#swift anon

[paper-mario-wiki]

the way i could clock you before i even saw your bio is so funny... i knew you were a man as soon as you opened your mouth about taylor swift. and out comes typical moid projection.

"waah women are shallow whores i am so deep and smart :(" SHUT THE FUCK UP, MALE.

anyways, stay pressed, moid. ❤️ taylor (a real woman) is infinitely deeper than you (a delusional man) by default, without even trying.

hope this helps ❤️

i think taylor would be really grateful to you for spreading this message. she would put her hand on your shoulder and say "thank you jessica, you have defended my name righteously and honorably, i hate queer people, just like what you expressed". you are doing an excellent job representing the taylor swift fandom space, well done.

[beetlejuices]

Midnight. You come and pick me up, no headlights. Long drive. Could end in burning flames or paradise. Fade into view, oh, it's been a while since I have even heard from you, heard from you.

1989 ERA Taylor Swift: The Era's Tour (Taylor's Version)

[galatariel]

Long live all the mountains we moved, I had the time of my life fighting dragons with you. THE ERAS TOUR x SEVENTEEN Official Colours (Rose Quartz & Serenity)

[sophietv]

Everything you need to know : Failed Coming Out 2019

This is an answer to an anon I've received.

I typed it all and Tumblr said there was an error when I went and tried to published it. So I had to type it all again but lost the anon....

Here's the question: could you tell me more about her wanting to come out in 2019? sorry for asking again I'm new on the fandom!

Hi!

It will be my pleasure! This is such an important part of the Gaylor Lore to know and understand, especially when you are new in the fandom.

This theory has been confirmed, but we'll get to it in a minute.

Also, I'm so sorry because learning about what went down during Lover Era is a transformative experiece in the Gaylor fandom, in a very heartbreaking way.

So back in 2019 Taylor wanted to come out with the Lover Era.

June 30th during the New York City Pride wich was also the Stonewall's 50th anniversary, was supposed to be the day it happened.

This date might be familiar to you, because it's the date we learned at the same time as Taylor about her masters being sold to Scooter Braun.

So let's start at the begining of all of this. I won't go through ALL the details because my post will never end. But I'll cover the most important ones.

Right at the begining of the year, insiders were already talking about the fact that Taylor was planing to come out that year in podcasts and blind items.

Then in March 6th (Karlie and Taylor's anniversary)

Taylor does a post hinting at this new era. The very first lyrics we get (We got hints at ME back in February):

Daylight the song is about Karlie. But this line specifically means coming out.

Stepping into the daylight, and letting everyone see the real you.

(Also worth noting the lesbian filter)

Taylor started being really loud in the posts she made from now on. Flagging rainbow, lesbian and bi colors every chances she got.

And flagging Butterflies. Wich is very important thematically in Lover and coming out.

Side note on the Butterfly meaning:

Remembre how in reputation, snake was a really important theme?

And how in Lover it switched to butterflies?

More specifically it switched to Snakes transforming into butterflies?

There's a species of butterflies, that when they are in the chrysalid phase of their transformation into a butterfly, can look like a snake if they feel unsafe or attacked in order to protect themselves.

Then, after the average 13 days waiting period, they transforms into a beautiful butterfly.

Basically what Taylor was doing, protecting herself during reputation with that "personna" like she described.

And now, she was ready to finally transforms and have a new beginning.

Here's a description of what butterflies means:

A powerful beacon of growth and new beginnings, the butterfly signifies the power of transformation and the incredible feats we can achieve when we trust ourselves. We all have the ability to listen to our innate wisdom, guide ourselves through difficult times, and emerge better and stronger than before.

The ME! of it all:

Ok back into the Lover Era timeline!

So all those rainbow posts were leading up to the first single: ME!

Even Taylor Nation was pretty loud about this (number of rainbows = number of days leading to ME! release):

3 days before ME! release, Taylor performs at the Time 100 Gala and it's the first and only time she switched so very clearly pronouns in the song, multiple times:

She sings repeatedly : I want HER midnights

And she even seems to be getting more and more confortable as the song goes on and singing it louder and louder.

She also looks at the crowd while singing it.

Then she releases ME!

That was really the first part of her coming out.

And honnestly, she shouldn't have had to do more than this.

ME! was released on April 26th.

April 26th in 2019 was Lesbian Visibility Day.

And she captionned the release with: ME! Out Now!

A song about how she is unique as a Lover...

That is without mentioning the amount of rainbows everywhere in that MV as well as other references.

Worth noting that in 2019 Lil NasX came out in a MV with the rainbow tower and was annoyed that people didn't get it?

Taylor also probably deadass thought that she made it obvious:

May & June 2019 leading up to the big coming out:

Taylor continues to be as loud as she can.

She makes a very generous donation to GLAAD:

She sings ME! every chances she gets, while flagging the Lesbian Flag.

Taylor Nation also keeps on being really loud:

And releases a song and music video about homophobia and includes herself front and centered in the LGBTQ+ community (represented by the Trailer park, note how Ryan Reynolds, the only straight person in the MV is outside of this park, not in it like Taylor).

With a bi flag wig...

So yeah, she was trying really hard to make people see her.

Christian Siriano and the dress...

Back in April, we learned that Christian Siriano (a fashion designer) was working on a project for Taylor:

In June, he started teasing us about a mistery rainbow dress for an unnknown person:

It was heavily rumored that it would be the dress used by Taylor to come out at the end of Pride Month.

He kind of confirmed it with this post:

Then. June 30th.

The New York City Pride.

Taylor planned to come out at the event.

Employees on site, starts to be warned about this (you can find some comments online).

Taylor learns at the same time as us that her masters were sold to Scooter Braun.

She never makes it to Pride.

And Billy Porter ends up wearing the dress:

But. You can see that the dress was not meant to be worn by him. It doesn't fit well and the "nude" parts shows that it was meant to be worn by a white person.

In 2022, Christian confirmed it by dueting a TikTok talking specifically about this.

He deleted it right after but you can still find it on TikTok: (X)

Last minutes changes to Lover:

We now know that Taylor scrapped two songs from Lover: All Of The Girls You Loved Before and Need.

All Of The Girls is really loud and very clearly talks about a girl. Wich Taylor couldn't afford if she didn't want to/couldn't come out.

London Boy was actually written and added really last minute to the album.

Really interesting, because this is her loudest song about her loving boyfriend. Wich is a brilliant thing to do if you want to limit the public speculation after all the flagging that you did...

We know it was last minute, because Taylor sampled it on Cold War from Cautious Clay. (X)

He was called in the middle of the night and had to approve the sample right away.

Interesting fact: Cold War was featured in Book Smart, a movie Taylor promoted that year.

The song plays during a lesbian sex scene...

The intro to London Boy is actually Idris Elba in a interview where he was talking about a charity where he sold a date with him.

You know, people paid to date him...

The shift in the Lover Era:

After this, you can start to see a shift. Where it was colorful sequin and rainbows everywhere with colorful choreography.

She now dresses in black, is incredibly sad and sings mostly accousting song.

Like her BBC 1 performance or Lover In Paris:

Miss Americana:

Miss Americana was supposed to be her coming out documentary.

It has been confirmed by the director of the project that a lot of footage has been scrapped.

Also, the documentary was supposed to be called : Is It Cool That I Said All That?

This is why the documentary sometimes feels like something is missing and some parts are rushed.

They tried to switch her coming out approach by making it her political activism era.

Taylor confirms it in Anti-Hero MV:

She's pierced through the heart by The Archer.

Her queerness starts showing (she's bleeding lavender glitters).

She tries to cover it up by taking the table cloth.

Her wanting to cover it spoils the dinner for everyone and they leave her.

And while she sings : "Did you hear my covert narcissism I disguise as altruism, Like some kind of congressman?"

She covers her queerness with a sticker : Vote For Me, For Everything

Confirming that the political activism during Lover Era and mostly Miss Americana was in fact really to cover the fact that she was already one foot out of the closet when they had to backtrack.

With this. Take a look at the closing scene of Miss Americana. When The Archer is playing in the background.

It's a montage of Taylor talking to someone and Taylor on the release night of Lover.

Look at what Taylor says...

Queerbaiting Backlash:

This might be the worse part in my opinion.

Since she was flagging so hard to come out.

Sadly, most people didn't get that that was exactly what she was trying to do.

And medias massively accused her of queerbaiting.

And using the queer community.

I'm still so mad and heartbroken about this....

reusing an old Twitter post...

Even queer fans...:

Frankly, speculating about her sexuality would have been way less damaging than this...

Songs about this event:

Taylor wrote a lot about this failed coming out.

The Archer, was her song about her anxiety about coming out. And begging her fans to stay.

I'm not gonna do a full lyrics analysis because this post is already a novel.

But read those lyrics with that in mind and you'll see how loud it is, and heartbreaking.

"I've got a hundred thrown out speeches I almost said to you"

Also. Worth noting that after Lover was released and she was not able to come out, she switched one lyric in that song.

Instead of "Combat, I'm ready for combat" singular (coming out was the combat she was ready to face)

She now sings every time "Combats, I'm ready for Combats", because coming out has turned into multiple battles that she has to face now...

Hoax:

Noticed how she says that all of her heroes die all alone in The Archer?

Her fear that if she comes out, all her fans would leave.

In Hoax she says: "You know the hero died so what's the point of keeping score movie for?"

Because with her Master Heist and everything, she was not able to be one of those heroes herself... The hero that she wanted to be died in that moment because she was unable to come out.

Edit: I messed up the lyrics. But it's even more telling. Because the movie she's talking about is Miss Americana, once she was unable to come out.

Evermore:

This song is litteraly her looking back at what happened and how she managed to process everything and ultimatly heal even though it felt at the start like she would never be able to.

"I've been down since July" - June 30th = failed coming out

"Motion capture, put me in a bad light" - Queerbaiting allegations. And Miss Americana being rebranded.

"Writting letters, adressed to the fire" - Her hundred thrown out speeches that she almost said.

"I rewind the tape, but all it does is pause, on the very moment all was lost" - June 30th...

"Sending signals, to be double crossed" - Her flagging strongly on her way to come out, only to be accused of queerbaiting.

Right Where You Left Me:

The restaurant is a metaphor for the closet.

"Sitting in a corner I haunt, cross legged in the dim light"

Doesn't really feel like a restaurant, but her hiding in the closet.

"I swear, you could hear a hairpin drop. Right when I felt the moment stopped"

Droping hairpins is giving hints that you are gay.

She was doing this very loudly right before she was kept from coming out.

"Dust collected on my pinned up hair"

Her hair are still pinned up because she was not able to come out. And dust collected over time that she spent forced in the closet.

Anti-Hero:

AH is really The Archer 2.0, and talks about the same fear of coming out and being abandonned.

The fact that she decided to depict herself as the Anti-Hero is both really interesting and heartbreaking.

Because to her, the hero was the version of herself that was able to come out...

Listen to Change in the perspective of being able to come out and change the face of the industry:

"Tonight we'll stand, get off our knees

Fight for what we've worked for all these years

And the battle was long, it's the fight of our lives

But we'll stand up champions tonight"

They were the Champions.

Side note: she sang this song at the ACMA in 2010, two weeks before Chely Wright's coming out.

When we know that she has knowed and worked with Chely since about 2007.

Then Taylor wrote Long Live one month after Chely Wright's coming out.

Listen to the song with the same perspective as Change now.

"You held your head like a hero, on a history book page"

Chely Wright came out in May 2010. Taylor wrote Long Live in June 2010.

Look at the parallels of both songs.

And now, look at her choice to name that song Anti-Hero after everything that hapenned....

She also wrote Long Story Short and The Great War about that event, but this is for another post and it's about how this event affected her relationship with Karlie.

How she thought she was betrayed but ultimately found out it was not the case.

And how they both made it through.

Ok, I'm exhausted lol.

Sorry for writting a novel.

But this is such an important part of Taylor's history and I really wanted to do it justice (hope I was able to).

If you are still reading...Thank you for your question!

[anonymityisfunwriter]

I Can See You

"And I could see you being my addiction, you can see me as a secret mission..."

Summary: You and Bucky don't see eye to eye, everyone knows that. They don't know that you and Bucky once knew each other under very different names. And they most certainly don't know that when he looks at you, he can still every stolen moment, his jacket on the floor, notes saying meet him at midnight, you up against the wall with him. No, they don't see that at all. Pairing: Bucky Barnes x Reader

Inspired By Taylor Swift Masterlist | Anon's 1K Celebration

"I already told you, I'm only doing this because I owe you."

Six months - that was your promise.

Six months of your time and best efforts.

"And as a part of this favor, you promised to keep an open mind."

And an open mind, you begrudgingly recall. You promised you would keep an open mind about making this a more permanent placement.

Nick Fury was sure that you'd find a home here in the Avengers Compound.

You were fairly certain that you wouldn't - but you weren't going to tell him that.

You hated owing people. Nick Fury even more so. You could bide your time for six months to pay your debt to him. He didn't need to know you had no intention of becoming an Avenger. "Whatever you have to tell yourself, Nick."

"That doesn't sound like an open mind," he admonishes.

You smirk, enjoying the frantic hustle and bustle of the Avengers Compound with your duffle bag slung over your shoulder, "You know that I don't do well in teams. I don't play fair, Nick."

"Never heard that one before."

"But I bet you believe me, don't you?" you retort.

"Open mind."

You roll your eyes, waving him off, "Yeah, yeah, when exactly do I get to meet these self righteous assholes?"

"How does now sound?"

"Like my worst nightmare," you mutter under your breath.

If he heard you, he doesn't let it show. Nick flings the door to the conference room open, revealing two men standing beside each other poring over a case file.

