#sorry i'm just rambling at this point

[welcometogrouchland]

I understand that literature nerd Jason Todd is kind of overblown in fanon compared to it's actual presence in canon (a few issues during his pre (and post?)crisis Robin tenure that highlight it) BUT consider that I think it's hilarious if the unhinged gun toting criminal has strong opinions on poetry

[chloecherrysip]

it has been days and i haven't seen ANYONE mention this so fine, FINE, i will be the one to do it

"We'll see how tough this Mario is when he watches me KILL HIS BROTHER!"

THIS LINE ALL BY ITSELF FELT VERY SCARY AND I FULLY UNDERSTAND WHY THERE WAS NEVER A MOMENT WHERE BOWSER COULD ACTUALLY TRY TO MAKE GOOD ON THIS THREAT, THAT'D BE TOO INTENSE FOR THE TONE THEY WERE GOING FOR, BUT...

WHAT IF...

(look, all i'm saying is the angst gremlin inside of me came ALIVE for a hot second and started imagining scenes playing out in different ways where Bowser DOES have this opportunity with both brothers together before the final battle and it is extremely heartwrenching stuff, OKAY)

I was originally gonna end this post here but welp, now I brainstormed a whole alternative scene under the cut

Imagine this: we're on the Rainbow Road. The blue shell hits! DK does still fall into the ocean (maybe yelling "THIS IS ALL YOUR FAUUUUULT" at Mario as he goes down) but Mario is thrown back by the explosion onto the side of Rainbow Road with Cranky Kong and the other Kongs (he is definitely injured, though) and lands there as they freak out about DK. Peach and Toad are still safely on the other side.

Mario is thus captured with all the other Kongs and taken to Bowser's airship (Peach and Mario call out to each other worriedly but there's nothing she can do and the flying Koopas are coming after her too so Mario yells for her to run and her and Toad have to flee, waaah)

(This would also let Bowser and Mario actually get to meet before the end, which I think would have been nice! Not absolutely necessary, I think the movie works fine without it, but it would have really driven home the threat/stakes a little harder and created a stronger Darkest Moment, I think)

Bowser, seeing that Mario is captured, is just FILLED with hateful glee and wants to break this little man down so badly after he DARED to get close to HIS princess, and he asks Kamek to bring out Luigi from the prison

Mario, now in the airship and restrained, gets to actually SEE Bowser and register how big/menacing he is and they have some banter where Bowser is FURIOUS and Mario is honestly just kind of confused, like, "dude, what is your problem with me??? I just came to this world two days ago???" (He's scared, of course, he's never seen anyone quite like Bowser before, but he also knows his type right away - he's a bully, and Mario's dealt with his fair share of bullies, that's for sure)

But then of course the conversation comes around to "WHERE IS MY BROTHER, LET MY BROTHER GO" and then Luigi is brought in, hands bound, and the brothers can't help but have big, teary smiles and call out happily for each other

But that happiness ends QUICKLY because Bowser advances on Luigi and Mario realizes all at once what's going to happen and he tries to run at him but Kamek drags him back with the magic

And like...I am not one for anything TOO excessive here, I wouldn't want it to be TOO far outside what a movie like this would include, but Bowser does start to hurt Luigi - picking him up and throwing him down, kicking him, scratching him up, and Mario is just in AGONY and desperately struggling to pull free from the magic and begging Bowser to stop, please, if he's mad at someone, hurt HIM, beat HIM up, whatever he wants, but please, don't take it out on his brother, PLEASE, he'll do ANYTHING

But of course, that just makes Bowser taunt Mario more, because he CAN'T do anything. He wants to see Mario broken down and a pathetic mess and begging HIM, the great Koopa King, for mercy because the princess would never be attracted to someone like THAT, how could she, how shameful! Bowser will be sure to tell her ALL about it when he proposes, he is delighted

(oh man, Bowser could even say something like that "whatever happens to him is YOUR fault, you brought your dear brother down with you when you dared to meddle in my fairytale wedding!!!" And it's a ~*~THEMATIC CALLBACK~*~ to Mario's dad, waaaah)

And finally, it looks like Bowser is going to strike a BIG blow but Kamek gets distracted or Mario just becomes desperate enough to pull free of the magic's influence with the power of BROTHERLY LOVE and he gets a punch in on Bowser that knocks him back!!!

