#specifically: jane's death.)

[fideidefenswhore]

Anne's ability to hold the king off for seven years is part of her legend. The brilliance of her strategy was to cast herself in the role of the courtly lady, requiring Henry to play to perfect knight. Henry was nothing if not dogged in the pursuit of all the roles in which he cast himself—philosopher-king, warrior, even husband—and 'this persona of courtly lover...was fully formed in Henry and had been signaling...for an answering adept to come and lift its latch. In Anne, he had her: she was the mistress of Petrarchan contraries [...] the perfect [player] for the king's tender interest.'

Renaissance Prince: Elizabeth, Lisa Hilton

[shadowedvales]

there is something so important to me about jane going from the title of "the mage" when she's a child, to becoming more akin to a witch when she's an adult. something about her having that mythical vibe, an air of mystery about her [specifically after closing the gate, and the physical scars it leaves on her neck + hands] and an overall magical presence. her powers and abilities becoming more natural rather than science based after she learns to control them in a way that makes her comfortable, rather than feeling forced. even when she loses them at sixteen, and lives without them for about ten years, she still has that spirit about her. if jane lived long enough, she would absolutely fall under the category of "green/woodland witch" [probably would've moved into a cottage in the woods somewhere fr just for that peace and quiet. because she was never made for the modern world y'know. she gave it her best shot, it was never meant to be!] presenting a hippie / bohemian aesthetic in terms of clothing, furnishings in her home, the way she physically moves and her overall perception of the world. she would get in touch with her spiritual side, practising things like tarot reading, cleansing rituals, and divination. not that she needs to physically have her powers at this point to practise these things and live that sort of life, but it helps her get in touch with her emotions properly, and really gets her down that cathartic path that no amount of therapy or "modern" techniques could truly achieve. she becomes soooo ethereal can u believe it!!

[lyssitalennon]

I'm officially turning into my mother I started watching ER and ghost whisper and law & order SVU if you ever see me post about Gray's anatomy take me out back like a sick horse!!!!!

[gingerhastoomanyobsessions]

tfw you have an art idea that is wayyy beyond your skill level

[wonder-worker]

A central element of the myth of [Eleanor of Aquitaine] is that of her exceptionalism. Historians and Eleanor biographers have tended to take literally Richard of Devizes’s conventional panegyric of her as ‘an incomparable woman’ [and] a woman out of her time. […] Amazement at Eleanor’s power and independence is born from a presentism that assumes generally that the Middle Ages were a backward age, and specifically that medieval women were all downtrodden and marginalized. Eleanor’s career can, from such a perspective, only be explained by assuming that she was an exception who rose by sheer force of personality above the restrictions placed upon twelfth-century women.

-Michael R. Evans, Inventing Eleanor: The Medieval and Post-Medieval Image of Eleanor of Aquitaine

"...The idea of Eleanor’s exceptionalism rests on an assumption that women of her age were powerless. On the contrary, in Western Europe before the twelfth century there were ‘no really effective barriers to the capacity of women to exercise power; they appear as military leaders, judges, castellans, controllers of property’. […] In an important article published in 1992, Jane Martindale sought to locate Eleanor in context, stripping away much of the conjecture that had grown up around her, and returning to primary sources, including her charters. Martindale also demonstrated how Eleanor was not out of the ordinary for a twelfth-century queen either in the extent of her power or in the criticisms levelled against her.

If we look at Eleanor’s predecessors as Anglo-Norman queens of England, we find many examples of women wielding political power. Matilda of Flanders (wife of William the Conqueror) acted as regent in Normandy during his frequent absences in England following the Conquest, and [the first wife of Henry I, Matilda of Scotland, played some role in governing England during her husband's absences], while during the civil war of Stephen’s reign Matilda of Boulogne led the fight for a time on behalf of her royal husband, who had been captured by the forces of the empress. And if we wish to seek a rebel woman, we need look no further than Juliana, illegitimate daughter of Henry I, who attempted to assassinate him with a crossbow, or Adèle of Champagne, the third wife of Louis VII, who ‘[a]t the moment when Henry II held Eleanor of Aquitaine in jail for her revolt … led a revolt with her brothers against her son, Philip II'.

Eleanor is, therefore, less the exception than the rule – albeit an extreme example of that rule. This can be illustrated by comparing her with a twelfth century woman who has attracted less literary and historical attention. Adela of Blois died in 1137, the year of Eleanor’s marriage to Louis VII. […] The chronicle and charter evidence reveals Adela to have ‘legitimately exercised the powers of comital lordship’ in the domains of Blois-Champagne, both in consort with her husband and alone during his absence on crusade and after his death. […] There was, however, nothing atypical about the nature of Adela’s power. In the words of her biographer Kimberley LoPrete, ‘while the extent of Adela’s powers and the political impact of her actions were exceptional for a woman of her day (and indeed for most men), the sources of her powers and the activities she engaged in were not fundamentally different from those of other women of lordly rank’. These words could equally apply to Eleanor; the extent of her power, as heiress to the richest lordship in France, wife of two kings and mother of two or three more, was remarkable, but the nature of her power was not exceptional. Other noble or royal women governed, arranged marriages and alliances, and were patrons of the church. Eleanor represents one end of a continuum, not an isolated outlier."

[watermel0ns-dumb-cringe]

(,,uhuh tw. brief mentions/implications of s/a.)

DO YOU FUCKING KNOW WHAT ISNT TALKED ABOUT ENOUGH THAT INFURIATES ME??

Constance's arc in RTC. Literally nobody talks about it and waters her down to just being the nice mom friend™️ which completely undermines the arc she goes through of both

1. Reclaiming her innocence. Throughout the musical there's a LOT of moments that can represent that arc up until sugar cloud

2. How she wasn't happy with her life and didn't realize the good of it until her dying moments. plagued by that thought until she reaches true happiness now knowing she had a good life in sugar cloud

GGGGOD sometimes the blatant undermining of the arcs each character has (,,excluding Jane. I don't think she ever really had an arc; just. Left in despair only knowing her death and the mourning of something she can't remember, wondering if god itself had abandoned her) me so INFURRIATED LIKE RAGHAJRHRRRUJS THERE'S SO MUCH ANALYSIS POTENTIAL AND THEYRE ALL SO WELL WRITTEN TO BE RELATEABLE IN SOME SHAPE OR FORM

Connie was not all just sunshine & rainbows she was going through the mental WRINGER and struggling with her self-loathing & depression up until her death. She probably still dealt with it throughout the musical — now being plagued by even more secrets to keep & the self loathing of what happened just three hours before. (,,example is. the one scene after Ocean goes "We all died virgins" & Karnak pressures Constance a bit. God that scene makes me so ☹️)

She doesn't like. Fully reclaim her innocence & happiness until sugar cloud — which I like to personally think her letting her hair down is representation of her slowly starting to let go of it all. Just. Truly starting to feel happy, like a little kid again. Realizing she had a good life and appreciating what she had now that she's gone. What she went through doesn't define her. Therefore, she doesn't let it hold her back. Letting that inner child out for whats probably the first time in a LONG time.

And I think that's just. A really beautiful thing to her character that gets ignored a lot; which to me is one of the more relatable aspects of her character. Not realizing how much you love everything until something bad happens. From the smallest things like the feeling of getting into bed after a long day— your body finally relaxing after throbbing with pain & exhaustion all day, or even just seeing the smile on a family/friend's face after not seeing them for a while— to the more specific things such as seeing people being happy around you. Happy to be with you. All while knowing what you've gone through doesn't define who you are; letting that little kid inside of you out into the world to truly feel the warmth of the sun.

God sorry I just absolutely love Constance jawbreaker/sugar cloud had me BAWLING the first few times I heard it and I'm not prepared to sob over it again when I see RTC in february,, anyways THIS FUCKASS FANDOM NEEDS TO STOP UNDERMINING ARCS AND REALLY ANALYZE THE CHARACTERS MORE RAGGHHHHHHH

[stevie-petey]

episode nine: the good

Soon it’s just you and Steve. You work around one another, anticipating each other’s next move, never getting in the way. Soft music plays from the record player that sits in the den. Steve puts on one of his father’s old records, gentle rock and delicate jazz. You hum to yourself, he hums with you, and it’s a peaceful morning. Until Richard and May Harrington walk in. Neither of you notice them at first. Steve is too busy spinning you around, playfully dipping you as the music comes to a grand crescendo. You’re laughing breathlessly, but soon your laughter turns into a yelp when Steve sees his parents standing in the doorway and drops you.

Summary: the party battles the horrors of high school and leave you stranded, tw: applying for college is harder than fighting literal demons (you would know, youve done it), jonathan joins your nightmare blunt rotation, max worries you, and steve solidifies his position of Best Boyfriend in the World as you slowly fall apart (though is anyone really surprised ??).

Rating: general, some swearing

Warnings: cursing, allusions to previous character death

Words: 11.2k idk how or why i needed to say so much

Before you swing in: we're here !!! FINALLY at the end of season 3 <3333 im so so so excited to present to you the groundwork for what i have planned for season 4 ;) it will be ... a lot. the season is huge, its difficult and scary, and i did my best to try and capture its dread and ominous sense of doom in this chapter. please enjoy and bear with me as i prepare for season 4. unsure when i will be done planning her, but i PROMISE itll be worth it !!

-

“Are you sure Ms. Bote is nice?”

“Yes.”

“And that Mr. Cune won’t question the hat?”

“Yes, Dustin.”

“And you’re absolutely sure we have lunch together?”

“Yes.” You tighten the straps on your mary janes and give your brother an exasperated look. All morning he’s been freaking out about his first day of high school. You understand his fear, it’s scary starting at a new school, but you’ve answered all his questions a million times by now and Steve is supposed to be here any second. “We need to go, buddy.”

Dustin shoves a pancake into his mouth, wiping his face with the back of his hand in a disgusting manner. “Wait, but what about my backpack–”

“I have it, Dusty!” Your mother walks into the kitchen and hands it to him. She kisses his mess of curls and strokes your cheek. “Are my darlings ready for their first day of school?”

“No.” You and Dustin say at the same time, which your mother frowns at. 

Dustin adjusts his backpack and gives you an odd look. “Why are you nervous? It’s not like you’re being blindly thrown into a den of hormonal creatures out for blood. You’re old now, they’ll leave you alone!” 

“Trust me, the college admissions process is a worse monster than school bullies.” You grab your own backpack and start heading towards the front door. “I have to start planning what to write, I–I need more clubs, and projects, and–”

The anxiety overwhelms you. It always starts like this: talk about college, you fall down a hole of uncertainty and dread and fear. It’s been like this ever since Jonathan moved away. The minute the Byers moved, you threw yourself into preparing for college. Rationally, you know it’s your poor way of coping with all the sudden change in your life. You don’t need a psychological research journal to tell you that. In a futile attempt to control your future, you’ve become obsessed with college. 

New York University, specifically. 

Jonathan has always dreamed of attending, and when you met him, it became your dream, too. 

“Okay, dear. Settle down, now.” Your mother places a hand on your shoulder and laughs nervously. She has about five seconds before you collapse into a mess of college admissions rambling and despair. “Let’s go outside and find that wonderful Stevie!”

Your body is shoved out the front door alongside Dustin’s. Steve’s car is parked, he stands outside it, arms crossed and a grin on his face. Your body relaxes when you see him, the buzz of anxiety dims. He’s wearing his Family Video vest, the green makes his tanned skin glow.

“She’s doing it again.” Dustin tells him, tossing his backpack into the backseat.

Steve winces. He knows exactly what your brother is referring to. He’s been at the other end of far too many anxious phone calls at three in the morning. “College?”

“Yeah, she almost had a meltdown in the kitchen.”

“I can hear you both, you know.” Though you try to seem fine, keep up the annoyance, you stand next to Steve and rest your head on his shoulder anyways. He wraps an arm around you and kisses your forehead. 

Steve rubs your arm and makes a sympathetic noise. Your mother, seeing how he holds you, squeals. “Oh, stay just like that, hold on!”

“Mom, what–” But your mother ignores you and runs back inside the house. You look at Dustin, terrified. “She’s not…”

He shakes his head at you. He leans against the car next to you and crosses his arms, mimicking Steve’s earlier stance.  “She’s mom. Of course she is.”

“What are you guys talking about–” A flash of light momentarily blinds Steve, and he flinches. “Woah, alright.”

“Smile, kids!” Another camera flash, and your mother coos as you, Steve, and Dustin awkwardly shuffle into frame. It’s not that the three of you dislike being near the other, it’s the fact that it’s seven in the morning and neither you nor Dustin are ready for the day ahead. Steve smiles, though. “That’s it! Everyone say, ‘happy first day of school’!”

A mess of incoherent mumbling follows your mothers command, but she doesn’t let it bother her. She takes a million pictures, preens when she sees Steve smile even wider, and she has to hold back tears. Her babies are all grown up. Dustin is a freshman now, and you’re a senior.

“Alright, Mrs. Henderson,” Steve has to quickly blink, trying to regain his eyesight. He adores the woman, he knows he’s become her favorite, but he really needs to get you to school before his shift at Family Video starts. “I have no doubt you’ve already taken the best picture ever.”

“Aw, just one more–”

“Mom.” Dustin clears his throat, urging her to stop, and she sighs. 

Your mother kisses Dustin’s head, then yours, and wishes you a good first day before getting into her own car to drive to work. “Bye, kids!”

You all wave at her, and Steve opens the car door for you. Once you’re seated, he goes to the driver’s side and tells Dustin to get in the back. The engine starts, soft music plays from Steve’s radio, and soon the three of you are driving towards Hawkins high. 

“No Robin?” You ask Steve after a few minutes of silence. He’s grown rather close to the girl, working together all summer, so you had expected her to drive with you guys to school. When you and him officially got together, Robin made the two of you promise that you wouldn’t abandon her. It was an irrational fear, you love Robin dearly, but you made sure to spend time with her and Steve equally anyways. 

“She has band practice this morning,” Steve responds. “So it’s just me and the Hendersons today.”

Dustin shoves his head in between the two of you. His seatbelt strains against his chest, but he doesn’t care. He’s on a mission to get as much information as he possibly can. He refuses to go into high school blind and pathetic. “Steve, you were once popular.”

“Why the past tense? I mean, I’d consider myself still pretty well liked–”

“I need you to tell me what you did that led to your demise so I can avoid doing the same.”

You snort and Steve sighs. The kid really keeps him humble. He stops at a light, looks at Dustin through the rearview mirror, and shakes his head. “What makes you think it was anything I did?”

“Kid’s got a point,” you say from the passenger seat. Steve gives you an offended look and you raise your hands in surrender. “Hey, all I’m saying is that I also don’t really know what happened. You’ve got a track record of pissing off the wrong people. One minute you were King Steve, the next you were shunned.”

Steve groans. “You people have no faith in me.” He can feel you and Dustin staring at him, unbelieving. He hates when the two of you team up against him; it makes it harder for him to lie. Truthfully, he doesn’t want to tell you what happened. Not because he’s embarrassed, or ashamed, even. 

He knows it will only upset you. Reopen wounds. 

But you and Dustin keep staring at Steve and there’s still at least ten minutes left of the drive. Weighing his options, Steve figures it’s best if he just tells the truth. Like ripping off a bandaid, knowing the pain will be there regardless of how long you stall. “Okay, fine.” He scratches his nose, clears his throat. “It was, uh. Because of Billy.”

The temperature in the car drops. It’s suddenly ice cold. 

Dustin slowly leans back against his seat. Steve faces ahead, eyes on the road, but he watches you from his periphery. No one has mentioned Billy since his death, at least not in front of you or Max. 

Especially Max. 

They wait for you to react. To tense up, ball your hands into fists and wipe away tears. They expect the guilt you’ve barely kept hidden to resurface, but you don’t do any of that. Instead, you surprise them. “Can’t believe you let a mullet defeat you.”

Steve isn’t sure if he’s allowed to laugh at first, worried it’s some bizarre test of yours. But he sees the smile on your face, albeit forced and terse, but he knows you’re trying. So he plays along, relieved that you’re doing what you can. “I don’t know, I thought the mullet looked pretty good.”

“Get a mullet and see how fast I leave you.”

Dustin nods in agreement, Steve shakes his head with a laugh, and the temperature in the car returns. There’s still a slight chill in the air, there will always be a slight chill, but you pull your jacket tighter around you and ignore it. 

When you get to the school, Dustin stares at the hounds of teens all walking through the parking lot. He gulps, tightens his hands around his backpack, and you try to ease his apprehension. 

“Hey, look at me.” He does, and you extend your arm, offering a handshake. Dustin eyes you wearily, but reluctantly he shakes your hand. You nod at him, hand firm around his. “It’s just you and me. And Lucas. Max, too. Unfortunately, possibly Mike. Copy?”

“Copy.” Dustin releases your hand and salutes you. He pushes his hat down, takes a deep breath, and unbuckles his seatbelt. “Let’s go.”

“Good luck, little Henderson.” Steve salutes him as well before turning to you. He presses his lips to yours, hums, a soft smile on his face. “And good luck, angel.”

Ignoring Dustin’s dramatic gagging in the back, you squeeze Steve’s hand and smile back at him. “Thanks, honey. Have a good day at work.”

