The one consistent in her life apart violence and backwards politics. She's not sure where it came from, the love for this movie. Maybe it's the comfort she finds in knowing she's not the only one locked away for some underlying purpose.

Max and Charles, to their credit, attempt to make am effort while not scaring her further away. They offer food at her door when she doesn't want to come out. They make attempts to show her affection. They give her space when she needs and don't push for more them she is willing to give.

Max and Charles weren't supposed to be home until later. Out on 'buisness' which code for something probably illegal. Which means, she wraps herself up in a blanket and makes her way to the television. She puts on her comfort movie and promptly passes out after a having a sleepless night in her own bed.

When the two males return, they find her asleep with the movie long forgotten. They don't move her, but instead restart the film. They stay with her until she wakes.

The shock hits first and then something like bewilderment follows. She eats with them after that and even keeps up some light conversation.

They tell her that the situation isn't ideal, but they made the most of it and intend on doing the same with her. They comfort and hold. They keep her safe when she needs it. They spoil her when she lets them.

But most importantly, they watch the same movie with her over and over again.

On this particular occasion, she was coming home from a visit with her father. The man who basically abandoned her with unfamiliar men for the entirety of her life. It left her feeling drained and insecure. She had been prepared for this her entire life and somehow she wasn't treating Max and Charles like she knows a good wife should.

She collapses on the couch. She pays no attention to anything else and just sobs. You'd think she was injured. Maybe even dying. Though this certainly felt like death. The idea that Max and Charles will leave her one day, send her back to her father who will find some other way to use her. It makes her stomach churn.

The two males take in the scene before them. Charles hastily fumbles for the the remote and sets up the movie they've watched almost everyday for a month now. He it man enough to admit its grown on him and he has the lyrics of every song memorized and working on turning it into piano music. Max sets about getting the female upright. She goes unwilling and ends up with her head in Max's lap.

"liefde, what's got you in tears?" Max makes an attempt at drying her tears only for more to show up.

She hiccups a few times. "I'm not a good enough wife, but I'll do better I promise. Just, please, don't send me back."

Charles joins the on the couch and runs nimble fingers along her skin. "Did something happen with your father to make you think that?"

"He used to make me pretend to be a wife to some of the men who work for him." Her eyes get cloudy thinking back to the memories. Her childhood was not one she looks back at fondly. "I just want to be enough."

"Dry your tears." Max starts before she can spiral again. "It's okay, baby, you're safe here with us. You're trying your best, and we know this kind of situation isn't easy. Just let us show you we care, yes?"

She looks up to see the movie ready to be played. The soft music in the background instantly calms her. "You don't mind?"

"We can watch the same movie for the millionth time, amour." Charles laughs softly when he sees her smile. "It really is a good movie."

"Charles is jealous." Max smirks playfully. 

A genuinepang of curiosity hits her. "Of who?"

"Belle, because I'm the beast and he's obviously Gaston."

"Why am I Gaston?!"

"Because you wear red all the time, duh."

[golden-cherry]

deal - cl16 (7/?)

Pairing: Charles Leclerc x Reader

Series Summary: Your whole life has gone to shit. Your boyfriend broke up with you, you just lost your job and the Monegasque, who suddenly stands in your doorway, claims that it’s his apartment.

Chapter Summary: Having a movie night is a good way to spend the evening with your roommate. If it were not for the wine that loosens the mouth.

Warnings: TENSION, FLIRTING (you've been warned), alcohol consumption, a Charles picture (badly edited), Cars (movie)

Word Count: 3k

series masterlist

previous part

A/N: I'm sitting here like a fourteen year old whose crush admitted to liking her. that's how I'm feeling about this chapter. feedback is appreciated!

"You're kidding me."

"I would never."

Charles sets his wine glass on the coffee table as you clutch yours, though there's not a sip left in it. "How have you made it through life so far?"

You shrug. Charles looks at you with a look like you kicked a dog and insulted his mother. "I never got around to it."