It's not their impressive statures that catch your attention. In fact, the blonde one hardly catches your eye at all.

And if you weren't highly trained and disciplined, a gasp would've lodged itself in your throat at the sight of the brunette you never thought you'd see again.

"Ah, Nick told us we might be meeting you today." The sandy haired super soldier extends his hand out to you. It doesn't escape your attention that the brunette snaps the file shut the moment he sees you. "I'm Steve, Steve Rogers."

You return the gesture, still barely paying attention to the man. Your eyes flicker to Bucky. If you didn't know any better, you'd think he was entirely unfazed by your sudden reappearance.

You're thankful you do know better. You know so much better. 

Bucky's eyes meet yours for a split second, they narrow slightly. It tells you everything that you need to know. You've caught him off guard.

Steve takes Bucky's silence as his cue to interject. He clears his throat, gesturing to his friend, "And this is Bucky Barnes. He's a, well, he's a man of few words."

Apparently, that hadn't changed since you knew him under an entirely different name.

"It's nice to meet you," you say to Steve. Your eyes flicker back to Bucky. His jaw ticks as a wide grin pulls at the corners of your mouth. He's worried that you'll give away his dirty little secret. Your eyes flash over to him, a mischievous gleam that Bucky doesn't miss, "The both of you."

Steve smiles at the change in your demeanor, "Nick filled me in about your little deal. Exactly how long is this trial run going to run?"

"Six months," you confidently reply, unabashedly staring at Bucky. "I'll be out of your hair in six months."

"But we're keeping an open mind, aren't we?" Nick urges you again.

You playfully roll your eyes, a beaming grin on your face, "Of course, Nick. You know, I don't know why, but suddenly, I get the sense that these next six months are going to be a hell of a lot of fun."

"That's an interesting take," Steve lilts.

"She's your problem now," Nick quips.

"Me? A problem?" you gasp in mock offense. You turn to Bucky, who's still yet to say a word. "Do I look like a problem, Bucky?"

Bucky's eyes narrow again. The muscle in his jaw ticks yet again. You swear you can almost hear the sound of his teeth grinding. It's almost enough to make you laugh.

The silence is palpable as Bucky glares at you. Steve nervously laughs, taking a step closer to you. He gestures to your duffle bag, "How about I show you were you can put your stuff down? We'll give you a chance to settle in and you'll meet the rest of the team first thing in the morning."

"Sounds like a plan, Captain."

"Just Steve is fine."

"See?" You call over your shoulder to Nick. "I'm already having so much fun."

You're not surprised that he came to find you minutes later. If you're right, he waited just long enough to make sure he wasn't being obvious. You don't even need to look over your shoulder to feel his lurking gaze far before you see him. "I can see you."

"Why did you lie?" Bucky furiously demands, standing in the doorway of your new bedroom.

You grin to yourself, still turned away from Bucky. "Nice to see you again, Soldat."

"Bucky," he firmly states, his hands curling into tight fists. "My name is Bucky."

"If I recall correctly, you liked when I called you Soldat." You turn on your heel, taking several steps toward Bucky. He knows he should stop you. He knows he should stay as far away from you as possible, as far away from your bedroom as possible. And yet, there's a side of him that wants nothing more than to feel you close to him all over again. He doesn't stop you. He doesn't push you away. Not even when you're close enough to touch him. "Or did it sound better when I whispered it in your ear?" You lean in, your voice dropping to a soft whisper in his ear, "My Soldat."

He does his very best to suppress the shudder that rolls through his entire body. It takes him a beat longer than it should to regain his senses and take a step away from you. He demands again, "Why did you lie?"

You chuckle, finally stepping away and allowing him his space, "Would you prefer I tell your team mates about your history of getting a little too close to your enemies?"

"What makes you think that they don't know?" Bucky challenges. 

You languidly shrug, "We'll call it a hunch."

"I'm not that person anymore." Bucky takes an angry step forward, desperate to convince you that he's a changed man. "I don't keep secrets anymore."

"So tell them," you offer. "What do I care?"

"You cared enough to lie," Bucky shoots back.

"If you want to let your team know that we used to fu-"

"Don't you dare finish that sentence. I'm not that person anymore," he repeats himself. This time, he's not sure who he's trying to convince.

"Then we shouldn't have any problems, should we?" you rhetorically ask.

His eyes narrow, his gaze sharp and ready to kill, "What are you up to?"

"Me?" You gesture to yourself, resting your hand on your chest. "I'm not up to anything. Come on, Soldat, don't you trust me?"

"No, I don't because I know you, and you're always up to something," he bitterly accuses. "You've always got an angle."

"I assume you're talking about that day."

"You sold me out."

"You'll never see, will you?" You roll your eyes at him, waving him off, "I'm simply doing the favor that was asked of me."

"Six months?"

"Six months. And no one will ever have to know. Unless, of course, you can't help yourself."

He scoffs, "That won't be a problem."

"History has a tendency to repeat itself, Bucky," you state, putting an extra emphasis on his name.

"Not this time. Here's how this is going to go." He reaches out, snatching your wrist. His grip is tight enough to force you to pay attention, but not enough to actually hurt. "I'll stay away from you, and you're going to stay away from me. Got it? Let's just - let's keep this professional."

A grin spreads across your face. Your eyes flicker down to the burning grip on your wrist. You like that, even now, even after all these years, you still have an effect on the man you once called yours. "Don't worry, Bucky. I'm as reformed as you are."

That's exactly what worried him.

The months passed as quietly as Bucky could ever bring himself to hope.

Still, you never quite let it rest, never let him rest.

You always had a way of letting him know that you could see him. You could see how he was struggling to contain himself, struggling to suppress every flashback, struggling to simply keep his eyes off of you, struggling to contain all the feelings that he denied he felt for you.

He wondered if you knew that you kept him up all hours of the night. There were so many nights he spent sleep evaded, wondering what would happen if he just knocked on your door. Would you be up waiting for him? Would you smirk that smirk? The one he'd come to love and hate all at once. The one that was haunting him. The one he saw every time he close his eyes.

It wasn't just at night. It was every night. Every day. Every waking moment that you danced somewhere on the outskirts of his awareness. Every time you brushed past him in the hallway. You had to know you were driving him to the brink of madness. 

Sometimes, you barely acknowledged him. Sometimes, you gave him that infuriating smirk. Every single time, he saw it. Every single time, he saw you.

That part of his life was, for lack of a better word, scrambled. And still, he could never forget your touch. That part was crystal clear.

And he couldn't decide whether he loved or hated the fact that it might just be you doing that to him.

It ate at him.

It was a special gift you possessed, he had to admit. You could make him see whatever you wanted him to see, the power to ensnare his senses. The good, the bad, the beautiful, and the ugly. You had the power to do it, to make him see whatever you wanted him to. He told himself that's what it was. It wasn't remembering a long lost love, it was you messing with his head all over again. 

He'd see flashes of the time you spent together once upon a time. His jacket on the floor. Up against the wall with you. Those old, crumpled notes telling him to meet you at midnight. He remembers every second of it. 

But most of all, you. He remembers every whispered sweet nothing. He remembers the anticipation he felt every time he saw you. And he remembers your touch. Your lips on his, trailing down his jawline. Your fingers running over the planes of his chest.

Deep down, he knew it wasn't your powers. It was you. There was no forgetting a touch like that. No forgetting a person like you.

It just another way you tormented him. So few ever escaped the Winter Soldier. Even fewer lived to tell the tale.

Not you. You not only lived to tell the tale, you taunted him with it. After that very first night, where he was, you were. He was never quite sure if it was glorious happenstance or your own doing.

Your very first encounter, you caught him totally off guard - something previously thought impossible. He didn't see you. He didn't hear you coming. He didn't feel you slip past him to reach your target before he ever could. All he remembered was hearing footsteps in the dark street. He knows for a fact you could've disappeared into the night without him ever knowing. He whirled around, searching for the culprit. He saw nothing, no one. 

It should've been quick, an easy kill. Instead, it was the first time he ever failed.

To this day, he swears that he heard your whispered laugh when he realized his target was gone, vanished into the night.

You showed yourself the second time. He was more prepared that time. Not ready for it, but more prepared. The first time his vision failed him, he sprayed the room with bullets.

"Uh, uh," you condescendingly tutted, allowing him to see you standing before him. "Can't get rid of me that easily, Soldat."

He saw you standing before him for a short moment, just enough to memorize your face. And then he lost all sight. You stroked his cheek, he remembers that. It was the first time you ever touched him. It was the most tender touch he'd felt in decades.

When he regained his senses, you were gone. Along with his target. 

The third time, he caught you - or you allowed him to catch you. He wasn't quite sure.

"Who are you?" he demanded, pinning you against the wall.

"Poor, Soldat," you cooed at him. It confused him. There was no fear in your voice. For some reason, he knew that if he released your arms from his iron grip, you wouldn't punch, scratch, or claw at him. You wouldn't fight back. You'd taunt him with your touch all over again. And for a reason that was more unknown to him, he really wanted you to. "They truly tell you nothing."

His sight was gone, but this time, he refused to let go. He gripped your wrists hard enough to leave bruises, pinning them over your head, "Let me see you."

"Say please." There it was that taunt that he knew would come. There was a lilt to your voice he'd never forget. In that moment he knew, he was powerless against you and your whims.

"Let me see you. Now."  He grips you even tighter. For a long moment, he still saw nothing. All he could feel was your body pinned against the wall, pinned against him. He softly exhales, his breath dusting over your lips, "Please."

He thought he memorized your face the first time you allowed him to see you, but he was wrong. There was so much he missed. He missed the slope of your nose. How soft and plush your lips looked. The mischievousness shining in your brilliant eyes.

He studied your face again. Over and over. Forcing himself to commit every detail to memory. Your smirk melted into the warmest smile he'd ever seen you wear.

You lean into him, as close as his grip will allow you to. So close that your lips linger a breath away from his. For a moment, he thinks you're going to kiss him. Instead, you speak softly, your breath skating across his lips, "I like you, Soldat. We're going to have fun."

His heart still stuttered. At the time, he didn't know what you meant.

He learned quickly after that.

It was the definition of a whirlwind romance - or as close to a romance as two assassins could possibly get. Long nights spent beside you. Jet setting across the globe for missions, just waiting with bated breath in the hopes that you'd be there. You never talked about what it meant, what you felt, all you had were those nights. Somewhere in those nights, he stopped being Soldat, and he started being your Soldat. 

So was it you? Were you the reason he could still see it?

Or was it him? Was it the fact that he could never really let those nights go?

He was a different person than the one you knew all those years ago. He was on the straight and narrow. He stayed out of trouble. You were the epitome of trouble. You sold him out the moment it was convenient for you. So why can't he let you go?

You caught him off guard when you showed up here. He was determined to make sure that didn't happen again. He just needed to be on his best behavior.

He knows you've been watching him - but he can see you, too.

You make a point to brush past him in the hallway on the way to the conference room. He thinks you can't see it, but you've been watching him closely.

You can see the waver of his Adam's apple, the way his eyes dart in your direction when you pass him, the way his jaw ticks shut as if he were doing his very best to contain himself.

Your days here on the Compound were dwindling down to your last few weeks. He still couldn't figure out why he couldn't let you go.

Even as he sits across the conference room table, you overwhelm each and every one of his senses. You pretend like you don't see him taking the seat directly across from you. Instead, you lean closer into Sam.

Sam grins at you. "So you can show me anything?"

"Anything," you promise, driving Bucky mad by using that torturous smirk on Sam. 

Bucky's not sure what Sam sees. It could be anything. A powder white beach on some far off coast. A meadow filled with fragrant, vibrant flowers dancing in the daylight. You could make him feel like he was plummeting to his death. You could make him feel loved for the first time in his life. You could let him know a betrayal like no other. 

He shakes away the runaway train of thought, focusing on the far off look in Sam's eye and the look of wonderment painting his face, "Whoa..."

"Bucky," Sam calls, his voice filled with laughter as you use your gift like a party trick. "Come try this! She's like a human VR."

"As tempting as that is," Bucky sarcastically remarks, crossing his arms over his chest, "I'd like to get this meeting over with."

"Alright, team," Tony calls out, beginning their latest team meeting. "Fury added another assignment to our docket. Black tie, intercepting a black market intel deal. You get in, you get out. Should be easy enough."

"Whatever you say," Bucky mutters under his breath.

"Barnes," Tony smirks. "I'm so glad you agree. You're up."

"What? Why?" Bucky demands. 

Tony nonchalantly shrugs, "Because I said so."

"Asshole," Bucky grumbles.

Tony's eyes flicker over to you next. In that moment, Bucky freezes. There's no way Tony know about the two of you, but it certainly feels like Tony's doing this just to punish him. "And you can take the human VR with you."

"No," Bucky sharply refutes, gripping the table so tightly he's sure Tony will have to get a new one. "I go, I go alone."

"Sorry, Barnes, we'll need more than brawn to get us into that gala."

Six months. Almost six months passed and he'd done everything in his power to avoid this. To avoid being alone with you. To avoid working in close proximity to you and the aura of temptation and betrayal that shrouded you.

The number of favors he now owed to his teammates was proof of it. He had no interest in testing the limit of his will power. "Then, I'll take Wanda."

Tony crosses his arms, shaking his head and looking far too pleased at Bucky's discomfort, "Nope, she's needed on a different assignment."

You smirk, tongue running over your teeth like a predator watching their prey fall into their trap. "Careful, Bucky, I'm starting to get the sense that you don't want to work with me."

Bucky's eyes dart to you, grimacing at you, "Whatever."

"Oh, I'm sure we'll have a lot of fun."

"Bucky," Steve starts, tightly gripping his shoulder as the room filters out. "What's the problem?"

