#sorry this post is a bit long

[twocubes]

Hi! okay beyond criticizing that particular narrative formulation i'd love to hear you elaborate on what you meant by the sublime, and what it would mean for a work to reach beyond the cognitive funhouse mirrors versus staying calustrophobic. The way you described toxic information environments that seem to trap us within our minds' illusions versus that which allows us to see beyond ourselves was particularly interesting. I would love to explore this sense of things if you have more to say about it!

especially because I feel as though I(we) are forced to navigate others' perceptions, judgements, before my own, i often feel as if who i really want to be and how i really want to percieve and act are overwritten by the social context of what others expect or insist i am and it really bothers me how seemingly easily i can be silenced like that. which is to say, I often feel as if I am trapped within just that sort of illusory layrinth and I am not confident i can reliably find that window.

i was almost definitely using the word wrong but i can try to elaborate here maybe? let's see...

...how do i put this.

like i said, we use other people to extend our perception. our knowledge of the world is first and foremost gathered from other people's observations, and only on a few points, comparatively, do we proceed entirely from first-hand observations

the problem with those sorts of funhouse mirror environments is, most precisely, that people are refusing to serve that function. you are asking for help and being denied. that is Lying. not saying untruths (one can lie by omission) but more, failing to do us the social goodwill of just allowing us to know things by their eyes rather than just our own.

it's like. an evil to do that. you blind the other person. but it's a weird contagious social evil. it turns back on you, because they, in turn, cannot help you see.

ok. similarly, who you are is exactly like. what people around you expect from you. if you are "a plumber" people expect that you "can do some plumbing". if you are "funny" people expect that you "can make them laugh". if you are "powerful" people expect that you "can get people to do things". etc. if you want to be the thing then others need to be expecting the thing from and you need to do the thing for them, right.

there is a similar betrayal, of sorts, when others expect from you things that you cannot provide/do not want to provide/do not enjoy providing, or when they refuse to allow you to be depended on for whatever. identity is set by them, and if they refuse you that, then... on some level you cannot be what you should be.

ok. in those posts, the way i was using the word "sublime" was for stuff that like. comes from outside of that. it doesn't need to get to you directly from outside — you can perceive it through others, like everything — but the point is that it is from outside of us. from reality. it is... everything that is to be observed actually, like, really observed rather than made up. it is what comes of observing the world honestly, in a way that is interested in serving the function of observation to you. you peek into something and we sometimes call that something reality. i'd say it is the undeniable, but... no, you can always deny it. it would just be either dishonest or incorrect to do so.

this is... i mean usually the sublime isn't taken to mean "literally everything that exists inasmuch as it is not yet conceived of by our minds". like, that's... probably a result of a peculiarity of the way that i conceive things; i tend to expect that anything anywhere observed in enough detail with enough honestly would go entirely beyond our ability to describe. so, forgive me :Y

so. how can we, in a work, escape from this?

well, a first reflex would be to say that we can't. stories are told by people, certainly you're not going to escape from perception by reading something someone made up, yada yada yada

i don't think that's correct. i mean like i said, you can perceive the sublime indirectly, that's fine.

my tendency personally is to think of fiction as like, worked exercises. like, the author wrote a story, they have some premises and ideas regarding how the world works, those get crystalized into the way the world works in the story, and i get to consider those things. that's... the little glint of the sublime that every story has, to me. it's indirect sublime, of course, but that's fine.

so, when you say "well this works this way because i need it to for the drama" it's like. unsatisfying. you're not serving The Function.

so my imo for this is that you should Follow Your Own Rules. like, you've posited a world, that works in a certain way by certain rules that you've agreed about with the reader, and you need to Commit To The Bit. you can arrange things for me before the story starts to get something compelling, sure, but within the story you do not accede to convenience. if your principles lead somewhere you don't like, you cannot flip over the table. putting a god in there that makes the story work the way you want it to counts as flipping over the table.

or... something. idk. thats my thinking r/n.

[scattered-winter]

finally made rwby meme slides. after like a literal fucking decade

[four-pointed-leaf]

happy pride month

[fakakta-art]

can i be so fr with you guys white eyed scarred up jason todd from The Boy Wonder #2 has bewitched me mind and soul

Plate Glass Apology by Apes of the State You broke my heart, I hope you die, emptier than how I feel inside And when you lay your head to rest at night I hope that you Never fall asleep when you think of all the things you do I wish I could just hate you, oh, I wish all of these words I said were true.

