#squishy inside

[smokescreenimusprime]

Bruh I’ve have this fanfiction idea for awhile in my head and haven’t had the motivation to write it and probably never will, but imagine, sparkling Smokescreen. Like I know Sparklings aren’t canon in Transformers, but it’s used enough that I like them and write about them. But when Smokescreen crash lands on Earth and stuff, the pod around him makes sort of a hologram for him, that builds around his younger body to make it seem as if he’s older than he is for protection. It makes him stronger, faster, smarter, everything. Idk who’d program the pod, maybe another cybertronian who doesn’t want to see the sparkling hurt and turned into a cold hearted killer, so they program the pod and send him off into deep space, and knowing that they’ll be killed at some point, give Smokescreen their memories so it’ll be like Smokescreen was actually a fully grown mech. The Autobots don’t suspect anything, as he has adult memories, he’s in an adult body, and despite acting younger, he acts just like Bumblebee, so why would anyone suspect anything? Maybe in a battle, a vehicon, or maybe when Arcee and Smokescreen were fighting Megatron, that one hit with the dark star saber, caused the program that the pod made to fail and turn back into his younger self. So of course, when he wakes up, he’s really confused and can barely use his limbs as in his older body, he never actually grew, so it’s basically a mech trapped in a Sparklings body, except Smokescreen is actually a sparkling but doesn’t truly know it as he was too young to remember before the bombing of Praxus, and the crash of the status pod probably rattled a few things in his processor.

So idk how this would go, haven’t really thought about it too much but here y’a go :D sparkling Smokescreen, very adorable

ooooooooooo that's a neat idea 👀👀👀

what if the pod sorta worked kinda like how Ultra Magnus did in the IDW comics? Like, "Smokescreen" was originally an armour used by various minicons/smaller bots to fight and this time around was Alpha Trion's guard, but when Iacon fell it wasn't just Trion who was hiding deep in the Archives. There were loads of other bots who seemed shelter within its walls and now were unfortunately trapped

so "Smokescreen," in an attempt to save at least one more life, ends up hiding a sparkling in the frame in their place. Unfortunately in all the chaos they didn't have time to let Trion know about this so the newly made Smokescreen ends up still getting Omega Key-d. When he wakes up he's super confused and is just barely able to shamble his way over to some escape pods and then goes into his multi millennia stasis

and when he wakes up..... well, it's certainly been long enough for his frame to have connected and the processors to have synced together. Smokescreen doesn't even fully realise what's going on because of just how disorienting everything is, and his memories are clashing and trying to fit together. Because of the rush, the Old Smokescreen didn't have time to fully disconnect, so maybe there are still some of their memories lingering in the system which transfer to Current Smokescreen

I'd imagine Smokescreen would be rather clumsy outside of battle. When he fights he can rely on the battle protocols and "muscle memory" of the armour (not that he realises), but outside of that he's a mess. Quite literally tripping over his own feet, misjudging distances and how far his reach is, not knowing his own strength, he's an absolute mess and it frustrates him to no end. He'll also have seemingly random bouts of really bad body dysphoria for no apparent reason

his emotional state is........ very complicated. He gets along GREAT with the kids, but the other Autobots? ehhhhhhhh it's a bit difficult at times, and it really doesn't help that he's consciously aware of how "irrational" his emotions are. He can't help it that he feels so much, but not knowing why he feels the way he does is frustrating at best. Not to mention his social skills are VERY lacking which makes actually communicating what he's feels so much harder, and this definitely creates a bit of a rift with the other Autobots

as for how the Autobots find out........ I had an angsty thought

what if it happens when Smokescreen's on the Nemesis

when Knockout uses the scanner to search for the Omega Key he does find it yes....... but he also sees something very very strange. Another frame inside, a very small one but..... it's different from a minicon......

and the second the Decepticons learn about this they start losing their goddamn minds

because this is a sparkling. A fragging SPARKLING. HERE. MILLIONS UPON MILLIONS OF YEARS AFTER THE WELL WENT DARK. ON E A R T H

naturally the Decepticons are horrified and do everything they can to safely remove the little thing as quick as possible. Knockout in particular is freaking out because he ripped out the Omega Key rIGHT NEXT TO THE SPARKLING!!!! WHO KNOWS WHAT DAMAGE I'VE CAUSED TO IT-

