#sontarans

[icklewolfiekins]

you ever learn something you wish you didn't? I, for example, just learned that between 2008 and 2015 not a single episode of Doctor Who aired that was written by a woman. Between The Sontaran Stratagem, a story with David Tennant as the Doctor, and The Woman Who Lived, a Peter Capaldi story, not a single episode was written by a woman.

[neat-crows]

So I've been re-watching dr who for the first time ever rn, with a friend who's never seen it before, so I'm seeing all these episodes for the first time since I was 13 and picking up on a LOT that I never noticed before, and holy shit the tenth doctor is SO WEIRD to Martha Jones, and nothing exemplifies that more than the sontaran stratagem/the poison sky.... like..... he is SO weird the whole way down.

When they first see each other again their introduction directly mirrors Jack and The Doctor's in Utopia

"Doctor" "martha Jones" laugh and hug

"doctor" "captain Jack" laugh and hug

And then! they have a normal interaction!!! WIN he asks how her family is and how she is, and they're smiling and genuinely seem like friends very happy to see each other!

And then.... donna drops the fiance bomb.

He turns with a look of.... almost anger? disbelief? and asks WHAT MAN?? Then martha explains who he is and the doctor....

he looks? upset? and then like, resigned? AND THEN martha admits that her fiance is kind of similar to the doctor, and then donna asks "Is he skinny?" and his reactions

is to make a face like "yeahh" AND START NODDING????? like he's taken Martha's admission to mean she's with a man that's just like him, and honestly seems a bit smug over it, and then when Martha says no-

he looks so taken off guard and betrayed ??????????? BRO we are less than 5 minutes in..............

He then proceeds to be tetchy with her, and to be fair this is mostly because of her involvement with unit, and his discomfort with how militaristic she's gotten - which I think comes both from anger at himself for how he's changed her, and also discomfort that she's no longer "his" Martha, she's changed, and he doesn't know her as well anymore.

he tells her off, he's snide and judgmental, he won't even look at her until she tells him to, and he's honestly bitchy - Until she explains herself, and tells him off for being so judgmental, i also think his line "oh so it's my fault" is very telling because..... it literally is? like yes, you put her in situations where she had to become harder and more used to violence......... and he KNOWS it. He's doing what he did all through series 3, which is feel guilty or bad and then take it out on Martha (that's for another post though) until she stands up for herself (get his ass!!) and then when she's finished she looks at him

determined, but eyes darting back and forth waiting for his reaction, on some small level hoping for his approval

and only THEN does he start to smile, and he tells her "that sounds more like Martha Jones." she's back to feeling like she's still his (to him, Martha is acting incredibly normal and platonic). The doctor has always had a weird possessiveness with Martha, going all the way back to their first episode where he hand picked her, and in this second of her looking for his approval, he feels that again, and he IMMEDIATELY started flirting again - please go watch the scene it boggles my mind how fast he switches.

I also want to be clear, Martha isn't flirting back, she's acting extremely normally. She's clearly taken the time away from him to get over, not only romantic feelings, but any anger as well. She seems to have come to terms with how she feels with everything that happened, and she loves and cares about him, but she's not naive to his faults - I also don't think she even picks up on him being weird to her in this scene. She's no longer in tune with his every mood swing, she's not here to fix him, or cater to his needs, and so she no longer notices these small moments from him.

AND THEN.... the clone.

He never flirts with the clone. The ONLY time, is the very first time they interact, before he's realized something is wrong.

he calls her over to come with him, and his face is honestly way too close to hers. bro is a menace. but then, maybe 2 minutes later, he immediately clocks that this is not Martha.

he realizes there has to be a spy and only has to consider for half a second before he turns and asks about her family, he's already realized she's acting a little off, and the second she answers he's 100% certain.

and he gets MAD. he tells her Donna went home because she's not like her, she's not "a soldier" clearly a shot at the sontarans, but also another subtle test, the real Martha wouldn't let that slide, and he wouldn't say that to the real Martha. He continues saying Avanti, instead of Allonse-y, which is interesting, because he already knows. He's not doing this to confirm his suspicions, he's doing this as retaliation. To confirm to himself he knows Martha better than this fake, he's toying with her. BUT. He doesn't go to save Martha.

The next episode, the doctor's daughter, he refuses to accept the label of soldier, but Jenny rightfully points out that he strategizes like one And this is one such moment. He knows Martha is a clone, he's mad and upset, he could go save her right away, but he doesn't. He doesn't because it serves him best to allow her to keep shutting down the nuclear launch.

It reminds me a lot of when Cassandra possessed Rose in New Earth, he played a long for a little bit, but that was just to figure out what was happening. He IMMEDIATELY tried to fix it, I just wonder if it was any other companion if he would have done this. If it was Donna would he have left her for so long? even if it was strategic? it's this weird conflict the doctor has now that he's very very protective and a bit possessive, but he also treats her like an equal on the battlefield, and it's a weird... trust? he has in her to take care of herself.

I kind of don't want to call it trust because that sounds too positive, but I don't know another way to phrase it, but it's a forced independence and self sufficiency.

but then, he finally goes to save her

He goes and cradles her face gently, and NOTABLY says "good, still alive" MEANING HE DIDN'T KNOW??? and still left her for that long...

but he holds her gently, and fully ignores the clone. He has his back to her, and then proceeds to taunt her. He tells her he clocked her right away because of the pupil size, thin hair, and he says she smells. but we know this isn't true.

