#state of the inbox nation

[lemonhemlock]

hey guys i am turning off anon for a bit. i need to round off my paper and do some more finesse/revision work, like, really put the hours in. so gonna have to put the tomfoolery on hold for a while

[linkspooky]

DOOMED SIBLINGS: THE TODOROKIS VS. THE FIRE NATION ROYAL FAMILY

I received an ask in my inbox about how Zuko doesn't owe Azula any forgiveness. Truthfully I wasn't even going to respond because this isn't an avatar blog, but then I watched this video.

Not only do I disagree with the basically everything in this video, but I am going to make the argument that both Zuko' and Azula's arcs are both incomplete with the way the show left the two of them in the final showdown.

In order to make my argument I'm going to compare Azula and Zuko's relationship in avatar to Shoto and Toya's relationship in My Hero Academia and use the latter as a more positive example.

Unnecessary Redemption Arcs

The common fandom opinion I want to argue against is this idea that Azula's ending is a perfect tragedy, and therefore doesn't need to be expanded upon. There's also a sentiment that redeeming Azula would somehow ruin the impact of this perfect tragedy.

I'm about to argue against both of these points.

Azula's arc doesn't work as a tragedy.

Because of this her arc is unsatisfying and unfinished.

I'm going to address the first bullet point but before that let me add another disclaimer. The reason why I think Azula's arc isn't an effectively written tragedy isn't because I like Azula.

Before we even get into the My Hero Academia comparison let me bring up something completely different. I do like Azula, but I like Terra Markov from Teen Titans a lot more and I would not change a thing about her tragic end.

AZULA'S ARC IS NOT A WELL-WRITTEN TRAGEDY

Terra in the comics is what a lot of people accuse Azula of being. She is stated in the text and by her creators to be an unfeeling sociopath. She was also never intended by her creators to be redeemed.

[About Terra] The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case. First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. T

Now let me clarify, both creators of New Teen Titans say some nasty things about Terra and don't recognize her sexual abuse, but here's the thing. You don't have to read a story 100% the way the author intended, sometimes the story says one thing and the text says something different.

I am going to use Judas Contract as an example of a story where the character from the start was never intended to be redeemed and why that's a positive in this case.

Terra is a teenage girl, the bastard daughter of the king of Markovia and a random American woman who presumably has had no stable home her entire life because she's working as a mercenary at fifteen. She teams up with a man that is in his mid fifties and even starts a sexual relationship with him (this is statutory rape she cannot consent) and Deathstroke uses her to infiltrate the Teen Titans and learn as much as possible.

Terra is sent to live with the team and spy on them for several months. The whole time she only ever engages with them in a fake spunky persona, and never shows her real cutthroat self. She leads Beast Boy on in a fake romance to make him trust her and secure her place on the team. The way you'd usually expect this arc to go is that Terra would grow fond of the team and be torn in her loyalties.

Yeah, that never happens.

Terra loathes the Titans. In fact she's developed a superiority complex about her meta human abilities and she doesn't understand why anyone would use their powers to help others. She despises the concept of superheroes in general, and because of that never bonds with any of the Titans. Her feelings never change from start to finish, because her creators intentionally wrote her as a character that can't be redeemed.

Terra is written to be a psychopath, but even with that intention in mind there are scene that shows a greater range of emotions. She has what could amount to a trauma flashback when Beast Boy too aggressively flirts with her and tries to kiss her and she reacts violently, trying to bury him under the earth.

Let's go ahead and interpret Terra as what is used as the fictional definition of a "sociopath" that is someone who feels no bonds with other people, someone with shallow emotions and someone devoid of guilt. Even if we interpret her that way, her story is still meant to be read as a tragedy.

Terra succeeds in her mission of infiltrating the Titans. Slade captures most of them, and the only remaining member Dick Grayson goes missing. Dick Grayson then unites with Slade's son Jericho, and the two of them team up in order to rescue the rest of their friends.

Even after all she's done the Titans try to make pleas to Terra during the final battle, which she not only rejects but responds to with violence. Which only confirms what I said above, Terra never grew to love them, she never regretted her actions, she only ever engaged with them with lies.

(Terra always lies, Terra always lies, Terra always lies).

Terra is declared by Raven to be devoid of emotions: "Her thinking is unlike ours. She feels no true love or hate. Her soul is corrupt. What she does is done without remorse."

Even after Raven declares this, however she still pleads with Terra to stop because she's going to hurt herself. Terra feels Slade betrayed her because he favored his son Jericho over her, so she decides to take both Slade and the Titans down. As the Titans fight her she begins to mentally fall apart ignoring their appeals to her and lashing out at everything around her. Eventually she makes one last attempt to everything around her, but the Titans escape and she only manages to bury herself.

At no point in the fight do the Titans give up on trying to reach her even as she's loudly screaming how much she hates them. Even after she's buried and it looks like she's dead, Gar and Donna both try desperately to dig her up on the slim hope she's still alive. When they find the body they even give her a funeral afterwards, even though they all think that Terra was beyond redemption.

Even the prose narration that accompanies her death is incredibly melancholy and bemoans her fate, at the same time as it calls her a outright sociopath.

There's no reasoning with her now. However slim, whatever sanity Tara Markov possessed is gone. Now there is only primal hatred! Hatred born, nurtured, and fanned. Hatred that festers and grows without care, without feeling, without plan. her pursed lips part and the sounds which echoes force are garbled and inhuman. Hot, boiling blood gushes wildly from the earth's open wounds, its skin fractures and cracks, and if a world could cry, it surely would. Her name is Tara Markov and she is little more than sxiteen years old, and due to the fault of no one but herself she is insane. No one taught her to hate, yet she hates without cause, without reason. No one taught her to destroy, yet she destroys with glee, with relish. Don't look for reasons which do not exist, plainly Tara Markov is what she is, and she has taken a great power and made it as corrupt as she. Hers was the power over the earth itself she could have brought life to deserts, hat to the frozen tundra, food to sraving millions. She could have damned raging rivers, and tunneled water to packed lands dry and dead. her powers were limited only by the mind which controlled them. A mind which sought not hope, not love, not life, but death.

If you go with the text that she is just a sociopath beyond redemption who hates and hates and hates for no reason, the narrative still mourns her because a sixteen year old with her whole life ahead of being consumed by hatred and then dying because of it is in fact sad.

If you read into the subtext then you can argue that the events of the story, contradicts what the narration is telling us. Terra is being sexually groomed and groomed as a child soldier by a man who is much older than her, even if she thinks he's a partner he clearly has all power in the relationship.

If you think about it that way then Terra is the ultimate bad victim. She doesn't cry and call for help as a victim of sexual abuse, instead she tries to claim power for herself, she manipulates, and she destroys any chance she had for a genuine relationship because she only sees all relationships as transactions she can gain or lose from.

Even if you only go with the first interpretation, the narrative still remains tragic because the Titans themselves did not want to give up on her, they did not want to watch this sixteen-year-old girl destroy herself. They never stop reaching out for her and it doesn't work, because there was no way out for Terra but death.

Here's the thing I don't think Terra's status as a sexual victim automatically means an ending where she dies is offensive. It reflects a reality that victims like Terra often go unseen because they don't present their victimhood in palatable ways, and by the time anyone notices it's far too late. Sometimes tragedies are meant to reflect a reality where many people do not get saved.

There's two reasons that Judas Contract works as a tragic story. Number one the creators planned Terra's ending right from the beginning. Which meant they never gave her any moment where she shows that she's redeemable. There's no genuine bond between her and the titans, no wrestling with the guilt of her actions, nothing.

Number two, Judas Contract is Terra's story from beginning to end. It begins with her betrayal of the Titans, and ends with her death. The death is also brought upon herself by her fatal flaw her hatred, which is what makes her the protagonist of a tragedy. Tragedies are stories where heroes are undone by their flaws. Terra also goes out on her own terms. She buries herself underneath her own rocks. Her death is a direct consequence of her inability to let go of her hatred. Terra's not fridged for anybody else's arc, she retains her agency until the exact moment of her death.

To simplify into bullet points, Judas Contract works because:

The creators thought out what they wanted to do with Terra.

Judas contract is Terra's story.

Now, getting to the part where we actually talk about Avatar, and I start complaining about that awful, awful video.

AZULA'S ARC IS NOT WELL THOUGHT OUT

I just went on a long tangent on how Terra, a character written to have no redeemable qualities can still be tragic. How the creators marked her as clearly doomed from the start, and how she brought about her end on herself, how there no redemption for Terra. How this girl had no real chance, and how regardless of the fact Terra is a lil baby sociopath her fall is still tragic because of how well structured the tragedy is surrounding her.

It's awful to kill off a sixteen year old victim of sexual abuse, but the ending just fits because Terra represents a certain type of bad, unsympathetic victim who doesn't get saved.

Azula's arc isn't as well structured. The ending does not fit. I'm going to start by refuting some points in the awful, awful video I did not like.

"Maybe it's okay if Azula's story ends where it does in the series we would separate how we would treat a real 14-year-old girl from a villain in a series, ad that's why any redemption arc isn't need i a story after all. A character needs of deserves a redemption arc when it becomes the most meaningful way to explore their character and place in the story, but a character deserving redemption usually comes before the story really needing it, and I don't think Azula's done anything to deserve it yet. They've got to exhibit some willingness and action to change..."

So the main reason I'm using Terra as my first example is because Terra is the kind of character that Hello Future Me is describing. Terra was written with the specific intention she'd never experience a change of heart, all of the friendships she makes with the Titans are fake, she very loudly experiences no remorse, or even self-reflection over what she is. Terra's pretty proudly a monster and she never experiences any kind of self-doubt or regret over what she's become.

I can disprove right away Hello Future Me's blanket statement (with no actual cited examples, just trust him guys) that Azula never did anything to hint she may deserve redemption. That suggests Azula is an entirely selfish character who uses, manipulates and thinks she's right and worst of all is comfortable being the way she is, and therefore incapable of doing the self-reflection necessary for change.

Azula does show the capacity to do selfless actions several times in the narrative, and even consider the feelings of others. There's the apology scene with Ty Lee and the way she interacts with her friends in general with the Beach where when she's not fighting in a war or trying to complete a mission for her father Azula 1) interacts with her friends in a normal way and 2) seems to express a desire to experience normal relationships not the hierarchical ones she's experienced all of her life.

However, that's not the example I'm going to use as her save the cat moment. I generally intend to interpret that as a sign that even though she treats Mai and Ty Lee as subordinates and that power she holds over them eventually leads to them leaving her, their friendship isn't just Azula abusing them and lording her authority over their heads 24/7.

No, Azula's save the cat moments all revolve around Zuko. Which is funny, because the entire fandom seems to regard Azula as Zuko's evil little sister who exists to do nothing but torment her.

The first and biggest is Azula deciding to bring Zuko home in Ba Sing Se, and telling a lie to her father that he was the one to slay the avatar.

Ozai: I am proud of you, Prince Zuko. I am proud because you and your sister conquered Ba Sing Se. I am proud because when your loyalty was tested by your treacherous uncle, you did the right thing and captured the traitor. And I am proudest of all of your most legendary accomplishment: you slayed the Avatar.

Zuko: [Shocked.] What did you hear? Ozai: Azula told me everything. She said she was amazed and impressed at your power and ferocity at the moment of truth. [Inspired partly by this post]

Now the show seems to regard this action as Azula being an evil temptress who is there to tempt Zuko back to her side with everything he thinks he ever wanted.

That's only if you regard it from Zuko's perspective.

Think for a moment from Azula's perspective. Number one, Azula is someone thoroughly indoctrinated into Fire Nation propaganda who measures her self-worth based on 1) military achievement and 2) her father's approval and assessment of her talents. In Azula's own logic (wrongheaded as it is) she's helping Zuko. She's bringing him back home with his place in the line of succession restored and his father's approval.

Azula doesn't benefit from this gesture at all, in fact if her father discovers the lie she has as much to lose as Zuko does.

Now Zuko insinuates that Azula only brought Zuko along and told her father that he was the one who killed the avatar so she could let him take the fall if the avatar turned out to be alive.

However, if you look at the actual order of events that doesn't make sense. Azula saw the avatar die, she didn't know about the spirit water, and therefore had no way of knowing Aang could come back. In fact, it's Zuko who 1) knew about the spirit water and 2) decides to keep the spirit water and the fact the avatar might have survived a secret that is throwing Azula under the bus. After all she has as much to lose as he did and instead of sharing that information with her he decides to keep it all to himself.

Now Azula does imply that if the avatar were to turn out to be alive all of Zuko's glory would dry up, but this is only after Zuko 1) throws accusations at her and 2) makes it's pretty clear he's lying to her putting her on the defensive.

This is also a scenario where Azula doesn't have much to gain by bringing Zuko back, if you look at it from her perspective. If Azula just lets Zuko rot in a ba sing se prison, then her claim to the throne is secure. With Zuko back he's restored in the line of succession. She also, when making the decision to invite Zuko to her side probably didn't need him for her plan to succeed.

There is a dramatic moment of Zuko choosing to side with Azula over Katara which turns the tide in Azula's favor, but Azula can't see into the future and therefore wouldn't be able to predict that happening. If you look at it from Azula's perspective she 1) successfully infiltrated the city, 2) already had the Dai Lee in her pocket. She likely already thought she had the city secure at this point so her decision to extend a hand out to Zuko is therefore likely motivated by selflessness instead of self-interest.

That's important because usually when Azula usually only gives her help to others if it also benefits her in some way. Azula might genuinely see her recruiting Mai and Ty Lee to her side as a member of the royal family extending her favor and giving them status and security in their positions but it has the underlying motivation of 1) she keeps them in a position to beneath her and therefore in her complete control.

Azula will interact with Mai and Ty Lee like friends on the surface, as long she maintains control over them, but if they do anything to something that displeases her she'll do anything to regain her control.

Mai: I thought you ran off and joined the circus. You said it was your calling. Ty Lee: Well, Azula called harder.

This is set up in Azula's very first interaction with Ty Lee. Azula greets her like an old friends, Ty Lee even seems happy to see her, but the second Ty Lee tries to say no to her Azula goes to extreme lengths to "persuade her". Azula's friendship with Mai and Ty Lee is an abusive friendship because there is a power differential and even if Azula feels genuine affection for them both it's clear they're not allowed to say no. Mai and Ty Lee are put into positions where it's in their best interest to please her, and live in fear of the consequences if they don't do just that.