Bucky glowers at you as you saunter out of the conference room. Of course, you're far too pleased with this outcome. You make a point to grin at him as rage rolls off of him. "I don't trust her."

"Why? She's never given us any reason not to."

"Because -" Bucky starts, faltering after only a word. He can't bring himself to say why. That was between you and him. A memory he buried long ago. "Forget about it."

But he remembers. All of it. He remembers the moment you betrayed him and broke his heart all too well. 

"My Soldat..."

He sighs in relief, he finally stops pacing the floor of your safe house. You asked to meet days ago and you had yet to show up. Weeks had passed without hearing from you. You'd never gone this long without making yourself known. Finally, here you were, back in his arms where you would always belong,"It's been too long. I was beginning to worry."

"Don't ever worry about me, my Soldat." Your words are sharper than he's ever heard from you, it shocks him. You caress his cheek, fingertips trailing down to his jawline, your words soften to a gentle whisper, "Don't ever worry about me."

He bends down and kisses the palm of your hand, "I will always worry. For you, I will worry for as long as I live."

You smile, resting your hand over his beating heart. That's why you were doing this. You made deals with people you hated, resigned yourself to a life always looking over your shoulder, and sealed your fate, all to keep his heart beating, all to give him the long, happy life he deserved.

"And for that, you'll always be my Soldat." You kiss him with everything you have left. Your last kiss. A goodbye kiss. Because if you loved something, you set it free. If they came back to you, they would always be yours. And now, you were setting him free. And he would never forgive you for this. He would never be yours again. "And that's why it had to end this way."

"What are you talking about?"

You back away from the window of your safe house, "I'm sorry."

"What?"

And that's when the SHIELD agents swarmed.

It was a moment hard to forget. Yet it was equally hard to remember, to remember why he didn't trust you, to remember why he could never allow himself to let his guard down, not when you were so good at taunting him. He was sure you were taunting. He knew it from the very moment you stepped into the armory in a red dress that nearly stopped his heart.

You make it a point to saunter past him, tossing a laugh over your shoulder, "Don't worry, Soldat. I'll be on my best behavior."

"I won't hold my breath." Flashes of old memories race through his head. This time, he's sure it's you. His eyes snap up to you with a glower, "You said you were going to be behave."

"I said I was going to be on my best behavior," you correct, making a show of picking out your knives for the night. "This is pretty much as good as it gets."

"That's what I was worried about," Bucky sighs to himself.

"Lighten up, Soldier. It's my last night, I'd like to have just a little fun."

"Last night?"

"That was the deal."

Bucky's eyes dart away from you as you lift your leg up. The fabric of your dress slides up as you strap a small dagger to your holster. He knows you're doing it on purpose to rile him up. That's not what worries him. What worries him is if you're not doing it intentionally. If you're not trying to get his attention and he's just so viscerally aware of you that he can't stop thinking about you. That's what worries him. He doesn't trust himself enough to be this drawn to you. He clears his throat of the knot forming, "So you're not staying?"

"Why? You gonna miss me?" you tease. He remains silent, his eyes unflinchingly forward. "Let's not kid ourselves, Bucky. You didn't want me to stay. Too risky - I might ruin your squeaky clean reputation."

He's absolutely certain that you're the only person that's ever referred to his reputation as squeaky clean. "You're really leaving?"

"It's okay, Soldat."

"I told you not to call me that," Bucky snaps. He's aware that his self control is slipping minute by minute. Every second in your presence is a test of his restraint.

"Do you still remember? Can you still see it in your mind? Or do you need me to show you?"

"Stop." He barks the second a flash of the memory starts playing in his head. He can see himself tossing his jacket on the floor in a frenzy. "That's enough."

You smirk that damned smirk at him again. His fist clenches tightly, the knuckles of his flesh hand white with strain. "You're thinking about us right now, aren't you?"

He squeezes his eyes shut, trying to push the image out of his head, he frantically shakes his head, "Stop it."

"Do you want to know what I'm thinking about?"

"Not particularly," he rasps.

"Liar."

He clenches his jaw so tightly that he's worried he might break a tooth or two as he desperately tries to hold onto his last ounce of self control. He's fighting a losing battle. "I'm not a liar."

"So what would you do? If I touched you right now?" You rest your hand against his chest. "If I got just a little bit closer?"

He hopes you can't hear his heart stutter. "I - I wouldn't do anything."

"What if you knew they would never find out? If we were so quiet and we didn't make a sound?"

"It wouldn't change a thing."

"What if I told you I remember it all? Every night. Every mission. Every time you kissed me."

"I-" His voice falters. Now was his chance. This was it, whether he wanted you to stay or go. Would you stay if he admitted that he never stopped thinking about those stolen moments? Or would you betray him all over again and laugh in his face and smirk that damned smirk with pride at bringing him to his knees? He can't put his finger on it, but in this moment, he doesn't care. He'll take the chance. He swallows the knot in his throat, "I would tell you I remember all of it."

Your hand twitches against his chest. "What?"

"I remember every second. I'll never forget any of it. I could just never figure out: Was any of it real?"

"Can't you see, my Soldat?" Your hand skates past his collarbone, up his throat, coming to rest on his cheek. Your hand caresses him with a tenderness he thought he would never feel again. "It was always real. Every moment of it."

"Then why did you do it?" he softly exhales.

"I had my reasons."

He lunges forward, and in the blink of an eye, he's gripping your wrist and pinning it to the wall behind you, "Tell me."

You grin wildly. You've been here with him before. "Arrogant as ever, Soldat."

"If it was real, why did you do it?" he demands, flexing his grip.

You lick your lips, momentarily debating whether or not to give him the truth. It ate at you for years. From afar, you could live with the knowledge that he might always hate you for what you did. Watching the conflict warring in his eyes was an entirely different battle. You figure, of all the things you could give him, the truth would at least give him some sense of peace. "It wasn't safe."

He loosens his grip slightly, "I would've protected you."

"It wasn't safe for you."

His eyes flash open. "What?"

"You were my mission, Bucky," you finally confess. "There was never anything else - anyone else. It was you. Only you."

He lets go, the shock sending him staggering. Your hand skates down the wall, but he doesn't move back to allow you the space to move. "You were sent to kill me."

You tilt your head at him, "I clearly failed."

"That doesn't explain why you betrayed me."

"Someone found out about us."

He shakes his head, his eyes storming with anger, "No, we were careful."

"Someone knew. I got a nice gunshot in the back to prove it. They knew I wasn't going to complete my mission. They knew I was never going to kill you. I wasn't going to lead them right to you. I didn't know who was watching. I wasn't - I wasn't going to gamble your life until I was sure that they were all gone."

The realization dawns on Bucky almost immediately. Sure, you were one hell of an assassin. Sure, your powers were beyond belief and could take down even the most heinous villains. But not even you could singlehandedly take down the crime syndicate you used to work for. An organization almost as massive and pervasive as HYDRA was. That's why you put yourself in Nick Fury's debt. You did it for him. "That's why you owed Nick Fury. That's why you sold me out." 

"As twisted as it sounds, you were safer in SHIELD's custody. The moment I knew you were safe and in custody, I killed each and every one of them."

His voice is hoarse as he speaks, "You should've told me."

"I wasn't going to risk your life just so you wouldn't think badly of me."

"Then why did you come here?" he demands. "If you had no intention of telling me the truth, if you were going to pretend, why ask to come here?"

"I didn't ask to come here. I didn't know you were here. I stopped looking for you some time ago."

"Why?"

"I dug deep to finish what they started. And once I tore them down brick by brick, I needed to rebuild. I had nothing left. It took me a while to resurface."

"Oh." There's a tightness in Bucky's chest at your confession. He never looked for you. He though you betrayed him. Up until now, there was no reason to believe anything else. You rebuilt your life on your own. You had no one, nothing left. You were left all alone. He left you all alone. 

There's a strange look in Bucky's eye when you finally look up at him. There's a lightness you haven't scene in quite some time. "What?"

The corner of Bucky's mouth twitches up. You may not have known, but Nick Fury sure did. "Fury knew I was here. He knew where he was sending you. He knew about... us?"

"I assume he figured it out when I came to him, begging him to help me keep you safe."

A shaky exhale dances across your lips. Bucky closes the gap between the two of you, pressing you up against the wall with him. "It was real."

For the first time in a long time, you touch him. You rest your shaky hand against cheek, your fingers ghosting over his lips, "Finally, you see, it was real... my Soldat."

AnonymityIsFun Masterlist Inspired By Taylor Swift Masterlist Bucky Barnes Masterlist

As always, let me know what you think! Reblogs and comments are always appreciated! 💛

Taglist: @marianita195 @meli18gonzalez @ludicbouquetfromearth @matchat3a @famousbreadcherryblossomsstuff @valoraxx @blue786sworld @buckyandgeraltsupremacy @geminigengar @ansaturn @ecolle @lexhalstead3 @ybflkmj @mediocre-daydreams @shanye1112 @thegirlnextdoorssister @toomanyfanficsbruh @moonlightreader649 @breathtaking-cynthia @mirikusashes@beans-and-toast @niyahcoca @katiechikin @elxvrr @antiheroxsblog @infamouslyclumsy @krissydclayton93 @buckysbarne @deadheadwbedhead @qualitygiantshoepsychic @whitexwolfxx310 @getosprettyboy @matchat3a

[notyouraryang0dd3ss]

hey can you please post the tiktok vids here since tiktok isn't available in my country :(

[evermoredeluxe]

Maybe this is possibly just collecting extra bits for Eras Tour Movie (including TTPD) or maybe it’s for a documentary. Who knows 🫣

- The Eras Tour In London, England (N6) on August 17, 2024 (x)

[hcsiqs]

| begin again

• pairing: kk arnold x fem!reader

• summary: based on taylor swifts ‘begin again’

• warnings: readers height is specified, use of y/n

Took a deep breath in the mirror

He didn’t like it when I wore high heels

but I do

You stood in front of the full length mirror, turning to the side to see the back of the dress you were wearing. As you did your boyfriend walked into the room and you gave him a small smile through the mirror before his eyes dropped to the heels that you had put on.

“You can’t wear those,” he stated as he fixed his tie behind you.

It wasn’t even that you were super tall, you stood at the average height, your boyfriend on the other hand was slightly below average and hated when you made him appear shorter than he was.

“Why not? I like them,” you frowned as you turned around to face him.

“I don’t. Change,” his voice was full of annoyance as he spoke to you before he disappeared into the bathroom leaving you to yourself once again.

Your eyes dropped down to the heels you were wearing that you had bought specifically for tonight. You had been saving up your money so you would be able to wear them, but you hadn’t taken into consideration that he would be butt hurt by them.

So, you reluctantly changed your heels for a pair of flats and looked back into the mirror. It just wasn’t the same.

“Much better, baby. You ready?” your boyfriend asked as he walked out of the bathroom and wrapped his arms around your waist, his chin resting on top of your head. You just nodded your head before the two of you left to go for prom.

Turn the lock and put my headphones on

He always said he didn’t get this song

But I do, I do

As the two of you made your way through the house with both your parents snapping photos to capture your prom night, you could feel the tension of your relationship rising.

It had been like this for several weeks now, but with prom around the corner neither of you wanted to have to find a new date, especially after being together for three years now.

But once you made it out of the way of your parents you both got into his car and you immediately went to grab the aux to play your favorite song, but he took the cord back quickly.

“I don’t like that song. Listen to it in your headphones,” he grabbed the headphones out of the consul and handed them over to you. Because of how different y’all’s music taste was he always kept headphones so you both could listen to your respective songs.

“Shouldn’t we be like present in the moment? I won’t even play the song, I promise,” you had your head turned as you spoke to him, almost trying to get your relationship back to where it was two years ago.

“I don’t give a fuck about being present, Y/N. Just wanna get this shit over with.”

Walked in expecting you’d be late

But you got here early and you stand and wave

I walk to you

As you exited your car you could feel the nerves building your stomach. You and KK have never hung out alone, it was usually after a big win and the two of you both ended up at the same after party. And someone how the two of you always ended up together the entire night, flirting back and forth, so when she asked you out you weren’t completely surprised.

You had never been on a date with a girl before, which was only adding to your nerves. After your high school relationship ended you realized that maybe guys weren’t it for you, and when you met KK you felt yourself being more attracted to her day by day.

Because of your nerves you had gotten to the restaurant early, not expecting KK to already be there, but when you started walking to the front doors you saw her standing there with her phone in hand waiting for you. You felt yourself let out a breath you weren’t even aware you were holding as you looked at her, and just then she lifted her head up with the smile on her face that you had been thinking about for days and now and she waved at you.

You walked a little bit faster until you were stood in front of her, a smile on your lips. “Hi,” you looked up at her feeling your heart literally flutter.

“Holy,” she dragged her hand down the bottom of her face as tried to find a word to describe how amazing you looked, “You look so beautiful.”

“So do you,” you giggled before she pointed her hand to the door asking if you wanted to go inside.

You pull my chair out and help me in

And you don’t know how nice that is

But I do

The two of you walked behind the hostess, KK’s hand lingering on the small of your back as she guided you between all the tables. And when you arrived at your table you immediately went to pull your own chair out by KK swatted your hand away, “Nuh-uh,” she shook her head before pulling it out and motioning for you to sit down.

“Thank you,” you replied quietly, feeling your heartbeat sky rocket. No one had ever done these simple little things for you and you really didn’t know how to even react.

“I’d never let my girl pull her own chair out,” KK smiled as she sat down across from you.

“Your girl, huh?” you tried holding back your smile as you cocked your head slightly.

“When this is the best date of your life you won’t be questioning it,” she replied, as her hand found yours across the table.

