#spatial theory
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numinous-archives · 1 month ago
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Lefebvre's (1974) Spatial Triad
[Direct excerpts]
Spatial Practice, which embraces production and reproduction, and the particular locations and spatial sets of characteristic of each social formation. Spatial practice ensures continuity and some degree of cohesion. In terms of social space, and of each member of a given society’s relationship to space, this cohesion implies a guaranteed level of competence and specific level of performance.
Representation of space, which are tied to the relations of production and the ‘order’ which those relations impose, and hence the knowledge, to signs, to codes, and to ‘frontal’ relations.
Representational spaces, embodying complex symbolisms, sometimes coded, sometimes not, linked to the clandestine or underground side of social life, as also to art (which may come eventually to be defined less as a code of space than as a code of representational spaces).
Spatial Practice: The spatial practice of a society secretes that society’s space; it propounds and presupposes it, in a dialectical interaction; it produces it slowly and surely as it masters and appropriates it. From the analytic standpoint, the spatial practice of a society is revealed through the deciphering of its space.
Representations of Space: conceptualized space, the space of scientists, planners, urbanists, technocratic subdividers and social engineers, as of a certain type of artist with a scientific bent �� all of whom identify what is lived and what is perceived with what is conceived. This is the dominant space in any society (or mode of production). Conceptions of space tend, with certain exceptions to which I shall return, towards a system of verbal (and therefore intellectually worked out) signs.
Representational Space: space as directly lived through its associated images and symols, and hence the space of ‘inhabitants’ and ‘users’, but also of some artists and perhaps of those, such as a few writers and philosophers, who describe and aspire to do no more than describe. This is the dominated – and hence passively experienced – space which the imagination seeks to change and appropriate It overlays physical space, making symbolic use of its objects. Thus representational spaces may be said, though again with certain exceptions, to tend towards more or less coherent systems of non-verbal symbols and signs.
Citation/Reference
Lefebvre, H. (1974/1991). The Production of Space. Wiley-Blackwell.
pp. 33-39
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mostly-ghostie · 2 years ago
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I’m desperately trying to figure out if Langris and Finral are just *under* a year apart or just *over* a year apart and when exactly Finral’s mother died bc I have a crack theory that Lilianne is such a wretch to Fin bc she was Ledior’s mistress and Langris would have been born a bastard if Fin’s mom didn’t die and Lil didn’t marry Ledior. Also very here for evil stepmother murder/mystery ���🏻‍♀️
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charmikarma · 1 year ago
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"x is the smartest homestuck kid" "y is the smartest homestuck kid" what you call intelligence is an arbitrary measure decided by a society that wants to exploit your skills.
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ponderosapineneedles · 1 year ago
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#i hate q slur discourse so im gonna vent about it here instead of commenting#but i do kind of hate how queer is used so universally as ~queer theory~ or ~queer lit~ or whatever#a) it isnt inclusive. reclamation is a complicated and personal process and its kind of unfair to hoist that on everyone#b) even when slurs are reclaimed like. it still feels weird to have them be used in the NYT#and in academia and shit#its also really intetesting be the 'reclamation' is more spatial than temporal#like at the same time my university offered queer history courses#i heard someone say 'ive never seen one of those queers. they know better than to come around here'#its not that im opposed to its reclamation or use#but it feels soooooooo disingenuous to act like reclamation is a finished process and it feels like#to have it be used to advertise shitty YA lit to me#is just an insult. y'know? and academics that go 'queer just means difference or deviation from the norm!'#instead of a word people use to enforce SPECIFIC rules about who can perform femininity and when and how#like when i hear the word i think of a) the shitty conservatives from my hometown#b) academics whose theories i either find vastly overrated or horrifically misinterpreted#or c) seattle liberals whose experience of ~queerness~ is so vastly different than mine i sometimes wonder if we speak the same language#its a word that should be reclaimed by screaming and writing it on my arms at a protest#not by like. having spotify use it as a podcast category
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nightofmiracles · 2 years ago
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You know how whatever Summer's mission turned out to be it's very likely that it went just as good as Qrow & Clover's ordeal in v7 did?
And how Qrow's weapon, a symbolical part of himself, was used that night?
I was thinking through an idea I had on how that could be translated into Raven's situation - where a part of hers is turned around to hurt her & someone she cares/cared about - and, well, what is also a representation of the self?
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A Semblance.
The literal manifestation of her bonds might have been turned against her.
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frank-olivier · 2 years ago
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The Royal Institution of Great Britain
Tim Palmer: Chaos theory and geometry - can they predict our world? (April 2023)
youtube
Q&A
youtube
Quantverse
Sabine Hossenfelder: The Forgotten Solution & Tim Palmer: The Invariant Set Model of Quantum Physics (Rethinking Superdeterminism of Quantum Mechanics, September 2022)
youtube
Curt Jaimungal (Theory of Everything)
Tim Maudlin, Tim Palmer: Superdeterminism vs. Bell's Theorem (July 2023)
youtube
Tuesday, July 25, 2023
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catilinas · 1 year ago
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pinned post 👍 #beeps -> my posts #five consecutive vowels -> queue tag. count the vowels in 'queueing' #epistulaeposting -> translating cicero's letters and then letting his ghost email them to people
@e-pistulae -> cicero translation project
@lekythoi -> my film photography :*)
44 bce is going to be my year
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russellmoreton · 24 days ago
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Contact Photography
flickr
Contact Photography by Russell Moreton Via Flickr: russellmoreton.tumblr.com/archive Russell Moreton Winchester Discovery Centre 09:00am Wednesday 02 Oct 2013 to Thursday 31 Oct 2013 Russell Moreton is a visual fine artist working with alternative and historic photographic processes. He uses pinhole cameras for inquiry into architectural space, these initial perspectives are further collaged and rendered through the Cyanotype process. He is currently working in the library spaces, and aims to produce a series of working ideas/blueprints for display. Cost: Free Venue: Winchester Discovery Centre Telephone: 01962873603
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countingnothings · 3 months ago
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i'm a little bit past the halfway point of this writing retreat and oh my GOODNESS i forgot how much i love them. pov u are in the scriptorium all day and you collectively stop for meals and ritual breaks that some authority higher than you is in charge of!!
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exopelagic · 4 months ago
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aaaaaaaAAAAAAAAAAA PRESENTATIONS BAD
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numinous-archives · 2 months ago
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Fibiger, M. Q. (2023). What Are Religious Hotspots? An Introduction. Numen, 70(1), 1-16.
DOI: https://doi.org/10.1163/15685276-12341673.
Abstract
This introductory article outlines the meanings behind and the reasons for suggesting “religious hotspots” as a new analytical concept in the study of religion. The idea of suggesting this concept is not to replace others – for instance, a pilgrimage site, a religious place, a supernatural place, or a storied place – but to broaden the perspective and to emphasize the dynamic, multidimensional, and relational aspects of place, not least concerning how a religious place can be a hotspot for some and a cold one for others, but also how a place can change from being a hotspot to a cold spot and vice versa. Being a heated place, a religious hotspot can also have an unintended effect on people being there. They can either become “infected” by or “cured” of a feeling of religious or spiritual belonging. The concept is a contribution to the growing interest in space and place when analyzing religion, in recognition of how a landscape or a particular religiously legitimized site can be an important element in collective cultural, social, and political meaning-making.
6 | Precis
A religious hotspot is a religiously or spiritually legitimized place, and it can be a goal for religious tourism as well as pilgrimage. It can be classified as a supernatural or energetic place, meaning that the supernatural or the thaumaturgical is understood as being present in one way or another, but is perceived in multiple ways as long as it is not inscribed in a particular tradition. When it becomes fixed, it can become a place of pilgrimage. In other words, a religious hotspot can be difficult to define. It is context-related and depends on the circumstances in which it is understood and by whom. It can therefore have multiple meanings. Concurrently, it is also a place that attracts people because it is understood as producing meaning: religious or spiritual, or cultural and social in terms of identity-making. This means that a religious hotspot can have several definitions, nuances, presentations, and connotations, which is not only important in relation to modern religious hotspots but also when trying to understand the dynamics of a place.
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scienceviz · 10 months ago
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Understanding Hybrid Spaces - Paper presentation at Expanded Animation Conference . Ars Electronica 2024
The new spatiotemporal model shows correlations between location, interactions and human perception. Various dynamic topologies of hybrid spaces can thus be represented and patterns can be better recognized. From the perspective of the media, this model conveys a new understanding of urban space. Understanding Hybrid Spaces – Designing a Spacetime Model to Represent Dynamic Topologies of Hybrid…
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itsgerges · 1 year ago
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Best Greetings
Can The Gravitational Waves  Produce A Light Beam?
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Abstract
Paper hypothesis
The Gravitational Waves Are Produced By The Planets Motions Energies And Not By The Sun Gravitational Field
The hypothesis explanation
The question asks
Can The Gravitational Waves  Produce A Light Beam?
Let's summarize the answer in 5 points
(I) The FACT
The Gravitational Waves Produce A Light Beam
This Is Extraordinary: Gravity Can Create Light, All on Its Own
https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsnHYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"cvid=620db4352aa943e2b454919a7b724604HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"ei=83
This new article tells - the gravitational waves can move by high velocity motion and can produce A Light Beam–
Shortly- the article answers our question tells (YES) (The Gravitational Waves Can Produce A Light Beam)
We know the light beam is produced by the value (C^2)
Means, the article tells
The gravitational waves can move by speed of light (C=300000 km/s) and that enables the gravitational waves to produce the value (C^2) and produce A Light Beam! 
(II) The FACT RESULT
I suppose the sun rays are produced by this method and not by any nuclear fusion,
Means, The Sun Is NOT Doing Nuclear Fusion To Produce Its Rays, instead, the sun rays are produced by the gravitational waves motions energies  
Here is important moment of the science history, No longer the nuclear fusion process will be used as the reason for the star rays production- instead- the gravitational waves motions will be used in place of it –
Clearly- we see the change in the mechanism
The sun nuclear fusion uses the nuclear fusion process to produce the sun rays from the sun mass as the source of energy- where the sun mass is changed into the sun rays by the nuclear fusion process- But the gravitational waves use the motion energy to produce the light beam (the sun rays)– means- the sun rays production method is changed- shortly- the production mechanism is changed (from nuclear fusion process) into (the high velocity motion) – and the source of energy is changed from (the sun mass) into (the gravitational waves motion energy)   
(Notice, I refuse to suppose there are many methods to produce the light beam, I suppose the light beams are produced by one method only)
That force us to analyze the gravitational waves production and Nature- let's do that in following- 
(III) The FACT REASON 
Let's ask
(1) (its source)
How Are The Gravitational Waves Produced?