Dustin nearly falls out of the car with how fast he scrambles out of it. He’s about to ban all forms of physical affection between you and Steve. It’s disgusting. No one wants to see any of that. You follow after your brother and exit the car.

You only make it a few feet before Steve rolls down the car window and shouts, “I love you!”

A few students in the parking lot turn, and their faces contort into shock when they see none other than Steve Harrington. He waves at them, cocky as always, and you’re both mortified and so in love. He may have lost his crown, but he will always be the king. While Dustin ducks his head down in embarrassment, you wink at Steve. “I love you, too!”

“You’re going to be the reason I end up getting thrown into a dumpster on my first day.”

“Aw, is Dusty-bun jealous?”

“Go die.”

–

The entire day it feels like you’re missing something. 

When you get to homeroom, there isn’t a seat saved for you at the front. When the physics teacher drops his chalk five times within the first five minutes, there isn’t anyone to tease you for your poorly contained snicker. In the library, you’re forced to sit in a corner because there’s no one to share the plush sofa with. 

There’s no one who whispers answers to you during calculus. No one who hooks their foot around your desk’s leg. No one who doodles in your notebook just to get you to laugh. 

Jonathan’s absence is palpable. 

You knew it would feel weird, starting senior year without him, but you didn’t think it’d feel so lonely, either. Empty. Unfinished. 

By the time lunch comes, you’re slowly losing your mind. You need someone to talk to. Robin and Nancy don’t share any classes with you, Jonathan had been your only real friend at Hawkins, and now you’re paying the price. 

You’re the first one at the lunch table, which you figure is a good thing. Earlier in the week you and the party had all agreed to sit together at lunch, you’d been excited to finally share the same school building as them. However, you hadn’t wanted to hover over them. You wanted them to branch out, meet new people, so lunch was your agreed upon time with them. 

The lunch room fills with students and you wait anxiously for the rest of the party. You’re excited to see them, ask how their days are going, maybe even gossip about the freshmen, but when they arrive it’s almost as if a tornado rips right through you. 

“There you are!” Dustin finds you first and slides into the seat next to you, nearly causing you to face plant into the ground. “Look, we gotta talk.”

You frown. “Okay, is everything–”

“We can’t stay and eat.” Mike cuts to the chase, not even bothering to sit down. Lucas stands behind him, quiet and nervous.

“What, why?”

“Eddie Munson wants to meet us.” Dustin says the boy’s name as if you should know him. But you don’t, and now you’re really confused. What does he have to do with any of this?

“Eddie…?”

Mike rolls his eyes at you. “Eddie Munson, Hellfire club, DnD?” When he sees that nothing he’s saying makes any sense to you, he huffs. “Seriously, do you not know anything?”

You throw a chip at him, hurt. “I was in choir, not some stupid DnD club.”

“Hellfire club isn’t stupid–”

“Anyways!” Dustin cuts the fight short. There isn’t time for you and Mike to argue right now. “Eddie is the dungeon master, and he’s recruiting us to join his party! We–we gotta go and meet him, Y/N. He doesn’t just let plebe freshmen like us join.”

“He’s legendary.” Mike says, and sadly you know he means it. It’s not often someone has the boy’s full admiration. Mike is hard to impress, and this Eddie guy seems to have him wrapped around his finger already.

Dustin stares up at you, eyes pleading to understand, and you know you can’t ruin this for him. Only hours ago he had been terrified of his first day, and now he’s almost vibrating with excitement over the possibility of joining some club. There will be people there like him, others interested in what he loves, and you can’t let your own loneliness ruin that. 

“Well,” you clear your throat, try to appear excited for the boys. “Go see Eddie, then.”

“You sure?” Dustin doesn’t want to just leave, he knows you were looking forward to lunch today. He’ll stay if you need him to, he’s sure Mike can talk his way in with Eddie. 

You smile at him, force your voice to be light. They’re growing up. You all are. “I’m sure, it’s your first day. You’re supposed to be joining a bunch of clubs, it’s a good way to make friends. I’m proud of you. Seriously.”

Dustin isn’t entirely convinced, but Mike has already grabbed his arm to go and find Eddie. He turns to Lucas, beckons him to follow. “C’mon, dude.”

“I’ll-uh. Follow in a sec.” Mike gives him an odd look, but Lucas is already sitting down next to you. Seeing this, Mike gives up and leaves with Dustin. As soon as they’re gone, Lucas lowers his voice and leans in close to you. “Hey, do you, uh. Know Jason Carver?”

The scent of chocolate ice cream infiltrates your nose, the sound of it colliding into the teen’s pants rings in your ears. The memory of it is tangible, and you have to hold back a laugh. Yeah, you know Jason Carver. “I mean, we aren’t friends, but we know each other. Why?”

“Do you…” Lucas looks around, making sure Mike and Dustin really are gone, before he continues. “Do you think he’d let me join the basketball team?”

You’re surprised. Sure, Lucas has always shown an interest in the sport. He plays with Steve sometimes, they trade cards, but you didn’t think he’d be interested in the school’s team. “Oh.” Then, you realize why he’s stayed behind. “You don’t want to join Hellfire, do you?”

“I know I’m just a freshman, and–and Mike would probably call me dumb for wanting to even try out, but. I don’t know. I think… I think I could be really good on the team. Might make high school easier.”

“Then you should go for it,” you reassure Lucas. He’s always been so careful to not upset others. He’s loyal, down to his very core, you understand the fear that doing something for yourself brings. “Jason isn’t so bad. A bit much, but kind. He’s a team player, and I think they'd be lucky to have someone like you.”

Lucas smiles shyly at you. “Really?”

“Really. Now, go and find the guy. Ask him when try-outs are, and I’ll talk to Steve about practicing more with you. How’s that sound?”

“You’re the best!” Lucas gives you a quick hug, already getting out of his seat, and runs right into Max. They collide, he manages to save her from falling, and he laughs sheepishly. “Sorry, you okay?”

Max nods, silent, and immediately you and Lucas know that today is one of her bad days. Her eyes are sunken in, it doesn’t look like she got any sleep last night. She sits down next to you, and you nod at Lucas, signaling to him that it’s okay if he leaves. You’ll take care of her. 

Lucas hesitates, unsure, but reluctantly leaves when you nod at him once more, urging. If it was anyone else, he would stay, but it’s you. Besides Lucas, you’re the only other person Max talks to. You’ll stay with her, Lucas deserves to go and branch out like Mike and Dustin are.

“So, did you know about Lucas wanting to join the basketball team?” You turn to Max once the boy has left. She shrugs, picks at the food in front of her. It’s the most response you’ll get from her, and you sigh. “You don’t want to be here either, do you?”

She looks up at you, alarmed that you caught on so fast, and you just shake your head at her. You dig into your backpack, take out some cookies you baked the night before. They were supposed to be for all the kids today, but they’ve all left and Max needs them more right now. “Here, take these. Go to the left stairwell, next to the choir room. No one goes there during lunch, it’s quiet.”

“Thank you,” Max exhales with relief, taking the baked goods from you. Tears lump in her throat, she doesn’t know how you always manage to do this. To see through her, always say the right thing. 

“Of course, my dear.” You risk touching her face, she’s cold, but she closes her eyes and breathes in at the comfort. “I expect to see you at Bookstrordinary after school today, though.”

Somehow Max laughs, and the action hurts her to do so. It’s becoming harder and harder to bear the sound of her own happiness. But she nods at you, understanding that it’s an order she can’t disobey, and leaves. 

Then it’s just you at the lunch table. Alone. 

Nancy is at yearbook, she’s told you all about her grand plan of reforming the club into something more than just homecoming polls and gossip panels. Robin is at yet another band practice, preparing for the annual back to school pep rally later this week. Steve is at Family Video, bored out of his mind, both of you wishing he were here instead. 

And Jonathan is across the country, at an entirely different school, aching to be near you again. 

The thought of him in California only intensifies the loneliness that you feel. The feeling overwhelms you, and before it can swallow you whole, you dig through your backpack once more. Your fingers shake as you rustle through the notebooks and textbooks, and they clutch desperately at your walkman when you finally find it. The mixtape Jonathan made for you before he left sits within it. 

You quickly place the headphones over your head, muffling the sounds of the cafeteria around you. Your fingers find the play button with practiced ease, and soon the beginning notes of the Beatles play through the wire and into your headphones.

The song soothes you, it quiets what you don’t want to hear; it makes you smile. The mixtape is all you’ve been listening to ever since Jonathan left. Though it can never replace his presence, it’s enough for now. 

You stare at the empty seats around you. John Lennon’s voice floats through your ears. 

Welcome to senior year.

– 

Miraculously, it’s Nancy you lean on the most as the autumn leaves turn orange and the summer’s heat dies down. She finds you later during your first week, grabbing lunch from your locker, and she stops you. 

“Don’t tell me you’re going to spend another lunch alone.” Nancy has never been one to greet someone. She always gets straight to the point, a quality that you normally admire.

However, you feel embarrassment rise within you, slightly off put by the cruel words. Sure, you’re not necessarily thrilled that you’ve spent your first few days of senior year alone, but you didn’t need Nancy reminding you of that. “Hello to you too, Nance.”

“Shit, I didn’t mean to offend you.” She holds her notebook close to her chest and looks down in shame. It’s weird, there’s a distance between you that has only seemed to widen despite how hard the two of you try to bridge it. For a while things were good, great, even. She was genuinely your friend, but sometimes insecurities can hurt the ones people love the most. 

“Not really sure how I was meant to take that.” You close your locker and try to excuse yourself. You’re exhausted, you hardly slept the night before. “Look, I should go. I stayed up all night working on stupid college applications and I just… I’m tired.”

Nancy’s posture straightens, eager to grab onto any opportunity to amend things with you. “I can read over whatever you have.” When you raise your eyebrows at her, she quickly backtracks, worried she’s overstepped. “I–I mean, that is, if you want. Not that you need the help! It’s just–”

She forces herself to stop. She’s rushing her words, messing it all up. Her shoulders drop, Nancy takes a deep breath and looks you in the eye. She never apologized for her words earlier this summer. The way she sneered venom at you, but she’s carried the guilt of it ever since. “I’m… trying. I promise I am.”

Nancy Wheeler and Jonathan Byers have never handled vulnerability well. It’s what made you stand out against them, set you apart, and you can’t help but find this quality in them endearing. You know that Nancy is trying to go back to how things were, before one phone call between the two of you revealed the unspoken resentment she held. 

You never blamed her for any of it. But you know she blames herself, and Jonathan’s absence doesn’t help; both of you miss him, neither of you can afford to lose anyone else. 

So you try as well.

“I’ll let you read over what I have only if you let me read what you’ve written as well.” You nudge her shoulder with yours, getting her to finally smile. “I’m curious to see what that brain of yours has thought of already.”

Nancy laughs, relieved. “Definitely nothing as creative as whatever you’ve written.”

“We’ll see about that, Wheeler.”

Soon you find yourself in the yearbook room. Nancy introduces you to some kid named Fred, who moons over her the entire time you’re there, though she doesn’t seem to notice. She’s too busy reading through your ideas, and you find yourself admiring her side profile. The way her eyelashes kiss her brows, the soft cherry on her lips.

Nancy is beautiful. You understand how Jonathan and Fred and Steve and countless other guys in Hawkins have lost their minds over her. 

You read through portions of Nancy’s writing, and the two of you sit quietly side by side editing the essays. She marks some things down, crosses out some lines, and you do the same. It’s lovely, being by her side again. You hadn’t realized just how much you missed her following the events of this summer. 

“So, New York University, huh?” Nancy eventually breaks the silence.

You nod, humming as you skim over a line that you particularly like. Circling it, you respond. “Yeah, it’s been my dream school ever since I was young.”

Though you’re applying to other schools as well. A few state schools, some in Virginia, close to your father. But New York is truly where you hope you’ll be next fall.

“Jonathan mentioned that you like psychology, right?”

“Yup,” you cross out an extra word. “Particularly child psychology. Figured that after everything we’ve been through, especially the kids, it’d be useful if at least one of us has any idea what’s going on inside our minds.”

Nancy chuckles. “Fair.”

It falls quiet again, but you don’t want the peace to end. “I heard from Jonathan that you’re looking into Emerson.”

“He tells you everything, doesn’t he?” Though this time Nancy’s question is asked with fondness, slight exasperation and humor mixed in.

“Mhm, we’re a package deal. You tell one of us something, then the other is bound to know eventually.” You look up at Nancy and lightly touch her arm. “Though he still keeps some things from me when it comes to you, don’t worry.”

She laughs again, and finally you allow the silence to settle upon you. It’s a comfortable one. There isn’t a tension underlying it. For the first time in a long time, you’re able to simply sit next to Nancy and feel that she wants you there with her. 

After that day, you and Nancy spend almost every lunch period helping each other with your applications. 

Steve helps you, too. In his own ways. 

While he can’t help you write the essays, he lets you call him at two in the morning to rattle off application ideas so you won’t forget them. He doesn’t complain when you wake him up and he has an early shift the next day. Instead, he listens. Steve offers you his own tired input and indulges in whatever you need to feel that you’ll succeed; he’s the most doting, patient boyfriend you could ever ask for. 

And, secretly, Steve adores it. Especially when you call him some nights just to have him come over and hold you. 

Those are his favorite nights. Tonight is one of them.

“Why does college exist?” Your cheek is pressed against Steve’s chest as you lay in your bed together. The steady rise and fall of his breathing is melodic. 

He plays with a strand of your hair, you feel him shrug. “‘Dunno, but you’re almost done.”

“Yeah, just have one more application to send before I get to spend four agonizing months waiting to find out if I even get in. How fun.” Sarcasm drips from your lips. You’ve spent the last two months obsessing over it all, which words to write in your essays, which clubs to join, which teachers to beg for recommendation letters. 

And now you have one application left. Then you’ll be forced to wait, without any control of the inevitable outcome. 

You’ve never been someone comfortable with letting go of control. 

“Everything will be fine, angel. NYU would be stupid not to let you in.” Steve reassures you with a kiss to your temple, then to your cheek, the tip of your nose, the dip of your brows. As he kisses you, he envisions doing this a year from now, in a small, rundown apartment with sirens wailing outside and a fire escape that creaks in the wind. The song of New York City. 

Eventually Steve’s lips will find yours, and the conversation will be long forgotten. It’s how most of your nights end now, lost in the kisses as his breath mixes with yours. Hands will wander. Sighs will leave parted mouths. Quiet, soft, aware of the precariously thin walls. 

You haven't slept with Steve, at least not yet. Though you’ve been together a few months now, it still feels too soon. He’s your first boyfriend, your first kiss, your first real love, and Steve doesn’t want to rush you. If all you ever do together is lazily kiss and breathe each other in, then Steve will happily part your lips with his and draw soft sighs out from you.

In the morning you’ll awake with Steve’s lips on your neck, his eyes shining up at you, and in the morning sunlight, before you’ve fully woken up, the air between you is sacred. 

–

“I sent in my final application,” you’re whispering, not wanting to wake up your mom who has fallen asleep on the couch. It’s nearly midnight in Indiana, but in California it’s only nine and Jonathan has just finished his school work for the night. “NYU, it’s done.”

On the other end you hear shuffling as Jonathan leans against his kitchen wall. Will sits at the table with El, he sketches the early stages of a painting and she studies grammar. Jonathan watches them, his mom is in bed, and he forgets for a moment that he’s on the phone with you.

“Bee?” You say the childhood name so softly, so tenderly with concern, and it brings Jonathan back to himself. 

“I’m here, sorry.” He clears his throat, his head is still slightly muffled. Jonathan met a guy in woodshop this week, his name is Argyle, and somehow during lunch he found himself in the back of the guy’s van with a blunt hanging loosely from his lips. The smoke dulled the ache of missing Nancy, of missing you. Jonathan can’t tell you this, though. You’d kill him, and he hates disappointing you. “What were you saying?”

You frown slightly, he sounds different. There’s something in his voice, it’s raspy and he sounds distant. The sound is lonely, he sounds lonely. Jonathan isn’t really here, despite the fact that he’s talking to you. The last few phone calls have been like this. You don’t know what to do.  

When Jonathan left, the two of you promised to call each other every Friday, a compromise. A way to create distance, yet tether you to each other. Jonathan calls you every Friday, Nancy gets him every day the rest of the week, and it works. This is how it’s always been ever since early September.

At first you guys would talk about how your weeks had gone. Jonathan would complain about the California heat and you would tell him about how Mike and Lucas had crashed your date with Steve one night. Laughter would float over the telephone lines. Teasing, whispered “I miss you’s” and spoken goodbyes with the promise of talking again next week. 

But last week when you called, the teasing was gone. The laughter was minimal. You had complained about an exam that day and Jonathan had given one word responses that had worried you. It had been odd, but you thought that maybe he’d been tired that day. Everyone has a bad day, you know this.

Yet it’s Friday again and Jonathan couldn’t feel farther away from you.

“I mailed my NYU application in, bee. You send in yours yet?” Voice light, cheery. You do what you can to try and keep him afloat. You try to grasp at the good that’s left between you. Remind Jonathan that you’re right here, still with him, without scaring him away. “You remember our plan, right? Me and you in New York, together.”

Since you were kids the plan has always been to go to college together. Back then, neither of you could fathom a reason to ever be apart. You were invincible, the same way all kids think they are before the world tells them otherwise. 

