#tangible perception

[dykedvonte]

A crazy thing about Mouthwashing is that Pony Express lost communication with one of its freighters for months and didn’t send anyone to check.

A genuinely reputable company, or at the very least a decent one, would have sent someone, something out to check after about two weeks of silence. Two months is when the crew start questioning if they are even being looked for which implies they were already expecting it to take a while cause P.E just doesn’t care.

They don’t care about who they hire. They don’t care about the conditions they place their crew in or how safe the safety measures actually are. They just don’t care, made rules and regulations so they can care less and succeed in getting away with it with how little those ideas are discussed.

[pespillo]

how long will it take the ggg fandom to racialize the bizzyboys in a bad way and project negative traits on their group (and the rest of the drain) forgetting they started very much as problem solvers for the drain and up and it was probably the culture clash and unresolved trauma and issues that lead Inspekta getting that way (stares very intensely)

[rabbithaver]

i call this Miles Prower's Spectrum of Highly Specific Emotions. it is my belief that all human emotions can be mapped somewhere between these two images. where is my PhD in philosophy

[absolutely-not-my-main-blog]

Hit FX sitcom It's Always Sunny in Philadelphia has genuinely compelled me to read and appreciate classic literature more than any of my many former years of school. I look at the silly rat show and am like I get it now, I'm gonna read Shakespeare, Beckett, Dostoyevsky, etc. and analyze the world for funsies, my grades 7-11 English teachers could NEVER.

[gingermintpepper]

What’s the significance of each color in Ancient Greece? So green is the only neutral color and it represents mostly natural and earthy things, thank you for telling me that part !! Anyway, as for my Hyacinthus design’s hair being brown, it’s due to the combination of it being a fairly common interpretation of his appearance and also because I find I like how it looks with his skin tone and the purple of his eyes.

Okay, firstly; thank you so much for answering my question too!

Admittedly you can't beat out good, old fashioned colour theory so that's completely fair haha! I still think it's very interesting that brown became the common interpretation of his features so I'm always glad to hear other people's view on it <3

With respect to what colours meant or symbolised in Ancient Greece, it's a super fascinating topic because the Ancient Greeks had a very different perception of colour than how a lot of people - and in this case I'll generalise and say english-speaking people - perceive colour. In a lot of languages, especially older ones, colour wasn't just a way to describe the physical perceptional reality of an observable object (that is, the light reflecting off the object that gives it its perceived hue - the way we perceive colour now) but colour was also used to describe the way in which the people experienced the world. A really good way to think about it is now, if you wanted to distinguish between two types of blue, you would instinctively make a distinction between their shades ("This blue is darker/lighter!") whereas these older people would distinguish based on things in their present, shared world that best matched what they were being asked to describe ("This blue is like the sky/the sea!")

That's an important concept to keep in mind because ancient greek was very unique in that, in addition to this concept of colour being completely intertwined with physical objects (and therefore also acquiring the properties of these objects in the minds of the people), the ancient greeks also did not particularly care about distinguishing between different colour hues (that is, differences in specific individual colour) but rather they were entirely focused on a colour's value - that is, whether it was considered light or dark.

Taking all of this into consideration, the question 'what is the significance of the different colours in Ancient Greece' is a bit of a tricky one to answer because unlike say, Ancient Egyptian which has very clear colours (red, white, green), very clear physical objects that give those colours their property (the desert sand, the sun, people's skin) and very clear symbolic meanings that arose from the natures ascribed to those physical objects due to their influence on the people's lives (hostility, power, new life), Ancient Greece's colours and the perception of those colours was much more abstract and poetic, contingent on their understandings and perceptions of things like light and dark, the sense of touch or taste (sweet and bitter/wet and dry) and what quality was ascribed to the object whose colour is being perceived. Colour was a matter of cosmology, of philosophy and there were many different schools of thought on it from Empedocles' physicalist theories to Anaxagoras' realist theories.

All of this is to say, take the meanings I outlined in this handy-dandy table with a tablespoon of salt! These are based on my understanding of the language used to describe things in classical writings that have survived and my own bias towards Empedocles' physicalist theory of colour and the nature of colour which I also think is very useful for people into greek mythology as a whole due to it making clear links between various gods creating things from mixtures of the four basic elements of nature and the colours that are the result of these mixtures.

I hope this helps even a little and I very much encourage you to do some research into different Greek schools of thought when it comes to colour and the perception of colour as well as how colour affects/reflects the innate nature of all things!

(Also, slight extra note, I left out Kokkinos (scarlet/blood-red) from the table because I didn't really think it was relevant for this outline despite it definitely being an ancient colour. It's a bit difficult to find examples of it with the kind of descriptors Empedocles outlines and I don't want to make assumptions based on third hand knowledge on the greek concept of the nature of things. I'd like to believe it was addressed in more detail in Empedocles' original document - only a fragment of the original some two thousand lines have survived after all - it is confirmed that Empedocles spoke on the recipe for blood and flesh, an equal mixture of all four elements as opposed to bones' four parts fire, two parts earth and two parts water (which is why bones shine white, there's more fire than earth or water) - and I don't want to conject or make assumptions.

I also left out Erythros or basic/primary red according to Plato's list of basic colours because that seemed to have specifically been preferred by Egyptian Greeks according to linguistic data. If I opened up that can of worms with respect to the shared Egyptian-Greek colour language including the way the Greeks like many early peoples did not culturally perceive blue until the invention of Egypt's blue dyes then I would be writing forever and you would never get an actual clear answer about Greek colour symbolism separate and apart from Egyptian cultural influence lmfao. )

A few of the documents that helped me consolidate this information include Sassi's 2022 Philosophical Theories of Colour in Ancient Greek Thought and Ierodiakonou's Empedocles on Colour and Colour Vision. There are also a fair few translations and discussions of the fragments of Empedocles' On Nature still floating about - my copy is a somewhat archaic volume of Leonard's 1908 translation but I never went out searching for updated interpretations and translations of the text since its constantly referenced in perceptional philosophy papers LOL

Anyway, yeah, hope this helps! :D

[bugsbenefit]

What I'd keep in mind about the older teens actors having more promo so far is that they're more liked online. The younger leads have more scrutiny on them for whether they like Noah, since they were pretty close before, and Cara while she might be more of a lead this season, also made her likes on X private last month (not long before Elon made it that way for everyone) so they have to know she's being called out for her takes on Israel and JKR. But it is odd we haven't seen Winona or Priah yet

i see where you're coming from it'd make sense if they were just leaning into posting actors they would have to worry less about pr wise. it just doesn't really seem like that is really playing into what they post, at least not in a substantial way

the fact that someone like Winona isn't in ANY promo up until now is weird as hell, especially because Joyce is one of the shows most liked and most iconic characters. (as well as Jo/pper being the most liked ship in mainstream circles) if they wanted to post likable actors to get the hype up she'd probably be the one to go to first

it's also pretty noteworthy that they posted pics of Noah no problem before, even more than once. when even Hopper only showed up once up until now. it's very possible they're holding back pr wise behind the scenes but they're also very much still including him in their official updates

so certain people showing up more than others really does seem to be pretty random as of now and not tied to public perception of the actors that play the characters (people with bad pr like Noah being in posts while generally liked people like Winona not showing up being the easiest comparison)

(and i think it's also worth considering that the production updates we see are generally geared towards fans of the show. people who keep up with the active production of a show that's most likely more than a year from releasing already have to be pretty invested in the property. it'd be a fair assumption on the Duffer's part that the people who are actively following which actors they post are already aware that people like Noah will be in s5. and "holding back" from posting certain actors to what is essentially the core audience would probably not actually do very much since everyone checking ross's instagram already knows who's in the show)

but also, again, i'm not really reading much into who's in the promo posts in the first place right now so i'm not making any guesses about s5 based on this, t'was just an observation. the "teens" being in so many of the updates could be due to any reason really: had fun on set and took more pictures, nothing happened in the scenes that would be a big visual spoiler, or could also just be a real coincidence that we've seen more of the teen group. we're dealing with a small data pool here after all lmao. like, i can say Maya shows up more than twice as much as Noah but in reality we're dealing with 5:2 yk

[heavenlyyshecomes]

there is a level of seduction that exists beyond the body. something less tangible, and perhaps more potent. anais nin understood this idea about how desire does not begin with touch but with language, perception, and the sharp electric pull of a mind that challenges and excites you. in her journals, desire is not just a physical hunger but a hunger of the intellect, an unraveling of thought before an unraveling of the body. to be drawn into someone’s mind, to feel their thoughts press against your own, can be more intoxicating than any physical closeness.

