anzumazaki-blog

[starry-bi-sky]

don't you want to be a cult leader? - danyal al ghul au

this is mostly a joke post but i thought it was funny and had to share so--

his first mistake was, obviously, inheriting his father's inability to see an injustice and stand still. -- actually, danyal's first mistake was his lair being so big. a mountainous island with a large temple in the center resembling his old home in Nanda Parbat? With sprawling foliage and rivers and streams and waterfalls galore? What was he going to do with all that space? Let it go to waste? He had plants there! Native trees of the ghost zone growing from the soil! He couldn't let it all be left unchecked!

So naturally after helping a fellow teenage assassin ghost -- who he later learns is named Akihiko, -- from Walker of all people, he sent them over to hang low at his lair until it was safe enough for them to wander around the Zone. Walker couldn't get through Danyal's astrofield if his life depended on it, and trust him -- he's tried. Danny was clearing out debris from his stupid transport vans for weeks.

Honestly it wasn't so bad, he and Aki really quickly became fast friends and Danny loves having a sparring partner close to his level again -- he hasn't had this much fun fighting since he left the League. Aki was very dedicated and levelheaded, the both of them clicked really well because of it.

Nonono, the real trouble began after Danyal met some long-passed League members and allowed them to come join his island as well. Apparently they had made a few enemies of the zone, and maybe Danyal still felt some loyalty to the League. He couldn't just let them be left to rot. Their zealotry could be overlooked so long as they kept it contained and helped him take care of his island.

And it.. snowballs from there? He meets a teen squire aptly calling himself Ambroise -- whether that was his living name or not is yet to be seen -- who died during feudal france, who is just about as dramatic and passionate as every french stereotype makes them out to be. He calls Danyal "my moon and great muse" -- which is both flattering and little uncomfortable, but Danyal's grown up in the League as the Grandson of the Demon Head, he is used to mild worship. he passes it off as nothing more, nothing less. -- and while his energy is overwhelming on the worst of days, he helps Danny draw out of his shell more in ways that Sam and Tucker still struggle with.

Him and Aki butt heads a lot, but the two seem to hold the other in at least some positive regard, so Danny doesn't worry too much about them fighting while he's gone. It only becomes a mild issue when Aki also begins calling Danny "my moon". It's a little sweet, so Danyal brushes it off.

Then he takes in a troupe of ghosts some time after he defeats Pariah Dark and they begin calling him "great one" just as the yetis do in the far frozen. This is where he meets the twins -- a pair of sibling ghosts who call themselves Trixie and Missy (short for Trick and Mislead) -- who aren't quite as passionate as Ambroise but more energetic than Aki. Eventually they also start calling Danyal "my moon" and attach themselves to his hip, even within the living. They like to hide in his shadow and cause trouble for the rest of the students. He makes sure they don't hurt anyone.

He's pretty sure Aki is jealous, same with Ambroise, but he can't be too certain other than the fact that they become much more lingering (re: clingy) whenever he visits the island.. Something he's trying to do much more often these days due to the increasing amount of people living there now. Since when did he become so popular?

Then there's Pēnelópeia from the Greater Athens, who ran away from home and joined his Island after he ran into her while she was being chased by Skulker -- and he's pretty sure the reason was because of her chimeric appearance. Her strange eyes and mismatched wings and lion's tail and talons. She assimilates into his friend group very easily, she gets along well with Ambroise and Trixie and Danny usually finds the three of them climbing the trees to pluck the most fruit from the top. They can fly and he knows it, but they prefer to climb.

Then finally there's silent poet Akkara who comes from ancient mesopotamia, who gets along most with Aki -- which is no surprise there considering their similar personality dispositions. he watches Aki and Danyal fight each other and leaves comments on this or that that he notices. He writes Danyal poems on clay tablets and leaves them by his room.

They're one big mismatched group of outcasts, and Danny's got the other ghosts on his island to tend to, because they're living on his island and he wants to be hospitable even if he struggles with that. But he spends the most of his time with them.

Sam and Tucker are making fun of him. Tucker jokingly tells him 'careful Danny, at this rate you're gonna start a cult'. Danny really wishes he had taken that joke more seriously.

