“Yeah, man. The truth of Coachella, isn't it? Second week. Music fans! People who appreciate music! Sounds good to me.”
Blur performing a cheeky, almost shambolic version of Song 2 at Coachella, during the second weekend of performances, 20 April 2024. Damon commented on how the crowd seemed a little better this weekend, compared to the previous week where he'd complained about the dead crowd, saying 'you're never going to fucking see us again, you may as well sing along.'
This week, he noted the oft-repeated myth about how the first weekend of Coachella gets the influencer crowd, the second week tends to get the music fans.
He seemed kind of bashful throughout the performances of both Girls and Boys and Song 2, before slightly settling into a more serious performance on The Narcissist and set closer Tender.
A friend of mine to whom I showed the Girls And Boys performance said they looked unrehearsed, it sounded a mix between that and arsing around, but when they (and in particular Damon) did pull it together, they sounded fantastic. That almost-growl on Song 2 was not something I expected Damon to be able to pull off, but it sounded gorgeous, powerful, rock n roll.
They can't end it like this. One of two: we need the Wembley show mixed, mastered and pro-shot (I have heard whispers that this is in fact in the works), and/or we need a last tour to stops that actually care about Blur the musicians. Not the influencers, but fans. Fuck, I don't even think North American fans are going to get this one. Throw us under the bus. I'd even be happy if they did one last triumphant run back in England (I'm seeing Pulp this fall, so I win anyway).
“For years now, entertainment mega-corporations have targeted cash-strapped councils as amenable, affordable hosts for their events. From Clapham Common to Glasgow Green, city-dwellers across the UK have become accustomed to basslines vibrating their windows, five-metre fences encircling their playgrounds, and security guards policing what are effectively their gardens.
“Yet as entertainment companies try to recuperate massive pandemic losses with aggressive multi-year deals, while the climate crisis renders urban summers increasingly unbearable, the privatisation of public parkland is becoming harder to swallow.
“In April, dozens of Haringey residents descended on FoFP’s biggest-ever meeting to vent their frustrations, while a recent petition demanding private companies keep their hands off Finsbury Park was signed by thousands ... For the most part, the work of groups like FoFP and FCC is polite engagement with the council to ensure the park is properly maintained. Yet as councils’ approach to major events has become more aggressive, so have the friends groups’.
“In 2016, FoFP took Haringey to court over its outdoor events policy. The group lost the case – though it did win an agreement from Haringey that the money made from the park would be spent on it. Haringey claims to have done this, though to FoFP, the numbers don’t quite add up: while in information obtained by Novara Media via an FoI request, the council claims it spent £871,626 on staffing Finsbury Park in 2020-21, many have questioned where the money is going: the park has had no park ranger since late October, no on-site manager since May. ‘If you’ve got this money […] you sure as hell didn’t spend it here,’ says Simon, pointing to the chipped paint of the bench on which she’s sitting.”
A PSA 10 is the highest overall grade you can receive. Achieving a PSA 10 requires impeccable centering, sharp corners, pristine edges, and flawless surfaces. Even the tiniest imperfection, such as a printing flaw or a minor scratch, can lead to a lower grade.
Woodstock was the most famous of the 1960s rock festivals. It was also the era of the civil rights movement, a period of great unrest and protest. Woodstock was an opportunity for people to escape into music and spread a message of unity and peace.
It’s incredibly cool to see a ticket that was well preserved.
Slayer Adds One Final Date to its Summer Festival Itinerary
Slayer Adds One Final Date to its Summer Festival Itinerary
The Press Release:
Last week, Slayer – Tom Araya, Kerry King, Gary Holt, and Paul Bostaph – announced that they plan to return to the concert stage for the first time since they concluded their Final World Tour in November 2019, to headline two summer festivals, Riot Fest and Louder Than Life. Today, the band announces they’ve added one last U.S. 2024 festival date, headlining the Aftershock…
“At stadium and arena level, concert giants such as Live Nation are hosting more fans than ever. Record-breaking tours from Taylor Swift, Beyoncé and others have swelled that multinational’s revenue to an astonishing $22.7bn (£17.8bn). Meanwhile, at the other end, 125 UK venues abandoned live music in 2023 – more than half of them closing for good – owing to pressures ranging from soaring rent and energy prices to the hangover of Covid. The esteemed Moles club in Bath shut up shop in December after 45 years; other recent closures include Melodic Distraction in Liverpool and Velvet Music Rooms in Birmingham. The nightclub scene is imperilled – Rekom, which owns the Pryzm chain, is closing half its venues, blaming the cost of living crisis – and a number of major music festivals are postponing events this year or shutting down.”