—Caitlyn Richardson, 'can intellectual intimacy replace physical desire?', in milk fed

[cybersigilz]

content is too easily-accessible on the internet i want to work for my knowledge

i wanna be forced to go to the library to find a hefty book with a chapter on the exact topic i'm wondering about. i wanna scan through the table of contents and get distracted by tangents of meaningful wisdom, not quick-dopamine internet games. that's what makes learning fun for me. make it a quest that can fulfill my adventuring mind

[bravesaboteur]

The more I think about it, the more Laios and Falin's different perceptions of their parents are a case of "same parents, different childhood".

Whenever someone asks Laios about his and Falin's family, he comments on how they treated Falin but never comments about how how their childhood affected him - in fact, he kind of glosses over it. It's Falin that everyone is rallying to save, it's Falin that's Marcille's friend, it's Falin that everyone has a positive opinion of - he's just the weirdo brother that gets to share some of her light sometimes. He's the one who's only tolerated when he's useful in a dungeon. Falin's treatment is a large part of the reason that he left, but it's the symptom of a larger issue.

When we see Laios' thoughts of his parents in his nightmares, it's all about the expectations that he's supposed to live up to: the expectation to stop being "childish", the expectation to get married (to who his parents picked) and have children, the expectation to take over from his father as the village chief, the expectation to adapt to something that he isn't able to be in the way that people want him to. And these are all things that he has had to be told in some way: he had to be told that Shuro didn't like him, he had to be told that told that the gold-peelers were taking advantage of him - these aren't thoughts that just appeared on their own, these are all failures that someone has explicitly pointed out to him and they haunt him. Some of the things he considers his biggest failures are his failure to provide for and protect Falin and those have very tangible examples he can point to.

We get a glimpse of what happens when he fails to live up to his father's expectations when Falin is born. He expects a certain reaction from Laios and when he fails to give that reaction he physically puts him down, dismisses him, and underestimates how much he understands.

And that's something that's shown to be a bit of a sore point for him - people thinking that he doesn't understand something because he doesn't express himself like people expect. The few times we see him snap at people are because people think he isn't understanding something because he isn't reacting "normally".

On Falin's side, the expectations seem to be a lot different - she's the younger one, for one, she's a girl, and she was so young when the fallout from her having magic happened. She too had an arranged engagement, but that was broken off when she was sent away to magic school and since then, their parents only seem to be passively involved in her life. She's mostly been freed of the expectations that their parents had for her in her village - she won't be coming back after all. She understands why they sent her away, she wasn't completely oblivious to the villagers treatment of her and it was, arguably, for the best so she is at peace with what their relationship is for now. But she still wants to go to her hometown and see for herself with adult eyes because she has never really had the space to do that.

I don't think their parents are inherently evil people - the truth is probably somewhere between Laios and Falin's version of the story, Laios' side tinged by too much cynicism and Falin's by too much naivete.

It just strikes me that when he tried to provide the "normal" way he failed, but given the space to do something similar to what people expected of him, but in his own way, he succeeded. He isn't perfect but his efforts are ultimately fruitful and he is able to carve out a place for himself, Falin, and others who had been ostracized like them to call home.

[cherrygarcia-07]

Absolutely no pressure, babes. Writing should be fun, not stressful!

What thoughts do you have about say…early seasons Spencer being completely whipped for his girlfriend? He has absolutely no idea how he landed this really awesome gal, but there she is, his beautiful girl, who wants to listen to him, spend time with him.

Serendipity // Spencer Reid☕️

Thank you so much for my first request🥺 your support means so much! I got a little carried away, this is definitely more elaborate than what you asked, I hope you like it anyway but lmk if you want anything a little more playful and light and I can totally give that a go too!

Synopsis: Spencer Reid has never looked for love, believing it was simply just not in the cards for him. That was until you stumbled into his life, changing his perceptive on life- and on himself.

Pairing: early seasons glasses! spencer x reader

Genre: deep fluff

Word Count: 3k

Notes/Tags: bees as a catalyst for love because why the hell not, infodumping as flirting, talks about constellations (from me? shocker), lot of references to spencer’s past bullying & home life, hes down BAD bad he literally studies what to do on a date, princess and the frog reference at the end just pretend it didn’t come out in 2009 okay <3

masterlist

——————————————————————————-🐝——————————————————————————

Spencer Reid had always been a man of science, not of superstitions or of coincidences of the universe. While he found stories fascinating, to him that’s all they were- stories. He believed in facts and numbers, things that were tangible and real and he never indulged in any kind of magic of destiny. That was until he met you. No amount of research, no book he threw himself into or study he conducted could ever account for just how he ended up with you. He wrecked his brain trying to calculate the statistical probability of this happening and how you could have appeared right when he needed you, but for once in his life he was stumped.

He’d never been one to look for love. It wasn’t that he didn’t want it, in fact he felt it like a rock in his chest where his heart should be, heavy and aching behind his ribs as it yearned for what it thought it could never be. It was simply something Spencer believed just wasn’t meant for him. He’d never seen himself in the happy faces of couples he passed on the street, he never related to the dreamy, put-together romantic leads he’d seen in movies, rather he saw himself in isolation. In solitude. A lone star with no constellation. He was there, that much he knew, and he twinkled in his own way, but not in any way that drew attention. Just enough to show that he was alive, just evidence that he existed up there too. He had no connections around him, no story to be told and no greater picture that he was a part of. He felt more like a torch imitating a star, a false light that didn’t dazzle quite as authentically as it searched the dark for what it needed rather than just resting in what it had. Spencer had made his peace with this though- at least he thought he had. After all, the stories behind the constellations are just myths. They’re simply just things humanity had attached meaning to with no real science or history behind them, and he truly believed that.

That’s why you were so baffling to him.

It started with a bee, of all things. It was Spencer’s turn to do the coffee run for the team in the middle of a local case, his steps weighing beneath him with exhaustion despite it being the middle of the day as he dragged himself to the door of the café. He had just wrapped his fingers around the door handle and was gathering the little energy left in him to swing it open when a sudden scream rang out behind him, jolting him awake as he dropped his hand and spun to face the noise. On edge from the case, his mind rattled through a thousand dire possibilities as he mentally prepared to jump into action. What his eyes landed on, however, wasn’t any kind of crash or violent attack like he had feared, but rather a girl… swatting a bee. The panicked lump in his throat cleared as he caught his breath and watched you flail your arms in the air as you continued squealing, coffee flying out of the small hole in the top of your takeaway cup in every direction. Deciding to put you out of your misery, as it was still his duty to protect no matter how small the stakes, he took a step closer and with one heroic wave of his arm the bee was gone.

