#suboctave

[metsn]

HARM ENGINE - square wave harmonics or digital sonic filth in +/- 5 octaves with 3rds and 5ths

The HARM ENGINE is based on the CIRCUITBENDERS 'Harmonic Engine' PCBs, it's "a clone of the E&MM Harmonic Generator. This was a project by Paul Williams, published in Electronics & Music Maker magazine way back in 1981. The circuit uses a 4046 Phased Locked Loop (PLL) to generate a squarewave output at harmonic intervals to the frequency of the input signal. The squarewave can be set to +/- three [5 + a chaos noise mode in the METSÄÄN version] octaves, and can also produce 3rd or 5th harmonies. That's the theory anyway. In practice this only works reliably if you use very basic waveforms at the input. If you use anything else, then everything very quickly descends into a beautiful kind of chaos, with all kinds of bizarre gurgling digital squeaks and squeals vomiting forth. Its especially effective with percussion sounds, converting each hit into some kind of warped electronic splatter." The controls from top left to right are: SENSITIVITY - controlling the level at which the harmonics will be played. Turning the pot clockwise increases the gain of the signal (it also boost with a slight distortion, the DRY signal). In higher settings, the squarewave harmonics can form a modulated drone voice. Activity of the HARM ENGINE is indicated by a green LED, that turns on when harmonics are produced. 3RD/5TH - the 3 position toggle switch activates the corresponding detuning. The middle position is neutral. MIX - is a blending function to dial in the balance between DRY and HARM signal. If something is plugged into the DRY and HARM outputs on the rear of the machine, MIX stops working, because the signal is split before. OCTAVE - with a 12 position rotary switch, +/- 5 octaves are selected, 12o'clock is neutral and 6o'clock is the chaos/noise mode. TRUE BYPASS - The footswitch is configured for true bypass and has a pink indicator LED inside the machine, the glow can be seen through the vent grills in the enclosure. Build into a scavenged high voltage converter housing made from plastique painted in the 'burned out industry' camo pattern in matte black and chrome. Hand made by grm for METSÄÄN.

Sold.

...

[taperwolf]

Okay, I'm going to have to play more with running audio signals through the clock divider module. Fuzz at suboctaves, or at subharmonics — and there's some really intriguing sonic possibilities that come from pairing a sample and the divided down version of it in a ring mod or analog logic setup.

[dnalounge]

♬️ Just announced: Sat Jun 28, 3pm: INDIE OASIS: BIG GAY PRIDE PARTY https://www.dnalounge.com/calendar/2025/06-28a.html?utm_source=sp_tu #dnalounge #indieoasis #fringesf #indierock #indiepop #top40bangers #sanfrancisco Indie Oasis: Big Gay Pride Party: Indie Rock, Indie Pop, Top 40 Bangers! Let's Celebrate Pride and SLAY all Day with Indie Oasis! Feat DJs from Fringe SF, Blondie K, subOctave & Starr Noir with Indie Oasis Alumni, Netik - bringing you six hours of day-time fun to celebrate PRIDE! All Bodies, Genders, Abilities welcome and celebrated! Get up early to Get Down all day with all your favorite Indie Rock, Pop & Dance jams with Not-So-Guilty Pleasures of treasured dance jams through the ages!

[returnocturn]

Erica Synths Fusion VCO 1, pt 2/2: suboctave waves (LMS EE)

[pedaloftheday]

Here are a couple of clips from the @kma_audio_machines Queequeg Sub Octave Generator Demo, out now! Subscribe to our #youtube channel for this and many other demo videos of the latest and greatest effects from all over the world - cheers! . #guitar #pedaloftheday #music #pedalboard #effects #pedals #effectspedals #pedalsandeffects #happysaturday #kma #kmaaudiomachines #queequeg #octave #suboctave #suboctavegenerator https://www.instagram.com/p/B0a8lDygAIf/?igshid=ki5wicveq43b

[metzger-guitar-experiments]

New pedals for my collection ! Put those on financing , since I've finished paying a lot of stuff, both of these I wanted since forever especially the @ehx POG 2 , the Sub Machine I had tried this one at the store a few years back and was impressed with it. Going to work on a new experimental Ambient song with these soon ! #musicproducer #noiseproducer #electroharmonix #ehx #pog2 #mxr #submachine #fuzz #suboctave #octaver #doom #bass #lowfrequency #guitar #pedals #newpedalday #newgearday #noiseart #ambient #experimental #darkambient #drone #dronemusic #noiseambient #synthesizer https://www.instagram.com/p/CE4p2MrH1ER/?igshid=1k2ertc7a4b35

[thejudgingtrash]

To add to this: what does Percy sound like? Does he have a sweet tenor voice or is he able to pull through with the deepest bass vocals? With his resting bitch face and his father’s features people think that he is ready to rip their heads off. Does he sound that way? Or are people going to be equally surprised when it’s the complete opposite? Does his voice jump up a few octaves whenever he laughs? Will he set earthquakes free with a deep and rich laughter?