Means
By What Method and from what energy The Gravitational Waves Are Produced?
(2) (its nature)
How Can The Gravitational Waves Move By Speed Of Light?
And - Can The Gravitational Waves Move By Less Velocity Than Speed Of Light?
(3)
Are there proves for this fact (the gravitational waves move by speed of light)?
(4)
Can We Follow The Gravitational Waves Motions Trajectories In The Solar System?
(5) 
Can The Gravitational Waves Be Reflected? And Why Is The Wave Reflected?
And
What Effects Are Produced By The Gravitational Waves Reflection?
(6) (its result)
How Can The Gravitational Waves Produce A Light Beam?
Means - If the gravitational waves move by speed of light (C=300000 km/s), how can the value (C^2) be produced to enable the gravitational waves to produce the light beam? This discussion aims to answer these questions in details. 
(IV) THE GRAVITATIONAL WAVES SOURCE
Let's ask (Where's Planet Motion Energy?)
Any moving body produces motion energy (1/2mv^2), but where's the planet motion energy? The planet can't store its motion energy inside its body because it would raise its temperature, and no planet temperature is raised by its motion- so- again (Where's The Planet Motion Energy?)
Logically, Planet motion energy must be stored in the space in waves form-
The space is similar to the sea of water and planet motion in space is similar to a fish swimming in water- the fish motion creates waves in water and the planet motion energy creates waves in the space- means- Planet motion energy is stored in the space in waves form. 
Let's see this picture accurately- we observe one swimming fish in the sea- the fish hits the sea water by its tail and pushes some water and by that the fish swims and moves- we conclude the water moves by a velocity Equal the fish velocity because of the reaction force- means- the fish swimming creates wave in the water and this wave moves by the fish motion velocity-  
Similar to that-
Mercury motion energy creates wave in the space- this wave velocity equals Mercury velocity (47.4 km/s) -means– while Mercury moves, its motion creates waves move by the velocity (47.4 km/s)- 
Shortly- All planets motions energies create waves in the space and these waves move by these planets velocities- The space waves are similar to the water waves, they move far from their sources and can be reflected-
The Conclusion
I suppose the gravitational waves are these space waves, they are produced by the planets motions energies and NOT by the Sun gravitational field 
We should notice that- the article tells (the gravitational waves can move by a speed of light) but the article believes the gravitational waves are produced by the sun gravitational field- BUT- I refuse this idea- the gravitational waves are NOT produced by any gravitational field but by the planets motions energies as I have explained.
(the discussion proves this fact by the analysis of the gravitational waves nature)
(V) THE SUN RAYS SOURCE OF ENERGY
The sun rays is created from the gravitational waves motions energies and the gravitational waves are produced by the planets motions energies-
Based on that 
The Sun Is A Phenomenon Created By The Planets Motions
And
The Sun Is NOT Doing Nuclear Fusion To Produce Its Rays- instead- The Planets Motions Energies Total Is Used To Produce The Sun Rays
Means
The Sun Is Created After All Planets Creation And Motion – means
The Planets Are Created And Moving In Their Orbits Around A Point Of Space Before The Sun Creation- And The Sun Is Created On This Point Of Space around which the planets revolve - And
No Planet moves by The Sun Gravity (Newton is Wrong) - And
The Sun Doesn't Produce A Gravitational Field (Einstein Is Wrong)
And
The Sun Is A Phenomenon Created By The Planets Motions– means-The Sun creation and death depends on a cycle – means – after this current sun death another sun will be created for the solar system.
The logical idea summary
We agreed that, the planets motions produce energies and the motions energies are stored in the space in waves form- simply- the stored energy should be used- by that this stored energy is used to produce the sun rays- means- the sun is the outlet for the stored motion energy in the solar system and without the sun the stored energy can cause a continuous risk of explosion for the solar system. 
Notice
This analysis explains why (the sun nuclear fusion theory is wrong logically) because the solar system is rich in the motion energy- the planets move and produce motion energy continuously and this energy is stored in the space – that tells – there's massive motion energy stored in the space- the logical idea tells this energy should be used to produce the sun rays- but – the scientists created very artificial reason for the sun rays production (the sun nuclear fusion theory)- the theory is wrong in principle because the theory left the stored motion energy without using in the space and created the artificial idea (which doesn't depend on any cycle or motion), while everything in the solar system depends on motions and cycles
THE MAIN DISCUSSION
The Discussion Is Divided Into Two Parts
(Part No. I) The Gravitational Waves (Source, Nature and role
(Part No. II) The Sun Rays Production Details
Let's start our discussion immediately
(Part No. I) The Gravitational Waves Analysis (Source, Nature and role)
I- The Gravitational Waves Analysis (Source, Nature and role)
I-1 The Sun Doesn't Create A Gravitational Field
I-2 Planet Motion Reason
I-3 The Gravitational Waves Are Produced By The Planets Motions Energies (The Paper hypothesis) and (the hypothesis proves)
I-4 The Planets Waves Are Unified Into One Unified Wave
I-5 Space And Matter Definitions  
I-6 Can The Motion Be Transported Among The Planets?
I-7 The Gravitational Waves Nature Analysis (A Vision Through The Planets Data) 
I-7-1  Preface
I-7-2  The Unified Wave Trajectory
I-7-3  The Unified Wave Reflection Theory
I-7-4  The Unified Wave Reflection Proves
I-7-5  The Unified Wave Moves By Speed Of Light (Theory)
I-7-6   The Unified Wave Moves By Speed Of Light (Proves)
I-8 The Gravitational Waves Nature Analysis (A Vision Through The Energy From Which The Solar System Is Created)
I-8-1  The Solar System Creation Theory
I-8-2 The Solar Planets Creation
I-8-3 The Rate Of Time Use
I-8-4  The Unified Wave Moves By Speed Of Light
I-8-5  Planet Velocity Analysis
I-8-6  The Sun Is Created After All Planets Creation And Motion (Proves)
I-8-7  The Total Solar Eclipse Proves The Sun Rays Is Created By The Gravitational Waves Motions And Not By The Sun Nuclear Fusion
I-1 The Sun Doesn't Create A Gravitational Field
I claim (The Sun Doesn't Create Any Gravitational Field)
THE PROVES
(A)
The Sun Rotation Period is (25.4 days at equator) and (34.4 days at pole), that proves the sun has NO massive gravity (even it has no gravity equal any planet gravity otherwise it would rotate in one period of time)
(B) 
The gravitational waves are produced by the planets motions energies and Not by any gravitational field - I prove this fact in point no. (1-3)
(C) 
No planet moves by the sun gravity (Newton Is Wrong).
The planet moves by its creation force- means-  the planet creation and motion should be done by the same one force because if two forces have effects on the same one planet, this planet would be broken
(D) 
Mass gravity Can Not Cause any Motion- (Again Newton is wrong)– let's explain that
Mass gravity is a bond between 2 masses –
The Earth and the moon are bond together by the mass gravity- They are similar to a lorry and its trailer– If a force causes the Earth to move the moon will move with the Earth– this is the effect of the mass gravity but the mass gravity can't cause any motion! Why? Suppose the moon moves by the Earth mass gravity
The moon motion produces energy (1/2mv^2)- and– From what source this motion energy will be provided? From the mass itself!
means- If the Earth causes the moon to move that necessitates to decrease the Earth and moon masses by the motion energy– it's wrong definition for the mass gravity
The mass gravity creates a bond between two masses- and if a force causes the Earth to move the moon will move with the Earth, in this case, this force will provide the motion energy for the Earth and the moon– but No Motion can be done by the mass gravity.
I-2 Planet Motion Reason
Now let's ask (How Does Planet Move If Not By The Sun Gravity?)
My Planet diameter equation proves the planet creation data is created based on its motion features- means – the motion is found before the planet creation- my planet diameter equation provides a new vision for the matter nature and motion- let's summarize it in following-
The Matter Nature
The space and matter are created from the same original energy and they move with this original energy motion- BUT the matter has a distinguish picture and different velocity from the space picture and velocity (notice- The Gravitational Waves Prove That The Space Has A Motion)   
If we suppose the space is similar to the sea of water, the matter be similar to a whirlpool or a vortex found on the sea page- means- the matter is a geometrical design has distinguish picture from the space- as the whirlpool, it's created from the sea water but it has a distinguish picture from the sea waves picture
Means
The whirlpool is carried by the waves motion- and- the matter is carried by its original energy and moves with it- No Mass gravity is required for the matter motion- means- the matter is MOVABLE by nature.
The whirlpool dimensions are defined by the water motion - for example- we have a whirlpool its diameter is (2 meters)- this diameter is defined by the sea water motion features (velocity, pressure and other motion features) by that- the water motion analysis explains how the whirlpool dimensions are created
Also- the whirlpool is created but the creation requirements are needed every day- means- even if this whirlpool is found since years it can be changed immediately if the water motion features are changed- means- the whirlpool creation process is NOT a historical one.
Also- the matter is similar to a creature muscle, the muscle is found based on the blood motion and without this motion the muscle can be changed or removed.
Shortly -the energy was found and moving before the matter creation -and from this energy the matter is created and for that the created matter dimensions are in harmony with the motion features because the created matter moves with the original energy motion means the matter moves this same motion of the original energy- where the matter dimensions are created based on this original energy motion- that explains the full harmony between the matter dimensions and the motion features.    