That's only half the truth. Since you moved out of your parents' house, you'd actually had plenty of time to catch up on that sort of thing. But at some point you had decided for yourself that it was too late to get into it in your early twenties, when you should theoretically be out of it.

Apparently Charles doesn't see it that way. He reaches for the remote control and presses a few buttons until first a castle and then a bouncing lamp appear on the television in front of you. He then presses the stop button and turns back to you. "Get comfortable, because you're not getting off this couch again until we're done here." He places the bowl of popcorn between you on the couch. "And if you fall asleep, you'll have to watch the movie again."

You pour yourself some more wine and take a big gulp. As some of it runs out of the corner of your mouth, you wipe it away with the back of your hand. "Aren't we too old for this?"

Charles raises an eyebrow before pressing the play button. The screen goes black and you hear someone take a deep breath in and out before an off-screen voice says okay, here we go. focus. The grin on your roommate's face grows so wide it almost touches an ear. Speed. I am speed.

"You're never too old for Cars."

Apparently Charles not only works in the car industry, but is obsessed with cars. And even more so with this film. 

Out of the corner of your eye you can see that he is silently moving his mouth to speak along with every single character while you sit next to it, eating popcorn and drinking your wine. 

The beginning of the film doesn't particularly captivate you. An arrogant car with no team spirit as the protagonist. For sure he would make friends in the course of the film and appreciate them and then he wins his race. Very predictable. Even for a children's film. 

All you have to do now is stand there and let me look at you, Lightning McQueen says to the Porsche and you cringe.

"Wow, that's hardly bearable." You put a piece of popcorn between your teeth and wash it down with a gulp of wine. 

Charles, who has slid down a little further on the couch, looks at you. "Lightning or the whole movie?" He reaches for his glass on the table. 

You spread your index finger from the glass and point it at the screen. "Lightning. That was so slimy. Like anyone would fall for that." As Sally embarrasses the hell out of the red speedster, you thrust your fist into the air enthusiastically. 

Charles laughs. "So you're not into that sort of thing to seduce you?" He sips his wine, you shake your head. He props himself up on the seat with one elbow, resting his head in his hand, and stretches his legs out in your direction so that he's almost completely on the couch. He dangles the wine glass casually in his free hand. The film pauses. "How else can you be seduced?"

If you hadn't caught the phone call this lunchtime and the conversation with Joris, both of which involved a woman, you might think that Charles is flirting with you. That maybe he sees more in you than his roommate and friend. And if your ex-boyfriend hadn't spoiled your mood before - or generally not crossed your life - you'd go for it, too. 

You glance at Charles. He has taken off his jumper sometime after the second glass of wine and thrown it towards the dining table chair, so that he is lying next to you in his shirt. The strands of his hair stand on end after running his hand through them several times and his cheeks are slightly flushed. His green and otherwise alert eyes seem a little misty, almost certainly due to the alcohol. 

And his smile. God, his smile is so crooked and beautiful and his dimples give him something childishly cheeky that makes your heart beat a beat faster. 

Is he cute?, you hear Vicky's voice in the back of your mind. 

Damn cute, even. 

'Definitely not like that,' you finally answer his question, lowering your gaze towards your wine glass. If your mind is already drifting like this, maybe you should stop drinking. 

"How then?", Charles asks, his eyes fixed on you. 

Unsure, you look at him. "Why do you want to know?" Inwardly, you command your heart to give it a rest. Just because he asks doesn't mean he needs the knowledge for himself.

"Well, maybe one day a guy will come along who doesn't know how to approach you. And then I can give him a hint, if you want," he explains with a shrug, before taking a big sip of his wine and emptying his glass. 

You try not to let on how much his answer hits you. Somehow you hoped he would want to know that for himself, in case he decided to approach you at some point. But apparently you haven't been listening to Charles properly for the last few hours. 

That's what friends are for, after all. 

You're my friend. 

For not being a good friend to you. 

And friends who live together fight in between. 

Inwardly you slap your forehead with your palm. The wine is definitely to blame for your thoughts. 