And then Mario is helping Luigi up, holding his bruised face sweetly and reassuring him that it's gonna be okay, they're gonna get out of here and go home, and they try to run but they get dragged apart by guards/Kamek/etc again

Bowser is EXTREMELY MAD but manages to calm down and says that he actually appreciates Mario interrupting him with his pathetic little punch because he almost acted too rashly. After all, if he kills Luigi now, he'll be one prisoner short for his ritualistic sacrifice for him and Peach's wedding! Can't have that! Too bad Mario's gonna miss it! And then he grabs Mario and carries him out while Luigi is being carried/dragged back to prison and they're both horrified and crying out each other's names desperately as they're separated AGAIN

Mario gets thrown off the airship by Bowser into the ocean and left for dead (Mario probably gets one more defiant line where he swears he's gonna stop Bowser and Bowser tells Mario that'll never happen but not to worry, him and Peach are going to be very happy together and Mario and his brother will be reunited soon enough - in DEATH [evil laughter])

And then Mario gets swallowed by the eel and DK is already there and things start to play out the same way as the movie from there EXCEPT that when him and DK snipe at each other, Mario starts to break down a little and the line "Well, at least your brother's not gonna die because of you!" has a LOT more emotional weight to it and it's just a longer, more heartwrenching Darkest Moment scene in general, sob)

(and you could also have a scene with Luigi back in prison where he is obviously extremely shaken up and hurt and not knowing what happened to Mario, what did Bowser do with him, is his brother even still ALIVE, why was he so WEAK and unable to do anything, unable to even protect himself or help Mario, etc etc and that helps him have a character beat that maybeeeee makes his surprise rescue of Mario at the end feel more earned????? HMM)

I'M SORRY, I LOVE ANGST (that eventually ends happily) AND IT COMPELS ME

i'm gonna have to write this as an actual, full-fledged fic, aren't I, lolol

[ask-the-rag-dolly]

// okay but actually knowing that the ending isn't totally tragic makes it way less scary to get involved. Certain "bad ends" can be terrible for people with past experience, so knowing that eventually it will get better is relieving to say the least.

yeah i do actually have phase 2's ending planned out and i'll say that it's a lot more positive and hopeful . i mean it's not a happily ever after or something but we'll see some character development

i guess i'm throwing out all of these reassurances because - i think it's apparent already but phase 2 will have considerably darker topics ( trauma , identity crises and whatever 00 has going on to be specific ) , and i fully believe that the message i'm going for will be shattered if it ends badly . she'll be alright /genuine .

[theetwinkleboy]

just. came across this panel and got unexpectedly and wildly emotional about aizawa becoming a dad. because like. he cares about his students, he's shown time and time again that he'll push them and fight for them against villains and the media and he'll go to his last breath to protect them but like. they're hero students and he's their teacher and he's tough and strict because he has to be to keep them alive. but then like--

it's morning and he's doing her hair. he's got the hair ties with the little baubles on them and he's doing her hair and she's been through so much crap and aizawa's never shown being demonstrably affectionate or enthusiastic around her the way that izuku and mirio are but like. he's been her dependable quiet shadow every time she's shown up in the manga so far, and he doesn't have to be strict or tough with her because what she needs isn't someone to teach her how to save others, it's someone that she can trust to be there when she needs, someone she can trust to do her hair with little bauble hair ties in the morning.

[purplecelestial-buddy]

It's so funny to me that the fandom has come to see Hirano as a Sasamiya promoter of sorts because while he is, it took him some time to get accustomed to the idea of them together. And while he was never a hater Sasaki's actions towards Miyano certainly used to get on his nerves.