There was a feeling he couldn’t quite place somewhere deep in his chest as he took in your expression; big dazed eyes flooding with relief as they watched the culprit flew away; soft cheeks painted pink in the aftermath of the chaos; and lips parted ever so delicately as small puffs of air escaped them, before they spread into a brilliant grin that took over your whole face. Laughing lightly, you reached out and gently held his arm to grab his attention, not realising you’d had it the whole time.

“Thank you so much. You saved my life there.” Your voice chirped, though he barely registered it through the flustered rush of blood pounding in his ears.

Spencer looked down to where your hand still rested on his arm. Usually this was the part where he would recoil, politely but firmly snatching his arm back as he mumbled something about germs and bacteria and pathogens. But he didn’t pull away. Why didn’t he pull away? A beat of awkward silence passed as he stuttered internally, trying to get his mouth to cooperate with his brain as he failed to tear his gaze away from your eyes.

“It was a drone.” He groaned at himself in his head. Respond normally, idiot his brain yelled.

For a second, your brow furrowed as you bit your lip in thought. “I’m sorry?”

“It, uh-“ He stammered, painfully aware that your hand was still on his arm. “It was a drone. A male bee. It wouldn’t have hurt you.”

Nice going he cursed himself. Spencer held his breath as he braced himself for the inevitable reaction he was all too familiar with; the awkward hum as the other person pulled away, the barely masked grimace on their face at his compulsive need to drop facts at any given moment, and finally one of the many variations of ‘I’m running late, I better get going” among other excuses to stop talking to him. Except it never came.

Instead, you tilted your head to the side curiously, a thoughtful look on your face as you stared at the space in the air where the bee had been just moments ago. You were still touching him.

“Do male bees not sting or something?” You asked, the genuine interest in your voice taking Spencer by surprise.

He almost wasn’t sure what to do. If he wasn’t used to people actually listening to him when he rambled, someone asking him for even more information was practically unheard of.

“They can’t sting,” he begun, a mix of confidence and excitement at your interest bubbling up in his words, “stingers aren’t compatible with their anatomy. The stinger is essentially a modified ovipositor so it only exists on the female bees so they can lay their eggs. The stinger also isn’t needed for male bees for any defensive purposes since they have no role in defending the hive either so, uh.” His voice trailed off as he cleared his throat, his confidence dipping as he realised how much he was speaking. “Yeah, perfectly harmless.”

He sheepishly met your gaze once again, still half expecting to find that disinterested, disapproving look in your eyes. You finally pulled your hand away from his arm and oddly, Spencer found himself mourning your warmth through his sleeve and shocked himself with how much he wished you would reach for him again.

“That’s actually good to know.” His heart raced as you flashed a grin at him. “I’ve always been terrified of bees. That little fight you saw just now is a regular thing for me.” You replied with a giggle so sweet Spencer thought he should bottle it and pour it in his coffee- if he ever remembers to go in and get it.

“It’s a pretty common phobia, but actually bees have a lot of positive symbolism that contradicts people’s connotations about them.” His felt his phone buzz in his pocket. He ignored it.

“Oh yeah? Like what?” Spencer noted the way your fingers drummed against the coffee cup in your hands, realising you had your drink already and there was really no reason for you to be here anymore. You were choosing to be here with him. For a moment, he felt like he’d had the breath knocked out of him and he felt his heart beat so hard behind his shirt he worried it would break out.

“Most commonly, they’re associated with hard work and community but in a lot of cultures they also represent prosperity and the circle of life. In ancient cultures they even believed bees to be of divine wisdom and they were seen as a symbol of guidance.” His cadence was suddenly a lot livelier, much more sure of itself as it evened out and strayed from the quiet shake of his words earlier.

“A symbol of guidance?” You repeated, not so subtly eyeing him up and down, adoring the nerdy way his glasses slipped down his nose as he spoke. “Maybe that’s what that bee was doing here today.”

There was a flirty undertone to your voice, not that Spencer noticed. Girls never flirted with him, or at least he convinced himself they didn’t. He’d spent far too much time on the receiving end of older girls in school pretending to like him for their own amusement and so he’d stopped looking for the signs entirely until they just began to pass him by.

“What do you mean?” He asked quizzically, his head tilting like a puppies in confusion.

“It guided you to me.”

His phone began ringing again- no doubt the team wondering where their coffees were, but he couldn’t even hear it over the ringing in his ears.

“Do you need to get that…?” You trailed off, trying to catch his name.

“Spencer.” He managed to croak out eventually. “And no- well I probably should actually, but it can wait.”

His doe eyes were blown wide, his mouth hanging open like a fish in a stunned state you didn’t yet know you would grow to love. You bumped his arm in a playful manner, holding back a smirk when his still dazed eyes darted between your face and your hand on his arm once again.

“Give me another one before you go, another nice bee thing.” You smiled softly, staring up at him through your lashes, and the invitation to teach again pulled him back to reality as he snapped into action instantly.

“This isn’t necessarily anything to do with bees themselves but have you heard of the Beehive Cluster?” He smiled fondly when you shook your head. “It’s a cluster of around a thousand stars within the Cancer constellation- described by Ptolemy as a nebulous mass. It’s named after its resemblance to a beehive, both in shape and in symbolism- the stars together in harmony like the bees.”

“That sounds beautiful, Spencer. You know a lot about the stars?” He nodded eagerly, but not smug. More like a man who was passionate about what he knew and was eternally grateful to have someone to share it with. “Well you’ll have to take me stargazing some time, it looks like I’ve got a lot to learn. What do you think?”

It was as if he’d been hypnotised, your proposal like the magic word that snapped his confidence back like elastic as his jaw dropped again immediately and he became a stuttering mess right there in front of you.

Spencer had a lot of explaining to do when he arrived back at the BAU empty handed.

Fast forward a few unfathomable months down the line and here he was, somehow lying beside you in bed watching the moonlight drape over your sleeping frame like the blanket wrapped around your waist. A heavy but pleasant feeling tugged at his consciousness, unsure whether it was from the late hour blinking on the clock or the love-drunk haze he always seemed to be in around you (though he would happily bet on the latter).

Afraid to touch you and disturb your sleep, Spencer let his eyes wander over you lovingly. His breath hitched with admiration as if it was his first time looking at you, overwhelmed and quite frankly astounded at the fact you were even here. With him. He gazed over your hands -your soft, gentle hands that pushed his glasses back up his nose with a touch so delicate against his face that he forgot about every hand that ever struck him there; your doting, attentive hands that buttoned his cardigans each morning when he was rushing too much to care about it himself; your tender, caring hands that combed through his hair as he cried into your shoulder after a case that hit him particularly hard. He let out a shuddering breath, his trance travelling to your lips, parted in your sleep and rosy like a cherub’s. Those same lips that harboured your sweet voice and that flashed your heavenly smile his way and made him weak. Those lips that reassured him that he was the only thing that mattered when he felt he was the only thing that didn’t. Finally, with bated breath, his focus shifted to your eyes that shone like the north star. His Polaris. His guiding light home, always waiting in the dark with open arms for him to fall into whenever he was lost. Those enchanting eyes that saw the beauty in everything- that somehow saw it in him.