"When you remember little things," you finally answer Charles' question and set your glass down on the table, which Charles seems to take as an invitation to top up, and before you can do anything about it he has refilled your glass. 

"Little things?" Charles lies back in his comfortable position and eyes you. 

You nod. "Yes. Like the fact that I think peonies are much prettier than roses, or that I prefer muffins to cupcakes. Little things like that, that define me." You shrug. "It just shows that the person has been paying attention and cared about me."

Charles nods, and you think he glances briefly at your almost empty wine bottle before reaching for the remote again. "Good to know."

The film continues and you decide that little blue Guido is your favourite character. As Lightning McQueen pulls yellow Betsy across the road and chats to Luigi and Guido, you raise your eyebrows in surprise. 

"Kind of strange to hear Formula One mentioned."

You notice Charles stiffen beside you, but his gaze remains forward. "Why?"

You reach - despite your brain vehemently telling you not to - for your glass. "Well, it's an animated film and the fact that Formula One is mentioned makes it kind of real. Although it's not. You know what I mean?"

"Do you watch Formula One, then?" asks Charles a counter-question, without answering yours. By now he is looking at you, but you can't interpret the expression on his face.

As you shake your head, he seems to relax a little. For whatever reason. "No. I used to watch it with my grandfather. Back when Michael Schumacher drove for Ferrari. We watched every race and cheered for the red team." You take a sip. "I lost sight of it at some point."

"Do you think you'd still be a Ferrari fan now if you'd stuck with it?" your roommate asks. Why he's so interested in it, you don't know. 

You point to the two Ferrari fans from Cars and smile. "Isn't everyone a Ferrari fan somehow? Even if they're not?" You turn back to the film and continue sipping your wine. 

Which is definitely not the best idea, because it seems to cloud your thoughts and loosen your mouth, because when Lightning decides to help Radiator Springs, it just bursts out of you. "Lightning is hot."

Charles, who has just taken a sip, chokes and nearly coughs his guts out. When he has calmed down, he looks at you, distraught. "Excuse me?"

"Yeeeees." You turn a little in his direction and pull your legs to your chest. You're sitting opposite each other now, except that Charles is lying down. "Not so 'wow, I'd like to fuck him'-hot. But his vibe makes him hot."

Charles wiggles his eyebrows. "I was once told I looked like him."

You have to laugh out loud, and you reach into the popcorn bowl once and throw it at him, laughing. He's not that quick to open his mouth to catch the pieces, but he gathers them up off his shirt and puts them between his teeth, grinning. 

"Why are you laughing like that? Someone actually said that once! Don't you believe me?"

You realise that the wine has gone to your head, because you can hardly stop laughing. You can hardly breathe and tears spring to your eyes, which you wipe away with the hem of your jumper. Your stomach hurts and you force yourself to breathe in and out deeply. "No, I believe you. But Lightning is just hot, and you're cute. There's a difference between the two."

Your sober self, which is napping somewhere deep in your brain, startles from its slumber and would love to slap you for it. 

Charles cheeks turn even redder and somehow the hem of his shirt seems very interesting because he rubs it between his thumb and forefinger before looking at you. "So you think I'm cute?"

This time he is quicker and catches the piece of popcorn you throw in his direction with his mouth and chews on it with relish. "Oh, come on. I'm definitely not the first one to say that to you," you try to somehow talk your way out of it. "I'm probably just the first to say that without flirting with you. My statement is to be considered purely objective."

"Objective, then?" He sits up a little straighter. "What would it look like if you were flirting?"

You put your wine glass down on the table and decide to actually let it go for today. You've definitely said too much, which you'd almost certainly regret tomorrow, and just thinking about how weird things might get in the morning makes your blood rush to your ears. So you reach for the popcorn. "I'm not doing that to you."

Your roommate raises an eyebrow in confusion. "Why? Are you that bad?" he quips.

You shake your head playfully. "On the contrary. I'm so good at it, you'd fall in love with me instantly," you joke, and have to grin, but Charles doesn't return it. 