At first he was so worried and probably even felt a little guilty because (as mentioned in the following screenshot) because the only reason why Sasaki knows which class Miya is in, is thanks to him.

But like, that's not the face of a friend that's happy to play cupid and get their two acquaintances together. Not at all, that's the face of someone who puts his sempai-kouhai relationship with Miyano over his (pseudo) friendship with Sasaki.

Hirano from the first chapters would have jailed Sasaki if he were allowed to. (And he has his reasons, Sasaki has been something since the first chapters)

Anyway, the progression of events is really interesting.

He started, quite literally, shielding Miyano from Sasaki.

Then, he came to accept their relationship.

And at the end he really was rooting for them, to the point he ended up outright lying just so Miyano could meet Sasaki and they could talk it out and confess.

[thisloveislikeabattle]

SandRay is just AkkAyan spelled differently

I've lost count of the number of rewatches I've done of The Eclipse since watching it six months ago for the very first time, but once Only Friends started airing I haven't done any rewatch, just because all my thoughts these past weeks have been obsessively about Sand and Ray

BUT yesterday I found myself watching it again after months and when I got to episode 11 it hit me: SandRay's dynamic when it comes to taking care of each other is the same as AkkAyan's but backwards.

Let me explain, I was watching this specific scene

And this thought came into my mind: "If in The Eclipse it's Khaotung's character that takes care of First's character, especially when it comes to emotional needs, in Only Friends it's actually the opposite with First's character taking care of Khaotung's character"

Since then I haven't been able to stop noticing all the ways Ayan and Sand mirror each other when caring for their partners

Ayan looked at Akk, and saw something extraordinary. He saw this beautiful broken boy, who was hurting so much and doing it all wrong, he saw him holding on to a very thin thread just on the verge of letting go. Ayan saw all the love Akk needed, and despite being very broken himself, he never ever let go of him.

Akk did bad things and said awful stuff and pushed Aye away time and time again, and still Aye stayed right were he was and held him up every time Akk hit the ground.

Showed him how despite all his flaws, all his mistakes, he was still someone worthy of love.

And so throughout their journey Ayan gave his heart and soul, took all the love he could muster and stood firm by Akk's side, no matter what.

Ayan made no excuses for Akk's behavior, held him accountable, called him out when he was doing something wrong and at the same time offered Akk all the support he needed to get out of that bad place because he knew how necessary it was to have a support system.

And isn't that exactly what Sand has been doing with Ray ever since he first saw him, left alone, drunk as hell, getting into his car without any concern for his life?

Just like Ayan, Sand has found this special fragile boy who needs lots and lots of love. And where Akk wanted acceptance and to be good for others, Ray only wants to be loved and to be someone's priority for once in his life.

Even the little things Sand does for Ray. And yes, we joke about Ray being Sand's spoiled princess, but before Sand came into Ray's life, did anyone ever treat him with this much care and affection? No.

Lighting up his cigarettes, cooking for him, helping him with his helmet, driving him around, changing his dirty clothes when Ray is too passed out to care, going after him no matter what Ray said or did, shaving him...

Yes, Sand is a natural caregiver and perhaps acts of service are his love language, but to me the point is that Sand is able to see the full potential Ray could reach.

Sand knows how precious he truly is; with patience and love and care, with someone by his side ready to fight the battle with him, someone who will not give up on him, Ray may one day be able to blossom into this wonderful person that he is capable of being.

Until that moment comes, Sand will be there for him like no one ever has before. Because Sand looks at Ray and sees someone worth fighting for, someone worthy of love.

And yes, I am aware that Ayan and Sand are very different characters, they are at different points and have different expectations when it comes to relationships.

Even the way they handle things when it comes to love is different: Ayan is very much open and ready and unafraid to communicate what he wants from Akk, while Sand is emotionally constipated, with his walls all up, still falling hard but refusing to admit it even to himself.

Yet the way Ayan and Sand care for their loved ones appears to me as the very same.