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4 (soon))

[ruporas]

the blank ticket in your hand is just waiting to be filled in.

happy birthday vash! (ID in alt text)

[anniflamma]

So I’ve received a couple of anonymous messages telling me that they were really disappointed in me for liking Elian's Antinous fanart. Instead of answering them individually, I’m just going to make an angry rant post instead. Most of if probably won't make sense anyway.

This post have talk about SA, and homophobia. Be aware. I don’t ship genuinely Telemachus and Antinous, if that’s what you’re wondering. I didn’t even consider the possibility that ship could even exist. At the end of the day, I don't care about that ship.

And do you want me to explain that I know SA is bad? Or that I’m aware Telemachus/Antinous is a toxic ship? Do you think I’m dumb and don’t know that? You don't have to explain to me either, I know that SA is bad, I have experienced it, you don't have to explain to me, trust me I know.

I like Elian's art because it’s really beautiful. Her work is a huge inspiration and encouragement for me when making animatics. But do I REALLY have to spell out, word for word, that I know Antinous is an antagonist and tries to do bad things? Does it mean every time someone draws Antinous and I like it, I have to explain that I like the drawing because it’s well done, not because I support Antinous’ intent toward Penelope and wants to kill Telemachus?

I mean, I’ve seen tons of thirsty comments like, "I hate how Zeus treats women, but your design is really hot" or "Even if Poseidon SA Demeter, this Poseidon I'd go down on all fours for!"

I have seen some stuff….

I guess I could just imitate something like that????

But I know it’s a joke and I know its a fantasy that someone is expressing. Its not real, its fictional. I know all those thirsty ppl who simp over Poseidon, Zeus, or even Antinous aren’t supporting hatred and violence toward women. And yes, I am expecting that you should already know this too. Because if we gonna assume the worst of ppl… Then everyone who likes Greek myth/Epic the musical are pro SA. "Do you like Crice from Epic the musical? That means that you support her actions, you support SA!" "Oh you like Odysseus?! He killed a baby and all of his female slaves cuz they got SA by the suitors! You support infanticide, slavery and SA!" Do you hear how dumb that sounds? To be honest, I wouldn’t be that surprised if there are some who think like this. I mean, this discussion wouldn’t even be a thing, right.

And if you don’t know, I literally make thirst art of Poseidon (and that includes Zeus and Hermes), and you don’t see it as a bad thing??? It’s Poseidon… Do you know what he has done to women in the myths?!

Im going to ramble here and I will bring up stories from greek myth that have SA in it. So be aware.

One example is the story of Caeneus. When Caeneus was a woman, his parents left him to take care of the house while they were out running errands. Poseidon took that as an opportunity to break into the house and sexually assault him. This is probably the only myth where Poseidon actually feels bad after what he did, so he grants Caeneus a wish. Aww, how sweet~~~ /sarcasm.

Do I need to give an example of Zeus? We all know what Zeus does. But hey, I’ve made Poseidon/Hermes ship art. And guess what? There’s a story where Hermes breaks a woman’s leg so she can’t run away from him, and then he sexually assaults her. Isn’t that cute~~! /sarcasm

Heck, I can even go on with my biblical ships. David/Jonathan—David, a serial assaulter and murderer, and Jonathan, a mass murderer. But do I support their actions? No, I do not support mass murder, and its really dumb that I have to spell it out for you.

Daniel/Darius is even questionable too! It's literally a king and his servant, and that power imbalance is so big I don’t know what to tell you! Do I have to spell it out that I know that, in real life, king/servant relationships aren’t cute at all?!

All of these characters that I’ve listed have done or represent horrible things. And I have to tell you that I don't support their actions?! Really? You really can't think outside the box?

But do you see what I’m trying to tell you? We can simp over other ancient mythological figures but Antinous is the red line that we can never cross??? It’s hypocritical and immature, that’s what it is.

Right now, ppl loves the Ody seduces Zeus art I made. And that "ship" is well really questionable too! But nobody have called me a witch and tries to burn me at the stake yet. 😐

And the thing is, I can separate these fictional characters from the real world. I can also separate the fictional material from other fictional interpretations. Exemple, I like The Song of Achilles, in it, they are the same age, but I am also aware that in the Iliad, Achilles is 16 and Patroclus is 26. But do I automatically assume that Madeline Miller likes teens? No! Do I assume that everyone who likes The Song Of Achilles like that shit? No!