Here's the thing, I'm not arguing that Azula didn't deserve any consequences for her actions. I'm arguing that the setup doesn't match her eventual ending. Azula is set up to have Mai and Ty Lee leave her from the very first scene that Azula interacts with Ty Lee. It's satisfying because the set up matches the pay off.

It's also tragic because it's Azula continuing the chain of abuse. The video isn't entirely wrong (which is why they came to the wrong conclusion frustrating).

Azula's fall is about how differenting parenting styles can a child. Ozai's affection is exchanged for being useful. Something Azula would go on to repeat with her friends, whereas Iroh's affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

It's like... there it is it's so close. Here's the thing, Azula is set up for a tragic falling out with Mai and Ty Lee (and one she deserves) but the set up is different with Zuko. Azula's save the cat moment revolves around Zuko, and her genuine attempt to bring her brother home.

Yes, the first time Azula interacts with Zuko in season 2, she tries to take him home by force. However, by the ending of the season Azula's perspective on the matter has obviously changed because she begins by trying to bring him back as a prisoner, and by the end of the season invites him back as an equal.

There's no moment in Season 3 where Azula treats Zuko the way she does Mai and Ty Lee (unless Zuko provokes it first and puts her on the defensive) in fact most of her interactions are either them interacting normally (such as when Azula goes to find Zuko at their old beach house because she knows he'll be there and advises he leave instead of dwelling on their depressing memories) or Azula deliberately trying to look out for Zuko such as when she advises him not to go visiting with Uncle because it'll make others suspicious.

On the other hand, Zuko never at any point looks out for his sister the way Azula is demonstrated looking out for him. He doesn't say, try to tell her where he's going on the Day of Black Sun, or try to convince her the fire nation is wrong. There's a scene in the later part of Season 3 where Zuko is watching Azula fall to her death while sitting on a flying bison and not only sits there and does nothing about it, but sounds disappointed when she doesn't hit the ground and become an Azula Pancake.

That's pretty much the opposite of a save the cat moment. It's a "let the cat fall to their death" kind of moment.

Yes they were enemies at that point, but Zuko's the one who's supposed to learn that affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

How exactly is he doing that in this scene?

The thing is... this setup doesn't have to be bad. Of course Zuko has trouble has trouble empathizing with Azula, he doesn't even think about sending a letter to Mai, Zuko's shown at this point to be like a healing abuse victim who's understandably focused on himself.

This in fact could be excellent set up with step 1) learning what genuine love and forgiveness is and 2) demonstrating those two things by applying it to others.

However, that's not where we got. We got Zuko watching his sister have a complete emotional breakdown, crying and screaming while chained to a grate and looking somewhat sad.

And once again to bring Terra into this, Terra is what Stay at Home and parts of fandom argue that Azula is. Terra screams at the top of her lungs how much she hates the Titans, how much she was always lying to them, and the Titans STILL try to reach Terra with words, try to de-escalate the conflict, when she's about to bring the rocks falling down on herself warn her she's going to hurt herself, and then when she's buried under rubble try to dig her out begging for her too still be alive.

Terra who's intentionally created by her writers to be as hatable as possible, is shown more compassion by the heroes in her ending than Zuko ever does to Azula. They also give Terra multiple opportunities to change until literally the very last minute, which Zuko doesn't do either.

What's set up is Azula has this save the cat moment with her brother, that Zuko is pretty much the only person she doesn't treat like a subordinate in the story (because she just like Zuko has a craving for familial love she tries to earn from her father). However, her ending with Zuko just taking her down doesn't fit that setup.

Azula's ending only fits if you consider her arc entirely from Zuko's perspective, which is the underlying issue. Azula's not the protagonist of her own tragedy, she's a plot object that's used to benefit Zuko's arc.

Azula's is written to have a downfall, the same way that Zuko loses everything at the ending of season 1 b/c of his inability to give up on the obsessive search for the avatar (and his father's love with it). Azula is written to be left by Mai and Ty Lee (this is the strongest point of writing when it comes to her since it comes from the beginning).

However, she's not written to be left completely alone and insane with the only empathy being shown is that her brother looks kinda sorta sad. That's only good if you view her as an object to further Zuko's arc, because isn't the ultimate culmination of Zuko beating his sister who has always been ahead of him at life? Azula needs to torn down completely without even some small glimpse of a hope of recovery so Zuko can be built up even moreor at least the writers of avatar seem to think so.

However, even Azula just existing for Zuko's growth and character development doesn't have to necessarily be a bad thing. This is where we get to MHA, which does the tragic siblings and the final Ag Ni Kai about 1000 times better with Shoto and Dabi.

THE GOOD

The comparisons between Shoto and Dabi to Zuko and Azula are made pretty often by the fandom. Shoto has a scar, Dabi has blue flames. Shoto has an arc about healing and learning what it means to be a hero, Dabi's arc is about self-destruction.

Dabi's not the center of his own story, he exists to foil Shoto and help Shoto reach the endpoint of his character development however that's not necessarily a bad thing. These are both two pairs of tragic siblings, the main difference is that MHA doesn't feel the need to tear down one sibling in order to build up the other. In fact, the final step to Shoto's arc is HELPING Dabi, not PUTTING HIM DOWN.

Not only that but the decision to help Dabi is a decision that Shoto makes on his own, and him going against the tide of a society that has already given up on Dabi and would much rather have Shoto shoot Dabi like a mad dog. Which makes the decision to do so even more powerful and emblematic of Shoto's growth.

Now you could say that Shoto and Zuko are too different to compare their arcs, Zuko has a redemption arc, and Shoto has what most people would probably term a healing arc. Shoto starts out the series as a hero.

However, this is what annoys me about the redemption arc debate. A redemption arc is really just a normal character arc. However, calling it redemption drags things like morality and forgiveness into the debate. if you take remove the discussion about moral philosophy both Zuko and Shoto have character arcs where they start the story defined entirely by their home situations and their father's abuse (hence why they have big obvious scars on their face), recover from their trauma, and go on to find an identity outside of their father and form healthy non-abusive connections with others.

In fact I'd see the theme of both arcs are the same, to literally find balance within themselves. Shoto is divided quite literally into right and left sides, fire and ice, and even seems to view himself as half of his father and half of his mother. Zuko is someone who's permanently marked and dishonored by the burn scar on his face. He suffers from an internal imbalance as well. Iroh says that Zuko is the descendant of both Roku and Sozin and therefore both pathways are open to him (but wouldn't that apply to Azula too). Zuko says to his father that the fire nation has destroyed the balance to the world and he's going to leave to assist the avatar in order to fix it.

Shoto's balance isn't just about fixing his internal trauma though, it's also about finding a balance between his family which has defined his entire life up until this point, and his desire to become his own hero not the hero his father groomed him into.

It's why the culmination of his arc is Shoto reaching out to save his family member Toya, because it's the ultimate balance in wanting to heal his family, and also the kind of hero he wants to be, someone who saves and brings peace to others instead of just violently putting down villains. He can bring peace to his family and become his own hero in one action.

However, let's go back to the beginning of Shoto's arc, because saving Toya as an endpoint to his arc is set up pretty early on.

Shoto's arc begins with Deku, a stranger breaking down Shoto's walls as an outsider in order to allow him to look past his own trauma and recall for the first time what he wanted outside of his resentment towards his father. This sets up the idea early on for Shoto that sometimes you need outside interference, help you didn't ask for, especially when you can't see outside of your own problems.

What Deku brings about ultimately is a change of perspective, Shoto's so hurt by the memory of his mother throwing boiling water in his face and everything that came after that he can't recall the memory of her telling him he could be who he wanted to be.

But, you want to be a hero right?

Shoto takes away two things from this arc, sometimes you need help even when you're not asking for it, and sometimes a change in respective is required in order to take the first step forward.

He goes to demonstrate these things multiple times, but here's two exaamples. The first Shoto demonstrates immediately after the tournament arc. When Iida is about to go down a dark path and commit a revenge killing on Stain. When, as a result of that IIDA is paralyzed and about to die in an alleyway, it's Shoto who both notices Midoriya and Iida are missing and shows up in the clutch. He's practicing the same thing that Deku taught him in the last arc: Giving help that's not asked for is what makes a true hero.

He even mentions the second idea, that a small change in perspective can be all it takes to save someone, and he wants to do for Iida hat Deku did for him. His words are the one who convinces Iida to stand back up again when he's paralyzed.

If you wanna stop this, then stand up. Because I've got one thing to say to you. Never forget who you want to become!

However Shoto's arc doesn't end here, because one of the major conflicts in MHA is that heroes don't pick and choose who to save and a true hero will give help even to those people who don't ask for it.

This is a point which further develops when Shoto's abusive father starts to show a change of heart at the end of the Pro Hero Arc. Shoto still holds his father accountable for what he did in the past, but he also acknowledges that if he had the capacity to change then so does Enji. This isn't about whether or not Enji is forgivable, this is an extension of what Shoto learned. Shoto originally believed he was controlled by the circumstances of his birth, that his fate was set in stone, but a change in perspective allows him to realize he can determine who he wants to be. So, Shoto is just applying what he's learned, Enji has the capacity to grow.

There's one final piece of setup that I want to cover before showing how these separate dies all culminate in saving Dabi. Shoto's not only someone who has to find balance between his family and his desire to be a hero.

The theme of balance is written into the quirk itself. Enji basically practiced eugenics to create Shoto as his masterpiece. He noticed a flaw in his own quirk where he could only make his flames so hot without overheating. So he arranged a quirk marriage with Rei who possessed an ice quirk to create a hybrid ice and fire quirk that he could use to cool himself off to prevent him from overheating.

Enji only ever cared about the fire half of Shoto's quirk. His ice quirk only exists for his flames to grow stronger. This is shown when Enji is trying to force Shoto to learn all of his signature moves, because he only cares about Shoto's flame quirk. Shoto was created to carry on his father's legacy, and surpass him with an even more powerful flame quirk. Part of his character development is him learning how to use his quirk in his own way.

This is a theme that continues in the class training arc where Enji is still repeating the behavior of trying to force Shoto to learn his signature moves instead of considering what he wants at all, because still Shoto only exists in Enji's mind to carry on his legacy.

This all culminates in Toya's decision to save his brother. The first is his action in choosing to identify with his brother. If Shoto believes in his own capacity to change, and even his father's, then why would he deny Toya that same chance to change?

The foiling between Shoto and Toya isn't supposed to reduce the two of them to "Shoto is the good one, and he's the bad one", but instead Shoto and Toya were both in a point where they were consumed by hatred and couldn't see any other path in life. Therefore if Shoto was able to change because someone gave him help when he didn't ask for it, then Toya not only has the capacity to change - but in order for Shoto to stick to his stated beliefs that the smallest of things can bring about a change in people he has to be the one to give his brother that chance to change.

It's not about whether Dabi is worthy or not, it's about the themes in Shoto's arc finally being paid off.

Shoto's identifying with Toya, and even parts where he tells Bakugo he'll make Toya sit down and make Toya tell him his favorite food indicate that from the beginning Shoto's intention was to find a way to stop Toya without killing him (which is what several of the adult heroes were encouraging him to do).

@stillness-in-green does a more succinct summary of this plan.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and trying to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have. And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

Shoto's decision to save Shoto is also a continuation of his decision to help save Iida from Stain. It's not enough for Shoto to experience a change of heart about his own life, he's got to take what he learned about people's capacity to change, and the importance of connections and then put that into practice and help others the way he was helped.

However, it also further develops the theme of giving help that's not ask for from Iida because Shoto's not saving a mostly heroic kid, he's saving Toya to help break a familial cycle of abuse (because murdering the abuse victim isn't how you end the cycle of abuse... actually).

Shoto's last lines to Dabi are also a refutation of this idea of destiny that he once thought he was ruled by. It's once again, Shoto teaching someone else the lesson he learned. Toya says a warped rail can never mingle with a straight and narrow one! In other words Shoto can never understand or get along with Dabi, because Dabi will forever be defined as the failure because of the circumstances of his brith, whereas Shoto will always be the success.

His final action is a decision to break the cycle they were born into: no, we're gonna mingle whether you like it or not.

Shoto's ultimate move Phosphor is not only a move he designed far in advance to take down Dabi non-lethally, it also is a rejection of his father's teaching method. Toya says he only ever taught me how to turn up the heat. Enji only valued both Shoto and Toya for their flame quirks. Developing his own quirk and breaking away from what his father wanted, specifically in order to save his brother. It's Shoto rejecting what his father created both of them for (a successor to his quirk) and finding his own path. By using that move to take down Dabi he's not only teaching Dabi their flame exists for more than just destruction, he's also by letting Dabi live giving Dabi a chance.

From a conversation with @class1akids

Dabi was the last push to unlock Shoto’s full power. Until then he was on the track of mastering flashfire like Endeavor planned for him (except for his own reasons) but realising the fighting Dabi with fire was gonna kill them both and also he’s simply no match fire only helped Shoto to fully take control of what his quirk is Like his quirk development goes parallel with how he faces each member of his family and finally meeting Toya is like the last piece of his puzzle to find his own full power and identity.

It's not just Shoto decides to save his brother because he's just that nice, his arc is literally incomplete without it. The act of creating phosphor a move specifically to save Dabi is both him unlocking the full power of his quirk (by balancing the fire and ice sides of his quirk) but also achieving balance between trying not to leave his family behind while at the same time becoming his own person and hero outside of his family circumstances.

Citing my conversation with class1akids again:

Toya is endangering everyone at Gunga. Endeavor has no means to stop him and when he tries to murder suicide Rei interrupts and his “hero way out” is taken. All he can do is watch helplessly as his family is about to burn to death with a bunch of strangers he tried to protect. But it would do Shoto dirty to use his heart technique to kill his family and the strangers so he comes in a clutch and I see that confrontation as the power trauma vs the power of healing in the family. With Shoto who is a true hero, they can put the fire out and save the family and strangertoo. Shoto become a balanced hero and bring relief and reassurance, Endeavor was completely helpless, and Toyas inner child got the attention he wanted, plus depending on how you read it, he may have become less suicidal.

Shoto also, and I want to point this out desires to stop his brother not to take him down but because he doesn't want him to hurt any more people. He's again finding a balance between two ideas 1) Shoto needs to stop his brother in order to stop him from creating more victims and 2) Shoto needs to find a way to stop him that's not just putting him down because Toya himself is a victim.

Shoto also, and I must point this out for the comparison between Zuko and Azula goes out of his way to engage Dabi in conversation, ask him why he didn't come home and what happened to him in the years after he died. This is especially poignant because unlike Zuko and Azula who grew up together, Shoto basically had no relationship with his brother (and the rest of his siblings really) before Toya died because Enji purposefully kept Shoto separate from all the "failures."