"Don't worry," he replies without taking his eyes off you. "It takes more than that to make me fall head over heels in love with someone."

You'd love to ask what exactly it takes, but why should you care? You're friends, he's made that clear. And you should definitely get it through your head. In your drunken estimation, the line of friendship you're walking right now is clearly too narrow for your liking. 

You purse your lips and watch the film in silence. The mood has changed, no longer as easy-going as it was a few minutes ago. You would like to say something, but you don't know what, so you sit still. 

When you reach the point in the film where Lightning pushes the King across the finish line - against your expectations - to finish third in the Piston Cup, you can't stop the sob that leaves your mouth. Out of the corner of your eye you see Charles looking at you. And then all the dams break.

"How can a film about cars - about cars, Charles - make me cry like this?" You wipe away your tears. "This isn't normal. What's the point? It's a movie for kids, for fuck's sake."

Charles' smile is gentle. "No swear words, please. The film is my favourite."

"The film is first class." You try to breathe but hiccup as a result and Charles has to laugh slightly. "Oh, shit. Do kids even understand how important the message is? That it doesn't matter if you win or not as long as you do the right thing and have your friends around you?" 

"There are two more parts, by the way. We can watch those too if you like," Charles suggests and he looks a little offended when you shake your head and get up from the couch. 

"Let me process this movie first and then we'll see." You grab the empty wine bottles and glasses to take them to the kitchen. Charles grabs the bowls and you put the dishes in the sink. Neither of you would manage to wash them properly yet and with a single glance you silently agree to clean up the rest of the living room in the morning. 

You go together to the bathroom where you get ready for bed. You are brushing your teeth when your gaze catches his in the mirror. You smile at him. "But I would love to watch the films with you. I had a lovely evening, if that wasn't clear." You spit some excess foam into the sink. "Thank you for that."

Charles sticks his thumb in the air and washes his mouth out before answering you. "Anytime." He places his toothbrush in his cup. "I haven't had this much fun watching a movie in ages." As he looks at you, his gaze goes through your skin and bones. "Thank you for forgiving me. I couldn't bear it if you were angry with me."

As he combs his hair with a brush - yours - you rinse out your mouth as well. It's so mundane the way the two of you get ready for bed next to each other, as if you've grown up together and not as if you've only known each other for exactly one day. This familiarity between you should feel strange, but you have to admit yourself that nothing has ever felt better. 

"I don't think I can stay mad at you for long." You tie your hair into a braided pigtail, which takes a little longer than usual because of the wine. "I like you far too much for that."

You don't wait for his answer, but leave the bathroom, grabbing your camera and phone for a moment. "Do you have your AirDrop on?" you ask him. "So I can send you the photo."

"Oh, yeah. Hang on a sec." He rummages around among the cushions on the couch for a moment until he pulls out his phone and taps away on it. You look at your screen, and see "CL iPhone" flashing up. You press his name and the picture your camera automatically sent to the phone app is now sent to Charles. He looks at it for a moment. "I look so good."

"Don't get too carried away," you laugh and move towards the bedroom door while Charles gets his bedding from the wardrobe in the hall. You watch him for a moment as he gets his things ready. "Good night, Lightning."

His smile is so gentle you could melt. "Good night."

After closing the bedroom door behind you, you slip into your sleeping clothes and climb under your duvet. With your phone in your hand, you lie down on your side. You release the key lock and Charles' picture appears. 

He is right. He does look good in it. 

Just as you are about to plug your phone into the charger and put it away, a message pops up on the screen. 

CL iPhone would like to share a photo

Surprised, you click on "Accept". 

You giggle and think about sending a picture back, but don't. "You can sleep in your bed tomorrow," you shout across the flat and receive a "Thank you!"

Grinning, you snuggle into your pillow and force yourself not to stare at the picture he just sent you. It's almost cheeky how he can still look so good after such a long day and a bottle of wine. 

You put your phone next to your pillow and turn onto your back. To cope with this situation, you have to draw clearer lines. And lock away the thoughts that are running around in your head in between. 