But you throw your head back laughing like a little kid

I think it’s strange you think I’m funny

Cause he never did

And KK was right, it was the best date of your life. She seemed interested in even the boring parts of your life and she brought up little things you had told to her in your past conversations.

Then when you told funny stories, she actually laughed, something your ex had never done no matter how you told it to him.

“It was like I was talking to a brick wall!” you laughed, your cheeks hurting from how much you were smiling.

“I bet!” KK laughed running her hand down her face as she shook her head.

I’ve been spending the last eight months

Thinking all love ever does is break and burn and end

But on a Wednesday in a cafe

As the date ended and she walked you to your car you couldn’t believe you had waited this long to go out with her. It was like you had found your person. The one person that understands you inside and out.

“Shut me up if I’ve read this wrong or whatever, but I would really like to go out again,” you told her a smile on your lips as you leaned against the door of your car.

“I’d like that too,” she smiled walking towards you, her hands finding a place on your hips. “Is it ok if I kiss you?” her voice lowered to more of a whisper as her finger tips moved against the back of your dress.

“Please,” you smiled and one of her hands came up to cup your cheek as she pulled you in, her lips gently placed against your own.

You could’ve sworn that you felt your heart literally explode in that very moment. You never wanted to stop kissing her and feeling her touch, it was everything you had ever dreamed of it.

And then it hit you. This is what actually liking someone is like.

I watched it begin again

[bitemarx]

I saw that u got drawing requests

Mayhap some glenn and taylor bonding??? [Dndads]

they are dressed for two entirely different genres of concert

[treacherous]

More photos of Taylor Swift with friends celebrating her 34th birthday (part 1)

[daisyswift3]

A Summary of the 🎃 Messages--The Overarching Story

So I just realized sth abt the 🎃 messages while listening to ttpd—they’re in chronological order!! I am going to try to give a summary of these messages and explain why I believe this. This album has made 99% of her songs, mvs, metaphors, and symbols make perfect sense. There were always some things like getaway car, cruel summer, and the palm trees in rep era that I could never quite figure out but now it's all crystal clear. It's like ttpd is the last piece of the puzzle needed to make everything fall right into place and to see the whole messy complicated story. One thing I want you to take note of as you read this summary is how incredibly consistent Taylor is w her use of metaphors and symbols. This makes solving the puzzle that is her music more like solving a cypher that you can know you solved correctly bc all the symbols will fit together perfectly just like a secret code. Once you understand what one symbol represents you now know what it means every time you see it. Every word or phrase she uses is intentional and there's not a single easter egg that's out of place. You'll notice in ttpd there are several words and phrases that are repeated bc she wants us to know that certain songs are related. 🎃 anon said there would be many connections and foretellings in the messages that we could find if we held them to the light in the coming unfoldings, and boy they were not wrong. So w/out further ado let's get into it (just a warning though this will be pretty lengthy so grab your favorite drink, some snacks, and get comfy).

1st message: The first one starts right before rep era when her rep started going down and she started feuding w her record label. These are the obstacles she didn’t see coming that made her slam on the (getaway bike) brakes (which were cut so she had to use her foot to slow down) and not come out. The "heel damaged" could be a reference to Achilles' heel since this was a weak spot she didn't see or it could be a reference to Jesus' heel being bruised in the 1st ever biblical prophecy (see this post for more on that). This was her first big pivot and change of plans. Many ppl have theorized that TS6 was originally going to be a different album--perhaps lover/daylight--but kimye and BMR got in the way of that. This would explain why she wears an outfit w palm trees on it while cutting the wings off her TS6 jet. She spray paints "reputation" on it which seems to indicate it was a haphazard last minute change of plans (x). Plus the endgame mv has palm trees and shows Miami, Florida (which I think is related to Florida!!! but I'll have to get to that another time) connecting it to "Island breeze and lights down low, no one has to know...In the middle of the night in my dreams I know I'm gonna be with you so I take my time." Miami is the paradise where her endgame happens. This all seems to indicate she was ready for "daylight" or "paradise" during rep era but had to pivot.

The Prophecy: “Hand on the throttle, thought I caught lightning in a bottle, Oh but it’s gone again"

2nd message: This is abt the lover rollout that started in spring of 2019 -> "The time draws near, springtime sunshine causing small drips and fractures." The ice castle likely represents the lover house (her music empire, past eras, and closet) since she burns it down w a match just like she does in the eras tour visuals and midnights -> "You strike a match and blow the smoke toward the structure that shelters and protects you. Suddenly, you hear a crack, a crunch, a whoosh. There is a sudden give beneath you, and you tumble through the broken, melting hole in your palace." The ivy reference (spring breaks loose, the time is near) just solidifies my theory that ivy is a song abt an eventual kaylor reunion that will happen before she burns all the files and deserts all her past lives (eras).

Lover era was her second big pivot. I believe she knew there was a very good chance Scott B would sell her masters all the way back in rep era hence why she says "I'm always waiting for you just to cut to the bone, devils roll the dice" (see this post for more on that). "However, in this suddenness you find yourself still somehow underprepared, kicking yourself for the time you squandered by wallowing in the seeming endlessness of your predicament" -> Her being unprepared to come out along w the mastersheist is what caused her to miss her 2nd opportunity to come out. She was so caught off guard that it made her indecisive. And so she played it safe and stayed in the closet -> "Our coming of age has come and gone, suddenly this summer it's clear I never had the courage of my convictions as long as danger is near." Remember how I said Taylor is very consistent w her use of metaphors? Well I made a post a while back explaining how folkmore represents the seasons bc summer = daylight and winter = closeting and folkmore was Taylor trying to come to terms w her 2nd failed coming out hence the grey and beige ("I'm just a paperweight in shades of greige"); so that means the ice castle = winter = closeting and springtime sunshine = almost daylight = almost being out of the closet (and spring was also the time when the lover rollout started so it has a more literal 2nd meaning to it as well).

The Albatross: "So I crossed my thoughtless heart spread my wings like a parachute, I'm the albatross, I swept in at the rescue." [I think there's a good chance this song is abt Scoots so it makes sense the parachute metaphor, which relates to her masters and failed coming out, would be used in this song]

The Bolter: "By all accounts, she almost drowned when she was 6 in frigid water...It feels like the time she fell through the ice then came out alive." ['Long story short I survived']

3rd message: This is abt the mastersheist (diamond heist) during the summer of 2019. It parallels the I Can See You mv exactly (see this post). In hindsight it now makes perfect sense why 1989 tv didn't have any mvs--bc the Fortnight mv is a direct continuation of the ICSY mv! Before the Fortnight mv, the ICSY mv was the most recent one. She didn't want anything between those 2 mvs so that it was obvious they were directly related. Her losing her masters and her 2nd opportunity at daylight is what drove her to insanity and caused her to end up in the asylum -> "I find the artifacts, cried over a hat...I trace the evidence" // "And so I enter into evidence my tarnished coat of arms, etc" | "Is it okay? Is it you? Or have they come to take me away?"

"Mere feet away from the light of freedom...Your getaway bike begins to leave without you, sparks flying as the tires try and fail to slow down for you. You have frozen in this moment of indecision" // "It was the great escape, the prison break, the light of freedom on my face...he was runnin' after us, I was screamin', 'Go, go, go!'" -> There are 2 getaway car mentions in this message which emphasizes its importance. This is likely for a few reasons: 1) To explain what the song getaway car was actually abt--her feud w BMR, not the beards 2) To show that message 1 and 3 are related; the getaway bike is mentioned in both since both are abt her masters 3) To show that the lover era pivot was actually just history repeating itself; this is what Cassandra and the Prophecy are abt.

Cassandra (notice the piano melody from mad woman): “So they set my life in flames, I regret to say do you believe me now? ['If I'm on fire, you'll be made of ashes too']…They knew, they knew, they knew the whole time that I was onto somethin', [She knew there was a good chance her masters would be sold as shown in cruel summer] The family, the pure greed, the Christian chorus line" ['Now he sits on his thrown in his palace of bones praying to his greed']

Fortnight: "I was supposed to be sent away But they forgot to come and get me I was a functioning alcoholic 'Til nobody noticed my new aesthetic [Her fans didn't notice the shift from rainbows and pastels to black mourning clothes during the lover era] All of this to say I hope you're okay But you're the reason [The you in the song is Taylor; she's the reason she decided to stay in the closet] And no one here's to blame But what about your quiet treason?" [Taylor's indecisiveness is what led her to not come out the 2nd time]

loml (This is from Karlie's pov): "Mr. Steal Your Girl, then make her cry...You shit-talked me under the table talking rings [Paper Rings] and talking cradles, [Lover mv] I wish I could un-recall how we almost had it all, [They were so close to daylight]...It was legendary, It was momentary ['I touch you (daylight/sunshine) for only a fortnight']...Our field of dreams engulfed in fire" ['So they set my life in flames']

Florida!!!: "Little did you know your home's really only a town you're just a guest in, ['I touch you (daylight/sunshine) for only a fortnight'; 'And so a touch that was my birthright became foreign'] So you work your life away just to pay for a timeshare down in Destin" [Taylor did all this masterminding and planning just to end up still stuck in the closet and bearding and only being able to see her lover in stolen private moments]

Fresh Out the Slammer: "Another [cruel] summer, taking cover, rolling thunder, he don't understand me"

The Bolter: "But it always ends up with a town car speeding" [getaway car]

Peter: "Forgive me Peter, my lost fearless leader, in closets like cedar preserved from when we were just kids, Is it something I did?" [Peter is herself; 'I'd be a fearless leader' and the fearless album; 'closets' is obvious]

How Did It End?: "We were blind to unforeseen circumstances, We learned the right steps to different dances, and fell victim to interlopers' glances, Lost the game of chance, what are the chances?...It's happening again" [This is the 2nd time she's lost the opportunity to come out]

I Can Do It With a Broken Heart: "I'm so obsessed with him but he avoids me like the plague" [They're in love w each other but can't be together in public; 'Break my soul in 2 looking for you but you're right here']

Down Bad: "For a moment [a fortnight] I knew cosmic love, now I'm down bad crying at the gym...'Fuck it if I can't have him I might just die it would make no difference'" ['You (Taylor) told Lucy you'd kill yourself if I (Karlie) ever leave']

5th message: Out of all the messages this is the one I'm the most uncertain abt. But I think it is possibly about JA leaving before his contract was up. "You are in a kitchen. Not your kitchen, of course. Your kitchen is soft and cozy and sacred. THIS kitchen is hard and cold and purely functional" -> This is not the sacred kitchen from Cornelia Street that she shares w her lover, this is a PR stunting kitchen that's a false imitation of the real domestic bliss she has. A few yrs ago kaylors were talking abt how Karlie has a kitchen that she only uses for PR/social media purposes so pumpkin anon could've been trying to remind us of that. These 3 messages from flag 🏴󠁧󠁢󠁥󠁮󠁧󠁿 anon make me think the breakup happened sooner than planned.

The July 29 message wasn’t meant to be posted until Oct 8 since it was hinting at the Toe breakup happening 5 months later in mid March, 2023.

The Nov 23 message mentions a “shift of footing” which we all agreed meant Toe 🦶 was over. The Dec 5 message w “the need to flex is sometimes necessary” directly following the Toe breakup message is what really makes me think it wasn’t planned. They had to pivot/flex but “other milestones are resolute” meaning the endgame is still the same—K and T will still reunite and both will be out of the closet at a certain time. Plus there’s the “…” at the end of the Nov 23 message which also indicates the Dec 5 one is a direct continuation of that message.

To add more credibility to this theory, RFI and SIG also have ellipses. RFI always seemed like it was supposed to be a direct continuation of SIG bc SIG sets up the “chess game” w her and her lover doing magic and pulling the wool over everyone's eyes, and RFI is when this chess game officially begins, "baby let the games begin."

Some other kaylors said they thought “the need to flex” meant that she wanted to give anti hero more time on the charts so she was flexing or showing off. But I think it makes more sense for it to be related to London Boy himself and not having him as a beard since that’s the whole purpose of having the 🏴󠁧󠁢󠁥󠁮󠁧󠁿 flag. I could be wrong though.

So Long, London: “Pulled him in tighter each time he was drifting away…Holding tight to your quiet resentment…Every breath feels like rarest air when you’re not sure if he wants to be there” [This may mean that JA kept trying to break free from the contract and Taylor kept trying to convince him to stay but it didn’t work]. "My spine split from carrying us up the hill, Wet through my clothes, weary bones caught the chill" ['They are bowing out, leaving you with double the workload, now half burnt and smoking. Their duties weren’t finished, and yet there is nothing you can do to make them stay. Shaken by this loss, chaos descends upon the team. Most roll up their sleeves to work harder']. "And my friends said it isn't right to be scared, every day of a love affair" [There were several blind items talking abt how JA was hooking up w men in a very unsubtle way; this could be what the 'cheating husband' mentions in ttpd are abt]. “Two graves, one gun” [Makes me think of a smoking gun which could be what the 'smell of smoke' in the message was alluding to. Maybe JA threatened to reveal her secrets if she didn't let him go and he had the smoking gun evidence to do so which was the recipe card. 'This time is different. Because you know this person actually has the means to share the secret menu, and that they have enough proof to make the waiting guests believe them.' -> I mean if anyone could convince the general public it would be the man who was supposed to be her boyfriend for 6 yrs]. “And you say I abandoned the ship but I was going down w it, my white knuckle dying grip” ['But you have never been one to lay your armor down. When you fail, you fail gloriously. When you go, you go kicking and screaming']. "I didn't opt in to be your odd man out" [She didn't want to be his beard just like he didn't want to be hers; and odd man out is a game that's played w 3 ppl where the odd man is the loser who's eliminated bc he didn't have a match]. "I founded the club she's heard great things about" [The Tortured Man Club -> The Tortured Poets Department that she's chairman of]

7th message: This message is all abt the domestic bliss she has away from the public eye. She has worked so hard to make sure her secrets are safe by building a tall impenetrable fence. However, she chooses to intentionally blow a dandelion full of secrets--perhaps ttpd is the dandelion w all the songs being the florets or secrets. There is one floret in particular that she’s worried abt—my guess is it’s Robin since it’s so damning if you know what to look for. Plus the song Robin parallels this message perfectly and evokes the same imagery. And to add even more credibility to this theory, the lyric vid for Robin has dandelion florets in the background. See these posts: (x)(x)(x)(x)(x)(x). "You are walking through your yard. It's one of your favorite places, all sprawling garden rows" -> Betty's garden; "your wife waters flowers," etc. "There are daisies - so many daisies - in every shade of your rainbow"--I don't think I even need to explain this. "Your lover and your fresh baked buns are safe. (The buns, of course, are in the oven turning golden as you speak. It's an old family recipe, jotted lovingly on a recipe card.)" -> The recipe card is perhaps a picture or some other sort of smoking gun evidence of Taylor's family and it connects the 5th and 7th messages together. And the meaning of "buns in the oven" is pretty obvious. "Golden" refers to Karlie.

