#su fan project

[gatoburr0]

She’s such a good mother figure it makes me cry.

Quick something because my brain has rotted to a degree.

[sgdlr-asdfghjkl]

Link Click Musical update 180 🌟🌟🌟

(LC-mu postcard project🎉 + summary of BilibiliWorld videos: musical actors meeting VAs trio and Wang Minhui's vlog ✨)

Hello! This will be quite unusual update, since I want to report about our fan project. But also, to make up for my inactivity, I bring lots of tasty treats for you >:3

Links in replies: meeting of LC donghua voice actors trio and LC musical trio at BilibiliWorld event, Wang Minhui's vlog from there, 1h+ livestream from the entire LC musical segment + google drive link where you can download the postcard illustrations and print it for yourself 😘

OKAY 🏃‍♂️✨

LC-mu postcard project summary

A fellow lc musical enjoyer friend, Vale (@/_Setsuna_iro_ on twt & @/setsuna_cos on ig, follow her for great cosplays!) reached out, said she'll be visiting China and considers going to see the play. So OF COURSE I got hyped up about it 😤

I wanted to arrange a postcard for her to give away after the performance (like we did with Elara for 100th performance). To let the actors and Chinese audience know we appreciate the musical ^^ There was no better person to ask for help than a legend, an icon, a master of musical-inspired LC fanarts @wrathyforest 🙇‍♂️💖

🤲BEHOLD🤲

So Forest drew this amazing✨ illustration 🙇‍♂️ (and yes, you can download it and print it too!). I only suggested some details like adding XiaoJuan pig squishie and Zhang Jiahao eating a chicken leg (from 100th special encore).

As for my contribution I did the design on a back (based on the official lyrics book style) and the lil actor doodles. I collected the 42 names of countries from the international LC musical fans. And handled the communication and logistics between all of us ><

Props to Vale for translating the note to Chinese 🙏 the actors and audience got it in Chinese, but you can read it and print in in English ^^ And thanks to @elaraqwqfor all the practical advice about the theatre etiquette and navigation haha 🙏

When time agent Vale rests (and no longer struggles with Chinese firewall ><") I'll try to share more info from her about the musical itself. For now have photos our spy took >:3

That's the Shanghai Great World, an amusement centre building where the Time Theatre is located. We rarely think outside the 'microvawe oven' of lc musical set, so I think it's interesting to see ;>

A photo wall with the cast behind the scenes and guests (can you spot director Haolin? ehee). And a fascinating (to me at least) corner where the audience can leave all the fanmade freebies. Like merch celebrating actor's birthdays or performance milestones. The fans go out of their way and make all sorts of things to share, like badges, facemasks with prints, keychains, acrylic stands, prints, stickers, I even saw cookies with chibi actors printed on them ><

I personally find this part of fan culture around the Chinese musical theatre really heartwarming and inspiring ^^ Maybe bc culture around theatre in my country feels very posh and stuck up, snobbish even. So I have lots of love and respect to Chinese theatre fans for making their passion feel welcoming and simply fun 🌟

Again, huge thanks to all my lovely LC friends, Forest, Vale and Elara for making this project possible 😘💙💛

MOVING ON 🏃‍♂️✨

Link Click Musical panel on BilibiliWorld 2024 convention

For context, this convention is huge (esp when you remember Bilibili is like Chinese ver of youtube, twitch, netflix, crunchyroll and webtoon at once). Li Haolin had his panel there, as well as donghua VAs (that's how they managed to meet, VAs had their panel on same day musical actors came for rehearsal).

So there is an entire 1h+ video from the panel with LC-mu 'representative lineup' Deng Xianling, Cai Qi and Wang Minhui. I'll link it, you can watch it. It's all in Chinese ofc but it's still fun, bc they do lots of games focused on singing songs that you should be able to recognise by now ;>

A summary of the panel:

1st game: they each get the first lines their characters sing in the play and have to fill out the blank lyrics

then they do slightly extended ver of 'You can forget about it' ('sofa song')

2nd game: they get a line from a lc musical song to sing, each actor with different twist; dxl has to do a dialect version, cq does the singing to a different melody, and wmh does the 'translation accent' (not sure what it is, I'm guessing it's changing the accentuation on words?)

3rd game: is blindfold basketball with third person directing the one that's shooting, so a cooperation game ^^'

4th game: they listen to the music and when it stops they have to sing the next lines (this part was GREAT bc we get crumbs from main plot songs AND we get to hear actors sing a capella AND there is a banger part where wmh and cq sing in unison 😔👌)

5th game: doing 'Dive back in time' tutting at varied speed (it's funny & impressive how they switch from 2x speed to 0.5x without an issue)

and I lost a count (this video is long and in chinese, forgive me) but by the end, there is also a part where each actor has to say something in character, they chose from categories: A) Exclusive video for waking up - cq, B) Exclusive video to put you to sleep -wmh, C) 'Mood Tips' Video - dxl :> (Lu Guang got very in character, short line, don't get excited)

OKAY NEXT 🏃‍♂️✨✨

Voice Actors encounter (Li Shimeng, Su Shangqing, Yang Tianxiang) summary

All credit goes to my Chinese friend Yksim (@/treeshu3426 on twt) for translating and summarising the entire video to me 🙏🙇‍♂️💖

Video has 2 main parts: voice actors giving tips about delivering lines and musical actors teaching them to sing songs. Yang Tianxiang first suggest that musical actors teach vocal actors how to sing. He asks how to sing "我只能预测十二个小时" ('I can only predict 12 hours...', a part from M01 'Time Travel', the first song). Wmh and cq sing it but ytx finds it too hard to follow, gives up and says sth like 'aigh maybe we should start from voice acting' ><. So they first give wmh and cq some tips about how to say lines.