You have a crazy ex. And there's something going on with Charles too, although you don't know what exactly. It definitely wouldn't be the right time for either of you to develop feelings for someone. And as often as he's referred to you as his friend, you want to spare yourself the shame of falling for someone who doesn't want you. 

You put your forearms over your face. 

You have known each other for twenty-four hours. How can someone be so etched in your mind after such a short time? 

You blame your emotional state on the wine, close your eyes and try to think of something else. Of cute penguins, puppies, sheep. But the thoughts circle and circle and always find their way back, as if they only know this way. 

Always back to Charles. Charles. Charles. Charles.

next part

[cheriladycl01]

I'm not scared! Colby Brock x MotoGPDriver! Reader Part 2

Plot: You made a tweet about Sam and Colby and were in a podcast and they brought up Sam and Colby where you talked about the paranormal and how it doesn't really scare you because you drive motorcycles at over 200mph.

"Sam?" you ask seeing the blonde man behind you.

"Hey!" he exclaims coming forward and pulling you into a hug. You stood there in shock that you were actually meeting these boys and that they were coming to watch you race.

"Hey!" Another voice says from behind Sam, he was taller with dark hair and you knew it was Colby.

"Hey, Colby?" you ask looking over him and he nods.

"Can we post some pictures off us all together?" Sam asks seeing as you guys were all at the airport.

"Yeah sure! I'll drive you guys to the hotel then yeah?" you ask looking over them. You all take a selfie, you stood in the middle of the two of them with a big smile on your face. After taking some more photos you take a rucksack from what was at Sam's feet and he tried to protest but upon seeing how easily you picked up the heavy equipment filled back he let you help out.

"Are you guys doing any filming while you are here, or is this strictly vacationing?" you ask looking over at them while you all clamber into the lift.

"We haven't planned on doing any big filming, just TikTok's at the race and stuff! We want to come back here though as there's so many more places..." Colbly answers glancing over at you.

"Okay, well let's get you guys set up in the hotel and then my treat and I'll take you both out for food" you grin and they both nod eagerly.

You take them to the carpark and they look around trying to find out which car is yours.

As you start to walk all the way towards the back Colby starts to complain as to why you'd park so far away when there's so many available spaces towards the front.

When they walk up to your New Model Ferrari, your question is answered.

"Holy shit, that's a nice car!" Sam exclaims looking over it, not evening daring to touch it. You whip the key out your pocket opening the boot where you strategically place their bags. One of them would have to have a bag or two in the second back seat because of the sport aspect to the car.

"I really should have brought the Audi" you sigh, looking at the bags in the back before you slowly close the boot. Sam and Colby sharing a look with each other.

"I call Shot Gun!" Sam cries going to the front driver's side door.

"You aren't driving my car, Sam!" you giggle knowing he hasn't realized where he's stood.

"Right, yeah I forgot we're in the UK" Sam laughs but see's Colby getting in the passenger side door.

"Snooze you loose buddy!" he exclaims making you laugh.

The drive to the hotel wasn't too long, you guys spoke about anything that came up in conversation. It was all so natural as if you'd known them for years and you felt so comfortable in their presence.

You helped them into their hotel room, while Colby made a little video to put on his Instagram story.

"Hey guys, it's Colby. I'm of course here with Sam and we're here in England again" he shows the camera the outside of the hotel that was in the Hilton on the edge of the Silverstone Race Track. "But we have a very special guest that we are being shown round by today. Y/N Y/L/N!" he says panning the camera to you and showing them you.

"Hey!" you grin before Colby switches the camera back on him and Sam.

"We're going to go live here later, so go comment under my latest twitter post all the questions you guys want to ask and we'll answer any questions you guys have an discuss what is up and coming for the three of us!" he grins before ending it with a little peace out sign.

"That gives us time to discuss over dinner yeah?" Sam asks and you nod.

You guys all head on a train into London to get some food from the city rather than staying around Silverstone.