Robin: "Higher and higher, wilder and lighter" [This may be a double entendre--not only is she encouraging this child to bounce higher on his trampoline or swing higher, she is also encouraging the dandelion floret (the song Robin) to fly higher and go out into the world after she blows on it]

The Albatross: "Wild winds are death to the candle...One bad seed kills the garden" [This may be connected to the dandelion metaphor and I believe there are many layers to these lyrics; wild winds can carry the dandelion seeds into other ppl's yards; if Taylor's secret gets out this can destroy the domestic bliss she has i.e. kill her metaphorical garden or candle; 'love's a fragile little flame it can burn out']

I Hate It Here: "I hate it here so I will go to secret gardens in my mind people need a key to get to, the only one is mine" [There is only one way to get into this garden since a tall impenetrable fence surrounds it; there are other layers in these lyrics as well like the escapism aspect of it]

But Daddy I Love Him: "I'm having his baby, no I'm not but you should see your faces" [Bc it's Karlie that had the babies]

8th message: This entire message parallels the Bolter. I believe this is abt Taylor finally choosing her lover over her reputation and choosing to intentionally destroy it in order to meet her lover down at the bottom like 🌋 anon mentioned. This may be the purpose of the whole Ratty debacle—to tarnish her image (by jumping into shark infested waters) so that when kaylor are together in public again her fans won’t be able to hate on KK w/out being hypocrites bc Taylor has already done all the things she knows they’ll accuse KK of, like being connected to someone who’s quite problematic. I believe this takes place from May 2023-now since this is when MH and her started “dating.” The use of all lowercase in the 🌋 messages may be a reference to the reputation album title to indicate that this is going to be a repeat of rep era but this time the damage to her rep will be intentional. I find it very interesting that the Feb 20th 🌋 message is the only one that has a word capitalized and the word that's capitalized is "Gold." This is in contrast to "fools gold" which is not capitalized or colored.

The self-loathing is palpable in Taylor's music (x) and it is displayed heavily in this message as well. I think it's possible the "enemy" is actually just Taylor herself or her public persona to be more exact. She is her own worst enemy; the Anti Hero mv illustrates this. She's the one that spreads the dandelions in message 7 which is what the enemy does in this message; she's the bear, and in the Bolter she (real Taylor) tames the bear (Taylor the brand). I believe TSMWEL could possibly be abt herself as well. I mean TSMWEL literally has "TS" in the track title. The clean version of the Bolter has the line "Then she'll call him a bore" which parallels TSMWEL, "You said normal girls were boring." It's as if real Taylor is doing an UNO reverse on Taylor the brand by treating her public persona the same way she treated real Taylor for years. This is very reminiscent of the Archer, "I've been the archer I've been the prey." I think TSMWEL, while it is abt herself, is simultaneously abt Scott B. And the reason for this relates back to what I said abt the 2nd and 3rd 🎃 messages--she blames both Scott AND herself for her failed coming out. The mastersheist threw her for a loop, yes, but she could've still come out anyway were it not for her indecisiveness. And I haven't have time to fully analyze MBOBHFT yet but I think it's similar where it can either be read from Karlie's perspective to Taylor after the 2019 failed coming out or from Taylor's perspective to Scott B/the industry.

The Bolter: "But as she was leaving, it felt like breathing, ['When I was drowning that's when I could finally breathe'] All her fuckin' lives flashed before her eyes...He [the 'enemy'] was a cad, wanted her bad just like any good trophy hunter and she liked the way it tastes taming a bear, making him care watching him jump then pulling him under" [This connects to the 10th message: 'You limp over uneven ground, smiling at the pain of the shark bite with each excruciating step - replaying the satisfying splash as you finally chose her over the world. As you grabbed the enemy and dove into the infested waters']

loml: "The coward claimed he was a lion" ['You’re a selfish asshole. So much of your fear is your own. You wince at your cowardice like it is a gaping wound. You so often find yourself unable to meet your own eyes. You scramble into shadows like a black cat. Scared, even, of being scared...You are a coward, but you are not a fool']

I Hate It Here: "I was a debutant in another life but now I seem to be scared to go outside" [In another life she already came out but in this one she's too scared to even leave her house let alone come out]

The Tortured Poets Department (This is from Karlie's pov): "You're in self-sabotage mode throwing spikes down on the road"

9th message: This message is abt her finishing her 11th album, the last chapter of her 11 part story, and then sending it out into the world like a message in a bottle (the Manuscript). So I'm assuming this would take place on April 19, 2024, the release date of ttpd. "You are sitting on a beach, cold and windswept. The sea is dark and angry before you." -> This may be the same beach and sea from the folkmore era. "The sun sets in muted colors." -> Describing the sunset colors as muted is quite interesting since sunsets typically have very vivid colors; this makes me think it's related to the eras tour visuals during the transition from august to illicit affairs (which I explained the meaning of in this post), and the folkmore color palette was mainly muted colors. "You finish scrawling on the parchment. Your pen dries up as you reach the end of a story in 11 parts." // "Feeling like the very last drops of an ink pen," "my veins of pitch black ink." She is sick of having to dilute her truth through metaphors and allegories which is why she is a tortured poet -> "Take me to the lakes where all the poets went to die." Plus there's the "parchment" which she mentioned many times during her eras tour speeches which relates it to the folkmore era (x)(x)(x). "And now it is just a matter of time. The dripping of candle wax. The ticking of a clock." -> (x).

I recommend reading this post which explains how the Manuscript, ATW short film, message in a bottle, the story of us, and 4th, 9th, and 10th 🎃 messages are related. Many ppl pointed out that the Manuscript lyric vid looks like a movie script, and she's been referencing films and books a lot recently which makes me think there's a good chance she's going to release a film and book abt her coming out story. The 9th message and the lyrics in the Manuscript make it clear that Taylor's discography as a whole IS the manuscript i.e. it's the author's (Taylor's) draft of her story that is getting ready to be published. In academia, a manuscript is a draft of your research that you send in to be peer reviewed and if it's accepted it then becomes a published academic article.

The Manuscript: "And the years passed like scenes of a show, the professor said to write what you know, [She's equating her life to a story w the different eras being different scenes or chapters] The only thing that's left is the manuscript, one last souvenir from my trip to your shores, [message in a bottle; 'It may wash up on a sunny beach in Florida, or a rocky shore in the northwest'] Now and then I reread the manuscript but the story isn't mine anymore" ['Once you blow a dandelion, you never get it back. It isn’t yours anymore']

The Bolter: "But she's got the best stories"

10th message: This is a direct continuation of the 8th message and takes place right before she comes out of the closet (the wooden door in the woods). So this would take place after her rep has already been destroyed which I don’t think we’ve gotten to yet. My guess is that things will start ramping up in the next few months. She may start being papped w all her previous beards looking happy w them or sth similar which is all she’d need to do to show that the relationships were all fake and she’s been lying this whole time. This may be the “chaos” that 🫚 anon was referring to (see this post). This lines up with the blood moon glitch vinyl, representing chaos and disruption, being the 2nd quarter of the yr according to the midnights clock (4-6 or April-June, 2024). Plus many ppl think BDILH is abt MH--and Taylor meant for this to happen bc this album is full of red herrings--and in that song she says "He (MH) was chaos" so this might be a hint that the bearding shenanigans are gonna ramp up. Of course things are already plenty chaotic now w everyone thinking ttpd is abt 3 different men, one of which is pretty problematic, so perhaps this is all ginger was referring to. Taylor calling herself "the Bolter" has 2 meanings: 1) She is a coward who often runs away from danger 2) The 2nd more positive interpretation is that she knows "when it's time to go." I think it's very telling that ITTG is the last track on the deluxe edition of evermore and comes right after RWYLM, a song abt being stuck in the closet after the 2019 failed coming out. She's saying that she's not going to stay there forever(more).

The Bolter: "But none of it is changing that the chariot is waiting, ['The story of 2 princesses. No place for a prince'; the Cinderella metaphor (x)] Hearts are hers for the breaking, There's escape in escaping...Ended with the slam of a [closet] door but she's got the best stories, You can be sure that as she was leaving it felt like freedom" [The 6/21/2020 ♠️ riddle spells out 'They Are Free']

11th message: This message takes place after midnight at 3am on Nov 1 after she’s gone through the wooden door. In this post I explain how 3am connects to the witching hr or devil's hr. The fact that this takes place right after Halloween is quite significant since it is a day dedicated to remembering the dead, and death and ghosts are a big theme in ttpd. This symbolizes how after Taylor kills her old self (by dragging her into shark infested waters), she will resurrect as a new version of herself and leave the past behind her. And in doing these things, she will finally be able to go back to her figurative home, her cabin, that she was exiled from. -> "I think I've seen this film before so I'm leaving out the side door," "And I was catching my breath, floors of a cabin creaking under my step...I had a feeling so peculiar this pain wouldn't be for evermore." "The flame🕯️ finally🕯️flickers🌬️OUT" -> The match that started the "goddamn blaze in the dark" is no longer needed now that the lover house (her closet) has burned down, so the flame flickers out. This metaphor shows up in Peter as well, "But the woman who sits by the window has turned out the light," where the light dying represents the woman losing hope that a coming out will happen. Notice in this message from present anon that "Goodbye" has a capital letter G which I believe links it to "Gold" in the volcano message that was mentioned earlier. This may indicate that Karlie is the woman/neighbor holding the light and waiting for Taylor's return home. The Dec 26th 🌋 message is likely from Karlie's pov in this case.

Fresh Out the Slammer: "Now pretty baby I'm runnin back home to you, Fresh out the slammer I know who my first call will be to...But it's gonna be alright I did my time...Get the matches, toss the ashes off the ledge, [the burning of the lover house] As I said in my letters [the anon messages this corner of the internet has been receiving? Could also just represent her songs] now that I know better I will never lose my baby again...Swirled you into all of my poems ['My mind turns your life into folklore (literally and figuratively)']...To the house where you still wait up and that porch light [jack-o-lantern] gleams" [see this post abt the porch]

The Alchemy (This is from Karlie's pov): "What if I told you I'm back?...I haven't come around in so long, but I'm coming back so strong, ['But I come back stronger than a 90's trend'] Cause the sign on your heart said it's still reserved for me"

imgonnagetyouback: "Push the reset button we're becoming something new...Even if it's handcuffed I'm leaving here with you, Bygones will be bygone eras fading into gray, We broke all the pieces but still want to play the game...I'm gonna get you back"

[justtrashperson]

chibi hatchefield characters like in the shokogast request<333

like paul<3, emma, richie<3, pete, grace, ethan, lex, garygoldsteinattorneyinlaw, the works, yknow??

using this opportunity to redraw some of hatchetfield's scenes

[anonymityisfunwriter]

Timeless

"And, somehow, I know that you and I would've found each other In another life, you still would've turned my head..."

Summary: It's the kind of love you find once in a lifetime, the kind of love you don't put down, and somehow, you know you would've found each other in every life.

Part 1 - An Antique Shop Part 2 - School Lovers Part 3 - On A Crowded Street in 1944 Part 4 - In The 1500's Off in A Foreign Land Part 5 - We Really Were Timeless

The Grumpy Sunshine Series | Inspired By Taylor Swift Series AnonymityIsFun Masterlist | Anon's 1K Celebration

[kylieswift31]

Taylor Swift and the Truman show

"Well, for me, there is no difference between a private life and a public life. My life... is my life, is the Truman show."

Tied together with a smile

Taylor is currently at the peak of her career as she's now breaking her own records and reaching a level of fame only seen by the greatest such as the Beatles and Michael Jackson. Yet underneath all that success is a layer of conflict due to the discrepancies between her private and public life. With closer inspection it is clear to see that Taylor has left a trail of breadcrumbs that reveal that she has been queer since the beginning of her career. The ‘love struck and boy crazy’ version we first saw of Taylor was supposed to be a temporary step in her career during the fearless era, but through a series of unfortunate events she has spent the entirety of her career in the closet.

Now with the ending of the rerecords and eras tour in sight, Taylor has begun to reveal the cracks in the facade of her public persona so that we can see who she really is underneath. Her performance of 'delicate' on the eras tour is a visual representation of this process. Throughout the song we slowly see cracks forming in the glass, one at a time until at last there are so many cracks the entire stage shatters into a million tiny little pieces.

But what causes the cracks?

Taylor.