Sure maybe those physical traits are true, but that's not how he figured it out, we saw how he did it, he clocked on because he knows Martha so well, but he can't admit that. He can't admit that he knows her just as much as she knows him, just like he couldn't tell Rose he loved her.

He is so deeply angry at this clone, he makes fun of her, he yells at her, he looks at her likes she's nothing

This is his face when he kills her. He doesn't talk to her, or even TRY to save her. And we know she is alive, she has memories, and her own thoughts and feelings, and the doctor kills her while gloating because of his immense anger for hurting Martha. An anger that is also guilt.

he does not speak to her like a person (which directly leads into his treatment of Jenny in the next ep).

Parallel that to how Martha treats her, they talk about their family and she even calls the clone Martha. She really is a doctor in a way ten tried and often failed at.

And then at the end, Donna asks Martha to come with them, and she says no, and that she's happy at home, but she's better for having traveled and come back.

And the doctor looks at her

With an obvious sadness, but also acceptance. He clearly wants her here, with him, but I think he's finally come to accept that that'll never happen, and he needs to let her go.

Edit: I Like their dynamic(mostly) This is not an anti tenmartha post Him being a freak is compelling

[duckapus]

idea: doctor who/muppets crossover. It’s a fairly normal doctor who episode, probably involving the Sontarans or something, except the muppets happen to be involved. No one acknowledges how strange it is that the muppets are there and it’s left deliberately ambiguous whether this is another shared dream situation or not. It ends up introducing some major plot point for the current season so nobody can declare it noncanon. Gonzo knows how to fly the TARDIS and refuses to elaborate.

[galahadwilder]

Watching Doctor Who and then getting to the expanded universe materials afterward is hilarious because like

Doctor Who mentions that the Sontarans weren’t allowed to fight in the Time War and you’re like “what why?” and then you listen to the Audio Dramas and you’re still like “I feel like the Sontarans would’ve done fine. Not great, but fine”

And then you read Faction Paradox and find out what weapons Time Lords ACTUALLY use and it’s like. Oh. Oh the Sontarans would’ve gotten fucked.

[tinkerbitch69]

Sontarans (probably): I’ve had it with these ‘woke’ enemies of sontar, with their ridiculous ‘gender binary’! There’s only ONE gender! It’s just basic biology!

[grumpywiltedlettuce]

I loved dune 2. Best movie I’ve seen in years, but the whole time all I could think of was the Sontarans from doctor who and the Harkonnens

Observe

[lz-didyounotice]

The girl with a thousand faces : Part 1

Hey guys! hum warning, this is my first fanfiction on Doctor Who. I wrote this one with the tenth doctor in mind. English is not my primary language, so please be indulgent. This fic will be in two or three parts depending on what the general reaction will be :0 So hum yeah. Also in the first chapter, you're given a certain name, but it will not be definitive.

Froggit-

------------------------------------------------------------------------------

Part 1 , Part 2 , Part 3

-------------------------

Your destiny wasn’t what you could call “normal”. For a human at least. 

Playing, studying, going to college, finding a job, having a family, and growing old, could be called a winning ticket. You, on the other hand, had to deal with something else for as long as you could remember. 

Remembering. Here was something you were good at, something you had done for dozens of years without even understanding why it was happening. All those faces, all those lives you had to leave behind you. A single heart that had to grow again and again, without knowing where it would end up next, what language it would speak, what future it would be. 

A miracle some would call it. To you, it was purely a curse. The process of dying, being conceived again, growing up, and remembering your past lives, was getting tiring as the years came by. But here you were once again. And this time, your death had been quite special. Never would you have imagined dying to free a city.

------------------------

Paris was beautiful, it was true. But too many people lived there for it to be breathable. Summer was a pain in the ass, having no air circulating between buildings, and the cramped space of the streets, making the temperature grow higher each passing day. It wasn’t bearable. Breathing wasn’t easy, and there was as much that water could solve. 

Today was one of those days. Waking up to windows covered in craft paper to reduce the heat coming in the house, the rod from your old shutters, still in a corner of your room waiting to be saved. A kitchen, a little too small for even one person, and a pan to heat the water. A simple life in a busy city.

The bus had taken its sweet time to arrive, making you late for work. As soon as you entered the small café, you were in for quite a lot.

“Oh! Louise te voilà enfin! t’as presque une demie heure de retard, Naeva te cherche partout. J’ai mis ton uniforme dans l’arrière boutique 

oh! Louise! here you are, you’re practically Half an hour late, Naeva was searching for you. I put your uniform in the back

-Ah! Merci beaucoup Fély! je ne sais pas ce que je ferais sans toi. Désolée pour le retard, mon bus a encore été dévié.

Ah! Thanks a lot, Fély! I don’t know what I would do without you! Sorry for being late, my bus took another route again.

-C’est pas à moi qui faut dire ça, allez dépêches toi, on ouvre dans 5 minutes.”

I’m not the one you should tell this, and hurry up, we open in 5 min.

With a big smile, you walked by the kitchen to finally get dressed in your work attire.

---------------------------

Working wasn’t a passion. Making drinks had become mechanical long before even entering this café. Made it more of a chore to keep a place to live. 

Even with the knowledge of a thousand years, you had stayed here, certain that something special would happen in this life. This “something special” came with the name of John Smith. A beautiful man in a striped suit, bearing a gorgeous smile. Never would you have guessed that this man could bring so much trouble with him. 

You were happy to have learned how to regain your memory faster. And practicing sports did wonders. But Running from potato-headed soldiers wasn’t how you imagined your Monday to go. Their guns secured in hand while they tried to shoot you and the man beside you. 