Smokescreen ofc is also confused and panicking since There's A Sparkling Inside Of Him?!?!?!?!!? but when it gets removed, suddenly things get even more chaotic

I'll admit I'm not super sure how exactly things go from here, but I do have three thoughts

1) Now without the battle protocols and armor stuff constantly yelling at him, Smokescreen's able to act way more like a child, however given how long he was in the armor he still has to deal with the memories from inside it and without the armors added processing power

tldr, the little bean now has Adult Trauma And Memories he's gotta work through while having the brain structure of a child

2) Smokescreen is younger than the kids, but older than a toddler. I was thinking maybe he was the Cybertronian equivilant of 8-9 years old

and 3) what is essentially a custody war starts between the Autobots and Decepticons

[yellowvixen]

week 32: transparent!

[author-morgan]

Title: A Dove and a Hound Rating: T Pairing: Sandor Clegane x fem!Reader Summary: A little dove with broken wings must save her wounded Hound. Or in which Sandor Clegane finds something sweeter than killing. Word count: ~3.7k Warnings: Injury/blood and typical Westerosi shenanigans.

ARYA STARK LOOKS at the bleak landscape around where they had made camp for the night in the northern Riverlands—almost in the Vale. It’s all craggy with sharp boulders and high patches of land, and hardly any trees. The names roll off her tongue as they do every night. The Mountain, The Hound, Cersei, Illyn Payne, Meryn Trant...she doesn’t make it to the next name after hearing the scraping of boots on rock nearby. Quiet as a shadow. Fear cuts deeper than swords. Quick as a snake. Calm as still water. Syrio Forel’s words are burnt into her memory. 

"What’re you going on about now, girl?" The rasp of the Hound's voice makes her jump, and she curses him, looking up at the night sky, watching for shadows when she hears the soft noise again.

“We’re being watched,” she tells him, turning on her bedroll to face the Hound, her hand resting on the hilt of Needle.

His laugh cuts through the air—a rough sound that hurts her ears in a strange way. A man like the Hound should never laugh. "Here, in the middle of fucking nowhere?" His scarred face looks all the more hideous with the light of the fire licking at his skin. "Finish your little list, girl, then go the fuck to sleep." Arya frowns and looks around again at the land but sees nothing but boulders and empty plains, but she knows someone is out there. 

Sandor Clegane won’t admit it, but the Stark girl’s warning is the reason he stays up for over half the night. Then, when he’s certain Arya is asleep, he rises from his bedroll and unsheathes his sword, setting off to search between boulders and in the shadows cast by their dwindling campfire. But there’s nothing there. The Hound moves to return to his bedroll, but that’s when he hears quiet cursing and soft crying. And then he finds a woman huddled between two rocks, trying to nurse an injured leg. 

You see the hulking shadow approach too late to muffle your grunts and groans of pain. “Come any closer and I’ll put a fucking arrow through your eye!” You shout. But Sandor Clegane can see the bow in your hand is broken, even if you try to hold the two wooden pieces together to make it seem whole. Then he sees the broken arrow shaft sticking out of your swollen calf, too—the reason for your caterwauling. 

“With a broken bow and the only arrow you got stuck in your leg?” The Hound asks, laughing. “Pay a couple of hundred silver stags to see that done.” Sandor drives his sword into the dirt and awkwardly kneels near you, looking over the wound. He can feel your eyes on him, gaze nigh burning. But the soft white light of the moon softens the sight of his half-burned face. He looks familiar. Like you’ve seen him in passing somewhere—or maybe on the parchments nailed outside taverns noting bounties and the enemies of the Crown. 

You swallow the knot in your throat and look up at him—you might not be able to place who he is, but you know he’s dangerous, a killer. “Well, go on,” you snap, tears stinging in your eyes. “Kill me and get it over with.”

The Hound recoils as though stung by the words—he knows he’s put a lot of people in the ground, but for some damn reason, he can’t stomach the thought of landing the mercy blow now. You close your eyes and wait—no longer fearing death or pain. But the cold bite of steel never comes. Instead, Sandor Clegane lifts you into his burly arms and heads back toward the dying campfire.