Whenever Annabeth’s around he sounds softer and his words get sweeter

Question: what does Annabeth’s voice sound like in your head? Does she have a high voice? Or the opposite? Does she sound coarse or rather stern? Does she have a thick accent and swallow consonants? Or does she sound rather posh and clear? What is her laughter like? Does it equal the ringing of a bell? Is she the type of person that has a choked snort? Is it contagious?

No matter what happened and even despite Tartarus she never forgot how to laugh

[axeandyoushallreceive]

In stock right now……Posted @withregram • @redbeardeffects Set phasers to FUZZ! If a truly unique octave fuzz is on your bucket list, look no further than the Honey Badger! Multiple suboctave destruction meets gnarly, hairy fuzz in glorious union. Handmade in the UK and designed by @mikeydemus & @thorpyfx ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ 📸 : @charlierichardsphotography ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Powered by #Redbeardium • #WeDontGiveAFuzz ____________________________________________⁠ #pedalboard #guitar #knowyourtone #guitarist #guitareffects #geartalk #pedalboardoftheday #effectspedals #guitargear #pedalboards #pedalporn #music #guitarfx #guitarpedal #axeandyoushallreceive #pedals #guitarplayer #fender #gearporn #gearnerds #guitarporn #gearybusey #fuzz #overdrive #aaysr #electricguitar #bosspedals #effectspedals (at Axe and You Shall Receive Inc.) https://www.instagram.com/p/CdtwsbQO48T/?igshid=NGJjMDIxMWI=

[that444girl]

[festylyfe]

M A S S I V E

[kerlonground]

M32 offline editor mac

#M32 offline editor mac for mac

#M32 offline editor mac mac osx

#M32 offline editor mac update

Fix for Copy/Pasting of dynamic settings for MTX/ST/M.Fix for show control mismatch (highlighted row for active cue/scene/snippet).Fix for bad suboctaver range switch mouse support.Fix for FX link A/B issue on scene load.Fix for wrong snippet checkboxes on USER In/Out options.Fix for snippet paste issue (see above).Fix for snippet index offset after show import.Improved distinction between local and mixer data on show control pages.Improved text button ON/OFF state for M32-Edit.Changed inverted colors to match all console displays.Show source info on left side of all effect screen.Add SD-Recorder warning pop-up if only 10 & 1 min recording capacity left.Add setup option to create custom boot scene.GUI-Preference to deactivate mouse wheel.GUI-Preference to show DCA spill always on top.GUI-Preference ‘Bus botton names’ active by default.GUI-Preference to switch off automatic DCA spill layer jump.

#M32 offline editor mac for mac

It is available for Mac OS, Windows and Linux. The M32-Edit is a remote application enabling control of the M32-Series of digital mixing consoles via ethernet. This new function offers the possibility to unfold the assigned channels of a DCA on a new DCA-Spill fader layer.

#M32 offline editor mac update

The highlight of this update is the implementation of DCA-Spill.

#M32 offline editor mac mac osx

Improved graphics routines for better performance on Mac OSX 10.The M32-Edit 4.2 update offers some functional improvements and new features.

New switch for scaling the X32 EDIT window to standard size Enhancements.

Extended GUI scaling range from 800-1800 pixels window width.

The GUI scaling control on Setup/global now also supports scaling down to 800 pixels width, specifically for tiny displays such as the new RPi2-display. It also fixes some small glitches, including the issue when remote controlling the application via MCU and selecting EQ on a DCA. V 2.5 features improved graphics routines for better performance on the recent Apple Mac OSX 10.11 operating system. What’s new in M32-EDIT Version 2.5 (Update from M32-EDIT 2.4) We recommend using the M32-MIX application for iOS6 wireless control via your Apple iPad. The M32-EDIT communication is optimised for the support of up to four wired network clients per M32 console. It is also possible to run several instances of M32-EDIT and M32-MIX (for iPad) concurrently on several devices, with all controlling the same M32 console. It is possible to edit multiple consoles on the same network concurrently via several instances of M32-EDIT, by selecting their individual IP addresses. All elements closely emulate the M32 operation, and hence allow for operational training sessions – even when the console is unavailable for hands-on experience. The top left section mimics the console’s main display, while the lower part represents the channel fader sections. Real-time level meters are displayed for all audio channels, along with user-defined icons and names. M32-EDIT communicates via UDP/OSC protocol through the M32 Ethernet port, and facilitates the remote control or setting of virtually all functions of the M32 console. This update provides powerful remote control for all functions, as well as off-line editing and show preparation. The Midas M32-EDIT 2.5 is the latest editing software update created specifically for Midas’ M32 console series. Our latest control app, M32-EDIT Version 2.5 is now available for download.