Somehow, you managed to get shot in the side. Sure it hurt like a bitch, but it wasn’t your first rodeo with this kind of injury.

Making a new turn, the two of you had entered a small building. As soon as the door was closed, you heard a weird vibrating sound and saw “John” hunched over the door lock.

“It should last us a bit before they can get us.

-Who the heck are you ?! You seem to know an awful lot about what those are.  

-I’m the Doctor.

-The Doctor? What kind of doctor runs from bald potato soldiers?

-I could ask you the same. And you were also shot. Do you think you can still help?

- I might die either way. Let me be useful….”

“ So… what is the plan? “

-----------------------

The Sontarans had tried to sneak a bomb on Earth. Similarly to a mine, someone had to walk on it for it to detonate. In this case, only a human could make it explode. The bomb was still on their ship, and the Doctor had found their teleporter. 

The safe was easy to find, but to take down the fleet, the bomb had to be activated. 

“Doctor, I know it’s not the best option, but I'm the only one here able to make the ship go down. I’m already injured so it wouldn't be a big loss. You'll probably find me again in another life anyway. You, on the other hand, I’m not entirely sure.

-What do you mean another life ?! You're not dying, not on my watch…!”

The brunette seemed stressed. You knew he was trying to hide it, but you had too much time in your life to know what was going on in his head.

“You know what? Can I promise you something?

-I don’t think I quite follow but go ahead.

-I promise you, I'll always come back. No matter what. Might take a few human years but I'll always be back. No matter the life. “

The doctor seemed surprised. Humans surely made shallow promises in the hope of making things better, and to make others less guilty. But the sincerity of your voice made him believe it, and it scared him.

“Who are you, Louise....?”

All you gave him was a small smile before picking yourself up, blood still spreading on your shirt despite having transformed your apron into a temporary bandage. Only three digits were necessary to open the door. Your hand on the lock, the door slides open, and the monstrosity you had before your eyes made you want to throw up. You knew of the pain that was going to go through you. It wasn’t your first death by a bomb, but the last blasted your brain in tranches below the surface.

The bomb looked like a normal sewer lid, it would have been easy for a citizen to mistake it for a normal one. Checking Behind you, you had hoped to see the face of the doctor one last time before taking a step.

His eyes held sorrow, convinced that he had to make something else work. In comparison yours held hope, knowing that it wouldn’t be your end. But as red lights came into existence, he had to run. His eyes turned as he ran away to get to safety.

Once you knew he was far enough, as your foot barely touched the bomb, you felt your skin burn like a thousand suns. It was almost welcoming.

Darkness took over, letting you sink into the unknown.

---------------------

Has you opened your eyes again, all you could see was the face of a beautiful woman. A halo was drawn on top of her head, as she whispered a sweet lullaby.

making gurgling noises, you finally reached for her nose, desperate to touch something again. And all you saw was her smile as she put her head against yours. Your name fell beautifully from her lips. 

“Welcome to the world… Y/N Noble…”

[gallifreyanhotfive]

Reason #100000 Why I Love Vislor Turlough

[0rent]

Here is a drawing i did of Strax The Sontaran Warrior, Strax from The Paternoster Gang, Strax from Doctor Who, I love this big Potato Man.... Don't tell him i called him that he might come and get me.

[halestromthewhoobsessed]

Mum said it’s our turn on the XBox

[ive-given-up-the-bug-diet]

Rewatching some old Doctor Who episodes and I NEED somebody to write a Dr Who/Ultrakill crossover fic, hopefully with the Sontarans, because I cannot. Both I'm not skilled enough and also I've got no time

Like the race that loves war meeting and/or fighting a robot built to end The Final War?

[nkp1981]

Doctor Who Season 11: "The Time Warrior", 1973

[thelegsnoserobinson]

considering making a discord for the tardis rock band, Legs Nose Robinson, to discuss their music, videos, updates, and general fan stuff!

please like/reblog/message me if you're interested!! lets say if 10 people express interest, I'll make one :)

[timeagainreviews]

The Monster Makeovers of Modern Who

With Halloween just around the corner, I thought I would get back into the swing of things and talk about some monsters! No, not Rishi Sunak. Of course, I mean the monsters we actually enjoy! Daleks! Cybermen! And other horrors from the beyond that don’t try and turn trans people into scapegoats for their lack of policy. They say what you really mean- EXTERMINATE! Honesty, transparency, efficiency. Words so alien these days they belong only in Doctor Who! Mr Sunak, you’re so vain. You probably think this blog is about you. But it’s really about fashion. Specifically- makeovers!

I’ve been interested in filmmaking ever since Levar Burton took us to the set of Star Trek on Reading Rainbow. Like Doctor Who, “Star Trek: The Next Generation,” had its own makeover to attempt. They needed to establish a new look from the original series, while still implying continuity. Whole teams came together to reimagine the look of the ship’s interior, the look of the aliens, both classic and new, and even how the characters should dress. It’s truly inspiring to see these crews at work. These passionate people did their best with the available budget and resources. That said, I plan to deconstruct some of the makeovers of modern Doctor Who villains on an aesthetic and (at times) narrative level.  It’s just a bit of levity for the horrors of Halloween, so let’s have some fun.