Arya’s surprised when the Hound returns and lets you down to rest against the boulder nearest the fire. The girl’s quick on her feet, bringing a half-filled skin of water, and you greedily drink. "Think I'll end up losing it?" You ask the girl—wiping your mouth with a torn sleeve—a glint of humor shining through as you pat your thigh, ignoring the sharp jolt of pain that shoots down to your calf and makes your toes curl. 

“If you’ve gone this long” —Sandor crouches down and looks closer at your injury— “it’ll take more than an arrow to kill you,” he says. It earns him a dry and humorless laugh with a surprising grimness. Given enough time, he thinks he could come to enjoy the company, but right now, he and Arya Stark are already pressed for time, luck, and coin. Neither of them needs the liability of an injured woman—another mouth to feed—on the path to the Eyrie. Be best to leave her come the morning, he thinks, but now that he’s brought you back here, he knows the Stark girl won’t let that happen.

“May I have your name, good ser?” You finally ask—it only seemed proper to know the name of your white knight.  

Sandor Clegane looks at you, and the firelight paints the tangled and twisted mass of scars on his face red—pocking the flesh with craters and cracks. “Not a fucking knight,” he bites back.

And then you can piece everything together—his brute size, the burned half of his face, the posters scattered around the Riverlands. The rumors people whispered are true then, you think. Joffrey’s dog tucked tail and ran while the Blackwater burned. “You’re The Hound.” He grunts. You glance at the girl staring down at you with wide ice-grey eyes. If he’s the Hound then... “You’re Arya Stark.” The girl nods.

The silence that grows between the three of you is heavy and tense. You shift and grimace again. Then your gaze flits back over to the Hound. “Well, are you going to help me get this arrow out my fucking leg or not?” You ask, not understanding why he hauled you back here if he didn’t mean to do something about your current state. “'Cause if you aren’t, I’d sooner you cut the damn thing off or put me out of my misery.”

Sandor moves to you after that and cuts away the fabric of your britches from the arrow, then calls Arya over to set his dagger in the flames—unwilling to go closer. She does as he says, pushing the blade into the hot coals, but then Arya Stark leaps to her feet when she sees Sandor’s hand grip the shaft of the arrow—like he means to tear it from flesh. She knocks his hand away then pushes back on his shoulder, almost hard enough to knock him off balance from where he sits on his haunches. 

“We can’t just pull it out!” She tells the Hound like it should be obvious. But he’s not the one who grew up with a maester in Winterfell or spent time reading any books.  

“Then how you gone get it out, girl?” He asks, gruff and impatient. You glance between the odd pair, wondering how they haven’t killed one another by now. Arya crouches down and prods the swollen and bloody flesh, then without warning, she grips the arrow shaft and breaks off the fletching. Seven hells, you think, biting down on the inside of your cheek to keep a wail of pain at bay, I am going to lose my leg. 

“Push it through,” Arya says, remembering the time she watched Maester Luwin remove an arrow from a hunter's shoulder. The Hound grunts and draws a second, smaller dagger, starting to whittle away at the splintered end of the broken arrow shaft. 

Arya goes to fetch more water and brings back a cloth with her before settling down to watch with wide, curious eyes. Blood starts to seep down your calf around the entry and exit of the arrow shaft from being handled so roughly. Satisfied with his woodwork, the Hound steadies your leg against his trunk and starts to pull on the iron-forged arrowhead. 

You grit your teeth together, fingers digging into the soft earth below, as he begins to ease the wooden shaft through gently and quickly as he can. Arya watches your face twist in pain, but somehow, you don’t cry out. It feels like an eternity. Sandor sets the arrow aside and takes the waterskin from the Stark girl, dumping the cool water over your leg to wash away the blood—there’s a cool but welcome sting.

Sandor tosses the empty skin back to Arya. "More water, girl,” he rasps. 

“Bring wine too,” you insist, and the Hound howls with laughter.

“Seven hells,” Arya remarks. You’re just like him. The girl heads off, then comes back with more water and looks at the open wound on your leg with a scrunched-up nose. 

“Needs to be sealed with fire,” Sandor says, sitting back on his haunches, that’s why he already had Arya put a dagger into the flames. They don’t have salves and ointments and teas and brews to keep infection at bay, and despite his fear and hatred of the fire, he knows it’s the best way to clean and seal a wound like this.