Spencer was someone who valued his privacy and he had tried to keep the relationship to himself for a while, but working with a team of profilers and the fact he wore his heart on his sleeve meant it didn’t last very long. Before your first date he had shown up to work a little fancier than usual, like a child on their first day of school, knowing he would have to meet you straight from the office. Derek had immediately caught onto his gelled back hair and elaborate tie, embroidered with a sea of stars, and had thrown a few teasing comments his way along with his signature brotherly smirk. Gideon in a fatherly manner had straightened his tie for him before he left, patting him on the back and holding back a proud smile. The next day, when the grin Spencer wore pulled at his lips so hard it may as well have been stitched in place, his walls came crashing down and he told the team everything.

Spencer would never admit it but he’d studied beforehand, scouring the library for anything and everything even remotely romance related. As it turns out, being years below your peers your whole life doesn’t really open any doors in the dating world, often leaving him tuning out his emotions over a solitary game of chess, but he was determined to do everything he could to learn to be the perfect gentleman for you. At the restaurant, he pulled your chair out for you before seating himself closest to the door to protect you from the breeze whenever it swung open. Afterwards he walked you home, lingering close enough to breathe in the intoxicating smell of your perfume but refusing to touch you uninvited lest you think that was all he wanted from you.

Eventually, you approached your front door and you stopped for a moment, turning your head up towards the blackening sky, the stars not quite poking their pretty little heads out yet.

“What’s the matter?” Spencer asked, concerned as you sported a slight pout.

“I wanted you to show me the Beehive Cluster.” You sighed, dropping your gaze to the floor, a crease appearing between your brows that he found himself wishing he could kiss away, touched that you’d even remembered what he’d told you.

Your head snapped back up as he reached into his pocket, pulling out a notepad and pen with a small smile. You watched, confused as he frantically scribbled in silence, not daring to speak incase you burst the focused bubble he was in. After a moment, he glanced back up at you with a bashful expression, shyly holding out the piece of paper, now torn from the book.

“Until next time.” He said softly, barely audible but impactful nonetheless. Heart melting, you took in the scribbled illustration of the cluster on the page, fingers delicately tracing the ink like it was sacred.

That same drawing now lived framed on the nightstand beside where you slept, lit up by the moonlight creeping in through the curtains. The memory played over in Spencer’s mind on loop and he thought about waking you, overcome with the urge to pepper your face with a thousand kisses for every painful memory of his past you’d overwritten. For every girl that had asked him out as a joke; for every boy that made him feel inferior; for every time he had refused to let himself believe he could be in love, there was a countless amount of new memories with you. From his understanding of the world, love had always looked like something that left you in pieces more often than it put you back together. Love looked like a broken home and a broken family. Like something that only worked out in fiction and sometimes not even then. Love was a forbidden fruit hanging illuminated in an artificial light that looked just real enough to trick people into taking a bite, punishing those who dared think they were deserving of it. What he never even dreamed was that love could look just like this. Like sci-fi movie nights curled up together on the couch wearing matching mis-matched socks, or like quiet evenings spent comfortably side by side saying nothing but feeling everything. Truthfully, he never knew love could look like you.

All this time, Spencer believed it was his place in the universe to sit alone and observe, twinkling humbly from his place in the dark. He believed he was simply meant to tell the stories, not be part of one himself. Little did he know his place was beside you, his Evangeline, in a harmonious beehive all his own.

Spencer Reid had always been a man of science. But that night, as you lay beside him, he thought about the old mythological beliefs that bees were once divine messengers between mortals and the Gods- and he thought that maybe he believed it. Tears pricked his eyes as he leaned in and pressed a feather light kiss to your forehead and he found himself thanking that serendipitous bee that day for bringing him everything he didn’t know he was missing.

-

[saintshadow]

What should you STOP worrying about? PICK A CARD

Pile One, your significator card is the Six of Wands.

Pile Two, you will be the Fool.

And Pile Three, you will be The Moon.

PILE I

We have the Eight of Cups and the High Priest reversed.

I feel like this pile carries a lot of abandonment wounds and a fear of being left behind. There’s deep pain connected to attachment styles, and with Judgment reversed and The King of Swords reversed, I feel like this fear clouds your judgment at times. Your attachment wounds may lead to inaccurate perceptions, making it hard to trust yourself or others.

Stop worrying about abandonment. Stop worrying about needing to run away.

I feel like this pile has a tendency to run from things rather than face them. Some of you might have Cancer, Aquarius, or Capricorn placements—signs that tend to internalize their struggles, putting up a tough outer shell to protect themselves. There’s an intense need for privacy, control, and a desire to be perceived in a certain way.

However, you're learning how to balance your relationship with yourself and your relationship with others. You’re being advised to reflect on how you show up in your connections—are you reliable? Are you present?

With the Strength card, Three of Pentacles, and Seven of Pentacles, you have a strong support system around you. You need to trust that support and allow yourself to receive it. Let people be there for you in the way you’ve always been there for others.

If you keep pushing people away out of fear, you won’t be able to fully embrace the love and security that’s trying to find you. There’s a wound in your heart—a seed of doubt that was planted a long time ago. It could stem from trauma, betrayal, or even a past life. That fear needs to be acknowledged and released.

With The Hanged Man and Ten of Cups, I feel like the universe is trying to show you how loved you truly are. But you struggle to see security and happiness as something tangible. Maybe you feel like it’s too good to be true. Maybe you’ve never fully trusted that you can have stability, peace, and success.

But look—the Ten of Pentacles and the Ace of Swords are here.

This is what’s meant for you. A stable, abundant, fulfilling life. It’s here whether you see it yet or not.

For those of you stuck in toxic or abusive environments, your way out is coming. But for many of you, you already have this stability—you just need to appreciate it.

It’s not going anywhere. You are safe. You are loved. You deserve security.

And here’s your biggest test:

Can you accept your blessings?

Can you grow mentally, emotionally, physically—whatever it takes—to maintain the life you’ve been manifesting? You’ve done the work, and now it’s time to step into it.

You’ve fought hard to get here. You are a warrior. And now, the universe is asking you to finally let yourself receive.

If you enjoyed this reading, you can message me for a personal reading. It’s $25 for a basic and $35 for an in-depth reading on this topic.

PILE II

We have The Devil (Chains), The Page of Pentacles, and The Nine of Swords reversed.

Hmm, this is interesting. It feels like you go through a lot of internal conflict. I think you’ve gone through a lot of loss, and you’ve kind of grown to distrust yourself—like you don’t trust your ability to think or navigate things. But you are actually very good at this.

I think that you bring a lot of shame and pain onto yourself. You can’t let go of your own past or fears, and it feels like you're stuck in a loop. But I’m not saying you can’t let go—you absolutely can. It’s a mindset issue.

Let’s see here, what do you need to stop worrying about? We have The Six of Wands. Some of you might feel drawn to pile one or feel connected to it. I feel like you don’t need to worry about proving yourself. You have something to show for your efforts. You are better than you think, and I think you just have to allow yourself to learn new things and understand that you won’t always immediately master something. There will be difficult moments, but you’re doing well.

I see here that maybe some of you are worried about money, a connection, or maybe even a romantic relationship. But I feel like for those of you going through difficulty in a connection, I see you coming out on the other side of this. You just need to be proactive about your healing. Sometimes, you can be your own blockage because you won’t take action the way you need to. There’s an emphasis on taking action here, tweaking your approach, and trying new things. You might be treating yourself like a one-trick pony when you’re really not.

Let’s get more clarification on the Devil. We have the Two of Pentacles. Perhaps it feels like you’ve got one foot in this new life, this new structure, and the other foot in the past. For some of you, it feels like you are going through a form of integration right now. I don’t think you need to worry about holding on to your independence or your security. You’re fine.