He just. keeps. collecting people. Wayward souls lost in the zone, looking for shelter or refuge from something or other -- whether that be another hostile ghost, or a past afterlife, or just a purpose. Danyal finds them, he takes them in, offers them a place on his island until they are ready to leave. Many seldom do. He's not complaining -- he has the space, and it feels like it's only ever growing.

His close friends, his "inner circle" as he's heard the others call them, keep insistently calling him "my moon". He starts calling them his stars, because then it only feels fair. They're his stars, this is his constellation. It becomes a thing; little star halos begin forming behind their heads, picking them out from the rest. He loves them so much, it's hard to place. Sam and Tucker are also his stars, but they reside in the living realm, they're his tie to Life. Meanwhile, his friends here know what it's like to be dead, and sometimes its nice to relate.

Those living on his island keep calling him "Great One" and he's beginning to notice zealotry in their care for his island. He really, deeply appreciates it. His close friends gain nicknames -- as his stars, it's only natural for him to pick them out from the cluster in the skies. Akihiko, his Sirius and bright star. Trix and Missy, Castor and Pollux, the twins and troublemakers. Ambroise, his zealous Antares and close friend. Penelopeia, chimeric and loyal Vega. And Akkara, his Arcturus and strength.

It's ridiculous how long it takes for him to notice; he is, of course, a deadly trained assassin. He is meant to be observant -- and normally he is! But somehow this becomes a blind spot. One that becomes too big to be dealt with by the time he realizes it.

He should've noticed when Aki, his Sirius, stood beside him one day while Danyal looked over his island and saw the sprawling spirits carrying on about their afterlife and bowing to him as they saw him, and said: "I looked down into the depths when I met you; I couldn't measure it." They aren't one for flowing prose, it took him so off guard he was silent for over a minute before he finally spoke.

Danyal should've recognized devotion for what it is, and yet he didn't. He should've recognized it when Antares began spouting praises about him, crowing about his radiance and resplendence to the heavens. He just brushed it off as Ambroise being Ambroise. He should've recognized it when Trix and Missy nearly broke Dash's leg after he knocked Danyal's books out of his hands, he excused it as them being protective. Of them coming from times where such violence may have been customary -- after all, that's what he used to be like. What he was still like, sometimes, when his emotions nearly got the better of him.

He should've noticed it when the people living on his island followed his word like gospel, looked at him like he hung the stars in the sky. When his friends gifted him a shawl with the moon phases delicately embroidered into it, with silver, shimmering thread and moving stars lovingly stitched into it. Their constellations seen clear as day in the dark fabric. When he found small shrines dedicated to him -- but they lacked any image of him beyond stones carved to look like moons, so he ignored it. When the religious imagery began popping up.

He really, really should've noticed it when a bunch of cultists accidentally summoned Antares, and Antares had turned to him when he arrived and called them heretics. But he was so centered on the fact that they had kidnapped one of his stars, that he hadn't paid much attention to what Ambroise had said.

Sages say that faith is blind, they should also say faith in you is even blinder.

It really only hits him one afternoon while he's sitting in Sam's room studying with Tucker, Missy and Trixie lounging at his feet, Aki sat on his right, Penelopeia braiding his hair, Ambroise draped against him, and Akkara lurking over him. Its one of the rare few times they're all in one room together.

It hits him like a bolt of lightning. He looks up from his textbook. "Oh Ancients," he says in no amounting shock. Everyone looks up to him.

"I've become my grandfather."

[sukibenders]

Percy might be the token white boy for some, but for me, that boy is Afro Latino and I stand by that.

[wheucto]

object show characters being named as their own objects might strike you as odd, but is it really that strange? with humans, differentiating each other using names is necessary. we're all "humans," so there's not much to name off of. physical features, maybe, but people can often share those...

however, with objects, there's a clear distinction to name someone after. and, why do names exist? to distinguish people from one another. why would you make a name, when there's already a perfectly good one right there? and sure, there's people who are the same object, but there's people with the same name too. they'd probably get nicknames/slightly different names... besides, that's why surnames exist.