“I’ll do it,” Arya offers. Her hands are steady, and the fire and heat don’t bother her like it does the Hound. He nods, and the girl goes to fetch the hot knife. They give you a strip of leather to bite down on, and then the Hound looks away when the girl presses the flat of the blade against your flesh—you do scream then. He knows that pain—that scream—and the putrid scent of burning flesh that jumps into the air. Black dots and white stars dance around in your vision. It hurts worse the second time. But you fight through it. 

Your gaze settles on Arya after a while, struggling to stay awake. “Where are you taking her?” You ask, eyes flitting to Sandor Clegane. The two are an odd traveling party that much is certain—a Hound and a wolf—made even stranger by your sudden arrival. 

“The Vale,” he tells you, “she has an aunt there.” You hadn’t expected a man with his reputation to do something so kind, not even if heavy coin purses were offered as rewards. A hush falls over you, but then the Hound rises and picks up a threadbare blanket from his bedroll. He drapes it over your shoulders, not ungently. “Best get some rest,” he says. “It’ll hurt worse tomorrow.”

THE DAYS ARE both quick and slow to pass, and soon, you’ve lost track of the time since meeting Arya Stark and the Hound—it could have been a few weeks or maybe months. But since that fateful night, your wounds have healed cleanly, and the only reminders of them are a fading scar and the limp in your stride after long days or over strenuous terrain. You remember the first time you insisted on walking instead of riding Stranger—a great black, unruly destrier. When you slowed, Sandor Clegane slung you over his shoulder like a sack of flour before depositing you back on the horse and complaining about the slow pace. Arya Stark was particularly amused by it all. 

Disappointment is all that awaits you all at the Bloody Gate of the Vale. Lysa Arryn is dead, and her young son and named protector, Petyr Baelish, will not accept visitors—not even one of Lysa’s own kin. So at the point of arrowheads and tips of steel blades, the Hound turns back, and you and Arya follow, trekking through the Vale and back to the Riverlands, unsure of what to do and where to go. Arya says they should go north, to the Wall—she has a brother in the Night’s Watch—or across the Narrow Sea.

There’s a small village not far, and you take a handful of silver stags and copper stars in hopes of replenishing your stock of ointments and bandages—especially with the now festering wound on Sandor’s neck, a nasty bite from a rogue—and maybe a decent bottle of wine or ale too. But by the time the sun is beginning to set and you return to Sandor and Arya, they’re not to be found. 

The campsite is empty. The fire still burning. The bedrolls laid out for the coming evening. You look around the craggy landscape, feeling panic seize your heart and stomach—mind racing. “Arya!” You shout, but there is no response from the girl. “Sandor!” And again, there is nothing but silence.

If not for the fading evening sun glinting off tarnished pieces of silver armor, you think you might not have found him. You stumble over to him, kneeling at his side, fearing the worst. But his chest still rises and falls, and he starts when you touch his cheek, hand wrapping around your wrist, leaving a thick smearing of blood. 

There’s something in your eyes, not pity, but he’s not seen that look before —almost doesn’t want to think of what it could be, could mean. Sandor’s grip goes slack, and he grimaces, each breath a ragged rasp. You look over his mangled shoulder, the bruises and scrapes on his face, the muscle-deep cuts on his palm, and his lame leg. These wounds are beyond your skills, and there are not like to be any travelers on this path for days.

The Hound tugs free a dagger from his belt and places it in your hand. "Go on,” he rasps, nodding toward the knife, resigned to his new fate. “Get on with it." The Stark girl wouldn’t put him out of his misery for the hatred she still bore toward him, but maybe you would. 

Your fingers curl around the hilt of the blade, grip tightening, but frozen in place—unwilling and unable to move. "I can't," you breathe, fervidly shaking your head. I won’t. He curses you when you drive the blade into the hard earth and not his heart. Sandor Clegane saved you from certain death, and now you’ve a chance to return the favor.

You wet a strip of cloth and dab it over his bloodied face until he turns his head to look at you. "If you think I'm some wounded pup you can redeem, you're stupider than I thought, woman,” he snarls like an aggrieved dog. 