But you and Jonathan aren’t invincible, you never were. 

You can hear the way your question suffocates him. The breath that he holds, stilted and torn, suffocates you as well. 

Nausea punches Jonathan, the smoke from earlier suddenly fogs his throat. He doesn’t know what to do. Nancy wants him to go to Emerson with her, he promised you NYU when he was twelve, and California has his mother and Will.

“Yeah, yeah. I–I mean, I sent mine in. Last week.”

Jonathan is lying. You’ve known him for almost six years; he always stumbles over his words when he lies.  

Part of you wants to ask him why he’s doing this, lying to you and pulling away. Another part of you, the larger, more naive part, doesn’t want to believe it. You clear your throat, swallow down the hurt, and choose naivety. “Oh,” your tone is too pinched, too put together. You clear your throat again. “That’s–that’s great! I, um. Surprised you didn’t read the essays to me. Have me edit them, like we’ve always done.”

Jonathan leans his head against the wall and squeezes his eyes shut. He’s never been able to lie to you, he knows you’re desperately trying to overcompensate, as you always do. He hates it. He hates himself. “Yeah, well. Got excited, I guess.”

You hum, words failing you, and the line goes silent.

Dread replaces the laughter that night.

– 

Before you know it, it’s Halloween and the party has infiltrated Steve’s house. 

The holiday falls on a Saturday, and the party deems itself too old to trick or treat. When they find out that Steve’s parents won’t be home that weekend, they demand to spend the night at his house and watch horror movies.

Steve fights back, complains that he doesn’t want them taking over his living room, but his complaints fall on deaf ears. That, and Dustin ropes Robin into their plans. 

“Oh, God. Don’t open the door!” Dustin shrieks, throwing popcorn at Steve’s TV as he covers his eyes with a blanket. He cowers against Lucas, who shoves him off, and Mike snickers. Max sits on the couch, outside of their fort, and watches the boys. None of them try to get her to sit with them. They know they’re lucky that she even showed in the first place. 

“I can’t look.” Robin’s voice carries over, you can almost picture her cringing as she holds a pillow to her chest. Mike chose a particularly gory movie, and the kid’s mind frightens her.

A loud crash sounds, then a woman screams. You figure the protagonist did open the door and has now died, though you can’t be sure. You’re in the kitchen with Steve, taking out the final batch of oatmeal raisin cookies from the oven. The smell wafts through the home, bringing warmth to a house that Steve has always found cold, and he places his hands on your hips. 

“You spoil the kids too much,” he presses his nose against your cheek and kisses you. “They invade my home and you bake them delicious goods.”

You set the tray of cookies down onto the counter. “As if the cookies aren’t for you, too.”

“That isn’t important. We’re focusing on my hostage house, Y/N.”

“‘Hostage house’, quite the alliteration there.”

Steve now kisses your neck, distracting you as you plate the cookies. “I love it when you talk dirty to me.” 

“Don’t make me come in there!” Dustin screams, and Robin echoes him with her own disgusted yelling. 

You laugh at their theatrics while Steve rolls his eyes. He really hates that his house has become the party’s source of entertainment. He just wants to compliment his beautiful girlfriend in peace. Who would punish a guy for that?

In his moping Steve almost misses you walking back into the living room. He follows, stumbles over his feet, never wanting to be more than a few inches away from you. You’re magnetic, always pulling him in. 

Mike is the first to grab a handful of cookies. Lucas and Dustin follow quickly after. They shove the food into their mouths and you scoff at their lack of manners. They’re such boys, growing taller every day, and they’re just as disgusting as they were when they were kids. 

“Want one, Max?” You hold the plate up to her, noticing that she hasn’t moved from her seat. She shakes her head at you, eyes never leaving the screen. Lucas and you share a look, the same concerned expression on your faces. 

The moment is broken by Robin, who grabs a cookie and practically melts. “Holy shit, Y/N. You bake these regularly?”

“Usually once a week,” you shrug at her. “Though I once baked six batches during finals week.”

“God, that was a good week.” Dustin hums, lost in the blissful memory.

Robin grabs your arm, eyes wide with enthusiasm. “I will give you my firstborn child in exchange for my own batch of cookies.”

Steve pokes her shoulder. “You already promised your firstborn to me after I agreed to cover your weekend shift.”

“I can have twins.”

You laugh at her. “That’s a terrifying thought.”

Robin sticks her tongue out at you, causing you to laugh even more, and Mike puts the next movie on. Everyone settles back down, you lay with Steve in the lovechair with Robin in front of you. Max has the couch to herself, the boys are sprawled on the floor in a mess of pillows and blankets, and for the first time in months you feel a certain warmth having your family together. 

Sometime during the night the clock strikes twelve. 

It’s November 1st, 1985. 

Steve’s nineteenth birthday. 

Robin snores softly on the ground, arm underneath her head as a makeshift pillow. Mike, Dustin, and Lucas are all curled up against one another, their faces young again. Max sleeps softly on the couch, her hand dangles over the edge, grazing Lucas’ outstretched arm and open palm. 

Steve lays beneath you, he isn’t quite asleep yet. You’ve come to learn the rhythm of his breaths as he sleeps. The way they slow, the pattern steady. You lift your head up, wanting to admire him, and find that he’s already looking at you. 

“Hi, angel.” He whispers, smiling sweetly. 

You smile back, you always smile back at him. “Hi, honey.” Doing your best to remain quiet, you crawl up the length of Steve and nuzzle your way into his neck. You kiss the dip just above his collarbone, causing him to shiver. “Happy birthday.”

Arms encase you, pull you deeper into the body you lay on. Steve’s body heat warms your face, warms your bones, and you wish you could stay like this forever. In Steve’s arms, the scent of him overwhelming your mind, his touch calming you. 

“Thank you,” he kisses the top of your head. He lingers, his lips soft. The two of you stay like this, his head against yours, your chin tucked into the alcove of his neck. Your breathing syncs with his, his fingers trail up and down your spine. Your fingers splay over his chest, warming his ribs. 

In the morning, Max wakes everyone up. 

“My mom will be worried,” she kicks Mike, nudges Lucas’ shoulder. “Wake up, idiots.” 

Steve groans, squinting his eyes against the morning light. He tries to roll over and block it out and nearly shoves you off the seat in the process. “Steve!” He manages to catch you in his sleepy state, but his movements are slow. 

“Sorry!”

You clutch your chest, heart pounding. “You’ve done that way too many times now. I’m starting to think you want to throw me onto the ground.”

“Lucas once promised he could catch me if I jumped into his arms.” Max says, then she points to a scar on her knee. “Turned out he couldn’t.” 

“Hey!” Lucas sits up, rubbing sleep from his eyes. “I really thought I could do it.”

Mike stretches. “Your fault for trusting him, Max.”

Lucas shoves him and the two start to wrestle on the floor. They’re a tangle of lanky limbs, knocking into Dustin who still hasn’t woken up yet. They roll on top of the boy, and he wakes up to Lucas’ knee in his face. “What the hell?”

Dustin joins the fighting now, and Robin throws a pillow at them. “Guys! It’s too early for this!”

They don’t listen. 

It takes a lot of pleading, negotiating, and bribes in order to break the fight up. It takes even longer to wrangle the kids out of Steve’s home, much to his dismay. They leave a mess of strewn popcorn all over the carpet and pillows missing feathers. You stay behind, offering to help clean the mess, and Robin rushes out an apology and happy birthday to Steve as she runs out the door to get to work. 

Soon it’s just you and Steve. You work around one another, anticipating each other’s next move, never getting in the way. Soft music plays from the record player that sits in the den. Steve puts on one of his father’s old records, gentle rock and delicate jazz. You hum to yourself, he hums with you, and it’s a peaceful morning.

Until Richard and May Harrington walk in.

Neither of you notice them at first. Steve is too busy spinning you around, playfully dipping you as the music comes to a grand crescendo. You’re laughing breathlessly, but soon your laughter turns into a yelp when Steve sees his parents standing in the doorway and drops you.

“Dad!” Steve immediately bends down to pick you up, endlessly apologetic. He ducks his head, eyes on you, though his body doesn’t turn from his father. “I’m sorry, angel. You alright?”

You reassure your boyfriend that you’re fine, more worried about the fact that you’re dressed in clothes from yesterday with horrendous bedhead meeting his parents for the first time. Richard eyes you in Steve’s arms. He has a look of disinterest on his face. “Son.”

“What, uh.” Steve clears his throat, curls a protective arm around your waist. He didn’t mean for this to happen. His parents were supposed to be gone until Tuesday. “What are you doing here?”

“I live here.” 

“Right.”

Father and son stand in front of one another. Neither speaks. Steve feels like a little boy again, scrutinized underneath his father’s intense gaze. Never good enough. Never worthy of anything other than berating and lectures. 

You wring your hands nervously, unsure what to do. The air is thick. Steve looks so much like his father, it’s almost uncanny. They have the same build, the same moles that dot along their handsome faces. Only his father is dressed in a suit, the lines in his face are hard, weathered. He’s who you picture Steve would’ve been, in a different universe where you were never his friend. 

May Harrington gave her son all of her delicate features. The soft turn of his nose. The plush, pink lips. His doe eyes, his smile. The only feature that separates her from her son is her honey blonde hair. She’s beautiful, elegant and poised, and when she steps towards you, you can smell lavender perfume. “You must be Y/N. I’ve heard a lot about you.”

“Hi, Mrs. Harrington.” You’re quick to meet her where she stands. You’re nervous, you have to discreetly wipe your hand on your pants before shaking hers. “It’s so wonderful to finally meet you. Your banana bread is lovely.”

The woman smiles, it’s so much like Steve’s that you want to cry. “Thank you, dear.”

“Of course, and I apologize for meeting like this. I didn’t mean to intrude.”

Richard makes a mean, gruff sound. He shakes his head, steps next to his wife. He doesn’t like you, you can feel it by the way he blocks his wife’s view of you. “Oh, no. I’m sure you didn’t.”

“Dad–” Steve steps forward as well, blocking his father’s view of you. He’s angry, his shoulder blades close together. He doesn’t like how the man is treating you; you’re too good for such cruelty.

“What did I tell you about bringing your hookups to the house, son?” Richard sneers, turning his nose up at you. That’s all he sees you as. Just another one of Steve’s flings, one of the girls from his past. 

“Y/N is not just some hookup,” Steve clenches his jaw, tries to steady his breathing. He doesn’t want to fight with his dad in front of you. Not when he was having such a good morning, spending his birthday with your hands wrapped around his neck and your giggles singing in his ears. “She’s my girlfriend, and I love her.”

Richard chuckles, he doesn’t believe his son. “Okay, you love her. I’m sure your mother and I will walk in on you with some new girl next week.”

“Dear,” May places a hand on her husband’s shoulder. She sees the way you shrink into yourself at the man’s words. The insecurity that he brings. She sees how her son’s eyes ignite with fury, she watches as he does whatever he can to put the flame out for her sake and your’s. “It’s Steve’s birthday today.”

“Is that why you insisted on coming home today?” Richard turns to her, she has his full attention now. His eyebrows are drawn together, annoyance paints his body. “You told me you had a board meeting tonight.” 

“Why don’t we talk about this upstairs?” May suggests, relieved that she’s turned her husband’s anger onto herself rather than her son. Richard sighs, but he doesn’t argue as he marches up the stairs without so much as a second glance towards you. When he’s gone, May smiles at you sympathetically. “I apologize for my husband’s behavior. We had a long flight, I’m sure he’s simply jetlagged.” 

“Yeah, that’s why he’s such an asshole.” Steve scoffs, tired of his mother’s excuses for her husband. He can be cruel to Steve, he doesn’t care. He’s been cruel to him his entire life. But if his father so much as breathes near you again, Steve will hurt him. 

Your hand reaches for Steve’s, sensing what he’s thinking. You return May’s smile, you’re not at all angry with her. “It’s okay, really. I was an unexpected guest, and I should go.”

Steve pulls you into his chest. “What, no–”

“You may leave, if you’d like.” His mother gently interrupts him. “Though I must admit, I really do wish to know you better. If you’d allow me to, that is.”

“I’d love that more than anything.”

“Then I will plan a dinner for the next time my husband and I are in town.” May tells you, admiring your honesty. She can see why Steve has become so infatuated with you. There’s nothing hidden within you; you wear your heart on your sleeve, your sincerity a welcomed rarity. She turns to her son, rests her palm delicately against his face. “Happy birthday, my beautiful boy.”

Steve leans into her touch, weak for his mother as any son is. You turn away, it doesn’t feel right to watch this moment between them. 

In the car Steve profusely apologizes for his father’s behavior. Over and over again, he laments how sorry he is and that you’re more than just some fling to him. “You’re everything to me, angel. I love you so, so much.”

“I know, honey.” You grab his hand that rests against the stick shift. His father’s words had hurt, but you knew that they weren’t true. Steve is your’s, he has been for longer than either of you realize. Nothing will ever undo the love he has for you, the foundation of trust it was built upon. “You’re everything to me, too.”

When Steve pulls into your driveway, you tell him to park and come inside. His birthday gift is in your room. You had planned to give it to him later tonight, but his parents’ unexpected arrival had soured things. “I know you have to go home, but…”

“I’ll never say no to you.” Steve’s already unbuckling his seatbelt to follow you inside. He greets your mother with a kiss to her cheek, ruffles Dustin’s hair as he sits at the dining table doing homework. His movements are easy, leisurely. You notice now how at home he is in yours, far from the boy who cowered before his father only twenty minutes ago. The realization is bittersweet. He deserves to feel at home in his own house, not just yours. 

Inside your room Steve sits on your bed and holds his hand out, eager. “Okay, wow me, Henderson.”

“You really know how to talk to a woman.” You tease him, rustling through your drawer to find the gift you’ve hidden. Steve is nosy, he’s been trying to find his gift for at least two weeks now. When you’ve found it, you clutch the gift in your hand and hold it behind your back. “Alright, you know the drill by now. Close your eyes.”

Steve complies with a smirk, biting back suggestive comments. He loves this tradition with you, making the other close their eyes before their gift. Something light is placed in Steve’s hand. It’s circular, sturdy. He thinks he can smell leather.

“Okay, open.”

In his hand is a bracelet. It’s a simple strip of leather, nothing embellishes it besides a button to secure it. Though it’s plain, Steve can tell that it’s expensive. The leather is supple, its color is dark and polished. The silver button that clasps the two ends together is heavy.

He loves it, he does, but he can’t help feeling like that there must be something more to it.

As if reading his mind, you gently prompt Steve to turn it over in his hands. “Look what’s on the inside, honey.”

He does, and his heart stops.

The leather has been stamped. The word constants is spelled out across the length of the band. It’s a hidden message, only for Steve to know, and while he’s sure you have your own explanation for why you chose the word constants, he loves it already. “Oh.”

You sit next to him and laugh softly. “You’re my constant, Steve. Everything in my life has changed, or will change, but you… You’ve always been there, I know you’ll always be there. With me. My love, my lucky charm, my constant.”

Tears well in Steve’s eyes. He doesn’t bother wiping them away, too busy admiring the bracelet in his hand. He can’t believe you’re real, that you’ve thought of this for him. That you see a future with him… It’s everything he could’ve asked for. A security he’s always longed to have. His entire life he’s been told he’s too much, too overwhelming, and yet you want him to stay anyways. 

“And you’re my constant?” He asks you, fingers grazing over the letters again.

You nudge his shoulder with yours. “Well, I’d like to think that I am.”

He laughs, wet and full of love, and he can’t take it anymore. Steve throws his arms over you and you collapse into your bed, laughing together as he presses his lips wherever they can reach. 

“You are,” he says in between kisses. Your laughter lights him. “You’re my constant, too.”

–

The autumn leaves fall and the trees are barren as winter arrives. 

You spend winter break trying to maintain your promise to Joyce. After finishing the hell that was applying to college, you have so much unexpected free time that at first you don't know what to do. But then her words echo in your mind, the promise to live the life that you deserve, so you start doing things for yourself.

Slowly you read through all the books in your room that you hadn't had time for before. You start running again in the mornings, the winter air crisp in your lungs. You and Dustin do homework together at the kitchen table, making sure neither of you get left behind. You try new recipes to bake, delivering the treats to the ones you love. It’s nice, rediscovering the pleasures you once had long before the Upside Down came into your life. 

Christmas comes and you do your annual rounds, delivering everyone’s favorite treats on Christmas Eve. It’s during your run to the Sinclair home that Lucas asks you to come inside to talk. 

“What’s up?” You ask him, unwrapping your scarf and warming your hands in your sleeves. Lucas gestures to his kitchen table, silently asking you to sit. When you do, he takes a deep breath and joins you. 

Something’s bothering him. You can see it in the way he carries a weight on his shoulders. How they droop as he sits, exhausted. You reach across the table and grab his hand, offering whatever comfort you can give him. “Whatever it is, you can talk to me.”

“It’s…” Lucas purses his lips, his breath shakes. “It’s Max. I’m–I’m worried about her.”

He tells you everything. He tells you how distant she’s been, more than she’s ever been before. He tells you how she’s missed dates he’s planned for her, how she refuses to talk to him anymore. She hasn’t been to any of the party’s hangouts, Mike and Dustin haven’t seen her ever since winter break started.