But we still can have a disscussion about it without making it into a witch trial.

As long as we can separate different fictional materials, then everything is fine. It only becomes a problem if a person can’t separate them. Then we have a problem. I can acknowledge that my depiction of King David from the bible is not the same as from the original story and that he is horrible person towards women. If I couldn't acknowledge that, then its bad! The same goes for Antinous if someone makes an AU or headcanon about him. If someone want so make AUs about Antinous, my first thoughts isnt "Oh they like to SA ppl!". At the end of the day, this is just a group from tiktok who didn’t like a toxic ship and decided to bully an artist while acting like they have superior morals.

And I get this type of shit from christians when I make my queer bible interpitations, both from those that don't like the queer stuff but also those that points out that David and Jonathan were horrible ppl.

So I rarely answer comments like this because they usually end up spewing beliefs filled with homophobia and Islamophobia. Heck rasism sometimes, apparently, Christians don’t know that the Bible takes place in the Middle East, and they are angry at me for drawing them looking like Arabs! I just delete their comments before they gets there. Making queer biblical animatics on TikTok that go viral on the Christian side is not fun at all guys....

And hate to say it but tiktok Epic fans sound really similar. You are acting like you’re on a pedestal, holier than thou. Its just a different font.

+ I haven’t forgotten all those homophobic comments I got on my David/Jonathan animatic that I posted right after my Ruthlessness animatic. Epic fans were saying they didn’t want “that gay shit” and wanted to see more Epic stuff. Hate to break it to you all, but the Epic fandom isn’t that innocent.

[jimmysea]

Do you still think I feel pity for you?

LAST TWILIGHT SERIES (2023)

[soulren]

Go spend some time on male pattern baldness or male(AMAB) balding forums/subreddits and such. I did after realizing it is happening to me and the ammount of people who truly don't realize how BRUTALLY it tanks people's confidence and mental health is insane.

There's no cure to baldness by the way, and it can start at any time and there's no way to predict how fast or slow it will go. The only real working option is a daily pill that usually just halts it, but it can stop working or just slow it down or cause major side effects. To regrow you have to use a daily topical solution, or use a roller to wound your scalp. None of these are surefire by the way, and if you stop them you'll just lose your hair and whatever you regained. It's a daily involved thing that might not work and often at best just retains. The best drug, the one that occasionaly gives regrowth, also causes shedding at the start, and can have side effects from growing breasts to brain fog to EDsyfunction(sorry, censoring cause tumblr). Now, those are INCREDIBLY rare and almost never happen but it weighs heavily on the mind of those already spiraling.

But that's just background. What I'm here to talk about is the pure woe you'll see on those forums. People speak as though their lives are over, as though they've lost every chance of finding a woman(predominantly, there's a running idea in such places that women don't like bald men or like them less) or doing anything. You can read countless stories of people who describe that they no longer go outside, are now filled with anxiety and self-hate, have gone from extroverted to never showing their face. And some of these people are kids who lost their hair in high school or even before, or are holding as best they can to a very receded hairline and feel like there is nothing they can do.

And then there's something touched upon far less in those communities, but is important to bring up here; baldness and masculinity. There's the horror of knowing so much of society sees a bald guy as a very masculine guy, at seeing that the best advice for being hot and bald is "grow and beard and big muscles bro". Imagine now you're AMAB balding and nonbinary, or a trans woman who doesn't want to be on hormones.

Just genuinely take the time to look at those forums no matter who you are. Understand what these people go through, what I am currently going through. It is soul-crushing, spiraling, brutal. I have the dream of one day being like Brennan Lee Mulligan or Matt Mercer and starting to lose my hair made me feel like I could never. I felt like and still feel like I would have to be masculine, have to be a bro-y dude, have to look older than I was(I'm fuckin 22). It was the feeling that I could never dress feminine again, never present as a woman when I wanted to again, that I'd always be viewed as a bald guy before anything else.

This is an incredibly vulnerable post for me, and I hope it reaches you all as well in a kind and understanding mood. There's a tendency online for people to joke about baldness, to make fun of it, to treat it as a playfull silly thing but it fucking ruins lives, and it shouldn't. It happens to half the population's sort of bodies and very often. It should just be a neutral thing. You don't need long hair to be feminine, you don't need hair to be feminine. You don't need hair for anything. I guess I'm just saying in general that everyone should be kinder about balding, more understanding, and view it with as much import as they'd view the pixels between this sentence and the next. None at all, I mean.