This idea is proved by my planet diameter equation (my fourth equation) –
NOTICE
The Sun Is Created After All Planets Creation And Motion
Means- All planets are created and found in their orbits and they revolve around a point in space before the sun creation- later – the sun is created in this point of space around which the planets revolve- this fact is proved strongly in point no. (I-8-6)
I-3 The Gravitational Waves Are Produced By The Planets Motions Energies (The Paper hypothesis) and (the hypothesis proves)
The paper hypothesis tells (The Gravitational Waves Are Produced By The Planets Motions Energies)-
This hypothesis is important because- it gives us a method to use deep (analysis) for the gravitational waves features- on the other side- the idea tells (the gravitational waves are produced by the gravitational field) causes major difficulty for our analysis because no one knows what's the gravity or how does it work? means the idea puts the gravitational waves (features) under the same mystery of the gravity (work and effect)   
Because of that- there are massive importance to prove this hypothesis- let's prove it in following–(before we need to remember the planet motion energy analysis) 
Planet Motion Energy Analysis –
(Where's Planet Motion Energy?)
Any moving body produces motion energy (1/2mv^2), but where's the planet motion energy? the planet can't store its motion energy inside its body because it would raise its temperature, and no planet temperature is raised by its motion- so- again (Where's The Planet Motion Energy?)
Logically, Planet motion energy must be stored in the space in waves form-
The space is similar to the sea of water and planet motion in space is similar to a fish swimming in water- the fish motion creates waves in water and the planet motion energy creates waves in the space- means- Planet motion energy is stored in the space in waves form. 
Let's see this picture accurately- we observe one swimming fish in the sea- the fish hits the sea water by its tail and pushes some water and by that the fish swims and moves- we conclude the water moves by a velocity Equal the fish velocity because of the reaction force- means- the fish swimming creates wave in the water and this wave moves by the fish motion velocity- Similar to that-
Mercury motion energy creates wave in the space- this wave velocity equals Mercury velocity (47.4 km/s) -means– while Mercury moves, its motion creates waves move by the velocity (47.4 km/s)- 
Shortly- All planets motions energies create waves in the space and these waves move by these planets velocities- The space waves are similar to the water waves, they move far from their sources and can be reflected-
The Conclusion (The Gravitational Waves Are These Space Waves, They Are Produced By The Planets Motions Energies And Not By The Sun Gravitational Field) 
The Hypothesis Proves
I will refer to the proves in following in summary but and these same proves will be discussed in details in the mentioned points.  
First proof
The planet motion energy analysis proves planet motion energy must be stored in the space in waves form (the gravitational waves) – as explained before
Second proof
The energy is reflected in the solar system and this reflection proves the gravitational waves are belonged to the planets and not to any gravitational field –
the energy reflection is discussed in details in point no. (I-7-4)  
Third proof
The motion is transported among the planets- this fact is proved by my planet diameter equation (my fourth equation)
The transportation of motion and energy must be done by some method and the gravitational waves are this method by which the transportation is done 
The transportation of motion among the planets is proved in point no. (I-6)
Fourth proof
Planet velocity analysis proves that, there's a motion by speed of light in the solar system- means- the planets velocities are defined to produce a motion by speed of light in the solar system- and – because the gravitational waves move by speed of light (as the article states) that tells – the gravitational waves move by speed of light depending on the planets velocities which prove these waves are produced by the planets motions energies and Not by any gravitational field
(planet velocity analysis proves this fact in point no. I-8-5)  
Notice
In point no. (I-7-6) I put the proves for the fact tells (There Are Relativistic Effects In The Solar System)- the fact supports the article discovery- means- because the gravitational waves moves by speed of light that caused relativistic effects to be found in the solar system-
Fifth proof
The sun rays creation proves the gravitational waves are produced by the planets motions energies and not by any gravitational field- because- the planets motions energies are stored in the space (and should be used because logically the energy can't be stored in the space forever without using) that tells the sun rays is produced from this stored energy and by that the sun is the outlet for the solar system motion energy
Understandable, if the stored energy is not used, it would cause a risk of explosion for the solar system
(also the sun creation depends on a cycle which is suitable for the solar system motion principle – where the nuclear fusion idea is very strange here because it doesn't depend on any cycle)  
The sun rays production is discussed in Part NO. (II) of this discussion
I-4 The Planets Waves Are Unified Into One Unified Wave
We agreed- planet motion energy creates waves in the space- and these waves are similar to the sea water waves they move far from their source and can be reflected
Also- we agreed- planet motion energy creates wave in the space and this wave moves by a velocity equal the planet velocity  
By that– all planets motions energies create waves in the space and these waves move by their planets velocities
But
What's Happened After The Planets Waves Creation?
The planets motions waves are unified into One Unified Wave
The one unified wave is a wave moves by a velocity = the planets velocities total
Point no. (I-7-2) explains in details how this unified wave is produced by the planets motions waves
The important information is (The Unified Wave Definition)
The unified wave is a wave moves by a velocity = the planets velocities total (176 km/s) + the Earth moon velocity (29.8 km/s) = 205.8 km/s
The moon velocity is added because the unified wave revolves around the sun through the moon orbit-
(the moon velocity = the Earth velocity because they revolve together around the sun) 
Shortly, There's One Wave Revolves Around The Sun Through The Moon Orbit And Its Velocity 205.8 km/s
We should consider that- the unified wave is The Major Player in the solar system and this wave motion is the most important and effective motion in the solar system
The next discussions will explain the reason of this importance
I-5 Space And Matter Definitions  
Here we need to define the space and matter natures – shortly- we need to see the whole picture in which the matter is created and moves and produces waves in the space- let's try to see that as clear as possible
I suppose the space is similar to the sea of water
(i)
Let's ask (How Can The Sea Waves Be So Strong and massive?),
Because, the sea has millions of creatures, they swim and produce motion energy which is stored in the sea water as waves- here – we conclude the sea waves don't depend on the winds force but on the motion momentum of the millions of creatures live in the sea
(ii)
I suppose space is similar to sea of water and the matter is similar to a whirlpool found on the sea page- by that- the space and matter are created from the same one energy and both move with this energy motion but the matter has a distinguish picture and velocity from the space- that causes to see the matter in motion relative to the space but the space itself is in motion also by different velocity and the gravitational waves prove the space also has a motion- Let's explain that more clear -
The matter is similar to a whirlpool found on the sea page- this idea is explained before- and we agreed the whirlpool creation is not a historical one but the whirlpool dimensions can be changed immediately if the water motion features are changed
This idea is still insufficient - we need 3 Dimensions Moving Whirlpool - by that- this whirlpool will be similar to a fish swims in the water- and this fish motion energy creates waves in the space- here we see the picture more clear- the whirlpool is created from the sea water (the matter and space are created from the same energy) and the whirlpool motion (similar to a fish motion) creates waves in the space, by that the whirlpool motion produces energy and this energy is stored in the space in waves form- and these waves are the gravitational waves- 
But- we should remember that- the whirlpool is created based on the sea water motion features- that causes the whirlpool to be in (full harmony with the motion) because it created from this motion         
The previous explanation has two goals
I refute the planet classical definition tells (The Planet Is A Rigid Body Created Independently From The Space And The Other Planets Creation)
I prove that the space has mechanical features and any moving body in the space produces motion energy which is stored in the space in waves form and these waves are the gravitational waves (Notice this idea will be explained in more details with the planet creation discussion point no.I-8-2)
I-6 Can The Motion Be Transported Among The Planets?
The Motion Transportation Is Proved In Details In Point No. (I-6)
I don't put the proves here to avoid the confusion- but – I have to refer to this fact because all required ideas are discussed already. 
Shortly The Motion Is Transported Among The Planets  - But How?
(a)
Planet motion energy creates waves in the space and these waves move freely far from their source- by these waves the energy is transported among the planets
(b)
The planet matter (is NOT rigid body) but it's similar to (a whirlpool on the sea page), the energy waves can transport among the planets and the planets (matters) can be effected by these waves energy- the whirlpool example explains clearly this idea-
Suppose we have 9 whirlpools on one sea page, where these 9 whirlpools are found at distances from each other- can the motion be transported among them? Of course Yes 
With the sea water the motion is transported- and if we put some color (red or blue) on the sea water far from these whirlpools this color may pass through all these whirlpools which proves the motion and water are transported among them  
I refer to this fact here- because- the planets data prove strongly that the motion is transported among the planets –powerful proves are discussed in point No. (I-6)
NOTICE My planet diameter equation depend basically on a transported motion among the planets- let's explain that more clear
Each planet diameter is created depending on this mathematical equation and based on its geometrical rule- and we have to ask- how can planet diameter be defined by a geometrical rule? the fact is that, there's a force moves from a planet to another and forces each planet to define its diameter according to the same geometrical rule and by the same one equation- now – the next question is (what's this force which causes each planet to define its diameter based on the same mathematical equation?) this force is a transported motion – this motion is transported from Pluto to the Earth moon and the transported motion transports also (energy) with it and this energy forces each planet to define its diameter based on the geometrical rule and by the same mathematical equation – let's refer to my planet diameter equation in following
PLANET DIAMETER EQUATION (my 4th Equation)
(v1/ v2) = (s/r) =I
v1 = planet velocity in second
v2 = another planet velocity in second
r  = Planet Diameter
s  = The Planet Rotation Periods Number In Its Orbital Period 
I  = Planet Orbital Inclination
v2, s, r and I are belonged to one planet and v1 is belonged to another planet
The planet (v1) be defined by test the minimum error 
Earth Equation uses Neptune velocity             Mars Equation uses Pluto velocity
Jupiter Equation uses the Earth moon velocity
Saturn Equation uses Mars velocity
Uranus Equation uses Neptune velocity (As Earth)
Neptune Equation uses Saturn velocity
Pluto Equation uses the Earth moon velocity (As Jupiter) - The equation is discussed in my paper and The transportation of motion is proved in details with
I-7 The Gravitational Waves Nature Analysis (A Vision Through The Planets Data) 
I-7-1  Preface
Here we analyze The Gravitational Waves Source And Nature in details
(1)
The point answers our questions, let's remember them in following
(i) (its source)
How Are The Gravitational Waves Produced? Means
By What Method and from what energy The Gravitational Waves Be Produced?
(ii) (its nature)
How Can The Gravitational Waves Move By Speed Of Light?
And - Can The Gravitational Waves Move By Less Velocity Than Speed Of Light?