But you don’t pay any mind to his hateful words. “Be still,” you chide, gently, going to collect the pack of supplies from Stranger’s saddle. The Dornish strongwine eases the pain, and he lets you clean the rest of the cuts and bruises to the best of your abilities —his broken leg, though. You aren’t sure what to do, but you know if something isn’t done soon, Sandor Clegane won’t be using that leg again in this lifetime. You lose track of how many times you have to wander down to the nearby stream. All you know is the limp in your step has come back. By nightfall, the wine and pain claim him, and you’ve said your prayers to the Seven, asking them to spare your poor wounded Hound.

There’s a dim lantern on the dark horizon, steadily drawing nearer and brighter, and then you can hear the rattling of a cart and the braying of a mule. You rise from your post and go to intercept the rickety cart thumping along the winding trail. The mule comes to a halt—the path forward blocked. 

The driver has a kind face, rounded from smiles and wrinkled with wisdom, and eyes that are deep and thoughtful but speak of the horrors of the world. “A lady and her knight,” he muses, sparing a glance at the makeshift medicinal supplies illuminated by faint firelight and the state of the brutish man sleeping—half-dead more like.

“Can you help us?” You ask. “Please.” And the broken plea strikes something deep down in the man’s heart.  

He thinks on it for a moment. “Aye,” the man says, “I can try.” If he couldn’t, the others on the Quiet Isle could—especially the Elder Brother. His dusty brown robes dust across the rocky ground as he goes to the Hound’s side. It takes all your strength combined to lift Sandor Clegane into the cart—even with the weight of his armor gone. Then you clamber to the front of the cart next to Sandor, letting his head rest in your lap, and with a snap of the reins, the mule walks on again, heading south along the bumpy road—it would be a long night.

Weary and exhausted, you look between the Hound and the driver. “Who are you?” 

“You can call me Ray,” the kindly man says. “I’ll take you both to the Quiet Isle. The Elder Brother can help.” You’ve heard tales of the isle—where men go to atone for their sins and take vows of silence. Some even say those who reside in the Bay of Crabs live in a world unlike the one ravished by war and pain. Brother Ray can see the growing trepidation on your expression. It’s nigh common knowledge women are not allowed to dwell on the Quiet Isle. “Won’t force you and your knight to be parted,” he tells you. 

“He’s not a knight,” you murmur, eyes trailing from the road ahead to Sandor, knowing he doesn’t like being called a knight—and for good reason. 

“No, but it seems he’s your knight,” Ray says with a chuckle, sparing a wayward glance back at you and the Hound. You flush at the thought and turn your gaze to Sandor, his head resting on your thigh.

A FEW MONTHS pass and Sandor is as well as he’ll ever be. The damage done to his leg makes him limp after long distances or strenuous tasks, but no one would be able to say such injuries made the Hound a feeble man. Even now, you’ve never seen a man split firewood with so much power and anger. Sometimes, you wonder if he hates you for not ending it when he pleaded for the blade’s mercy. But on the day when the brothers let you see him again, he wore a fleeting smile, soft and weak—the first time you’d seen such a sight. 

Storms roll in for the night, and lightning flashes through the window—thunder rattling your featherbed. You pull the covers tighter, squeezing your eyes shut, praying for sleep to come. It feels childish to be afeared of a storm, but it’s a reminder of the night the Lannister men destroyed your home and family and put an arrow in your leg. Rousing from the uneasy rest, you pull on your dressing robe and wrap the wool and linen blanket around your shoulders before setting off in search of company. 

His bed is empty, and you frown. Disheartened, you turn back only to bump into a solid wall of flesh and muscle. No man his size had a right to move around so quietly. “What are you doing awake, little dove?” Sandor asks, and you’re unable to meet his gaze with your flushed cheeks as you search for a valid answer. “Can’t sleep?” He surmises, and grateful he spake first, you nod sheepishly. The hand that wraps around your wrist is warm and calloused, yet his touch is light—as though you’re some bird with a broken wing. But wordless, you climb onto the bed next to Sandor, still huddled under your blanket, but not alone, and even with the storm raging outside, within these walls with him, you’re safe. 

The morning light breaks through the small window—only glowing embers remain in the hearth, not enough to chase away the chill in the air. You wake to find yourself alone, and it sends a strange pang of sadness through your heart. Making your way back to your chambers, you change into a plane shift and stride from the cottage to find him—the wet grass tickling the soles of your feet as you head down a winding path toward the water’s edge.