[smalltimidbean]

Tragic!: Local Artist Trying To Make References For Their Billion Current OCs Can't Stop Making New Ones

(They also spent too long drawing this too jkdfgkjdf)

[bumblebeebats]

Oftentimes when planning any sort of travel i find myself sending emails to customer service representatives like "Hey so, just to confirm in writing, even though your website says I'll need an XYZ and I only have an ABC, that will be ok, yes? Even though you close at 9pm, and I arrive at 9:15, you'll let me in, yes? The trains I need to take are definitely A, then B, then C, yes?" and the replies I receive are invariably like "Uhhh... yeah...? 🤨🤨 Of course?" Like am i just autistic and/or neurotic or does everyone else just fling themselves out into the world like "Ehhh, it'll be fine 🤷" and hope for the best

[the-eclectic-wonderer]

is there anything golden girls you have Lots of Thoughts on that you haven't got to talk about fully or been asked about yet? consider this a free space to share those thoughts.

Anon, this question is essentially a declaration of love to me. You couldn't have made me happier. I am kissing you on the lips (or going to buy the best cheesecake in the world for you, your pick).

After some deliberation, I ended up choosing a subject I've been thinking about (and mentioning on here) ever since my first watch-through of the series, i.e. why a queer reading of Dorothy, Blanche and Rose doesn't only make sense because of their interactions with each other, but is actually in line with their journey as characters, the challenges they face, and the overall tune of the show. It seems like I ended up writing a short essay about it, so I'm putting it all under a cut. Hope you enjoy!

Ok, so, I'd like to make a little premise first. I love the platonic view of the show. I'm always always fond of stories that celebrate the importance of platonic bonds. If anything I'm sort of annoyed that they sometimes use familial language (they're ‘sisters’, Sophia loves them 'as her own') to symbolize their love for one another, but I understand why they chose to use it -- it's a quick way to communicate profound affection to the audience, and especially to the audience at the time.

That being said, I feel like a queer romantic view of the bond between Dorothy, Rose, and Blanche is equally poignant -- and of course it's especially dear to me, as a queer woman. For one thing, it’s still in tune with the core message of the show: whatever kind of affection they feel for one another, they’re still an unusual unit by societal standards, and yet there's no doubt that they’re the most important people in each other’s life (in fact, one could argue that they are, in canon, what today we'd call a QPR, but I digress). They love each other, they're committed to each other, they share their lives, in a way that doesn't conform to societal standards.

Dorothy sums it up very well in her speech in S7E4 That’s For Me To Know: they’re not a conventional family, but theirs is a real, honest love. This is a message that feels very in tune with the queer experience: how many of us have been told that our loves, our identities, our relationships and our (chosen) families aren’t real? Not to mention some of the problems they face: how many queer people have been kept apart from their loved ones in the hospital because they weren't related? How many have gone through the anxiety of an HIV test? I'm not surprised the show resonated so much with queer people in the 80s/90s, and I'm not surprised it still does.

Dorothy

What about the characters themselves? Let's start with Dorothy, since I've already spoken a bit about her in the past. Dorothy's character journey is, in essence, a journey towards self-discovery, self-acceptance, and self-love. She begins the show as a recently divorced woman who has been with the same horrid man for her entire adult life, a man she married in a hurry because he got her pregnant at 17; her self-esteem is on the floor. She doesn't know what being loved in a romantic sense means. Through living with the Girls she learns how to take back what she's lost; how to feel secure in her sexuality and attractiveness, how to love herself more, and (as a consequence of this self-love) how to open herself up to the world and other people. She even states so in the series finale:

We've all learned a lot from each other. I mean, Ma taught me life does not end because you've reached a certain age. And I've become much more comfortable with my sexuality because of Blanche. And Rose has taught me… Rose has taught me... [...] Anyway, because of them I feel that I'm ready to love you. (S7E25 One Flew Out Of The Cuckoo's Nest)

This is a queer-aligned narrative already!! Years and years of sacrifice and repression followed by a journey towards self-discovery thanks to love, support, and a sense of community? That's queer, baby! I particularly like the interpretation of Dorothy as a repressed lesbian because I feel like it fits very well with her character traits, but honestly, any queer reading of her fits as well. Having her realize that she is queer and eventually choose to act on it would have been a great way to reinforce her character journey.