So yes, the act of saving Toya is more for the completion of Shoto's arc than any redemption arc for Toya but Toya's not just a plot object to move around for Shoto's arc, Toya has his own agency all throughout. In fact it's the fact that Toya resists being saved every step of the way that provides the challenge that Shoto needs to grow in order to be able to save him.

Toya's not just after revenge against his father that's the surface reason, Toya is also just blatantly suicidal. Toya's birth is marked as a failure, his death wasn't even acknowledged by his family and everything stayed the same in his absence, so he created Dabi while praying at his own shrine in order to mourn Toya. Dabi can't find any meaning in his life where he was born as a failure, so he'll use his death taking revenge against Endeavor for having been born in order to give his life meaning.

What makes Avatar look especially bad in its treatment of Azula in comparison to how MHA treats Dabi, is that Dabi is way, way less redeemable than Azula. For one Azula has clearly proven affection both her friends and her brother (and I don't think she even deserves Mai and Ty Lee's forgiveness they had every right to walk out on her and want nothing to do with her again.)

Dabi is probably the ugliest victim of the League of Villains. The rest of the league have far more moments in their bonds with each other. Toya is the outsider to the league even if there are some subtle hints to his affection (he tries to show up to save Twice, and also burns down Toga's family house to comfort her). The villains are mostly shown to be redeemable by their positive friendship with each other, and Dabi at several points denies the league's bond (he pulls a Terra and yells out loud at the top of his lungs none of the league matter to him). Unlike with Terra you can argue this is most likely Dabi trying to cover up his real feelings. However, the fact that he feels the need to hide his affection from the league shows he's purposefully distancing himself from any bonds whatsoever.

Unlike Azula who has gone out of her way to help her brother in one major way, and also shows hints in early season 3 of having that sibling bond with him Dabi just straight up wants to murk Toya. Azula also tries to murk Zuko, but that's only when Zuko leaves on the day of Black Sun (one without telling her, and two something that probably left her alone to deal with the consequences of lying to her father for his sake). Either way, Azula's behavior in early season 3 is setup for the fact that their sibling bond can be salvaged.

Dabi is way worse to Shoto in comparison. Dabi in the first part never saw Shoto as his own person, just a puppet of his father (puppets have no autonomy or personhood). His feelings towards Shoto only went so far as Shoto was someone who could kill in order to upset Enji. Dabi also doesn't particularly care for the rest of his family as well (only calling out Natsu's name when his brain is literally melting), they're either ways to hurt endeavor, or he wants to drag them in hell with him. Heck his last words after being saved is telling everyone to die and go to hell.

Dabi doesn't bother to make bonds with the league or have any lingering affection for his family because Dabi's determined to seslf destruct. He's given up on life the moment he saw that he died and nothing changed in that household, now all that's left is for him to create a meaningful death by dragging his family to hell with him.

Dabi is also even as a child made out to be an unpleasant victim. He attacks baby Shoto with his flames early on out of jealousy (even though he later admits that he was being unfair to Shoto). He makes the situation in the house worse by loudly screaming and demanding his father's attention. He screams at his mother and throws her complicity in Enji's abuse in her face.

This is in comparison to Shoto who in childhood flashbacks we are only ever seen either 1) crying, and 2) trying to comfort and protect his mother. Toya's even made out to be difficult to empathize with as a child - which like flew over half of the fandom's heads because he got accusations of somehow abusing his father and the rest of his family in that chapter at 10 years old. However, that in a way illustrates my point.

The fact that Dabi is so disliked by a certain portion of the fandom is because Horikoshi paints such an ugly portrait of Toya in the way he expresses his victimhood. It's done deliberately too, because number one Toya by resisting Shoto's attempts to save him and trying to self destruct instead retains agency as a character. He makes decisions even though they're bad self destructive ones, he's not just a prop. Number two, the fact that Toya is intentionally portrayed as such an ugly victim makes Shoto's decision to break the cycle of familial abuse by saving Toya and not leaving a single family member all the more poignant.

Toya is an uglier victim than Azula, actively trying to kill himself in a way that Azula isn't, and treats Shoto way worse than Azula ever treated Zuko and yet Azula isn't shown the sympathy or given the salvation that Toya is.

Because once again, the writers didn't think about the ending of Azula's arc or of Azula as her own character. Shoto defeating Toya is the culmination of his desire to break the cycle of abuse in his family. Zuko putting Azula down is just to make Zuko look better. It's in service of Zuko's character instead of both of their characters.

THE BAD

Avatar isn't setting up some gritty ending where the bad guys can't be stopped, they can only be killed. In fact it's pretty close in tone to MHA.

Season 3 especially is the season that really begins to hammer in on the themes that even the people on the enemy side are still human after all. The headband shows that Fire Nation children are indoctrinated into the war, but they are in the end still children. There's the story between Avatar Roku and Sozin, and once again Iroh saying that Zuko has both options becoming like Roku or becoming like Sozin available to him (but not Azula I guess). There's Zuko joining Team Avatar, even after he betrayed Katara in Ba Sing Se and should have burnt that bridge then and there. There's Zuko working to earn their trust again when no one on the team really owe it to him.

The main character of the show is a pacifist, who deliberately learns a way to stop Ozai without killing him before the final battle because he doesn't want to break the values taught to him by his culture.

If the entire theme of season 3 is redemption, healing and that the fire nation are not inherently evil then why does Zuko's sister and character foil end the last shot of the series screaming and crying with no one comforting or even attempting to sympathize with her. Why is this one character marked for tragedy in a show that is about redemption and healing and showing compassion to your enemies and very specifically not a tragedy.

Toya literally burns all of the flesh off of his body, and somehow he has a gentler ending than Azula, because at least Toya's arc ends with all the members of his family showing up to try to cool down his flames, and when he's on the ground burnt to a crisp his father finally apologizes to him. Toya is a skinless burnt chicken wing, my boy has no skin, and somehow he's better off than Azula.

I don't think the writers gave Azula such a cruel ending because they don't like her, but rather because they just didn't think about her ending outside of what it meant for Zuko. Which is why you get moments like Aang who is apparently a pacifist who doesn't want to kill the Firelord, watching his daughter fall to her death while sitting on a flying bison and doing absolutely nothing to save her. ALL LIFE IS PRECIOUS (except for Azula I guess).

It's not bad because a victim doesn't get saved, it's bad because it doesn't fit in with the rest of the story.

Not only is Zuko saving Azula a very natural conclusion to his arc, but there's far more setup for Zuko reaching out to his sister and saving her than there ever was for Toya and Shoto. Both Toya and Terra are screaming at the top of their lungs "I HATE EVERYONE, YOU SHOULD ALL JUST GO TO HELL." They're both making decisions and committing to their self destruction while Azula is a 14 year old girl having a mental breakdown.

Anyway, time to quote the bad bad video again.

"When does a villain deserve a redemption arc? When do we deserve a redemption arc? I know this is gonna hurt, but characters are not people. They are tools. They are represetations of people. They can be used to say other things. They can be symbolic representation of other ideas. Azula's story is not just about a fourteen year old defeated by her brother for the throne, Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

I specifically chose to cite MHA, because of how differently it decided to use Shoto and Toya's character foiling. Shoto recognizes himself in Toya, and how different their paths were in life. This is explicitly motivates him to save Toya. It's also the culmination of everything that Shoto has learned because Shoto is a hero who believes that actions speak louder than words. It's not enough for Shoto to resolve his own inner struggle, he also has to help Dabi with his because that's showing Shoto has grown rather than telling us.

I think that is where the major difference lies between Shoto and Zuko, we're told that Zuko has chosen the path of empathy and healing, that he's learned to give people love and patience like Iroh has but instead of showing that the culmination of his arc is having a fist fight with his sister in a denny's parkinglot.

Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

If Zuko is empathic and emotional and that is why he's gained friends while Azula is now alone after having lost her friends due to the way she treated them, then like... what a great opportunity for Zuko to SHOW that quality of empathy.

However, Zuko doesn't do anything that Shoto does in the final fight. He's not even here for Azula, Azula's just an obstacle for taking back the crown. He doesn't talk to Azula, engage her in any way, try to de-escalate and avoid the fight.

If you want to make the tragedy that Azula and Zuko have taken such different paths in life that that Zuko fighting with his sister is unavoidable you could um... at least show Zuko being sad over the prospect of fighting his sister or being reluctant in any way.

(Before you come in here with "Zuko doesn't owe Azula anything take" this isn't about whether or not Azula is a terrible sister to Zuko, this is about the story that avatar is attempting to tell. Shoto and Dabi's fight is tragic because Shoto doesn't want to fight Dabi, he wants Dabi to come home and for their family to be complete. Zuko never expresses anything like that so where does the tragedy come from?)

If it were 100% committed to a tragedy like Terra's death then I wouldn't mind. if it were 100% committed to a story of redemption like Shoto reaching out to Toya then I wouldn't mind. My issue arises from the fact they want to have their cake and eat it too.

They want to give this tragic end to Azula, and use it to illustrate how Zuko has grown as a character. However, you can't have both.

If Zuko's growth is about learning that his father's love based on achievement and 2) learning he needed to get lost in life in order to find himself then why doesn't any of Zuko's actions demonstrate this lesson Zuko has learned about love, and about how you can be your own person outside what your father expects from you.

If Zuko has grown as a character he should be able to show those actions. He does show his new understanding of love and friendship to Team Avatar, but as I said that's easy mode. That's Shoto's attempts to save Iida, it's a step in the right direction. It's also not really Zuko demonstrating a selfless love, because he's also at the same time trying to earn their trust and earn his way into the group.

It's also not Zuko breaking the cycle of abuse in their family in any way. Shoto is trying to break free from his role of his father's masterpiece, and at the same time helping Dabi break free from his view that he's the failure.

It's also such a natural ending for Zuko's arc, to take the lessons he learned from Iroh and give them to his sister who needs them so they can both break away from their father's parenting. As I said Zuko does solve the internal conflict within himself, but he doesn't really demonstrate that by helping someone else find their balance.

If you wanted the tragic end, then it would have to be about Zuko's failure to reach out to his sister, because he hasn't learned how to reach out to her. Or because he tries and is unable to. The writers don't seem to understand that though, they think the tragedy is about Azula bringing it all on herself, and not the inherent tragedy of a fourteen year old girl being unable to be saved.

The set up is right there too, because number one avatar is about balance. So, wouldn't the true ending be finding balance between the siblings, not having Zuko rise and Azula fall. Number two, Azula being alone and friendless because of her own actions is again a parallel to where Zuko was in early season 2 at his lowest point. Except Zuko can be the better person in this situation by reaching out to her.

Zuko doesn't break the golden child / scapegoat dynamic, he just flips it so now he's the success and Azula is the failure.

While Azula's fall comes from cruelty and rejection from friends and allies it is Zuko's humility and kindness and friendship that ultimately wins the day. Him sacrifcing herself for Katara and her bringing Azula down and then her healing him. Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone. "

As I've stated above, I'm not saying Azula didn't deserve to take a fall. Her fall is actually set up from the first moment she met Ty lee. However, there's no set up for her fall being permanent.

Azula's given way more humanizing moments than characters like Terra or even Dabi. Which is why Azula being in an insane asylum for the rest of her life doesn't fit as an ending at all.

Azula is one link in the chain of abuse. Her father only gives out affection in regards to her usefulness. No matter what Azula is an asset first and a daughter second. Azula then repeats the cycle and treats her friends the same way. She has been shown through an improper model of parenting of using fear to dominate others with power and control and she replicates that in her other relationships.

Therefore, Ty lee and Mai leaving her is not only deserved, it's the perfect opportunity to pull the rug underneath Azula and to show her that her understanding of how relationships work is completely wrong.

This also mirrors Zuko's arc, because part of Zuko's arc is realizing just how wrong Ozai is for making both children earn his love, and that he doesn't need to measure his self-worth based upon his father's approval. He also learns about healthy expressions of trust and friendship from the gang.

Azula loses in part due to her own inability to form healthy relationships is losing people rapid fire, her brother leaves and joins the enemy side, Mai and Ty Lee betray her in favor of her brother, then her father in one action of leaving Azula behind and throws the title of Firelord to her after it's become completely meaningless reminds her of her place. Azula learns in about five episodes what Zuko had in 3.5 seasons to process that her father's love was always conditional and no matter what she did she would never truly "earn it."

People leaving Azula isn't exactly the problem, the problem is that Azula ends up alone permanently without being given the same chance that Zuko is. Terra, and Toya both get opportunities to turn back. They both refuse the hand that's reaching out to him. Mai and Ty Lee leaving is caused by Azula's own choices, but her ultimate end isn't. She's not even given the chance to turn away being saved like Terra and Toya do because Zuko doesn't even bother to try saving her. Her ending is not entirely brought about by her own choices, because the writers need her to take a fall to uplift Zuko.

Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone.

I think once again it comes from the author's misunderstanding things because they don't want to look at the story from Azula's perspective, only Zuko's.

Stay at Home almost had it when he said the tragedy of Zuko and Azula was there to show how two different parenting styles affected these children.

The tragedy is that Zuko and Azula started in the same place, but Zuko had persistent guidance and someone who modeled for him a healthy kind of love. The difference is that Azula has never experienced any kind of healthy love or support on the level Zuko has, so she models all her relationships on the way her father treats her. It's not that Azula is offered some chance for change and rejects it, it's that Azula isn't even aware of the fact that there's another way because no one is there to show it to her.

Which is why I said once again, Zuko being the first one to show Azula the lessons he himself was shown by Iroh is such a natural place for his character to end.

Azula also even while completely alone and with no idea what healthy love is, knows that there is something wrong with her and is troubled by that fact in a way Dabi and Terra aren't.

Azula: I can sit here and complain about how our mom liked Zuko more than me. But I don't really care. My own mother... thoguht I was a monster... She was right of course, but it still hurt.

Then there's the famous mirror scene:

Ursa: I didn't want to miss my own daughter's coronation. Azula:Don't pretend to act proud. I know what you really think of me. You think I'm a monster. Ursa: think you're confused. All your life you used fear to control people, like your friends Mai and Ty Lee. Azula: Well what choice do I have?! Trust is for fools. Fear is the only reliable way. Even you fear me. Ursa: No. I love you, Azula. I do.

Both of these scenes indicate that Azula thinks of herself as a monster and is deeply uncomfortable with the idea. Considering Ursa is a voice in Azula's head and not a ghost, it also shows on some level Azula knew what she did to Mai and Ty Lee was wrong and feels conflicted over it.