Wang Minhui shares that the producer of LC musical (I'm guessing it was Chen Xiaoyi 🙏) sent him a video compilation of canon Lu Guang calling cxs idiot, childish etc. (as learning material). And he asked ytx to say some for him XDD which the other delivers 👌

Li Shimeng gives Qiao Ling performance. She first acted how to scold cxs and then how to comfort him 🥺 Everyone compliments her, she's great orz

After that ytx seems to be answering wmh's question how to say lines. He said: 'We have to relax our throats. It is also like singing. You have to make yourself comfortable. You don't have to pursue to make your voice very like my voice. I think we are two different Lu Guangs. ' (meaning the range, because wmh's voice is very high pitch comparing to ytx's voice)

Yang Tianxiang asks Su Shangqing for his input and ssq says: 'You can make it natural and like in daily life. Actually voice acting allows you to express a variety of precise emotions within a very limited range of ups and downs. It will be harder than no limits. 其实会比你可以完全释放手脚难 (this sentence translates weirdly so have a transcript) After you get hold of the character's main characteristics, you can relax and do what you want to express.'

Then is time for a singing part. Cai Qi sings a bit from 'Words can't convey the love' for ssq. Which ssq says is too hard >< ytx says 'But this song fits you.'

Wang Minhui sings a crumb of main plot song called 'Broken time' (fully translated by Micha here 💙) It's a very hard and high pitch big song full of emotions that happens after a quarrel with cxs. Yang Tianxiang is impressed ><

VA's strongest soldier enters the ring after ytx says: 'I think Li Shimeng is the best singer among three of us.' So Cai Qi teaches lsm some QL's lines from the beginning of 'You can forget about it' (QL starts it in main plot ver). She repeats after him and sounds wonderful ✨💅

And finally, Deng Xianling arrives from the other musical's rehearsal (on weibo she 'cries' she had to buy wmh a drink as an apology for being late ><'). Her voice is beautiful nevertheless. She sings the same part that cq started teaching ;>

Then they take photos together and say goodbyes 🥰

WHICH IS A PERFECT SEGWAY 🏃‍♂️✨✨✨

This one I deciphered myself by google translating subtitles. But please watch it yourself! It's adorable even if you don't speak Chinese

Wang Minhui's vlog from BilibiliWorld

You may think he'd do sth short, similar to Cai Qi's vlog from the event, but no. Not the yapperton3000, Kamen Rider enjoyer, mister I-watch-more-anime-than-Niebo (I just adore this guy, ok? and you will too. Now.)

Nah, he will give us a tour 😎✨

It starts with him saying he's going on a rehearsal, then a short compilation from that day where they practiced and met VAs. As you can see he and ytx exchanged contact info :>

After teasing dxl for being late it's fast forward to next day, the day of their performance. He beelines straight to the artist/merch area 🙇‍♂️ He points at almost every alley and says stuff like:

'Take a look at the Honkai Star Railway theme area! Sorry but I don't play hehe' 'Jian Wang 3 theme area, I used to play. I remember when I got into the trap, brought in at my university, my college friends were playing.' *points at a fancy dress at some sort of haute couture cosplay booth* 'Guo Hongxu would look good in this' (ghx commented the vid with a photo of himself swinging an axe with 'Where are you? I brought you a gift 🙂')

Then he comes home 😌 The Link Click themed alley 💙💛

He looks at Lu Guang merch which is-😭💗 *clenches my heart* and talks how he's excited to wear lg's wig already.

⬆ Interesting thing about these shiguang cutouts, that cn friends Bō🐼 and Yksim pointed out, is that they are a signposts promoting a Chengguang/程光 ship specific event. Recently there was a separate exhibition/fan event focused on uh, you know, top!cxs x bottom!lg, (not necessarily explicit but very much about the romantic coupling) and they had a booth LC alley in BilibiliWorld too.

And no, it's impossible he's clueless about it. You'll see he knows his donghua&anime + they had huge signs with ship name and friends tell me he must've walked past all the doujins. And he goes there twice 🙇‍♂️ Like, do with this knowlegde whatever you want, I'm just describing what happened (personally I'd say: BASEDBASEDBASED-)

*performance time* he gets his makeup and hair done and goes on stage, it's a short compilation from backstage.

HE GOES BACK TO THE CUTOUTS orz... the stylist fixes his hair sprout when he's standing between lg and cxs ;w; while wmh praises his producer for agreeing to work overtime to help him film the vlog 🙏

it cuts to him riding to the different area, he says:

'Now I am going to this one from "Link Click", the booth of the original work. Although today in fact, strictly speaking, I'm not a cosplayer.' 'Because I think we should respect how everyone just generates electricity for love to this level of detail' (I think he means cosplayers, but not sure, it translates wack) 'I think I am still wearing a makeup look for a musical stage actor who (just) came here.' 'This experience is very unforgettable for me, so I hope to use the last bit of time, the moment before hitting the board, to go get one for myself. Including myself, Wang Minhui as a stage actor. I can take two sets of photos. I think it's also a good memory, so I set off!' (it may be confusing, but I think he's talking about using the opportunity of being on a convention in the stage makeup, to take some phots for himself, while humbly acknowledging it's not a cosplay)

(we're halfway in the video, save me, I love him but he talks so much ಥ_ಥ)

He enters the official LC venue (that earlier, was more fanmade stuff/merch alley) and talks about how exciting it is that he can blend in ;w; so he walks around, saying:

'I am so happy!' but then catches himself and says 'Ah, but I shouldn't laugh' (to stay in LG's character 😭) *points at Neo Aurora LG cutout (one with harness)* 'Can you make me a set of clothes like this next time at our theater?' (caption tags the Encore Musicals theatre) *points at a writing board and reads one of fan messages* 'Li Haolin, no more knives!' 💀 and 'No matter the past, don't question the future' motto *proudly high-fives himself* *points at Li twins cutouts* 'Last time I drew a blind box I got Li Tianchen, I have both (?or two idk) of them.' 'So happy. The kind of faint (faint feeling? or faintness? idk) It just came out of here *points at his chest* Happy but I don’t know why I’m so happy! (pls he's so sweet)

Then he points towards the Bilibili Comics venue and namedrops lots of shows he's watching/reading:

'There's a Bilibili comics app, the app that accompanies me on many nights, I recently finished reading Demon Slayer', he also mentions watching Blue Lock and Wind Breaker.

Moving on to individual anime series booths:

*points at Kaitou from Detective Conan* 'I especially liked that character as a kid, so cool/handsome' He sees Solo Leveling booth from a distance and is proud of himself for remembering the name of the show, so much so he takes a picture :'> ''Dungeon Meshi', I've been following for past 2 days (?). At first I thought it was a gourmet show, at that time I liked to order takeout. I feel like it still has quite a story to it.' *sees a mecha animatronic* 'Wow it's moving!' (everybody stfu, he's experiencing a childlike wonder) 'I usually open Bilibili when I have nothing to do', then he mentions watching Freiren, Kaiju no.8 and says that after reading all the Demon Slayer he wants to watch it now.

Post-credits scene: He looks on a stage, says 'Give me a mask and I'll sign up' and then the camera zooms out to show what I think is a group of men doing an otome-themed performance dance (like Tears of Themis/Love and Deepspace type of game idk which exactly ><) 🙇‍♂️🙇‍♂️🙇‍♂️ that's all

To accompany you on this overwhelming wall of text, I give you Cai Qi overwhelmed by the wonders of BilibiliWorld 😇 he was going through it, but had the audacity to later say 'I was a little nervous, Wang Minhui is nearly drowning the mic (from sweating nervously)' under the video with VAs. Brat.

Housekeeping notes: I hope this update makes up for the long inactivity and I hope it lasts you for a while 🙏 I still struggle with my workload and it sucks, so I won't be coming back here any time soon (for 1,5 months at least) sorry ><

But I am still active on twt and discord and I check tumblr inbox regularly if you ever need help with research 💪

There is an increase of LC fans interested in the play (after the zhb and tcp almost-kiss ><') So I am currently gathering questions from newbies to later create the LC Musical FAQs 🌟 If you have ANY questions regarding LC musical, specific actors, the general Chinese musical fandom culture, navigating Chinese social media, anything I could help with, PLEASE reach out to me via inbox, DMs, curiouscat (I linked it on my twt @/niebo_sgdlr), twt DMs or discord. It will help tremendously to create a beginner friendly guide, bc at this point I'm too deep in the rabbit hole and too busy to explain everything to everyone individually🙏💖

Look at this historical event of Wang Minhui getting the postcard and telling Vale she looks better than Cai Qi 😇 Please give love to all the friends I mentioned in the post and have a lovely day, bye bye!

Niebo out 🏃‍♂️✨✨✨✨

[savebylou]

I wonder how many words Niall will say in Spanish in this first show in México. I also wonder how much I would cry because of that.

[sortanonymous]

I can't stand the tension! I miss Unicorn: Warriors Eternal so much! I just need to know if it's coming back or not! If it's getting another season (or three like Genndy hoped for), then that's freaking awesome! If it's getting Zaslav'd before it can ever address that cliffhanger, then that's the biggest disgrace to happen in this industry in about a month or two (maybe idk). But just let ne know already! It's been a year! I miss Mel/Em, Ed, and the others so much! SGGYJGDGHBFGRKKDDYHHH

[sonicprim3d]

The Mobius X Amount of Years Later stories are all the most interesting worst stories Archie has ever come up with, and it's always for the wrong reasons

[chameli]

The fact that people actually support & defend a "ship" where the girl constantly harrassed the boy for years, chased after him despite him having zero romantic interest in her, and was creepily obsessed with him since childhood. The boy also tried to kill the girl multiple times and straight up said he has no reason to like her and vice versa. Yet people love this "couple" and legitimately think it's romantic. Like, I understand it's fiction but how fucked up do you have to be to think this is in any way healthy or normal or even likeable lmfaooo

[phoenixiancrystallist]

WHAT DAY IS IT

Month 8 day 5, supposedly. Idk, it's after midnight, I'm am the sleepy tireds, and I arted so hard tonight my iPad died :D Just the battery, my baby is charging now, but still. 0% battery in the middle of me erasing a line. Very rude.

Anyway, I tried to get Cuff looking more like his beautiful canonical self (with exactly zero reference because there's something wrong with me). Also cleaned up the colors on Frey so they actually filled in the lines and didn't bleed over, not to mention getting her to look more canonical, too.

Unfortunately (fortunately?) because I'm redoing the colors to be tighter and cleaner, and also redrew Cuff and the hand he's on, I'm gonna need to redo ALL of the shading. All of it. ohgodhelp

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[alwaysahiccupandastrid]

Pixar did not have to go as hard as they did with the Kronos Unveiled scene in The Incredibles (2004), yet they did anyway and gave us one of the best scenes in modern cinema. Literally cannot stop thinking about how good this scene is, from the animation to the build up to the soundtrack.