(iii)
Are there proves for this fact (the gravitational waves move by speed of light)?
(iv)
Can We Follow The Gravitational Waves Motions Trajectories In The Solar System?
(v)
Can The Gravitational Waves Be Reflected? And Why Is The Wave Reflected?
And What Effects Are Produced By The Gravitational Waves Reflection?
(vi) (its result)
How Can The Gravitational Waves Produce A Light Beam?
Means - If the gravitational waves move by speed of light (C=300000 km/s), how can the value (C^2) be produced to enable the gravitational waves to produce the light beam? This discussion aims to answer these questions
(2)
We remember the hypothesis (The Gravitational Waves Are Produced By The Planets Motions Energies)
We agreed that- the planet motion energy must be stored in the space in waves form-and these waves are the gravitational waves- that proves the hypothesis
Also – I have put other proves for this hypothesis, let’s refer to them    
(1st proof) planet motion energy analysis (2nd proof) the reflection of energy
(3rd proof) the motion is transported among the planets and the gravitational waves are the transportation method
(4th proof) planet velocity analysis proves the gravitational waves move by speed of light depending on the planets motions
(5th proof) the sun rays production proves the gravitational waves are produced by the planets motions energies and not by any gravitational field.
I-7-2  The Unified Wave Trajectory
(a)
We agreed, Planet motion energy creates waves in the space and these waves are similar to the water waves they move far from their source and can be reflected -
We agreed also that, these waves are the gravitational waves - Now let's follow these waves trajectory- 
The planets revolve around the sun in the same one direction because of that their motions energies waves move in one direction toward Pluto (perpendicular on the revolution direction)- and the waves are unified together in Pluto orbit and consist together One Unified Wave contains the planets motions energies total 
(b)
What does mean (One Unified Wave)? means
One Wave Moves By A Velocity = The Planets Velocities Total –
Let's remember this picture
We observed one swimming fish in the sea- the fish hits the sea water by its tail and pushes some water and by that the fish swims and moves- we conclude the water moves by a velocity Equal the fish velocity because of the reaction force.
Similar to that-
Mercury motion energy creates waves in the space- the wave velocity equal Mercury velocity (47.4 km/s) because of the reaction force- means – all planets motions energies create waves in the space and these waves move by these planets velocities- now these waves are unified into One Unified Wave moves by The Planets Velocities Total
Shortly- the 9 planets velocities total =176 km/s- and- there's One Wave in the space moves by this velocity 176 km/s- this wave motion is created by all planets motions energies- this is the unified wave and this unified wave is created in Pluto orbit
Now let's resume our process – we follow the wave motion trajectory- 
The unified wave (176 km/s) is reflected from Pluto toward Venus– in fact – the unified wave is reflected three times in the solar system –
let's refer to them in following…. 
The energy is reflected from Pluto to Venus (first reflection) – in details – the unified wave is reflected from Pluto to Neptune, then from Neptune to Uranus and then from Uranus to Saturn– BUT- inSaturn the unified wave is reflected one more time inside Saturn body- Means- Saturn body worked as 2 mirrors and the wave is reflected between them-          
The reflection inside Saturn is the second reflection of energy
After the reflection –
The energy unified wave left Saturn moving in its same original direction toward Venus – and then the energy reach Venus –
Then Venus reflects the unified wave energy toward Mars and the energy is stored in the Earth moon orbit between Venus and Mars
The energy reflection from Venus to Mars is (the energy third reflection)
Shortly- the planets motions energies total is stored in the Earth moon orbit in one unified wave moves by velocity 176 km/s But
We have to add the moon velocity because the energy is stored in its orbit- the moon velocity = the Earth velocity, by that 176 +29.8 = 205.8 km/s
Means- The Unified Wave Velocity becomes 205.8 km/s
THE CONCLUSION
There's ONE WAVE Revolves Around The Sun Its Velocity 205.8 Km/S And This Wave Revolves Around The Sun Through The Earth Moon Orbit-  
Where we see the planets revolutions we don't see this One Unified Wave revolution around the sun- while – this wave motion contains all planets motions energies-
Notice
The One Unified Wave is the main player in the solar system- because – by this wave motion relative to the sun point of space the light beam is created (the sun rays production)
Means- the light beam is NOT created by any planet motion energy – but by the one unified wave motion energy- by that- this unified wave which is Not seen by us we should consider (the main player in the solar system) and the most important effective motion in the solar system – we keep our eyes on it frequently
I-7-3  The Unified Wave Reflection Theory
How Can We Discover The Waves Reflection? And what effect of this reflection is found? The reflection of energy causes (basic changes) we can discover clearly and simply which are
The wave motion trajectory is changed
The wave velocity is SQUARED
The players are reflected (the data will explain and prove that clearly)
The data are reflected (what's used as "A" before reflection will be used as "1/A" after reflection) and (what's used as "a period of time" before reflection will be used as "a distance" after reflection)
Discussion
The previous features are very important for my theory of the gravitational waves- for three reasons
(First Reason) the light beam can be produced only from (C^2), and the gravitational waves can move only by (speed of light = C= 300000 km/s)
Shortly- if the velocity (Can NOT Be Squared) No light beam can be produced
Means-the light beam is produced only after the wave reflection because the reflection causes the velocity to be squared
In next point I put powerful proves for the wave reflection, that point shows how deep effects of the squared values are found in the planets data-
I want to say, the unified gravitational wave moves by speed of light (depending on the planets data because the waves are produced by the planets motions energies) and for that the wave velocity square causes to square many related data of the planets – the data analysis proves this fact clearly
(Second Reason)
The planets data are reflected- the next point proves that with powerful data- we can't explain how can the planets data be reflected on one another?
The reflection can be done (for waves only) and not for (planets) that proves these waves are produced from these planets (and not from any gravitational field) because the wave reflection caused to reflect the planets data   
(Three Reason)
Also we follow the wave motion trajectory, and the unified wave changes its trajectory- as I have explained before- the planets motions produces energies in waves form and these waves move toward Pluto because the wave move perpendicular on the revolution direction- here we follow closely the wave motion trajectory- But the waves are unified into one unified wave and this unified wave is reflected from Pluto toward Venus- (The wave first reflection), this reflection shows the motion trajectory is changed and the energy no longer is found in Pluto orbit
By that, the energy left Pluto to Neptune then to Uranus, then to Saturn, but in Saturn the energy is reflected one more time because the data shows (the velocities square) and the data is reflected on one another (one more time)- that tells another (new reflection is done for the wave energy) this reflection (the second one) is done inside Saturn body – Saturn body works as two mirrors between which the energy is reflected and left Saturn moving in its original direction toward Venus
Venus reflects the energy toward Mars (the third reflection) and by that the energy is stored in the Earth moon orbit between Venus and Mars        
the three reasons prove that the refection of energy is a fact – the planets data analysis in next point will prove that with powerful data
THE CONCLUSION
The Energy Is Stored In One Unified Wave Moves By A Velocity 205.8 km/s And Revolves Around The Sun Through The Earth Moon Orbit.
This is (The One Unified Wave) in which the planets motions energies total is found and by this unified wave relative motion to the sun point of space the light beam is produced.
I-7-4  The Unified Wave Reflection Proves
(The Unified Gravitational Wave Reflection)
Let's remember, Planets motions energies create waves in the space and these waves are the gravitational waves-
The planets motions energies waves move far from their planets and unify together in Pluto orbit, and the unified wave is reflected from Pluto to Venus (first reflection),
Means, the wave moves from Pluto to Neptune to Uranus to Saturn and in Saturn the wave is reflected inside Saturn body (second reflection) and the wave left Saturn to Venus (the wave completes the motion in its original direction), then Venus reflects the wave to Mars (the third reflection)
Also we remember the wave reflection causes the following changes
The wave motion trajectory is changed
The wave velocity is SQUARED
The players are reflected
The data are reflected (what's used as "A" before reflection will be used as "1/A" after reflection) and (what's used as "a period of time" before reflection will be used as "a distance" after reflection) – let's prove this fact in following
The Proves
Proof No. (1)
Sin (3.4 deg) =(1/17.2) where (3.4 degrees = Venus Orbital Inclination) and
(17.2 degrees = Pluto Orbital Inclination)
We see clearly, Pluto orbital inclination is reflected to Venus orbital inclination.
(more analysis for the two orbital inclinations are found in the paper discussion)
Proof No. (2)
The inner planets order is
(Mercury – Mars- Venus – The Earth)
The order tells greater diameter (and mass) necessitates Longer orbital distance
(I prove Mars original orbit was between Mercury and Venus in my paper)
The outer planets order is
(Jupiter– Saturn – Uranus– Neptune - Pluto)
The order tells greater diameter necessitates Shorter orbital distance
The order is reflected clearly
Proof No. (3)
Venus orbital circumference 680 million km
And Mars orbital period 687 days (error 1%) -And
Venus orbital period (224.7 days)
Mars orbital distance (227.9 million km) (error 1%)
The data is reflected (what's time for one planet used as a distance for the other)
Proof No. (4)
The planets velocities proves the reflection because (v1v2= constant=322) (my equ)
322 = 47.4 km/s (Mercury velocity)  x 6.8 km/s (Uranus velocity)
322 = 35 km/s  (Venus velocity)        x 4.7 km/s (Pluto velocity) x 2    (error 2%)
322 = 29.8 km/s (the Earth velocity) x 5.4 km/s (Neptune velocities) x 2      
322 = 24.1 km/s (Mars velocity)        x 13.1 km/s (Jupiter velocity)       (error 2%)
322 = (17.9 km/s)^2 (Ceres velocity)
The constant (322) proves The Velocities Are Reflected on one another
Proof No. (5)
Each planet orbit is defined based on an angle, these angles are reflected also – let's prove that  (I suppose –There's a right triangle by the three points The Sun, Mercury and Venus) - Now
Venus angle is (61 degrees) because Venus orbital distance (108.2 mkm) x cos (61) = Venus Mercury distance (50.3 mkm) -
Here we can replace Venus with any other planet in the same triangle to define this planet angle based on similar calculation – as a result
Earth angle is (51 degrees) because Earth orbital distance (149.6 mkm) x cos (51) = Earth Mercury distance (91.7 mkm)
Mars angle is (41.7 degrees) because Mars orbital distance (227.9mkm) x cos (41.7)= Mars Mercury distance (170 mkm)
Jupiter angle is (22.2 degrees) because Jupiter orbital distance (778.6 mkm) x cos (22.2)= Jupiter Mercury distance (721 mkm)
Similar to that – Saturn angle is 16.5, Uranus angle is 11.6 deg, Neptune angle is 9.2 deg and Pluto angle is 8 deg- these angles follow the same system – for example
Pluto angle is (8 degrees) because Pluto orbital distance (5906 mkm) x cos (8)= Pluto Mercury distance (5848 mkm)
NOTICE No. (1)
The right angle and its triangle is (a hypothesis) – we Can prove it because
(v1/v2) = (θ1/ θ2)
means – these angles are rated with their planets velocities – for example
(Neptune velocity 5.4/ Pluto velocity 4.7) = (9.2 deg /8 deg)
Shortly -the angles which are defined based on the sun perpendicularity on Mercury orbit – all of them- are the correct angles by which the planets orbits are defined – that because the planets velocities are rated with these angles and Kepler stated (Planet orbit defines its velocity)- means- the planets orbits are defined based on these angles and that causes the angles rates to be equal with the velocities rates
Shortly
That tells indeed the sun position is perpendicular on the (inner planets orbits) – in fact – the sun is perpendicular on the Earth moon orbit- and this perpendicularity has effect on all inner planets because of the small distances among them. 