While the topic of updating classic baddies remains subjective, I’d like to think I’ve highlighted ways in which it can be objective. There are no hard rules to the process, but perhaps there are guidelines. I’ve noted a list of classic Doctor Who monsters that have since returned in the new series to discuss which designs I feel were successful and which ones missed the mark. Some of the criticisms I express will already be known to you. The Paradigm Daleks were notoriously reviled amongst fans. But hopefully. some of my opinions may surprise you. I’ve decided to exclude certain redesigns like the Movellans due to their lack of screen time. And while the Ood and Minotaur are cousins of the Sensorites and Nimon respectively, they’re technically not a proper redesign. I will however be covering the cousins of the Silurians- Homo-Reptilia, as they are very much meant to serve the same purpose. I’m presenting this list in alphabetical order, but some creatures will be listed together as a subspecies of another. Buckle up because this is going to be a long one!

Autons

As a child growing up in 90s Kansas, one of my favourite places to visit was the mall. The mall my grandpa used to take me to was known for its extravagant features. One of my favourite things, however, was a clothing store that used mannequins that interacted with the space around them. I don’t mean they moved, but rather that they were dynamically posed. My favourite leaned against the shop window with the palm of its hand. I had never seen that sort of display before. It made them feel as though they were merging into the real world. They were hip if not a touch creepy. I couldn’t tell you the name of the store, but I remember those mannequins. And aside from a granite finish, they looked like the Autons from 2005’s debut episode “Rose.”

Had the Autons returned looking like 70’s mannequins, they would still look creepy. But it would evoke more of a kitschy retro shop than something from a London high street. The creepiness of the Autons isn’t anachronistic, but rather in being timely. The less we notice them, the better. They wear their mundanity like a tiger wears stripes. You only noticed it move when it’s ready. This is a roundabout way for me to say they are brilliantly redesigned. They look modern, and you wouldn’t even notice them if you weren’t predisposed to Doctor Who. They’re exactly the featureless dummy you expect to see in a shop window. The moment their hand gun opens, you would be taken by complete surprise.

A benefit of the Autons coming first alphabetically is that it allows me an opportunity early on to address performance. Because like they say- looks aren’t everything. A Doctor Who baddie is so much more than a costume. And a minor sticking point for me is that the Autons can seem as though they hired a bunch of pop-lockers to stand around in sweaty suits. I’m reminded of the movie theatre scene from “Human Traffic,” where the employees mechanically go about their work. It’s a small grievance, but I wish they would have created a less familiar form of movement than the robot. They’re a hivemind and yet each dancer is doing their own form of popping. I know it costs time and money to do, but it would have been cool to see those dancers come up with a more alien system of movement. It’s not as though the ballet dancers chosen to portray the Weeping Angels were performing pirouettes. 

This problem persisted into the Moffat era with Roman Autons. While they were under the impression that they were human, they moved about and spoke like humans. But the moment the Nestine consciousness takes root, their bodies move into a sort of robotic marching. Suddenly whirring can be heard from alien actuators and servos that make no sense for living plastic. Once again, it feels as though they would rather speak in a familiar voice of filmmaking than create one. We all know that little android sounds and robotic movements mean they’re mindless automatons, hell it’s the root of Auton. But the idea of living plastic is so much weirder than a robot. I would love to see them lean more into that.

Cybermen/Cybermats/10th Planet Cybermen

Having started my foray into Doctor Who with Paul McGann and then moving on to the 2005 series, most of the baddies on this list were brand new to me. When I did finally work my way to classic Doctor Who, I was a bit surprised to find the early Cybermen leaned more into the “men,” aspect of their name. Not only were they more articulate than repeating “Delete,” ad nauseum, but their bodies were less robotic. They moved like men. The Cybermen may be the first time I looked at a Doctor Who villain and thought “Oh the old versions were much better.”

This isn’t to say that I disliked the RTD Cybermen, but rather, I find classic Cybermen more effective. While the Cybus Cybermen felt dangerous and militaristic, they lack the humanity present in the Tenth Planet Cybermen. They remind me of the zombies from Return of the Living Dead- they’re smarter, faster, and they feel like the reanimated body of a dead person. You do get glimpses of this in these Cybermen, like in “The Pandorica Opens,” where you see a Cyberhead open to reveal a rotting human skull. The glimpses of the conversion process also imply a deeper dread of body horror.

I would argue that the Moffat era understood the walking dead aspect of the Cybermen better than the Davies era. In “Dark Water/Death in Heaven,” Moffat even pays homage to Return of the Living Dead by reanimating a graveyard of corpses with tainted rain. By this time, the look of the Cybermen had been streamlined from their Cybus look to their svelt “Nightmare in Silver,” look. I liked this redesign as it reminded me of the 80’s Cybermen with their silver space boots. They look more like men than robots. This slimmed-down look was realised even further in the Chibnall era, while also going for a more classic head style. As much as that era of the show disappointed me, its Cybermen were fantastic.

Not every Cyberman update aimed to reinvent their look, however. The updated look for the Tenth Planet Cybermen in “World Enough and Time/The Doctor Falls,” merely added detail to their original appearance. Much like the Type 40 TARDIS the 12th Doctor steals from Gallifrey, the idea was to modernise the look for the high-definition cameras of the modern age. Because of this, these Cybermen may be my favourite of the modern era. It was a risky choice to change their bare hands to flesh-tone gloves, but I understand the decision. I had always liked that the Tenth Planet Cybermen’s hands were bare skin. Historically, hands are one of the hardest things to reproduce in robotics. It also felt that the Cybermen’s hands were the last remaining vestige of their humanity. None of this is lost with the inclusion of gloves. These Cybermen are a nightmare to behold. They languish in physical pain, calling out for solace. The conversion process is still traumatic and bloody. They are horrific.