And it’s all inspired by the Truman show…

Daily life

In the mirror

The first time you watch the Truman show, the focus is on Truman and his journey. He lives a normal life in Seahaven with his wife Meryl, has a successful career in finance and spends his free time with his best friend Marlon. There are small cracks in the facade of his picture perfect life from the beginning, but halfway through we reach a turning point as it becomes clear that Truman is also the star of a 24 hour reality TV show that broadcasts his life to the public without his knowledge. Every move he makes is being observed by the outside. And then when you get to the end of the movie you start to realise that not everything you saw was as it seems.

Taylor has several well known Easter eggs that reference the Truman show, but with further investigation we can discover that she also relates to his story on a personal level. In the song 'mirrorball' Taylor explores the theme of wearing a mask that reflects back what the viewer wants or chooses to see. Just like an iceberg, if we stop at the surface level of what we see of Taylor’s personal life, we’ll miss the depth of what lies underneath. Many of her music videos echo Truman's story in a way that leaves her truth hiding in plain sight.

Good neighbours

Truman’s day starts with a moment of quiet reflection as he gazes at himself in the mirror before greeting his neighbours on his way to work. “Good morning! And incase I don’t see ya, good afternoon, good evening and good night!” His iconic catchphrase is repeated each day. Even though Truman’s the only person in Seahaven who isn’t a paid actor, he’s having the same scripted interactions day after day. His life is centred around acting the part, just like everyone else. The only difference is that he’s wearing a mask to hide how he really feels underneath. Truman's day is very reminiscent of the groundhog day trope to highlight how scripted and repetitive his life has become.

Taylor's life in the public is very similar to Truman's now that she can't go anywhere without being recognised. The once unfiltered teen that was vocal on myspace has become selective and restrained with what she shares online after years of having her life picked apart for all to see. The chasm between Taylor's public and private life has grown to the point where removing the pop star mask will impact her career.

Product placement

The Truman show is sustained through the revenue generated from the products advertised on the show. The first time we meet Truman's wife Meryl is when she's showing him the latest gadget she's picked up from the store on her way home from work. This feels subtle at first, but as more products are mentioned throughout the show it becomes more obvious and the advertising feels more akin to a late night shopping channel. We start to see that everything from the decor, wardrobe and food they eat is for sale. Every aspect of Truman's life has become commodified to generate revenue and to keep the show running.

All the little Easter eggs throughout Taylor's 'lover' music video seem like personalised advertisements now that we’ve seen that they advertise memorabilia on the Truman show in a similar way. However, within her career marketing is an integral facet of Taylor's career. "When you realise the rules of the game you're playing and how it will affect you, you got to look at the board and make your strategy. But at the same time, writing songs has never been a strategic element of my career. But I'm not scared to say that other things in my career, like how to market an album, are strictly strategic."

Hidden in plain sight

It's not obvious at first that Truman and Marlon have found a way to communicate with each other honestly whilst remaining undetected. Truman is often sharing his plans of going to Fiji to get away for a while. However, when he's really planning to leave Truman says "Just between you and me Marlon, I'm going away for a while." This allows the viewer to believe that it's just another wishful thought about going to Fiji, but said in a way that lets Marlon know that he is serious this time. Beer seems to be both another advertisement and a signal to indicate that he's been sent by the director. "It's all true. It's all real. Nothing here is fake. Nothing you see on the show is fake. It's merely controlled." Later on when we're shown that the director is feeding Marlon his lines, it's clear that he has always tried to be as honest as possible with Truman.

Taylor mentions wine frequently through her discography. Perhaps this is to show us that her truth has become so watered down within her lyrics that she lost sight of who she was before. Taylor has changed up pronouns and added hidden meaning to words and phrases mentioned frequently throughout her discography. Through this process she has become incredibly skilled at seamlessly adding connections to multiple muses within a song.

The first crack in the glass

Everything changed

From what we can see, Truman has known from the beginning that he's been the central character within his town to some degree. Truman appears to be fairly content with the life he had created for himself, despite the confinement he felt (he hasn't known any different). This all came to an end when Truman realises that his father is still alive. This changes everything as the first cracks in the facade of his seemingly perfect life become visible.

Intercepted

A very similar experience happens with Taylor in the 'delicate' music video. We can see that this interaction leaves Taylor more aware of those around her. "People often greatly underestimate me on how much I'll inconvenience myself to prove a point…" In her real life there are several events we could attribute to being her motive for change including the sale of her masters (ownership of her first six albums) to investors, a relationship changing or something that affected her reasons for remaining closeted.

Chance of rain

We see Truman sitting at the beach reflecting on how his father drowned when he was a child. As it starts raining he gets up to leave, only to reveal that there's just enough rain to encourage him to get up and go home. We slowly start to see how manufactured these scenarios are. Throughout Truman's week there are planned situations that are designed to test for any changes in his behaviour, like if he's still petrified of the water. These actions reveal just how much pressure they've placed on Truman to prevent him from leaving. It leaves us asking how much free will does he truly have with his choice to stay or go? At this point it feels like the choice has been made for him.

Taylor recreates this rain scene in the 'lavender haze' music video. We see her sitting at the end of the bed with a rain cloud over her head while her lover is asleep. We can infer that Taylor is showing us that she identifies with how isolated Truman was feeling in this moment. Taylor has given up a lot in her personal life for the success of her career, but how much of that was her choice to do so?

Reflecting on the past

Truman goes back home and opens up a trunk full of childhood memories. He's looking at photos of his family while trying to make sense of what he saw with his father still being alive, and the implications of that. This is the beginning of Truman questioning how far those in his life have gone to keep up this lie. If his father is still alive then what else have they lied about?

In the 'cardigan' music video we can see that Taylor is reflecting on her past in a similar way, but this time through playing her piano. Both 'the tortured poets department' album and summation reveal a similar theme of reflection, but with an honest exploration of the agony that comes along with it. "Nostalgia is a mind's trick." This album is a reflection of her career, highlighting the toll it's taken on her personal life along the way.

The one that got away

Love triangles

As Truman pulls out a red cardigan from a plastic bag, we get flashbacks of his high school years. His attention is torn between Sylvia and his current wife, Meryl. During a moment alone with Sylvia they sneak away together, but she appears anxious knowing they don't have much time alone. They share a chaste kiss before Lauren gets dragged away by a man claiming to be her father. She hastily reveals that everything Truman knows about his life is a lie, that it's all done for him and that everyone is watching him. Her father claims that she is just having an episode and reassures Truman by saying that he's taking her to Fiji to receive more help. Sylvia's interaction with Truman is the catalyst for her character being removed from the show. This reveals that even in high school Truman's love interest was planned out for him, despite his attraction to Sylvia.

Taylor wistfully talks about the fictional teenage love triangle during the 'folkmore' set. She describes how James is longing for the one that got away, which seems to contain an element of truth from her past. In 'imgonnagetyouback' she talks about how she won't stop fighting until they're back together again. I tend to lean more museless, with the queer side of Taylor being the one she's fighting for most of all (and with any other muses being secondary to that). If we consider the love triangle from that perspective we can see that the muse she lost was a cherished piece of her history, but the part of herself she lost along the way is the one worth risking everything for to be able to feel whole again.

It's all in the details

Through the development of Sylvia's character we start to see the significance of the colour red. To the viewers at home it is a symbol of heartbreak and loss, and that Truman's attachment to the cardigan is based on his feelings for her. But for Truman we can assume that it is more like a symbol of hope that he might finally be free one day. Other symbols we see her wear include a red seahorse pin (their school mascot) a green bauble bracelet and the 'how's it going to end?' badge. When he reads the badge in the library he quietly admits that he's been wondering that too. This is the earliest insight we witness of Truman not being fulfilled by the life that has been scripted for him.

Many of Taylor's Easter eggs are a reference to the Truman show. These include Sylvia's rose shirt, the eras tour poster, 'karma' door, the song 'how did it end?' and many of her music videos. In the 'lover' music video there's also the bauble earrings, her lover has a seahorse patch on his jacket and the board games are Taylor Swift themed. These all seem like amusing connections until you pick up on the deeper correlations to Truman's story.

Cardigan

After Sylvia left, all Truman is left with is her red cardigan. Sylvia begs Truman to come and find her, but as the flashback ends we find out that Truman didn't follow her to Fiji at the time because his mother got really sick. Instead he settled down and married Meryl, while living with the loss of what could've been with Sylvia. After Truman finishes reminiscing about the past, he slyly reveals that the badge is still pinned onto the cardigan. This reveals that his attachment is not so much to Sylvia now, but to the idea of leaving one day so that he can be free to live his life authentically.

Taylor's song 'cardigan' is one of her most significant references to Truman's story. In the 'cardigan' and 'willow' music video we can see that it is a symbol of the memories she carries from her past and a reminder of what she's left behind along the way. The stars on the cardigan hold a similar sense of hope, just like Truman's pin. "You drew stars around my scars, but now I'm bleedin' 'cause I knew you." This imagery evokes the pain of carving into skin to emphasise the heaviness that comes with sitting with the memory of what could have been.

The bar

After Truman's flashback scene we get a glimpse of commentary from a bar as they're watching the show. This juxtaposition reveals how watching the Truman show is an ordinary occurrence during their daily lives, just like many of us tune in to watch the eras tour on a grainy live stream. The 'delicate' music video ends with Taylor walking into a very similar bar to meet up with a secret admirer, but it remains unclear which one is sitting there waiting for her.

Cracks in the facade

The one worth fighting for

Once the nostalgic moment is over we see Truman holding a photo frame of his wife Meryl. It seems like a loving gesture at first, until he turns it around and opens it up to reveal that he's been collecting a collage of facial features in an attempt to recreate a portrait of Sylvia from memory. This contrast between the memory and Truman's reality exposes how much he has sacrificed along the way by staying in Seahaven. Holding onto the cardigan, pin and picture of Sylvia is an act of defiance when everything else in his life has been decided for him.

Taylor left everything behind when she left her old label, including the ownership of her first six albums. She was not given the option of buying them back without having to commit to producing another album for each one she earned back. Unfortunately this is something many in the industry have had to endure. With hindsight we now know that Taylor was able to rerecord her past albums with added vault tracks, but at the cost of reliving her past. Taylor's back tattoo in the 'you need to calm down' music video conveys that the memory of her life's work was the only memento from her past that she was able to take with her.

Glitches

As Truman is driving to work again, his car radio starts glitching and he ends up on a channel that contains the directions everyone else is hearing in preparation for his arrival before work. From our point of view all of these mishaps are new, but there would have been flaws like this in the system a lot longer than that. But if Truman has known he was the star of the show from the beginning, what was the point of the movie? To reveal the truth to us, and the viewers at home, slowly over time. And to give us a chance to understand his point of view as we prepare for his departure.

We have seen plenty of glitches like this occurring in Taylor's performances on the eras tour, and many of these have been intentional (such as the screens glitching and swallowing bugs). This draws our attention to the cracks in her pop star facade, revealing glimpses of the person she is underneath. And just like Truman, she's giving us the opportunity to slowly adjust to the changes she plans to make in the lead up of what's to come.

Breaking down

Truman appears to be overwhelmed as he starts to reveal just how much of the town he lives in is choreographed around him. This is the start of Truman escalating his reactions to create more cracks in the facade, in the hopes that more viewers begin to see the challenges he faces living in the spotlight.

This purposeful increase in revealing more of the inner versions of themselves is exactly what Taylor is portraying during the 'delicate'' performance on the eras tour. Slowly allowing us to see them as normal people behind the larger than life character they had become in the spotlight. The way Taylor begins creating the cracks on purpose allows us to understand that what's to come is purposely being exposed.

Life's a stage

Truman attempts to enter an elevator, only to discover that it's fake. This is a big step towards seeing what's behind the magician's curtain the first time you watch the movie. When you watch it again this is the point where you start to discover how complex the set of Seahaven has become over time to keep the show running. Many elements of the town act as rest stops and exit points for the actors away from Truman's view.

Taylor pushes down the walls of the bedroom during the 'lavender haze' music video, revealing that the relationship had always been a facade to begin with. Interestingly, this is the only music video that we see begin after the clock ticks over to midnight. Just like Cinderella returns to her original state at midnight, so too does Taylor. This correlation to Cinderella's story implies that the lavender haze we see hidden beyond the walls of the bedroom is the most honest version of Taylor underneath everything else. Lavender is heavily used as a subtle reference by queer people, especially lesbians. Koi fish can be seen in all of the 'midnights' music videos except for 'karma'. They are well known for swimming against the stream, something many neurodivergent people experience feeling. Koi fish are often associated with the yin and yang symbol and together they symbolise balance, courage and perseverance, much like the song 'you're on your own kid'.

Turn up the heat

Invisible

As he seeks out his best friend Marlon for help, we learn that Truman feels concerned that he is being followed or set up for something. Marlon appears calm until Truman mentions that his father is still alive. It appears that this detail may not have been disclosed to the public. Truman demonstrates that everyone in the store is so preoccupied with fulfilling their roles that they will ignore him at all costs. This is a very unnatural reaction and wouldn't be a new discovery for Truman.

The bodyguards in the 'delicate' music video react in a similar way, just like the guards at Buckingham palace are trained to stay focused and ignore distractions. On an emotional level, this behaviour feels like no one is interested in you unless you're wearing the mask of who they expect you to be. "The actors were hitting their marks." Many neurodivergent people experience this disparity between who they are on the inside and the curated version they present for others to see. This act of reflecting back what the viewer wants to see is often done out of necessity to remain safe, but leaves the inner and truest version of oneself feeling invisible. "I want you to know I'm a mirrorball. I'll show you every version of yourself tonight." Unfortunately, you have to participate in their performance if you want to be seen, but the version you they see isn't who you truly are on the inside.