It also would have added some amazing layers to her whole backstory, both as pertains to her marriage (doesn't it all feel more tragic, if you think of her as a repressed lesbian?) and, for example, to her friendship with Jean (how would she have felt seeing her friend be openly gay while she denied the same truth about herself?). I just think there's lots and lots that could be explored when we consider Dorothy in this lens.

Blanche

On to Blanche. A lot of Blanche's character traits (her vanity, her self-centeredness, her need to be the center of attention in a positive way) stem, I feel, from the way she was treated in her childhood and from two pivotal episodes in her life: the 'disappearance' of her Mammy and George's death. Her stories about her childhood (especially the ones she tells when her sisters are involved in an episode) make it seem as if her parents, while affectionate (Big Daddy especially), weren't exactly involved; she had to fight for their attention in constant competition with her siblings, particularly her sisters. There were only two people in her life whose love didn't feel dependent on her performance, her Mammy and George, and they both disappeared from her life abruptly and without any warning.

What does this teach a person? That they have to be the most attractive version of themselves at all times; that they need to be very careful with how they present themselves in society, so that they may always appear as the best within the bunch; that even the people who seem to love them unconditionally can leave them at any minute. The end result is Blanche, the woman in the mask. She seems very open in her attitude, especially towards the sexual sphere of life, but she's open in the same way the titular character of Fleabag is open:

Yeah, I think she’s using a certain type of honesty as a weapon of distraction. She talks very openly and honestly about sex so you feel like she’s being open with you when, actually, she’s completely hiding by doing that. She’s distracting you from a completely different side of her, which is the side that’s traumatized and in pain. (from this interview to Phoebe Waller-Bridge)

In truth, she's always very attentive to the way she presents herself to others, because she's afraid that people will turn away from her if she steps out of her persona. Look at what she says to her Mammy in S6E5 Wham, Bam, Thank You, Mammy:

You didn't even say goodbye. I woke up one morning, and you were gone. I loved you. I spent the next few years wondering what I'd done, what I'd said to make you leave me.

She's convinced (until this episode, at least) that she was abandoned by someone she loved so dearly because of something she'd done. And, well, George's death is a bit of a different thing, but also... do you think she hasn't spent long, sleepless nights wondering what would have happened if she'd convinced him not to go wherever he was going? If she'd gone with him? If she'd made different choices, if she'd said different things, if she'd been better?

What does all this have to do with queerness? Well... we know that some of Blanche's issues manifest in her constant concern with how society perceives her. This ranges from her search for rich and sophisticated men to parade around to her struggle to accept Rebecca's decision to undergo artificial insemination -- not to mention how she reacts to Clayton's coming out and especially to his decision to marry Doug. If that was how she reacted to a member of her family proudly coming out as gay, how would she react to the realization that she might also be queer in some way?

I figure the steps would be her usual ones -- denial denial denial, fear of judgement, bargaining with herself, eventual acceptance and even pride -- but with the added complexity of having to deal with something that concerns her and her desires. Not her daughter, not her brother, her. If she comes out and/or acts on her attraction, any eventual consequence from a societal standpoint would be due to her actions, not a reflection of someone close to her, and I feel like that would be interesting to explore. We already know she can get over her fear and prejudices when it comes to the people she loves; can she do the same for herself? I like to think she would, eventually, overcome her need for societal approval, just like she (sort of) does in the show, and the journey there would be fascinating from a character standpoint.

Rose

What about Rose? There's a minor thread in her character journey that's about fear of intimacy due to Charlie's death, but it gets resolved pretty early on (apart from an episode in S7, but I feel like that's more of a momentary setback than anything major). Apart from this, I think her character growth is about becoming bolder: more sure of herself, better at advocating for herself and her loved ones, better at asking people to respect her needs and wants.