We have The Ten of Pentacles and the King of Pentacles. So there could be someone looking out for you or assisting you financially. This could also be family or an ancestor. There’s a lot of protection around you, and you do have someone or something looking out for you, assuring that your path to success is supported.

With The Nine of Swords Reversed, you don’t need to worry so much about these anxieties. You’re going to make it. In fact, you’re getting there very quickly. The issue is fear. You might be scared of your own success or being seen. The message here is: stop worrying so much. You’re on the right path.

There is an emphasis on doing a lot of inner work. There’s a strong need to heal and transform some of these negative self-images. Don’t be so harsh on yourself. Be more kind to yourself.

For some of you, you’re also learning how to take action in your connections, relationships, and life. This is where the difference between this pile and pile one lies. You’re learning how to really go after what you want, but there’s work to do on overcoming old fears.

If you're in a relationship or connection, I see success. I see this connection blossoming into something amazing. I also see where you and this person fight for each other. If there’s a choice or decision being made regarding you and another person, I feel like you’re the one being chosen.

For some of you, there could be a feud within friendships or a work situation, but whatever it is, know that you’re being chosen by someone or for something. There are a lot of beautiful things coming into your life, but it’s up to you to stop living in constant fear and to see beyond your old story in order to receive what you desire.

If you enjoyed this reading, you can message me for a personal reading. It’s $25 for a basic and $35 for an in-depth reading on this topic.

PILE III

This pile has 2 subsections: singles/situationships and Committed HEALTHYYYY Relationships. so pick accordingly!!

We have The Ace of Cups reversed.

Singles/Situationships

I feel like you need to stop worrying about some kind of romantic situation. You really just need to be alone for a little while. I know some of you might not want to hear this message, but I have to give it.

I see that you work really well with this person & there might even be future potential- You’ve built a lot together, but there’s constant conflict. It’s like they can’t seem to decide what they want, and you’re over here thinking about all the amazing things you could have together. But why are you trying to convince someone of your worth? Someone who won’t even take action? Who won’t even make it real?

We have the Magician here, which tells me there is potential in this connection. You bring so much to the table, but I also see the risk. This person’s indecision might hurt you in the future.

With the Chariot, I see you moving on. Some of you might already be in the process of losing feelings, while others might feel like a lover is moving on from you. And maybe that’s exactly what you’re not supposed to worry about.

Committed HEALTHY Relationships

For those in committed relationships, you might feel like your partner is being distant. But don’t let it consume you—sometimes, it’s not that serious. Some people are just busy, learning new things, or exploring the world in their own way. With the Justice card and the Queen of Swords, I see that this person wants to do right by you. You know them well, and they care for you deeply.

Someone in this pile could have a lot of anxiety about their relationship, possibly due to past experiences, trauma, or just a general tendency to worry. But if you’re in a solid, committed connection, this is a reassurance—this relationship is leading you to something peaceful.

That doesn’t mean there won’t be challenges. Every relationship has obstacles, moments of loneliness, or conflicts. For some, this could be a long-distance connection. And long distance doesn’t have to mean thousands of miles—it could be as simple as being in different cities, working different schedules, or just not having as much time together as you’d like.

Don’t let that make you insecure. Distance makes the heart grow fonder if it’s real love. This person does feel fondly about you—they miss you just as much as you miss them. Sometimes, life simply gets busy, but that doesn’t mean they aren’t committed to you.

We have The Four of Cups.

Some of you might struggle with depression or apathy. You need to stop worrying about the past and start focusing on the future. I see a lot of fear—fear of slipping back into old patterns, fear of things going wrong again, fear of losing yourself.

You might have a tendency to be pessimistic because of past experiences. But this is your reminder: Now is not the time to dwell in the past. Now is the time to build your future. To become the version of yourself that you truly want to be.

It’s important to be authentic, to nurture yourself, and to stop prioritizing others over your own well-being. The more you neglect yourself, the harder it becomes to feel secure and happy. Right now, your biggest lesson is learning how to accept happiness—learning that you are actually allowed to have it.

That’s about it for this pile.

If you enjoyed this reading, you can message me for a personal reading. It’s $25 for a basic and $35 for an in-depth reading on this topic.

[iwillmissourtalks]

Mel Medarda: A Field Guide

I occasionally see people nervous to write from Mel’s POV & while I’m absolutely not an authority on her character I thought I might make a list of things I like to keep in mind when writing from her perspective.

None of this is mandatory, it’s more a reference for my own fic than anyone else’s lol

Mel is a diplomat first. When writing from her perspective, moment-to-moment descriptions tend to focus on body language and tone rather than environment. She notices the implications behind dialogue and the emotions in a room before any kind of physical threat. When she does focus on her surroundings it’s because she’s alone or doing something with a specific intent - think insight vs perception in dnd.

She fidgets! A lot! When surprised or thinking she goes for her clan ring and later in s2 she clasps her hands in her lap. The hands in lap thing always feels very intentional, like she’s doing it specifically to avoid doing anything else.

Mel is a noncombatant character. Prior to her mage arc obviously, but even then it’s obvious fighting doesn’t come naturally to her. She’s not very strong and she’s never worn an outfit that’s practical for … anything really.

Politicking is one of her talents but being mysterious really isn’t. She’s like,, comically bad at not drawing attention to herself (see: s2 act 3, face covered but both thighs are OUT. I respect it but queen why are you doing this).

This is more of a note for any character from Piltover, but unless she’s been told otherwise Mel is going to refer to Zaun as the undercity. This isn’t even a classism thing, the nation of Zaun is a hypothetical dreamed up by revolutionaries - it’s niche even to the people who live there.

Mel has spent her life very ‘above it all’ in terms of consequences. She often forgets how tangibly invested people can be in the things they do. Additionally, she’s deeply moved when reminded of that investment or by displays of vulnerability. Look at her face when Jayce lays on her lap for the first time -> she goes from surprise, almost panic to a kind of bemused affection. It’s very quick but it’s obvious it’s not something she’s used to.

EVERYTHING GOES OUT THE WINDOW WHEN IT COMES TO AMBESSA. Mel IMMEDIATELY becomes both hypervigilant and deeply emotive in a way she isn’t around any other character. It doesn’t read as her losing control but around her mother everything very suddenly has Stakes. Piltover is a chess match where Mel has one eye on the door at all times wondering when Ambessa is going to come in and flip the table.

She has frequent nightmares. There isn’t enough evidence to 100% confirm it but I like to headcanon her as an insomniac, the purple makeup under eyes is a very … specific colour to not be hiding eyebags.

Her magic hurts, it’s also very physical. She has to haul it around like a heavy object & shudders & grips it when conjuring shields. Prior to the Noxus cinematic she blacks out/almost collapses every time she uses it for more than a couple seconds.

She tilts her head when frustrated.

When describing her from an outside perspective and word I tend to lean on is “soft”. She does a lot of stuff softly. Intentional; methodical, slow, watching and evaluating are all words that get thrown around a lot as well; she’s very specific in the way that she moves.

When caught off guard Mel tends to go very still. She makes a very slight movement back/inward and then just stops. Her eyes kind of dart around and after a few seconds of reevaluating she intentionally relaxes and speaks again.

Mel IS manipulative but it’s not malicious. She never gaslights anyone she’s just the type to see the optimal path through a conversation and has to make an active effort not to take it. That scene where she ignores Viktor? Really obvious debate tactic, she’s not giving the opposing argument time to breath. It’s a shitty move but it’s not because she looks down on Viktor as a person.

She’s an artist with a really strong eye for colour. When she notices things that’s probably the first descriptor I go for; then shape and some kind of comparison to a past experience. Her memory is insane, especially if it has a strong emotion tied to it.