And for those like me, very feminine guys who wanna keep that and don't want a beard and are terrified of balding, here's some names and I do hope others that see this will add more; Mr. Bruce (also in The Correspondents(band) Alex Ward in LA By Night Jason Carl in LA By Night Cecil Baldwin of Welcome To Night Vale Bob The Drag Queen RuPaul(in looks alone, I know about the whole fracking stuff but this post is about looks) tananasho on instagram Also your mannerisms and style of dress will convey femininity far more than your hair. Yea sure a front-on neutral shot of you may not and maybe you need makeup and stuff, and hell maybe a lot of people might reject you more but it'll just filter down to the people for you.

And to all you artists and writers and creatives; make more bald characters. Try it out. Feminine ones, masculine ones, all sorts. None of the copout nonhuman sort, just dudes and girls and mates and individuals who are all sorts of things and also bald. It might make a few of the people going through the various vortexes of pain that balding causes feel a bit better.

And to those noticing I did not adress female hair loss much here, that was intentional. I am AMAB and currently a nonbinary guy who goes by any pronouns but often likes to present as fem. I learned I was possibly losing my hair and lost two months of my life, no work or going or anything, to male hair loss forums and research and spiraling. Checking my hair twenty times a day, unable to sleep, unable to eat, unable to think. And my situation was NOT unique, but it also did not give me any experience or understanding of female hair loss and what AFAB people may go through with that, so I don't feel knowledgeable enough to speak on it. Also living with baldness WILL get easier and you will find something that works for it, by virtue of simply living with it. Things get easier with time.

[startistdoodles]

I played a new game recently ⌛️✨

[riickgrimes]

ZENDAYA as TASHI DUNCAN CHALLENGERS (2024) dir. Luca Guadagnino

[starcurtain]

Female Guidance in Aventurine's Life

One thing I haven't seen discussed in much depth yet, but which I think is especially interesting, is the consistency of female guidance in Aventurine's life: Every single person who we have seen on screen offering Aventurine assistance or making a positive difference in his life is female (with one exception, yes, I'll get there).

Under the read more cause it's longggg:

Before even diving into his family, let's just get the obvious out of the way: Aventurine is, at least supposedly, blessed by a goddess. The very origin of his good fortune--be it actual blessing or curse--comes from the literal "mother goddess" who watches over him. This is one of the only instances in Star Rail where a god character is specifically given a gender, and Gaiathra is not ever ambiguous. She is the classic female fertility goddess with all the trappings of other famous triple goddess figures of the real world. Aventurine's personal belief in the goddess may be shaky, but he nevertheless continues to treasure his people's faith. Thus, at the core, we can say Aventurine is a character who is guarded by the most quintessential mother figure possible.

Now, with the most obvious out of the way:

We know that Aventurine's father died before Aventurine was even born, and therefore he would not have any memories of his father, leaving him to be raised by his mother and sister.

Both women clearly made an enormous and lasting impression on Aventurine; they haunt every single one of his memories of Sigonia and are the key elements of the family Aventurine longs to return to. While he flirts with the concept of death as a way to see his family members again, it was also his mother and sister who instilled in him any sense of self-worth and meaning to his existence, the only things keeping him from giving up on living. His mother believed him to be blessed; his sister insisted to his face that not even the only remaining remnant of their mother had any value in comparison to his life.

It is for his sister that Aventurine first begins expressing a self-sacrificial nature, and from his sister that this self-sacrifice is reinforced when she uses herself as a shield to help him escape massacre at the hands of the Katicans.

It is also from his sister that Aventurine learns many of the deeply meaningful actions he holds onto to the present day, despite having been so far removed from his own culture.

Conversely, every one of Aventurine's early negative experiences on screen appear to have been driven (at least primarily) by men.

Although the Katican tribe of course would have both men and women, the tribal societies on Sigonia appear to be on the fairly traditional side, with Aventurine's mother staying at the camp with her child while his father was the one to go out and hunt for offerings for Gaiathra. This is also supported by Aventurine asking Jade to take him to her "chief" later on. Therefore, it is likely (although of course not guaranteed) that a majority of the Katicans' army was male, and that Aventurine's early experiences with outsiders consisted almost entirely of indiscriminate pillaging and massacre at the hands of what the Avgin viewed as savage, invading warriors. In separate instances, Aventurine was traumatized by these warrior figures three times--first with the loss of his father, then his mother, and then finally his sister.