Max has had bad days, weeks, even months since losing Billy. But she’s never had the bad days without at least one good day following. To break the monotonous cycle of self-loathing and grief and guilt. She would always come back, even if for a moment, alive and bright and reminiscent of the girl had been. 

“I can feel her slipping away,” Lucas looks down at the table. He’s afraid that if he looks at you then he’ll start crying. He doesn’t want you to worry, he knows how much you already deal with and do for them, but he’s terrified. “I know… I know that you helped Will, after he was flayed. Do you think you could maybe talk to Max? Just… Remind her that we’re here for her? I can’t–I can’t lose her.”

“Hey, it’s okay,” you squeeze his hand in yours, trying to stem the stream of tears he fought so hard to force down. Lucas loves Max with everything within him. Anyone can see that. You’d do anything to bring the girl back to him, to bring her back to all of you. “I’ll talk to her.”

I’ll keep an eye on her. Watch her when you can’t. 

Lucas hears it. He exhales, nods his head.

You leave. Max was the next one on your list of deliveries anyways. 

It’s nearing dusk by the time you get to the trailer park. You haven’t seen Max’s new home, she’s only recently moved. She had been too embarrassed to tell anyone that her mother lost their old house. The only reason you even know she moved in the first place is because Lucas and Dustin stalked her walking home. 

A dog barks as you bike past. Snow has started to fall, tomorrow will be a white Christmas.

“Oh, hello, Y/N.” Susan Hargrove’s skin is pale, her eyes sunken in when she answers the door. Her voice is thin, her frame is strained. The death has been hard on her, too. Billy’s father leaving only made everything worse. 

“Hi, Mrs. Hargrove.”

The woman winces. “Please, Mayfield will be fine.”

You immediately correct yourself, apologetic and ashamed, when Max’s voice calls from within the home. “Just let Y/N in, mom.”

Susan sighs, and you wish you could do more. Instead, all you can offer her is the container of coconut bites you’ve made for them. Max told you they remind her and her mother of California, and you always make sure to have some ready every week for them. Offer some semblance of joy in the gray of their lives.

Max sits at the kitchen table. Her head is down as she works on something. She has her walkman next to her. Susan leaves the two of you alone, excusing herself to go lay down after a long shift. 

You sit next to the girl and take a deep breath. This won’t be easy. Max is prideful, stubbornly independent, and has never accepted sympathy from anyone. You’ve always admired her fiery personality, but the fire has dimmed and the smoke is beginning to choke her. Talking to her will be like pulling teeth out. 

“Brought you your favorites.” You shake the container in your hands. It serves as a peace offering, almost a bribe to start the conversation. 

“Thanks.” Max doesn’t look up. 

You swallow, tuck your hair behind your ears. “Of course. I was doing my usual delivery rounds. I, uh. Stopped at the Sinclair’s.”

The pencil in Max’s hand freezes. Her knuckles tighten, though the shift is subtle. She’s always been too smart for her own good. “Oh.”

“Yeah. Erica likes my brownies. Mrs. Sinclair, too.”

“And Lucas?” She knows why you’re here.

“I made him chocolate chip cookies. You know how much he loves them.” Max doesn’t respond. Of course she knows how much Lucas enjoys chocolate chip cookies. She knows everything about him, but she doesn’t say anything and goes back to writing. Faintly you hear music coming from the walkman. You point at the device. “New song?”

“Kate Bush.”

“Oh.” This is going worse than you imagined. “Look, Max–”

She doesn’t waste any time. “I know Lucas sent you. I don’t care.”

“He’s just worried about you, we all are–”

“I’m fine.” The tip of the pencil snaps. “Shit.”

“Max.” You’re pleading with her to listen. Her skin is fluorescent now, paler than you’ve ever seen. The bags underneath her eyes are swollen, dark and ghostly. She’s lost weight. You can’t remember the last time you saw her eat. “Please.”

“What do you want me to do?” Though there’s anger in her voice, Max’s eyes plead with you, too. Her mask slips for just a moment, but you see it. Underneath her indifferent exterior, she’s just as terrified as everyone else is. She can feel herself fading, the guilt of Billy’s death slowly eats her alive. She doesn’t know what to do, though. How do you continue to live after death has infiltrated your home?

The chair beneath you scraps against the hardwood floor. You stand up, walk over to Max and kneel in front of her. You keep your movements slow, worried you’ll scare her away if you get too close too suddenly. “I think you should talk to someone, honey.”

Max turns away. She can’t. If she told anyone what goes on inside her head, they would never forgive her. You would never forgive her, and it would break her. 

Your hand falls to Max’s knee. The warmth from your palm combats the ice in her veins. You’re looking at her as if she’s worth something. As if she didn’t wish for her brother’s death. As if she hadn’t sent a grieving father into a spiral, a desperate mother into a trailer park. But Max allows your touch, so you try to get through to her again.

“You know, I was actually talking to Ms. Kelly a few weeks ago. The school’s guidance counselor.” She had met with you to discuss your grades and college options. When she had seen how you picked your nails until they bled, she suggested seeing her every few weeks. Alleviate some of your never ending stress. You had denied, uncomfortable with the idea. But maybe she could help Max. “She seemed nice enough. I’m sure she would be open to talking with you.”

“I don’t want to see some shrink.”

“Hey, I want to work with kids your age someday. Don’t call future me a shrink.” You poke Max’s leg playfully, and the corners of her mouth twitch. She doesn’t want you to see that it’s working. “C’mon. Have at least one meeting with her. When winter break ends, all I ask is that you try. For me and Lucas. We’re your favorites, after all.”

“If I agree, will it get you to shut up?”

You’re fine with this. It isn’t ideal, you aren’t sure Max will even actually try to open up to Ms. Kelly, but it’s a start. For too long now you’ve stayed silent, allowing Max to grieve on her own. Grief is hard, it takes and it takes and it takes. Yet it’s been almost six months and you’re not sure how much left grief can take from Max. “I think I can be okay with that.”

You’ll take whatever you can get. You’re worried. You got too caught up in your own life, you had gotten lost in your own haze of grief and anxiety. Missing Jonathan, grappling with change and growing up as you applied to college. You weren’t there for Max like you should’ve been.

But you’ll fix this. You always fix things. It’s what you do. It’s what you have to do. It’s how you love; you take care of those around you.

And who are you if you can’t?

–

Jonathan calls you high for the first time in late January. 

Though he doesn’t tell you that he’s high, you know. His words are slurred, slowed, incomprehensible. It’s late in California, even later in Indiana, and the stark feeling of guilt slices into your ribcage the same way the Demodog’s claw did. The feeling cuts deep into your skin, nicks your bone. 

“Jonathan?” You hope your voice brings him back to you. You try to cut through the smoke that fills his mind, that leaves him stumbling over his words. “Bee, can you hear me?”

“‘M here.” Jonathan sniffs, smacks his lips, yawns. “Where’re you? Can’t find you, bug.”

You close your eyes. He’s looking for you, and you aren’t with him. “I’m in Hawkins.”

“Thas’ far.”

“Yeah,” you choke out a laugh. It constricts in your vocal chords, but you can’t let Jonathan know how much it hurts to hear him so disoriented. “I’m sorry.”

“S’okay. California sucks.” He hiccups, you’re surprised he’s managed to call you tonight. Even in his drugged up state, he still somehow remembered to call. “Don’t think Nance will like it.”

He’s referring to the spring break trip. Nancy told you about it earlier today, how she and Mike will spend the week in California to see Jonathan and El. She had been a bit hesitant to tell you, afraid you’d be upset for not being invited, but you reassured her that it was okay. 

You’ve had a road trip planned with Jonathan ever since you were fifteen. The moment the two of you graduate, you’ll drive all across the country for one final adventure before college. 

Nancy can have spring. Summer will be yours. 

“She’ll love California because you’re there.” She talked about the trip nonstop today. Her glow had come back, momentarily, her eyes alight. She truly loves Jonathan, she misses him even more than you do. 

“Only disappoint her.”

“What do you mean?” You’re not sure where this is coming from. You know Jonathan is high, that his thoughts may not be coherent, but he sounds distressed about Nancy. You thought things had been good between them. They were planning a future together. 

“Is’ hard, with her.” Jonathan manages to get out, but his speech is becoming harder and harder to understand.

You frown. “What’s hard, bee?”

The line disconnects. Jonathan doesn’t bring the conversation up again, the next time you call. You don’t ask him what he meant. You don’t think you want to know. There had been something deeper behind his words.

Will calls you a few days later in tears. The kids are meaner in California than they are in Hawkins. They tease El, make her life hell, and he’s upset that he can’t do anything to stop it. He cries to you, his tears soak your face through the landline, and the guilt creeps back in. 

It will never truly leave.

You do your best to console him, offer him advice, but that’s all you can do. All you have are your words. Will and El are hours away, hundreds of miles separate them from you. It's nauseating, feeling so useless. For as long as you’ve known Will, you’ve always been able to protect him. To help him, dry his eyes.

You’ve always been there for your boys, for Jonathan and Will. For El. But you can’t get to them, they’re too far away, and it kills you. You’re sixteen again, trapped in Jonathan’s car and frantically trying to keep yourself together as everything around you falls apart. 

Steve becomes your lifeline. 

He always answers when you call. Every time Jonathan, high and lonely, hangs up your conversations, you call Steve. He answers, he hears the exhaustion in your voice, and he always sneaks in through your window later that night. He knows it’s the only way you’re able to sleep these days.

He sings to you when you wake up from a nightmare. They’ve become about Max, losing her. She’s only met with Ms. Kelly a few times, but you can tell that she already wants to stop. That you’re pushing her too far, pushing her away from you and everyone else. 

Steve takes you for drives when you get blisters from pacing your room, anxiously waiting for your college decision letters to come in. Soon your entire life will be decided for you by one single piece of paper. 

Two weeks before spring break, Jonathan calls you. He’s sober.

You can’t remember the last time you’ve spoken to him sober. The thought alone depresses you, makes you yearn for childhood again.

“I think Nancy wants me to come to Hawkins,” he tells you. “Would you… would you like that?”

More than anything.

You press the phone against your ear and imagine that it’s Jonathan’s hand instead. Your skin hasn’t forgotten how his felt against it. “Of course I want you to come to Hawkins, bee.” But it can’t be that easy, you know nothing ever comes easily. “Can you afford it, though? I–I mean, God. I miss you, you know that, but I know it’s been hard for your family these last few years.”

Jonathan’s head falls back against the wall behind him. You always understand. He hates it, sometimes. “It’s worth looking into if it means I get to see you and Nance.”

There’s an air of authority in Jonathan’s voice, as if he truly believes what he’s saying, and it surprises you. He’s taking initiative after months of floating away. Hope sparks within you, the cold hand of dread lessens its grip around your neck. 

“Well, I can’t argue with that logic.” You say. Jonathan laughs, you’ve missed the sound. It’s been so long since you last heard it. 

Conversation drifts after that. You tell him about the latest Spider-Man arc you’re reading, he inserts his own opinions, and it’s lovely. You haven’t had Jonathan like this in months, all to yourself, his smile aligned with yours. Sober, steady. 

The phone call with Jonathan reminds you of all the good that is still yet to come. 

College decision letters arrive next week. Your best friend might be visiting for spring break. Your boyfriend has planned a picnic for your anniversary tomorrow. You have your first meeting with Ms. Kelly the following day. It was your idea, figuring it was only fair that you see her since Max has agreed to keep going. 

And Joyce made you promise that you’d live your own life. You’re trying to get better, you really are. 

It just takes time. 

-

⌑ series masterlist

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[yoursadisticdommemommy]

𝔚𝔢𝔩𝔠𝔬𝔪𝔢 𝔇𝔞𝔯𝔩𝔦𝔫𝔤 ❤︎

"Welcome to my house! Enter freely. Go safely; and leave something of the happiness you bring!"

𝕸𝖔𝖒𝖒𝖞'𝖘 𝕲𝖔𝖔𝖉 𝕲𝖎𝖗𝖑𝖘:

🧸👑🦊🌹🐾 🌊 🥝🎃😈😽🪐🧅🐺👻🩸🥀☔🐶🦄🦋🍒🍓⚰️💫🍬⛓️🎀🎬🐰🐉🌻🐻🌼🌸🐍🍑👸🦇🗝️☣️🌙🪿⭐

If you want to be one of my sweet darlings, please send me your emoji, and I'll add it to my list.

This blog is 🔞18+ Only, no minors. You are not welcome in this space; please leave.

Put your age in your bio, or get blocked.

This blog is trans-friendly, kink-friendly, sex and body-positive, queer-friendly, and anti-racism. Be kind, and remember this is a safe space for consensual and risk-aware BDSM and kink.

This blog is for all things BDSM and Kink. Do not interact or stay here if you are under 18. If you are underage, you should not be here, and you are not welcome in this space or on this page. If your age is not in your bio, you will be blocked.

Sadistic Soft Domme and Mistress.

You may refer to me as Mistress 9, Mistress, or Mommy if you feel so inclined. All are fine.

DMs and Asks are open. But I am not looking for a submissive or a relationship. I would appreciate it if you could be kind. Moots can add me on Snapchat, send me a DM love.

Follow my backup, just in case.

I am pansexual and polyamourous. I dom any gender (trans-friendly).

Switch - This page is only about my domming. Hard Kinks and BDSM, I can be sweet, but my venom always comes with a sting, dears. Enter at your own risk. Some things may be triggering to some people.

Visit my Submissive-focused blog here.

Visit my Pet Play-focused blog here.

Visit my Musings blog here.

Most of my posts are queued, so there's content for you when I'm away.

I am not looking for submissives or dom/mes, so don't ask. Don't send your nudes or send requests to be my submissive or anything of the sort. Those are something built on trust over time. However, I'm always looking for pleasant conversation, and you're free to give me your best pick-up line or just a hello, Mistress, to ask about my day. Unless you are one of my pets looking for extra attention, do not try to get me to be your domme in my asks.

Unless they are rude, I answer all requests and messages unless they specifically request not to be shared. I am a busy woman with submissives of my own to tend to, and sometimes, it takes me a while to respond. Be patient, dears, and try to be understanding.

Take a peek into my sadistic desires and just a taste of my dominant desires.

Toy-Free Guided Masturbation

To See My Public Executions, use the hashtag #m9publicexecution

𝕲𝖊𝖙 𝖙𝖔 𝕶𝖓𝖔𝖜 𝖄𝖔𝖚𝖗 𝕸𝖎𝖘𝖙𝖗𝖊𝖘𝖘

♥︎ I am a soft, sadistic goth domme and mistress.

♥︎ My favorite color is vermilion.

♥︎ I love horror movies, gore, and all things spooky.

♥︎ When I'm not dominating my good little pets, I enjoy a variety of interests and hobbies.

𝔗𝔢𝔩𝔩 𝔪𝔢 𝔞 𝔣𝔢𝔴 𝔬𝔣 𝔶𝔬𝔲𝔯 𝔣𝔞𝔳𝔬𝔯𝔦𝔱𝔢 𝔱𝔥𝔦𝔫𝔤𝔰

♥︎ My favorite literature includes

Dracula by Bram Stoker

Frankenstein by Mary Shelley

The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson.

The Lord of the Rings by J. R. R. Tolkien

Jaws by Peter Benchley

Jurassic Park by Michael Crichton

The Book of the Dead

The Great Gatsby by F. Scott Fitzgerald

Alice's Adventures in Wonderland by Lewis Carroll

♥︎My favorite movies include (well, some of them, at least)

A Quiet Place

Scream

Saw

Alien

Strangeland

The Uninvited

Interview with a Vampire

Queen of the Damned

The Autopsy of Jane Doe

Black Swan

Pulp Fiction

Guardians of the Galaxy

Van Helsing

Apocalypto

The Phantom of the Opera

Creature from the Black Lagoon

Howl's Moving Castle

Venom

The Bride of Frankenstein

Little Shop of Horrors

Sweeney Todd

47 Meters Down

Catwoman

Jaws

♥︎My favorite shows include (well, some of them, at least)

Deathnote

What We Do in the Shadows

The Addams Family

Arcane

Chainsaw Man

Fullmetal Alchemist

Hazbin Hotel

Invincible

Love, Death, and Robots

MEGALOBOX

Parasyte

Sabrina, The Teenage Witch

Tokyo Ghoul

WandaVision

Westworld

You

♥︎My favorite musicians to listen to (well, some of them, at least)

Clan of Xymox

HIM

Rob Zombie

The 69 Eyes

Alice in Chains

The Killers

Blue Stahli

Arch Enemy

Anthrax

Blind Guardian

Cradle of Filth

The Misfits

Fit for an Autopsy

Funeral for a Friend

Nightwish

Rammstein

Burzum

The Smiths

Kamelot

Dance with the Dead

Razed in Black

Nine Inch Nails

The Birthday Massacre

Otep

Marilyn Manson

Children of Bodom

Korn

Siouxsie and the Banshees

Depeche Mode

Bauhaus

Bile

Ghost

Blink 182

The Cure

Emilie Autumn

Type O Negative

Sisters of Mercy

She Wants Revenge

Kink and Fetish

𝑳𝒆𝒕'𝒔 𝒈𝒆𝒕 𝒌𝒊𝒏𝒌𝒚, 𝒅𝒂𝒓𝒍𝒊𝒏𝒈𝒔.