Once again she's much more in conflict with herself than Toya and Terror ever are, and who's someone who's constantly warring with himself? Who's someone who could help resolve her inner conflict... Zuko (too bad the way the show's written he never does).

Azula doesn't choose to self-destruct the way that Terra and Toya did. Azula's ending isn't brought about by her choice not to change, because she's never given the chance to change in the first place. Her tragic ending would make sense if it was entirely of her own choices, but Azula doesn't retain her agency in the end it's literally taken away from her. She loses control of her mind, and her ending is being chained to a grate screaming and then thrown into an asylum.

I'm not arguing against Azula's ending because she's my favorite character and I don't want bad things to happen to her. It's because her tragedy isn't about her it's about Zuko, and her ending actively takes agency away from her where at least Toya and Terra both retain their agency up until the end. It's not good writing because the tragedy doesn't fit in with the rest of the story which is about balance and healing - and it's also ableist as hell.

THE UGLY

Azula's ending is unfitting to the tone of the story she's in, makes her and Zuko's arcs feel incomplete, and also is ableist as hell.

Here's yet more evidence that Azula's tragic ending is poorly thought out. Azula's mental breakdown doesn't exist in service of her character, but Zuko's.

Azula's issues pop up out of nowhere after episode 15, and take place over the last 6 episode of the series. The idea of Azula having a mental breakdown isn't necessarily a bad concept, but it's executed poorly.

The first way it's executed poorly is just how rushed it is. There's basically no hints of any mental instability beforehand. Of course people can have mental breakdowns spontaenously like that in real life, but this is a story and stories require foreshadowing. Azula spontaneously developing mental issues doesn't feel like it's planned as a part of an arc. First off, because the writers don't seem too sure about what Azula's symptoms even are. Hallucination, paranoia, manic laughter, but apparently she's still able to bend lightning just fine. Secondly, the writer's intentions for giving Azula a mental breakdown are pretty transparent.

The writer's room needed to come up with a believable reason why Zuko would suddenly be able to fight on equal terms with Azula, so boom sudden mental illness. The intent was not to create a sympathetic portrayal of a young girl struggling with both paranoia and delusions. The intent was to nerf Azula because they couldn't think of any other way this plot could end, other than Zuko and Azula fighting in a denny's parkinglot.

As I said they use mental illness as a plot device to take Azula's agency and choices away from her. It's not done with the intention of humanizing her, and in fact except for one small scene with her talking to her mother in the mirror it's a pretty negative and unsympathetic portrayal of mental illness. Not because the writers hate mentally ill people, but because they needed Azula to have a mental breakdown in order for a plot point to happen. Which is why they didn't think of the potential implciations of such a writing choice at all.

Now, people are going to argue about me so I'll use one final example. Azula's ending may be controversial but it's universally agreed upon that the Game of Thrones Ending was bad, right?

Game of Thrones uses mental illness as the exact same plot device, to explain why Daenerys Targaryen turns from a hero to villain in the last few episodes with absolutely no foreshadowing. In fact, the all of the show director's interviews about that choice are just blatantly ableist.

Rant from @hamliet

This quote is (likely unintentionally) gaslighting, ableist, terrible logically, and downright offensive. 

First, ableism: why, why, why are we conflating madness with evil? She was driven to madness so she killed a bunch of people and had to be put down? And you think this is a great message in the year of our Lord 2019? [...] Additionally, while good writing is to an extent subjective, there are general consensuses on what make good writing--and Game of Thrones hit all the general consensuses for bad writing, from bad pacing to confusing character assassination. Critics are like, pretty united on this front. No one thought Dany’s turn made sense, even the ones who expect Mad Queen in the books. Maybe if people love a character who is meant to be evil you're not writing them correctly... or maybe they aren't meant to be evil. 

Daenerys and Azula are incredibly similiar characters. They're both dragon themed, alligned with the element of fire, they're both colonizers they both represent the warrior princess archetype.

I'd say Daenerys is more of a tragic heroine though, because while Danerys is essentially doing the same thing as Azula, waging war in a foreign land and a culture that's not hers, for the purpose of then bringing back soldiers to her home continent so she can wage war again - while she is definitely a war mongerer she has good intentions. Daenerys for all of her faults, genuinely wants to break the chains and help out people.

I think Azula definitely sees herself as the hero for winning the war for the fire nation's sake, but she's completely uncritical of her own culture and she doesn't really have the good intentions that Dany has. She does it more out of a sense of duty, and her belief of divine right, not because she wants to break people free.

Daenerys's problem is that she doesn't understand the culture she's invading and the complicated world she lives in and despite all good intentions, is as I described above, invading a foreign power so she can go back and wage a war to reclaim the throne. Even if Daenerys would then proceed to go on to be the bestest queen ever that wouldn't change the fact her methods to get to the throne were incredibly violent, and she's sort of failing to break free from the cycle that led the Targeryen rule to fail in the first place.

Azula's problem is she sees herself as the hero and is therefore uncritical of fire nation values. She doesn't have any nobler intentions either other than service to her country, she just like Zuko is just trying to fulfill her duties as daughter and believe her birthright puts her above others. (I mean Dany does too but digressing).

Azula's more of a tragic villain who plays the antagonist role in the story, Danerys is one of the three heroes. However, she's more of a tragic villain in the sense that she's first season zuko pre character development just way more competent.

However, while Daenerys is a much more heroic character than Azula, here's the thing. I still think she's going to die. She is foreshadowed pretty heavily to die, and fail for her quest for the throne, because her entire story is a deconstruction of the warrior princess and the liberator archetype.

However, the story that GRRM is building throughout his books with Dany as an incredibly flawed heroine is different from what we got in the show, which was Daenerys going crazy and starting to murder people. That's because Daenerys turn to darkness wasn't about her character at all, it was just making her into a plot device to move their bad idea for a plot forward. That's why the turn is so unnatural and makes little sense with her character, that's why it's so rushed.

That's also why it's ableist, because it's using mental illness as a plot device to make a character unsympathetic and monstrous and give the other characters a reason to put them down.

The same for Azula, outside of one scene where he's talking to her mother, Azula's mental illness manifests in her screaming, maniacally laughing, looking like the joker did her makeup, and her instability also makes her violent and dangerous to be around. (Ignoring the fact that most people who experience delusions in real life are harmless, and more likely to be the victims of violence).

Her sudden mental illness isn't even used to make her more sympathetic in say Zuko's eyes and make him realize she's a victim, no it's just there to nerf her so she can be violently put down. The way she's drawn, the way she acts, it's to paint her as monstrous as possible. Her last action is like sobbing and screaming while being drawn as ugly as possible. She's not even given a small hope for recovery, because it just ends there. That's a pretty great message to send people that experience delusions, not only will you not recover or be shown sympathy, you'll also get sent to a mental asylum for the rest of your life. The choice for both Azula and Dany is not to portray any kind of mental illness in a respectful way, but to make a plot point happen.

As I said I expect Dany to die in the books, but there's a difference between dying as a tragic hero succumbing to your flaws but still having your good intentions acknowledged and just turning into a villain for no reason and being put down like a rabid dog.

(This is a quote I stole from a Shigaraki post but): "Why does she need to be put down in the first place, she has trauma, not rabies."

The problem isn't bad thing happened to my favorite character, the problem with the ending is it doesn't take Dany's setup into consideration.

Stealing from @hamliet again:

The thing about tragedies is that you have to manage expectations and clearly show that your tragic hero is doomed from the very early on–ie you have to show them making steadily worse and worse decisions (see: Eren Jaeger in SnK), if not directly tell your audience at the very beginning that this is a tragic story (ie see Greek choruses and Shakespeare, the prequels from Star Wars because everyone knows Anakin is Vader–plus I’d argue Anakin’s arc only works because we know he comes back to the light in the end. Audiences don’t like reversing on set up/undoing structure. To make Dany a tragic villain is to go against the structure of her arc in both show and book. That’s why people don’t like it, even if the books makes it seem more believable.

Kate then goes onto describe a character that's much more comparable to Azula's. Honestly Arianne is closer to Azula than Daenerys is.

You know who is set up as a tragic heroine destined to descend and die because of her flaws in the books, whose arc has almost certainly been combined with Dany’s in some sense in the show? Arianne Martell. (and another character known as f!Aegon) In the books, Arianne is incredibly ambitious, and especially resents her brother and his quest for power. Like Margaery (another tragic character), Arianne seeks power and is intelligent and manipulative in her quest for it. But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising. Arianne, as her chapters hint, is going to almost certainly marry f!Aegon, playing with fire, and die burning for it.   Arianne’s grasping for her own power is never portrayed as cruel or stupid like the main human villain (Cersei); on the contrary, we empathize with a girl who truly cares about her people, but resents her father’s preferential treatment towards her brother. That’s the difference between Arianne and Cersei: Arianne cares. She is not cruel. But her pride is still going to get her killed.

There's a lot of game of throne females you could compare Azula to because GOT is full of queens, but like. Azula may be a tragic villain firmly on the side of the antagonists but she's not Cerseie. She's not queen, she doesn't wield the power that Cersei wields. In fact one of Azula's downfalls is finding out she doesn't have as much power as she thought she had, and ultimately was just a tool of her fathers.

She's not Rhaenyra or Alicent, because yes she may be grabbing for power but her character isn't affected by misogyny. Because once again, the writers simply didn't think about misogyny except for a really surface level "girls can be just as strong as boys" way so we really have no idea how women are seen in the fire nation. The show doesn't really explore if being a woman makes things harder, or makes people treat her differently than Zuko because the writers just didn't consider Azula's perspcetive on that matter.

Azula is alike to Danaerys in several ways, but as I said I think her ultimate end comes from Azula understimating her own importance in her father's eyes, and quickly realizing when her father is her only family left she never had his love or loyalty in the first place.

But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising.

Azula's most famous quote is about how Long Feng isn't even a player, only to find out her father considered her a pawn from the beginning and be broken by the revelation.

The difference being of course that Avatar is not Game of Thrones and it won't even kill the evil fascist dictator so it doesn't make a lot of sense to hand Azula the ending that Arianne got. They have the same fatal flaw.

Anyway, I made this big post but I can explain why Azula's tragic ending down't work in one sentence.

AVATAR THE LAST AIRBENDER IS NOT A TRAGEDY.

Maybe the reason Azula should get redeemed is because THE SHOW IS ABOUT F&%CKING REDEMPTION.

[afeelgoodblog]

The Best News of Last Week - May 15, 2023

🧲 - Magnetic Marvels: Researchers Flip the Switch on Depression

1. New Zealand Government announces prescriptions charges will be free.

The $5 prescription fee at pharmacies will be scrapped in July. This is set to save about 3 million people a year money, and in particular 770,000 people aged over 65. It will make most prescriptions in New Zealand free.

Free access to medicines is also hoped to ease pressure on the over-burdened health system by helping people get medicines sooner.

2. Platypuses return to Sydney's Royal National Park after disappearing for decades

Platypuses have been relocated to the Royal National Park in Sydney, after they disappeared from the park's waterways about 50 years ago. A joint project by the University of New South Wales, NSW National Parks and Wildlife Service and the World Wildlife Fund has reintroduced five females to the Hacking River, with a group of males to follow next week.

3. 74-year-old musician Otis Taylor gets Denver high school diploma decades after being expelled for hair

A musician who was expelled from a Denver high school over 50 years ago received his diploma. Otis Taylor was kicked out of Manual High School in 1966 because of his hair. This was decades before laws ending racial hair discrimination. Denver Public Schools wanted to right a wrong.

4. Researchers treat depression by reversing brain signals traveling the wrong way (with magnets)

A new study led by Stanford Medicine researchers is the first to reveal how magnetic stimulation treats severe depression: by correcting the abnormal flow of brain signals. Powerful magnetic pulses applied to the scalp to stimulate the brain can bring fast relief to many severely depressed patients for whom standard treatments have failed.

The FDA-cleared treatment, known as Stanford neuromodulation therapy, incorporates advanced imaging technologies to guide stimulation with high-dose patterns of magnetic pulses that can modify brain activity related to major depression. Compared with traditional TMS, which requires daily sessions over several weeks or months, SNT works on an accelerated timeline of 10 sessions each day for just five days.

5. Electricity generation through solar, wind and water exceeded total demand in mainland Spain on Tuesday, a pattern that will be repeated more and more in the future

The Spanish power grid on Tuesday tasted an appetizer of the renewable energy banquet that is expected to flourish in the coming years. For nine hours, between 10 a.m. and 7 p.m., the generation of green electricity was more than enough to cover 100% of Spanish peninsular demand, a milestone that had already been reached on previous occasions, but not for such a prolonged period.

6. RI Senate passes bill making lunch free at all public schools

Free lunch for all public school students in Rhode Island is one step closer to becoming a reality.

Tuesday night the Rhode Island Senate overwhelmingly passed a bill by a vote of 31-4 that would do just that. If the companion bill in the House were to pass, that takes effect July 1. The bill would make breakfast and lunch free for all public school students in the state, regardless of their household income.

7. Critically endangered red wolf pups born at North Carolina Zoo

The North Carolina Zoo in Asheboro celebrated the arrival of “not one but TWO litters” of the world’s most endangered wolf – the red wolf – in late April and early May.

A total of nine pups were born – three to parents Marsh and Roan, and six to Denali and May – the zoo announced on May 9.

----

That's it for this week :)

This newsletter will always be free. If you liked this post you can support me with a small kofi donation:

Buy me a coffee ❤️

Also don’t forget to reblog.

SUBCRIBE HERE for more good news in your inbox

[allthecanadianpolitics]

On March 4th, Concordia University is planning an event with their zionist lobby known as 'StartUp Nation' (the link in the video doesn't exist). This lobby was created on September 2023 according to their LinkedIn page, and its sole purpose is to 'bring Israel to campus' as they put it. During this stated event on March 4th, they will be bringing zionist occupation soldiers, yes the very same ones committing genocide right now, for a propaganda event. For a taste of what that will look like, from Aby Volco a self-admitted child killer:

Beyond the fact it's horrific that Concordia is inviting genocide-doers onto campus, it is doubly a problem as Concordia has a sizeable Palestinian student body, an even bigger Arab student body, and an even bigger Muslim one. This is an active threat to Concordia's students. If you're a Concordia student or not, you can email the faculty at the Concordia Uni, just send me an inbox message @el-shab-hussein and I'll send you a template depending on whether you're a ConU student or not. I will only exchange inbox messages privately for your privacy.