Sandor is sitting down on the rocky shore of the island, his dusty brown cloak fluttering in the wind. You go to him and sit on the weathered rock next to him. The morning is cool, and the spray of waves breaking against rocks in the bay kisses your cheeks. Wordlessly, the Hound pulls his cloak free and drapes it around your shoulders. In comfortable silence, you pull the coarse material tight and rest your head against his arm, looking out over the water and the clear blue sky—as though the Old Gods had not unleashed their wrath upon the land last night.

After a long while, Sandor rises, knowing it’ll be time to head to the Sept and see what tasks the Brothers need help with today. You’re quick to follow after him, but before he can start up the rocky path again, you brush your hand against his with all the timidness of a mouse, daring to have a lingering touch as you gather the nerve to ask something that’s been festering in the pit of your stomach, in the darkest parts of your mind and the deepest parts of your heart. You take both his hands—rough and twice the size of your own—and look up at the Hound. "Sandor,” you breathe, his name like a birdsong in your voice, “will you kiss me?"

He laughs—thinking you are playing him for a fool. No sane woman would ever wish to have his touch or his kiss. “With this ruined mouth?” He mocks. But the next jape dies on the tip of his tongue when you fist your hand into his woolen tunic, hauling him down with all your strength to just the right height where if you stand on the tips of your toes, you can kiss him. And you do. Sandor is surprised at first, but his hard exterior fades, and then a strong arm curls around your middle, hoisting you up and then off the ground entirely. You pull back for only a quick second and smile for him.

“Little dove,” he rasps when you move your hands to hold his face, thumbs stroking over his cheeks—one marred by the flame—and down into his thick, wiry beard. He half expects to find a shred of fear or disgust in your eyes, but there isn’t any. There never had been. You kiss him again, softer and sweeter this time, and he returns it in full. 

Reluctant to part, he places you back on the ground but is quick to pull you into his side and hold you close in the golden hour of the morning. And for the first time since he can remember, Sandor Clegane has a handful of happy memories, and perhaps, in the end, he's found something even sweeter than killing.

[Game of Thrones taglist: @certifiedlittleshit / @erzsebetrosztoczy / @hereforreadandwrite / @hc-geralt-23 / @holysmokesblog / @Idkjj04 / @lady-stark-winter-rose / @mikariell95 / @misskatiewrites / @mrsragnarlodbrok / @nyotamalfoy / @rigshak / @savagemickey03 / @xinyourdreamsx ] if your name is italicized, tumblr would not let me tag you. if you’d like to be added to my Game of Thrones taglist, or any other taglist, just let me know with this Google Form!

[mlobsters]

supernatural s1e16 shadow (w. eric kripke)

I want us to be together again.

be still my beating heart part 2 of ∞ || will he stay or will he go part 1 of ?

(aka the first time i had a full-tilt meltdown over this show)

[tartagliatum]

something very very cute about when somebody is eating well and gains enough weight that when you slide your fingers along the waistband of their boxers or panties, you’re met with a bit of difficulty and resistance due to the new lil layer of plushness stretching the elastic a little further than usual. something very very precious about how nicely underwear frames a bit of extra chub <3

[elparaisodetlaloc]

[marclef]

guess who's (slowly) comin' back baby

wanted to try making the squishy boy more expressive 🤗

[mishy-mashy]

Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)

[choochooboss]

"Cuteness aggression!"

Apparently this is what they call it when you see something so cute you grit your teeth & the urge to i.e. bite or squeeze the cute thing because you are overwhelmed by the positive emotion! Do you get that feeling too?

[grimsips]

You ever just accidentally think about Fenris?

Sigh.

[faaun]

the way that diff languages sound r so fascinating they're all different and all so vivid

[acetier]

RETURN OF TORIN

The Guy Ever

[littleteddybee]

Daddy laying me down on the changing table and untaping my diaper to find I 'hid' one of my toys inside my pussy and daddy tells me that if I'm such a desperate baby maybe I need some more toys to fill me up! So he pushes one of my really big toys inside me till my little hole is stretched around in and tapes me back up leaving me to wiggle and cry about how sore I am

[shycoconutt]

It’s not a question of whether Gojo is a tits or ass guy.

He’s a thighs guy.

Definitely a thighs guy.

[anotherdescentintomadness]

Wang YiBo in Hidden Blade 😍

[elparaisodetlaloc]