And even their hope, supposed to come in the form of the "men in black" from the IPC, completely abandoned them, leaving Aventurine once again betrayed by masculine figures that were supposed to be there to protect him. Led by Oswaldo Schneider, another cruel male authority figure, the Marketing Department of the IPC permitted the wholesale slaughter of Aventurine's people--something which we know Aventurine is now aware of.

Then, of course, the next piece of Aventurine's backstory we're given is his male slave master. I don't really need to say anything about this, do I? This man violated Aventurine's human dignity and bodily autonomy, and forced Aventurine's hand in a life or death battle for which Aventurine still punishes himself mentally, even years in the future.

In part to escape the difficulty of his situation and rise to a position where he would have enough resources to--he thought--help his people, Aventurine joins up with the IPC. But when he attempts to make contact with a powerful man in the organization, Diamond, he is instead met by a woman, Jade, who against Aventurine's own expectations determines that she will raise Aventurine up (or use him as a tool, depending on how you currently choose to interpret Jade's motivations), granting him wealth and status beyond his imagination.

(And this line in particular is interesting, because you can take it one of two ways: 1) Aventurine comes from a patriarchal planet that traditionally put men into positions of power [thereby making his own slavery an emasculating act, aligning him further with disenfranchised women]; thus, he is making the assumption that to get anywhere in this organization, he will need to work with a man; or 2) He actually was counting on Jade taking his bet and helping him right from the beginning, because Aventurine perceives women as inherently more likely to protect and aid him than men would be.)

In the end, Jade does exactly as she claims she will, launching Aventurine into a position of power while also closing golden handcuffs around his wrists. She positions herself not only as his supervisor, but as his advocate and ally. She entrusts him with her Cornerstone, a sign of significant faith in his abilities. She even seems to be keenly aware of his bias towards the mother figure, referring to him as "child" in their conversations.

Whether this is genuine or a manipulation tactic can certainly be debated (and I'm not inclined to think at this point that Jade is a genuinely good role model or selflessly supportive person in Aventurine's life), but whatever the case, women are the only people Aventurine even remotely considers to be "in his corner."

We see this even earlier, in Aventurine's call to Topaz. Like with the example of his mother and sister, Aventurine trusts in Topaz's ability implicitly, and considers her above anyone else when it comes to completing the mission in Penacony.

Although of course we don't know if Aventurine has any other friends or allies among the Strategic Investment Department, it seems very likely that Topaz, yet another woman, is the one he is closest with. At the very least, she is the only IPC character (so far) that Aventurine has a complimentary voice line for, one that shows his respect for her talent:

Over and over again, the story aligns Aventurine with female figures in positions of authority, and demonstrates that he is comfortable (although maybe not too comfortable, in the case of Jade) with relying on them and trusting their judgment, just as he did with his mother and sister.

And this pretty much goes off the charts in Penacony, where Aventurine has more involvement with the female cast than virtually any other non-female character (even the Trailblazer!). We set the pattern off right away, with Aventurine immediately being placed into a negotiation situation with Himeko, respecting her role as the Express's leader and working to get himself aligned with the Express by acquiescing to her request for support.

Then there's the fact that Aventurine is the one who finds Robin's body, an event which, although he didn't let it show too much, was almost certainly traumatic for him, given the violent death of his own sister.

Next, twice in Penacony's story, we see Aventurine seek out Sparkle for information. He may not personally like her and her comments may be both racist and dehumanizing, but Aventurine does rely on her--being the only character explicitly seeking her aid, which no one else in Penacony seems to want.

In 2.0...

And in 2.1.

Now, say it with me, guys: Aventurine built an entire portion of his grand plan around the idea that if he looked pathetic enough, a female character would absolutely come and help him. And sure enough, the women come through for him, always! Sparkle gives him the exact last clue he needs to confirm his belief that he could use "Death" to reach the true Penacony, sealing the deal for the rest of his plan.

His plan which also hinged significantly on Black Swan's involvement too, another woman that he views as, if not trustworthy, then at least intelligent and hyper-competent.

Contrast all this, of course, with the treatment Aventurine receives at the hands of Sunday, the lone opposing male character he faces in Penacony.