I don’t think I truly understood how dark this scene - and this film - was a child: Syndrome is systematically and strategically luring in superheroes and killing them off in order to test and improve his Omnidroid design… these people were not only supers but they also had family and loved ones too, just like Bob, and one day they would have just disappeared because chances are they weren’t telling people where they were going because it was "top secret" and against the law. They thought they were doing something good, like helping the people in the island, while also getting to relive their glory days, perhaps even paving the way for superheroes to make a proper comeback… only for Syndrome to kill them in cold blood.

Most of these people can actually be seen at Bob and Helen’s wedding in the beginning of the film - they weren’t just random supers, they were their friends, people they worked alongside and cared about. It’s even worse when you realise that Bob probably blames himself because, after all, Buddy/Syndrome was his biggest fan and he dismissed him by not letting him help.

The relief on Bob’s face when he realises Syndrome doesn’t know where Helen is - meaning he also doesn’t know where their children are because he didn’t realise they were married at this point - is so realistic and gut wrenching to see. The relief contrasting with the anguish of knowing how much danger they and their entire family could have been in the entire time without even knowing...it's so well-done, you can literally feel it.

It’s also worth noting that originally the next target wasn’t Mr Incredible but Frozone - that was who Mirage was trailing, hence why his location is “known”. Imagine if she/Syndrome hadn’t realised that Mr Incredible was with him and they’d lured Frozone in instead as planned; he would have gone to the island to fight the Omnidroid 8 in a volcano setting. We saw how being in the burning building dehydrated Frozone and made it impossible to use his ice powers - presumably it would have been the same in the middle of a lava filled volcano, and he’d have been slaughtered just like the other superheroes before him.

This scene shows an entire generation of superheroes - Bob, Helen and Lucius’ generation - wiped out all because Syndrome felt slighted by his hero as a child, because he internalised that slight and let it drive him to revenge. And, if we take into account the deleted alternate opening scene, it’s mentioned that superheroes "aren't supposed to breed” - meaning there’s a likelihood that Violet, Dash and Jack-Jack are among the very few supers of the next generation. I know that it's deleted and so not really canon, but it's definitely a concept to consider, I think.

Then there's the fact Syndrome named the project "Kronos" - Kronos was a God who overthrew his own father in order to take over his rule, and then he ate his own children to prevent them doing the same thing to him. It feels like it reflects Syndrome once looking up to Mr Incredible and even saying "I could be your ward!", meaning Mr Incredible adopting or fostering him - the project name is a metaphor for Syndrome destroying the Supers, especially Mr Incredible, who he viewed as a father figure. The Omnidroids he built killed two birds with one stone: not only was he able to acquire the data to upgrade the robot to its final design, but it also eliminated the real super heroes and so left him as the last remaining "superhero", even though his powers are man-made, not something he was born with.

Not only did he want to become the only remaining superhero by killing the real ones in revenge, he also planned to sell his inventions at some point so everyone can be super - because "when everyone is super, nobody is". It's like a final blow to the memory of the superheroes he had killed.

I've talked too much about this scene but God... I love it so much more as an adult because it's just so chilling to think about. I'm sure other people can put it much more articulately than I just tried to, but I just really wanted to appreciate this scene.

[colleendoran]

Great Big Good Omens Graphic Novel Update

AKA A Visit From Bildad the Shuhite.

The past year or so has been one long visit from this guy, whereupon he smiteth my goats and burneth my crops, woe unto the woeful cartoonist.

Gaze upon the horror of Bildad the Shuhite.

You kind of have to be a Good Omens fan to get this joke, but trust me, it's hilarious.

Anyway, as a long time Good Omens novel fan, you may imagine how thrilled I was to get picked to adapt the graphic novel.

 Go me!  

This is quite a task, I have to say, especially since I was originally going to just draw (and color) it, but I ended up writing the adaptation as well. Tricky to fit a 400 page novel into a 160-ish page graphic novel, especially when so much of the humor is dependent on the language, and not necessarily on the visuals.

Not complainin', just sayin'.

Anyway, I started out the gate like a herd of turtles, because  right away I got COVID which knocked me on my butt. 

And COVID brain fog? That's a thing. I already struggle with brain fog due to autoimmune disease, and COVID made it worse.

Not complainin' just sayin'.

This set a few of the assignments on my plate back, which pushed starting Good Omens back. 

But hey, big fat lead time! No worries!

Then my computer crawled toward the grave.

My trusty MAC Pro Tower was nearly 15 years old when its sturdy heart ground to a near-halt with daily crashes. I finally got around to doing some diagnostics; some of its little brain actions were at 5% functionality. I had no reliable backups.

There are so many issues with getting a new computer when you haven't had a new computer or peripherals in nearly fifteen years and all of your software, including your Photoshop program is fifteen years old.

At the time, I was still on rural internet...which means dial-up speed.

Whatever you have for internet in the city, roll that clock back to about 2001.

That's what I had. I not only had to replace almost all of my hardware but I had to load and update all programs at dial-up speed.

Welcome to my gigabyte hell.

The entire process of replacing the equipment and programs took weeks and then I had to relearn all the software.

All of this was super expensive in terms of money and time cost.

But I was not daunted! Nosirree!

I still had a huge lead time! I can do anything! I have an iron will!

And boy, howdy, I was going to need it.

At about the same time, a big fatcat quadrillionaire client who had hired me years ago to develop a big, major transmedia project for which I was paid almost entirely in stock, went bankrupt leaving everyone holding the bag, and taking a huge chunk of my future retirement fund with it.