𝗞𝗶𝗻𝗸𝘀 (𝗪𝗵𝗮𝘁 𝗜 𝗟𝗶𝗸𝗲)

Sadism (obviously)

Bondage

CNC

Anal

Corruption

Domination

Erotic Asphyxiation

Gagging

Hair Pulling

Impact Play: favorites include whips, canes, paddles, floggers, riding crops, and so so much more.

Narratophilia

Vampirism

Oral

Exhibitionism

Primal Play

Pet Play

Sensation Play

Praise and Degradation

Orgasm Control

Body Worship

Pain Play

Voyeurism

Marking and Collaring

Just to name a few.

𝘽𝙤𝙪𝙣𝙙𝙖𝙧𝙞𝙚𝙨 (𝙃𝙖𝙧𝙙 𝙉𝙤𝙨)

Mutilation

MDLG

Scat and Water Sports

Body, Race, or Gender Shaming

Sissification

Beastiality

My BDSM Test Scores

Want to know what I scored on that silly little BDSM test? My results are below!

Enjoy your time here; the pleasure is all mine. 💋

[the-kr8tor]

Mr and Mrs Smith AU: When Jane met John

Pairing: Hobie Brown x fem! Reader

Word count: 9k

Summary: Joining a spy agency? Check ✓ Hired in said agency? Check ✓ Getting a new fancy house? Check ✓ An entire armoury of weapons at your disposal? Check ✓ A new Husband? Check ✓ wait, what?

Tags: Use of Y/N sparsely, no specific physical description of the reader (except for her clothing), Hobie and R call each other by fake names (ie: John, Jane, Smith etc), spy AU, CW suggestive, CW food mentions, TW blood, CW violence, CW vomit mention, TW death.

A/N: Happy 1k! Happy reading!!!❤️

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The waiting room seems like it's designed to make you extra anxious. From the bright fluorescent lights that whir above, to the carpet that smells like a very harsh citrus soap. Add the metallic chairs that's incredibly cold under your slacks— It all makes you bounce your leg from the bundle of nerves inside your stomach. The people waiting around you don't help either, they all look like they came out of magazine covers. Hair all tied up in a perfect bun, pencil skirts that cinch their waist perfectly. Button ups that are ironed until there's no crease in sight.

You bite your lip, eyes glued on the steel door, to where your last resort is, to where your entire future depends on. Looking around the room full of models, it doesn't seem like you're applying for a security job.

Maybe you should've worn that pencil skirt that's gathering dust in your closet.

Even though you technically don't know what kind of job it is, you really need to get this one, or else. Your savings could only get you so far. An old ‘friend’ of yours recommended this ‘company’. It operates at the highest security, the risk is just as high, but the pay is higher. More than what you've ever earned in the five years you've worked anyway.

Flicking your eyes above the door, the light finally turns green from red, and a chiming sound can be heard as the door clicks open on its own. You still wonder where the applicant goes after their interview since you never saw them exit out the same door. A morbid thought passes by your mind: a gun plus a bullet to the head. The image makes you grab the rubber band on your wrist to slap it against your skin. It leaves the stinging pain for only a moment, but it's enough to throw away the vision from your brain.

An applicant enters and you look down at the piece of paper in your hand— you're next.

The number, 2715 is written in Times New Roman. You can recognize that font anywhere, for it's the same font used on newer gravestones, the same font on his— you slap the rubber band against your wrist again. This time harder than the last. The stinging stays for a minute more. Your heels tap against the carpet, the clock ticks, the fluorescent whirs, someone coughs and you want to punch them in the face— you slap the rubber band against your skin again.

Your ears perk up at the familiar chime like you've been Pavlov’d by the sound after waiting for three hours on that uncomfortable metal chair that has tiny holes that you've gotten your pinky finger stuck in on hour two.

With a deep breath, you saunter your way towards the creaking door, trying to summon all the confidence in your body. They may be watching so you do your best to not look as nervous as you feel like.

As you enter the room, the large screen in the center raises a curious brow. The light from the monitor shines a spotlight on the singular office chair right in front of it. The room is dim, save for the single light. The screen reminds you of one of those mall touch screens that shows you the map of the building. There's another door on the opposite wall, now you know where all the other candidates exit, and it's definitely not from a bullet judging from the clean floors.

With a tentative step, you cross the distance. Sitting down, the chair is a comfortable welcome from the last one you sat on.

“Am I supposed to push a button?” You roam your eyes over the circular shape up top. You surmise that it's the camera.

The calming sky blue screen flashes words,

> Hihi, welcome

“Hi?”

> Insert nail clippings

A box slides out below the screen, prompting you to take the ziplock with your nail clippings from your bag. It slides back in with a mechanic hiss once you place the plastic on the drawer, and the screen blinks to a couple of questions that you answer honestly.

> What's your ethnicity?

You don't falter. Answering it truthfully.

> Height?

You clear your throat, the lump is either from the nerves or how your voice faltered when you answered.

> Are you willing to relocate?

You wring your hands together on your lap. “Yes, absolutely. Nothing's holding me back.” Then the dreaded question pops up on the bright screen.

> Tell me about yourself

“Uh, I graduated top of my class.” You scratch the back of your neck. “MI6 agent for three–no, uh four years.” Chuckling shakily, you continue. “I got high merits…w-well until the thing— but I was on the road to promotion b-before it happened.” God, you hate interviews.

> Words that people would describe you with?

You blink, sucking in a breath. “Truthfully?” Joking, the screen doesn't appreciate your humour.

> Yes

“Oh, p-people would describe me as a… someone who has initiative. Cunning…” unfeeling— you slap the band on your wrist again. Sitting up right, you gaze at the camera like your eyes could see the person typing behind it. You guess it's a person at least. “Passed all my training with flying colours, infiltration, marksmanship, hand to hand, you name it. You tell me the job and I'll do it with no questions asked.”

> Are you okay with high risk?

“More than okay.” You answer quickly.

> With a team or alone?

“I'm alright with either, but I prefer alone.”

> Why did you get fired?

“You know why.” You say intensely, eyes boring holes into the screen. For a second you thought you flubbed it but the screen continues to flash a new question.

> Have you killed anyone?

> And why?

The question turns into what you're more accustomed to. “Yes, approximately…” you inhale sharply. “Forty three. Two unintentionally, the rest with various…weapons.” You mindlessly play with the loose thread of your blazer to get rid of the flashing images in your head. “As for why, that's confidential information.”

The robot or the person behind the screen seems to accept your vague answers for it moves on with the interview.

> Favourite food?

Your eyebrows knit at the sudden turn of question. “Uh, I have a sweet tooth, ice cream. I think. But I can't resist good popcorn.” Your tone wavers at the end.

> Have you been in love?

You laugh, but the question still flashes on screen, unchanged and unamused. Clamping up, you feel for the rubber on your wrist.

“I-I'm sorry but what is this part for?”

The screen remains the same.

“—No,” you remember that they've probably already known everything about you even before you applied. So you decide to answer vaguely, that seems to work out before. “Once, just once.”

> When was the last time you said ‘I love you?’

“A long time ago.”

> To whom?

“You know who.”

—

You're surprised that you got the job even after the disastrous interview. The suitcase is light in your tightly clasped hand. The belongings you've tossed inside are sparse, only packing the ones you only need.

The large wooden door looms in front of you, the street behind you is bustling and right across your new home is an expansive park. A park that looks like you need to pay just to get inside. The neighborhood that you're situated in can be described as exclusive, rich and very suburban. The kind of setting where parents would do anything to raise their kids in. Something you've never thought in your dangerous life to live in, more so even step foot in.

With an exhale, you unlock the door. It clicks open surprisingly, you doubted the company for a second when you pushed it in. Maybe they gave you the wrong address? Maybe something went wrong in their system and your name popped up instead of someone more worthy? Someone who's a better shot, someone who isn't as bat shit insane as you.

The long hallway greets you, the low warm light brings comfort to your rattling bones. Its carpet runner is soft beneath your sneakers, red and blue threads weaved around the thick cloth. Framed art is posted on the walls, the artist's name you recognize from some pretentious reality tv about selling mansions that you once drunkenly watched alone on a friday night.

You leave your baggage in the hallway. Opting to explore the cinnamon scented home. Its rich walls remind you of chocolate that you once got for your birthday. The furniture doesn't look like it came from Ikea, the oak is sturdy under your palm, no rough surface, no protruding nails that slashes your flesh.

You snap the rubber band on your wrist for the umpteenth time today.

There's an ornate door sitting on your right, robins and roses are carved on the wood. The biometric scanner is placed right next to the door, it’s a stark contrast to the traditional home. Flipping the cover open, you place your thumb on the smooth surface of the scanner. After a half second, the door clicks open, revealing a steel elevator. The bright light above it almost blinds you.

Your curiosity makes you enter the steel cage, roaming your eyes, you spot the buttons.

“Might as well.” You say to the emptiness of the house.

As the elevator door closes, the front door opens.

There's a lack of elevator music, perhaps that's the best since you always hated the cheery chiming of it. The second the door opens, you take a peek inside. The weird smell combination of chlorine and butter hits your nose.

“Holy shit,” you mumble in disbelief at the indoor pool and theatre. “A fucking pool under the house? And a fucking theatre screen in front? Which rich fuck decided that?” Your voice echoes, bouncing off the tiled walls of the pool.

Roaming the large room, eyes wide and strides small, you marvel at the high ceilings with the same warm tone lights hidden in the coves to soften the lights. You crouch down, letting the warm water lap at your hand.

There's a handful of sun loungers on the side, tables in between them for drinks and whatever rich people put on it. A projector hangs above the pool, an electrical hazard, you thought and an image of an entire pool party getting electrocuted lingers in your mind. You snap the rubber band against your wrist.

The popcorn machine helps distract you from the intrusive thought. Opening the machine, the popped kernels are still warm against your skin. You quickly scoop up a handful of it in your palm, the butter slicking your hand and your mouth as you eat it like how a baby deer eats grass.

You've had enough of the overly decorated basement, getting back on the elevator, you finish off your popcorn with one big bite. Still chewing, you wipe your hands on your trousers to press the shiny buttons on the elevator. The doors close as you chew loudly, eyes up on the screen showing the floors of the house, you don't notice the stranger standing outside of the opened doors.

Butter on your lips, you almost smack him on his pretty face.

“Christ!” You yelp, almost choking on a kernel.

“Close, but no.” He smirks, eyes flicking at the sheen on your lips.

Your husband, the title echoes in your popcorn filled head. His smile captures your attention, a ten megawatt grin that could power the entire posh neighborhood. His piercings glimmer in the warm light, and your eyes are glued to the ones on his eyebrows. Hazel eyes, the left one seems to be lighter than the other, watercolour eyes stare back at you, scanning your features. If you stare long enough you swear you can see patches of green and gray in those expressive eyes.

“John Smith.” He introduces himself, your husband, your partner. John doesn't raise his ringed hand for you to shake, instead he nods at you, waiting patiently for you to say your name. As if he doesn't know.

Clearing your kernel filled throat, you quickly run your tongue across your teeth (with your mouth closed of course) because you don't want to embarrass yourself further by having popcorn stuck in your teeth.

“Jane, Jane Smith.” You reach towards him to shake his hand, he raises a brow at you in turn.

“I don't do that, love, sorry.”

“Shake hands?”

“Yeah,” he looks to the left of your face, his eyebrow twitches slightly— a tell.

“Are you a germaphobe?” You ask before you could stop yourself.

“Not really, I've got issues…with intimacy.” John shrugs, the metals on his leather jacket clinks together. You think he'd rather be a model or a rock star instead of a spy with how he dresses and carries himself with confidence.

You smile knowingly, “We all do, but you don't have that issue. It's our first day of marriage and you decide to lie to your wife?” You click your tongue, eyebrow raised. “Not a very good first impression, John.”

He'll never get used to being called that basic name. ‘John’ takes your hand, it's warm, searing hot under your slippery hand. You'd thought his warmth would cook your flesh, you guess the butter on your palm would work wonders. You're starting to regret snacking. The calluses on his palm matches your own, a large scar across his palm tells you a story untold. Silver rings decorate his long fingers. There's a more simple silver bracelet on his wrist, a stark contrast to the ornate rings he sports on both hands.

He's handsome, you think, rightfully so. With his chiseled jaw that rivals any greek statue and eyes that could be mistaken for stars; he's tall too, so that's a plus. You lucked out on the fake husband department. Well, there's worse men to fake marry out there. Just judging from first impressions, you're glad he's the one you have on your side,

“How'd you know?” He asks, eyes narrowed.

“I'm very perceptive.”

“Trained?”

“Nope,” you hide your bundle of nerves with your casual tone. His hand is still clasped on your own, you don't notice it. “Just very good at reading people.”

“Did you have a stint at the BAU too?”

Too? You ignore it for now. “No,” chuckling, you finally notice the heat on your palm so you let him go. “Just…natural talent, I guess.”

“What’s under the house?” John asks, stepping aside so you could exit the elevator.

“A beating heart.” You curse yourself, fingers already reaching for the rubber band on your wrist.

To your surprise, John laughs. The sound is genuine, eyes crinkling in the corners. “I got the reference.”

“I figured.”

“I saw a black box in the office, you wanna check it out?” He points behind him with his thumb.

“Why? Do you think there's a beating heart in there too?”

“Maybe.” He plays along, walking beside you. “You never know with the company, for all we know there's a head in there.”

“Morbid.” You joke as he opens the door for you.

“Says you?” John keeps reminding himself of his real name whilst he memorizes the side of your face. He already wants to tell you his real name, not the one assigned to him by the suits behind the faceless screen he has grown familiar with. He says his name in his mind again, if he accidentally blurted it out, well, c'est la vie.

“Says me,” you shrug casually, trying to keep up with his wit and charm. You already think you're losing. You scrunch your face at the painting above the mantle. It's an art of two lovers doing the tango, if tango excludes clothes and includes intense snogging.

He chuckles right next to you, an airy laugh that has you smiling too. “A very brave choice. Not my taste, but whatever floats the company's boat. What's inside is a bit better though.” Your ‘husband’ reaches towards the frame of the painting, gently pressing down, it releases a metallic click as it reveals a secret compartment full of weapons.

You hide a snort behind your hand. The cabinet reminds you of your own. Unimpressed, you flick your eyes down at the office table, the large black box sitting on top of it is just begging to be opened.

Without a second thought, you open it. Taking out the bottle of expensive looking wine, you read the card that is tied in a neat ribbon around the neck.

“‘Good luck on your first day of marriage’” you look at the man beside you. He's incredibly close to you, his elbow grazing yours, lips slightly parted whilst he takes a peek at the wine. He smells of burgundy and leather, it calms your senses for some odd reason. “I prefer coke.” You practically shove the bottle in his hands. The glass clinks against his metal rings.

“The snorting variation or the fizzy one?” He asks, placing the bottle down on the narra table with an almost silent thud.

“The fizzy one.” You take his question at face value. He doesn't question why you don't prefer alcohol. Sitting down on the plush office chair, you open the laptop in front of you. It dings, needing a password to open it. “It needs a—”

Before you could even finish the question, he gives you a scrap of paper from the numerous envelopes inside the box. The password is printed on it with the same font as the one from the piece of paper you held a couple of weeks ago.

You type it whilst he rifles through the box. The home screen pops up, nothing too fancy or out of the ordinary. Except for the single application in the corner that's only labeled as ‘S’

Clicking it, a chat box appears.

> Hihi, follow man

John snakes up next to you, the harsh light from the laptop shines on his pensive face. You return your attention towards ‘your boss’. A picture of a young blond man pops up in the chat, there's a mole near his left eye, he sports dark eyebrows. And a look that says ‘daddy paid for my college!’

> 40.748817, -73.985428

“That's downtown I think.” John pipes up next to you, and you look at him like he just said the sky is green and the grass is blue.

> Take keys, take car. Bring car here

> 51.505554, -0.075278.

“A car?” You rhetorically ask.

“Must be a very expensive car, or an important one.” John answers back as he leans further down to take a better look at the monitor. His hand is on the back of your chair, his necklaces dangle on his neck like a pretty chandelier.

You both wait for more instructions but it doesn't come.

“Hihi isn't very talkative, huh?” Your voice echoes in the awkward silence.

“‘Hihi?’”

“Yeah, I thought I'd give it a nickname.” You think he's weirded out but with an amused laugh he pats your shoulder nonchalantly.

“Cute.” You don't know if he's referring to you, or to the nickname you dubbed your electronic boss. “I've separated our papers.” John says as you still contemplate his last comment. “Here's yours.”

“Thanks.” You scan the pile in your hands. Your own face greets you as you flip through it all.

“It has everything we need. Credit card, ID's, carry permit and a passport.”

“What's that one?” You point at the larger envelope next to John's pile. A smaller black leather envelope sits atop it.

He opens the large envelope, giving you the contents of it. “Marriage certificate. And this one…” shaking the leather envelope, whatever is inside of it clinks. Taking it out, he shows you the gold bands. “...our wedding rings.” Heat rises in your cheeks unavoidably once he says it softly. “May I?” Open palm reaching out, he beckons.

You try to remember which hand wears it. With a split second decision, you place your left hand atop his own. Carefully sliding the cold ring in your marriage finger, you stay locked in on his eyes that's concentrating like he's disarming a bomb.