Sparkle implies that Sunday would humiliate Aventurine in an unmistakably sexual and degrading way, and Sunday himself professes this same desire to see Aventurine humiliated.

Then we're "treated" to the moment in which Sunday uses the Harmony's (or perhaps actually the Order's?) power against Aventurine, in a scene which is supposed to reflect an interrogation but is also, very clearly, another nonconsensual violation of Aventurine's bodily autonomy and dignity by a man. While ostensibly seeking confirmation of the Cornerstone ruse, Sunday instead subjects Aventurine to unnecessary questions about his past on Sigonia, which recall and force Aventurine to re-endure memories of his trauma.

Even if this is what Aventurine prepared himself for and planned to have happen, the pain he experiences is very real, and he suffers both the physical and emotional consequences of Sunday's assault all the way up to his "Death" and possibly even beyond.

(Also, Sunday fans please don't get too up in arms with me for this; I also like Sunday! It's okay for characters to be morally grey!)

I think there's one other interesting example I would bring up here too, and that's Aventurine's conscious decision to weaponize his own masculinity against the Trailblazer. Through the 2.0 and 2.1 Trailblaze missions, Aventurine deliberately acts in an off-putting manner to the Astral Express crew, particularly the Trailblazer, in order to build up to the 2.1 climax where the Trailblazer is supposed to view him as an unrepentant villain and attack him without hesitation.

In order to achieve this uncomfortable, villainous effect, what does Aventurine do? Exactly what other men have done to him.

This is especially apparent if you're playing Stelle because of the ingrained societal taboo of a man entering a woman's personal space without consent, but even as Caelus, it is very clear that Aventurine is leveraging behaviors typically used to show dominance: In a complete 180 to all Aventurine's other body language in the game (normally quite withdrawn, frequently in defensive postures with his arms crossed or hand behind his back, almost always standing several feet away from other people), Aventurine violates the Trailblazer's personal bubble, looming over them (Caelus was sitting in this cutscene, lol), forcing eye contact, and commanding the space while informing them that they will have no choice.

For someone who was hunted, enslaved, had his movements restricted with chains, and due to his own slight stature has very likely been towered over by others who were intentionally asserting their power over him all his life, it is clear that Aventurine associates dominant, typically more masculine-coded physically-imposing behaviors with discomfort and even villainy.

Any girl who has ever had a man loom over her like this will realize very quickly: Aventurine wanted to make himself scary so he made himself act more like a bad man.

(Yes of course I know "not all men." I'm not saying every man behaves in this domineering way or that women cannot be domineering too, obviously, just that Aventurine had a very specific image in mind when constructing a "villainous persona," and the physically controlling tactics most typically used by aggressive men toward women was his immediate go-to.)

But where does that leave Dr. Ratio, the one male character actually on Aventurine's side?

Frankly, I don't want to derail my post about how intensely Hoyo chose to hammer on the message of "Women will protect you" in Aventurine's story with a discussion about a mlm ship, but the take-away here is going to lead in that direction anyway--so yes, Dr. Ratio is the exception.

What is interesting is that he does not come across as an exception at first, and in fact initially appears as another male character being rude and dismissive to Aventurine. Like, there are still people out there calling Ratio an unrepentant racist for this one.

Of course, it's later clarified that this is an act--likely even these insults were scripted specifically to give Sunday's spying ears the "insight" he needed to exploit Aventurine during the interrogation.

But even though it is an act, Aventurine still has noticeable trouble putting his faith in Ratio. He does genuinely doubt him a few times, despite knowing that they are working together to fool the Family.

Even his voice line about Ratio confirms that he doesn't think Ratio particularly cares for him; rather, he thinks Ratio simply tolerates him because he's slightly less unintelligent than those around them.

Ultimately, the entire act with Ratio ends up being a mirror of the real scenarios Aventurine has been experiencing with men his whole life (at least as far as we are shown his life). Men abandon him to fend for himself (unwillingly, like his father, or willingly, like Diamond leaving Aventurine to deal with Penacony alone on the inside). Ratio keeps leaving Aventurine completely alone. Men attempt to humiliate him and violate his boundaries (like Sunday and his slave master). Ratio insults Aventurine's appearance and intelligence repeatedly. Men betray him (like Oswaldo Schneider and his men leaving the Avgin to die). Ratio "betrays" him.

I'm not saying when Aventurine devised the plan for their act, he consciously drew up a list of all the ways men had hurt him in the past and had Ratio re-enact them one by one, but like... that's what happened, whether or not Aventurine intended it.