I wrote a very snarky almost hilarious Patreon post about it, but am not entirely in a position to speak freely because I don't want to get sued. Even though I had to go to court over it, (and I had to do that over Zoom at dial-up speed,) I'm pretty sure I'll never get anything out of this drama, and neither will anyone else involved, except millionaire dude and his buddies who all walked away with huge multi-million dollar bonuses weeks before they declared bankruptcy, all the while claiming they would not declare bankruptcy.

Even the accountant got $250,000 a month to shut down the business, while creators got nothing.

That in itself was enough drama for the year, but we were only at February by that point, and with all those months left, 2023 had a lot more to throw at me.

Fresh from my return from my Society of Illustrators show, and a lovely time at MOCCA, it was time to face practical medical issues, health updates, screening, and the like. I did my adult duty and then went back to work hoping for no news, but still had a weird feeling there would be news.

I know everyone says that, but I mean it. I had a bad feeling.

Then there was news.

I was called back for tests and more tests. This took weeks. The ubiquitous biopsy looked, even to me staring at the screen in real time, like bad news. 

It also hurt like a mofo after the anesthesia wore off. I wasn't expecting that.

Then I got the official bad news.

Cancer which runs in my family finally got me. Frankly, I was surprised I didn't get it sooner.

Stage 0, and treatment would likely be fast and complication-free. Face the peril, get it over with, and get back to work. 

I requested surgery months in the future so I could finish Good Omens first, but my doc convinced me the risk of waiting was too great. Get it done now.

"You're really healthy," my doc said. Despite an auto-immune issue which plagues me, I am way healthier than the average schmoe of late middle age. She informed me I would not even need any chemo or radiation if I took care of this now.

So I canceled my appearance at San Diego Comic Con. I did not inform the Good Omens team of my issues right away, thinking this would not interfere with my work schedule, but I did contact my agent to inform her of the issue. I also contacted a lawyer to rewrite my will and make sure the team had access to my digital files in case there were complications.

Then I got back to work, and hoped for the best.

Eff this guy.

Before I could even plant my carcass on the surgery table, I got a massive case of ocular shingles.

I didn't even know there was such a thing. 

There I was, minding my own business. I go to bed one night with a scratchy eye, and by 4 PM the next day, I was in the emergency room being told if I didn't get immediate specialist treatment, I was in big trouble.

I got transferred to another hospital and got all the scary details, with the extra horrid news that I could not possibly have cancer surgery until I was free of shingles, and if I did not follow a rather brutal treatment procedure - which meant super-painful  eye drops every half hour, twenty-four hours a day and daily hospital treatment - I could lose the eye entirely, or be blinded, or best case scenario, get permanent eye damage.

What was even funnier (yeah, hilarity) is the drops are so toxic if you don't use the medication just right, you can go blind anyway.

Hi Ho.

Ulcer is on the right. That big green blob.

I had just finished telling my cancer surgeon I did not even really care about getting cancer, was happy it was just stage zero, had no issues with scarring, wanted no reconstruction, all I cared about was my work. 

Just cut it out and get me back to work.

And now I wondered if I was going to lose my ability to work anyway.

Shingles often accompanies cancer because of the stress on the immune system, and yeah, it's not pretty. This is me looking like all heck after I started to get better.

The first couple of weeks were pretty demoralizing as I expected a straight trajectory to wellness. But it was up and down all the way. 

Some days I could not see out of either eye at all. The swelling was so bad that I had to reach around to my good eye to prop the lid open. Light sensitivity made seeing out of either eye almost impossible. Outdoors, even with sunglasses, I had to be led around by the hand.

I had an amazing doctor. I meticulously followed his instructions, and I think he was surprised I did. The treatment is really difficult, and if you don't do it just right no matter how painful it gets, you will be sorry. 

To my amazement, after about a month, my doctor informed me I had no vision loss in the eye at all. "This never happens," he said.

I'd spent a couple of weeks there trying to learn to draw in the near-dark with one eye, and in the end, I got all my sight back.

I could no longer wear contact lenses (I don't really wear them anyway, unless I'm going to the movies,) would need hard core sun protection for awhile, and the neuralgia and sun sensitivity were likely to linger. But I could get back to work.

I have never been more grateful in my life.

Neuralgia sucks, by the way, I'm still dealing with it months later.

Anyway, I decided to finally go ahead and tell the Good Omens team what was going on, especially since this was all happening around the time the Kickstarter was gearing up.

Now that I was sure I'd passed the eye peril, and my surgery for Stage 0 was going to be no big deal, I figured all was a go. I was still pretty uncomfortable and weak, and my ideal deadline was blown, but with the book not coming out for more than a year, all would be OK. I quit a bunch of jobs I had lined up to start after Good Omens, since the project was going to run far longer than I'd planned.

Everybody on the team was super-nice, and I was pretty optimistic at this time. But work was going pretty slow during, as you may imagine.

But again...lots of lead time still left, go me.

Then I finally got my surgery.

Which was not as happy an experience as I had been hoping for.

My family said the doc came out of the operating room looking like she'd been pulled backwards through a pipe, She informed them the tumor which looked tiny on the scan was "...huge and her insides are a mess."

Which was super not fun news.

Eff this guy.

The tumor was hiding behind some dense tissue and cysts. After more tests, it was determined I'd need another surgery and was going to have to get further treatments after all.

The biopsy had been really painful, but the discomfort was gone after about a week, so no biggee. The second surgery was, weirdly, not as painful as the biopsy, but the fatigue was big time.

By then, the Good Omens Kickstarter had about run its course, and the record-breaker was both gratifying and a source of immense social pressure.