Another element of the Cybermen that was updated for the new series were the Cybermats. The look of the Cybermats, much like the Cybermen, has always changed, so it’s hard to feel too precious about a redesign. And their appearance in “Closing Time,” is no different. I’ve always liked the look of the modern Cybermat. Their eye shape is a pleasing nod to the Cybermen’s eyes while also calling back to their original appearance. Their segmented tails give an armoured appearance which evokes small creatures like armadillos and insects. My only real complaint about these little munchers would be their very organic teeth. I always figured the “mat” part of their name was meant to be a play on “rat,” so if you were to give them teeth at all, why not rat teeth? What tiny creature was converted to make these little abominations? In the classic series, I never really thought of Cybermats having anything organic about them. You could argue that the Cybermats from “Revenge of the Cybermen,” were snakelike, but I never really thought of them as organic. Regardless, I’m now trolling eBay for one of the 1:1 replicas they sold. 

Daleks/Davros

Before their return in 2005, the Daleks made the briefest of cameos in the 1996 Doctor Who TV Movie, sort of. Since we only ever hear their voices, we have no idea what the Daleks would have looked like. Judging by those voices, it’s safe to say they probably would have been a bit of a departure from their general appearance throughout classic Doctor Who. Especially when you consider that adaptations in the ‘90s were known to go for new extremes in design. That’s not to say they would have been bad. The Eighth Doctor’s cathedral-like TARDIS interior was a far cry from the brightly lit round things of the ‘80s TARDISes, and it’s probably my favourite interior. But there is no denying it would be challenging to redesign the universe’s most iconic monsters.

By this measure, I consider the black and bronze Daleks of the RTD era to be a stonking success. Their redesign is mostly effective because it doesn’t aim to reinvent the wheel. It maintains the overall silhouette of the Dalek in a way that makes it immediately recognisable. The changes we do see feel utilitarian, lending these Daleks a tanky quality. You can imagine these Daleks as a product of war. They’re reinforced for battle and feel powerful. Honestly, zero notes. I can’t find a single area for improvement. They even look good in other colours and attachments. Even the mutant inside the casing was given some much-needed continuity in appearance. Where the mutant of the classic series often changed in appearance, it’s now established that Daleks are one-eyed brain squids under all that metal. Simple as can be. No need to change anything.

Enter the Paradigm Daleks. As I said above, the Paradigm Daleks aren’t exactly well-received by the fandom, and not without good reason. I’ve seen at least four different Mighty Morphin’ Power Daleks mash-ups of their big reveal in “Victory of the Daleks.” But is being a big colourful hate machine that bad? I will admit, their silhouette is a bit chonky, giving them bumble-bee bums. But their eye stalks look lethal and their voice modulation fills me with dread down to my stomach. The creepy goat eye nestled in the end of an eyestalk that looks like it would cut to the touch is a great change. I also really like the idea of them having different roles indicated by colour rank. What the hell is an Eternal Dalek? I still want to know. 

The biggest issue with the Paradigm Dalek redesign is that unlike it’s predecessor, it seems to miss what is actually scary about Daleks. For starters, Daleks have no concept of elegance, so why the clean lines on the casing? Those neck louvres (that’s what I’m calling them), are far too stylised. Gone is their tank-like appearance, save for their brutal eyestalks. They made them taller as to appear more formidable, which further bolsters why they miss the mark. If you can’t make an hate-filled monster covered in armour scary, the problem isn’t height, it’s writing. Also, we stan a short king in this house.

It’s hard to take the Chibnall-era Dalek redesigns too seriously, because neither of them ever felt like they were meant to be permanent. One was meant to look like a Dalek made of scrap metal, because it was, while the other was the bi-product of two evil forces- the Daleks and the Tories. The “Revolution” Daleks do look a bit like a bootleg toy of a Dalek you could win at a fun fair. Or the result of an AI prompt for the word Dalek. Regardless, they’re fit for purpose and don’t affect my opinion one way or the other. If they had stuck around, I may feel a bit different.

Not to be excluded from the redesign process is the Daleks’ crazed creator- Davros. By the end of the classic era, Davros had a bit of a Rickety Cricket thing going where every time we see him, he’s progressively more mutilated. In the end, he was just a Futurama-style head in a jar. The Davros of the new series is back to a more classic silhouette. His one arm has returned as a cybernetic limb, while the other remains suspiciously under his keyboard. Typing one-handed eh Dave? He’s been given some gimp leather to wear, and his chair has taken on the same armoured look of the Davies Daleks. Much like the mutant inside the casing, Davros has been given a baseline appearance and it's an effective one. Couple that with Julian Bleach’s perfect performance, and you’ve got another success.

Ice Warriors

Who doesn’t love a good Ice Warrior? They’re forever cool (no pun intended). While not always villainous, they are fierce and formidable. They’re also a bit weird. The original Ice Warriors stood taller than your average Doctor Who alien. And there is something about their deep green carapace that feels believable. These battle-hardened reptiles wore their outer shells like armour. At the joints of these plated segments sprang tufts of fur. From a costuming perspective, these patches would have been used to hide seams and add points of visual interest for the average black-and-white television. From a narrative perspective, the hair only added to their weirdness. In short, I like the classic Ice Warriors very much.