[peachesofteal]

This post contains resources for leaving a domestic violence situation (in the United States). If you have additional domestic violence resources from other countries/places in the world, please leave them in comments.

This is a content warning: beneath the cut is a conversation about Simple Math, domestic violence, and my boundaries.

Hi.

I want to preface this conversation by telling you how much I love you all. I'm so grateful to the little community that we've built here, and I really feel like we've created a space where we can talk to one another comfortably. I adore interacting with you all and I've been pleasantly surprised at Simple Math's reception. I knew writing a fic with a character who had survived domestic violence would open a certain kind of conversation, and I'm okay with that, to an extent.

That being said:

For my own peace, I ask that you refrain from sending me GRAPHIC messages about your experience with domestic violence. If you are a victim/survivor/witness/etc, and you want to open a conversation with me reference your experiences and/or trauma, I am absolutely okay with that as long as it's done in an appropriate way. A lot of us can relate to Bun, and I don't have an issue sharing enthusiasm for the story in relation to your life. I am not okay with DMs or anonymous messages detailing graphic descriptions of abuse. You don't know me, my personal life, or the things I've experienced, and sending a detailed play by play of your past or current experiences (without even a warning) is not okay. I understand that you need someone to talk to, or maybe even someone to ask for advice, but I cannot read the graphic nature of these messages, and I encourage you to turn towards someone who knows you personally so you can receive help. Leaving the details of a current or ongoing domestic violence situation in my inbox, with no way for me to report what is happening or ability to get you any kind of help or resources, cannot happen. Domestic violence is a crime. In the case of physical abuse, it is a violent crime. Please do not detail violent crime to me in my inbox.

I consider myself to be a kind person. I try to help my community in real life and here as much as I can. I strive to make this a space where you feel comfortable and welcomed. I enjoy the way we interact and talk about these stories. It pains me to have to write something out like this, but I really don't know what else to do. It's very upsetting to read a message from someone who possibly is being harmed, and then feeling like I'm screaming into a fucking void because it's an anonymous message and I cannot help.

I've included some resources below if you're in the US and need somewhere to start in regard to getting out of a domestic violence situation.

US resources: Phone: 800-799-7233 Text: Text START to 88788

Create a safety plan. It’s important to plan how to stay safe while still living with an abusive partner and how you can safely leave the home or relationship. Record evidence of any abuse you experienced. This could include pictures of injuries you received or threatening messages. If possible, keep a journal of violent incidents, noting dates, events, and any threats made. Store your journal in a safe place. Establish where you can go to get help. If you’re comfortable doing so, tell someone trusted about what’s happening. They can help you with safety planning or finding resources that support survivors. Plan with your children and identify a safe place where they can go during moments of crisis, like a room with a lock or a friend’s house. Reassure them that their job is to stay safe, not to protect you. When preparing to go to a shelter, if you can, call ahead to see what the shelter’s policies are. They can give you information on how they can help and how to secure a space when it’s time to leave. Our advocates can also provide you with local resources. Try to set money aside or ask trusted friends or family members to hold money for you somewhere an abusive partner can’t reach it. Financial abuse is very common and creates many issues for someone preparing to leave. If relevant and feasible, pursue job skills or educational qualifications that expand your opportunities for independence. Talk with an advocate at The Hotline. Our advocates are highly trained in all aspects of domestic violence. They can help you create a safety plan, give information on preparing to leave, and can connect you to local domestic violence resources for further support. Create a safety plan. It’s important to plan how to stay safe while still living with an abusive partner and how you can safely leave the home or relationship. Record evidence of any abuse you experienced. This could include pictures of injuries you received or threatening messages. If possible, keep a journal of violent incidents, noting dates, events, and any threats made. Store your journal in a safe place. Establish where you can go to get help. If you’re comfortable doing so, tell someone trusted about what’s happening. They can help you with safety planning or finding resources that support survivors. Plan with your children and identify a safe place where they can go during moments of crisis, like a room with a lock or a friend’s house. Reassure them that their job is to stay safe, not to protect you. When preparing to go to a shelter, if you can, call ahead to see what the shelter’s policies are. They can give you information on how they can help and how to secure a space when it’s time to leave. Our advocates can also provide you with local resources. Try to set money aside or ask trusted friends or family members to hold money for you somewhere an abusive partner can’t reach it. Financial abuse is very common and creates many issues for someone preparing to leave. If relevant and feasible, pursue job skills or educational qualifications that expand your opportunities for independence. Talk with an advocate at The Hotline. Our advocates are highly trained in all aspects of domestic violence. They can help you create a safety plan, give information on preparing to leave, and can connect you to local domestic violence resources for further support.

You are loved, even if it doesn't feel like it. You have the ability to do things you never could have dreamed of, and that includes getting out.

[jsprnt]

Americano PT. 9 | Jude Bellingham x Reader

What happens if two individuals who absolutely despise each other are forced to interact after unforeseen events occur?

A/N: phew! this took me five million years and a bag of candy to write. remember when I told you to remember the house layout? ��� Enjoy!

small mention: I absolutely love knowing you all are curious about the next chapter of this series. I appreciate and love all comments I get, and try to keep all my promises I make. but, trust I’m human too and need some away from writing. Though, when rude and harassing words are used in my inbox- the joy of writing this series gets absolutely sucked away. (If I’ve answered your message, this isn’t about your comment 🫶) so, please keep your rude words to yourself or I’ll turn off anonymous inbox messages and block you the next time :)

W/C: 4.016

part eight

"I should've just taken a break to go on vacation."

Lina sighs, poking her salad with her fork, and guiding the mixture of greens and dressing up to her mouth.

"Didn't you take a trip to Paris last international break?"

Luis says, raising a brow at her words. He turns his head towards me, nudging me under the table.

"Can you believe her?" He asks, an exasperated chuckle leaving his lips. It causes me to jolt out of my half-asleep state, my eyes widening in surprise.

"What? Who?" I ask looking around and bring a hand up to rub the sleep out of my eyes.

I had rushed out of the house this morning, which meant everyone got the chance to admire my bare skin today.

Well, my stress-induced breakouts were on full display, but having some pimples wasn’t the end of the damn world anyway.

"Are you okay?" Lina joins in, placing a warm hand on my shoulder.

"Yeah, just dozed off- been sleeping horribly." I reply, eyeing my lunch with a grimace.

"Are those exams still keeping you up?"

"More like waking me up.. Do you know how many nightmares of failing an exam a person can take?” I say, my words coming out harsher and louder than I intended. My eye twitches in irritation, and I give them a crazy look.

"Woah, you have an attitude today.." Luis mutters, shifting away from me.

"Don’t piss her off.." I hear Lina say, nudging Luis.

"Never mind, I'm going back to work." I state, quickly putting my tray of food away and walking out of the cafeteria.

I mutter curses under my breath, trying to look as normal as possible to my coworkers when I pass them in the hallways.

Exam season was practically sucking the life out of me, and the added pressure of the upcoming Champions League home game against Napoli was multiplying the stress.

Thankfully, it was international break, which meant that my normal workload was cut in half. Some players not playing for in the national team had requested leave for vacation, so the training center was pretty quiet and empty today.

I only knew of injured players being here for their scheduled recovery appointments.

I finally get back in my office, sighing in exhaustion when I get to my desk. I plop down, rubbing my face to wake myself up further, before starting to work on some more content.

"Why are you grinning like a creep?"

I turn to Luis, chuckling at his choice of words, and let go of the computer mouse.

"I just got a notification that said I passed my written exam." I beam, giving him a cocky look.

"Really?"

"Yeah, ninety-four percent..” I say, turning my head to look at the editing program. The training video we had just shot halfway edited already.

"You've been snapping at us for no reason, but I guess it was worth it- good job.." He says, shooting me a smile, and leaning in to give me a side hug.

"Yeah, sorry about that.." I apologize, fixing my wrinkled shirt. I move my hand towards the mouse again, cutting off a piece of blurry footage that we couldn’t use.

"It's fine, I guess it's payback for making you do random tasks back when you were a newbie.."

"You know, I haven't forgotten how you made me carry that heavy ass bag every morning..”

"I'm sorry, alright. You should've told me earlier that Ancelotti is basically your uncle."

I grumble at his words, jabbing his ribcage with my elbow, sending him a warning look.

"Stop talking and help me out with this.." I mutter, passing him the mouse.

He winces a little, rubbing his stomach, before snatching the mouse off of me with an attitude.

"Didn't know you were allowed to use your privilege to inflict such violence."

I roll my eyes, focused on the moving images on the computer screen. Starting to unconsciously pick at a fresh scab on my hand. Only noticing the damage I’ve done when I look down to see blood trickling down the back of my hand.

"Shit, made myself bleed.." I say, making Luis glance away from the dual monitors.

"Go to the physiotherapy room. They have a shit ton of bandages and bandaids.” He suggests, his hand going up to fix the curls falling in front of his eyes.

I nod quickly, getting up from my seat and walking out of the small, soundproof meeting room. I close the glass door behind me, hurrying over to the physiotherapy room.

I pass the glass panels facing the multiple pitches outside, the sun had been shining brightly this afternoon. Even though the sun had been setting quite early due to daylight saving time.

I knock twice when I arrive, only opening the door when I hear a loud 'come in' in response.

I clear my throat, realizing how silly it is to get a bandaid for a wound like this, but still walk in.

I'm greeted by the sight of first-team physiotherapist Iván, he smiles when he notices me, waving for me to come inside.

He was one of the nicest people working with me at Real Madrid. It would be especially fun when he would bring in his little two-year-old son with him. I couldn’t count on one hand how many times I had carried the cute boy around the training center in my free time.

"Oh, y/n. What brings you here?" He questions, shoving the white privacy curtain out of the way, only to reveal a shirtless Jude lying on the treatment table, his eyes opening to peer over at me.

The personalized shoulder brace he'd been wearing for the past couple matches, was taken off for obvious reasons, and placed on the other side of the bed.

I look away a moment later, feeling my chest tighten, internally wincing at the thought of Jude having a dislocated shoulder and still playing football. Despite all of the aggressive and offensive play we had gotten used to this season, he was handling it well- but I wouldn’t ever utter it out loud.

Because- who wants to inflate that ego even more? Or was that even possible?

"Hi, Iván.. Just wondering if you got a bandaid for me?" I avert my gaze to the physio, and raise my brows. I hold my hand up to show the wound, and smile when he nods in response.

"Yeah, just a second.." He shoots Jude a quick wink, washing his hands before coming over. He begins to rummage through the cabinet, flipping through a pack of bandaids before handing me one closest to my skin color.

"Here you go.. Do you need anything else?" He asks, eyeing the blood on my hand.

"Nope, only this. Thank you.." I smile, quickly wiping down the blood from my hand and gently placing the bandaid on my wound.

I throw the bloody wipes and wrappers in the dedicated trash can, turning around again when I’m done.

I make accidental and involuntary eye contact with Jude instead of Iván, who's already across the room busy with some paperwork. Probably documenting the progress of Jude’s injury.

My eyes automatically dart down to his shoulder, and unbelievably, my eyes slip to his chest, then to his-

I stiffen when I regain consciousness of what I’m doing, and look away with haste. I fight the urge to smack myself in the face, instead biting the flesh of my cheek when I notice him smirk at me.

"What are you looking at?" He questions, voice low and his cocky tone too obvious to ignore.

My eyes widen slightly when he speaks, and I take a step forward as if to say I’m not intimidated.

"Just- looking at your shoulder.." I say, cringing at the way the words leave my mouth.

"So, you’re worried about me now?"

I give him a look of disgust, a chuckle of disbelief leaving my mouth.

"You wish, Bellingham. I heard Ancelotti is confident in putting you in the starting lineup on Wednesday. You better put your best foot forward, and if we don’t end up winning..." I trail off, threatening him slightly with my tone. I then turn around and leave the room.

I couldn’t lie, being rude to him after he'd dislocated his shoulder and still played made me feel a little guilty.

Though, he had a huge gift of being the ultimate douchebag, even when he’d been having his 'decent' moments lately.

“He’s only turned nineteen two- no three months ago, and he’s already scoring in the Champions League..” Luis gawks, grabbing the equipment bag out of my hand.

“I know, it’s so fun to see young players flourish..” I mutter, mentally recalling the interview I just did with Nico Paz. Since it was his first goal for Real Madrid, we had just done an interview in celebration.

“He is a year younger than you.. Is he really that young to you?” Luis teases, pushing me away when I pretend to kick him.

“What? Are you trying to undermine my accomplishments?” I question, trying to kick him again.

“Hey! See, this is how immature you are.. Step back, dude get off…” He says, and I scuffle with him for a moment, gasping when he tries to put me in a headlock.

“Okay, you always do this- stop everyone is looking..” I mutter, squeezing his arm.

“How fuckin’ childish are you?” I hear a familiar voice say. I snap my head up, Luis’ arm loosening as he immediately lets me go.

“As much as I want to be...” I state, my hand traveling up to fix my hair and clothes.

I hear Jude scoff, he gives me a nasty look before taking a step forward, but I notice him freeze in my peripheral vision when he hears someone calling out to me.

“y/n?!” The person shouts, and I look around for a moment before my eyes land on…

The guys from Naples?

What’s his name again?

“Chris?..” I say, my voice low and as enthusiastic as I can manage to pretend.

Fuck, I never even answered his DM’s..

Well, should I really give a guy who looks like trouble a chance?

My common sense says: NO.

I watch him bring an arm around my back, his hand resting on my shoulder blade when he hugs me tightly. Like we’ve been friends for freaking years…

“How have you been? Thought I’d see you here..” He beams, his hand going up to fix the fluffy mop of blonde hair on his head. Aussie accent undeniably mesmerizing like last time.

He is so pretty, but the kind of pretty that told me he was a full on man-wh*re..

“Hi? Good, what are you doing here?” I ask, trying to stop the grimace forming on my face. I lean in, taking a closer look at the badge hanging from his neck.

Surprisingly enough, it says ‘VIP’- I look up at him with a questioning look, waiting for him to explain.

“Oh- this.. someone I know gifted me this pass..”

Yeah, very believable.

He smiles nonchalantly, the skin of his cheeks denting as his dimples show.

I nod as if I understand, glancing at Luis, so he can get me out of this conversation.

“You’re the drunk guy from that night!” Chris suddenly exclaims, pointing at Luis.

Could this get even more awkward.

I tune out the stupid conversation they have, shuffling backwards only to bump into Jude.

Thankfully, not against his injured shoulder.

“Oh, sorry..” I whisper, not even registering his response before he’s rudely interrupted.