[trustfed]

Music math level 2

Both of these systems, and the vast majority of music in general, have scales that repeat on the interval of every octave, which is defined as frequency ratio of 2:1. One major difference between equal temperament tunings and just tunings is differences in acoustical beat when two notes are sounded together, which affects the subjective experience of consonance and dissonance. Just scales are built by multiplying frequencies by rational numbers, which results in simple ratios between frequencies, but with scale divisions that are uneven. Equal temperament scales are built by dividing an octave into intervals which are equal on a logarithmic scale, which results in perfectly evenly divided scales, but with ratios of frequencies which are irrational numbers. There are two main families of tuning systems: equal temperament and just tuning. Main articles: Musical tuning and Musical temperament Each successive octave spans twice the frequency range of the previous octave. The third octave spans from 440 Hz to 880 Hz (span=440 Hz) and so on. The next octave will span from 220 Hz to 440 Hz (span=220 Hz). When expressed as a frequency bandwidth an octave A 2–A 3 spans from 110 Hz to 220 Hz (span=110 Hz). all will be called doh or A or Sa, as the case may be). Therefore, any note and its octaves will generally be found similarly named in musical systems (e.g. There is no case in musical harmony where, if a given pitch be considered accordant, that its octaves are considered otherwise. Pitches at frequencies of half, a quarter, an eighth and so on of the fundamental are called suboctaves. Succeeding superoctaves are pitches found at frequencies four, eight, sixteen times, and so on, of the fundamental frequency. The octave of any pitch refers to a frequency exactly twice that of the given pitch. A scale has an interval of repetition, normally the octave. Each pitch corresponds to a particular frequency, expressed in hertz (Hz), sometimes referred to as cycles per second (c.p.s.). The most important scale in the Western tradition is the diatonic scale but many others have been used and proposed in various historical eras and parts of the world. ( Ernst Chladni, Acoustics, 1802)Ī musical scale is a discrete set of pitches used in making or describing music. Musical form Ĭhladni figures produced by sound vibrations in fine powder on a square plate. The elements of musical form often build strict proportions or hypermetric structures (powers of the numbers 2 and 3). Modern musical use of terms like meter and measure also reflects the historical importance of music, along with astronomy, in the development of counting, arithmetic and the exact measurement of time and periodicity that is fundamental to physics. Without the boundaries of rhythmic structure – a fundamental equal and regular arrangement of pulse repetition, accent, phrase and duration – music would not be possible. Confucius, like Pythagoras, regarded the small numbers 1,2,3,4 as the source of all perfection. Early Indian and Chinese theorists show similar approaches: all sought to show that the mathematical laws of harmonics and rhythms were fundamental not only to our understanding of the world but to human well-being. įrom the time of Plato, harmony was considered a fundamental branch of physics, now known as musical acoustics. Their central doctrine was that "all nature consists of harmony arising out of numbers". Though ancient Chinese, Indians, Egyptians and Mesopotamians are known to have studied the mathematical principles of sound, the Pythagoreans (in particular Philolaus and Archytas) of ancient Greece were the first researchers known to have investigated the expression of musical scales in terms of numerical ratios, particularly the ratios of small integers. 7 Musicians who were or are also mathematicians.

[jadagul]

Pretty sure you got it right, yeah.

This is a good use case for the suboctave clef. There's a reason it gets used a lot for vocal writing!

(Really it's probably technically correct to use an alto clef, but then we'd all have to read an alto clef and no one wants that.)

so me and @quantumofawesome were listening to the portal 2 ending song and talking about about the melodic line that transitions into the chorus is kind of tricky to sing, and spent a while trying to figure out what exactly the intervals were

and I was still thinking about it when I got home and ended up transcribing, uh, most of the song I guess

[pedaloftheday]

NEW DEMO VIDEO Champion Leccy Fat Gett Suboctave Fuzz

[effectpedal]

The Fat Gett #10 - glitchy suboctave fuzz, hand painted - "limbs and keks"

Champion Leccy FX

[effectsdatabase]

New video/review: @JFHerregat checked out the Red Witch (@redwitchanalogpedals) Factotum - Bass Suboctave Drive * * * http://bit.ly/2p5nQz4 * * * #redwitchanalogpedals #redwitch #factotum #overdrive #overdrivepedal #octaver #octavedrive #octadrive #suboctave #suboctaver #suboctavedrive #suboctadrive #effectsdatabase #fxdb (on Instagram: http://bit.ly/2o51hpt)