I'd already turned most of my social media over to an assistant, and I'm glad I did.

But the next surgery was what really kicked me on my keister.

All in all, they took out an area the size of a baseball. It was  hard to move and wiped me out for weeks and weeks. I could not take care of myself. I'd begun losing hair by this time anyway, and finally just lopped it off since it was too heavy for me to care for myself. The cut hides the bald spots pretty well.

After about a month, I got the go-ahead to travel to my show at the San Diego Comic Con Museum (which is running until the first week of April, BTW). I was very happy I had enough energy to do it. But as soon as I got back, I had to return to treatment.

Since I live way out in the country, going into the city to various hospitals and pharmacies was a real challenge. I made more than 100 trips last year, and a drive to the compounding pharmacy which produced the specialist eye medicine I could not get anywhere else was six hours alone.

Naturally, I wasn't getting anything done during this time.

But at least my main hospital is super swank.

The oncology treatment went smoothly, until it didn't. The feels don't hit you until the end. By then I was flattened.

So flattened that I was too weak to control myself, fell over, and smashed my face into some equipment.

Nearly tore off my damn nostril.

Eff this guy.

Anyway, it was a bad year.

Here's what went right.

I have a good health insurance policy. The final tally on my health care costs ended up being about $150,000. I paid about 18% of that, including insurance. I had a high deductible and some experimental medicine insurance didn't cover. I had savings,  enough to cover the months I wasn't working, and my Patreon is also very supportive. So you didn't see me running a Gofundme or anything.

Thanks to everyone who ever bought one of my books.

No, none of that money was Good Omens Kickstarter money. I won't get most of my pay on that for months, which is just as well because it kept my taxes lower last year when I needed a break.

So, yay.

My nose is nearly healed. I opted out of plastic surgery, and it just sealed up by itself. I'll never be ready for my closeup, but who the hell cares.

I got to ring the bell.

I had a very, VERY hard time getting back to work, especially with regard to focus and concentration. My work hours dropped by over 2/3. I was so fractured and weak, time kept slipping away while I sat in the studio like a zombie. Most of the last six months were a wash.

I assumed focus issues were due (in part) to stress, so sought counseling. This seemed like a good idea at first, but when the counselor asked me to detail my issues with anxiety, I spent two weeks doing just that and getting way more anxious, which was not helpful.

After that I went EFF THIS NOISE, I want practical tools, not touchy feelies (no judgment on people who need touchy-feelies, I need a pragmatic solution and I need it now,) so tried using the body doubling focus group technique for concentration and deep work.

Within two weeks, I returned to normal work hours.

I got rural broadband, jumping me from dial up speed to 1 GB per second.

It's a miracle.

Massive doses of Vitamin D3 and K2. Yay.

The new computer works great.

The Kickstarter did so well, we got to expand the graphic novel to 200 pages. Double yay.

I'm running late, but everyone on the Good Omens team is super supportive. I don't know if I am going to make the book late or not, but if I do, well, it surely wasn't on purpose, and it won't be super late anyway. I still have months of lead time left.

I used to be something of a social media addict, but now I hardly ever even look at it, haven't been directly on some sites in over a year, and no longer miss it. It used to seem important and now doesn't.

More time for real life.

While I think the last year aged me about twenty years, I actually like me better with short hair. I'm keeping it.

OK. Rough year. 

Not complainin', just sayin'.

Back to work on The Book.

And only a day left to vote for Good Omens, Neil Gaiman, and Sandman in the Comicscene Awards. Thanks. 

[paranormeow7]

“analog horror ruined internet horror” “the mandela catalogue is overrated and dumb” “kinemaster vhs effects jerma sus face ass” “the walten files is a shitty fnaf knockoff” “internet horror used to be way better” “analog horror is for middle schoolers” SHUT UP!! SHUT THE FUCK UP!!!! CLEANSE YOUR BRAIN OF MASCOT HORROR HATE SLUDGE!! WATCH THE MONUMENT MYTHOS!!! WATCH MIDWEST ANGELICA!! WATCH VITA CARNIS!!! STOP GENERALISING A UNIQUE GENRE FULL OF HIDDEN GEMS INTO ITS WORST EXAMPLES!!!

(also to all the people in the tags who think this post is harping on the walten files. I am a huge fan of it!! I think it’s a really unique, well written gorgeous project. people just write it off bc it looks like mascot horror/a fnaf series. go watch it)

[photomatt]

Hey, genuine question, although I'm not honestly expecting a response: if tumblr users have been telling you what they want and what they don't want since you've taken over, and their feedback has more or less been ignored consistently whilst rolling out changes that nobody asked for or uses (tumblr live is coming to mind), and you're not getting the content use you want, might it be an idea to try those before abandoning the site? What is the worst that could happen, really? Listen to your userbase. You had a lot of good will from listening to people at the start of your ownership: blaze did well, as did ad-free, polls and so on, but there are some really popular things you've removed or made obsolete (prev tags, blog themes, avatars etc.) that a lot of people want back. Equally, there are some things I've never heard a single person want - this site isn't TikTok, and never will be. Instead of trying attract a crowd that is already catered for elsewhere, making the people who love tumblr still despite all the changes in ownership more comfortable under you can only be a benefit. Thank you for reading, if you did actually read this.

Thank you for the genuine question! First, I'll say that we've never launched anything with the expectation the community would hate it, but there sometimes is a big difference between what people say they want and how people respond or what information (and often misinformation) goes viral.

As an example, Post+, which is a feature where you can pay to subscribe to other users, had some misinformation go viral that if you used it you'd be sued by copyright holders if you did fan fiction, and there was a huge backlash that the site was going paid and a coordinated campaign to attack (including with death threats) everyone who signed up for the program.