The Ice Warriors are also the first classic baddie redesign I had to wait to see. By the time I had started watching Doctor Who, Matt Smith was filming series six. The Ice Warriors don’t make their return until series seven, which gave me ample opportunity to imagine what they would look like. What we got was bang on what I had hoped for. They leaned into the weird and won in a big way. When “Cold War,” aired, there was a bit of contention about the reveal of an Ice Warrior outside of its armour. Perhaps it’s because their helmets possess a sort of Judge Dredd quality that in turn causes people to think you can’t show Ice Warriors without their helmets. But they’re going full Stallone and it’s fine. Dare I say it’s even a bit cool? 

A sticking point for me on the redesign was the lack of their stupid Lego Minifigure hands, which I love. But when you see their long skinny fingers reaching with their claws out, you might need to give the suit some fingers as well. Their reptilian aspects are also celebrated in their redesign. The Empress is a ferocious take on the look of the commander rank Ice Warriors. I said in my review of “Empress of Mars,” that the guns that turn people into cubes were a bit silly, and I still feel that way. And sure, I would have appreciated the odd "Ssss," at the beginning of an S word. But in the end, they allowed the Ice Warriors to shine for what they are, and that’s all that matters.

The Macra

One of my least favourite Pokémon designs is Raichu. You have Pikachu, an almost perfect marriage of form and cuteness. How do you improve on such a design? You can’t. This is why Raichu’s little curly-Q ear tufts and embellished lines look less like an evolution, and more like someone who didn’t know how to stop drawing Pikachu. Or when to stop spelling bananana. You just can’t improve on perfection. Now you’re probably wondering two things right now- 

Why the drive-by on Raichu?

What does this have to do with the Macra?

To answer the second question- “absolutely nothing.” And that’s the point. There was no perfection to mess up in the case of the Macra. The originals looked like a pile of playground equipment. The only place to go was up. First order on the list- does it look like a giant crab? Yes. List over.

Changing the Macra by devolving them into dumb beasts only adds to this winning revamp. Why were they at the bottom of the motorway of New New York? Had their nefarious plot backfired reducing them to mere monsters? It’s a great little incorporation of characters lesser showrunners would have called "embarrassing." I love the Macra. I love that they didn’t overdo the Macra. I love that they don’t tell us everything. Whatever crab rave they had going on down there will be lost to time. Or until Big Finish takes a crack at it.

The Mara

I will admit, this one is a bit of a cheat. It’s one of two on this list that you may think of as a cheat. But hey, they brought the Mara back in the web short “The Passenger,” for the season 20 Blu-ray release. I’m counting it! I’m also counting it because the Mara have been updated not once, but twice to a modern CGI standard. Plus it gives me a chance to talk about “Snakedance,” which I will always relish.

The practice of replacing old footage with newer CGI is not without its detractors. George Lucas released the special edition of the original Star Wars trilogy in 1997 and people are still arguing about it. I’m in two minds about it myself. I like some of the changes they’ve made to Star Wars, ‘60s Star Trek, and even Doctor Who. I dream of the day when they take a crack at Babylon 5. But it also has its limitations. I would be upset if they updated the model shots of Scaroth’s ship in “City of Death.” But in the case of a goofy pink snake puppet? Fine by me.

That is not to say I don’t find the snake puppets of both “Kinda,” and “Snakedance,” charming. They certainly are. But they’re also so very distracting. There’s the suspension of disbelief and then there’s the stifling of laughter. If you can get past the snake, you will see both “Kinda,” and “Snakedance,” for what they are- some of the best of Classic Doctor Who. The CGI snake does exactly that and nothing more. It’s not even a fancy CGI model. Someone probably downloaded a rattlesnake asset and coloured it pink, and that’s absolutely fine. It’s another Macra situation. Does it look more “snake,” than “snek?” Yes. List over.

The Nestine Consciousness

In the words of Vito Corleone- “Look how they massacred my boy!” Ok, maybe massacred is a bit harsh. But even by series one standards, that CGI pool of molten plastic is pretty damn awful. I say this with a handful of caveats. Yes, this was essentially a pilot for the relaunch of the series. Yes, the production crew was brand new. No, the budget wasn’t huge. You could probably list more reasons, but my point is made. They did their best.

I don’t need to ask why an amorphous blob was easier to depict than a giant space squid. Hell, it was too expensive in the '70s. We only ever saw it’s tentacles back then! I had to use Andrew Skilleter’s illustration from the Target novelisation of “Terror of the Autons.” Mostly because the show never shows the entire squid and also because Skilleter owns! But the kid who grew up on ‘90s Nickelodeon and Beetlejuice in me will never think of a pool of goo as an upgrade from a space squid. It’s just not gonna happen.

As returning readers may have noticed, in the “rad vs. trad,” debate, I have always sided with rad. I like Doctor Who a bit weird. So weird that I am arguing that something is weirder than a glowing vat of sentient plastic. But here I am. The beauty is that RTD explained the change as a devolved form of the Nestine Consciousness. Maybe it was temporary. The squid may return yet! Furthermore, Doctor Who audiences have been watching Talking Tree and Raccoon movies in the intervening years. People are more open to weird these days. Add a bigger budget and we may see the comeback of the cosmic cephalopod!

Rutans

This is the other entry on this list that you may feel is a bit of a cheat. The above illustration on the right comes from an official Doctor Who video game titled “The Gunpowder Plot.” It is a redesign of the Rutan Host for the Matt Smith era. Seeing as their new design is meant to represent the style of the modern series, I’m counting it.