John pats your hand and then inserts his own ring in his finger, mirroring yours.

“Guess we're married.” You shrug casually like your heart doesn't beat against your ribcage, like it's trying to escape its confines. “It feels kind of weird?”

“We are,” he flashes you his signature smirk. “And we'll get used to it, hm, wife?”

“Yeah, I'll adapt.” You say just barely above a whisper, hands suddenly clammy.

“That's my girl.” Throwing you a wink, he walks away from a flustered you.

Yeah, you got lucky.

—

Morning comes and you had the best sleep you've had in years. Even if you slept on an empty stomach last night, you still slept like a baby on the eight hundred thread count Egyptian cotton blanket. You stare blankly at the beige ceiling, hands roaming around the soft bed sheet like you're making a snow angel. Sleep ridden eyes roam around the expansive master bedroom to which your new husband has graciously let you take.

Speaking of ‘John’, his bedroom is just across your own. Surprisingly enough, he hasn't woken up yet based on the silence in the hallway outside, you hadn't pegged him as a late riser.

Breakfast calls for you when your stomach rumbles loudly, but you're too comfortable to even move from your spot. Something taps from your window that's facing the foot of your bed. A soft tippy tap of something hitting the glass that has you sitting up. Eyes blinking rapidly, you stare off a pigeon perched outside. Its iridescent feathers shine in the early morning sun, its beak tapping rhythmically at the window.

Sliding your hand behind you, blindly grasping at a pillow, you fling it across the room to scare off the bird. The pillow hits your mark and out flies away the annoying pigeon. With a sigh, you get off your ass to get ready for the day ahead. You don't want to be late to your first day out in the field, no use in rotting in your luxurious bed if you can't keep it after you get fired for being late.

You dress for the day and for the cool weather. Spring has come but the freezing temperature has decided to stay for a little while. With a cozy turtleneck and comfy slacks, you forgo the torturous device called ‘heels’ for a pair of trainers. Staring at yourself in the mirror, you shrug with a huff. And you snap the rubber against your skin once again.

Taking the chair off the doorknob and then unlocking the door, you exit your sanctuary. Closing your door softly, you find yourself in front of John's room. Judging from the soft snores, you notice that he’s still sleeping. You might be his fake wife but it's not your job to wake him up. So you continue down the hallway and into the kitchen to fix yourself a bowl of cereal.

Bowl in hand, you chew as you walk up to the rooftop. Unlocking it, the sun greets you with a comfortable heat, and you frown at it. You keep eating whilst you explore the space. There's a bountiful garden in the corner, raised garden beds full of fresh vegetables and fruit that is ripe for the taking. An outside dining area sits in the middle, you recognize the long table from a catalog you once read to pass the time at the dentist. You remember that it doubles as a grill and leg warmer in the winter.

“Fancy,” you murmur with your mouth full of grainy goodness. Sipping the leftover milk in the bowl, you place it on the expensive table to crouch down next to a bushel of strawberries to sniff. “Almost ripe,” you figure from the softness of the fruit.

A bird flies above you, it's shadow casting over you. With the sound of fluttering wings, the bird perches on the table, black orbs staring at you, head tilting like it's observing your presence.

“Are you the same fucking bird?” You question the pigeon. It coos at you, and then pecks at the ceramic of your discarded bowl. “Motherfucker—” standing up, you have the look of someone ready to square up with the feathered creature.

“Why are you fighting an innocent bird?” John appears with a mug of tea in his hand. You forgot to make tea.

“I wasn't fighting with it.”

“He,” your partner crosses the distance, the bird doesn't fly away from the close proximity. You raise an eyebrow at that. “might be hungry.” He gestures towards the strawberries behind you with his chin. “Think you can grab us one, lovie?” You're gonna need some time to get used to that term.

“It's not ripe.”

“I don't think he's picky.”

“It's too sour, it might upset his stomach.”

“He's a pigeon, he's used to eating shit off the pavement. I think that's fine, love.”

With an awkward nod, you pick the one that's redder than the rest. Throwing it towards John, he catches it with a practiced hand. He sits down before laying the fruit in front of the bird. You watch it unfold, the pigeon hops on the table, beak pecking at the seeds. You're intrigued at their interaction.

John sips at his drink, still in his sleep clothes. Toned arms in full display from the loose tank top he sports. Pajama pants hanging low on his hips, silk bonnet on his head. He only has one sock on his feet, you tilt your head.

“What happened to your sock?” You point at his bare foot curiously.

“Hmm?” He looks down, and he chuckles like he just realized the missing article of clothing. “Don't know, probably kicked it off while I was sleepin’”

“Oh,” you blink, “you should get ready, we might miss our target.”

He fakes salutes at you, drinking casually from his mug as you leave the rooftop. He doesn't miss how you didn't take your dish with you. Sighing, he watches the pigeon eat his fill.

—

You and John arrive at a pub. It's dim inside with only a few miserable patrons sitting sparsely at different corners of the musty establishment. They all look miserable, all having expressions from different points of the human emotion. But there's only one face you're observing— your target.

He sits alone on the bar stool, back hunched, eyes red and nursing a half filled pint of beer. Holding his face in his hand, blond hair raked in between his fingers, bomber jacket hanging loosely on his form, bags under his sagging eyes. He's the picture of someone who's on the bottom of the barrel.

John guides you with his hand hovering on your back. Not touching, at the same time still close, you are supposed to be a couple after all. You slide into a booth that has the perfect view of the target, but still out of his sight and out of earshot. The leather seat is worn down, tiny bits of it are ripped, at least it's not sticky. He orders for you, and you observe how he slyly roams his eyes towards the man, looking out for the keys.

He comes back with a plate of chips and dip. “Thought it would be weird not to order anythin’”

“Good call,” you take a chip whilst your eyes only briefly leave the target's back. “Thought you'd buy me a pint.”

“Did you want a pint? This early? Do you want to talk about it?” He half jokes as he takes a smaller chip.

“No,” you scoff, “and no. I just thought you'd order it instead of this.”

“You're not the only perceptive one in this relationship.” John looks over his shoulder to quickly do a once over at the forlorn man.

“Did you see where he's keeping it?”

“Inside his jacket, right side.”

You nod, “Is he carrying?”

“Not that I can tell.” He shrugs, licking the salt off his finger. “So, why'd you join?”

“Really? We're doing that?” You watch as the man gulps down his remaining drink and then orders a new one immediately.

“Yes, we're doin' that. Won't that make us work better together? To get to know each other a bit more?”

“Fine,” you silently huff. “No one else would take me, this is a last resort, I guess?”

“Bullshit, love, I think anyone would be happy to have you in their…agency?”

“Flattery won't get you anywhere, birdman.” A small smile appears on your lips, he beams at you. “Besides, who else is hiring for someone with the specific skill set that I have?”

He hums, while turning subtly to take a peek at the target. Returning his attention to you after seeing the blonde man still hunched in his stool, John takes another chip. “True, did you get kicked out from the last one?”

“Not really,” you stare at the crack on the wooden table. “You?”

“Not really,” he shrugs and you roll your eyes.

“You MI6?” He asks casually. “This your first time in London?”

“I'm not answering either of those questions.”

“C’mon,” he wiggles his left hand, the wedding band shines in the pub light. “Husband, remember? ‘sides, I won't tell anyone.”

You place your elbows on the table, smiling sarcastically at him. After a beat for his anticipation, you grin wider. “No.”

His shoulders fall, a chortle escaping his lips. “Cheeky.” Pointing an accusing finger at you, he quickly looks behind him, only to find the target sluggishly exiting the pub. “He's on the move.”

You both follow the drunk man like gravity is pulling you towards him. Walking the streets of busy downtown London, stranger's faces whizz past you. John has his hands casually in his pockets, yet he stays close to you, eyes flicking in the corners to check on you.

“Why don't you ask me a question? Y’know tit for tat?” He waits patiently for you to answer back, hell he'll even take a grunt at this point.

“Okay,” you surprisingly start the conversation on his behalf. “Have you killed anyone?” The passing pedestrians don't seem to notice you and the morbid subject.

Your partner snorts, nose scrunched up, eyes glued on the staggering target. “Nah. Have you?”

“I call bullshit,” you dodge a distracted woman scrolling on her phone. “Anyway, I have. I'm not exactly proud of it or flaunting it if you're thinking that I'm doing that.”

“Good, once you start flaunting it like a bloody trophy, you've lost it.”

You hum in agreement, the sound of a deep rumble in your chest as you two turn a corner. “Why do you think hihi needs us to nick the car?”

“Hihi” he chuckles, you turn to him with a serious face. “There's probably a stash of confidential information in the trunk or somethin’”

“Maybe a stash of weapons?” The man in front of you stumbles. “I don't see him as the type to harbor secret documents.”

John nods, “a highly infectious disease then?”

“Christ, we better drive carefully once we get a hold of it.” You turn to him briefly. “Maybe it's a really expensive sports car and he's all sad and mopey because he's gone broke after buying it?”

“Got a whole story now, huh?” He pushes you lightly with his leather clad shoulder, and you smile softly. “You good at pickpocketing him?” Your partner gestures with his chin, said target is walking into traffic. He seems unbothered by the oncoming vehicles. John curses under his breath.

“We should do that now before he kills himself.” You speed walk across the crossing, grabbing the drunk man before a car hits him.

Arms enveloping around his bomber jacket, swiping him away and quickly carrying him to the footpath, you save him before an suv hits you both. The car honks loudly and angrily as your target groans in your arms like he's about to hurl the contents of his stomach.

John punches the hood of the car, pointing at the driver accusingly. A distraction for you to take the keys hidden in the man's jacket.

“You almost hit my fuckin' wife, you wanker!” Your partner yells, covering the sound of jingling keys in your expert hand. He plays the part well.

Surprisingly, the target straightens up in your hold, a split second after you pocketed the car keys inside your own coat.

“Y-you,” he slurs, feet struggling to keep himself upright. “Dickhead!” Slamming his fists on the hood with a loud *thunk, he joins John who gives you a look and a shrug. The drunken yelling gets louder and the driver now exits his car with an equally angry look.

John takes this opportunity to come back to your side, hand holding your elbow, he leads you away from the screaming match as more and more people try to intervene.

“Got it?” He whispers closely to the shell of your ear, sending goosebumps to rise in your arms.

“‘course I did.” You jingle the keys inside your pocket. “I'm not an amateur.”

Playing along, he laughs, hand still holding your elbow softly. “Good job, missus.”

With an awkward chuckle, you lean away from him. “Just so you know, I'm not in this for…the romance.” You bite the inside of your cheek. “I'm not looking to date my co-worker.”

John raises his hands in mock surrender. “Fine by me. if the situation calls for us to actually act as a couple—”

“We'll act as a couple, I won't fuss if that's what you're saying.”

“Good, now let's get this bloody car.”

—

“A fucking ‘99 toyota corolla?” You stare in disbelief at the rusting metal. “At least it's one of the good models.” Kicking the wheel, you expect it to tumble over like in an old timey cartoon.

John is crouched way down to check the bottom of the car. “It's clear.” He stands up fully, cleaning his hands on his jeans. You wince at his movements. “What?”

“Nothing.” You open the driver's side, the smell of alcohol and something musty hits your nose. “Nasty.” Coughing, you air it out by opening another door.

“You know your cars?”

“A little bit.” You say with your nose pinched. Sparing him a look, he stands in the parking lot like he's still waiting for the rest of the story. “What?”

“Throw me a bone here, love.” You roll your eyes. “Why do you know so much about cars?”

“I said I know a little bit.” You place your hands on your hips like an exasperated mother whose son keeps asking weird questions about dinosaurs. “I dated a mechanic.” You say flatly.

“Really? Did you date a pickpocket too? Or do you date people so you could absorb their skills like kirby?”

“Are you jealous?” You tease him with a comment you didn't have the foresight that it would backfire.

“We are married.” He says matter-of-fact with a killer smirk and eyes glinting with mischief. “And this is technically our honeymoon so—”

“Get in the fucking car, birdman.”

—

The wheel is sticky under your hands, you have an intense urge to wash your hands or to at least grab a sanitizer. Apparently your disgust shows on your face, for John chortles next to you.

“What?” You say through gritted teeth.

“Nothin’, you just look like someone shat in your tea.”

“The wheel is sticky.”

“I have a handkerchief with me, d’you want me to?” Taking out the dark green cloth from his jean pockets, he's already twisting in his seat to wipe it clean.

“Please,” you ask softly, hands sliding down to make space for him.

Your hand never left the wheel while he cleans it for you. John's seatbelt is unclasped so he could have more movement, his face is close to your vision, warmth blanketing over you. He's so close that you can smell his cologne, it's a different one from yesterday, it's more flowery with a hint of mint. You spot a hidden mole under his ear. A tiny dot that is just begging to be poked.

Without thinking, you press softly with the pad of your finger. He yelps, flinching away instinctively. Looking at you with wide eyes and mouth agape, you're ready to be called a nasty nickname, or be cussed out with a loud voice. Instead of what you're anticipating, a laugh bellows out, a rumbly laugh that makes you smile and let out an almost silent chortle.

“I think you found my mole.” John holds the side of his neck with a grin. “You let your urges get to you, love.”

“Sorry,” you keep your eyes on the road to hide your embarrassment.

“It's fine, your hand was just cold. Ask me next time, I have a few more cute moles on me.”

“Nevermind, you ruined it.” With a roll of your eyes and a smile, you park at the coordinates. “Nice acting back there, I see an Emmy nomination for you in the future.”

“Thanks, I barely remember what I said. You sure this is the place?” John peeks at the map pulled up on your phone. “Shit, we're here.”

The entire street is suburban, large colonial houses lining the sides, tall pine trees decorate the sidewalks. There's not a lot of people walking by, save for a couple pedestrians walking their dogs, the place is devoid of people.

“What now?” You unclasp your seatbelt to twist around in your seat so you could observe the neighborhood.

“Hihi told us to bring it here, so maybe we should—?” John lets out a high pitched scream that also has you yelling in surprise, not from whatever made him shriek but from the sound that escaped him. “What the fuck!”

Leaning slightly to look at what had his knickers in a bunch, you stare blankly at a bespectacled man in a bespoke suit. The man gives you and your partner an apologetic look, he points for John to open the window.

He turns towards you with an eyebrow raised. “Should I?”

“Yeah, I think you should.”

“What if he's got a gun?” He whispers.

“We also have guns, John. I'll cover you, don't worry. Maybe this is what hihi asked us to do.”

“Easy for you to say, you're not the one opening it.” He gives you a glare before rolling the window down an inch. “Hi, mate. What can we do for you?”

“The car,” the stranger points a lengthy finger at the wheel. His voice is crackly and gravelly, like he just smoked a pack of cigarettes before he went up to the car. “You're late, but that doesn't matter. How much do I owe you, folks?”

“Uh, the usual.” You say with fake confidence.

“Good,” the lean man straightens up, “mind gettin’ out of the car then?”

“Right, sorry, bruv.” John, gives you one look before exiting the car. He's nervous and so are you.

As the doors shut, the man flexes his open palms expectantly for the keys, to which you hand off immediately. He gives you bad vibes, maybe your intuition tells you to run for the hills.

“Thank you, sweetheart. I'll wire the money to the usual account.” The nickname sends shivers down your spine.

He closes the door and starts up the car. With a splutter of the exhaust, he slowly drives away. You and John watch, standing side by side in the middle of the street in confusion.

“He was weird, right? Not to mention it was too easy.” You turn your head to look at him. “Maybe they're trying to ease us in?”

“It was all weird, not just him—” A blast coming from the car interrupts him, the sheer force of it sends you two down on the rough pavement.

Your cheeks are incredibly warm from the searing heat of the bomb. The light from it blinds the two of you.

Palms skinned, trousers slashed at the knees, your ears ring loudly like an annoying buzz from a broken microphone. Coughing loudly, smoke fills your lungs, debris is scattered around the once pristine neighborhood. There's blood on the concrete, you can't hear John calling for you, your vision is blurred by the cloud of smoke. His hand reaches for you, and your instincts tell you to run.

“Fuck!” He yells, running beside you at full speed. “What the fuck!”

“Keep running!” You yell as he turns around to check on a woozy you. “I'm fine!”

Someone behind you screams for you to stop so you and your partner run faster. Knees aching, thighs burning, you don't stick around to look who's running after you. The unmistakable click of a gun’s safety is loud in your eardrums, even if your lungs threaten to give out, you sprint right next to John as he turns a corner and into a carwash.

The smell of soap and heavy pine scented car freshener hits your bloody nose. He tugs you towards the plastic curtains and inside what you presume as the employee lounge, someone yells after you but it falls on deaf ears as you and John continue your escape.

Exiting the establishment, the metal doors open to a messy alleyway. Boxes upon boxes of trash and god knows what are littered all around. The pungent smell makes you want to hurl, or maybe that's the adrenaline having a weird effect on your stomach.

You two find reprieve for a second, huffing, trying to get oxygen back in. Hands on your aching thighs, the concrete below you slowly turns crimson as your mysterious injury drips precious blood on the messy ground.

“You're bleedin’” He says in between inhales. There's rustling of fabric next to you, and you feel the warm cloth placed on your forehead.

“No shit, Sherlock.” Waving the drenched cloth away, you scoff lightly. “Don't.”