“Man- no way you’re the Jude Bellingham..”

I close my eyes in embarrassment, turning around to face Jude instead of both Luis and Chris.

I raise my brows at Jude, giving him a look only readable as ‘send this man away’..

He immediately plasters an all too good, fake smile on his face. Stepping behind me to greet Chris, and begins talking to him about the match.

I can only hear a jumble of both Brum and Aussie accents, it making me want to burst into a fit of laughter. Though, I manage to keep it in, looking at Luis to see if he’s still present in the conversation.

He isn’t, as expected. No surprise, he’s fidgeting with his damn camera again.

I stand there like a statue for the next two minutes, looking back and forth between the two accented men.

It’s a comical sight, especially when I can’t even understand some words.

I sigh in relief when Jude pats Chris’ shoulder, careful with his injury when he goes in for a handshake.

I watch Jude leave swiftly, his facial expression falters immediately, and his hand goes up to rip the shoulder brace off his body, harsher than I’ve ever seen him do before.

"My brain is going to explode, fucks sake.."

I mumble, stretching my arms and legs. I get up from the dinner table in order to walk around the backyard for a moment. Trying to get some fresh air, even though it's past midnight already.

I loved studying at the dinning table way more than upstairs in my room. It felt less lonely- especially since my dad had been gone for a couple weeks now. His work and the case had taken an interesting turn, which meant that his stay had to be prolonged.

I didn't mind, in fact, I loved living alone. Except for when I heard random noises at night. It could've been a bird flying against the window, and I’d still be paranoid.

Since it was our day off, after winning 4-2 against Napoli yesterday- I thought I'd go ahead and continue cramming for my last exam I had in a couple days.

I yawn and stretch my limbs, looking up at the clear sky and stars. It had gotten so much colder since December was almost here.

My pajama shorts are not providing warmth, but I can’t be bothered to go up and change when I’m going back inside in a minute anyway.

I can hear my back cracking when I turn to stretch, making me chuckle. I was only twenty, but those hard ass chairs and sitting in them for long periods of time, made me feel like I was double my age sometimes.

I'm brought out of my thoughts when I hear my phone ring loudly from the dinning table. I jog back inside quickly, throwing my slippers off my feet and snatch my phone. Confusion settling on my face when I read the caller ID.

I immediately pick up, pressing the phone against my ear. Worrying about something horrible happening in the middle of the night.

"Dad? It's late, something wrong?" I say in one breath, left hand clutching the backrest of my chair.

"y/n, nothings wrong. I just need you to listen carefully..”

"Okay." I spit out, just wanting him to get to the point, my brain making up all types of things.

"It's concerning one of my clients. Something unexpected just happened, and he's going to have to stay over at ours for a while."

I pause at his words, frowning in confusion, even though he can’t see my face.

"What? So, you're calling me- because I need to let an unfamiliar guy into our house- so he can sleep here? Is it a criminal?”

I gasp, hand gripping my phone tighter.

“A murderer?! Dad! How can you-”

"-y/n.." He cuts me off, voice stern, but I’m able to hear the grogginess of his tone. He'd probably been sleeping before he was awakened.

"It's no stranger- it's Jude, okay? He's not safe in his own home- relating the case I took on. I offered for him to stay over out of concern for his safety. So, he's going to have to stay with- you for a while."

I stay quiet, taking in all of the information he's giving me. I can already feel a migraine creeping up on me, letting go of my chair to massage my temple with one hand.

"I have to get the guest room- ready?" I say, processing everything and trying to understand what I’m supposed to do.

"Yes, I know you two are- friendly. Please be understanding and responsible. I'll call you in the morning, just get him settled and go to bed. You got that, honey?"

"Yeah, I got it. Uh- I'll get the room ready.." I say, already walking up the stairs and into the guest bedroom.

"Good, again- I'll call you in the morning- good night, sweetie.."

I quickly hang up after saying goodbye, running around, and making the bedroom look presentable. I change the bedsheets and wipe the dust off the vanity with a swift motion. It takes me about ten minutes and a sweaty forehead, before the doorbell rings repeatedly.

I run down the stairs, almost tripping due to my haste.

I take a deep breath when I reach the front door, trying to collect my thoughts and feelings before swinging the door open.

Jude's house was unsafe to stay in, so he's staying here- right..

The front door squeaks when I open it. An exhausted-looking Jude entering my sight, his black suitcase is on the floor, to his right- looking like it’s about to burst at its seams.

Cold air greets my face and naked legs almost instantly, making me curse internally for not changing clothes earlier.

I was too stubborn for my own good..

"Hi- umh, come in?" I say, my voice hoarse as if I hadn't spoken out loud in weeks.

He nods awkwardly, mumbling something incoherent as he begins rolling his suitcase inside.

I motion for him to take his shoes off, which he promptly does without hesitation. I turn away, grabbing some house slippers for him to wear out of the shoe rack.

I throw them next to his feet, watching his eyes flicker up and down as he steps back for a moment.

"You alright?" I ask, worried about the lack of words he's using.

It was unlike him, whether we’re arguing about some stupid shit or I’m filming an interview- he always had something to say.

"Yeah, I'm fine.." He mutters, looking up and finally making eye contact with me.

"The bedroom is upstairs.." I trail off, reaching over to grab his suitcase, but he snatches the heavy luggage up with one hand, immediately making his way up the stairs.

I watch the muscles in his arm flex as I walk behind him. I stop dead in my tracks when I realize what I’m doing and practically start running up the stairs to catch up to him.

I walk ahead of him when we reach the top of the stairs, opening the guest bedroom door for him.

"This is your room, bathroom is there, and the laundry room is over there." I point, turning around to face him.

"Thanks.." His Brum accent is thick, and he looks at me like a lost man in crisis.

I clear my throat, unable to pick between being nice and acting like how we normally interacted.

"Are- do you want to go shower?" I mutter, raising my brows.

I only realize how wrong my sentence sounds the second it leaves my mouth. To cover my embarrassment, I clear my throat again, putting my hands behind my back.

"Yeah- I should.." He responds, and I step aside to let him in the bedroom.

"I'll be downstairs.."

I inform, running down the stairs the second he shuts the door behind him.

I rub my eyes aggressively when I walk into the living room area. Sitting on the couch, I wonder if this is some delusional fever dream.

Maybe it’s just a different genre of dreams, next to those nightmares I had about failing exams.

I mean- who can make this up?

I get up to my feet again, walk up to the fridge, and begin filling up a huge glass with water. I bring the cup up to my lips, and slowly sip on the cool liquid, hoping it will help me feel grounded again.

I exhale deeply when I'm halfway through the cup. Going for my last gulp of water again, I fill my mouth with the rest of the water. My cheeks almost exploding from the amount of water in my mouth.

Suddenly, I'm absolutely- fucking-scared shitless as I'm poked in between my shoulder blades. I turn around in a shift motion, accidentally spraying out the water in my mouth- onto a shirtless Jude's chest.

My eyes almost bug out of my head in shock. My jaw slacks open when I observe the aftermath.

He can only look at me with a blank face. I can’t detect any emotion in his face, but he’s probably equally as mortified as me.

"Shit- sorry.." I blurt, turning around, and grabbing a kitchen towel. I scramble for a second, and start to vigorously..wipe.. his..chest..

I only realize I'm rubbing on his chest like I’m giving him a damn massage- mid-wipe and freeze.

My body goes rigid and my hands are resting on his now dry, naked chest.

I look up at him, only seeing part of his face with help from the dim lights in the kitchen. My breathing slows down, and he looks down at me in return.

I can feel my heart pounding in my ribcage, and I'm sure anyone within meters of me could hear.

His skin is soft and warm underneath my fingertips-

"I- was going to ask how the shower works.." Jude whispers, his warm breath hitting my face. I can make out his brown eyes peering into mine, a series of unspoken and caged words behind them.

His words make me stop breathing for a moment. I remove my hands off of him at lightning speed, the kitchen towel falling to the floor mindlessly and I step back immediately.

"Oh- yeah, sure. Follow me.." I scramble a couple words together, my brain working overtime. I walk up the stairs again. Leading him into the bathroom, noticing he had left the lights on, his discarded shirt on the bathroom counter.

"Here- left is hot, right is cold. This is the best temperature.." I instruct, pointing when necessary and don’t dare to look up at him as he stands behind me.

"This button is for the radio and this one for the ventilation.." I say, pressing some buttons to show him how they work.

"Okay.." He breaths out, his warm breaths hitting the back of my neck. I can practically feel his eyes drilling into the back of my head.

I finally turn to look at him, dragging my gaze up to make awkward eye contact with him.

"Anything else?" I ask, voice low and I begin fidgeting with the hem of my shorts.

"Not really..” He replies, sentence dragged out by his accent.

"Umh- okay.. laundry hamper is there. I'll be in my room.." I trail off, pointing my thumb behind me, and walk out of the bathroom without saying anything else.

I quickly clean up the mess I - no, he caused in the kitchen. I wipe everything down properly and grab my laptop and stationary off the dining table.

I carefully lock the front door and windows on the first floor, setting up the alarm and going back upstairs.

I can hear some noise coming from the bathroom. I begin averting my gaze, just in case Jude walks out of the bathroom half-naked again.

I finally get into my bedroom, jumping into my bed. I try to distract myself with my phone until he's done with showering. So I can finally wash my face and brush my teeth after a long day of studying.

Only, this time- my phone doesn’t seem to be all too interesting. Not even those brainrotting and attention grabbing TikTok’s.

Nothing, and I mean nothing- could distract me from anything that had happened within the past thirty minutes..

[reasonsforhope]

Btw, if anyone cares to know, my position on Biden and the 2024 election is this:

Starting September* 1, 2024, I will be doing whatever I can to make sure that Trump does not get a second term as president

Until that day, I'm going to be doing whatever I can to push for an end to the genocide in Gaza and an immediate ceasefire, and that includes criticizing, protesting, and lambasting Biden for funding and providing weapons for Israel's genocide

ETA: I will still be posting about significant good things the Biden administration has done, though, because some of it is a really big deal that people deserve to know about

ETA: But I will not be defending Biden from any criticism around Palestine/Israel/war crimes

*This originally said October 1st but someone pointed out to me that there are a few states where early voting starts in late September, including a couple swing states, so I changed it because that's a very good point

I don't plan to tell anyone not to vote for Biden in the meantime, myself, because shitty two party system and I'm really serious about Trump not getting reelected

But I'm also not going to do anything to discourage people who are seriously rallying against Biden, because he is, you know, literally bypassing Congress to make sure he can fund crimes against humanity

I never want to diminish that reality.

And more than that: If we want genocide to actually be a dealbreaker for politicians and presidents... then we need to start acting like it could be.

--

Details/related thoughts:

I will still be posting about good things Biden and his administration are doing, because they are the ones running the US government and Congress is super deadlocked, so a lot of the national-level good news in the US has been done by his administration, and I'm not going to stop posting about that good news

Shout-out to the anon who accused me of being a US government propagandist with a whole PR team bc I posted about Biden a few days in a row. I promise you I'm blogging from my bed in my pjs and do not have a PR team lol

Also, for people who don't think we should be spreading serious criticism about Biden, for fear of Trump winning in 2024: I hear you--that's an incredibly valid fear. I've struggled with that myself, in the process of coming to this(/these) decision(s). But consider this: it's better that we really pile on the criticism and pressure now, because a) people are dying, and b) Biden's chances will be much worse if Israel is still bombing/decimating Gaza on election day

Relatedly, for anyone who's tempted to think Trump would be better when it comes to the Gaza genocide, again, it's really understandable to want to put your hope in any viable alternative. However, I promise you that is not going to happen. Joe Biden at least conditionally gives a couple shits about human life. Trump doesn't. Remember Trump's Muslim ban? In all likelihood, Trump would just tell Israel to bomb Gaza harder and ban Palestinian refugees from entering the US

Last thing on Trump: maybe this is naive of me, but for a lot of reasons, I'm not actually particularly worried about Trump winning in 2024. If I was, I might have made some different calls here. I have a few asks about this in my inbox and will probably make a post at some point about the reasons why, but yeah, Democrats have mostly been wanting to run against Trump instead of DeSantis or Haley or whoever for some very real reasons

You're welcome to disagree with me/this post in any direction, btw

Seriously, I'm just a random person who doesn't speak for anyone besides myself and my own blog. I'm not saying these are categorically the right answers, or that any of this is what everyone should be doing. This is simply the system I have settled on (right now) for how I personally want to handle all of this

You're welcome to disagree with me but please don't send me any angry asks about any of it. Not that I in any way get a lot of those, thankfully! But yeah, this isn't something I'm interested in debating, this is mostly for notification/explanation purposes

[pixystixx]