Just for you

After an evening together, Truman is left alone when Meryl offers to take his mother home. As the TV is playing in the background we hear how the presenter is incredibly specific when describing the next episode of 'show me the way to go home'. "Where we learn that you don't have to leave home to discover what the world's all about. And that no one is poor, who has friends." This is a form of subliminal messaging telling Truman that he's better off staying home, implying that there's no point trying to leave because they will prevent him every step of the way.

In the 'lavender have' music video Taylor is watching a similar weather station, but when she gets closer she pulls the screen apart to reveal that there's nothing but space and koi fish behind it. This likeness to Truman's story presents an intriguing insight into the obstacles and road blocks Taylor has faced as a queer woman throughout her career. The koi fish behind the screen also highlight Taylor's determination to challenge the status quo and how she has been working towards much needed change within the music industry.

I do not

Truman is flipping through a photo album full of photos of his family and life with Meryl. His mother stresses her desire for grandkids while she's still alive. Truman continues to look through the album after they leave. The final straw for their relationship comes when he reveals that Meryl had her fingers crossed when they got married, implying she was never fully committed from the beginning. Looking through the photo albums seems to be a weekly routine when his mother visits, so we can assume this wasn't the first time Truman's noticed this detail, the only difference is that he's pointing it out now because it's the next step in his plan to leave Seahaven.

Many of Taylor's music videos emphasise the facade she has played into of the life society expects her to maintain. This has become more evident than ever with her current relationship with Travis Kelce. They want her to fulfil the 1950's lifestyle as a happily married wife with two children, a house with a white picket fence, to stay home each day as a housewife and to serve her husband when he gets home from a long day at the office. 'The man' music video highlights the disparity between these expectations and the lifestyle men are usually celebrated for, so that we can understand that this isn't the life she wants for herself.

Undressed

After Truman attempts to confront his wife about the photo, he follows her to work in his pyjamas. She works at the hospital and claimed to be doing a leg amputation from the elevator incident, a story they made up to explain what he saw the day before. When he locates her within the hospital the actors are forced to begin the procedure to keep up appearances.

Taylor was wearing a corset with a pattern very similar to Truman's pyjamas underneath her blue dress recently while out with Travis Kelce and his friends. Everyone in the group was wearing matching pant and shirt sets, with Brittany Mahomes in actual pyjamas. This may have been a hint that Taylor's beginning to escalate the cracks in the facade of her pop star persona.

The failed escape

Predictable

Truman is sitting in his car when Meryl gets home from working at the hospital. When she gets in, he locks her in the car and attempts to leave town. "Blocked at every turn. Beautifully synchronised, don't you agree?" This is the point where he's revealing that he knows how predictable everyone around him has been, pointing out that the same three people keep going past on schedule.

Logically if Taylor knew what the roadblocks were before she left her old record label, she would have known how her opponents would retaliate after she left. "Blood's thick but nothing like a payroll." It seems likely that they were planning to sabotage her once she left, with her first album in particular. If they were predictable enough, Taylor could've had time to plan ahead to mitigate the damage done to her career. This could include holding back on releasing certain songs, which has now lead to the rumours of 'lover' vault tracks.

Just like clockwork

Truman begins to drive around the round about over and over again to highlight that he has figured out that the townspeople move around him like clockwork, but again this isn't new information to Truman. The director's attempts to prevent him from leaving are incredibly predictable and they always have been. Truman would have been able to pick up on this pattern when he was still in high school, if not earlier. "When you're young they assume you know nothing." The benefit of them being this predictable is that Truman could foresee their reactions and blindside them when they least expected it.

Taylor uses many clocks throughout her music videos as easter eggs and to draw our attention to time and dates that might be relevant in the future. One element of interest is the concept of routine and the predictability that comes with that. The arena in 'the hunger games catching fire' seems to be inspired by the Truman show as well. Katniss figured out that there are new threats in each segment that changed on the hour, ending with a lightning strike at noon and midnight. This kind of predictability allows one to plan in advance. Three years perhaps?

Planned to fail

After driving around in circles Truman claims that they're headed to Atlantic City, only to find out that the end of their street is blocked up with traffic. He concedes to going back home after all, just to announce suddenly that he has changed his mind. As Truman doubles back and attempts to leave for the second time, he discovers that the traffic jam had magically cleared up after they left. He was accurate in predicting that his plan to leave would be counteracted by some form of intervention. Truman's actions are forcing the director to reveal his hand, only to call his bluff and get further than the director expected him to. And despite her fear, Meryl is still putting on a performance for the camera here too.

It's a possibility that Taylor set up a similar scenario to unfold with the release of her 'lover' album. The contrast between the aesthetic and themes of the 'reputation' and 'lover' albums could have been done on purpose to blur the lines between the two in an attempt to mitigate the damage done from being sabotaged. Underneath the vindictive theme of 'reputation' was the romantic songs her opponents had been anticipating from the 'lover' album.

The bridge

Truman stalls at the bridge due to his fear of water but forces Meryl to drive across while his eyes are closed, willing to do whatever it takes to leave. "We're over the bridge!" he exclaims when they make it across. As Truman continues to escape, they are still faced with roadblock after roadblock. The escape plan eventually fails when the road is blocked because of a leak at the nuclear plant. They thank the officer for his help but when the officer says "you're welcome, Truman" he runs away from the car in a panic, but is quickly captured and returned home again.

Taylor draws attention to the bridges of her songs at the very beginning of the eras tour because they are the most authentic lyrics in all of her discography. She often begins a song with a very optimistic perspective, only to end with the most brutally honest observations of her experiences in hindsight. Taylor has told us that she tells lies. In 'love story' the lie is that she's singing about being in love with Romeo. When the perspective changes during the bridge, she's being honest when she describes being in love with Juliet and wanting to marry her. In 'lavender haze' we hear how stifling it's become to continue hiding her truth. "The only girl they see is a one night or a wife. I find it dizzying, they're bringin' up my history. But you aren't even listening." If we don't listen to what Taylor is saying during the bridges, we are avoiding her truth.

The turning point

What was once lost

When they return home Truman confronts Meryl, but she calls out for help and Marlon arrives with beer. Meryl leaps into his arms crying as he comforts her, but he's looking at Truman when he says "everything's going to be okay, it's all going to be fine." The next scene cuts to Truman and Marlon sitting at the end of an unfinished bridge together as Truman begins to tell Marlon what he's been through. "Maybe I'm losing my mind, but it feels like the whole world revolves around me somehow." Marlon replies by saying "The last thing that I would ever do is lie to you. I mean, think about it Truman. If everybody is in on it... I'd have to be in on it, too." The screen cuts to the director feeding him the lines but we can also see that Marlon has been as honest as he could be within his role on the show. To placate Truman and encourage him to stay, he is reunited with his father who he hasn’t seen for 22 years. Truman seems apprehensive about the reunion, but Marlon encourages him to go along with it.

In the 'willow' music video Taylor enters a glass display case and starts performing for the crowd of an old fashioned circus. As her lover approaches for the first time they reunite through the glass pane but it feels like the glass was intentional to keep them apart, despite their intentions to be together again. This imagery is echoed over and over again throughout Taylor's music videos and the eras tour. We can interpret this as a visual representation of being closeted in plain sight or as a form of protecting something that's delicate. Judging by the way they all end up shattered in the end, they seem to be foretelling what's still to come.

Test run

Truman was never really planning on leaving the first time because he had planned to fail. There are a few benefits of acting in this way. Firstly, we know that Truman had never crossed the bridge before and his attempt forced the director to play his hand by revealing what obstacles were ahead if this was his exit route. Enacting his bigger plan before seeing what was ahead would mean that he's more likely to fail if he crosses the bridge while under prepared for what is on the other side. Secondly, if everyone has assumed that he has failed, they won't see his bigger plan coming if they believe he's feeling defeated. They placated Truman by reuniting him with his father, but that backfired on them when he escaped when they least expected it.

Taylor mentions that "Every bait and switch was a work of art" in 'mastermind'. I wasn't sure if I was using this term correctly when search results were full of business examples and psychologists were linking it with the act of gaslighting, but the type of bait and switch I was intrigued by is akin to a chess move. This type of move is often referred to as the 'queen sacrifice'. By purposely leaving the queen unguarded, your opponent is lured into the trap, only to be met with a devastating counter attack. This, and the element of a trial run before the big reveal, is what lead me to consider that the 'lover' album may have been used as bait for the sale of her masters. If she alluded to coming out straight away to entice the sale that was going to happen anyway, that obstacle wouldn't get in the way of her bigger plan. (It is not my intention to imply that this theory is true, so this is just a hypothetical option in favour of the bigger picture.) If this was a prelude for a bigger plan, it still would have been extremely devastating when it did happen.

The show must go on

This is the turning point in the movie when we begin to see Truman's life from the directors point of view. "An entire human life recorded on an intricate network of hidden cameras, and broadcast live and unedited 24 hours a day, 7 days a week to an audience around the globe." We start to find out how they had to manufacture ways to keep Truman on the island. His father dying played a big part of that, but to the viewers it's just another plot twist in the show they've been watching for entertainment. They have 5,000 cameras around Seahaven now, but started off with just one before he was born and they've been watching Truman's life unfold ever since. "We accept the reality of the world with which we are presented." This is the director's response as to why Truman has never left Seahaven or found out about the show. This contradicts everything we've seen from Truman's point of view. Just because he could leave doesn't mean he could leave freely. How much harder does he have to try before the director will let him go? He goes on to explain that with Meryl's decision to leave the show, a new love interest will be introduced and he has hopes for the first on air conception to occur. It's evident that Truman leaving would derail the directors plans for the show going forward.

Taylor has described how writing a song is like sucking the snake venom out of a bite. Expressing herself creates distance between the heaviness of what she's experienced and I believe this is why she sees herself as the narrator (or director) of her discography at times. During the 'folkmore' set on the eras tour she describes herself as the narrator of the teenage love triangle. It's also common for Taylor to be more than one character at once. At the end of 'the man' music video we discover Taylor is the director, and then it's revealed that Taylor was also the male actor that had been wearing a disguise. This implies that Taylor is James in the love triangle and based on the evolution of her speech, we can infer that as the director she chose Betty in the end. This feels like a clue that we should consider that she has been showing us her version of events from different perspectives all along.

The doll house

Everything on the show is for sale, including their wardrobe, food products and dollhouse style versions of the homes they live in. These elements are jarring after seeing the level of animosity Truman was experiencing with each road block he faced. It feels like they've overstepped a boundary by consuming every detail of Truman's life.

In the 'lover' music video, we first see the lover house is within a snow globe and our first shot of Taylor is through the peephole. The couple dancing throughout the house seem to be sharing a romantic moment, but the entire experience feels voyeuristic. No rooms are off limits as we see them in the bathroom swimming inside of a fish bowl. "Can I go where you go? Can we always be this close, forever and ever?" plays at the same time. It feels like we're asking that of her. It becomes uncomfortable to realise how much we want to have access to every detail of her life.

Back to normal

Headquarters

Not only is Seahaven contained within a dome, the director and his control centre is housed within the moon structure. From the interview with the director we can ascertain that he doesn't usually reveal this much behind the scenes, but the return of Truman's father required some damage control.

The vault in the 'I can see you' music video is reminiscent of the moon shaped structure the director worked out of. The connection between these and the overall theme of the music video reminds me of the scene in 'the hunger games mockingjay' where they rescue Peeta from the capitol, only to find out he was trained to attack Katniss. This scene has an eerily similar asylum vibe like the 'fortnight' music video as well.

The mask

The next morning we go back to Truman in the bathroom again, as if he's just started another regular day. He seems cheerful as he's using a bar of soap to draw an alien outline on the mirror, while at the same time implying that he feels alienated in real life. This facade of normalcy he is presenting after his plan had failed is on purpose to lull the director into a false sense of security. If everyone thinks he has given up and believes he is resigned to staying after all, nobody would see his final escape plan coming.

Just like Taylor showed us with the visuals of the delicate performance on the eras tour, the mask is breakable. Now that we know that Taylor is the one breaking down the facade herself, it becomes harmful to refuse to see Taylor for who she really is underneath the pop star persona. And just like with Truman leaving in the end, Taylor has shown us that she's choosing herself now, regardless of the consequences. So we can either choose to join her, or sit back in defiance until she walks away.

Back to work

As Truman returns to the office it becomes more obvious where all of the cameras have been hidden in plain sight. They're everywhere, including inside his pencil sharpener. But the least obvious camera is the one Truman is wearing, his wedding ring. This came from his father, something he purposely gave to Truman as he was supposedly drowning. He never took it off because it was a reminder of what he had lost at such a young age. Truman was able to escape in the end because he took the ring off and left it behind. They had no way of tracking him if he wasn't wearing it. In hindsight we can see that Meryl's necklace also contained a camera that was used frequently.

If all of the moon and black holes references are a codeword for cameras or surveillance in the Truman show, we can consider that Taylor has used them in her music videos in a similar way. 'The man' music video begins with a similar office scene with a man who is charming and magnetic, but the wink at the camera implies that he's also putting on a performance. At the end of a work call Truman mentions that "life is fragile" after he's introduced to his new love interest. Just like Truman's comment, Taylor has used the word delicate to to describe the fine line between the brittle nature of the facade and how easily it could all fall apart, like what occurs during the 'delicate' performance.

This place is mine

After Meryl left, Truman moved down to the basement. This is the only room in the house that contained anything that was truly personal to Truman with his padlocked chest of mementos and remnants of old hobbies. But on top of all this it was also the room with the least amount of cameras, making it the perfect place to hide.

