Let’s all pretend that this band wouldn’t realistically suck, k?
Episode 48 Part 12
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watching the sdcc panel and i am just very :) about how sweet their answers to “what are some of the micro moments from the game that have stuck with you the most over the years?” are. taliesin saying what the fuck is up with that which was the first like The Party Gets To Know Each Other moments of c3. travis saying asking his wife if he could kiss her in campaign. marisha going way back to the cannonball competition in campaign one. ashley choosing the beauyasha date but also just the silly goat noise matt made. liam adding onto that to compliment matt roleplaying grass so well and then saying his favourite moment was writing a story for laura and reading it to her as caleb for jester. and then matt saying that was his answer, and that his favourite moments of the game are when they find ways to give gifts to each other whether tangible or not. and sam saying his favourite moments have less to do with the story and is more so when he can just. see his friends across the table from him. when marisha perches and when laura and ashley are (badly) drawing dicks and liam saying he loves when sam sneezes and ashley tells him to stop it and just. yeah. they Are an extremely popular online powerhouse, but i’m so happy that they’re also friends building a world together out of gifts to and love for one another.
like i Am so enamoured with the characters and the world of exandria but the moments when you can feel the love that those people have for each other reach out from behind the stained glass of their performances (to steal a metaphor from brennan lee mulligan) are so extremely special and i am endlessly grateful that they decided to share their silly little home game with the world.
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I think Brennan did something interesting with the Porter and Gorgug scene in the last episode. Porter is by all appearances a competent Barbarian teacher. He understands the role of Rage and its mechanical combat benefits, and he even recognizes how Gorgug uses Rage to protect those he cares about. But he doesn't understand how multiclassing into a caster fits into that framework.
And it's true! In 5e you can't cast or concentrate on spells in a Rage. But-- Artificers work a little different than other casters! Alchemist Elixirs and Arcane Cannons aren't technically spells. Arcane Armor just works. And so does the Steel Defender.
Of any caster I think the Artificer is probably the best-suited to multiclass Barbarian because their key subclass features are largely not spells. But it also runs into the problem of requiring multiple high stats. Barbarians already want high STR and CON, and Artificers need INT for their spells and spell saves.
And so there's this narrative tension here. Brennan the DM obviously wants to let his player have fun with the character build-- embracing the creative artificer side of himself is a great character moment for Gorgug, bearer of the tin flower. Someone who has always channeled Rage to protect those he cares about but who has also been called to create and preserve beauty.
And yet mechanically, it's a difficult build. We didn't see Gorgug cast anything in the Night Yorb battle, as far as I recall? And in-universe, classes are a formally recognized thing that require approval. But Gorgug can't be the kind of Barbarian that Porter wants him to be. So he has to show that he can be a different kind of Barbarian-- one whose magic integrates and synergizes with his Rage rather than opposing it.
We see Gorgug still insecure about his homunculus and about the solar lasso, even though these are objectively impressive feats. So it's not a skill issue but an internal conflict-- it's only once Gorgug reconciles and synthesizes his magic with his Barbarian side that the in-world powers that be will recognize him for all of who he is.
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How am I supposed to cope with the fact that it is HEAVILY IMPLIED if not practically canon that Link and Zelda lived together post botw
Link can still sleep in the bed.
The table is set for two 🥹
Zelda had to have a separate room built for ‘privacy’ and Link’s hair tie and is found there. Why would she need privacy if she lived alone? Plus having to hide his new champions tunic in the throne room??? Can’t hide it in the house if they both live there
Zelda even states that Link hasn’t left her side since they were reunited 🥹 kill me I’m so fucking emotional about this
It’s referred to as ‘Zelda’s house’ but in Japanese I believe in her diary she just calls it ‘the house’ (again, I’m not positive but localizations have applied ownership where the Japanese version lacks it)
Symin says “oh! You’re back in town, link!” And then “if you’re here alone then Princess Zelda must still be missing” which implies Link does still live there and that he’s literally always with Zelda (which we been knew)
Remember that while the side quest for the house was optional, it would have been torn down if Link didn’t buy it. It’s still there. So it’s safe to assume that canonically, Link did the majority if not all the side quests in botw.
Like fuck this I’m so fucking upset Link spent years by Zelda’s side, is referred to as an ADULT, and now they’re separated AGAIN. I’m. Im fucking emotional. This is everything I wanted from the sequel which is a pretty clear indication that zelink are together like what the fuck Nintendo. What the fuck.
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They really spent a lot of time pointing to the second coming for
Apolaypse 2 electric boogaloo
all 3 minisodes are about ... humans dying and being brought back to life, or more like, how that is not possible...and how Heaven and Hell have worked around that
In A Companion to Owls, Job kids never died even when they should have, Heaven didn't know enough to distinguish that they were the same children and Sitis quickly got that the miracle was... that their children didn't die to begin with. Once they are dead it is game over and Crowley and Aziraphale refused to let them die
In The Resurrectionists (it is literally called The Resurrectionists!!) and it is how one girl is shot and they can't do anything once she is dead. And Crowley still goes off of his way to make sure the other one doesn't kill herself, risking everything. And we know hell's extreme sanctions are probably what makes him ask for insurance, for holy water. On the other hand, this episode is called The ResurrectionistS, plural, but we meet only one of them ..while in the other side of the sign is Christ himself.
THEN in 1941, we have ZOMBIES, the literal living dead walking around, and Furfur states that he can't make them living people again due to a clause and just leave them as zombies to roam the earth. We see how cursed they are, rotting and bound to eat brains but not human.
EVEN! From episode 1, we get a big Clue: miracles are measured in lazarii, and resurrecting someone is no easy feat. They were telling us to watch out about coming back to life... and how only the mightiest of archangels are able to use that amount of power (or an angel and a demon holding hands...)
and I do want to point out that part of the things Gabriel remembered was this line
Job kids didn't die, in victorian england Wee Morag died falling in the hands of a resurrectionist, and the Germans died and came back- just not quite alive. Every day it is getting closer,
... they are telling us that the second coming is afoot, but they are also showing us that there is no second opportunity on this earth. Once you are dead, you are dead.
and Crowley, in the direst time when Aziraphale is breaking his little demonic heart, says
And now, the plan to resurrect one human to make the end of the world happen is in Aziraphale's hands.
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