This is a very minor spoiler for The Golden Palace, so thread with a pinch of caution, but -- in it, Dorothy is shocked that Rose became strong, and while I understand her surprise, I don't think that's necessarily the right word to use. Rose is meek, and gentle, and she certainly wasn't at her best at the beginning of the show (S1E9 Break In and S1E22 Job Hunting are proof enough), but I think we forget that she's overcome a lot throughout her life. It takes a strong person to recognize that her home is too filled with grief to keep living there, and uproot her whole life (leaving behind her whole community and support system) to begin to heal:

The winters are rough, here in Minnesota, and this place is too filled with memories to let me get on with my life. I need to start over without you, Charlie, and I think this is the best way. (from S2E25 A Piece Of Cake)

I think she's always been a tough cookie, and remarkably in touch with her emotions, even if her grief for Charlie momentarily weakened her. Living with the Girls helps her get her conviction back and gain the newfound boldness she needs to know she has a spine of steel and use it when the moment calls for it.

Realizing that she might be queer would encourage her in this journey towards boldness, I feel. I don't think she'd have any internal hang-ups like Dorothy and Blanche would (her sort of reticence towards homosexuality in the show seems like it comes from a place of ignorance, rather than repression), but we know she can be sensitive to societal perception, even if not at Blanche's level (see S1E13 A Little Romance), and a queer relationship is the sort of thing that, unfortunately, invites a lot of societal scrutiny. The need to be there and ensure the safety and happiness of her partner(s) would embolden her to show her strength and aid her journey as a character.

Sophia

As an addendum: what would a coming out from any of her three Girls (Dorothy especially) mean for Sophia? In the show she's always supportive of homosexuality:

Jean is a nice person; she just likes girls instead of guys. Some people like cats instead of dogs. Frankly, I'd rather live with a lesbian than a cat. Unless a lesbian sheds, that I don't know. I'll tell you the truth, Dorothy. If one of my kids was gay, I wouldn't love him one bit less. I would wish him all the happiness in the world. (S2E5 Isn't It Romantic?)

That's what Doug and Clayton want, too. Everyone wants someone to grow old with. And shouldn't everyone have that chance? (S6E14 Sisters Of The Bride)

However, she's also shown to have some hang-ups when it comes to this sort of thing. Her issues with Phil's cross-dressing are the best example, but I'd count her attitude towards Rose while they're waiting for her AIDS test results in the mix, too. I wonder if a coming out from (one of) her Girls would prove more difficult to handle? I have no doubts that she'd come around in the end, of course -- I just wonder if she might have to work at it a bit first (and if her reaction to Dorothy coming out would be any different from her reaction to Blanche and/or Rose coming out).

Sophia's journey in the show is subtle, and the one I find harder to pinpoint. My personal opinion is that she gradually becomes softer around the edges, more open and openly vulnerable with the Girls; she gets more playful, more relaxed, more in her element as the show progresses. I think it's possible that a coming out from (one of) her Girls would encourage this progression towards openness; having her loved ones confide in her about something so personal would invite more confidence from her part too.

Whew, that was a long answer! It's a mess and I'm sure there's lots more that could be explored -- these are just some of my thoughts finally put on paper. If anyone has anything to add (or any contrasting opinion too!!) I'd love to read what you think!! In the meantime, anon, thank you so much for this ask. You seriously made my week!

[tricksterlatte]

Anyone else think short form social media based on algorithms designed to promote topics that create more engagement instead of more joy, the idea of fast fashion but conveyed through social media, and the fact you can monetize suffering and outrage better than ever has largely resulted in the death spiral of media literacy and the mass emergence of bad faith readings?

[zecoritheweirdone]

[slowly pokes my head in] hey. hey you guys wanna see a pony.

decided to draw an oc of mine as a mlp:fim character!!! verrry very proud of it,,,

[trentcrimminallybeautiful]

you know if we do accept the last epilogue-esque sequence as a sort of dream/wish of ted's and therefore not necessarily canon, very funny if we then simply go "yeah, trent's book is called 'the lasso way' actually. he didn't change that. nope."

[hislittleraincloud]

Kayla Alpert, the one who wrote the "Friend or Woe" and "Woe What a Night" is a raging Zionist, having reposted pro-🇮🇱 crap/propaganda on X. (Going strong over this past month, if you don't feel like scrolling too far back where such things exist amongst all of her anti-Trump stuff.)

Just syk.