“What am I supposed to do? Let you bleed?”

You stand up straight, blood coating your lashes as you stare at him. “I've got a better idea.” Placing your palms on the source of the pain, you let your blood coat it.

“What—?” You roughly smudge the warm ichor all over his face and shirt, the plain white of his t-shirt turns a dark pink shade with your touch. Leaning away, he gives you a slow nod of understanding. “Ease us in, huh?”

“I'm rarely wrong and this is one of the rare instances.”

“Let's hope you're right about this one.”

—

You kick the backdoor open with ferocity. It bangs loud against the wall, getting the restaurant staff's attention.

“Help please! My husband!” John's limp arm is around your shoulders, your hand gripping on to his waist to add that one detail that would convince them of your innocence. “There was a bomb!” You don't let the bystanders touch you or John whilst you quickly lumber through their dinghy bathroom. There's murmurs and chairs scraping on the tiled floors as you lock the door behind you.

The bathroom is small, tiles yellowed from the years, the stench of bleach itching your nose. The lightbulb above you whirs like it's about to burst out. He leaves your side to take off his bloodied jacket, tossing it outside from the window— his exit, you presume.

“Your phone.” He holds his empty hand out to you, when you only raise an eyebrow at him, he sighs, eyes turning soft, adrenaline melting out of his system. “Please, c’mon, love, you got me sayin’ please and shit.”

“What for?” You try desperately to wipe the blood off your face.

“To contact you, just in case you need help.”

“I can handle it.”

“I know you can, how else did you get the job then? Just let me,” his voice wavers a bit but he corrects himself with a timed clear of his smoke filled throat. “Please, Jane.”

After pausing, you take your phone out from your pocket to give it to him. He enters his number after seeing your home screen of a basic mountain range.

“There.” Giving the phone back, you expected him to give his too, but he doesn't as he's already halfway out of the window. “I'll see you at home?”

You let out a chuckle, “yeah, I'll see you at home.” He gives you one last smile as he exits the small bathroom and into the streets where numerous sirens go off from ambulances and fire trucks.

—

It was a blur the entire trip home, you bought a loose hoodie from a thrift store and then promptly discarded your blood soaked coat in the bottom of a dumpster. It was a shame though, you liked that coat, it had real wool in the lining. The uber drive was thankfully uneventful, if the driver noticed the remnants of dried blood on your skin he didn't mention it. You gave him five stars for it.

An empty house greets you, John's shoes are nowhere to be seen in the hallway, nor his jacket. You worry for a second, mind rushing through possibilities. The rubber band burns as you pull it back and release it with a harsh thwack against your skin.

The water is cool as you shower, your blood mixing in and pooling around your feet and into the drain like a macabre whirlpool. You don't let your mind wonder about the man that you turned into a street pancake. Instead, you focus on yourself in the mirror.

You stare at the gash near your hairline, the skin around it is angry, leaving a throbbing sensation. There's also a few scratches on your face, especially around your chin. Your main concern is the large gash. It doesn't look like it needs to be stitched together though, which is a good thing since you don't have the energy to even tend to the tiny scratches on your palms. Cleaning and bandaging the wound, you put on clean pajamas and head to bed.

You stop in your tracks when you see John lying face down on your bed. Still in his iron soaked clothes, save for the jacket. You glare at his boot, it's off the bed but you still grit your teeth at the thought of it grazing your bedsheets.

He senses your presence, and he lifts his head up, chin helping prop himself up. “Your bed is better than mine.” His multi coloured eyes are laced with exhaustion, dull yet there's still a spark when he looks at your annoyed gaze.

“Who are you? Goldilocks?”

“Yeah, I ate your porridge too.”

“Damn, not my porridge.” Too tired to fight him, you slither into bed next to him, an arm's length away from his equally tired body. Staring at the ceiling, you feel his eyes on you. “What's up with your eyes?”

“It's called heterochromia—”

“I know what it is, I'm asking why you're staring at me like you're about to devour me.”

“I could devour you if you want.” He says nonchalantly but with the charisma of a man who knows what he's talking about.

“Maybe next time.” You blindly pat his shoulder which ended up with you patting his cheek. He hums at your touch, a deep rumble that you felt through the mattress. “Not bad for our first day huh?” Lifting your hand away, he twists on the bed to mirror your position. Now you're both gazing at the beige ceiling like it owes you money.

You're tired but for some reason you're fighting off the sandman from sprinkling sand in your heavy eyes.

“I lied back there, I've killed before.” His voice is merely above a whisper but you heard it as loud as a trumpet blaring in your ears.

“I know, you wouldn't be here if you haven't.” You answer with empathy. “If it makes you feel better, I've been to London before. Twice, on a family trip and a decade later…on vacation.”

“Glad to know.” He taps the inside of your elbow as a thank you for trusting him. “You CIA?” He blurts out above the comfortable silence.

“God no.” You truthfully say.

“And here I thought you're an alumni of the culinary institute of America.”

For the first time in years, you let out the loudest laugh you could muster. Snort and all.

Your ‘husband’ joins in with his own rambunctious laughter, the bed shakes at the loud guffaws. The happy sound fills the room, and your heart feels like it isn't as heavy as before. It's still there, the heaviness, but it isn't as cumbersome. You now realize that you've only snapped the rubber band on your wrist a couple times today.

An annoying tapping sound interrupts you both. Simultaneously sitting up by the elbows, you two tilt your head at the intruder.

“It's that pigeon again.” You actually smile at the thought of the same bird coming back to your house like a white strand of hair that keeps growing even after you've pulled it out. “I think we should name him. Something like Terry or Flanders.” You chuckle softly.

“Jeff.”

You shake your head. “Nope, doesn't suit him, what if it's a she?”

“His name is Jeff.” John turns to look at you, eyes full of certainty.

You turn to him, blinking rapidly in realization. “He's yours. He's your bird, isn't he?”

“You are insightful.” He smiles, a soft one that fills you with endearment that you haven't felt in years. “Met him a few months ago, fed him once and now he wouldn't leave me alone. I guess he followed me here too.”

“Y’know, pigeons are really smart, kinda like crows. He probably thinks you're his daddy.”

“Does that make you Jeff's mummy?”

“I don't want to be Jeff's mom.” Said bird taps on your window again, like he senses that you're currently talking about him.

“Too bad,” he raises his marriage finger, showing you the gold band. “He's our kid, love.”

You smile, hiding it with a huff and by laying back down with a gentle thump.

“Can I tell you somethin’?” His face pops up in your vision, you nod in place. “My real name is—”

“Let me stop you right there.” You sit back up, almost hitting his head with your own at how fast you sat. “There's a reason why they gave us fake names. Whether we like it or not, It's John,” You point at him. “And Jane Smith.” You point at yourself. “Until they dismiss us, that's our names. Not whatever you were about to tell me.”

“But you know it's not our names, right?”

“Of course I do. You don't look like a John, John.”

“And you don't look like a Jane. I just…” He sighs. “Just want someone to know my real name. We almost died back there, what if we stayed a minute longer inside that car? What then? I don't want to die with someone else's name written on my grave.” His words are genuine, but it sounds like he has said these words before.

Still, you sympathize with him. You've gone undercover before, taken someone’s name instead of yours for months. Those missions were so long and tiring that you almost forgot your own name. But it was…survivable because he was with you. John has no one, and this time you have no one. No one that calls your real name, no one that can identify your body if you suddenly croak in the middle of a mission.

No one else but John and Jane Smith.

So with bated breath, you give him the go ahead. “Okay, tell me. But I can't promise that I'll call you by that name.”

“Don't want to get in trouble with hihi?”

“No,” you scoff. “I don't give a shit what that robot says. I just don't want to die with a stranger's name. So fuck it, tell me yours and I'll mine.”

He smiles the same smile that he gave you before he went out of that dinky bathroom window. The smile that reassures you, a smile that tells you everything will be alright.

“It's Hobie,” Hobie finally says. “Hobie Brown.”

“It suits you better. Thought it was Jeff.” You whisper, and you give him your real name. The same name you were born with, not the fabricated ones your former agency has given you, not the ones your new company has given you.

He whispers back your name, tongue rolling off it like honey. Then, Hobie smiles again, nodding and those heterochromatic eyes bore into you comfortably like the sun's rays kissing your skin in the summer.

“You look like one. Definitely suits you better than Jane.” You smile shyly as you lose the fight against sandman.

In Hobie's mind, he hopes that knowing your real name is enough, enough to keep you alive, enough of an incentive for him to keep you safe, since you're not just a typical Jane anymore that the company randomly selected for him, no, you're Y/N L/N, and he'll do anything to protect you better. Because maybe, just maybe, knowing your real name this early would work, and you'll outlive all the Janes that he himself has outlived.

As you fall asleep next to him, he stares at Jeff the third. In that luxurious house, within those bulletproof walls, and in your room lies a deep anger in him. An anger that keeps him sane in all those years trying to pay his debt. He needs to end the cycle, not just for him but for all the agents that are in the same shoes as him. For now he lets you sleep soundly, for now, he plots the demise of the people behind the screen.

The laptop flashes a new message from the company.

> Mission complete: 3 fails remaining

> Good job, next mission?

Support banner by @cafekitsune ❤️

A/N: thank you for reading!!! Please consider reblogging if you liked it ❤️❤️❤️

[bloomfish]

If something isn't on here I either consider it objectively a decent episode, or completely irredeemable/boring in a way that doesn't count as "so bad it's good" (killed by death, for instance.) It needs to be that specific kind of ridiculous early Buffy campiness that ends up being very entertaining!

[allfortheslay25]

im here asking for specific oc lore abt amirah bahar because im js so happy theres a hijabi muslim character like AHHHHHH

like is that myself?? i see??? also omg if shes desi like pakistani ill love u forever

I’m glad you love Mirah! Gotta admit she is one of my favorites of my Foxes :)

Tw topics: physical/sexual abuse, stalking, violent and murder

Mirah’s mother was Pakistani/Palestinian and her bio father was Pakistani. Since she lives with her stepdad who is Palestinian, she tends to identify with it more

Mirah’s birth father was very abusive to her and her mother growing up and when her mother married her step father, that didn’t stop. Her birth father would often stalk the two of them and wait for her step dad to be at work before he’d break into their home and r/pe Mirah’s mother. Mirah’s mother was scared her husband would leave if he knew and so this went on for five years. Mirah would sometimes be sexually abused by her father too, but she could never find hate or blame for her mother. They were both victims

Eventually, Mirah’s father killed her mother after finding out her mother was pregnant and it definitely wasn’t his child. He was always controlling and obsessed with her mother so the news led him to beating her to death. Mirah had called her step dad while she was hiding and hoped he’d get home in time to save her mother.

Unfortunately, her mother didn’t make it. Mirah’s father was sent to prison and her step dad put in as much work as he could to get Mirah some help to deal with the trauma. Her stepdad taught her to play exy while they tried to bond after her mother’s death.

Mirah had trouble connecting with ppl at school. She’d always had a short temper and the stress of her mother’s death only worsened this. Many exy teams didn’t want to scout her since she was known for her bad attitude.

Ofc Wymack caught an interest in her and recruited her for the Foxes. She soon became captain until an incident caused her to step down and hand over the mantle early to Jackie Jane. Mirah really loves Betsy and her stepdad tries to come to her games any chance he gets (most times Mirah has to convince him not to skip his work)

If you want more fun facts, I’d love to share more. Sorry this took so long to get out😅

[m1ssunderstanding]

You know if even Francie is saying it I'm starting to think old Jim Mac may have been slightly abusive, I don't think that's the right word since what happened it was a different time and place etc. But with the way he treated Paul and Mike, especially after Mary's passing and how he expected so much more when his son was one of the most famous musicians in the world, it's just - his whole family to he fair it's like they never really saw him as human and more akin to a musical monkey

Yeah I would actually call it abuse. I think Jim probably had mostly good intentions and genuinely loved his sons, but that doesn't mean his treatment of them was just or didn't have any affect on them. By my definitions, there's emotional as well as physical abuse going on (Paul was expected and pressured from the time they started to realize how intelligent he was to grow up and save his entire family from poverty; Appearances were everything and emotional needs suppressed; There was no financial security; After Mary's death, Paul was extremely patentified, depended on emotionally and materially by the person who was simultaneously physically abusing him)

About the normalization of the physical abuse specifically for a minute, if it was so normal for the time, why is Paul the only one of the four Beatles to have experienced it? My family has always been working class, and my grandparents who are Paul's age were not subjected to the violence that Paul was. Not saying it wasn't more common then and more accepted, but it's also not something you can just pass off as "that's what everyone did in those days".

Also, I wouldn't be surprised at all if even in that one interview where Paul specifically talked about how he got Jim to stop hitting him, he was downplaying. That's what Paul does. We have no way of knowing. But it does fit with Paul's usual story-telling and framing of events that maybe it was more than what he said.

And yeah, the financial abuse started early and clearly continued far into adulthood, maybe up until Jim's death when Paul cut Angie and Ruth off for selling his birth certificate. Paul was trained as a door-to-door salesman for Jim's club as a nine year old in the literal projects. He figured out how to snatch other people's lunch tickets out of the fire at the inny and pass them off as unused. What are we going to do without her money? He first saw John when he was a paper boy and John was buying chips. As soon as the band started making money, he became the head provider of his family (Jim made 10 pounds a week at the cotton brokers while Paul made 15 a week in Hamburg) and when the band wasn't making money, he found whatever work he could to make up for it. Meanwhile, we have no reason to believe Jim wasn't gambling insatiably. As the child of an addict, I know addictions don't just go away and then resurface when they're affordable again, and Jim was certainly an addict. He gambled so much Paul had to buy his house back for him (that he'd bought for him in the first place while Paul himself was living in an attic room like some kind of starving artist at the same time as the rest of the band was buying their mansions).

Paul clearly loved his dad so much and craved Jim's approval, trying to find a girl Jim would approve of after Jane, trying to be a good family man, trying to stay close to his working class roots. You can even see it in his music, from When I'm 64 to A Walk in the Park with Eloise. (I think the 1920s & 30s influence in much of his music came from him genuinely loving it and also from a desire for his dad to appreciate his talent). But he also had no patience for Jim's frailty toward the end, didn't go to the funeral, and didn't write about Jim's death in MYFN.

I really don't know too much about the extended family, anon, but it does seem the case that part of Paul's role in it, from the beginning, was to be a savior and a cash cow, and no one considered his humanity.

[triptychgardener]

Hello sorry if this is a bother but I am asking in good faith where is the reading for transmasc nepeta. I’m asking this cuz of your last ask (the June one) and I see aradia Dirk and Jane. Thoes all I have seen post and analysis about. But I have not really seen anything about nepeta.

Okay so first thing you gotta understand is that gender in Homestuck, for lack of a better way to say it, can be understood in how characters reflect and relate to each other. That being said to understand Nepeta's gender, we gotta understand the gender of at the very least one other person.

Dave.

And more specifically.

Davepeta, Homestuck's very own first(ish) trans character.

Davepeta is noted to be a sort of platonic ideal of existence for both Dave and Nepeta. Somehow, through a strange series of cosmic coincidences, these two end up making an odd sort of parallel. Both having a strange relationship to a man who loves him some goddamn horses. The whole Akwete Purrmusk thing. I mean, Dave canonically engaged in semi-nonironic furry roleplay with Nepeta offscreen, and given what we know about what becoming a furry in Homestuck means, it's not a leap to describe this as their ideal form.

But, although we don't see a lot of Nepeta's character arc, we do see a lot of Dave's. He struggles his whole life under an incredibly oppressive masculine force (both of Bro and, indirectly, Lord English), and once the game is over ends up deconstructing and largely rejecting that.

So when Davesprite, who's also probably been thinking about this for even longer, bereft of purpose or identity, finds a kindred soul in a spunky catgirl... well the rest is Davepeta.

And similarly, there are points in the story where Nepeta acts kind of uncomfortable with how others see her as exclusively something to be protected. The whole "Dear, sweet, precious Nepeta" grates on her early on, as Equius uses it as an excuse to control her actions. The whole of moiraillegience as it is originally explained (i.e. one party helps to calm down an especially brutal and violent person from outbursts of anger, and in turn that person will protect the more docile, even-tempered soul from external harm) even kind of FEELS like the way heterosexual relationships are portrayed in a lot of conservative spaces, where women are nuturers and caretakers while men are protectors. And Nepeta is supposed to, in this situation, be the person who helps Equius manage his emotions, which she feels some consternation at!

Now, over the course of Hivebent, their relationship appears to evolve and get a bit more balanced, but it still carries these overtones of "I will protect you, and you will handle my outbursts." Notably, when Equius goes to seek the Highb100d, and leaves Nepeta behind.

And of course not after roleplaying as each other.

Which. I mean come on.

But notably, Nepeta doesn't just stay put! She doesn't really want to be protected all the time! And when push comes to shove, she leaps out to defend, or at the very least avenge, her best friend.

And then, we don't really see Nepeta for a while!

Until we get to the end of the comic.

During their whole "date", Nepeta seems a little uncomfortable with Jasprose's affections. She may be a bit flattered, but Jasprose also fully admits later that she was frankly looking for any girl she could fall in love with after the tragic death of her girlfriend and possible more tragic untimely resurrection.