NOTICE No. (2)
The planets angles are REFLECTED based on one another – that tells – the planets velocities also are reflected based on one another –
Let's prove that in following
940 = 2 x Venus angle (61 deg) x Pluto angle (8 deg)
940 = 2 x Earth angle (51 deg) x Neptune angle (9.2 deg)
940 = Jupiter angle (22.2 deg) x Mars angle (41.7  deg)
Mercury is not used because of the right angle -
The Conclusion
The Planets Data Are Reflected On One Another- and this reflection can be explained only if the gravitational waves are produced by the planets motions energies- because the reflection is a feature of the wave nature- means- the planets data reflection should be used as a proof for my theory tells (the gravitational waves are produced by the planets motions energies and not by any gravitational field) 
Notice
The planets velocities rates create rates of time for the planets motions (which we be explained in details later), and
Because the wave reflection causes to square the velocities, that causes to square the rates of time also – we should study that in details in point no. (I-7-4)
I-7-5  The Unified Gravitational Wave Moves By Speed Of Light (Theory)
The following equation is the proof for this fact
300000 km = 7.1 x (205.8)^2 where
7.1 is Lorentz length contraction effect for velocity 297000 km/s (= 0.99 C)
205.8 km/s = the 9 planets velocities total (176 km/s) + the Earth moon velocity
(The moon velocity =29.8 km/s = the Earth velocity because they revolve together)
Why does the data use the squared value (205.8)^2?
Let's write the answer idea here and its proof is found in details in point no. (I-8-4)
The unified wave moves by a velocity 205.8 km/s relative to the sun point of space, the sun point motion velocity 1 km/s (we accept this motion as a hypothesis for now)  
Shortly
The unified wave velocity 205.8 km/s relative to the sun velocity 1 km/s
This motion creates a rate of time (1=205.8) means
(One Hour Of The Wave Clock = 205.8 Hours Of The Sun Clock)
Example
Mercury velocity =1.6 Earth velocity by that (One second of Mercury clock = 1.6 seconds of the Earth clock)– by this rate of time Mercury and the Earth move equal distances in equal periods of time
Let's return to our wave
The motion causes to create the rate of time
(One Second Of The Wave Clock = 205.8 Seconds Of The Sun Clock)
But, the energy is reflected (as I have proved before) that causes to reflect the players also – means – the rate will be 
(One Second Of The Sun Clock = 205.8 Seconds Of The Sun Clock)
But the wave velocity is 205.8 km/s
Means
While one second is passed on the sun clock, the wave clock passes 205.8 seconds and the wave moves by a velocity 205.8 km/s – means-
During one second of the sun clock, the wave passes a distance = (205.8 km)^2 = 42253 km
This is a new velocity 42253 km per second (relative to the sun clock)
We remember 300000 km = 42253 km x 7.1 and
7.1 is Lorentz length contraction effect
Means- if the light (300000 km/s) moves one second we will not see (300000 km) but we will see n(42253 km) because of Lorentz length contraction effect
And that makes the two velocities equivalent – means – the velocity 42253 km/s is equivalent to the speed of light 300000 km/s
(because the reflection of energy enables to reflect the geometrical effects)   
The previous analysis tells the unified gravitational wave moves by speed of light (depending on the planets motions and velocities)
I-7-6 The Unified Wave Moves By Speed Of Light (Proves)
Relativistic Effects Are Found In The Solar System
The next planets data proves there are relativistic effects in the solar system– that proves the motion by speed of light
DETAILS
A velocity 297000 km (=99% of speed of light) causes Lorentz length contraction effect with a rate (7.1)- (we used this rate before)
BUT- this rate is used also with a modification
(7.1/100) + 1 = 1.0725 - this rate proves the relativistic effects existence- because
This rate controls around 40% Of All Data In The Solar System –as the following data proves- no explanation for it except Lorentz length contraction effect-  
DATA No. (1) 
(243/224.7) = (29.53/27.3) = (27.3/25.4)= 1.0725 –where
243 And 224.7 Days Are Venus Rotation And Orbital Periods  
29.53 And 27.3 Days Are The Moon Orbital And Day Periods
25.4 Days The Sun Rotation Period.
DATA No. (2) 
(778.6/721)=(721/670)= (670/629)=(1433/1325)=(1284/1205)= (2872/2644)= 1.0725
These are distances measured in millions km – let's define them
778.6, 721, 670 and 629 are the distances between Jupiter and the sun, Mercury, Venus and the Earth respectively.
1433, 1325, 1284, 1025 are the distances between Saturn and the sun, Venus, the Earth and Mars respectively.
2872 and 2644 are the distances between Uranus and the sun and Mars respectively.
DATA No. (3) 
629 million km (The Earth Jupiter distance)= (1.0725)^2 x 551 million km (Jupiter Mars Distance)
4495.1 million km (Neptune Orbital Distance) =1.0725 x 2 x 2094 million km (Jupiter Uranus Distance)
5906 million km (Pluto Orbital Distance) = (1.0725)^2 x 5127 million km (Jupiter Pluto Distance)
5127 million km (Jupiter Pluto Distance)= (1.0725)^2 x 4437 million km (Mercury Neptune Distance)
2.574 million km (Earth motion distance daily) = 1.0725 x 2.4 million km (TheMoon Orbital Circumference)
(around 40% of all distances in the solar system are effected be 1.0725)
DATA No. (4) 
(28.3/26.7)=(26.7/25.2)= (25.2/23.4)=(122.5/113.4)=(97.8/91.3)= 1.0725
The values (28.3 degrees, 26.7 degrees, 25.2 degrees, 23.4 degrees) are the axial tilts of (Neptune, Saturn, Mars and the Earth) respectively –
The values (122.5 degrees, 97.8 degrees) are the axial tilts of Pluto and Uranus
113.4 degrees =90 deg +23.4 deg and 91.3 deg =90 deg+ 1.3 deg (Jupiter orbital inclination)
DATA No. (5) 
Let's remember our equation
300000 km =7.1 x (205.8)^2
Where
The 9 planets velocities total is 176 km/s+ the moon velocity 29.8 km/s =205.8 km/s
(the moon velocity = the Earth velocity because they revolve around the sun together)
7.1 is Lorentz Length Contraction Effect (for a velocity 0.99 speed of  light)
That shows the planets velocities total is defined based on the speed of light (300000 km/s) and that causes to find the high velocity motion in the solar system by which these relativistic effects are produced- this data supports the article discovery 
This Is Extraordinary: Gravity Can Create Light, All on Its Own
https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsnHYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"cvid=620db4352aa943e2b454919a7b724604HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"ei=83
This new article tells the gravitational waves can move by high velocity motion and can produce a light beam.  
I-8 The Gravitational Waves Nature Analysis (A Vision Through The Energy From Which The Solar System Is Created)
I-8-1  The Solar System Creation Theory
1-8-2  The Solar Planets Creation
I-8-3 The Rate Of Time Use
I-8-4  The Unified Wave Moves By Speed Of Light
I-8-5  Planet Velocity Analysis
I-8-6  The Sun Is Created After All Planets Creation And Motion (Proves)
I-8-7    The total solar eclipse proves the sun rays is created by the gravitational waves motions and not by the sun nuclear fusion
I-8-1  The Solar System Creation Theory
The solar system is created from one energy- this energy is provided by one light beam its velocity is 1.16 million km per second (The velocity is proved in Part II, also this velocity disproves Einstein hypothesis)
From this energy the space is created and the energy is consumed in this creation and the rest energy after the space creation is found in One Wave moves by speed of light (300000 km/s)
Shortly -We have 2 operations for the solar system creation-
(First Operation is the space creation) by this operation the energy of the original light beam (its velocity 1.16 million km per second) is consumed and that caused to decrease the speed and the rest energy is a wave moves by light speed (300000 km/s)  
(Second Operation is the planets creation)
The planets are created from this one wave moves by speed of light (C=300000 km/s)
This idea is proved with powerful proves in (Part II) and I put this idea here to explain that the solar planets are created from the energy of this one wave moves by speed of light (C=300000 km/s) because this is the solar planets creation cornerstone
The Conclusion /The Solar System Is One Wave Moves By Speed Of Light (C=300000 km/s) Through the space-
1-8-2  The Solar Planets Creation
We know- The solar system is one wave moves by speed of light (C=300000 km/s)
Through the space- (till now NO any planet is created)  
Now -The Solar System needs To Create A Stationary Point Its velocity Zero relative to the moving wave its velocity is 300000 km/s
This is the basic information in the solar system design-
The solar system needs to create a stationary point relative to the wave motion- by that – two velocities will be found which are (v1= the wave velocity 300000 km/s) and (v2= Zero= the stationary point relative to the wave motion)–these two velocities produce a relative motion with different velocity 300000 km/s– this relative motion is the solar system design cornerstone.