"So, have you guys thought of any locations you want to investigate?" you ask, knowing there was definitely some in the UK that they hadn't done here in the UK, but you travelled round so much that you were pretty much willing to go anywhere.

"We were thinking of going back to Australia, we did it at the start of the year and we got some really interesting footage while we were there" Sam offers.

"I don't think we've done enough in the UK either, there's some great places in Wales, and Scotland we haven't done too!" Colby suggests, he loved when they visit here, it always had some of the best energy whenever they came here.

"Yeah I feel like you guys don't want to rinse America of its haunted spots, so either of those would be cool! There's so many like haunted places worldwide, I guess it's just an issue of asking permission of whether or not you can get to view it like solo and be able to have the place to yourself!" you admit, understanding why they probably hadn't done the Paris Catacombs or Bangarth Fort in India or Proveglia Island in Italy.

"Well, it's up to you maybe we can ask what the fans think tonight. We have time, I cant imagine Y/N will be free for filming for a while anyway right?" Colby asks, again. He was fully aware of your driving schedule but he knew it was a lot of exhausting travel.

After lots of talking and getting to know them you all went back to the hotel, you set up Colby's phone in their room and started and insta live while you and Sam had the Tweet up that Colby posted earlier in the replies.

"Hey guys!" Colby smiles as he watches fans flood into the chat already starting to ask questions in the chat.

"Okay guys, we'll only be answering questions from the tweet we sent out on the shared account earlier okay?" Sam laughs seeing people asking who you were and what you were doing there.

You were laughing when you saw fans asking if you were Colby's new girlfriend. They were the ones that were obviously Sam and Colby fans and didn't venture into motorsport.

There was others in the live defending you, trying to explain who you were.

"Y/N you wanna introduce yourself?" Sam asks seeing the majority of comments be asking who you were and what you were doing with the boys.

"Okay, so for the Sam and Colby fans I'm a MotoGP driver, so I drive motorbikes around race tracks all over the world, really really quickly! I made a silly drunk tweet saying I wouldn't be scared to collab with these two and here we are!" you grin, as people start flooding the comments.

"Yes, guys she is very fast! We'll be cheering for her at Silverstone!" Sam says looking at the more comments flooding in.

"Okay guys, we are moving onto your twitter questions now. No more answering from here!"

"Okay the first one I found is, is Y/N good at what she does?" Sam says before raising and eyebrow.

"Well, Sam and Colby haven't watched me yet. But you can see all of my races of YouTube!" you smile politely.

"She's a better driver than the both of us, I'll give her that!" Colby exclaims looking at him phone seeing the emoji spam.

"Where are you thinking of investigating next and will it be with Y/N?" you read out, scrolling through the twitter thread trying to find good ones.

"Next one coming out wont be Y/N because we haven't even filmed with her yet, and I think we might be filming with one other person before her depending on schedules. so maybe Y/N can be a hell week guest if the timings right? But... again not sure if we'll want to do something with her before then, incase that's too much for her to ...yano handle!" Colby explains while smirking as you turn to hit him in shock.

"I would be fine on hell week! I'll smash anything, any challenge let me rephrase that you give me and I will do it!" you grin.

"Mmmmm, we'll see!" Sam teases.

"I mean, while we are here in the UK, would you have time to do something. We've got some contacts we could whip something up?" Colby asks reading the instagram chat seeing that everyone's wondering why you aren't doing anything soon as you don't have to be in Austria until August the 16th.

"I mean, I'm down..." you grin, wondering where they could possibly take you.

"Okay, guys you heard Y/N if we can get something sorted we may be filming in the next few days after the race!" Sam exclaims happier.

Once you'd sifted through most of the questions about who you were and why you were with the boys you got onto the more random questions that were just sort of get to know you.

"When do you prefer to work out, morning or evening?" Sam asks, looking from Colby to you.

"I'm definitely an evening guy, I tend to be more proactive around that time and I've never been one to wake up early with a lot of motivation for the day" Colby explains before Sam nods and agrees that he prefers the evening.