[albino-parakeet]

so is anyone else thinking about Yoshiki having pictures he took of Hikaru (actual Hikaru, not "Hikaru") and being sad about that or is it just me.

[can-of-slorgs]

Final surprise boop attack for @yowassupitsred!!

Faeran would 100% be really obnoxious about Calamari, and would intentionally make others appreciate her boopings haha.

(Secret second boop attack to @starbiology in revenge to the april fools war because even though i didn't know if you had any characters, I think of her as your character by this point and I found this scenario hilarious in my mind)

[makerofmadness]

Pancreatic Slut

[mybrainproblems]

what if i truthed that instead of OG carry on and the neoni cover of carry on, we were supposed to get ramble on?

bc hear me out: ramble on is 4m45s, and from montage start to montage end it is 4m55s with a 10 sec break between OG carry on ending and the neoni cover starting.

understand that this is mostly a joke but i do plan to test out playing ramble on over the first part of the driving montage.

my totally unsupported theory is that there was something else they were intending to play over the longer part of the driving montage (3m14s) and go to OG carry on for the shorter part, but we ended up with the neoni cover bc they were waiting until the last minute to see if licensing would go through. bc it is absolutely baffling that they would play two versions of the same song almost immediately back to back. CW has access to a pretty extensive music library via a licensing partnership iirc (but is mostly contemporary music) so it would have had to be a pretty "big" and older song they were trying to get.

example of "writer wants song but show cannot afford" being that perez wanted the beegee's "staying alive" for 13x06 tombstone per the writer's 2nd draft version of the script.

source (ty spnscripthunt!)

thank you for joining me in my insanity!

[softcryz]

Still can't draw but I've been thinking about when people put their own little twist on a character's design. Make up and add their own little things. It genuinely makes me very happy

[fluffalpenguin]

Happy Shun Duel Links Day!!! (party popper emoji)

[soap-ify]

hello (going to pretend that i didn't disappear AGAIN)

[katotaines]

⭐HAPPY BIRTHDAY SUBARU!!!!⭐ (ﾉ  *≧▽≦)ﾉ *:・ﾟ✧

[zo1nkss]

s3 opens with Stede walking into he and Ed's shared bedroom. Izzy's half-transparent ghost is sitting at the desk with his legs propped up.

"Christ didn't you die?!"

"I did," Izzy smirks. "Can't get rid of me that easily, Bonnet."

[akuma-tenshi]

i was thinking about how teenagers often look like grown-ass adults in fiction (and are often played by adults in live-action work) and i realised ithaqua kinda has the opposite issue. at least imo.

look at this baby-faced motherfucker. look at him. i don't know how much time passes between this and his whole going insane thing but i know it's not much considering the fact that he's seen later looking pretty much exactly the same shortly before becoming a hunter.

he looks slightly older but still very young in this shot. it may be just the angle or his expression but he still does look like a teenager.

and he looks slightly older here too, which again i believe is the expression because again—

HE LOOKS LIKE A FUCKING BABY IN THE NEXT SHOT

like. a deeply haunted and traumatised baby but a baby nonetheless. by "baby" i mean "mid to late teens" because that's very much a baby when compared to the rest of the cast (plus i'm just calling him a baby bc it's funny). the point of this is that he looks very young when seen without his mask.

even in his concept art, he looks young. he's tall and lanky as hell, sure, but he still has a serious case of babyface.

LOOK AT HIM!!! when he's not doing that face on the far left of the close-up, he looks like a teenager. he looks Baby. and you're telling me he's a grown adult?? i think it's the size of his eyes plus the small smile and the wavy hair, but just in general he looks very young imo.

this isn't a dig at people who headcanon / portray him as older!! i know canonically he's a young adult (i'd imagine early to mid twenties?? that's where i always imagine "young adult" falling) and i'm very much in the minority here lmao. but i will always see this fucked up lil mama's boy as no older than nineteen tbh

sorry i love talking about him so much i've been writing him lately and he's so much fun once you get into his troubled little head