As redesigns go, this one had a lot of wiggle room. Usually only mentioned by name, the only time we ever got to see a Rutan onscreen was “The Horror of Fang Rock.” Throughout most of the story, the Rutan looks like a quenelle of green jelly sloughing slowly up the stairs of a lighthouse. When I was five, my trip to Cocoa Beach was cut short due to an outbreak of jellyfish. The one I almost stepped on with my bare foot looked a lot like that. It’s not hard for me to imagine a little green blob as dangerous.

It feels almost too perfect then that the Rutan redesign would land somewhere in the vicinity of a jellyfish. While they are capable of shapeshifting, tentacles do add to their base physical prowess. You can imagine one of them holding their own against a Sontaran. You can imagine one wrapped around one of their potato noggins and it being lights out. Whoever worked on that game has done the show a favour if they ever bring the Rutans back. Green electric jellyfish will do just fine.

Sea Devils

Back when I reviewed “Legend of the Sea Devils,” I mused that it followed the tradition of Sea Devils stories being “not very interesting.” So it came as a bit of a shock to me back in June when Doctor Who Magazine readers ranked it the eighth-best story of the Pertwee era. What were they seeing that I wasn’t? Because by my standards, it’s about two episodes too long. My thought is that people love it mainly for two reasons- cool vehicles and the Sea Devils themselves. Much like the St Paul’s Cathedral shot from “The Invasion,” the shot of the Sea Devils emerging from the sea is doing most of the heavy lifting. Such is the legacy of effective imagery.

The element of the Sea Devils’ look that has aged the poorest has to be their netted tunics. They look dingy and cheap. I imagine on some level, they helped, as Adam Savage would say, “hide the crimes,” of the costume department. The costumes weren’t playing on camera so maybe they added the netting. I’m just speculating here. After all, their cousins, the SIlurians, walked around in the buff. The next time we see the Sea Devils in “Warriors of the Deep,” they’re decked out in a sort of Samauri attire. Just because they lived underwater doesn’t mean the Sea Devils were unaffected by Feudal Japan. Nobody seems to have cared about this change in costuming. Or perhaps they were busy recoiling from the Myrka. The Silurians remained true to their nudist lifestyle.

Other than the Daleks and the Weeping Angels with Paul Dano’s face of the Chibnall era, I rather liked most of its character redesigns. I particularly liked the Sea Devils. I like that they kept their big fishy eyes and turtle beaks. And did you catch that adorable Baby Sea Devil from “Defenders of Earth?” That thing looks like a cross between Grogu and my own pet tortoise and I would kill for it. Like the Dalek update of the Davies era, they kept the silhouette intact and simply gave it a more believable appearance. Are the eyes a bit more cartoony? Yes. Is that fantastic? Also yes.

The major change to the look of the Sea Devils are their costumes. They’re a sort of mash-up of Asian influences with little references to the netting of their first appearance. If you’re a big fan of the Sea Devils, I think it would be hard to complain about their appearance here. Their bismuth-encrusted swords are a nice addition (just don’t let them touch your skin). You can imagine them as swashbuckling monsters who once ruled the sea. Now if only someone could come along and give them a proper adventure to star in!

Silurians

Much like the Royal Family, Doctor Who writers get a lot of leeway out of the word “cousin.” It covers a multitude of sins. Such is the case when dealing with the Silurians and their cousins- Homoreptila. It’s a blink-and-you-miss-it line of dialogue that I unfortunately missed the first time around. I was too busy blinking in disbelief at how depressing Broadchurch with lizards could be. It wasn’t until revisiting the two-part story “The Hungry Earth/Cold Blood,” that I finally heard the line explaining the discrepancy.

Why that matters is that it’s the reason I had a two-year chip on my shoulder about the Silurian redesign. This isn’t to say I thought they looked bad. The makeup job on the modern Silurians is very good. They just don’t look like Silurians. It bothered me because one of the things I liked about Doctor Who is that it often set itself apart from Star Trek. Star Trek aliens are more often than not- rather humanoid. This has always felt like a storytelling device more than anything. Less makeup equals more of the actor’s performance shining through. Doctor Who, on the other hand, asks its viewers to see something relatable in something inhuman. You can still make this complaint against “The Hungry Earth/Cold Blood,” because it does feel like they wanted you to see the human inside the Silurian costume. They couldn’t resist the Spielbergian desire to give the lizards soulful human eyes. 

Any design change seems to stem directly from this need, so it feels difficult to judge them otherwise. Even their dehumanising masks were more of a measure to save money on facial prosthetics, though they do add an air of mystery. Those black-eyed masks were downright exciting until they took them off to reveal a very human face. Had they gone with those masks as their faces, I might have been able to overlook the exclusion of their third eye. It would have been very easy to modernise as well. Many reptiles and amphibians have what is known as a parietal eye on top of their heads. They can even sense fluctuations in light. Incorporating one into the design would have been very easy. That said, the ridges on their heads are in keeping with their original design and very striking. Especially on Madame Vastra.

Along with their masks, these Silurians are different in that they are no longer nudists. They now wear clothes. It makes sense that they did this. Their new humanoid appearance makes clothing essential. No need to adapt “The Lusty Argonian Maid,” for television. The costumes aren’t bad either. The netting feels like yet another call-back to their other cousins- the Sea Devils. Even their new guns do a good job echoing the disc-shaped guns the Sea Devils carried but with the aesthetics of the modern era. All in all, this redesign is fine, but I still yearn to see a proper Silurian in the modern style.