When speaking, Mel’s very direct with what she wants. Everything is either conveying information or asking a question; it all has a purpose. She notices so much context I often find myself with entire paragraphs between short lines of dialogue:

Anyway yeah!! She’s my favourite character in arcane and probably one of my favourite characters to write ever. There’s so much left to say but this post is already really long lol

I hope it was helpful

[starsreality]

Gentle Reminder!

You AREN’T persisting in your ‘assumption’ because you don't currently have your desires, but simply because it is all real and truly taking place in the only reality that matters: the 4D! You're only reminding yourself this very fact if you forget because your desire is already fulfilled and nothing else needs to be done.

Stop constantly checking the 3D for results. Would you wait on something you already have? No, right? You would enjoy it with peace. Impatience comes from feelings of lack from the 3D so just fulfill inner self using your imagination. Deeply immerse yourself in your desire using your imagination, it helps on focusing on the 4D reality.

Just because what you imagine in the 4D is not tangible with senses does not mean what you imagined wasn't as real as what you see in the 3D.

Your every perception literally creates the reality you occupy, but reality itself has no power over you because God (consciousness) is always above its creations (awareness).

— Star’s Reality

[purplemoonfox]

On and in defense of Commander Fox and the Corries, and why I think they were set up to fail

Summary at the bottom because I like to go on.

Things we know for sure about clones and Fox and the Corries in the strictest canon sense (which ain't a lot):

1. They are stationed on Coruscant.

That is definitional, now remember what Coruscant is.

2. They have no Jedi in charge of the Guard, they report directly to Palpatine.

Although I adore the fanon that Quinlan Vos is their Jedi, it’s not canon.

3. Clones love their brothers dearly.

That is almost without exception, even the clones we see acting against the Republic (hi Slick) at least believe they were acting in their brother’s interests.

4. They seem to accrue extra responsibilities as the war goes on, up to the point of being the ones we see Palpatine with in ROTS.

Even if they don’t, the idea of a law enforcement/military unit answerable only to Palpatine is a shit idea. There’s reasons people worry about accountability in real life, and sneaky little shits who act all nice and innocent at first but eventually show their true colors once they have power in the bag is one of them.

These are all very obvious.

In very short terms, it's very likely Palpatine uses the Coruscant Guard to sow public dissatisfaction.

And all those that hate Fox fall for it by proxy, because I think you're essentially seeing of him (and the Guard, and by extension the clones) what Palpatine wants the public to see and think of clones.

The Coruscant Guard are probably the most consistently accessible and visible of the clones in the galaxy to its biggest cultural and political hub. Most of the time the 501st or 212th or any other seems to drop in, fights a battle, and apparently fucks off afterwards? Obviously, planets like Ryloth have a stronger personal connection--some GAR contingent seem to have been there practically the whole damn war and Howzer was obviously very familiar with the Syndullas, and they with him (and look how personable Howzer is, and how quickly and somehow easily he extricates himself from the rationale clones held about their orders; maybe it makes sense to think of it like how leaving your little hometown where everybody thinks the same affects a person)--but otherwise I feel like the clones, to the rest of the galaxy, are (expensive) theoretical constructs.

The vast majority of the public aren't likely to have any personal experience with a clone, let alone a develop personal rapport with one, unless they happen to go to specific places like 79s where they can be found, and that still doesn't necessarily lend itself to extended relationships since most of the clone patrons would only be on Coruscant temporarily. Some fics portray clones as being refused entrance to establishments (especially later in the war when people were protesting clones themselves) or restricted in where they can go (like grocery stores, etc.). I think that's plausible, even realistic--but it doesn't seem to be a focus of canon aside from showing some protests so I'll let it alone.

What we know of that IS canon is that clones aren't allowed to even think about having families or doing anything with their lives besides being soldiers (even though all of them have thought about it, even just secretly; I'd wager that all of them have secret dreams they don't share); it's against regulations as we see with Cut Lawquane in season one of TCW. So to effect this, clones are probably actively or passively discouraged from forming close friendly relationships with anyone who isn't a clone and who they have no reason to be speaking with—aka most people besides Jedi (and if the fanon can be believed, if decommissioning/euthanization is a concern, they would have the motivation to avoid even the perception of such a relationship). Obviously there are going to be exceptions, but you can scrutinize a stable population a lot better than an itinerant one.

The point is, if your only tangible frame of reference is a rigid hall monitor that doesn't demonstrate much of a personality (even though clones have real, complex personal lives beneath that surface) and is behind a faceless mask--and we see so little of the Guard that what exists of their personalities is, let's be real, nearly all fanon--then you never really have a chance to acquire a sense of their humanity, and a strict enforcement of regulations tends to breed resentment in a population for whom strict adherence to regulations isn’t normalized. There will be cultural differences in play.

This is not the clones' fault, they neither asked to be created nor put into this position, they’re only doing what they’ve been asked to do, but it plays directly into Palpatine's goals.

Moving on.

Sure, the Guard answers to Palpatine in the chain of command, and we see them actively serving him in ROTS, but Palpatine definitely isn't doing shit for fuck for the Guard's administration in a daily sense, so Fox basically runs that whole bitch by himself in every practical sense--a clone, with no rights of his own, considered property, in a situation increasingly hostile to him and his.

Now let's think about the clones we see: as far as we can tell, clones' social lives are largely insular. They mostly see and talk to each other, and that's not necessarily by nefarious design (as discussed above), that's just what happens (military people tend to hang out with other military people, that’s just how it is; you’ll spend most of your day around other military people, most likely stationed in a place you’re not so familiar with that it’s easy to do anything else). Remember: we as viewers get access and insight that people in-universe don't.

And, significantly:

The Corries do not have a Jedi. The Jedi see value in their lives beyond their merely being expendable, faceless, and unthinkingly obedient droids wearing flesh, this point was made multiple times--and the Jedi are able to walk the line between orders and the bigger picture, which rubs off on the men they lead. Go watch Nala Se’s (bitch can catch these hands) comments about the Jedi’s influence on the clones when she’s speaking to Dooku.

I can see leaving the Corries without a Jedi being another saccharine, oh-so-magnanimous moment from Palpatine (he has so many of these) in the vein of expressing confidence in the clones' capability and in being very undemanding of the Jedi, in order to “free up” Jedi (whom he so totally trusts) to fight the war…but in effect leaving the Guard without anyone familiar with Coruscant and equipped to play referee with the environment and peoples they're bound to serve, and with no one batting in their corner or showing them any other way to exist and think.

On a side note:

Fox is an interesting clone commander anyway, not least because he doesn't have a Jedi to bounce off of. In a sense, whether or not Fox had his chip activated, we’re probably seeing how a clone commander was originally going to behave on their own initiative: see problem, address problem, think no more deeply than that. The Kaminoans did not want creative thinking in the clones. The clones were trained to fight the enemy they’re pointed at with singleminded intent, it stands to reason that that straightforward directness would transfer to other instances which might have been more kindly served by a different mindset. Their mindset isn’t even like a real life military where you’re still obligated to think about the nature of what you’re ordered to do—just following orders hasn’t been a valid defense since 1945.

TBH I've got a lot to say about fandom, the fetishization of actual violence through the lionization of fictional violence (although I don't think that fictional violence breeds actual violence; rather, I think people who were already interested in it go looking for things they think reflect their beliefs), and why we even have war crimes as a concept (and the absolute ignorance perpetrated by an increasingly illiterate populace), but...

I digress.