She's even reposted conspiracy theory about this spring's campus protesters (as well as Tweets mocking them)

✨💡✨

[oidheadh-con-culainn]

i just booked to view two flats (to buy) (i'm probably not going to buy them) (i would only be co-buying them even if i did bc i can't afford a mortgage) (they're in a good location though it would be way nearer to useful things even if there's still no bus) and they asked me no questions beyond contact details when i called them about a viewing. is that normal. shouldn't they have tried to check i'm serious. i had all my answers prepared re: the finances and they didn't care

[magentagalaxies]

vent incoming:

got my grades back for my courses last semester and most of it was to be expected, mostly A's, maybe an A-, etc. but i honestly can't get over the fact that my independent study (the buddy cole documentary) was for some reason given a B. like sure getting a B isn't bad per se, I usually get at least one B every semester and i honestly don't really care about what my exact gpa is as long as i can graduate, but come on. this school put me through months of psychological torment over this project and didn't even have the nerve to give me a B+??? i'm still coping with the self-doubt they forced on me and this bullshit is not helping!!

[smalltimidbean]

Hey, I had a question, can cheeseslimes swim in water?

What an interesting question

My personal headcanon, I think cheeseslimes would be pretty buoyant and float in water, so they could like doggy-paddle if needed!

But I also imagine they can't be in water for too long, or they'll begin to separate and eventually dissolve, leaving mostly just an oily puddle

I think most would just avoid water entirely for that reason, and bc they get a little extra gloopy when wet

[saph-yells-into-the-void]

the amount of DISDAIN I get from some ppl saying that blue flag is written for the straights.

girl I did not stay up til 6am reading this manga, tearing up and crying bc of how much I saw myself in characters like touma and masumi and how painfully relatable their pain/struggles were just for you to say that blue flag is for the straights

be so fr rn

[serabellyms]

PLOTTED STARTER !     ⤷ @magemade ✧ callum.

The last few nights had been nights full of nothing but restlessness for Rayla. Ever since coming back from Umber Tor, visiting the Storm Spire again... All she could see when she closed her eyes were the horrible images that plagued her. And to make matters worse, new ones had surfaced. Ones she didn't want to see, to experience... or to even think about.

She knew why. It had been that... ridiculous request Callum had made of her. Well, ridiculous was putting it mildly; she'd called it that because she couldn't bring herself to admit the truth about it: that what he'd asked her to do was the one thing she couldn't do. Not him, not in a million years.

Rayla knew she'd give up her own life before she could ever fulfill that request.

Unfortunately... those sleepless nights had started to catch up to her. She knew if she didn't get at least a bit of sleep, she was going to regret it, and people were going to start asking questions... and knowing Callum, he'd be at the front of that line. Distant as they'd been, and as much as he'd kept her at arm's length, she knew he'd be the first to catch on. So, she did the only thing she knew she could: find a place of comfort, with lots of moonlight, and hope that she at least got enough sleep to function tomorrow.

She knew exactly the place. Callum wasn't in his office, thankfully; she didn't want to know what he'd think if he saw her sleeping in such a strange place. With one deep breath to steel herself, Rayla pulled herself up into the window, satisfied that she was out of sight enough that even if someone walked in, she wouldn't be immediately seen. Her sitting on a window sill wasn't out of the ordinary, but sleeping on one? The less questions she had to answer about that one, the better.

Settling herself as comfortably as she could, she tossed her cloak over herself like a blanket, settling down. Was it comfortable? Absolutely not. Was it the worst place she'd slept? Definitely not. At least up in the window, she didn't have to worry about ambushes or wild animals; the guards patrolling the castle prevented that, along with Pyrrah doing the occasional flight around from the skies.

She must have been more tired than she anticipated, as within moments, she was sound asleep; the moon was soothing enough that she was sleeping heavily, overcome with the exhaustion that days of little to no sleep had caused in her.

After a few hours, she roused awake, still feeling some of the exhaustion that plagued her; though she'd slept, most of it wasn't a restful sleep. It was then that she realized she was no longer in the window; she was laying on something soft, with a blanket tucked over her. Who would've..?

"Callum?" She croaked, sitting up as she tried to rub the sleep from her eyes. How long had she slept? There was light, but... no, it wasn't sunlight. She could see the faint glow along the horizon, but the majority of the light was still from the moon, so it had to be at least an hour before sunrise.

[king-spite]

.