I'll repeat, this was a program where the money all went to creators, Tumblr did not take a cut, and the creators were often already selling work on Patreon or Ko-fi, this just was an integrated way for it to work. Because of the hate and attacks, every launch creator canceled the program. It was sad, because this was a feature users and creators said they wanted, and we prioritized making users money over projects that would make us money.

Since then we've gotten better at managing attacks and threats, with new tools and a bigger Trust & Safety team, but Post+ never recovered.

You mention Blaze and Ad-free doing well, but their adoption is so small relative to the use of Tumblr their revenue couldn't support a fraction of the ~1,000 servers it takes to run Tumblr, much less any salaries.

To your broader point, though, one thing I'm hoping with a more focused approach in 2024 is that we can streamline some of the extra things that were launched (like Live) that haven't gotten the adoption we hoped, and focus in on the core functionality that people use a ton of on Tumblr. We will likely be shipping less new stuff and more focused on improving existing functionality and core flows.

[papil0nglegs]

Darnell/Pico x Latina!Reader

(Separate)

A/n: uhh I’m Latina soo. Also I rlly like this one, it was fun to write. Idk what to say here so ya

Darnell:

Bro this man CANNOT get enough of ur food

Every time you bring him some or you invite him to one of your parties he’s always fucking that shit UP

Literally just

“Do you two need a room?”

“Hmf?” (Huh?)

“You and the tamale.”

“Mm.. mof” (oh.. no)

He has good spice tolerance, so he loves all the food

He’s also does.. okay in Spanish. He took a few spanish classes in highschool so talking to ur family isn’t much of a problem

But some things are too complicated for him, like when you invited him to one of your gatherings your tia came up to him and gave him a headache

“Hola! Mira como guapo es su novio!! Si hablas español?”

“..uh huh”

Save him pls

Sometimes when getting into arguments you use Spanglish against him and he tries too but fails

“Donde estabas? I was so worried!”

“Relax baby eso no es my fault!!”

He failed that Spanish class take it easy on him

When you two were in highschool, he loved doodling on your hand (cuz he’s an graffitist) because of your tan skin (if you have it)

He always used warm toned colors while spelling something like ‘y/n’ on your hand in graffiti letters

But sometimes he loves the doodle way too much to give up on it, so he would use it as a reference for another project at an alleyway

“How long do I have to hold my hand up like this?”

“Just ten more minutes babe, gotta catch that aspect”

“sigh que pendejo..”

Pico:

He would actually die for you

Pico is into the whole ‘I <3 Latinas’ thing so when he asked you out and you said yes he died

Pico STRONGLY believes ur the most beautiful creature on the planet

Now since pico is.. ✋🏻 spicy food isn’t his strong suit

He’ll try his best but all he’s gonna do is hurt himself

“Amor, you good?”

“Cough cough yeah it’s just a little cough hot!”

“Pico, it’s a taki..”

He’s mostly a fan of the candy your culture has to offer, he gets so excited when you bring him a pelon pelo

Now pico doesn’t know jack SHIT about Spanish

So when you invited him to one of your family gatherings he was so confused

“Mira, es la novio de y/n! Tienes hambre, mijo?”

“Huh”

He def tries, he’ll point to something and ask you abt it

“This is doo-si, right?” 😊(He’s trying to say dulce)

“….mhm!!”

He also likes you give you Spanish nicknames, ‘mamas’ is already his default but he also likes to throw ‘mi amor’s and ‘mi vida’s in there too

Pico (even without you) is really into Spanish rock, idk I just think it fits his vibe

Your younger cousins really like nagging him about you

“How’d you meet her? Is she nice to you? Will you be my boyfriend?”

“Y/n I think you have some competition..”

“She better not tf”

[sabertoothwalrus]

How did you get so good at drawing such expressive bodies/faces??? tell me your secrets!! (But srsly your skills are amazing)

AAAA THANK YOU!!

I think my initial inspiration was about 10-11 years ago watching Adventure Time and finding Rebecca Sugar’s boards. Sometimes I get a little frustrated because she gets so much more notoriety than the other very very amazing AT boarders, but….. her expressions man…. she was always able to convey so much with SO LITTLE. (SU’s expressions are on another level of course, but I think AT’s are just so impressive to me because they’re dot eyes)

But the thing is!! I’m also a fan of deadpan. Which AT also does very well. It’s tempting to want to do BIG, extreme expressions at every moment, especially in comedic comics, but you really don’t need to. I find that characters often feel more expressive if you reel it in more often. That way, when you DO have bigger expressions, they FEEL bigger!

for example, a panel where the contrast between big and subtle expressions sells the contrast:

I don’t really,,,, know exactly what I do that works, ?? I kind of just like, think of the emotion I wanna convey, make the expression, think about what my face feels feels like, and try to convey that. Using a mirror helps!! You’ll feel a little stupid but it’s funny.

some misc expression tips:

Definitely prioritize eyebrows, eyes, and mouths!

Noses aren’t as important BUT flared nostril can totally sell an expression, so it depends!

Remember that your upper jaw is stationary, and your lower jaw can move, and then your lips and cheeks can move all around that!

Just subtly changing the placement of eyelids and location/size of irises can completely change an expression

Don’t be afraid to make your characters look weird or stupid.

Don’t reinvent the wheel! Take reference from different media you like that stylize expressions in different ways, and find what works for you. I take a lot of inspiration from AtLA

Again, NUANCE! Like, when most people are sad, they do their very best to try NOT to cry. People hold things in. Sometimes what characters don’t say can speak louder than what they do.

some expressions I’ve done that have varying levels of nuance:

Also framing!! You can use the composition to help project how the character feels:

As for body language!