You cannot claim to have sympathy for clones without acknowledging their humanity and that includes for the ones who didn’t have the chance to grow beyond the limitations built around them. It was awful that Fox killed Fives, but it’s a tragedy like so much else in this franchise, not proof that Fox is awful. Part of the horror of what we see everyone go through in clone wars is how many times Palpatine’s plans almost derail but it never happens.

If your complaint is that Fox didn’t think any more deeply than what was right in front of him in the moment, remember that that’s exactly what’s been expected of Fox and all other clones: obey orders, and it’s not their role to determine what those orders are. Abstractions are for those who are not expendable, made to die. Orders are orders, and good soldiers do what again? He quite literally all but says “my opinion doesn’t matter” when he tells Ahsoka that he doesn’t blame her for (apparently) killing Letta, but she’s under arrest anyway.

Fox is put in a position of having to wield authority in a very different way than any other clone commander, has no direct support from or evident collaboration with the one group of people who generally see clones as living beings worthy of compassion, and deals with the public while having been trained to lead a war campaign. His is a war of attrition, not dropping in on a planet and fighting a battle, and he’s responsible specifically to Palpatine, who is literally the big bad. Fanon tends to think that Palpatine either activated his chip early or tortured him; honestly either one tracks, it's Palpatine after all--and in two major instances, we don't see what Palpatine says, to Fives or to Fox--but the fucker is a masterful manipulator so anything and everything is still on the table.

But in the midst of all this, because clones aren’t unthinking or unfeeling, and the dissonance is tragic but not absent:

Clones do give a shit about their brothers. Fox is no exception; he's audibly upset when he asserts that Ahsoka killed three troopers. And the immediate order to shoot to kill is pragmatic--he only issues it after he believes she was willing to kill clones to escape. That’s a fair order; if she’s willing to kill clones as he believes she did, then his men should at least be able to defend themselves as well as they can. See issue, address issue.

I mean. Shit, he doesn’t stick around after he shot Fives; we see his face once and that is not a triumphant posture. If he wanted to gloat or be an asshole about it he had the chance. Rex probably would've gone for the throat, but he had the chance.

The way he dies also suggests this. He could have thrown somebody else under the bus--called the men who fired on Vader defective, shifted blame somewhere else, somehow. He did not. There was one thing Fox ever had control over in his life, and that was how much he let anyone else take the fall. Hell, his answer wasn't even that bad, but Anakin (who is on my permanent shit list for not putting two and two together from the Sifo-Dyas reveal and what Fives told him earlier) probably did have it out for him, because Vader is an asshole. He's a Sith, it comes with the territory.

So, to summarize:

Clones are trained from decanting to do as they're told regardless of their personal feelings, and Fox in nearly so many words states that he acts regardless of his personal feelings. He is not likely to be in a position where he's shown a different way to behave, or interact with anyone that does anything but reinforce that expectation.

(Side note, I feel like Palpatine would have a great time tormenting Fox by sending him off to do shit he personally disagrees with but is technically correct according to the letter of the law..................)

Fox essentially is on his own in an environment unlike what most clone commanders deal with that he probably wasn't trained to understand much of (cultural understanding is important); it's rather likely the Guard hews very close to their training because of that. They'll stick to what's familiar and what's expected of them as they understand it. That is a very normal human response.

Leaving the Corries without a Jedi means that, as well as lacking anyone who sees them as individuals worth more the money it cost to make them and who treats them as such, they lack a go-between and likely familiarity with the population they're policing but are subordinate to, legally speaking, as clones are seen as government property, not people. This is going to breed resentment; somebody is going to bitch that no clone has the right to do bla bla bla.

The vast majority of the galaxy is going to take cues from Coruscant whether they like admitting it or not. If Coruscant has a bad impression of clones, then the vast majority of the galaxy—for whom the clones are (expensive) theoretical constructs—will have a bad impression of clones. Clones may not be in a position to pursue close relationships with someone not in their near orbit, and may be likely to actually avoid them because of regulations.

The vast majority of the galaxy would likely see them as unthinking, rigid hall monitors (whereas non-clone troopers, stormtroopers, think for ourselves and we wouldn’t act that way..........).

Which all gives Palpatine an excuse to give in soooo magnanimously to the public's demands to stop using clones as troops.

[booasaur]

I think there are some takeaways here, if we want to learn from this.

First: third-party voters were irrelevant. In no swing state did left-leaning third-party voters add up to enough to push Harris over.

Second: many progressive policies and politicians outperformed Harris.

Third: appealing to Republicans did not work.

It has never worked, in the US or in Europe, we've seen time and again that giving ground to right wing policies only legitimizes them and voters then prefer the original. For example, if you worry about immigration, and both sides are saying it's a problem, who do you trust more to handle it?

Fourth: polls were pretty accurate. There were months, years, really, of debate about polling being broken, which demographics were underrepresented, which were overrepresented, herding, hopes that they were overcorrecting for the last two misses on Trump, but they ended up closer than anybody wanted. Which also means that Biden would have lost by even worse.

Fifth: on the one hand, people should hopefully see this graphic and realize there's no minority to scapegoat:

On the other hand, I'm seeing a lot of people take it as a sign the country has simply shifted to the right in a huge, undeniable way that's depressing and ominous and feels hopeless. After all, Trump will win the popular vote by a lot, the first time a Republican has in decades.

However, this should be taken in conjunction with these numbers:

Now THIS is something that's open to further analysis and that can be worked with.

Why did so many Democrat voters not show up?

Here are some potential reasons for this, the truth most likely being a combination of at least several of them:

She's a Black-Indian woman. There's no denying the racism and misogyny among the US electorate, but given earlier polls where she was leading, I don't think this was the main or certainly only reason.

She was seen as too progressive/leftist. Again, by virtue of our racist, misogynistic electorate and our billionaire-owned media, Harris was seen as too extreme left by a lot of people, not just because of policies, but because inherently, her identity itself is extreme left to them. I personally don't think this was a crucial factor because, again, she had been leading when she was going stronger on the progressive messaging, other progressive policies and politicians outperformed her, and a lot of the people who think she's too extreme are Republicans who'd never vote for her. I just don't think it's a good enough reason for the millions of Democrats who didn't show.

Palestine. There's a coalition of pro-Palestine people, not just Muslims and Arab Americans but leftists and other POC too, but numerically, their vote for third parties made no difference. Did enough shift to Trump or not show up at all? Certainly in Michigan they swung to the right, but would that have made a difference? Did they matter in other less tangible ways, e.g., a lot of the same active progressives who'd have been out campaigning simply voted quietly for Harris and left it at that? How much of a distraction was this for Dems, having to constantly address Gaza as opposed to putting forth their own policies, and did it contribute to the overall perception of them being incompetent and weak and bringing chaos when people were tired of it? I think Palestine did have an effect, but enough to swing it overall...?

Not being progressive enough. A lot of people will point to Palestine and immigration, the decision to campaign with Liz Cheney and Mark Cuban and court Republican moderates, stifling Walz, and various other shifts that abandoned the left for the center and then the left didn't show up while the center went for Republicans as they always do, but the left isn't that large. I think, if this one point is a factor, it's more that it was simply difficult for normal voters to show up when they didn't really know what the candidate stood for, aside from "more of the same" and "not Trump".

Biden. When you have a ton of people unhappy with where the country is going, including their biggest priority, the economy, being tied to an unpopular incumbent was going to be tough, especially when, as a Black-Indian woman, she would be judged as disloyal if she broke too much from him. Nevertheless... People were unhappy with him and his administration.

Ultimately, I think there's a lot to learn and I hope Dems will.