Hi can you do colby brock x reader who's lebanese-American (my nationality) and she looks like adriana lima but with brown eyes and she's irresistible,elegant,quiet,confident and doesn't give a shit about boys and she's very loyal to colby and colby introduces everyone to his girlfriend (Aka the reader) and the internet explodes and some are hating,some are simping and some are supportive and some are sayings she looks like adriana lima and colby does an q&a with the reader and all questions are about some stuff about relationships and some said woud you have sex and the reader says when she gets married

thx so much for the request!! x

~~~

colbybrock x f!reader

Summary: You’ve been dating Colby Brock for awhile, and he tells his fanbase about you. The entire internet goes crazy over the news. You two decide to do a Q&A and the questions get a little suspicious.. (941 words)

Live Stream Q&A

~*Colby Brock*~

Colby and I have been dating for a couple months. We’ve talked about telling the internet about our relationship, but we’ve been too nervous and apprehensive. We finally decided to do it, and I am super nervous. But it’s not like I need anyone’s validation. I just don’t wanna deal with jealous bitches on the street. I also don’t wanna be seen as “Colby Brock’s girlfriend.” I love him, but I’m my own person.

I’m laying on Colby’s soft bed and staring at the ceiling. I hear Colby walk up to the door and open it. “Y/N?” he asks. I let out a grumble, which prompts Colby to sit on the bed with me. “We don’t have to do it if it’s gonna bother you?” Colby says comfortingly.

I sit up and shake my head. “It’s not going to. I don’t want it to ruin everything,” I explain. Colby nods his head and plants a soft kiss on my cheek. 

“Come on, let's start filming,” Colby says, pulling me out of the bedroom.

~

The video has just been posted, and me and Colby are sitting on the couch cuddling. “Well there goes my individuality,” I joke. Colby lets out a soft chuckle.

“It won't be that bad. I’m sure the fans will find a way to understand,” he responds. Colby’s phone dings, and we look at each other. That ding is soon followed by another. My phone even starts buzzing. We finally look away and check our phones.

My inbox is filled with varieties of comments about Colby and me. Some cringey teenagers saying, “COLBY IS MY MAN! BACK OFF!” Which doesn’t bother me too much. There’s a ton saying, “Y/N’s so pretty! She looks exactly like Adriana Lima.” I’m flattered by those comments, and my stomach feels light and fluttery with butterflies. Those butterflies quickly die and smash into the ground when I see the DMs sending me death threats.

Colby must’ve seen the look on my face because he pulls me into a tight hug. “Y/N, it’s okay. They’re just jealous teenagers. They only say that shit because they know they don’t have a chance with me,” he says.

I break away from the hug and pull our lips together. Our lips brush against each other softly. Colby's lips are soft and fit perfectly with mine. We break away the kiss and shyly look at each other.

Colby and I grab our phones and look at more DMs and comments. One of the comments says that we should do a Q&A. That sounds pretty fun. If the fans get to know me more, they’ll probably accept me into their society. If not, I don’t need them. Colby is more than enough for me.

“We should do a live stream and let your fans send Q&A questions,” I suggest. Colby sets his gaze on me and nods hesitantly.

“Honestly, anything to get away from these comments,” Colby complains. He runs to grab all the stuff he needs for a live stream. Once he’s got everything, Colby sits down again. He pulls me into a powerful embrace. “You’re amazing. Don’t let these people get to you,” he says.

I pull out of the hug and grab his jaw carefully. “I’m strong. I got this. I’m just happy to be with you,” I state as a smile slides onto my face. Colby smirks at me and goes to start the live stream. His hair falls into his eyes, creating the perfect image of that sweet boy I love.

“Hey everyone,” he says nervously, “This is my girlfriend Y/N, as you all know.” He turns to me, and I smile and wave at the camera. “We’re doing a Q&A so you can get to know her, which is posted on my instagram,” he adds. He drapes his arm around my shoulder and pulls up the questions on his phone.

“Charliethe3rd asks what do you see in Colby Y/N?” Colby reads aloud, teasingly raising his eyebrow at me.

“Honestly, I’m only dating him because he hasn’t had a girlfriend in years. I call it pity-dating,” I tease. I quickly burst out into laughter.

“Fuck you! I’m so hot I could pull anyone!” Colby fights. I laugh at him, and he starts to laugh too. This is pretty much a representation of every time Colby and me talk.

“Anyways,” I say, “If I’m gonna get real, he’s super charismatic. His energy radiates when he walks into a room. He has the most contagious smile, and his face crinkles when he laughs, which melts my heart.” Colby stares at me in awe, and his face turns pink. “Blushing?” I tease.

Colby clears his throat and says, “bendover69 asks.. I’m sorry, but who the fuck names themselves that?” As we answer questions and talk, time blurs together, and we’re both exhausted. We decided to answer one last question.

Colby’s face turns red when he reads the question. He lets out an uncomfortable laugh. “Uh.. kayleighlikescats asks, have you guys had sex?” he says. Colby and I look at each other. We haven’t, and it’s not like we have to. I might wait until marriage.

“Uh. Not your business,” I laugh. I read the chat that was begging for answers.

“Guys, neither of us is required to say that,” Colby states. I shake my head and laugh a little.

“If you guys are SO desperate to know, I’ll tell you. Even though you don’t need to know, I’m thinking about waiting till marriage. I’m my own person,” I answer.

We end the stream and cuddle that night, happy to have the world know I’m his and he’s mine.

[vote-democrat-president-congress]

Erin Brockovich: What’s at Stake in November

July 30, 2024

By Erin Brockovich

Ms. Brockovich is an environmental activist.

Every day, I get emails from people asking for help. They think I’m a lawyer. I’m not. They want to know what caused their cancer or why their farm has tested high for chemicals they’ve never heard of. They want someone to fight for them.

The recent Supreme Court decision overturning the 40-year-old Chevron precedent, which allowed federal agencies to interpret the laws they oversee, should wake us up to how truly alone we are when it comes to environmental health protections. If Donald Trump wins in November, things could go from bad to worse. Progress to protect Americans from dangerous chemicals could reach a standstill.

I could list dozens, if not thousands, of contaminants we come in contact with, some regulated by federal and state agencies, and others not. I’ll focus on per- and polyfluoroalkyl substances, or PFAS, a class of thousands of synthetic chemicals that are finally being recognized for the damage they cause.

PFAS are known as “forever chemicals” because they persist in the environment and in human bodies for decades. These chemicals have been used to make common items from textiles to adhesives to food packaging to firefighting foams to nonstick cookware.

The health problems associated with exposure to PFAS include fertility issues, developmental delays in children and increased risk of certain cancers and of obesity, according to the Environmental Protection Agency. Scientists have detected PFAS chemicals in the blood of almost all Americans.

Sign up for the Opinion Today newsletter Get expert analysis of the news and a guide to the big ideas shaping the world every weekday morning. Get it sent to your inbox. What’s frustrating is that we’ve known for decades which industries use these chemicals, and we’ve known they are accumulating in the environment. But companies and our regulators delayed action.

Take just one example. From the 1950s through the 1970s, 3M dumped its PFAS waste into pits around Minnesota’s eastern Twin Cities metro area. That led to a more than 150-square-mile plume of contaminated groundwater. Subsequent testing revealed that by 2004, more than 140,000 Minnesotans had tainted drinking water. Years later, a young woman named Amara Strande grew up near the plume.

In 2023, Ms. Strande testified in front of Minnesota lawmakers in support of legislation that would restrict PFAS, which she believed caused her rare form of liver cancer. She died weeks before legislation known as Amara’s Law banned the use of PFAS in Minnesota. She was 20 years old. There are more cases like hers.

The number of U.S. communities reportedly contaminated with PFAS compounds continues to grow. Last year, one or more types of PFAS were detected in almost half of the nation’s tap water.

People like to talk about the risks of federal oversight and regulations. But without those basic guardrails in place, large companies get to do whatever they want, and hard-working Americans get sick.

Some much needed action was taken on PFAS at the national level recently. In April, the E.P.A. mandated that municipal water systems remove six PFAS chemicals from tap water. Such efforts are now at risk.

Under the Supreme Court’s recent Chevron ruling, federal judges get the final say on how laws including the Clean Water Act and the Safe Drinking Water Act should be applied. This weakens the ability of regulatory agencies to do their jobs protecting the public’s health from problems such as PFAS. Future pollution cases could meander through the federal court system for years while drinking water remains contaminated.

Companies will take advantage of this ruling. Water utility and chemical manufacturing companies have filed challenges with the E.P.A., calling the rule “arbitrary, capricious, and an abuse of discretion.”

Now imagine you take these kneecapped regulations and pair them with a second Trump presidency. President Trump rolled back decades of clean-water protections and dozens of environmental rules. The E.P.A. is still reeling from the exodus of more than 1,200 scientists and policy experts during his administration. One of his political appointees meddled with a PFAS assessment, weakening the toxicity value of a chemical.

The E.P.A. already had its problems, but the agency fared even worse under Mr. Trump. He repeatedly tried to slash the E.P.A.’s budget and many staff members fled, meaning fewer inspectors, fewer resources to study the impact of toxins and more companies contravening environmental regulations.

I recently reviewed Project 2025, a playbook for the first 180 days of the potential next Trump administration. (Mr. Trump says he doesn’t support the project, though many of his former White House employees are involved.) In the E.P.A. chapter, PFAS are mentioned twice. Project 2025 says the administration should revise groundwater cleanup regulations and policies to reflect the challenges of contaminants such as PFAS, which seems fair. But then it also says the administration should revisit the E.P.A. designation of PFAS chemicals as “hazardous substances” under the Comprehensive Environmental Response, Compensation, and Liability Act (CERCLA), also known as Superfund. That seems contradictory and ill advised. The designation helps make available CERCLA’s enforcement tools and cost recovery, ensuring that the polluters, not taxpayers, fund or conduct investigations and cleanup.

I’m not giving Democratic administrations a pass. We need more accountability for the environmental ills that have passed under their watch. These include the water crisis in Flint, Mich., and Jackson, Miss. The state and federal responses to the toxic train derailment in East Palestine, Ohio, left much to be desired. We must expect more from those we put in office; our lives depend on it.

The E.P.A. used to have bipartisan support. The Reagan administration changed that when President Ronald Reagan appointed a corporation-friendly E.P.A. administrator who railed against government regulation.

Rules are effective only if they can be enforced. State and federal agencies have done a poor job of building meaningful enforcement into the well-intentioned regulations that have been enacted, and they must do better. Americans’ health is at risk.

https://www.nytimes.com/2024/07/30/opinion/erin-brockovich-pfas.html

[kp777]

By Jessica Corbett

Common Dreams

Sept. 26, 2023

Open internet advocates across the United States celebrated on Tuesday as Federal Communications Commission Chair Jessica Rosenworcel announced her highly anticipated proposal to reestablish FCC oversight of broadband and restore net neutrality rules.

"We thank the FCC for moving swiftly to begin the process of reinstating net neutrality regulations," said ACLU senior policy counsel Jenna Leventoff. "The internet is our nation's primary marketplace of ideas—and it's critical that access to that marketplace is not controlled by the profit-seeking whims of powerful telecommunications giants."

Rosenworcel—appointed to lead the commission by President Joe Biden—discussed the history of net neutrality and her new plan to treat broadband as a public utility in a speech at the National Press Club in Washington, D.C., which came on the heels of the U.S. Senate's recent confirmation of Anna Gomez to a long-vacant FCC seat.

Back in 2005, "the agency made clear that when it came to net neutrality, consumers should expect that their broadband providers would not block, throttle, or engage in paid prioritization of lawful internet traffic," she recalled. "In other words, your broadband provider had no business cutting off access to websites, slowing down internet services, and censoring online speech."

"Giant corporations and their lobbyists... will try every trick to block or delay the agency from restoring net neutrality."

After a decade of policymaking and litigation, net neutrality rules were finalized in 2015. However, a few years later—under former FCC Chair Ajit Pai, an appointee of ex-President Donald Trump—the commission caved to industry pressure and repealed them.

"The public backlash was overwhelming. People lit up our phone lines, clogged our email inboxes, and jammed our online comment system to express their disapproval," noted Rosenworcel, who was a commissioner at the time and opposed the repeal. "So today we begin a process to make this right."

The chair is proposing to reclassify broadband under Title II of the Communications Act, which "is the part of the law that gives the FCC clear authority to serve as a watchdog over the communications marketplace and look out for the public interest," she explained. "Title II took on special importance in the net neutrality debate because the courts have ruled that the FCC has clear authority to enforce open internet policies if broadband internet is classified as a Title II service."

"On issue after issue, reclassifying broadband as a Title II service would help the FCC serve the public interest more efficiently and effectively," she pointed out, detailing how it relates to public safety, national security, cybersecurity, network resilience and reliability, privacy, broadband deployment, and robotexts.

Rosenworcel intends to release the full text of the proposal on Thursday and hold a vote regarding whether to kick off rulemaking on October 19. While Brendan Carr, one of the two Republican commissioners, signaled his opposition to the Title II approach on Tuesday, Gomez's confirmation earlier this month gives Democrats a 3-2 majority at the FCC.

"Giant corporations and their lobbyists blocked President Biden from filling the final FCC seat for more than two years, and they will try every trick to block or delay the agency from restoring net neutrality now," Demand Progress communications director Maria Langholz warned Tuesday. "The commission must remain resolute and fully restore free and open internet protections to ensure broadband service providers like Comcast and Verizon treat all content equally."

"Americans' internet experience should not be at the whims of corporate executives whose primary concerns are the pockets of their stakeholders and the corporations' bottom line," she added, also applauding the chair.

Free Press co-CEO Jessica J. González similarly praised Rosenworcel and stressed that "without Title II, broadband users are left vulnerable to discrimination, content throttling, dwindling competition, extortionate and monopolistic prices, billing fraud, and other shady behavior."

"As this proceeding gets under way, we will hear all manner of lies from the lobbyists and lawyers representing big phone and cable companies," she predicted. "They'll say anything and everything to avoid being held accountable. But broadband providers and their spin doctors are deeply out of touch with people across the political spectrum, who are fed up with high prices and unreliable services. These people demand a referee on the field to call fouls and issue penalties when broadband companies are being unfair."

Like Rosenworcel, in her Tuesday speech, González also highlighted that "one thing we learned from the Covid-19 pandemic is that broadband is essential infrastructure—it enables us to access education, employment, healthcare, and more."

That "more" includes civic engagement, as leaders at Common Cause noted Tuesday. Ishan Mehta, who directs the group's Media and Democracy Program, said that "the internet has fundamentally changed how people are civically engaged and is critical to participating in society today. It is the primary communications platform, a virtual public square, and has been a powerful organizing tool, allowing social justice movements to gain momentum and widespread support."

After the Trump-era repeal, Mehta explained, "we saw broadband providers throttle popular video streaming services, degrade video quality, forcing customers to pay higher prices for improved quality, offer service plans that favor their own services over competitors, and make hollow, voluntary, and unenforceable promises not to disconnect their customers during the pandemic."

Given how broadband providers have behaved, Michael Copps, a Common Cause special adviser and former FCC commissioner, said that "to allow a handful of monopoly-aspiring gatekeepers to control access to the internet is a direct threat to our democracy."

Rosenworcel's speech came a day after U.S. Sens. Ed Markey (D-Mass.) and Ron Wyden (D-Ore.) led over two dozen of their colleagues in sending a letter calling for the restoration of net neutrality protections. The pair said in a statement Tuesday that "broadband is not a luxury. It is an essential utility and it is imperative that the FCC's authority reflects the necessary nature of the internet in Americans' lives today."