Notice– The solar system is one wave moves by speed of light (C=300000 km/s), or the solar system is carried on light beam moves by speed of light (C=300000 km/s),
Everything in the solar system is carried on this one light beam motion- and nothing is static- No stationary point can be found here-
This is similar to ships are found on the sea- nothing is stopped- all ships move and can't stop- because the motion is done forcedly by the sea waves.
The stationary point will be similar to the whirlpool (vortex) found on the sea page- 
We see the whirlpool doesn't move with the sea waves- for that the whirlpool can be considered as a stationary point relative to the sea waves.  
But
The solar system needs to create the stationary point
Now – let's try to create this stationary point in following
The solar system uses two procedures to do that,  
The first procedure
The wave its velocity 300000 km/s revolves around a point in space (any point in space), the revolution motion creates 2 equal velocities on both sides of the revolution- the two velocities are equal in value and opposite in direction- their total be equal Zero-means- the revolution motion creates a stationary point in the center of the revolution. 
The second procedure
The previous idea is correct- but –the velocity 300000 km/s is a huge one and to decrease it to Zero velocity this is a complex process– for that- the wave (300000 km/s) created small waves with low velocities to use them as steps to decrease the velocity to Zero- the small waves are The Planets- (The planet is a small wave moves by low velocity relative to the original wave its velocity 300000 km/s) 
Why Are These Small Waves Required?
Because the velocity 300000 km/s is decreased to Zero by using these small waves and their low velocities- the low velocities are used as steps to decrease the wave velocity (300000 km/s) to be (Zero)- this process decreases the velocity gradually from 300000 km/s to Zero depending on these small waves velocities (the planets velocities)  
Means- the planets are created for this process to decrease the wave velocity from 300000 km/s to Zero- and The Planet Is A Small Wave Moves By Low Velocity  
Shortly – the solar system has one complete system of velocities, Starting from Zero to 300000 km/s where the planets velocities are the steps between the two velocities –
Please note clearly this idea- because-
The solar system has one motor for all motions which is the wave motion by speed of light (300000 km/s) No any other motor is found in the solar system
The planets are similar to carriages in one train but the train engine is the light motion by that the only motor under all motions in the solar system is the wave motion (speed of light 300000 km/s)
So, we have to ask- how can any planet move by a velocity Less than (300000 km/s)?
Because – The Planets Use Different Rates Of Time-
The rates of time is created based on the velocities rates –
For example-
Mercury velocity =1.6 Earth velocity, for that, one hour of Mercury clock= 1.6 hours of the Earth clock and by that Mercury and the Earth move equal distances in equal periods of time. 
This is very important fact because – the light moves carrying all planets with it- Now the light moves (one motion) and passes (one distance) in (one period of time)
All planets will move (this same motion) and pass (this same distance) in (this same period of time)- but
We need different velocities for the planets to work as steps to decrease the velocity (300000 km/s) to Zero (Stationary point)- means- it's essential to have (different velocities) and that causes the using of the rates of time inevitable and essential method to enable the solar system to do its motion.
I-8-3 The Rate Of Time Use
(Part II) of this discussion explains all details of the rate of time use- here I put a summarized idea only to explain how the gravitational wave moves by speed of light
We agreed that, the solar system has one motor only which is the wave moves by speed of light (C=300000 km/s)- means- no velocity can be less than speed of light unless it depends on a rate of time –
Means- all planets velocities are created based on rates of time- that causes the rates of time to be used in all motions in the solar system  
Let's remember,
Planet motion energy creates waves in the space- we remember the accurate vision- we observed one swimming fish, the fish hits the water by its tail and swims, that creates a wave in the sea and this wave moves by the fish velocity because of the reaction-
Similar to that, Mercury (47.4 km/s) moves and by its motion energy waves are created and these waves move by Mercury velocity (47.4 km/s) – BUT- Mercury velocity is created based on a rate of time- that causes the waves motions use rates of time-   
I try to show how the gravitational waves motions depend on rates of time
For more clear vision
We have to consider that the solar system has one motor only and this motor is the wave moves by speed of light (C=300000 km/s) for that any motion in the solar system with velocity less than speed of light (must depend on rates of time)  
The rates of time = the velocities rate –
Let's remember out example
Mercury velocity =1.6 Earth velocity by that (One second of Mercury clock = 1.6 seconds of the Earth clock)– by this rate of time Mercury and the Earth move equal distances in equal periods of time -
We understand the reason- where
The planets are geometrical points on the same one light beam- and this light beam moves carrying all planets with it- and
The light moves one motion, passes one distance in one period of time, for that, all planets move this same motion, pass this same distance in this same period of time
the previous discussion will enable us to understand how the gravitational wave moves by speed of light, but the rates of time details are discussed in (Part II) of this discussion
(CONT)
Gerges Francis Tawdrous +201022532292
Physics Department-  Physics & Mathematics  Faculty 
Peoples' Friendship university of Russia – Moscow   (2010-2013)
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technically-human · 25 days ago
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personal theory as to why Stone has such a high IQ (beyond the fact he's genuinely quite intelligence) is that IQ tests kinda just... test if you are good at IQ tests... and Stone is really good at tests (also IQ tests aren't just about book learning ability but also things like spatial awareness which Stone as someone trained in combat is probably quite good at) but also its clearly like,, intended to be a lil silly lol, just rambling tbh <3
Sure, it's supposed to be silly, but why are we here if not to overanalyze silly things?
I totally agree! Stone might be smart, but he's not smart in the same way the Doctor is. I think he's a very fast learner and could potentially teach himself to do everything Robotnik does, but that's the thing, he never applied himself to anything with the same strength and passion the Doctor dedicated to robotics.
He's good at doing what's expected of him, which is why he mostly finds himself in a subordinate position. And yeah, that means he's good at tests! He never had a reason to go higher.
At least, not yet...
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verricherri · 14 days ago
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spencer with ballerina!reader getting turned on while she warms up/ stretches... i'll let you take this wherever you want <3
En Pointe for You (NSFW///MDNI)
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A/N: i was thinking of post-prison spencer and his fingers while writing this, nothing else. Warnings: spencer reid that rearranges your insides, intense eye contact - dont say i didn't warn ya Masterlist Feedback and reposts are appreciated  ☀️
The tiny bell above the studio door chimed just as you were waving off the last of your students. A cluster of tiny ballet shoes and sparkly leotards disappeared out the front, giggling, their voices still echoing faintly against the wooden floor and mirrored walls.
You turned, expecting one of the moms had forgotten a water bottle.
But it wasn’t a mom.
“Didn’t mean to interrupt,” Spencer said softly, fingers laced in front of him, standing awkwardly just inside the doorway like he wasn’t sure he was allowed to exist here. “Dr. Reid,” you smiled, eyebrows raised as you tucked a flyaway strand of hair back into your messy bun. “You stalking me now?”
His mouth opened — then closed — then opened again. “No! I mean. Not intentionally. I was in the neighborhood. Sort of.” You dropped to the floor to unlace your slippers, deliberately slow. “Sure you were.” Spencer cleared his throat. “I wanted to see where you danced.” “And you picked after-hours for that?” “I didn’t think there would be small children. Not that I mind them. I just—" He cut himself off, eyes skating over the studio. “I didn’t know you taught.” You stretched your legs out, leaning into a deep forward fold. “You never asked.”
Spencer stepped further in, the door clicking shut behind him. He stood there for a moment like he didn’t know where to put himself. Eventually, he settled on leaning against the mirror near the barre, arms crossed.
“You’re very… in your element here,” he murmured, watching as your back curved gracefully and your palms pressed flat against the wood floor. “I could say the same about you when you’re spitting out ten facts a second,” you said, glancing up at him with a teasing smile. His ears went a little pink. “Right. Yes. Well.” He gestured vaguely. “This feels more like your… natural element.” You sat up and rolled your shoulders, breath still even from the cool-down. “You don’t have to hover, you know. There’s a chair in the corner.”
He didn’t move. Just watched you with that impossible gaze of his, the one that saw too much.
“I like the view here,” he said quietly. You blinked. “Excuse me?” Spencer stiffened. “I just meant—objectively. Scientifically. From a spatial standpoint. You can see the lines of the room more clearly when you’re not seated and—” You laughed, stretching your arms above your head and arching your back into a cat-cow motion. “You’re so bad at lying.” He flushed deeper. “I’m not lying. I’m—circumlocuting.” “Oh, big word. That mean you’re distracted?” “It means I’m trying to respect your space,” he said, a little too fast. “And your… athleticism.” You tilted your head. “Athleticism?” “Flexibility,” he corrected, then immediately regretted it. “I mean. Not like—” His voice cracked slightly. “Not in a sexual context. Not that—well, not that it wouldn’t be considered that by some people. But—” You stood slowly, letting your body unfurl one vertebra at a time, your shadow stretching long in the evening light. “Spencer.”
He looked at you like a deer caught in headlights.
You smiled. “Relax.” “I am relaxed.” “Sure,” you drawled, walking past him toward the stereo, hitting a button to shut off the soft classical music still humming low in the background. “You look so relaxed you’re practically vibrating.”
Spencer didn’t respond. But when you turned around, he was still watching. Still standing in the same spot. Still not blinking.
“You’re not really here to talk about floorplans or music theory, are you?” you asked, walking back toward him, each step deliberate, the click of your heel against the floor echoing. “No,” he said, voice rougher now.
You stopped in front of him, close enough to see the way his pupils had dilated, the way his throat bobbed when he swallowed.
“Good,” you whispered. “Because I’ve still got a few stretches left.”
He didn’t move. Didn’t breathe, maybe. Just stared — jaw tight, lips parted, like he was trying to commit every line of you to memory. You turned from him slowly and padded across the floor again, the click of your heels replaced by the soft pad of your bare feet.
“I usually take twenty minutes to wind down,” you said over your shoulder, letting your voice stay airy. “You can go if you’re in a rush.” “I’m not,” Spencer replied, too quickly. You smirked. “Didn’t think so.”