And okay, the shrinking scene in Dewlight Pavilion was just for fun and probably only slightly fetishy, the devs promise; yes, it was supposed to be a joke! ...But it's also not a mistake that this is yet another instance of a male character in a glaringly metaphorical position of power over Aventurine. Aventurine's tiny in this scene! He's completely vulnerable! He's in a dangerous position and the male character could very much hurt him in this moment.

But Ratio doesn't. (In fact, his line here is supposed to be sarcastic, very ha ha--but also, what is Ratio really saying? "I won't do anything to you without your express consent." What a good guy.)

Virtually everything negative that we see in 2.1 is Ratio doing these things as an act at Aventurine's own request. He doesn't actually disdain Aventurine; his own voiceline about Aventurine reinforces that he sees Aventurine as talented and intelligent.

Whatever you think he was apologizing for in their early scene, he's the only person we're ever shown in-game apologizing to Aventurine at all.

He worked hard to "betray" Aventurine but only as he was instructed to do, and immediately checks in on Aventurine's well-being afterward, even urging him to give up the plan if it becomes too much to handle.

And then, of course, there's the note: "Do stay alive. I wish you the best of luck."

After this point, it cannot be denied that Ratio is unequivocally on Aventurine's side, wants to help him, and is not doing so out of any sense of self-gain but largely because he is a good person who simply cares about Aventurine's fate. By the end of 2.1, it can no longer be doubted that Ratio is the exception to the "gender rule" of Aventurine's life, which--the story shows us again and again--was that guidance, protection, and care for Aventurine come from women, while men repeatedly represent dismissal, betrayal, or pain.

Ratio is, at least as far as Aventurine's story shows us, the proof that men can be good, that things are not as black and white in Aventurine's life as they might appear, and that--if you do choose to ship him with or see Aventurine as attracted to men--his attraction could be validated (and potentially reciprocated) by a male figure who would not bring additional harm to Aventurine's life. Aventurine makes the final decision to live after seeing Ratio's note--the exception to the rule ultimately proves to be the last piece needed to keep him alive.

But I promised I wasn't going to derail my own post about w o m e n, so let me get to the final point, and the one I really wanted to talk about: Although Ratio gets virtually all the credit for "saving" Aventurine in the fandom, Aventurine was actually saved by, you guessed it, another woman.

Not going to lie, the reason I started this post was specifically because I wanted to talk about how Acheron and Aventurine's dynamic was completely unexpected but actually fits flawlessly with the theme of feminine guidance in Aventurine's story.

Despite the fact that Aventurine made Acheron's life much harder and actively used her as a chip in his grand gamble, she doesn't blame or chastise him for those actions. Although she expresses some incredulity that Aventurine is actually that lucky, she then turns around and congratulations him for his ingenuity, immediately supporting him despite the fact that they don't even truly know each other.

Then it gets even more interesting. Acheron, who frequently hits her companions with deep and sometimes very emotionally fraught questions, asks Aventurine: "Have you never wavered?"

We as players know for a fact that Aventurine is constantly wavering, constantly doubting himself, his luck, and whether he'll even live--or even wants to live--to see tomorrow. But we also know that Aventurine is not forthcoming about those truths, refusing to express them to anyone, even himself. The only way we hear those dark truths is through his "future" self (who by the way, is once again another male figure cutting Aventurine down--of course it's himself but it's also, from the player's perspective, once again reinforcing the message that he isn't going to find safety or kindness in an adult male presence). Aventurine almost constantly deflects and diverts when his emotions or struggles are brought to the fore (unless he's divulging them for the specific purpose of allowing someone else to weaponize them). "I'm fine," he says, like a lying liar who lies.

But he doesn't lie to Acheron.

He chooses to be completely candid with her, to lance open the deepest wound of his life--that he can win and win and win and still have lost everything. The glitz and the glamour has all been stripped away here, at the end of everything, and Aventurine finally feels safe enough to admit that he fears he has absolutely nothing in his life worth living for.

And then, we get this direct parallel: Aventurine looks to Acheron, the woman now before him, for guidance, for explanation, exactly as he looked to his sister in the past.

He needs help, he needs answers, and he is continually seeking that help from the female figures in his life, whose support and kindness echo the lost care of his mother and sister.