In the 'lover' music video the only space that is personal to Taylor is the attic, and it’s just like Truman's basement as both rooms are typically used for storage. If you look closely you can see a familiar trunk to the side as she's reminiscing over old pictures on a projector. On the eras tour the only real piece of the lover house is the attic seen throughout the 'folkmore' set, the rest was burnt away on screen and ever since the setlist changed it has been falling over instead. This change reveals that it was a facade all along, similar to how we begin to see behind the scenes half way through the Truman show.

The escape route

The map

Truman's desire to travel to Fiji is heavily featured as Truman's motivation for leaving Seahaven. There's evidence of this throughout the basement, including a large map of the island. Was this really his dream destination? No. Talking about going to Fiji encouraged the director to reveal his endeavours to prevent him from leaving. If Truman was constantly being challenged with his fear of the water, he was also being exposed to potential exit routes and obstacles. Truman's desires to go to Fiji was a facade to masquerade his true intentions of plotting his escape without raising suspicions.

One of Taylor's latest songs explores wanting to escape to 'Florida!' and reflects Truman's dreams of moving to Fiji. Another map Taylor has shown us in her music videos is the man wall. It's seen as a road map for her future rerecords with the end goal of coming out as queer, similar to what Elton John did at the peak of his career. Now that we can see that Truman revealed his dreams to travel as a means of testing his opponent, we can begin to understand that Taylor may have used her attempts to come out as queer in a similar way. If Taylor had expressed her intentions to come out of the closet behind the scenes, she would have been reminded of the challenges she would face if she did so. We see a small portion of this scenario play out with political discussions during the 'Miss Americana' documentary.

Behind the curtain

The director is concerned about Truman being asleep in the basement so Marlon is sent to investigate. When he arrives he finds a decoy in the bed and a tape recorder of Truman snoring. As he searches the rest of the basement, he pulls back the map to reveal what's inside the closet. This is the moment everyone discovers that Truman has escaped and that the map of Fiji was a disguise for his master plan all along.

The man wall is the most fundamental Easter egg for many Swifties, with endless theories on how to decode it. But what if the biggest Easter egg of all is actually set up as a trap to draw our attention in, so that we become so focused on it's significance that we don't notice the bigger picture? The subway wall is made up of small square tiles, with Taylor Swift themed posters and the rerecords written with spray paint over the top to mimic graffiti. But if you look even closer still, you will see that there's also a crack down the middle of the man wall map. This suggests that there's something hidden behind it, just like with Truman's map.

The tunnel

When Marlon opens the closet in the basement, we discover that Truman had dug a hole through the ceiling and this is how he escaped. Marlon climbs up the stepladder and we see his head pop out of the hole in the garden. We could assume Truman began digging this hole after Meryl left because we can see he left behind the same multi tool that she advertised in the beginning, but he was in the middle of digging in the same spot when she came home that day. All we had seen was an awkward shot of Truman from behind as he was working in the garden bed. Truman also purposely left patches of grass unmowed so he had an excuse to be frequently working on the old lawn mower in the basement, something that was quickly replaced once Meryl left.

The ending of the 'delicate' music video is what sparked this deep dive into the Truman show. I discovered that the bar Taylor enters is called the gopher, an animal famous for digging holes underground. This unexpected connection to Truman's method of escape was unbelievable after picking up on many of Taylor's hints towards a departure.

The trap door

If Truman had been digging a tunnel in the garden from the beginning, how did he get away with it? He disguised the hole by filling it with balls and rocks in just the right size that were painted to look like garden ornaments. This is echoed in the scene where Truman is telling Marlon about how he wants to go to Fiji. Marlon asks if Fiji is near Florida, so Truman demonstrates with a golf ball to show that it's practically on the other side of the world. The way Truman is describing it implies that the tunnel is hidden on both sides in a place where the cameras can't find it, and all that's left now is to plan his escape route.

Taylor’s version of Truman’s golf ball is the painted nails aligned with the 2 and 8 on the karma coffee cup, pointing to where her journey through the tunnel starts and finishes. Other ball shaped references include the pearl coloured balls floating around Ice Spice in the 'karma' music video, the golden orbs in the 'willow' music video and the tennis balls in 'the man' music video. When Taylor attempts to leave the glass case in the 'willow' music video, she finds it has been boarded up. She tries to find a way out through the glass, only to reveal that she knew that there was a trap door underneath her feet the entire time. We hear the lyrics "I come back stronger than a 90's trend" at the exact same time Taylor goes down the tunnel. And which trend is she referencing? The Truman show, of course.

Leave everything behind

Cut transmission

Once the director had realised that Truman had really escaped, he was left with no choice but to cut transmission on the live broadcast for the first time since the show began. Panic ensues for the viewers who didn't see this coming, meanwhile we see Sylvia watching from home in anticipation. Ratings for the show are at an all time high as everyone at home waits to find out what happened to Truman.

It's interesting that Taylor drew inspiration from this loading screen for the eras tour poster considering it's a reference to the moment Truman escaped. It draws a very clear parallel to his story, implying that what we're watching on the eras tour is the Taylor version of the Truman show.

Lost at sea

It's unclear how long Truman had after he escaped before the search party started. At first it seemed possible that Marlon left the car door open when he arrived for Truman to escape, but it's more likely he was just in too much of a hurry. It' seems 's likely Truman had some time to escape on his bike undetected. His fear of water meant checking the ocean would be the last place they would think to look for him, which is exactly what happened.

This moment after Taylor entered the bar in the 'delicate' music video reveals a sense of clarity just before she opens up her eyes. The ending of Taylor's story is yet to happen, but from what she's said throughout the tour, she's not planning on slowing down anytime soon.

The note

As Truman sails off we see him pull a note out of his pocket. All he took with him was the collage picture of Sylvia. This symbol of hope for his future was the only thing he took with him. "The only thing that's left is the manuscript, one last souvenir from my trip to your shores."

When Taylor left behind her life's work and started over by herself, she carried a picture of the one that mattered most with her when she left as well. If you look close enough at the man wall, you can see a polaroid shaped outline underneath the black karma letters, as if something that was once there had been taken away. Just like Truman's collage picture, this missing piece represents the secret note from the 'delicate' music video. The one piece of evidence that meant something to them, when so much of their lives were full of half truths and lies. And what's on the polaroid picture? Proof that Taylor is queer... "Like a rainbow with all of it's colours."

It's time to go

Almost drowned

Once they locate Truman as he's escaping on the boat, the director utilises his power to create a storm to derail Truman's attempt to escape. When his first attempts to force Truman to turn back fail, he orders the workers in the control room to hit the boat with the largest wave with to intentionally capsize the boat. They object to risking Truman's life, but the director goes ahead anyway. The wave overturns the boat and Truman almost drowns. As the director escalated his attempts to make Truman stay, it became clear that he would rather let Truman die than watch him leave if he refuses to stay. This highlights how unethical the director's attachment to Truman and the show had become over the years.

In the 'cardigan' music video we see Taylor clinging to her piano in the ocean, just like Truman did with his boat. This shows her determination to fight for her future despite the cost. The trap door Taylor escaped out of in the 'willow' music video is just like the exit points under the stage of the eras tour. Taylor's most iconic exit is after the surprise songs when she dives into the stage. Her character then swims against the current just like Truman did and when she reemerges again it's for the beginning of the 'lavender haze' set.

The getaway boat

Despite the director's attempts, Truman recovers from the storm and sails far enough that his boat crashes into the side of the dome wall. Truman managed to escape Seahaven after a lot of planning, but I think he had some help along the way. If Marlon was aiding Truman's escape plans, he would have been a crucial liaison behind the scenes. Throughout the interview with the director we get a glimpse of Sylvia and find out that her home is full of anti the Truman show propaganda. These include pictures of cast members that could be open to joining their side, with Marlon listed as being their best bet. It's possible the protestors worked together to smuggle Truman's father into Seahaven to encourage Truman to leave. One of the posters shows a young Truman in what appears to be a pizza themed clown costume. Pizza is mentioned a few times by the control centre workers and by the security guards of a car garage. This could be the common factor connecting the protestors helping Truman escape, as well as providing an inconspicuous meet up place to swap information that wouldn't draw attention.

Just like Truman had help, Taylor had a team working together in the 'I can see you' music video. This depicts an alternate view of Truman's escape, with a team breaking in from the outside to rescue Taylor from the vault. Many of the guest appearances in Taylor's music videos are representing the other side of Taylor, more so than any particular muse. Many of the scenes featuring Ice Spice in the 'karma' music video also mimic the ending of the Truman show.

The stairs

Truman found the stairs that lead to the door and is so close to leaving behind the only place he's known. All of this is unfolding because Truman reached a point where his own wellbeing was more important than the character he had been portraying for the audience. Sylvia warned him in the beginning that everyone was watching him. This would have confirmed any suspicions Truman already had and lead to a life of being on high alert knowing he was being monitored at all times.

Both the public and private sides of Taylor have experienced the same restrictions over time, forced to keep a large part of her life hidden from others at all times. The scene with the moon and Saturn implies that an alternative ending to Truman's story is in store for Taylor. The moon was the home of the control centre watching over Truman day and night. Capturing the moon and Saturn in the 'karma' music video suggests that both sides of Taylor have worked together to reclaim the role of director, and are now working together to rewrite their story so that they can reunite and move forward together.

Captive

Finally in a last ditch effort to persuade Truman to stay, the director talks to Truman for the first time. It's clear the director has grown attached to Truman to the point that he doesn't see Truman beyond the character he's crafted over the years, but he only sees the public persona of Truman. The director is pleading for Truman to stay, to let the show continue as it is and claims that he knows Truman better than he knows himself. "You've never had a camera in my head!" is the only thing Truman says in defence. This sentence epitomises everything Truman has experienced living in Seahaven. After all, he was wondering when it was going to end when he was still in school. If the director truly knew what was best for Truman, he would have ended the show years ago.

When Truman told the director that you can't see inside my head, we can assume Taylor is trying to say that we can't see inside her heart. During the 'Me!' music video Brendon Urie opens a heart shaped door that reveals what's inside his heart. This implies that the music video revealed what was in Taylor's heart from the beginning. "When it's like, "me-ee-ee," it's like dancers, cats, gay pride, people in country western boots. I start riding a unicorn, like just everything that makes me me." This is how she describes the music video during the 'Miss Americana' documentary. "And for a fortnight there, we were forever." I believe this is a reference to the fourteen songs on her 'debut' album. Her first and potentially most authentic album is full of songs she wrote before she became famous. And then beginning with 'fearless', Taylor actively added in male muses to her songs to camouflage her queer identity. Unfortunately this was also the beginning of the gap between her public and private life growing apart. Looking back we can see that despite the pain this caused, she never lost hope of reuniting them again.

How did it end?

The final bow

The Truman show challenges our perception of how ethical it is to have such unobstructed access to Truman’s life. We’re left questioning if our entertainment was worth the price he was paying by spending his whole life living in the spotlight. He bows for the audience watching at home and ends with one final “Good morning! And incase I don’t see ya, good afternoon, good evening and good night!” before he turns and walks through the door. The director was left with a look of disgust as he realised Truman had been preforming for the audience all along. Those who had seen the signs watched on with anticipation and those that didn’t were left feeling shocked and confused.

At the end of a theatre performance, the cast will come back on stage one last time to give their final bow of the night as the audience applauds the performance they've just witnessed. We then have to consider that Truman and Taylor's final bow was an acknowledgement of the fact that they had been putting on a performance the entire time. Just like in 'the manuscript', "looking backwards might be the only way to move forward." Going back through Taylor's history and finding the bread crumbs she left along the way will help us understand that the queer version of Taylor had always been there, we just had to know what we were looking for to be able to see it.

The door

As he steps through the door we wait in fervent anticipation to see how Truman's story ends, only to watch as the credits start rolling without an epilogue. This feels frustrating when we had been hoping to see Truman and Sylvia reunite after many years. Instead, this kind of ending is encouraging us to go back to the beginning and reconsider the story through a new lens after learning about how it ended. Each time you rewatch it you can pick up on the deeper layers of the story, seeing more evidence of Truman's discomfort from living an inauthentic life, and how much determination it required to overcome the challenges he faced along the way. Any further explanation would have diluted the magnitude of the moment Truman felt free for the first time in his life. Just being able to walk through the door in the end was the ultimate accomplishment.

The story Taylor has been showing us was never a revelation of her muses, but a slow unravelling of her experience as a famous person who has had very little privacy throughout her life. She's giving us a peak behind the curtain and allowing us to see who she really is beyond the larger than life character we've all built her up to be. And whether we like it or not, she choosing herself now above all else.

The only difference between Taylor and Truman’s story is that Taylor’s not leaving, she’s simply just stepping out of the closet.

Meet me at midnight?

After turning a pumpkin into a carriage and creating a fancy dress to wear, the fairy godmother forewarns Cinderella before she leaves for the ball.

“You must understand, my dear. On the stroke of 12, the spell will be broken, and everything will be as it was before.” 

The same is true for Taylor.

No matter how much she accomplishes in the spotlight, she is always going to be the truest version of herself underneath the layers of her pop star persona.

"Dear reader, will you still want me when I'm nothing new?"

When the clock strikes midnight, are you still going to want Taylor when you can finally see who she really is underneath?

Who she has been all along?

"A pathological people pleaser who only wanted you to see her."

A tortured poet,

Kylie x

🧡

[evermoredeluxe]

Fans in Lisbon pouring Taylor with so much love that she wants to move there ❤️🥺

- The Eras Tour in Lisbon, Portugal (N1) on May 24, 2024 (x)

[nicollekidman]

don't have a leak of taylor swift's new album but i went on a date this weekend with a girl who's friend is a music journalist and according to him it's a very sad album with a lot of jazz influences. hope this helps at all <3

OKAY…… OKAY……… OKAY…… WAIT……. OKAY…