You stepped into a deep lunge and twisted, spine curling in a way that left your chest open to the ceiling, fingertips brushing the floor behind you. Breath slow. Controlled.
Out of the corner of your eye, you saw him shift. Not away — just slightly. Like his equilibrium was off.
You lifted into a split, legs extending in opposite directions, toes pointed. Spencer made a sound. It was quiet. Almost nothing. But you heard it.
“You okay over there, Doctor?” you asked, not looking at him. “…Fine,” he managed. “I’ve seen you get shot at with less tension in your voice.” “That’s… different.”
You held the pose a second longer before slowly rising, your thighs flexing with the movement. When you straightened and looked at him, Spencer was definitely no longer pretending to read the titles on the wall.
“Want to join me?” you asked, already stepping toward the barre. “I can help you stretch. Loosen up. You’re a little—” you waved your hand vaguely at his posture, “—tense.” His hands clenched at his sides. “That’s not a good idea.” “Why not?” Spencer licked his lips. “Because I’ve imagined this before.”
You stilled.
He looked instantly mortified. “I didn’t mean—” “No,” you said gently, voice quiet. “Say it.” He took a breath. “I’ve imagined… this. You. Dancing. Stretching. Looking like that. Saying my name like you did earlier.” You tilted your head. “And what happens after that?”
Spencer didn’t speak. He didn’t have to — the flush on his neck was already halfway to his jaw.
You stepped closer. “Let me guess. I do something like this—” you raised your leg and planted your foot on the barre, bending forward slowly over it, deliberately giving him a full view of your ass, your back, the curve of your body. “And then you forget every statistical fact you’ve ever learned?” His breath left him in one sharp exhale. “You’re evil.” “I’m flexible,” you corrected, turning your head just enough to meet his eyes. “You just didn’t know how much.” “I knew,” he said, and his voice had changed. It was lower now. Hungrier. “I’ve always known.” You dropped your leg and turned to face him, stepping closer, chest rising and falling just a little faster now. “Then come here and do something about it.”
Spencer didn’t hesitate this time.
One step. Two.
Then his hand was cupping your face, and he kissed you like the oxygen had finally run out of the room.
Spencer kissed like he solved crimes — intense, focused, and utterly consuming.
Your hands fisted the front of his sweater, pulling him closer, while his fingers trembled against your jaw like he couldn’t decide whether to worship you or ruin you. His mouth slanted over yours again, slower this time, but deeper. Hungrier. Like he hadn’t just imagined this — like he’d memorized it.
“God,” he whispered, pulling back just an inch, breath shaking. “You’re going to kill me.” You grinned against his mouth. “I haven’t even started.”
You reached for his hands and tugged him with you — backward, step by step — until your spine brushed the mirror. The cool glass kissed your shoulder blades, and Spencer’s chest hovered just inches away. He didn’t touch you again until you guided his palms to your waist.
His fingers flexed.
You tilted your head, teasing. “You always this slow, or just with me?” Spencer’s laugh was soft, dangerous. “You think I haven’t wanted to touch you? You think I haven’t stayed up nights imagining how you’d sound if I did this—”
His hands slid down, curved over your hips, gripped tight.
You inhaled sharply, thigh pressing forward between his. “Do it again.”
He did.
And then his mouth was at your neck, tracing every breath you gave him like it was the only thing keeping him grounded. One hand slid behind your thigh, lifted it — and your leg hooked around his hip like instinct.
“You were watching me stretch,” you murmured, rolling your hips against him. “You liked it.” Spencer groaned, forehead dropping to your shoulder. “I liked it too much.” Your laugh was pure sin. “Good.”
You unwrapped your leg and turned — facing the mirror now. You met your own gaze, flushed and wild, then looked at his reflection behind you.
“Want to see something you’ll like even more?” Spencer’s pupils blew wide. “Yes.”
You placed your hands on the barre, leaned forward, and lifted your leg in a smooth, practiced motion — one perfect arabesque, your toes pointed and high, the line of your back arching seductively.
Behind you, Spencer made an unholy sound.
“You’re killing me,” he whispered again, stepping in closer. “You said that already.” “This time I mean it.” You wiggled your hips slightly, playful. “Show me.”
He didn’t need a third invitation.
Spencer’s hands gripped your waist, tugging you back against him — you felt how hard he was, thick and hot through his slacks. He rutted once, just to feel the way you molded against him, and you gasped when his teeth grazed the shell of your ear.
“You stretch like this for your students?” he rasped. “Fuck no.” “Just me?” “Only you.”
His fingers slipped beneath the waistband of your shorts, slow and reverent. When they finally dipped down, he hissed.
“God, you’re wet.” You smirked into the mirror. “I was stretching.”
He swore softly and slid one finger through your folds — teasing, learning you with every stroke. You clenched around nothing, grinding back shamelessly.
Then, with a grip like velvet and steel, he pressed in — one finger first, then another, curling deep, and your hips bucked against him.
“Say my name,” he whispered. “Spencer—”
Again.
“Spencer—fuck, don’t stop—”
He kissed the back of your neck, the line of your spine, even as his fingers worked you open. Then he stepped back just long enough to yank your shorts down and undo his belt, breath jagged. You braced yourself on the barre, legs spread, eyes locked on the mirror in front of you.
And when he pushed in — slow, thick, overwhelming — you both let out matching gasps.
You saw it happen in the glass — how his mouth fell open, how his eyes fluttered shut, how his hands gripped your hips like you were slipping through his fingers.
“Look at you,” he breathed, bottoming out. “Perfect.”
He moved slowly at first, each thrust a study in control. But that didn’t last. Not with how tight you felt. Not with the way you moaned his name like it meant something.
“Just like that,” he panted. “So good—fuck—you feel like heaven—”
The mirror fogged.
The barre creaked.
You broke first — shuddering around him, eyes half-closed, fingers gripping the rail so hard your knuckles turned white.
But he wasn’t done.
Spencer pressed deeper, voice wrecked. “Can I… inside? Please?”
You nodded, barely able to form words.
Spencer’s thrusts grew sloppy, rhythm stuttering as your walls clenched around him, your name tumbling from his lips like a prayer — desperate, reverent, a little broken.
He pulled back just enough to angle deeper, hands sliding to your stomach, drawing your back flush to his chest. His fingers splayed wide across your belly, holding you there while he rutted into you in short, dizzying strokes that made your knees go weak.
You whimpered, eyes fluttering half-shut.
“Okay?” he rasped. “Perfect,” you gasped. “Spencer—please—” He groaned, pressing his forehead to the curve of your neck, breathing hard. “I don’t— I’m not gonna last.” “I don’t want you to,” you whispered.
His breath hitched.
“I want you to lose it,” you murmured, hips pushing back to meet his every thrust. “Right here. Right inside me. Please.”
He cursed under his breath, one hand flying up to the mirror, palm flat, bracing himself above your shoulder. The other dragged down your thigh, grip tight, trembling.
“Can I…?” he choked out. “Can I cum inside you?”
You turned your head just enough to catch his eyes in the glass — wild and dark and hungry.
“Yes,” you breathed. “Please, Spencer. I want to feel you.”
That was it.
He drove into you once, twice — hips stuttering — and then with a low, guttural moan, he buried himself deep and came.
Hard.
Hot pulses spilled into you as he shook against your back, his breath ragged and broken, hips still twitching like he didn’t want to stop. Like he couldn’t. Like he needed you to keep him grounded.
He didn’t move right away.
Just stayed there, wrapped around you, one arm tight at your waist, the other still trembling against the mirror. You could feel his heart hammering through his chest, pressed against your spine.
You reached up, covering his hand with yours on the barre.
He let out a soft, shaky laugh — just one.
Then, in the most wrecked, reverent voice you’d ever heard:
“You make me want to believe in God.”
He stayed buried in you long after the shaking stopped.
Neither of you spoke — just shared air. You could feel the sweat slicking your skin, the rise and fall of his chest against your back, the way his hand tightened slightly around your waist every time your body clenched around the aftershocks.
Your fingers stayed curled around the barre, but your legs were barely holding. Spencer must’ve felt it, because with one last gentle breath against your neck, he shifted.
“Let me…” he murmured, slowly pulling out, catching your hips as you stumbled a little. “Hey—easy. I’ve got you.”
You let him guide you down to the floor, the polished wood cool against your thighs. He knelt beside you like a worshipper, hands hovering, unsure where to touch first.
You laughed quietly. “You can relax, you know. I’m not made of glass.” “You’re definitely not glass,” he muttered. “You’re… titanium. Wrapped in silk.”
You smiled, settling onto your side, hair messily falling from its bun. Spencer sat next to you cross-legged, his hand resting lightly on your knee, his other arm propped behind him. His cheeks were still flushed, curls damp at the edges, lips kiss-swollen and dazed.
You watched him watching you.
“You okay?” you asked, softly.
He looked at you like you were still spinning pirouettes in front of him.
“I think you ruined every ballet performance I’ve ever seen.”
You raised an eyebrow.
“In a good way,” he rushed to clarify. “Like. Nothing will ever compare. That was…” He exhaled. “That was art.” You rolled onto your back with a grin, staring up at the ceiling. “Pretty sure barre sex isn’t in the curriculum.” “Then the curriculum is severely lacking.” You snorted. “You gonna file a complaint?” Spencer leaned over you, arm bracing beside your head. His voice dropped low again — less flustered this time. More sure. “Only if it gets me an encore.” You bit your lip. “You trying to make me a habit, Doctor?”
He bent down and kissed you — slow, unhurried, like he had all the time in the world.
“I think I already did,” he whispered against your mouth. You smiled into the kiss. “That so?” “I’ll be thinking about this the next time you say plié in front of me.” “You always look like you’re thinking.” “Not like this.”
He kissed you again, hand tracing the length of your thigh now, fingers ghosting over the slight tremble there.
“You’re still shaking,” he murmured. “You did that,” you reminded him. His eyes flicked up. “Proud of it.”
He shifted to lie beside you, pulling your leg over his hip, keeping you close. You cuddled in easily, your head resting against his chest.