"We need net neutrality so that small businesses are not shoved into online slow lanes, so that powerful social media companies cannot stifle competition, and so that users can always freely speak their minds on social media and advocate for the issues that are most important to them," they said. "We applaud Chairwoman Rosenworcel for her leadership and look forward to working with the FCC to ensure a just broadband future for everyone."

[lemonhemlock]

anyway fellas i feel like that's kind of enough alys(mond) discoursing for now. not much left to say beyond that, lest we risk repeating ourselves and sounding like a broken record as well. my advice is to just let them be, no matter how quarrelsome they are. a mark of wisdom is knowing when to move on and we're better served by waiting for new material and just finding something else to do in the meantime.

[useless-catalanfacts]

I'm pretty sure that ask from a Palestinian family is a bot, i've gotten so many of those in my inbox and I'm 90% sure they're all bots

Look, I'm going to answer this assuming that you mean well and that you're not trying to spread this rumour to take part in genocide and get Ahmed and his family killed.

It is not a bot, it has been checked that he is not a bot. There are people like @/nabulsi, @/el-shab-hussein and @/90-ghost on Tumblr (and others from other organizations and other platforms) getting in touch with all the people asking, checking their national ID card to make sure their names match, and that all their story matches. That's why verification lists exist, because people have put in the effort to verify all these people, even when it's extremely difficult because internet connection isn't stable in Gaza and all of them are already busy enough with trying to survive because Israel keeps telling them to evacuate to "safe zones" and then proceeds to bomb said zones, they have to queue for hours to get some water and some food, and the tents they're being forced to live in reach 50°C. The Palestinians in our ask boxes are doing everything they can to save their families and themselves. Can you even imagine being in that situation? Living a hell on earth, a genocide, your home destroyed, your business destroyed, relatives and friends killed, bombs exploding at any time around you, your hometown in rubble, your school/university in rubble, food extremely expensive and you've lost almost everything you owned, malnourishment and illness all around you and knowing hospitals have been bombed and doctors are being targeted, fearing for your life and the life of your children, your parents, your partner, if they are even alive, hearing how people are getting kidnapped, tortured, and even raped by Israeli soldiers and the state media celebrates it. And on top of this, the only way out is to beg strangers on the internet proving your disgrace with photos and videos of your most vulnerable moments and your children's most vulnerable moments, in a language that's not your own — in some cases, in a language you don't speak or understand, written in a script you can't read, but that someone was kind enough to type a message in for you so that you can re-send it. And on top of all that, people will see your suffering and say you're a bot or a scammer. Can you imagine?

You will never see me post or reblog a donation link to someone who has not been verified, because I know that such risk exists. Most people who are asking and aren't verified are real people in need, because it's difficult to get verified in these circumstances. But I don't speak Arabic, I can't verify myself, so I'm choosing to focus on the ones that we know are verified while those who can speak Palestinian Arabic get in touch with the others and complete the verification process.

I've gotten less on this blog, but on my main blog I've gotten dozens of asks asking for donations and reblogs (I've not counted but my estimation would be around 50) and out of all these, only 2 were fake. The fake ones used PayPal instead of GoFundMe, their stories said they needed insulin (most Gazans are asking for money to evacuate or afford food and medicine, insulin could be needed but it's unlikely to go alone), the photos they used showed up in a reverse image search, and the names once you clicked on their PayPal were not Palestinian or Arab (according to Google, the names of the people I personally got were from Kenya and Uganda, but the same method could be used by people from anywhere else).

Of course it's important to check that any donation you make goes to the person/organization you want it to go to. And that's why I included the verification link. Sending an ask like this to someone trying to get them to publicly post your message spreading the false idea that a very real person with a very real family trying to survive a genocide is a bot or a scam shows, in the best case, that you are careless and didn't think much before acting and, in the worst case, that you are actively taking part in this genocide and contributing to the dehumanisation of Palestinians, to cutting off the little support they get from outside that gives them a chance of survival, and that you are trying to get these families killed. Whether it was on purpose or not, this is what an ignorant message like this —accusing with no proof and where you would have seen it's a real person with only a bit of research—, this is what it does: it contributes to the genocide. It gets people killed. This is a genocide, we cannot afford such mistakes.

If you have a doubt, research before making public accusations. Or ask privately about it. Instead, you chose to send this ignorant ask on Anonymous, meaning that you knew well that I would not be able to answer to you privately and that I would have to answer publicly, using me as a loudspeaker to spread your baseless rumour (a rumour that could cost a family their lives!) with all of my followers.

Of course you've gotten so many of these messages in your inbox. Gaza, even before October, was one of the most densely populated places on Earth because of Israel's apartheid regime and how it pushes Palestinians in an open-air concentration camp. And now they're all getting bombed. What are they supposed to do? Not try to survive? Die in silence? What would you do if you were in their place?

Anyway, let's all go help the family that this ask is accusing. And I recommend you make up for it and donate, too, at least some. They are very close to reaching the goal they need to afford the Egypt travel agency costs to evacuate to Egypt. Help Ahmed and Dina and their children Zeina (7 years old), Eileen (6), Yamen (4), and the baby girl born in June in the midst of war.

(Verification link: number 264)

Let's also help Samer, Shuroq, and their three children:

(Verification link: number 196)

Also please Mahmoud Al Sharif, his wife Soha, and their 4 children (ages 12, 11, 8 and newborn). Mahmoud lost an eye and fingers in the wars he survived before the current one. They are still very far from their goal.

(Verified by 90-ghost here)

"Solidarity is the tenderness of the peoples". Palestine, Catalonia always has you in our heart.

[afeelgoodblog]

The Best News of Last Week - May 15, 2023

🐕 - Now It's a Paw-ty

1. World's oldest ever dog celebrates 31st birthday

Bobi was born on 11 May 1992, making him 31 years old, in human years. A big birthday party is planned for Bobi today, according to Guinness World Records.

It will take place at his home in the rural Portuguese village of Conqueiros in Leiria, western Portugal, where he has lived his entire life.

2. The FDA has officially changed its policy to allow more gay and bisexual men to donate blood

The Food and Drug Administration (FDA) has announced that they’ve eased restrictions on blood donations by men who have sex with men in an effort to address blood shortages. The new policy recommends a series of individual risk-based questions that will apply to all donors, regardless of their sexual orientation, sex, or gender. Gay or bisexual men in monogamous relationships will now be permitted to donate blood.

3. Illinois passes bill to ensure community college credits transfer to public universities

The Illinois General Assembly has passed a bill that would help community college students transfer to public universities.

It would ensure that certain classes taken at community colleges could be transferred to any higher education institution in the state. Some schools currently only count community college coursework as elective credits.

4. Brazilian President Lula recognizes 6 new indigenous territories stretching 620,000 hectares, banning mining and restricting farming within them

Brazilian President Luiz Inácio Lula da Silva has decreed six new indigenous reserves, banning mining and restricting commercial farming there. The lands - including a vast area of Amazon rainforest - cover about 620,000 hectares (1.5m acres).

Indigenous leaders welcomed the move, but said more areas needed protection.

5. More than 1,000 trafficking victims rescued in separate operations in Southeast Asia

More than 1,000 trafficking victims were rescued in separate operations in Southeast Asia over the last week, officials in Indonesia and the Philippines said. 

Indonesian officials said Sunday they freed 20 of their nationals who were trafficked to Myanmar as part of a cyber scam, amid an increase in human trafficking cases in Southeast Asia. Fake recruiters had offered the Indonesians high-paying jobs in Thailand but instead trafficked them to Myawaddy, about 567 kilometers (352 miles) south of Naypyidaw, the capital, to perform cyber scams for crypto websites or apps, said Judha Nugraha, an official in Indonesia's Foreign Affairs Ministry.

6. A peanut allergy patch is making headway in trials

An experimental “peanut patch” is showing some promise for toddlers who are highly allergic to peanuts. The patch, called Viaskin, was tested on children ages one to three for a late-stage trial, and the results show that the patch helped children whose bodies could not tolerate even a small piece of peanuts safely eat a few.

After one year, two-thirds of the children who used the patch and one-third of the placebo group met the trial’s primary endpoint. The participants with a less sensitive peanut allergy could safely tolerate the peanut protein equivalent of eating three or four peanuts.

7. Critically endangered lemur born at Calgary Zoo

The Calgary Zoo has released pictures of its newest addition, a baby lemur. The zoo says its four-year-old female black-and-white ruffed lemur, Eny, gave birth on April 7. The pup’s father is eight-year-old Menabe. The gender of the pup has not been confirmed but the Calgary Zoo says the pup appears bright-eyed and active and is on the move.

The black-and-white ruffed lemur is registered among the 25 most endangered primates in the world, due mostly to habitat loss and hunting.

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[girlytips]

The kanji “kei” (系) and its usage

As I still keep seeing it being used in instances where it doesn’t make sense, I thought it would be a good idea to talk a little about the kanji’s actual use within the japanese language.

系 is commonly used as a suffix to categorize and describe various things by their “type”, therefore can also be translated as such. For example, your nationality would be “country+kei+person”, stating the color of something “color+kei+object”, describing a song “genre+kei+music”, and specifying the style of your outfit “style+kei+coord”. However, in the overseas jfashion community there still persists the misunderstanding that it means “style” or “fashion”.

So where does this misunderstanding come from?

The very first instance of “kei” being used in a fashion context overseas was “visual kei” (ヴィジュアル系). During the late 90s, western media outlets discovered the genre and introduced it as unique fashion style from Japan heavily tied to music while also translating its name as “visual style”. This was the beginning of the whole misunderstanding as visual kei is only used to label a band as “visual-type”, meaning there is a heavy focus on a visual aspect. This is also why you will have a hard time shopping for the so-called visual kei fashion because it doesn’t really exist, and what is considered that overseas usually falls under the japanese goth punk (ゴスパンク) style that bangya wear.

After this, many years passed and “fairy kei” (フェアリー系) appeared within the jfashion online sphere, strenghtening the overseas conclusion that “kei” must mean “style” and therefore refers to fashions. While fairy kei is indeed used as a name for this specific 80s-inspired pastel fashion, it’s a lot more common to see it being refered to as just “fairy fashion” in japanese because “fairy-type” is also used to describe plenty of unrelated things. Meanwhile calling it fairy fashion would have been useless overseas for a similar reason and it made a lot more sense to use “fairy kei” instead.

From that point on, the international jfashion community would coin one “kei fashion” after another regardless of the styles actually being known by those names within Japan. Searching the majority of them in their japanese spelling would result in a dead end with many not even making any sense in relation to fashion, such as “mori kei” literally referring to forest types and “pop kei” to anything that’s popular at the moment.

Basically, the lesson of this post is that there is no need to include “kei” in the names of japanese fashion styles unless they are unrecognisable without it, because you are not writting in japanese using the kanji to categorize something by its style. In context of the fashion featured on this blog, it is used to differentiate the overall style genre from the english adjective that is “girly”, but not for its substyles as their names are distinct on their own.

I hope this little language lesson was useful to my readers, and if you have any requests for other jfashion-related terms to introduce or explain - just hit me up in my inbox!

[metamatar]

Being proud of the country you are born in, is a privileged stance isn't it? I love India. I don't know if I cannot not love India but this comes from a privileged place isn't it? Because what has India ever done for every other citizen that doesn't fit into the hindu savarna demographic? What has India done to Kashmir? It's strange we have an independence day while occupying another land. It's so ugly.

sorry for letting this marinate in my inbox. i think nationalism is a dangerous and awful drug and that a nation state should not ever deserve your loyalty or any kind of deference. especially not love of the kind that demands submitting your personal moral precepts to its purposes. nation building is a material and ideological process – it streamlines and punishes and constructs fabrications from whole cloth. i recognise the usefulness of indian nation building in anti colonial organising ofc. it makes romanticism about india very easy. but i think you have to think more about what it is you "love" and you'll find its often something more than that abstracted nation state. in my experience its been a lot like losing faith in religion which makes sense given how institutions seek to exert influence thru human desire for community.

its kind of impossible to not have affection for culture and language and music and food and all that good stuff, especially if you grow up in one and especially if it has such a breadth of diversity in it. but you have to recognise that people create these things regardless of whether a nation state recognises their contributions or not. the vast wide swathe of humanity awaits your love. do not wait for the nation to tell you its worth.

[happilyfeatherafter]

Happilyfeatherafter’s ficrec Fridays

It's February!! Welcome back to another week of ficrecs. A mix of post-confession therapy, poetry, and glorious AU this week. (I thought I'd not read much because this week has been, quite frankly, a bastard, but apparently this was a lie!)

If you missed last week’s you can find my previous rec lists here for more!

2 February 2024

maybe i like pleasure pain by tothewillofthepeople (@kvothes). After the perfect darkness of the Empty, Cas finds the world a little…overwhelming. Dean tries to help. Post 15x18, Cas is both touch starved and touch sensitive, and the sensory overload of the world can be a bit too much. He craves Dean's touch, but resists asking for it. A really beautifully written, metaphor laden examination of chronic pain, disability, trauma and the physicality of the body and nebulous presence of mind. All wrapped up in an abundance of love and devotion. Absolutely gorgeous.

Prayer to a False God by K_A_Mindin (@katerinaalianovamindin, art by @gaytedlasso for @spnbangbang) It’s been two years stuck in the Empty, where the Shadow showed him his worst mistakes over and over again. Then he's brought back, to Jack and to Dean, and silence continues to rein, the unspoken acknowledgement of the confession lingering in the air...until Cas decides he needs to stop letting silence rule. Alongside the emotional pull of this thread, the D/S dynamics which grant Dean the permission to speak his truths, through prayer, and through physical release, are a joy to behold.

i like your shoelaces (thanks! i stole them from the president) by @you-cant-spell-subtext-without is a brilliantly funny take on Misha's "Dean is a custodian in a fast food restaurant. Castiel is the President of the United States" fic prompt from a convention, told through the narrative hook of a Cinderella story. Delightfully tongue in cheek, and laugh out loud, this is currently a wip but a must read to bring joy to your inbox each update.

FROTUS by kathscradle takes the very same prompt but approaches it in a very well executed slowburn that says ok but seriously what if? My favourite thing about this fic is the importance of family, Cas being the widowed single parent of Jack and Claire, and Dean stepping up in his new role as step-Dad. Add in the slowburn relationship unfolding through long distance hyper-monitored correspondence, and all the national security matters at hand, this longfic gave my The West Wing/Scandal/Destiel brain a great big hug.

birthday candles by rhinestoneangels (almondrose/@pinknatural) is a super cute, ever so charming Dean's birthday ficlet in which Castiel's sister Anna drags him to a birthday party for a friend of hers who he has never met. He googles what to bring to a birthday party and settles on baking cookies...one fire later and fortunately, the firefighter who shows up to save Castiel from himself is very dreamy, and what a coincidence! It's his birthday, too….

I've also fallen down a rabbit warren of destiel and spn poetry, and I really really love this one by @whatladybird and this one by @eyelinerdean, @donestiel's incredible poetry gif edit series and I'm very excited to keep reading more on the @spnpoetryrenaissance blog. Has anyone seen a 2024 prompt list? Asking for reasons.

PS if you'd like to be added to a tag list for my ficrecs going forward please let me know!