"As and athlete I have a set plan and that means I work out in both the morning and the evenings but I honestly prefer the morning because it feels to me like I've got it out the way!" you giggle and Colby looks over at you shocked.

"You work out twice a day?" he asks with a raised brow.

"Yeah, I have to have really good core strength for on the bike" you nod.

"What's your go-to comfort food?" you ask looking between them while they have a thoughtful expression.

"Mmmm probably like my mum's cooking something like her mashed potato or her lasagna" Colby offers when thinking about it for a little bit.

"Oh! I didn't even think of my parents cooking, I went for more of a guilty pleasure and went for Taco Bell Burrito!" Sam nods and then they turn to you.

"Well, comfort food for me has to be healthy so I actually learnt from good friend of mine and F1 driver Lando Norris about this chicken and pineapple wrap that he has and once i tried it ... just stuck in my head 24/7 on a loop" you laugh, before finding a picture of you and Lando eating them.

"Chicken and Pineapple?" Sam asks with a frown on his face and you just chuckle.

"Don't knock it until you try it!" you exclaim.

"Suppose you enjoy pineapple on pizza too!" Colby jokes.

"On cheat day i do yes!" you grin.

You guys answer a few more questions before you agree that you need to go to bed as it's media day tomorrow and you'll have to be up early.

Taglist:

@richardsamboramylove55

[that-ari-blogger]

Critical Role's Cameraman

So, Critical Role (@criticalrole) just released their newest opening title sequence, an animated sequence in the same style of Your Turn To Roll and I would be remis as a film nerd to not pick apart every detail.

What fascinates me about this introduction, however, is the camera movement and shot composition. Allow me to explain.

I DONT THINK THERE ARE SPOILERS AHEAD, BUT JUST TO BE SAFE

So, we open with a hand, this is a close up, I don't think that is unobvious.

But this stops being a close up rather quickly, before it starts moving away. The shot just gives the hand context, and suddenly you aren't in an extreme close up of a hand, you are in a medium shot of a very large person. Then the camera pans backwards, and you can see villains and places spring up, although the perspective on Matt remains weird. Is he a few metres from you, or a hundred? How big is the Game Master here? There's a sense of mystery, of incomprehension. This is setting up some cosmic horror shenaniganry.

Then, we get Fearne. This is a wide camera motion, swivelling around her in a tracking shot that focuses on her face, and those eyes. It is like a reverse panorama, where Fearne is taking in the world, the world is observing Fearne.

But I want you to take note of the leaves here, because they are used to form a connection between her and Orym. The transition uses them, while it isn't a direct wipe transition (the leaf just flies close to mask an abrupt cut), it is framed as one. The name of that isn't important, though, what's important is the leaves. By being in both shots, they emphasise the relationship between the two characters. But where for Fearn they show off her sense of wonder, for Orym, they take on a very different meaning.

Notice, however, how still this shot is. There is no sense of danger here. This is a scene of a warrior with a sword and two people passing on from this world. But it's calm. Because this is a memory. Orym might not be at peace with the death, but the memory isn't a violent one, it's a memory of his family's lives.

Cut to a close up. Orym creates a gust of wind.

And cut to the next shot.

I will not lie, Bertrand is my favourite character across all of Critical Role, so this shot of him made me smile, but it isn't the point here. The point is Imogen's introduction.

Although is Bertrand not actually the point? Because take a look at how Imogen is shown here. Do you notice anything?

She's shown in the exact same way. Imogen is shown doing the exact same thing that those who have died have done. And she can see them ahead of her. The camera panning back shows a wider perspective here, showing her as she tries to run, tries to get away from the same path as Bertrand.

The wind from Orym's blade that came to this scene gets across a consistent element: Memory. This is a dream. But dreams can become nightmares.

As Imogen loses her footing, the camera gives some of its wildest movements yet. It tumbles around her, then looks up.

The camera stops moving when it sees the red moon, because now the viewer has something to orientate themselves around. There is a constant point, and we can see Imogen falling down. And getting closer, and closer, and closer, until.