I think we're in for a tough time and we're going to need community and solidarity, not fighting among ourselves.

[cripplecharacters]

Do you have tangible advice on *how* to research different disabilities for writing? How to find specific blogs beyond searching the name of the disability on Tumblr, forums, websites with good info, etc? I see a lot of advice that is basically just "research the disability and talk to people who have it" but with how Google has gone down in quality, I'm not sure where to look beyond the surface level info (plus how to find people with the disability who are willing to share niche details/answer really specific situational questions). Thank you for everything you do on this blog!

Hey!

I'd say that you should break the research process into a few steps.

First, figure out what you should actually look into. Think about the genre, intended audience, and role of the character. A background character in a comedy meant for elementary school kids and a main character in an adult romantic novel will have two different approaches. You don't have to (and probably shouldn't) overdo a character that doesn't need it - otherwise it can end up feeling like some sort of disability awareness PSA, and that's probably not what you want.

With that in mind, you can start the actual research. I think that the websites of organizations/foundations for people with that specific disabilities are the best, since they cover a lot of things from many different angles. They are also usually written in simpler language than medical websites (which are also great, but I get that not everyone can understand those, not everyone's fluent in English, etc.) and have more tangible advice for "how to function with XYZ" essentially. It also can give you a glimpse of what your character could specifically struggle with, especially in case of a recent disability - medical pages often won't talk about insurance problems, interpersonal issues, or actually coping with the new state one's body is in. Check the FAQs, or the most commonly visited pages, stuff like that to get an idea on what's important. For example, these are some of the most concise explanations of how someone with a complete spinal cord injury at a specific level might function and what they might need. Something like this can be a good start to figure out where your characters "is", so to speak.

Some organizations for common disabilities might also have some sort of "media representation" page that's made specifically for writers. UK's Down Syndrome Association has one, Face Equality International has one, Phoenix Society has one, US Foundation for the Blind has one, etc.

This alone is more research than the vast majority of writers bother to do. If you actually understand:

what the disability is,

what symptoms it has,

how those affect your character in day-to-day life,

how to avoid the most common offensive stereotypes,

you are doing better than a lot of published writers, to be honest.

Okay, but what can you do to make it even better:

Since at this step you know what symptoms your character has and which ones you will actually show to the audience, you can start researching them one by one.

Here you might have to go read some medical studies, and learning how to get information out of those is a skill that needs some practice. But it is necessary to figure out if your blind character's vision loss is more likely to be total with no light perception or 20/200 (and, to figure out if your character's eye condition even causes blindness... because I've seen "blind characters" who are blind from eye conditions that... do not cause vision loss) so that you can actually research appropriate accommodations or aids.

Knowing specific symptoms will be even more helpful if your character's disability isn't very common - symptoms are very rarely tied to just a single disability, and you might have more luck researching a completely different one. For example, if you can't find info on something related to being a unilateral arm amputee, try searching for solutions that hemiplegics use. Not all will apply, but a lot of this stuff will be the same.

Make sure you understand what you do or don't do with those symptoms. There might be treatments, there might be some lifestyle changes to be done, there might be some strict limitation that you will have to put on your character for them to make sense. I think it's better to fit the character concept to the symptoms that you want and not the other way around - if you do the latter, you might find yourself writing an essentially abled character or a disabled character that is just inconsistent. Not every disability will be compatible with every role or concept, and there's really no point in trying to put us literally everywhere. If you really can't find a solution for something you need the character to do, it might mean that there just isn't one.

Once you figure out the technical stuff and have all the "dry" information laid out, start seeking the real life equivalents. Start widely at first so that you can narrow it down later, not the other way around (unless you don't mind changing the character around a lot). If you have already done a lot of technical research before, you will have more specific questions (which are easier to answer than "how do I write a disabled character").

Look up daily vlogs and day-in-a-life videos on youtube from people with that disability (and don't be afraid of only very-low views count videos popping up as that's almost inevitable - there are very few big disability youtubers, so try giving the smaller ones a chance). Watch interviews where people with that condition explain how their daily life is, how their disability affects it. SBSK is one of the best IMO. Check out AMAs on Reddit. Read personal blogs (you can generally find some by just putting "living with Name of Disability blog" into search). There's a ton of people who sincerely want to help others understand the realities of living with their disability and name their stuff accordingly so that it's easy to find.

At this stage you should have a decent idea of how the disability affects your character both in the technical sense, and in the more practical one.

Try to write out their average daily routine - from how they get up in the morning to when they go to sleep. Try to actively think "how would they do it" - how would they get from their bed and into their wheelchair, how would they dress up, how would they commute to work, how would they communicate with others, how would they get from point A to point B. If you realize that you're suddenly stuck, you now have a specific question ("how to put on pants with no hands", "how do totally blind people use computers", "shower accommodations C5 SCI", whatever) which is much easier to research than just a vague awareness of Not Knowing how your character functions in general. All of these questions have been asked before - newly disabled people will be going through them in their real life, and they use the same search engines and same social media as everyone else.

If you get this far, you're doing quite great! I'd say that this is enough effort to make a good and complex disabled character that's important in the story, though maybe not the POV character.

For a POV character, if you aren't disabled, you probably need a sensitivity reader/consultant.

There are a lot of those in writing spaces already - a lot of disabled people write themselves. If you just drop a "I need a sensitivity reader for XYZ" and use the general writing tags, there's a high chance you will get a response (assuming the XYZ in question isn't something very rare and/or so severe it would prevent someone from using the internet in general).

You can also try the disability's tag (don't get discouraged if it's not used a lot, a lot of people lurk without posting anything themselves) since you're looking for a real person and intending to pay them (very different from abled writers randomly posting their blorbos in disability tags).

Some of the places where you can try looking are r/SensitivityReaders, WritingDiversely, FireflyCreativeWriting, even sites like Fiverr could work. I've also heard some good things about Facebook writing groups, but I don't have any personal experience with them.

You can also always reach out to an association for people with the kind of disability you need - tell them that you are a writer and are looking to pay a sensitivity reader to help you, and they might be able to refer you to someone who would like to do that.

Another thing would be to keep intersectionality in mind - if your character is disabled, but otherwise part of the majority in every other sense (in NA or most of EU: white, rich, Christian, cisgender, straight, non-immigrant), you will have less things to consider than if your character has the same disability but is also a Polynesian transgender immigrant. If any intersectionality is particularly important to what you're writing, you should include that as well (you can also work with multiple sensitivity readers to try and get as close as possible).

My last advice is to only seek out sensitivity readers if you're able to pay them a fair amount for their work. Don't ask people to work for you for free (which is probably obvious, but a ton of fanfic and whump writers on Tumblr seem completely unaware of this).

Technical tips:

For specifically avoiding AI slop, I recommend putting [before:2023] after whatever question you put in, it will filter all results made after 2022, eliminating 99% of AI nonsense (works for images too).

If you're constantly getting a specific kind of wrong result, use [-ThingYouDon'tWant] after the input, it will remove everything that contains it.

If you're not getting a specific result, put the word you need in quotes ["Word You Need"] and it will force only the results who use that specific phrase/term to appear.

So if you're trying to find a blog about living with quadriplegic cerebral palsy as an adult and can't find any relevant searches by putting just that into the search, try ["cerebral palsy" "blog" quadriplegic -parents -spinal -SCI] and you should get more relevant stuff.

That's how I generally try to approach research for writing and I would say I've had good results (including now). Researching is a skill that requires practice unfortunately, at some point you can simply tell when a resource is bad or good since you've looked at so many already.

Follower input is welcome and encouraged :-)

mod Sasza