“You meant it?” you asked quietly. “When you said you imagined this?” Spencer nodded. “More than I care to admit.” You smiled into his skin. “Next time,” you whispered, “don’t wait so long to kiss me.” He groaned, slapping a hand over his eyes. “Please. Let me preserve some of my moral high ground.” You giggled, then leaned up just enough to murmur near his ear: “Studio’s always unlocked after dark, Doctor.”
His breath caught. You felt him grin
You giggled.
But then he turned, serious again — brushing a strand of hair from your cheek, looking at you like you were the most fascinating thing he'd ever seen.
“You’re breathtaking,” he said softly.
You blinked.
He kissed your forehead.
“You move like poetry. Like muscle memory and emotion fused into something… divine.”
You stared at him.
“I’m literally still dripping with your cum and you’re out here writing sonnets?” Spencer shrugged, flushed but unashamed. “I’m a man of many talents.”
You laughed — full, warm, glowing.
“I know,” you said. “Trust me. I know.”
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ssa-dado · 4 months ago
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Breaking down Hotch's apartment layout until someone from Criminal Minds slides into my DMs with the damn floorplans
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- CASE BRIEFING: HOW HOTCH'S APARTMENT GASLIT US ALL
As an architecture student, I have a very strong (borderline obsessive) interest in analyzing spaces and locations... especially when they don’t quite add up. And one that has always messed with my brain (sometimes in a good way, but mostly in a frustrating way) is Hotch’s apartment from seasons 4–11.
The transformation from the bare, depressing space in s5 to the warm, cozy atmosphere with antique furniture and clever spatial tricks later on… it’s fascinating.
But also confusing as hell.
Because one question has always haunted me:
Is the apartment we see in Season 4/5 (where Hotch was stabbed and possibly SA’d) the same one he’s living in by Season 10?
(And since I’m a visual learner, here are the pics, because this mystery needs solving... I'll try my best)
(05x01 ; 10x05 don't zoom in, you freaks)
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Seems easy to solve, right? The civil number is the same! Great.
121
...But hold on - what’s this?
(07x23)
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...Damn, Aaron, your mailman must be going through it - 121? 123? Pick a struggle.
So… is it the same apartment or not? Because at this point, I’m losing my mind.
- VICTIMOLOGY (TYPOLOGY)
As you all know, the starting point is always victimology—but in architecture, my go-to is typology.
So, what kind of apartment building does Hotch live in?
Because once we figure that out, we can finally make sense of all the architectural crimes committed in his apartment.
We get a glimpse of his building in 5x02, and - without dragging you through a full historical deep dive (unless you want me to, in which case, buckle up) - here’s what we do know: it looks like this...
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The building looks pre-WWII, likely built in the late 1920s–1930s, or designed more recently to mimic that era.
My guess is primarily based on the architectural detailing of the ground floor - the stonework, arches, and classical elements that give it a grander, more “expensive” look - and the distinct visual separation from the upper levels.
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Spencer Reid moment - you can skip it if you'd like -> This actually follows a common design principle (partly influenced by Louis Sullivan’s theories) where different sections of a building reflect their function. The ground floor, being more public-facing, is more decorative and inviting, while the upper floors (where the apartments are) are plainer, emphasizing privacy.
However, the upper levels look stripped down, almost too plain, like they went through a more recent renovation that removed some of the og character. While it was normal in the 1920s/30s to emphasize the lower level, the upper floors would still have had some kind of textured finish brick, terracotta, or even decorative stone accents. Instead, here, it looks like someone just painted over everything... a bit sad, honestly… much like the man living in one of these apartments. Sorry Hotch but it is the truth.
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That said, based on the photos, I hypothesized a possible volumetry diagram and main floor plan of the apartment building, including its functions and layout.
Knowing that Hotch lives in 121 (or 123… whatever it is today), he could very well be on the first floor. Old man isn’t about to risk climbing seven flights of stairs, understandable.
(Or, if we lean into the conspiracy theory that he has childhood trauma related to fire, it’s very telling that he chose a first-floor unit, making for an easier escape in case of danger…)
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Our lovely Emily Prentiss gave us a sneak peek at the ground floor interior in 5x01, which - combined with a study of the window placement on the facade - helped me piece together a small section of the central layout.
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From what we see, I feel even more confident about the building’s era - especially because of the beautiful wooden decorated elevators (yes, those are elevators, not doors... check the buttons on the side)
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And now, for another Spencer Reid moment, part two -> In the early 1900s, when elevators were first being introduced in residential buildings, they didn’t look like the modern ones we see today.
Why?
Because men fear change.
Just like with any new technology, people were hesitant, so architects and designers made elevators blend in by disguising them as something more familiar - often looking like grand wooden doors or classic entryways rather than the industrial metal boxes we think of today.
This same pattern happened with building structures - steel (and concrete too!) was widely adopted in the early 1900s because of its strength, allowing for taller buildings, but architects still hid the steel frame behind stone or brick facades to maintain the look of traditional palaces. Even early cars looked like carriages because people weren’t ready to embrace a completely new form.
So, Hotch’s apartment building? It’s yet another classic case of early 20th-century architectural reluctance to embrace modernity - which, honestly, fits him a little too well. The man bottles up his emotions behind the calmest face just like his home hides its innovations behind classic detailing.
I see you, Aaron. You’re not fooling me.
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Now, you may be asking - "Phi, weren’t you supposed to expose all the inconsistencies in Hotch’s apartment and finally solve whether it’s the same place or if they changed it?"
To that, I say… we’re getting there.
Because before we dive into the madness, there’s something that really messes with my brain - the window placement in Hotch’s apartment.
But to even begin analyzing that, we first need to understand how a typical floor plan in a building like this would be structured. And once again, our queen Emily Prentiss in 5x01 unknowingly led us straight to the answer.
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The bastard even has a vaulted ceiling - right where I believe the main distribution area (aka elevators and stairs) is located. You can spot it in the pictures near the exit signs.
Also, just a heads-up... in the diagrams, the apartments look smaller than they actually are because I was too lazy to make multiple detailed drawings. (But hey, if someone paid me - hi, CM - I absolutely would) So, for now, I’m using that as a quick reference.
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Now… the interior! Or should I say… the everchanging interior.
In this issue, I’ll be analyzing the Season 5 version - I even sketched out a small section of the floor plan (which could be completely wrong, because things change every episode).
From these pics, we can see that his windows are on the opposite side of the entrance - which, so far, checks out.
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But wait... look down here! Check out the window placement in the kitchen. Thanks to that little detail, we can hypothesize that Hotch’s apartment is located in what I’ve labeled as "Unit B" - aka the unit with double exposure (great for ventilation, Aaron, solid choice).
From this pic down here from the s4 finale, we also get a fun little bonus detail - there’s what looks like a tiny dryer (or washing machine?) just sitting out in plain sight. And right behind Hotch, there’s a door that, based on the dimensions, I suspect leads to a bathroom.
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Enough details to sketch out a partial floor plan… and there you have it!
A (partial) floor plan of Hotch’s apartment in its saddest era: bare, empty, and drowning in case files from seasons 4–5
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And seeing more of his apartment in later seasons should be a blessing, right? It should help us map out the whole thing, right?...
Right?
...Wait.
Is that... a full-ass door on the right that totally wasn’t there before?!
Aaron, you hypocrite - you shut down Spencer Reid’s physics magic, yet here you are summoning entire new rooms into existence in your apartment.
(05x02 ; 10x05)
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Alright, fine... where does that door lead?
(10x20)
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Hot damn.
Referring to the home office, of course… and here’s some solid proof of its placement. Now, I’m gonna… step away for a minute… process... this... architectural betrayal… but YOU - you make sure to study these pics. I’ll be quizzing you later, got it?
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Alright… and now… now that you’ve hopefully been studying (and totally not getting distracted by Hotch’s shirt hanging on for dear life - OMG LOOK AT THE [REDACTED])… focus.
You nasty.
Window placement.
Where’s the home office window? Exactly... on the same side as the others in the living and dining area (you can tell by the way the light enters the room in the pic on the right)
And since you’re all very interested in the architecture (and definitely not drooling over a certain Unit Chief), let me ask you this:
WHY THE HELL IS THERE A WHOLE FIREPLACE IN HIS HOME OFFICE?!
Don’t worry - I’ll answer for you. Since y’all are nasty.
Can I just say that it UPSETS ME to the point where I’m considering a 30-day diet of just drywall that THAT MAN - THAT FEDERAL AGENT - HAS A FIREPLACE. IN HIS HOME OFFICE.
(HELLO?!?!?!?!?? Whore.)
Unhinged. Because:
1. A fireplace is quite literally a symbol of family and warmth (fun fact: Frank Lloyd Wright always designed homes starting with the fireplace! Oh, wait. You might not know who that is, so now this just sounds confusing. My bad. Anyway, he designed a lot of cool stuff... moving on). A fireplace belongs in a living room or dining area, where people actually gather. And considering Hotch’s building is old, there is no way it was originally designed to have one in a private office. That placement is categorically wrong. You’re a terrible designer if you stick a fireplace in an isolated office but not in the main living space where it actually makes sense.
2. The writers could try to lie to my face and say, “Oh, maybe the room was repurposed into Hotch’s home office.”Wrong. His apartment has a big open-concept living/dining area with the kitchen on the side. And unless his place is secretly Rossi’s mansion (spoiler: it’s not), there’s no way the original layout had a separate formal dining room. And even if it did, the fireplace is still in the wrong damn place because formal dining rooms are typically closer to the entry.
3. They could lie even harder and try to argue that Hotch having a fireplace in his office is some deep, symbolic artistic choice - like, oh, he’s so devoted to his job, he’d rather warm his ass doing paperwork than sit by the fire reading Jack a bedtime story like a decent human being. Like. Come on. He’s a family man, for god’s sake. Either give him a properly placed fireplace or JUST DON’T GIVE HIM ONE AT ALL.
(Less is more, people!!! Unless, of course, we’re talking about Hotch’s [REDACTED]... oof. Damn censorship. Right when I was about to say something deeply unholy. )
Goodbye. See you in the next issue.
Hopefully by the end of this series we'll manage to sketch down the entire floorplan
Phi.
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