Having a better sense of three-dimensional form and anatomy isn’t necessary, but it sure helps a lot

Hands!! I have adhd and my family is italian so I use my hands a lot when I talk. But even still, most people don’t just leave their hands hanging loosely by their sides. People cross their arms and fidget with their zippers and put their hands in pockets.

Head, neck, and shoulders. If you can master the foreshortening of these overlapping shapes at most angles, you will be very powerful

Hips & feet!!!!! People RARELY stand straight with both feet flat on the ground with even balance. Most people will shift their weight to one hip, leaving one leg looser and at an angle. It also helps to practice perspective, because people also rarely stand with their heels lined up side by side. One leg may get kicked foreward or loosely bent backwards. I sometimes cross my legs when I stand.

Ultimately, if you want more lifelike expressions and poses, study from life!! Don’t worry about your drawing being “good” or “bad”, instead think about what can make it successful. Ask yourself, “is this conveying the expression I want to convey?” and if it’s not, figure out what you need to change to get it there.

[accio-victuuri]

i was supposedly gonna address this by end of month and with my april candy round up but i think might as well do it now. only because it is being shared primarily on international platforms and i feel the need to put out this reminder. i wouldn’t even dream about controlling how one chooses to participate in this fandom but sometimes people need a wake up call.

so, there has been a video going around of GG filming Legend of Zanghai and there is a staff there that people are saying is WYB. it showed this person talking to GG while he is on standby and shooting etc. first of all, these two are notoriously good at hiding and being professional in their workplace. especially now. i doubt they will flaunt each other on set with one acting like a PA for the other. not only that, they both hate to cause any disturbance on set or have unnecessary eyes on them — much worse, gossip, so this is a no.

and in the very low chance that it is WYB or that whatever rumor we have of XX visiting XXX on set is true, the last person who should be outing their secret meetings shouldn’t be turtles. if there is one thing i really miss from the beginnings of this fandom is how much people protected them. even if at times we became obnoxious, you know that the reason is because we wanted to keep them safe. nowadays, i feel like more turtles don’t even care at all. they will show off anything to prove a point. but at what cost? seriously, how far would you go? how much disregard for their rights as human beings will you allow?

which leads me to the main problem here: sharing leaks. i personally sometimes can’t avoid it, especially on weibo cause it depends on who you follow, it will come up. or worse, the leaked videos/photos goes on hot search. xz has been very vocal against proxy shooting for this project so idk why some turtles continue to disrespect his wishes. it’s one thing to see it accidentally, but for international fans to share it and then make it out to be this “scandalous” video proof is so questionable. what makes them different from professional weibo paparazzis who out celebrity couples? who follow them in their homes and even their parents? how are they different from ss who put trackers on their cars and obsess over their personal itinerary? it’s so sus to call yourself a fan who care about them but applaud this kind of behavior. these kind of fans honestly don’t see xz and wyb as people. leave them the fuck alone. i don’t think i can stress that enough. let’s speculate all we want from the materials they willingly give us and try not to make it harder for them to live their personal lives.

i understand how material like that can make someone happy and affirmed but think about them first.

and if you are someone who needs solid video proof to support the boys and be on the bjyxszd train, then please leave this fandom now. i can tolerate alot of behaviors but never ones that endanger them like this. this need for constant validation is dangerous. it’s their relationship, not ours. they are real people and not fictional characters.

[ask-whitepearl-and-steven]

Has it sometimes occured that a theory ask showed some very interesting scenario or possibility that let you want to somewhat incorporate parts of said idea down the line of the story? If you did, what element changed (w/o spoilers oc)?

Nnnnnno.

I will try to find the kindest way to say this....

This comic is not a group project.

I am not ever looking for ideas, nor am I ever planning to incorporate anyone's ideas other than my own into this story.

The reasons for this are... Mainly the following:

1) the SU fandom is already provably filled with people stupid and stubborn enough to point to the original show and say "Rebecca Sugar stole that plot point from fans!". The show which was written out/planned YEARS before its final plot reveals hit production.

I do not want to even brush shoulders with those people. I am not in the mood to entertain their "oh wow you clearly stole that idea from a comment I made on your comic in 2021" ego trip.

I get that it might sound fun to people to think that they can win the lottery and send me an idea that can come to life through the comic. That would be cool! But from my side, it's a terrifying prospect, because

I DON'T KNOW if/when one of you will try to use your "you can use my ideas if you want ☺️" into "that creator STOLE my WORK and didn't CREDIT me!!!! I have the receipts!!!🤬"

And frankly I am not brave enough to try, so.... Not touching that with a ten foot pole.

And

2) I'm famously not a teamwork person.

I can work great in a team project that was MEANT to be a team project. But White Diamond is not that. It's my story. I have it planned out to the end. I have the things I need, and I don't want to change them or delegate them to others. I don't need anyone's help building out the world. I don't have any desire to collaborate on how things go for WD!Steven. There are no people aside from me who know ALL the plot points in the story (although some friends know more stuff) and therefore no one can give me ideas that will fit perfectly into what I have planned.

The ONLY times anything similar has happened is WAY back, during the comic's earlier stages, when I would sometimes discuss minor plot developments with my close friends and ask their advice on whether I should go for A or B.

But in terms of getting ideas from complete strangers in my askbox - no, that's not gonna happen. I'm sorry, I know that sounds selfish or paranoid. But that's my hard limit on these things.