But then the pivotal handshake happens, and we get to see who is perhaps the most happy being in all of Homestuck.

Then we get into some of the only actual discussion of gender in Homestuck. We don't get much besides that, for both of their lives, Dave and Nepeta both felt something was missing. Something felt wrong that they couldn't quite place that made them both miserable. I don't think it's a massive stretch to say this could be gender dysphoria.

And when they combine, they feel the fullness of the gendered experience they were missing, melded together like a two-piece puzzle.

Now while the abovementioned "strong identities as a boy and a girl" might throw you off, I would point to what Victoria Lacroix said about this passage: note the lack of the word "respectively." I rest my case.

Now full disclosure, my personal headcanon for Nepeta is genderfluid transmasc. The whole affinity for roleplaying lends itself to a more shifting identity and I just think Nepeta, given more time, would love exploring the little nooks and crannies of gender.

This isn't going into the more complicated shit with Gender when it comes to Equius and Dirk and all that other stuff. Here's a quick summary so you can see exactly how my brain is broken.

Anyways, thanks for the question! I hope I answered my thoughts on the topic adequately! If other people have more to say about this, please feel free to add on!

[suzannahnatters]

Some weirdly specific tropes that I absolutely adore but rarely see: Platonic Love Triangle Two attractive people will battle to the death over the right to be friends with you (I wrote this in A Day of Darkness and otherwise have only seen it in the kdrama Tale of the Nine-Tailed 1938)

The UnChosen One In the magical fantasy world, everyone has super awesome magical powers, except the protagonist (A Dream of Fire by JR Rasmussen did this SO WELL and it made me SO HAPPY; I also plan to do it myself in an upcoming project, A Lord of Thorns and Teeth)

Dying Baby King Terminally ill teen boy should be asking out his crush and having fun, not killing himself running a country (I wrote this in The Lady of Kingdoms with my squishy darling Baldwin IV, and I've only ever seen it done otherwise in the Trevor Nunn movie My Lady Jane)

Disabled Love Interest Put your romantic male lead in a wheelchair you cowards (Stella Dorthwany's Song and Flame and @rj-anderson's Knife have two of the best disabled love interests I've seen)

Sword in the Bed You've heard of Only One Bed but this is the superior medieval variant: before they bunk down together one of them draws a naked sword and lays it in the bed between them (IIRC, it happens in the Welsh Pwyll, Prince of Dyfed, and apart from that and some other medieval legends and fairytales, I've only seen it in an unfinished work by @rj-anderson auuuugh)

Fake Divorced Exactly what it says on the tin (I've never seen this? but DV I'll be writing it into the 5th Miss Dark book)

Bad Fictional Matriarchy What if the patriarchy was a fantasy matriarchy? It'd still be bad, obviously. I see this so rarely but it is always an opportunity for fantastic, layered social criticism (Greta Gerwig's Barbie movie did it well; I'm struggling to recall the one (1) other fantasy novel I read that did it!)

Sad Wet Puppy X Righteous Female Warrior ETL Enemies-to-lovers, but he's a skinny waterlogged little weirdo and she's the righteous paladin who is going to hound him to his destruction without mercy on the strength of her own heavenly wrath (it's the one thing in common between the kdrama Flower of Evil and the cdrama Till the End of the Moon and both of them sent me absolutely feral, plus I have an untitled project on the backburner that will give me the chance to do my own version of this...)

[littlegothsuccubus]

𝕱𝖊𝖊𝖑 𝖑𝖎𝖐𝖊 𝖒𝖆𝖐𝖎𝖓𝖌 𝖆 𝖉𝖊𝖆𝖑 𝖜𝖎𝖙𝖍 𝖙𝖍𝖊 𝖉𝖊𝖛𝖎𝖑?

“🇸‌🇭‌🇪‌ 🇭‌🇦‌🇩‌ 🇦‌🇳‌ 🇪‌🇻‌🇮‌🇱‌ 🇫‌🇦‌🇨‌🇪‌, 🇸‌🇲‌🇴‌🇴‌🇹‌🇭‌🇪‌🇩‌ 🇧‌🇾‌ 🇭‌🇾‌🇵‌🇴‌🇨‌🇷‌🇮‌🇸‌🇾‌; 🇧‌🇺‌🇹‌ 🇭‌🇪‌🇷‌ 🇲‌🇦‌🇳‌🇳‌🇪‌🇷‌🇸‌

🇼‌🇪‌🇷‌🇪‌ 🇪‌🇽‌🇨‌🇪‌🇱‌🇱‌🇪‌🇳‌🇹‌.”

This blog is 🔞18+ Only, no minors. You are not welcome in this space; please leave. Put your age in your bio, or get blocked. This blog is trans-friendly, kink-friendly, sex and body-positive, queer-friendly, and anti-racism. Be kind, and remember this is a safe space for consensual and risk-aware BDSM and kink.

This blog is for all things BDSM and Kink. Do not interact or stay here if you are under 18. If you are underage, you should not be here, and you are not welcome in this space or on this page. If your age is not in your bio, you will be blocked.

This blog is for all my dark, masochistic thoughts.

I am 31, pansexual, and polyamorous. While I am a switch, this blog is specifically geared toward my submissive side.

DMs and asks are open; hit me with your best shot. Moots can add me on Snapchat (shoot me a dm).

Follow my backup, just in case. I am a goth girl, yes, black lipstick and all that spooky stuff.

If you're interested in my pet play content, go here 🐈

If you're interested in my domme content, go here 🌹

Want to hear what a good girl sounds like?

Use the hashtag #kittensaudio to find them 🖤

Listen here to hear what happens when a bratty kitty misbehaves

My Musings

I made a whole special place to find my writing. So go here. ☕

Ready to get kinky, darlings?

My favorite kinks and ways to play as a Submissive:

Masochism

Pain Play

Oral and Face Fucking

Biting, Marking, and Scratching

Bondage

Knife Play

Pet Play

Anal Play

Choking, Breath Play, and Erotic Asphyxiation

Impact Play and Face Slapping

Narratophilia

Exhibitionism

Collaring

CNC

Praise and Degradation

Discipline and Training

Breeding

Manhandling and Overpowering

Worship

Fisting

Group Sex

Intoxication

Quirofilia

Orgasm Control

Ropework

Sensation Play

Sensory Deprivation

Oral Fixation

Somno

Teasing

Voyeurism

Vampirism

Temperature Play

Primal Play

Freeuse

Hand Kink

Voice Kink

Limits/Boundaries

Incest

Mutilation

DDLG

Scat and Piss Play

Racism, Body, Queer, or Gender Shaming

Beastiality

Feeding Kinks

𝗚𝗲𝘁 𝘁𝗼 𝗞𝗻𝗼𝘄 𝗠𝗲❟ 𝗕𝗲𝗳𝗼𝗿𝗲 𝗬𝗼𝘂 𝗧𝗿𝘆 𝘁𝗼 𝗙𝘂𝗰𝗸 𝗠𝗲

♥︎ My favorite color is vermilion.

♥︎ I love horror movies, gore, and all things spooky.

♥︎ When I'm not dominating my good little pets, I enjoy a variety of interests and hobbies.

𝔗𝔥𝔢𝔰𝔢 𝔞𝔯𝔢 𝔞 𝔣𝔢𝔴 𝔬𝔣 𝔪𝔶 𝔣𝔞𝔳𝔬𝔯𝔦𝔱𝔢 𝔱𝔥𝔦𝔫𝔤𝔰

♥︎ My favorite literature includes

Dracula by Bram Stoker

Frankenstein by Mary Shelley

The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson.

The Lord of the Rings by J. R. R. Tolkien

Jaws by Peter Benchley

Jurassic Park by Michael Crichton

The Book of the Dead

The Great Gatsby by F. Scott Fitzgerald

Alice's Adventures in Wonderland by Lewis Carroll

♥︎My favorite movies include (well, some of them, at least)

A Quiet Place

Scream

Saw

Alien

Strangeland

The Uninvited

Interview with a Vampire

Queen of the Damned

The Autopsy of Jane Doe

Black Swan

Pulp Fiction

Guardians of the Galaxy

Van Helsing

Apocalypto

The Phantom of the Opera

Creature from the Black Lagoon

Howl's Moving Castle

Venom

The Bride of Frankenstein

Little Shop of Horrors

Sweeney Todd

47 Meters Down

Catwoman

Jaws

♥︎My favorite shows include (well, some of them, at least)

Deathnote

What We Do in the Shadows

The Addams Family

Arcane

Chainsaw Man

Fullmetal Alchemist

Hazbin Hotel

Invincible

Love, Death, and Robots

MEGALOBOX

Parasyte

Sabrina, The Teenage Witch

Tokyo Ghoul

WandaVision

Westworld

You

♥︎My favorite musicians to listen to (well, some of them, at least)

Clan of Xymox

HIM

Rob Zombie

The 69 Eyes

Alice in Chains

The Killers

Blue Stahli

Arch Enemy

Anthrax

Blind Guardian

Cradle of Filth

The Misfits

Fit for an Autopsy

Funeral for a Friend

Nightwish

Rammstein

Burzum

The Smiths

Kamelot

Dance with the Dead

Razed in Black

Nine Inch Nails

The Birthday Massacre

Otep

Marilyn Manson

Children of Bodom

Korn

Siouxsie and the Banshees

Depeche Mode

Bauhaus

Bile

Ghost

Blink 182

The Cure

Emilie Autumn

Type O Negative

Sisters of Mercy

She Wants Revenge

FAQ

𝚃𝚘 𝚊𝚗𝚜𝚠𝚎𝚛 𝚝𝚑𝚎 𝚏𝚛𝚎𝚚𝚞𝚎𝚗𝚝𝚕𝚢 𝚊𝚜𝚔𝚎𝚍 𝚚𝚞𝚎𝚜𝚝𝚒𝚘𝚗𝚜 𝙸'𝚟𝚎 𝚋𝚎𝚎𝚗 𝚐𝚎𝚝𝚝𝚒𝚗𝚐:

No, I will not send you nudes. If I don't know you, and we've never even talked, don't ask. Save yourself the embarrassment.

Yes, my boobs are real. No work done, all natural.

Yes, that is me in my audio and my PFP.

I am not interested in having a dom or relationship; don't ask.

Yes, I am a switch and do have subs as a domme.

If you're going to take the time to entice me in my inbox, at least take time to scroll through my blog and see what I like. It's not exactly a secret dears, though I won't entertain your efforts if I find you off-putting.

I will not respond to profiles without content. I know what you're doing here, but it won't work.

Jack off, Jack off your partner, do whatever you want with the content here. I don't need to hear every excruciating detail. Have fun.

I am a busy woman, and I don't live on Tumblr. Sometimes, it takes me awhile to get to all my requests and messages. I easily get about 50+, if not more, a day, and I like to respond thoughtfully to each one. Be patient. I'll get to you.

I know how to spot a fake Dom when I see one; if I don't even know you, I'm not interested in being your submissive.

Kink should always be safe, risk-aware, and consensual. While I post many hard kinks, they are always practiced safely. Know that a lot of kink is highly fantasized and exaggerated online for flavor. Do your research, be safe, and be respectful.

If you dm my girls harassing them or are disrespectful to them in any way you will be blocked and they will tell me. I don't take too kindly to people fucking with them, and you'll be lucky you only sit in front of a screen.

No, I won't post nudes or photos of me to this page, I'm not looking to get terminated. Those are saved for a select few who have earned their right to see them.

I think this is everything. So please be respectful and remember kink is supposed to be fun!

Enjoy your time here, loves; I know I will ‪‪❤︎‬

[jane-john-doe-tournament]

Jane Doe (Ride the Cyclone) Propaganda:

Great singing, also she’s literally wearing a doll‘s head bc she lost hers

do they have their soul or is it rotting somewhere with their head?

BALLAD OF JANE DOE IS SO SAD AND SHE IS GREAT AND I ONLY WATCH RTC ONCE BUT SHES NY FAVE OK

cool asf

She forgets her name after her death and has no story told in the production

She's so sweet and deserves the world. Her song (The Ballad of Jane Doe) is great.

the song goes so hard just listen to her song guys please

she literally died and her head was cut off so nobody could tell who she was PLEASE let her take one (1) W

BECAUSE SHE IS AMAZING. First she already won the tournament in the musical to regain life, as she won them over with her sad wet cat energy because she did not have a head and feared that she lost her soul. Second, she died on a roller coaster and lost her head, but stole her doll's head and thats very gender. Third, throughout the musical she is used as a vessel for religious allegory, she is an angel, she is jesus, she is a demon, she is forsaken but she is purity itself. Fourthly, she is is given the identity of Savannah with the greenest eyes after the other characters who died with her hold her a birthday party, and I think thats sweet because its probably some kind of meaning I cant see but auughfhfhh shes so cool

i mean her name isn't TECHNICALLY jane doe but we refer to her as such. she's so silly!! autism powers! i don't have a lot of propaganda tbh. i would've just been surprised had she NOT been submitted

She lost her head literally when the rollercoaster derailed. She wasn't able to be identified apart from the school uniform she was wearing.

Her name is forgotten, and so is everything about her. So she’s called Jane Doe. She’s very sweet and very creepy, but she doesn’t mean it

and im asking WHYYYYY LORRRRRDDD

I LOVE HER! she died in a roller coaster accident and was decapitated, her body not being found. in the show, her head is actually just her doll’s head. the coroners couldn’t identify her, so she was dubbed a jane doe. in the game to be alive again, she ends up being voted, her name being revealed to be penny lamb. anyways she’s a little creepy and also quite silly and she does her funny little waddle like a porcelain doll (or corpse).

She deserves it! She lost her head she shouldn't lose this too.

Not convinced you didn’t start this tournament just for her tbh

They have a great song and a true air of mystery to them. They also have arguably the best song in the musical, The Ballad of Jane Doe! I would definitely recommend listening to it >:)

—She LOST her HEAD and had it replaced with a PORCELAIN DOLL —In all seriousness her story is really poignant. No one could identify her body so she arrives in the afterlife not knowing her identity and she spends the show vacillating between depressed and angry at her situation, leading to… —“The Ballad of Jane Doe”, specifically Emily Rohm’s version, might be the most haunting solo in musical theatre history.

John Doe (Malevolent) Propaganda:

Spooky gay eldritch disaster (am I doing this right?)

Could have chosen any name for himself and picked John because a kind person called him that :)

fractured piece of an eldritch god that shares a body with a private eye after being fractured. chooses the name John Doe after said private eye goes into a coma

Because he’s an eldritch god who wants to feel human and who overcame a lot of obstacles and dangers!!! He sincerely cares about the main character!!! And he chose a name himself! Isn’t he cute??? He lost his body, he almost lost his memory, he fought for his right to exist, he loves animals, he loves his friend Arthur and I love him!

Being an ass, friendship, spooky supernatural stuff, he’s got it all

My man heard the name John Doe, realized he didn’t actually have a name, and just. Took it for himself.

I LOVE HIM. MY SON. HE’S TRYING TO CHANGE AND BE BETTER AND :(((( He’s a fragment of the soul of the King in Yellow (god of trickery and suffering iirc??) that gets trapped in a book in our realm while the rest of the King stayed in his own separate realm. When a human named Arthur Lester opens the book they get linked and John gains control of Arthur’s eyes & kills his partner (oops!). They proceed to go on a quest to find a way of separating them because neither likes the situation, and at first John (or The Entity, which is what he’s called at first) just wants to trick and use Arthur, and control his entire body (through the first season he also gets a hand & a foot) even though he doesn’t remember being The King In Yellow at the time, but Arthur makes him change and become more human. His turning point is when Arthur is shot and falls into a coma for a month. They get treated at a hospital and while John waits for Arthur to wake up so they can carry on, the body itself still gets taken care of. The time John spends alone, contemplating on humanity & everything he’s seeing and learning from Arthur, as well as the way a certain nurse speaks to him every day (specifically, she greets him good morning and good night, despite the body being unresponsive, John still hears because he is an entity linked to the body) and calls him John (they didn’t have ID on when they were found so they were classified as John Doe), changes his outlook and plans for good, and he asks Arthur to call him John; from this point on he admits he cares for Arthur, looks for his wellbeing too, and in general attempts to be a better person and to live for himself. The rest of the podcast (ongoing!!) explores Arthur & John’s relationship, struggle to survive, adventures in the eldritch… All while tackling each of their issues with themselves and each other and watching them both grow. John in specific learns to be the person he wants to be, how sometimes you’ll take a step forward and two backwards; he can be cruel and manipulative sometimes but he still tries. Personally I love his journey, it’s very realistic and you can see he is trying his best, and how he wants to be better than he was as the King In Yellow, and how much Arthur has changed him and how much he cares about him because of that; and how he’s slowly growing into being his own person :) if it ends badly ill cry so hard but!!! he’s John Doe because that’s the name he was being addressed as, and he’s made it his, and being John means he’s no longer the King and that he wants to be different, and John can fail or make mistakes but it’s part of who he is now, and that’s what matters. I am So Normal About Him

JOHN DOE (Malevolent) SWEEP

OH MY GOD JOHN DOE MY BELOVED 💛💛 (watch me just not clarify that would be so funny ahah) John doe (Malevolent) 💛💛💛 my silly He's so funny he makes Arthur bump his head into a dock because he didn't say duck in time and then laughs at him 💛💛