"Go where you should be," Acheron tells Aventurine, guiding him across the river of death just as his sister insisted that he flee through the rain toward life.

Look guys, Acheron's even the one who reminds Aventurine to look at Ratio's note in the first place because apparently being an emanator of Nihility gives you x-ray vision, but my girl just gets no credit at all for being Aventurine's real savior, come on now!! Yes, Ratio's note was the final reminder Aventurine needed that someone would be waiting for him on the other side, but Aventurine would never have even gotten to the point of being willing to read that note if Acheron hadn't stepped in and provided him an answer to his question.

She feeds him back his own answer: "Why does life slumber? To rehearse the death for which we are not currently prepared." It is Acheron who reminds Aventurine that giving into the Nihility is pointless, and that rather than simply embracing a meaningless death, it is up to humanity itself to find and make meaning by living. It's this, not Ratio's note, that Aventurine gives as his reason for choosing to go on when asked by his own younger self. It's Acheron's words that finally give Aventurine an answer--why do we live just to die? Because there are people we can still make proud. Because when we go into death, we should do so with our heads held high, having achieved our own sense of purpose in this life.

Ratio gave Aventurine a promise: Someone is waiting for you to come back.

But Acheron gave Aventurine a reason: If life is inherently meaningless, doesn't that just mean you are free to give it meaning yourself?

She saved him, as women have been saving him all his life.

Anyway, this has already been horrendously long, but really what I wanted to say is that I think it is absolutely fascinating how consistent Aventurine's writing is when it comes to portraying where his support comes from and who he seeks guidance from. (Psst, just in case you still haven't figured it out, it's women!) In virtually every instance we are shown, we see the message reinforced that women are Aventurine's greatest allies and role models, while male figures are continually positioned to intentionally or unintentionally let him down and cause him distress.

"But women playing the supporting role to a male character is nothing new, Star, why are you so excited by this?"

Because the role women are playing in Aventurine's life is not the subservient supporter and emotional crutch role that female characters all too often play to male counterparts. None of the women in Penacony or Aventurine's past were there to do the emotional labor for him, to be a trophy or prize, or to cater to his needs. They don't exist solely to help him fulfill his character motivations; they aren't following him around waiting for his next request as their only role in the plot.

Instead, with Aventurine's story, we almost have an inversion of gender roles, where the male character eschews the stereotypical "men are leaders, fighters, and stoic heroes" archetype. Instead, no matter how hard he tries to hide it and keep a stiff upper lip, it is clear from 2.0-2.1's story that Aventurine is a deeply insecure, lonely, and explicitly traumatized survivor of genocide, slavery, and exploitation. Unlike most male characters, who are very rarely portrayed as genuine victims--because come on, shouldn't men be strong enough to fight back? Shouldn't men be able to shrug it off when they are hurt, emotionally or physically? (Of course I'm rolling my eyes here!)--Aventurine is belittled, humiliated, emasculated, and victimized on-screen, roles almost exclusively reserved for women, for whom surviving victimization in fiction is seen as noble.

Meanwhile, the women in Aventurine's life take on the roles traditionally given to male characters. They're both emotionally and physically his protectors. Aventurine's sister gave her life to guard his safety; Acheron ensured he could safely pass beyond the river of Nihility into the Primordial Dreamscape. They give him the tools necessary to succeed where he could not succeed on his own. His plan could never have gotten off the ground without Topaz and Jade entrusting their Cornerstones to him. The knowledge and capabilities of the women around him--not their "feminine charms"--are what allow them to help keep Aventurine on the right path even though he does waver. Even women who disrespect him, like Sparkle, still play a positive role in his life, able to provide him insight gained with their own intellect and talents.

When he has no one to rely on and doesn't know what to do, Aventurine is able to continually turn to the women around him, asking for and receiving not servitude or fawning, but their genuine wisdom and guidance.

tl;dr: If nobody else has him, Aventurine knows this random woman he met two minutes ago on the street will have him, because the women in his life literally never let him down.

(It's just so, so good, and ultimately, it should be very clear why Aventurine's story is as popular with women as it is! A+, Hoyo!)

[r04sty]

Pt 2!

Pt 1 here

What's the word when you got something on he tip of you're tongue? Yeah that.

[solcarow]

Look Back by Tatsuki Fujimoto // Omniscient Reader’s Viewpoint by Sing Shong

[rendevok]

Bite me <3

[medicalunprofessional]

never change, man !