Sontarans

Tumblr user “zagreus-eats-your-bread,” once said of the Chibnall era Sontarans- “Big fan of the redesign. They finally look like absolute shit again. He looks like a knee.” While to some, that sounds like faint praise, I couldn’t agree with their sentiment more. The Sontarans looked awful in classic Doctor Who and I love them for that. There was something unsettling about the way Linx’s tongue would pulsate in “The Time Warrior.” The whiskers poking from his brow and mottled face only added to his vile appearance. His helmet towered over others as he sized them up. A striking foe if there ever was one.

It’s odd then, that the Davies era decided to make the Sontarans squat in stature. They even explain that it is due to the high gravity of Sontar that they’re so short. Their bodies developed for load-bearing. It made sense narratively and wasn’t really a problem. Like I said above- we stan a short king. The problems arose sometime in the Moffat era. The Sontarans had gone from dynamite in a small package to comic relief. I hesitate to blame Strax, but he is when this started to happen.

Cynicism is likely the cause. Writers looked at the Sontarans and said “Ha, potato head and a short body!” One of the fiercest races in Doctor Who history was reduced to an army too stupid to realise that an invisible tank left them completely visible inside. It’s like when people think of the Daleks as embarrassing because they look like pepper pots and completely ignore the fact that they’re also genocidal maniacs. This is why I appreciated Chris Chibnall’s desire to add some ferocity back into the Sontarans. Their stature had returned to that of the classic look, which is fine. Unlike the Daleks, there was a precedent for a tall Sontaran. And yes, they looked like shit again. We could see the Sontarans as a threat once more. Oh, they’re stuck in an off-license eating chocolate like Augustus Gloop? Oh. Right.

Time Lords

I hemmed and hawed about whether I should include these guys or not. Do I add the Master while I’m at it? But in the end, many Time Lords are monsters and they too received a makeover. Though it isn’t much of one. In fact, I once read that aspects of their costumes were reused from the classic series. You could argue that their biggest redesign happened somewhere between their first appearance in “The War Games,” and “The Deadly Assassin.” They started out looking like a cult that formed in the basement of an Apple Store. But somewhere along the line, they got seriously into collars. It was the ‘70s after all. People’s shirts were 30% collar back then.

Sadly, while the overall look of the ‘70s Time Lords carried on into the modern era, they abandoned their love for colour. Rassilon being the Regina George of Time Lord society decided that we only wear red on Wednesdays. And seeing as they’re time travellers, it’s always Wednesday somewhere! So the Time Lords left their saffron and purple robes at the cleaners. Even the citizens of Gallifrey are shown in “The Day of the Doctor,” wearing variations of red and white. Everyone fell in line and fashion suffered.

When we see the Time Lords in “The Timeless Children,” they’re now wearing very stylish Cyberman headgear. Their red hoods have now been replaced with gold numbers laser-cut with Gallifreyan writing. I would call it a fashion breakthrough if not for the fact that everyone was still decked out in drab silver. I don’t want to see the Time Lords again until they take a page from the Fifteenth Doctor’s book and learn to diversify their wardrobe. Yas hunty! Werk!

Zygons

If you’ve not been to Neil Cole’s Museum of Classic Sci-fi in Hexham, you should do yourself a favour and change that. It’s a great day out, and if you’re lucky, Neil might even be available to chat. Something I learned when talking to Neil is that he has some rather strong opinions about the redesign of the Zygons. Primarily, their head shape. Throughout this article, I’ve praised some of the redesigns for their adherence to the basic silhouette of the baddies. If you were to show me either version of a Zygon in a silhouette I would identify them both as Zygons, but dammit Neil, you’re right. The head just isn’t right.

Initially, I thought it was the mouth shape, which is definitely different. When they redesigned the Zygons for “The Day of the Doctor,” my thought was “What happened to their kitty cat faces?” You may not see it, but I have always looked at classic Zygons and thought “Aw, there’s a Mister Kitty!” And they replaced their little button nose and philtrum with a set of far more human features. Seriously Moffat, what is it with you? They’re aliens! Let orange squid men covered in suckers have cat faces!

The top-heavy ridge of their heads gave them a sort of lumbering look, which may have been the impetus to change them. The Zygons of the 50th anniversary needed to do a fair bit of running. But it also detracts from the iconic lines that made them so striking back in 1975. Below the neck, the design choices make a lot of sense. Like the Ice Warriors, the goal seemed to be to add more texture and detail. The ribs seem more defined as do the suckers. Even their bio-tech devices are appropriately slimy and detailed. When they find Kate Stewart in that purple bubbly skin poncho, none of us are offering to trade places with her. Unless that’s your thing. Don’t let me yuck your yum.

My main qualm with the modern Zygon is less with their design and more with their physiology. The Zygons have always been squidgy shapeshifters. But since when do they turn people into smouldering balls of staticky hair? They tried to explain that this was a new development of technology, so why is one of the refugee Zygons able to use it on himself? It’s not as though the Zygon’s body is not already teeming with venomous stingers. If you’ve ever read Mark Morris’ “The Bodysnatchers,” you’ll know exactly what I mean. Mark does such a good job delving into the physiology of the Zygons that he set the standard by which I judge all future Zygon depictions. It’s seriously great stuff.

Aaaaand we're done! Phew! This one took a long time for me to write. I wanted to return with a bit of a long one because I haven't written anything in a while. My sister came to visit from July to August, so I had been very busy. Then I got ill, yadda yadda yadda. Expect to see more of me soon as I plan to cover the 60th Anniversary Specials and beyond. I may even review some classic Doctor Who in the meantime! Stay safe and take care!