These are the three frames in order, there is nothing in between.

Imogen crashes into the screen, and we get an abrupt impact frame (that's the black and white one) then Ashton. This is so cool to watch, in my opinion, but it is quite possibly the opposite of smooth in camera work. So why is it so cool? Motion.

The motion is in towards Imogen and out away from Ashton. They are both falling, just in different directions. And the impact frame both helps smooth over and accentuate the abrupt transition.

The camera around Ashton is a tracking shot. They are falling, but they remain the exact same in the screen (shrinking slightly). The rest of the world moves. And when Ashton lands, the screen cracks. The tracking shot is used to show Ashton's disassociation with their surroundings. Not in a "I feel nothing" type of way, but in a "it's me vs the world" type of way.

Then, there is an abrupt cut away. Nothing hides or smooths this at all, because Ashton's memory isn't smooth, and neither is Ashton. Remember the disassociating thing I mentioned, now it changes again to someone who gets lost in his thoughts. Medium.com calls this an "anxiety stare" and as someone who does that on the regular, I can attest to this abruptness being exactly what that feels like.

I'm not going to talk too much about the ship, but just be aware that there is a Dutch angle (the horison is diagonal) here to heighten the stress of it.

Likewise with this shot, there isn't much to talk about. The slow outward zoom and triangular composition are neat, and the tiered reactions (bottom row reacts, then middle, then Fearne) are amusing, but other than that, not much.

Then we meet Laudna, playing with Pate and giving him life. That's a neat little shot, I wonder if there's a metaphor there.

Oh.

This is a super cool visual because it establishes exactly who this character is in two seconds. But I also want to point out the symmetry of this. The hair becomes the blood which becomes the hair again, and then the tree.

Laudna is introduced as big and scary and imposing, and that is very intentionally undercut by making her look small.

Being small means you are less likely to be the focal character, so shrinking Laudna takes away her agency. Only to give it back through Imogen, and when the camera pans back outwards, Laudna is the same size, but the colours and the surroundings make her feel less alone, and as a weird result of that, less small.

And last but not least in this moment, there is the delayed drop of the hands. Laudna finally feels safe and finally breathes a sigh of relief.

That, however, imediately match cuts to this. FCG's vision. The red tinting has obvious implications that I don't need to explain, but the match cut heavily implies a connection between this group and the Bells Hells. There is a fear that this might happen again made clear by a single transition.

Here's something else. FCG doesn't move. At least, the camera doesn't treat them as moving. It's a slow panning out as if nothing is happening. It's the disassociation vibe that you get from Ashton's falling shots now repurposed to someone who isn't in control of their own actions. This is what FCG is afraid of, this is the important pieces of his character. This is FCG.

And just like Laudna, FCG finally gains agency when surrounded by their friends who hug them, and FCG finally moves.

Chetney Pock O'Pea, outlaw of the RTA, alpha of his own heart. A fundamentally chaotic character who takes rules as suggestions to be intentionally ignored. A man who's first instinct upon meeting you is to consider how you could be killed. And he is introduced whittling, with a steady camera and warm light illuminating his face. This is a peaceful side of Chetney, there is a duality to him.

Speaking of which, notice how Chetney draws back from the light as he transforms. His eyes begin to glow, but they don't illuminate him, until this:

Chetney is now backlit by the cold light of the moon itself (There's a neat reveal of Ruidus caused by the pan, but that's only tangentially relevant). Notice how much further you are from him here than in his first shot. But notice how much of him is visible, and how much of the screen he takes up. It's the same, this is still the same character. It's a true Doctor Jeckyl and Mr Hyde character. This isn't split personality, but a character who can be a different person in each form, while still remaining Chetney at all times.

There is more in this video. I encourage you to watch it, but unfortunately, Tumblr has a limit on how many images I can include, so I will leave you with this final shot. A group of heroes looking up at a threat that is so much bigger than them, a threat that is literally controlling the light. But the Bells Hells are closer to the camera, they take up more of the screen. The battle isn't lost, instead, it is just starting.